#and you can say that those authors (who use it without also tagging what exactly they're talking about) are using the tag incorrectly

[themoonking]

when people bring up the racism, homophobia, transphobia, romanticization of domestic abuse / rape / pedophilia / incest, literal actual written porn of literal actual real life flesh and blood children, et cetera et cetera on archive of our own, one of the ao3 stannies’ main defenses is “you can just filter out the tags if you don’t want to see that!” when that defense has no fucking legs to stand on.

ao3 is not an archive, it is barely even a website: a rant <3 (very long)

ignoring the fact that it’s a problem that all of that is permitted on the site in the first place (i guess child porn and racism are fine, and the people who allow it on their platform are fine, as long as i, personally, do not see it), that defense literally means nothing. it’s assuming that every little thing on ao3 is tagged properly and it absolutely is not, and if you think it is you are dumber than rocks. i mean for fuck’s sake, just touching on archive warnings and not tags, “creator chose not to use archive warnings” is literally a valid option for fic authors to use when it should fucking not be.

if someone is a freak who thinks that pedo shit is hot, they might not tag it as “rape” (archive warnings OR tags). i’ve literally seen underage father/son rape porn with no trigger warning tags but “child abuse if you squint”. IF YOU SQUINT. if someone thinks that domestic abuse is actually cool and sexy when attractive people do it, they might not tag it as “abuse”. if someone is a freak who likes incest, but bends over backwards to justify it by only shipping adopted family members, then they tell themselves that they don’t view it as incest, and might not tag it as “incest”. if someone is a racist, a homophobe, a transphobe, et cetera and they wrote bigotry into their fic (or else wrote a deliberate troll fic to trigger people on purpose), do you really think they’re going to tag it as racism / homophobia / transphobia / et cetera? and some people get kicks out of writing purposefully triggering content and either leaving it untagged or mistagging it so that people will read it unsuspectingly.

even for just general content tags, it’s a mess. people just forget to tag things all the time. people deliberately won’t tag the endgame ship of their fic because “it’s a spoiler heehee”. people use the romantic or sexual “x / y” tag instead of the platonic or otherwise “x & y” tag, sometimes by mistake sometimes on purpose. it’s a joked about issue how people will tag characters or ships that appear in their fic for two sentences.

there’s no standardization of tags, which is a pretty obvious problem. what first comes to mind is the “dead dove: do not eat” tag which should just not be a tag at all because it just has no meaning. depending on the individual fic writer using it, it could mean anything from “literally the most sickening and depraved thing you’ve ever read in your life” to “horror w/ gore”. but it applies to other vague tags too - different fic writers will have different ideas of what the tag means.

in addition to that, what is and isn’t made a filterable tag, what tags are made synonymous, et cetera, is entirely up to the whims of the site staff. as an example, if you’re trying to look for fanfiction of a singular animated disney movie, the infinite crossovers with other disney movies will not actually be counted as crossovers (which they are) because they’re classified as the “disney theatrical animated universe” (which isn’t a fucking thing), so you can’t filter them out the “exclude crossovers” way. if you try to filter out the fandom tag “disney theatrical animated universe”, it’ll show up with zero fics because that tag is synonymous with every disney animated film (regardless of if the fic author actually used the tag “disney theatrical animated universe” or not), thus also filtering out the one you actually wanted to find.

and do not get me fucking started on the “all media types tags”, which also just shouldn’t be a thing because it makes it fucking impossible to find the specific fics you’re looking for. some people use it in place of tagging a specific canon / adaptation when their fic very clearly draws from one specific canon / adaptation, and you can’t filter it out because it’s synonymous with every fandom tag under its umbrella.

