#and the nature of our culture at that time

[talonabraxas]

Ouroboros

Ouroboros meaning and origin

The ouroboros symbol, often depicted as a snake eating its tail to form a circle, is one of the oldest and most recurring motifs in the mythology and iconography of various cultures around the world. Next, I will tell you about some of the most notable origins and meanings of ouroboros in different cultures:

Ancient Egypt: One of the first known records of the ouroboros comes from ancient Egypt, where it was associated with the serpent Uraeus, a protective deity represented as a cobra. Ouroboros was related to the cycle of life, death and renewal, and was often found in amulets and funerary jewelry. It was also linked to the idea of ​​eternity and the unity of time.

Ancient Greece: In Greek mythology, the ouroboros is sometimes associated with the serpent Ladon, who guarded the Garden of the Hesperides and is often depicted as a serpent eating its own tail. This symbol is related to the idea of ​​constant regeneration and the infinite cycle of nature.

India: In Hindu tradition, the ouroboros is found in the image of the Ouroboros Ananta Shesha, the cosmic serpent that supports the god Vishnu as he floats in the cosmic ocean. This snake represents eternal time and the infinite cycle of creation and destruction in the universe.

Alchemy: During the Middle Ages and Renaissance, the ouroboros became an important symbol in alchemy. It represented the union of opposites, such as the masculine principle (the Sun) and the feminine principle (the Moon), and symbolized transmutation and the search for the philosopher's stone, which conferred immortality.

Other cultures: The ouroboros also appears in Chinese mythology, where it is known as the "Jade Dragon." Additionally, it is found in Mesoamerican cultures such as the Aztec, where it is associated with the feathered serpent Quetzalcoatl.

The general meaning of the ouroboros is the idea of ​​an eternal cycle, renewal, the unity of opposites and eternity. It is also interpreted as a symbol of self-reflection and self-transcendence, where the individual seeks understanding and wisdom by exploring their own limitations and potentials.

Overall, the paradox of the ouroboros challenges our conventional understanding of time, renewal, and the relationship between opposites. It invites contemplation and reflection on the interconnectedness of all things and the complex nature of existence. The paradox inherent in the symbol has made it a powerful and enduring motif in various cultures and philosophical traditions.

In summary, the ouroboros is an ancient and universal symbol that has evolved throughout human history and culture, representing profound concepts related to the cyclical nature of life and the pursuit of wisdom and transcendence. His legacy endures to this day as a reminder of the richness and depth of human symbolic thought.

[anniflamma]

This isn't a question, but rather a love letter to your art<3.

Thanks to you, I've started enjoying Greek mythology and the Bible again (I mean from a point of artistic, mythological, historical, and theological analysis; my status with any kind of religion is being agnostic XD).

And I already enjoyed Epic the Musical, but I really love the designs you make, how you empathize with the symbolism and lore of the Gods when designing them, and how you make Odysseus so human with his crude expressions that makes me empathize with him (And he's one of the characters I hated the most from Greek mythology lol)

And then there’s your art about the bible, I have to admit that I tend to avoid the biblical religion because of the weight it still has on our daily lives, the damage it has done from the past to this day, and how they deny it with current hypocrisy (I live in Spain, there the official religion is catholic), but your lgbt drawings have really encouraged me to open the bible and see it from an objective and neutral point of view, and just enjoy it as another book and not as something I’m forced to follow.

Also I didn’t know there was so much LGBT content in the bible XD Seriously, thank you so much, if you had a patreon, I would pay you for the amount of happiness and culture you have given me (^///^)

By the way, reading your posts I found out that you recently experienced an internet drama that has become so popular lately. I just wanted to tell you that I'm sorry that both you and that poor artist had to go through this, that human hypocrisy has no limits or shame, and that I agree with everything you say. Just because we like a character or an author doesn't mean we agree with their crimes or ideologies.

I hope you have a nice day<3

Hi! I’m sorry it took me a while to respond! I mean it, I’ve read this over and over, and it makes me so happy. I’ve been thinking about how to respond, but sometimes it's hard to get it out into words.

It makes me so happy that my biggest interests make others interested in it too. Heck, when people ask questions, I get all giddy!