as an example of the issues of both the “all media types” tag and mistagging in general: as a fan of the witcher books, it used to be a fucking ordeal to find fanfiction specifically for the books (post netflix show release). some show fans would, for whatever reason, tag their fics with the book fandom tag in addition to (or even in place of!!) the show fandom tag when their fics were unquestionably show-specific, meaning i could not simply search only in the book fandom tag. i could not simply filter out the show tag, because some show fans would, for whatever reason, tag as fucking “all media types”, when their fics were unquestionably show-specific. and alas, i could not filter out “all media types” and the show tag, so that i see only those fics which have been deliberately and exclusively tagged as the book, not only because as mentioned some show fans would tag their show fics with only the book tag, but also because the fucking all media types tag filters out the book tag as well, leaving me with zero fucking fics REGARDLESS of if the author actually used the “all media types” tag. now, thankfully, i’ve thankfully seen this issue in this specific fandom lessen, but it still occurs in other fandoms and i guarantee that it didn’t lessen in the witcher fandom because of any fixing of the site on the part of ao3 staff.

another common defense of ao3 freaks is that it’s an “archive”, and therefore can’t get rid of anything anyone posts, and disregarding the fact that that is not how archives fucking work, they don’t just allow anything and also ao3 DOES get rid of fics... when they say that they don’t like proshippers, apparently, archives have... you know... archivists. they have someone or a team of someones making sure that everything in the archive is *properly fucking categorized*. they have someone or multiple someones making sure that everything they recieve (1) belongs there and (2) is properly labeled and organized. same for libraries. meaning that if ao3 really were an archive and not a sub par fanfiction website, they’d have something like that in place. something as simple as a report button for fics with a review team that will see if something’s been mis- or untagged. they’d have some kind of standardization of tags (especially the warning / trigger tags) and have proper tagging enforced in some way. and then they could also do something like stop being spineless racists, queerphobes, and pedos have the barest minimum of content guidelines saying that you can’t post fucking hate speech.

if something is mistagged or untagged, the most you can do is leave a comment politely asking that the author fix the issue, and then hope and pray that they do that. and if that person thinks [insert form of abuse] is hot, or if they’re just straight up a bigot that wrote bigotry into their fics to be bigoted, or they’re a troll that gets kick out of deliberately traumatizing people by tricking them into reading their mis/untagged fics, they might not! AND if you see a major tagging issue on an orphaned work, or a work that has an inactive author / hasn’t been updated in forever, good fucking luck getting even a negative response.

you can’t permanently block tags (i mean even tumblr.hell has that), meaning that if you would like to search for fic without coming across something troubling, triggering, or just something you don’t like, you have to either (1) do a work around by having a bookmarked link for every fandom you’re in or every character you like with all of your tags already blocked, (2) download browser extensions that do the work for ao3 because they can’t be bothered themselves, or (3) input every individual tag every time you search ao3 and don’t forget that all of those options only fucking work at all when everything is tagged properly, and we’ve already established its not. you also can’t actually block people (you can only prevent them from commenting) meaning that if there’s a specific person you’d like to stay away from your fics or a specific fic author that you don’t like and would like to stop seeing their fics clogging up the tag, you’re out of luck (though for the latter you could insert “-[username]” into the “search within results” box, but then uh oh we’re right back around to having to input that every time or have a bookmark)

their archive warning system is shit. first of all it’s functionally useless because, as mentioned, “creator chose not to use archive warnings” is an option. what’s the fucking point of special required archive warnings if you’re going to allow people to opt out anyway. second of all, aside from “chose not to use warnings” and “no warnings apply”, the only warnings are “major character death”, “graphic depictions of violence”, “rape/non-con”, and “underage”. disregarding the fact that they shouldn’t be allowing porn of underage characters in the first place (but i’m talking to a brick wall on that issue) and that “non-con” (and “dub-con”) as terminology needs to die, it’s just fucking rape lets not use weasel words... this is a paltry list of possible warnings. there’s no official warnings for depictions of: domestic abuse, animal abuse, depictions of racism / homophobia / transphobia / et cetera, suicide, self harm, et cetera et cetera. and we return to the issue of standardization of tags. in your required archive warnings at very least, there should be a standardization of what these mean, but ao3′s own faq is just like “ehh... you decide. we’ll leave it up to you”. what qualifies as graphic depictions of violence? two people may write the same level of violence, but qualify “graphic” differently, and make different decisions regarding their warnings. and we also return to the issue of: if a freak doesn’t see something that is clearly rape as rape, they might not tag it as such.

this website gets a disgustingly large amount of money every year that it doesn’t fucking do anything with. it’s been over a decade and they’re still in fucking beta. features that would actually be useful, like an actual block system, don’t exist. they technically have a report system for abuse and harassment and such, but apparently what they qualify as abuse and harassment is fickle. ao3 defenders seem to be very proud of the legal work they do for fandom / fanfic authors, but they set aside a very small amount of the money they get every year for legal advocacy, and they actually use even less of that, because it’s not the early 2000s “anne rice hates fanfiction” era anymore - you aren’t going to get fucking sued for writing fanfiction in the first place. based on their own self-reported yearly cost of upkeep, they literally already have enough money to run the site as they are now for the next twenty years.

once again: ao3 is not an archive. it is not a library. it is barely a even a website.

[sparxwrites]

AO3 Collections Advice

just a gentle reminder to say that i do not, and will never, accept unsolicited invitations to add my fics to collections on ao3. doing so gives the owner of the collection power over my work - they can then make the work anonymous without my consent, or even hide it from view entirely on ao3. whilst i can undo this by removing the work from the collection, i prefer not to take the risk of this happening and me not noticing and ending up with a missing/uncredited fic

readers: using collections as a “i’ve read this and i liked it” list is a poor use of the many, many features ao3 gives you to save and rec stuff. what you are looking for instead is ao3′s bookmarks feature! you can make a bookmark of a work (they even have specific bookmark types for recs!), and then add that bookmark to a collection without any of the issues i mentioned above (i.e. if you make the collection anonymous/hidden, it won’t affect the bookmarked work). you don’t even need author permission to do add a bookmark to a collection! and probably the authors will be delighted because, hey, more exposure without any risk of to work. using collections this way is a good use of collections, especially if you label them clearly (e.g. “the best of dsmp h/c fic”, rather than “ouoguguh hurty”), and is of huge benefit to the fandom community at large because it helps people find recs!

also, even if you’re going to ignore everything else i’ve said here, you should absolutely not be trying to add author’s works to collections titled “okay fics” or “fics that are a solid 5/10″. i will get an email telling me you are trying to do this, letting me know exactly what you think of my work just the same as if you’d left a rude comment. if you do this with an author who is on auto-accept, every other person who reads that fic will see that collection title just below the fic’s tags. if you want to remind yourself to avoid a fic, use a private bookmark; you can tag that with whatever you want because it’s between you and god. just don’t be a dick in public, please.

even with collections that don’t have derogatory titles, this is still worth thinking about; do authors really want “subtext is buttsex spelled differently!” in all caps or “uwu squirm worm” on their work? probably not. i get emails trying to invite me to collections like this maybe once a week, and it is phenomenally annoying (though, self-admittedly, i’m a grumpy old bastard). more importantly, it also makes your collections functionally useless to anyone other than yourself - no one is searching for “worm” or “buttsex” when they are trying to find collections of good fics. a clearly-titled collection that gives you a good idea of what’s in it, whilst less funny to you personally, turns it from a personal list into a community resource!

other authors: you, also, should probably not be allowing random people to add your works to collections. by default, people should have to request permission to; (if you’ve changed that to auto-accept, you can change it back by doing the opposite of the instructions here), and i would strongly suggest rejecting unsolicited requests. anyone who’s not e.g. the the trusted admin of an event/challenge/etc. who is running a collection for those purposes should not have control over your work’s visibility.

[fanfic-gallery]

More touch, less talk [NSFW MDNI]

✎ Zhongli x Reader

✎ It was a fair exchange, his time for your money. Your hands never wondered, you kept to yourself.. yet he wanted something more than a shoulder for him to lean on..