Talking about biblical/christian saints, greek myths, history, different cultural views and changes was kind of the whole point of why I started this tumblr blog. I have so many drafts filled with random info about LGBTQ+ saints..... Now… I post mostly thirsty drawings of greek gods with hairy chests... T.T

And I sympathize a lot when it comes to religious trauma. I consider myself lucky in these matters, my mom is Catholic, and she has her views that I don’t agree with and hurtful. Yet she still supports me in her way and watching my bible retelling animatics, everytime I post a new bible animatic, she writes me: "What have you done to Daniel..."

I also have my hurts and anger towards hypocrisies too, and I guess this is my way of countering that?

LGBT content in the Bible is something that really fascinates me. I think it's important to keep in mind that people from about 2,500 years ago had very different views when it came to gender and sex compared to how we see it today. In a way, the Bible does have strict social gender expectations, and if you didn’t fit in, then you weren’t considered part of that gender. But at the same time, it acknowledges that your sex. I think it’s in the Talmud were it discusses the fact that, throughout the Bible, there were about eight genders:

Zachar: male.

Nekevah: female.

Androgynos: having both male and female characteristics.

Tumtum: lacking sexual characteristics.

Aylonit hamah: identified as female at birth but later naturally developed male characteristics.

Aylonit adam: identified as female at birth but later developed male characteristics through human intervention.

Saris hamah: identified as male at birth but later naturally developed female characteristics.

Saris adam: identified as male at birth but later developed female characteristics through human intervention.

Some scholars even believe that Abraham and Sarah were Tumtum. A Tumtum is not considered to be very distinct but rather flexible between male and female sex/gender—"sometimes he is a man, and sometimes he is a woman." The simple fact that God said Abraham had a womb and from it, he would have children. Some say that this is why he is a Tumtum, while some historical linguists argue that ancient Hebrew didn’t have the vocabulary for male genitalia yet. Both arguments are valid, and I like them both!

There’s tons of stuff I could bring up—Joseph with his princess dress, Naomi and Ruth, David and Jonathan, and the discussions around whether Daniel was a Saris Hamah or a Saris Adam. We know he was called a saris, but we’re just not sure which. And then there's Jael, whose story is filled with a lot of phallic symbolism, and even her name is very gender-neutral.

I think I’m going to end here. I could yap about these things forever! But thank you again taking your time writing to me and I hope you also have a nice day! <3

[applesauce42069]

I want to talk about Jewish indigeneity using this document from the UN, entitled "Who are indigenous peoples."

I'm not saying that all Jews necessarily fit every single thing that is on this document in all cases and times. I believe this document from the UN, which is clearly intended to be used for legal and political purposes, to identify vulnerable groups who need assistance. But even if we don't - we don't have to.

The document itself says:

According to the UN the most fruitful approach is to identify, rather than define indigenous peoples. This is based on the fundamental criterion of self-identification as underlined in a number of human rights documents

Jews have understood that our ancestors came from and originated in the Southern Levant since before the word "indigenous" existed. Our ancestors cared about their homeland so much that they wrote a story that said that our god gave it to them to describe how special our land was to them.

There are many ancient documents that describe how strongly Jews feel about the land that shares a name with us, the land that we call Israel. The earliest example I know of a Jew calling themselves indigenous to Israel is from 1947 at the UN, when Eliyahu Eliachar said:

As the indigenous population of Palestine, we demand the restitution of our rights, the abolition of the White Paper of 1939 and all it stands for and the opening of the gates to all Jews in need of a home, whether from East or West. Not wanted anywhere — undesirables everywhere — this germ of restlessness and despair is eating us up root and branch.

I'm going to share a graphic from the pew research centre:

why do you think this is the case? it is because most jews understand themselves as connected to israel by nature of being jewish because we are indigenous to there.

So, details from the UN document that I feel resonates with Jews, Jewish identity, and Jewish history:

Self- identification as indigenous peoples at the individual level and accepted by the community as their member. Historical continuity with pre-colonial and/or pre-settler societies. Strong link to territories and surrounding natural resources. Distinct social, economic or political systems Resolve to maintain and reproduce their ancestral environments and systems as distinctive peoples and communities. Indigenous peoples are the holders of unique languages, knowledge systems and beliefs and possess invaluable knowledge of practices for the sustainable management of natural resources. They have a special relation to and use of their traditional land. Their ancestral land has a fundamental importance for their collective physical and cultural survival as peoples. Indigenous peoples hold their own diverse concepts of development, based on their traditional values, visions, needs and priorities.

...they are the descendants - according to a common definition - of those who inhabited a country or a geographical region at the time when people of different cultures or ethnic origins arrived. The new arrivals later became dominant through conquest, occupation, settlement or other means.

[literaryvein-reblogs]

Writing Notes: Fantasy

The Fantasy Fiction Continuum

Fantasy - as a genre, begins when the author inserts an element of the impossible into his/her conceit, making it a fantasy conceit.

Fantasy Conceit - what the creator intends to explore in the world, it is where the constructed world deviates from the real world, usually in the form of geography, biology, physics, metaphysics, technology, or culture.

Fiction set in the modern age sits closest to Non-Fiction since it shares the existing real-world setting. Audiences understand and identify with the modern setting, and therefore the author does not need to inject as much imagination into explaining the world around the characters.

Historical Fiction - edges a little further into the realm of Fantastical. The author must describe a past world that modern readers are unfamiliar with by painting mental pictures of times, locations, customs, and cultures that no longer exist.

Overlaid Fantasy - the Fantasy Conceit and real world comingle. A major component is that it is plausible, which is to say it still adheres to our real-world natural and societal laws with the exception of the Fantasy Conceit, at which point it diverges. Subgenres: Urban Fantasy and the Superhero genre.

Historical Fantasy - requires more fantastical elements than its modern Overlaid Fantasy counterparts and therefore sits a little more to the right on the spectrum as the author applies his/her Fantasy Conceit to a bygone age.

Secondary Worlds - stories where we have left our modern reality so that our story takes place in a setting that is decided not-Earth. At this point all plausibility that existed in our Overlaid Fantasy is out the window in that the audience no longer has the anchor of the modern world with only the Fantasy Conceit being different, but must literally discover a new world. This subgenre should always be logical, as in they adhere to their own rules established at the beginning and remain consistent to them throughout. These stories contain pretty much all the subgenres that don’t explicitly take place on Earth, but may be grouped into Low Fantasy, Sword and Sorcery, and High Fantasy.

Low fantasy - set in the real world; includes unexpected magical elements that shock characters, like the plastic figurines come to life in Lynne Reid Banks’s The Indian in the Cupboard (1980).

Sword and sorcery - a subset of high fantasy, it focuses on sword-wielding heroes, such as the titular barbarian in Robert E. Howard’s Conan pulp fiction stories, as well as magic or witchcraft.

High fantasy - in comparison to the above two subgenres, high fantasy contains the most magic and has more additional races.

Magical Realism and Nonsense - when logic disappears yet fantastical elements remain.

Sources: 1 2

[ashleyfableblack]

"Okay… what about this one?" Queen Twilight tapped a hoof on the page. With a soft glow of her horn she drew out the complex symbol in the air as she sounded it out. "Vah… Lahk. Varahk? Varrac!"

Chrysalis smiled. "Perhaps…" She sleepily craned her neck to study her most recent clutch of eggs. A sticky green resin held the precious charges in place, dangling from a nearby rocky overhang. As the wind funneled through the natural arch, they gently swung, rocked as a baby in a crib.

With a puff of her cheeks she blew a gust of glittering pinkish light in their direction. The love energy swirled around the eggs like an octopus ink, clouding the air in a warm soupy fog before it was absorbed into the tiny grey orbs. The as-yet-unborn gobbling up the nourishment from their mother. Chrysalis gave a sleepy yawn and began to slowly drift to laying on her side,. She wondered if they, too would have violet eyes like their little lavender pony other-mother.

"Chryssi?" Twilight gave her wife a gentle prodding with her wingtip. "Honeybug?"

"MRZussaffm…" Chrysalis's eyes struggled open.

Twilight gave an pleading grin at the pitifully adorable sight of the little larvae nuzzled around her bughorse bride as they tucked into the translucent tresses of her cobweb-mane. "Chryssi…?"