✎ Tags: f! reader, modern au, sugar baby x sugar mama dynamic, friends to lovers

✎ CW: smut, porn with plot, dom! reader, sub! zhongli, panty stealing, secretly filming, pillow humping, thigh riding, dacryphilia, mommy kink, mistress kink

: ̗̀➛ Manager's/Author's note: Imma say it again.. minors do not interact! This is not a drill- the tameness of this is in the negatives, I repeat, minors do not interact- also this is my first time ever writing smut sooo, please don’t kill me in the comments-

“You really need to get a job, man- I can’t be paying for you for like, I don’t know, everything??”

Those words swirled his mind as Zhongli strolled his way through the bustling street. He was on a site that his roommate had recommended for his broke ass to make some easy cash without much effort, all he needed was his pretty face and cha-ching, dollar bills right on his front door step.

He was curious yet a bit skeptical but with the constant boasting of the hard stacks his friend has been earning from his “donor” just by smiling prettily, he had to see what the hype was about. And boy, did it deliver. He didn’t know he was getting a beauty alongside his many earnings. His pretty mistress, one of the many tops in her company, fully loaded, generous too.

“All you have to do is, spend time with me~ no need to act like my baby boy, just be yourself, like we’re just friends!”

He stared, flabbergasted. Ajax had told him the many stories of his “donor” doing the most ridiculous things with him [but of course he enjoys it] and Zhongli couldn’t help but feel concern flooding through his body. It was quite a surprise yet a real relief that his “donor” isn’t going to do anything to or even with him, but he can be a little defensive about it, can’t let his guard down after all, especially jobs like these.

But as time passes on, he was hoping for “it” to happen soon..

Every passing day he craved your affection more and more. Even the slightest touch of your fingers grazing his skin, sets his nerves on fire. Some days he throws quiet tantrums to have your attention, only to have you speak in soft tones every time and nothing else. He wanted your warmth enveloping him, he wanted you to squish him into an embrace. Just, TOUCH HIM, in SOME way-

He acts spoiled and bratty so you would put him in his place. Yet nothing. Only a disappointed smile and a verbal smacking are all he gets. He wanted you to throw him on your mattress and fuck him till tears were flowing like waterfalls, his lips trembling, not even a single word was hearable. He knows it’s wrong to wish that upon you, but who told you to be just that irresistible???

Friends, you said. No, he wanted more...

It started with just innocent photos of you in clothing that show more skin than he’s used to, like the many bikin shots he took when you brought him to the beach one summer. Now borderline excessive, taking short even long clips of you showering or heavy, breathy moans escaping from behind the doors to the master bedroom.

Panties every now and then missing from your wardrobe? They must have gotten lost during washing. Wait, why are your undergarments soaked even though they had been in the dryer for an hour now? Must have not been long enough. They have a lingering scent to them? Must be the detergent going sour.

Why is he doing this? Well, he hasn’t been caught yet, so why stop now?

Well, he can’t exactly say he hasn’t...

“Zhongli, I’m.. home.. what the fuck-.. ”

You mumbled under your breath, his gentle groans getting stuck in his throat as he continued to rolled his hips on the soft and fluffy pillow that still has your addictive scent, fiction growing, movements even faster with that shock gaze of yours on him. 

“M-mistress, m-mo-mommy, pleaseee!”

His hand reaching before retracting as he flinch at the immense pleasure coursing through his veins. Puffs of warm exhaletes mixed with the drench of saliva filling the room. You stood there, stiff as a rock. He paused. Has he overstepped his boundaries? Did he take it too far?

“My, my, puppy.. you really don’t know what self-control is, huh? Does my pet need to remember who’s in charge here? Need me to put him in his place?”

You chuckled, hand swooping up your front strands of hair, pushing them back. Slowly but steady, walking towards the mess in front of you. Yes. Yes yes yes. This was the feeling he wanted, the adrenaline, the thrill of what you were gonna do to him, he doesn’t just wanna be a companion, he wants to be yours.

“Has mistress been neglecting too much, hm? Tell me puppy, what do you want from mommy?”

Fingers trailed his jaws, setting your chill palm against his burning cheek. Lusty eyes closed, snuggling closer into the embrace of your hand. You giggle again, drawing him closer, your faint perfume making his eyes slight roll under the layer of skin.

“Don’t keep quiet now.. if not, I won’t know what you want from me~”

He bit his lip, features flushed as ever. Without saying a word, he places a palm on your covered thigh, index drawing swirls and squiggles on the pair of trousers. You sigh, your smile never leaving your lips.

“You want to do something to my thigh? What is it darling, do you wanna ride it or eat me till I break?”

“Ride... ”

“Louder sweetheart~”

“Please.. let me ride.. you.. ”

“Please who?”

“Mistress.. ”

“Good little puppy~”

You lift yourself up despite your desperate the little pet gently pawing at you. You glance back down, the puffy eyes of his, gloss of his tears shining in the yellowish undertones of the room. His pearly skin exposed, large dress shirt doing nothing to cover up his clean, pale neck, collar and plush thighs.

“Do you want me to have them up?”

He shakes his head.

You peeled away your tight cloth draped over your lower half, teasing the already huffing Zhongli, begging and pleading you to hurry up with those innocent and pure golden pupils. Sitting back down, hand drawing towards his back, pulling him on, the feeling of his already flushed dick rubbing against your warm flesh.

“Someone’s a little too excited~”

He steams in embarrassment, but the leaking of pre from his hot, red tip says otherwise. Slender fingers hold onto your shoulders with a strong grip, unexpected from his figure and physique. Nice and slow, he started rocking back and forth. Your touch wandered, one hand treading through his pretty long locks, another holding his slim waist.

Face pulling in closer, lips touching before you push your palm further, smushing you both together. Tongues in a heated dance, both of you lost in the favour and taste of each other. Only pulling away with a string of saliva connecting your drenched lips as creamy and white fluids flowed down your thighs, messing up the sheets below you.

[elijahlittle]

I have been scouring this fucking app for Julian fics, never really occurred to I can just request some lol.

So yeah, if you're up for it I've got a little plot/trope set up that'd id love to see. Outsider(fem)reader/julian.

Something along the lines of a reader moving into the park from the southern us, new to Canada and parks in general. As an outsider, Julian expected you to be trouble or judgemental, so he acts like a dick to you at first. Later on, he starts to see instead how kind you are to everyone, understanding and totally up for doing ppl favors even when there's nothing for you in the end. This makes him feel real guilty for bein an ass to you, and also makes him start to feel other things towards u.. Take the fic in whatever direction you'd I wanna see u work ur magic

( + no pressure 2 write it ofc!!)

pairing: julian/fem!reader fandom: trailer park boys tags: smut (cis man/cis woman), fluff, a bit of angst, idk this is one of my more normal ones, heavy plot some porn (i kind of felt more plot focused with this one), julian is kind of hung (he gives me big dick energy)  author's note: i'm much more of a ricky kinda guy myself but when i got this request, i got really fucking excited. i loved the idea. i will say, this fic isn't structured traditionally. it's very dialogue heavy and kind of leaves some things up to the imagination. i wanted to establish relationships between the reader and other people in the park as well as share some of julian's private conversations about her. i'm really proud of the way this has turned out, though i'm sorry if it's not the interpretation you might have been hoping for (i'm a little insecure about the way i interpret storylines). i hope you like it, though. i worked hard on it and i'm pretty sure it's the longest julian/reader fic currently on the internet so i'm going to take that fucking win rn. also, i actually live in the southern united states. (fun fact: i'm looking to move because i'm a trans man and life here is kind of ass if you're trans), so i gave the reader a backstory that's kind of unique to what a woman in 1999-2000 would have gone through. i'm not satisfied with the ending though, i'm sorry if this fic is a little lackluster, but we can only go up from here i guess. text blocking this shit was a fucking BITCH. word count: 6,442

everything i've ever let go of has claw marks on it.

The cultural climate of Sunnyvale Trailer Park wasn't exactly the most inviting. There were people who lived in the park and then there was everyone else. For the most part, newcomers never lasted more than a few weeks. The bottle kids drove away the weakest among them, but if those kids weren't effective usually Ricky's antics drove away the remaining lot. Sure, there were a few people here and there who moved in quietly, but those were usually the kind of people that minded their own business because lot rent was low enough for them to just ignore Lahey.