Chrysalis chittered to one of the larvae and gave her an affectionate nip, removing a flake of molting chitin. "I'm sorry, beloved. I'm just-" she yawned again . "You know your pony naming conventions are so unnecessary to our changelings. They're hatched knowing their designations through the hive-mind."

Twilight pouted with a pleading smile as she leafed through the pages of the incredibly ancient book. "I know it's a point of cultural confusion between our races, beetlebum. That's why I'm trying to incorporate more of your culture and try some names more familiar to your people and your people's history- while at the same time educating myself on the Ancient Equish language and history." She held the book aloft in her magic with a prideful flourish, still carefully keeping her place in its pages. "THUS, we are using one of your old journals from the pre-Sucrosian Period!"

Chrysalis sighed and gave a playful roll of her eyes in surrender. She had to chuckle. When Twilight was like this, she truly couldn't deny her little wife anything. She watched with interest as Twilight opened her old journal. Two of their larvae quickly skittered from the navy waves of her wife's mane to climb on the millenia-old manuscript. Excited to help their ponymother, they chittered happily, holding the page in place with their forelimbs.

"So…. Varrac?" Twilight asked with a bright, curious smile.

"Well, she was good with snakes."

Twilight looked from the ancient book to one of the tiny changeling larvae cuddled into her crest of alicorn chest-fluff. "Are you a 'Varrac'? Are you going to be good with snakes?"

The tiny face lit up like a Hearthswarming bonfire at her ponymother's excited smile. She hissed out her tiny forked tongue and wiggled her little caterpillar-like rump of a tail segment. Twilight fawned with motherly pride and nosed at the tiny changeling babe. "I'll bet you will be. Of course you will. You look just like a Varrac."

Chrysalis adored moments like these, lazy afternoons together with her wife, watching her excitement and pride as she learned new things. Pouring over old volumes of any sort, Twilight came to life in a whole other way. Knowledge was her passion.

"Let's see here… What about… This one, V….Vaaa….Varghan?"

Chrysalis peered over the tome. "Vabam. As I recall she …was good with secrets…. good at telling them anyways."

Twilight crinkled her nose at that thought. Looking to one of the larvae she shook her head. "That doesn't sound like you, does it?" The tiny changeling babe tilted her head. returning her ponymother's smile and shake of the head. "No. You're not a Vabam. That's an honest little face if I've ever seen one. Hmmmm…."

She continued pouring over the swirling, magical symbols. With Chrysalis tutelage she was learning the art of reading them but still, the practice was FAR more complicated than any language she'd ever encountered. Deciphering the symbols was as much mental wrestling as it was arcane finesse, even compared to the darkest and most ancient of pony magics. "Okay, what about… Sssssurgat? No. I remember you said something once about that one. She liked to pick locks or…. Oo! Suluth! What about that one, Chryssi?"

After a few moments of silence Twilight looked up from the page. "Chrysalis?"

She chuckled. Chrysalis had dozed off. Their tiny charges, nestled secure in the tucked chitinous hooves of their armored queen-mother, mirrored her gentle snoring.

"Oh well." Twilight sighed. With a curling of the enchanted waves of her mane she drew the larvae gathered around her into her crest of chest floof. "I guess that can be enough for today."

The alicorn queen softly shut the tome. With a mother's love, she gently carried her little buggy babes with her as she sidled over to the slumbering bughorse. After a few moments of ooching she eventually found her way into the creche of her wife's limbs and In the enchanted air of sweet summer breeze the royal family drifted off together.

[styx142]

Okay so like, I've been thinking about an Adventure Time teacher AU and why does it work weirdly well???

Here's the current staff list

Finn: Gym coach who's currently also working as a math teacher due to a shortage of staff and the previous one (Billy maybe?) quitting. He's absolute shit at math but he's super excited about it all the time so the students love him anyway.

Jake: At first I was thinking gym coach too, but I feel like he'd be a great counselor honestly. He's constantly advising his brother and I think he'd work well

BMO: The computer teacher! Kinda obvious but yeah

Neptr: Robotics/engineering teacher. Due to the nature of their jobs, BMO and Neptr work pretty closely together. Neptr loves this, BMO not as much.

Princess Bubblegum: The science teacher who is kind of running the place at times, because the principal won't do anything so she's decided to do what she can to keep this place running smoothly.

Marceline: The band director. She is 100% playing pranks on her students all the time. Also whenever the band is practicing she is standing on her band tower with a little umbrella or something for sun protection.

LSP: Drama teacher. Kinda obvious, she's already directed a play in the show so she works well as a drama teacher.

Simon/Ice King: History teacher! I got the idea from my AP world history teacher whose classroom is packed full of artifacts and replicas from different cultures throughout the world. Figured it'd be fitting for Simon

Flame Princess: English teacher. My whole thought proccess was "freestyle rap. Creative. Poetry. English?" and I think it works well. Her dad was the previous English teacher who left to open a chipmunk sanctuary.

Lady Rainicorn: I was thinking either art or Korean, leaning more towards Korean simply because I have another idea for the art teacher.

Jermaine: Art teacher!

Lemongrab: Psychology. This man has such a weird brain that I think it'd be fun to have him teach this. I can imagine him writing office referrals that just say "UNACCEPTABLE" on them

Fern: The new math teacher who shows up halfway through the year and has to deal with all the students complaining about missing Mr. Mertens.

Betty: Another character who shows up sometime later during the year. She'll be our principal, taking over for the previous principal who quit mysteriously.

Prismo: Vice principal, kinda bad at it and doesn't know how he got the job

Scarab: an admin who was hoping for vice principal and was really pissed when Prismo got the job instead of him

Golb: The principal

The lich: Previous vice principal who was fired for unknown reasons. Fired at the same time Billy quit.

Peppermint butler: I can't decide whether I want him as a student or as a secretary or just as someone who works in the office

I think I'll have all the candy citizens as students, as well as probably some minor characters who get a few appearances or only one episode.

This is partially why I originally wanted PB as the principal, but I found it funnier to have her as the teacher who is going insane because Golb will not do shit for the school.

I'm considering turning this whole thing into a fic, possibly focusing on PB? Possibly a bubbline fic? Not sure quite yet, this AU is still very much in development

[niqhtlord01]

Humans are weird: The one who returns

(A continuation of: Humans are weird: They sing going to war)

Though my comrades laughed I continued the human tradition, and to my relief I was rewarded by what gods of theirs were listening.

On my first drop after I started to sing an anti-air shell punctured straight through my dropship. It tore a hole the size of my torso through the hull, reducing the squad mate who had been sitting their laughing at me into a red mist, and then out through the other side before detonating. The craft rocked and lurched but it held together long enough for us to reach the surface.

In my first battle I was pinned down in the ruins of a structure trading fire with a squad of enemy soldiers on the opposite street. We’d been stuck in that firefight for almost an hour trading fire; neither side daring to race across the dead land between us. I had just ducked back to slap in a fresh clip when a shredder grenade was flung through the window and landed at my feet. I had seen what they could due and knew my time had come as there was no chance for me to escape the room before it detonated. Yet as I kept my voice strong in song a stray blaster bolt struck the ceiling above me loosening a chunk of masonry. The piece came loose and fell directly on to the grenade causing the ground beneath it to crumble and continue falling into the floor below before it detonated leaving me unharmed.

What truly astounded me though is when my squad was assigned to capture a metal recycling facility on the outskirts of the city. Reports had identified the complex as a rallying point for scattered enemy squads looking to regroup so we were sent in to neutralize the threat. We arrived in good order and began investigating the factory when the machinery suddenly came to life. A metallic sheering blade the size of my body swung at me from the gloom and would have nearly chopped my head off had I not noticed the red glow it began to emit as it powered up. My comrades were not as lucky and three of them were cleaved like bloody paper. From above I saw the operator of the machinery at what had once been a foreman control post and let loose a barrage of blaster fire. He fell quickly enough and in the confusion of battle between the enemy forces now flooding onto the facility floor I made my way up to the control post. It took a minute to unravel the nature of the controls but in short order I had redirected our would-be machine adversaries to turn on their former compatriots. The facility was ours within the hour with myself once more remaining the only one untouched from harm.

As my squad began shuffling off to wait for a medvac I found myself drawn to the machinery. The giant blades now stood silent and powered down and I ran a hand against them. Even powered off they were sharper than anything I had ever come across and when on had so easily cut through armor meant to deflect raw energy discharges. I’m not sure if it was from the shellshock of battle or from my recent time spent with the human warriors, but I felt something calling to me from the blade. It took some time to dismantle but by the time the medvac transport arrived I had freed it from its housing and dragged in onboard. If my squad had anything to say about it those that could still speak kept their own council.

Back in orbit I dragged the metallic blade to the human’s section of the ship. I had found myself in their company more and more when time permitted between deployments. Their talk of ancient gods and wards of protection were what interested me at first, but they were but the first steps into the depth of my fascination of their culture. I showed them the giant blade and told them of how it had slain my comrades. Some of them spoke how it reminded them of the blade of Surtr which heralded Ragnarök, while others insisted that it was more akin Skofnung, a king’s blade imbued with the spirts of his most loyal warriors.

The debate went on from friendly disagreements into an open brawl between the opposing factions, but their engineers remained focused on the material itself and asked what I wished to do with it. I had heard many of the legends of the humans by now and knew many of them carried great weapons, so I wished them to fashion me one from this blade as well. They were hesitant at first as the work alone would be immense and they had other duties to attend to, so I offered them whatever material of the giant blade would be theirs to do with as they pleased. With such an offer made their eyes went wide and they barely had time to agree to the terms as they snatched the giant factory tool and carried it off between the still brawling throngs.

Three days passed and I heard nothing from them. My next deployment was on the fourth and just before I was to embark on the transport the engineers came before me. With great glee they presented me with my new weapon.

Now a fraction of its former size, the blade could easily be wielded with one of my hands. I took several swings of it and I could feel the very air itself around it buzzing as it sliced through it. To add to the moment the human engineers directed my attention to a bright red button on the hilt of the weapon. No sooner had I pressed it did the blade coursing with power. A soft orange glow began to emit from the blade as it once more became as powerful as the first time I saw it in the facility. As if to emphasize its keenness they had me hold the blade up then swung one of their own rifles at it like a club. The blade sliced through the body of the rifle and it fell to the floor with a loud clutter.

Impressed by their work I nodded my thanks and joined my comrades on the dropship. It would be the last time anyone on the ship would call me by my name. When I returned I would be known by other names but the one that most stuck was Ne’ya Ruel, which in my people’s tongue translated to “The one who Returns”  

[cdroloisms]

a little ramble about dreblr, meta, and the ever evolving nature of this fandom, i guess?

i don't mean to soapbox, this is mostly just going to be vomiting some thoughts into a post. some recent stuff and a post or two have had me thinking about this fandom and how different it is from when dsmp was ongoing. it's,, pretty obvious that the fandom is quite a bit smaller and less active than that time, and there are generally a lot fewer people actively posting meta and such every day--which isn't necessarily a bad thing, and is natural obviously considering that the dsmp ended almost 2 years ago, but does mean that the culture around (?) meta and such has shifted, as well. it's one of those things too i think that is felt so much more obviously in dreblr, which is an even smaller group within this fandom that formed in response to uhhh being very much considered unwelcome by the greater fandom at the time.

that being said, as is the nature of all fandom, dreblr is still a community of people who are largely strangers who have gathered together because of one commonality: very strong feelings and often very strong opinions on the dream smp and c!dream. and i think when the fandom was more active, the entire fandom felt a lot more like a "pvp enabled" zone, lmao -- it was every other day when there'd be some new batshit meta about c!dream or some stream to react to and analyze and fight people about and whatever. since then, though, with the dsmp gone, the fandom has become quieter -- which i think has allowed some of the variation in opinions within dreblr become more and more obvious? and also become a sort of source of friction.

again, this is normal for any fandom. i'm certainly not here to agree with everyone about c!dream always, lmao. but the vagueing of takes is always more awkward on both sides when it's someone where you share more of the same circles. at the end of the day, it's up to each individual blogger's discretion to choose what they will or won't post on their own blog, but at the same time ... when it comes to the community, just speaking for myself, i don't want a super high barrier of entry when it comes to people feeling like they can't join this fandom unless they've got [xyz] experience or [xyz] takes.

when it comes to actual analysis of the source material, though, keeping meta a safe place for people to say "no, i don't agree with this take because of [xyz]" is important as well, which always raises the question of how said disagreements should be handled. and again, i'm no authority, i'm not here to tell people what to do. personally, when it comes to my own blog, i don't like to post very much directly about any one blogger, but I know I've definitely written posts inspired by specific takes before as well as screenshots of takes from the fandom's heyday, etc. i don't necessarily feel uncomfortable with this ...? but at the same time, i know that vagueposts can be a source of discomfort, especially if they're about your take in particular (speaking from experience) -- so it's you know. not the easiest line to draw, I guess, especially when we're talking about a community where different people are going to have different levels of comfort with what they post on their own blogs and what other blogs do in response to their takes. and whatever.

vagueposting, i think, has been common in the tumblr dsmp fandom for a long time, and especially in dreblr -- direct engagement in the past errr usually went badly, so a habit formed of keeping everything we did kind of within our own spaces (hence why many of us don't even tag c!dream or even dreblr on most of our posts; keeping everything untagged, or keeping the tagging system restricted to our own blogs, limited the possibility of trouble). that being said, vagueing within dreblr has become more common, i think, as disagreements within dreblr have become more and more obvious in the time since the dsmp ended. (just for the obvious example: i think it's a bit of an open secret that i, personally, strongly disagree with much of the common depictions of c!drunz in this fandom. i've written some meta about this before, as well as some responses to meta--which i enjoyed greatly, believe me--but i've also noticed (perhaps coincidence) an uptick in c!drunz positive meta every time i or someone else makes a post that maybe skews more negative. which is normal, don't get me wrong, but also a pattern i've noticed. i'm also very aware that someone the arguments i may bring up as counterarguments or structure my posts around arguing against are based on actual arguments i've seen while in this space, which i'm aware is an easy source of friction within dreblr.) and it's easy to say "don't take it personally when it's just metaanalysis," but that's easier said than done, lmao, especially depending on the tone of the vaguepost and a myriad of other factors.

i'm not saying that i have the answers. or, for that matter, a single answer. the boundaries i set aren't going to be the same as the boundaries other people set, for one, and i have no desire to police what other people do on their own blogs. i do miss, sometimes, the more collaborative and discussion-based meta experience of this fandom when it was more active--i might try to more actively reblog posts (including those i don't necessarily agree with) to discuss this server and these characters, bc at the end of the day that is kind of why we're here. personally, i've always drawn a pretty sharp distinction between fanwork and analysis -- i think it's pretty bad form to criticize people's AUs In General (not that i've not. been guilty of it in the past, but i try at least to keep it to criticizing more general patterns within fanwork; look, i'm not going to claim a moral high ground, i love bitching way too much and should probably get a handle on that but asj;lkfdsaf) but when we're talking meta about the source material, barring shit like. you know, harassment and otherwise abusive behavior, i do consider it more of a free-for-all. at the same time, i know that these standards can lead to newer fans feeling like they're going to be booed out the door for sharing their thoughts, which, i mean, isn't great 😭😭😭 fresh eyes can bring a lot of really cool new insights, and it'd suck pretty damn bad to miss that because they don't feel welcome, yknow?

anyway, this is a very inconclusive post, but i thought i'd just throw some of my thoughts out as someone who has been here for a decently long time. and if you want to discuss w/ me, inbox and dms are always open :)

[rabbits-of-negative-euphoria]

it can be tempting to assume that the American spirit is one of revolution, when in fact, America was specifically formulated to be revolution-proof

[tetsunabouquet]

ITS OFFICIAL! ITS PAST MIDNIGHT! I AM 26!

[rimouskis]

on the subject of museums though: I'm a FIRM believer that the smithsonians are genuinely some the greatest cultural heritage americans possess and I believe SO fervently in them being free to the public and accessible to all because they ARE our nation's history and tell (and ideally deconstruct) our national myths and help contextualize the natural world around us and show us the heights of human ingenuity and art. also my favorite of all of them is the national museum of the american indian and I personally think if you can only go to one smithsonian museum it should be that one

[dxxtruction]

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[thickest-slimiest-malware]

sorry to anyone whose identity i mightve stolen when masking my autism. in my life in my masking database, as i always say

[beemovieerotica]

struggling with how to word this, but putting it out there anyway:

i can fully understand the posts on here from a lot of americans being tired of "vote blue no matter who" posts when the #1 thing that people are constantly (and sometimes only?) addressing is how the republican party is going treat trans/queer people if elected.

it's part of an unfortunate pattern of prioritizing the effects on a demographic that includes white + upper class people, when people of color and those in the global south are actively and currently being killed or relegated to circumstances in which their survival is very unlikely

it is genuinely exhausting to witness this, and i was also on the fence about even participating in voting because i a) felt like it didn't matter and b) every time i voiced being frustrated with the current state of the country, white queer people would immediately step in with "but what about trans people!" -> (i am mixed race trans man)

and i say this with unending patience toward people who do this, because i know that it's not something they actively think about. but everyone already knows how the republican party is going to treat queer people. you are probably talking to another queer person when you bring up project 2025. the issue is that, for those of us who aren't white, or for those of us who are but who are conscious of ongoing struggles for people of color worldwide, the safety of people around the world feels more urgent than our own. that is the calculation that's being made.

you're not going to win votes for the democratic party by dismissing or minimizing these realities and by continually centering (white) queer people.

very few people on here and twitter are actually talking about issues beyond queer rights that concern people of color, or how the two administrations differ on these issues instead of constantly circling back to single-issue politics. this isn't an exhaustive list. but these are the issues that have actually altered my perspective and motivated me to the point of committing to casting a vote

the biden administration has been engaged in a years-long fight to allow new applicants to DACA (Deferred Action for Childhood Arrivals, the program that allows undocumented individuals who arrived as children to remain in the country) after the Trump administration attempted to terminate it. the program is in limbo currently because of the actions of Trump-backed judges, with those who applied before the ruling being allowed to stay, but no new applications are being processed. Trump has repeatedly toyed with the idea of just deporting the 1.8 million people, but he continues to change his mind depending on whatever the fuck goes on in his head. he cannot be relied on to be sympathetic toward people of hispanic descent or to guarantee that DREAMers will be allowed stay in the country. biden + a democratic controlled congress will allow legal challenges to the DACA moratorium to gain ground.

the biden administration is open to returning and protecting portions of culturally important indigenous land in a way that the trump administration absolutely does not give a fuck. as of may 2024, they have established seven national monuments with plans to expand the San Gabriel Monument where the Gabrielino, Kizh / Tongva, the Chumash, Kitanemuk, Serrano, and Tataviam reside. the Berryessa Snow Mountain is also on the list, as a sacred region to the Patwin.

i'm recognizing that the US's plans for clean energy have often come into conflict with tribal sovereignty, and the biden administration could absolutely do better in navigating this. but the unfortunate dichotomy is that there would be zero commitment or investment in clean energy under a trump-led government, which poses an astounding existential threat and destabilizing force to the global south beyond any human-to-human conflict. climate change has caused and will continue to cause resource shortages, greater natural disasters, and near-lethal living conditions for those in the tropics - and the actions of the highest energy consumers (US) are to blame. biden has funneled billions of dollars into climate change mitigation and clean energy generation - trump does not believe that any of it matters.

i may circle back to this and add more as it comes up, but i'm hoping that those who are skeptical / discouraged / tired of the white queer-centric discourse on tumblr and twitter can at least process some of this. please feel free to add more articles + points but i'm asking for the sake of this post to please focus on issues that affect people of color.

[arolesbianism]

I've been passively watching an isat playthrough while twiddling my thumbs in my current oni save as I wait for my new power systems to be done and hey guys. I think one of these bitches is aromantic. Why did no one tell me one of these bitches is aromantic I would have played the game myself if I knew that

[almdragonrend]

Naruto anime studio tells western tourists to get F-KED! Warns Japanese ...

Japan is fighting back against cultural Genocide by the hands of Woke puritans!