But in general, new people were not welcome. Especially know-it-all hipsters trying to live the simple life by casting away their possessions in an expensive storage unit and downsizing to a more humble trailer. Those were the kinds of guys that gave up quickly. Plus, new people threatened the balance of park politics. For the most part, Julian was well-liked and well-respected among the others due to his caring nature and dedication to his loved ones. He protected his own. And if there was one thing Julian didn't like, it was newcomers coming into the park without already knowing someone in it.

"Barb, I really think you should reconsider letting this girl in. I mean, you don't even know who she is." 

"Julian, this is a business, not a family estate. Her credit was just below decent, she has an okay-paying job, and paid three months of rent in advance. From a business perspective, she seems like she'll be a reliable tenant. It's a good thing you've grown close with your community, but you have to remember at the end of the day, this trailer park is here to make money. Whatever fit of paranoia you're suffering through, deal with it on your own time. Next time you come here with a complaint, make sure it's a business one." 

And just like that, Barb had shooed Julian off. What more could he say to that? Well, he had a lot more to say to that but she didn't want to listen. Every time he opened his mouth to speak, she only guided him further to the door. If Julian thought he was the one who ran this trailer park, he had another thing coming for him that's what. This dump needed more reliable tenants - normal folks who didn't like to get into trouble. Barb was trying to turn the park's image around.

"Julian, I just don't understand why you're so against this lady stayin' here. You know I'm no fan of newcomers myself, but she's been mindin' her own. She actually keeps her yard clean, which is pretty fuckin' nice if you ask me. It's nice to pass a yard that doesn't have a million fuckin' pieces of trash thrown all over the front. She even has one of those pink fuckin' yard flamingos in her yard. It's so bright and colorful. There ain't nothin' wrong with a little bit of color, Julian. Ain't nothin' wrong with a little bit of change." 

"Are you even listening to yourself talk Bubbles? Can you hear what you're saying? You're saying change for this park is good. Who knows what she believes in. She might hate dope growers, she may be workin' with Lahey, she could get nosy and bust us for dope and you know Ricky and I are growin' a lot of dope -" 

"- I know, I've seen that big fuckin' setup you got in that fuckin' trailer in that shitty little lot -" 

"- so then Bubbles you should know that new people aren't good. We can't trust new people, especially not now. Especially not when we're so close to selling them to those prison guards and retiring. A stranger could compromise the whole thing. Remember those bible scammers that came through here? I've learned my lesson since then and I'm not tryna repeat old mistakes." 

"Jesus Murphy Julian, you need to calm down. Those fuckin' assholes were obviously scammers, it's not like this lady is goin' door to door scammin' people." 

"Sure maybe she's not taking advanced orders on bibles Bubbles, but she is goin' in and out of everyone's house doin' favors for them. Why does she need to see the inside of everyone's house? Do you think she's lookin' for something?" 

"Have you ever stopped to think that maybe she's just a nice person doin' a nice thing? Nice people exist. You've been dealin' with dope and crime and jail so much that it's like you forgot how to trust someone. All you think about is dope and how you're going to protect it from everyone else." 

"You're only defendin' her because she brings you boxes of canned cat foods for your cats. She's buyin' you off and you don't even know it." 

"So what if she's helpin' me take care of my kitties? My kitties are the most important things to me and unlike you, she fuckin' knows that. If someone's offering to help take care of my precious little kitties, who the fuck am I to say no?" 

"Bubbles, look -" 

"No, no, nevermind." Bubbles tucks a gray cat further into his arms, his posture becoming more rigid. It's clear that he's done with the conversation, no longer interested in trying to hammer commonsense into Julian's brain. He couldn't see past his own paranoia and it was infuriating. In Julian's mind, everyone in the world was out to get him - even the nice lady across the street who helped his friend support his kitties. "You just don't get it, Julian. I'm goin' back home, come talk to me when you get it." 

Julian was still convinced he was right about this girl. If the bottle kids didn't run you out, he'd just take matters into his own hands. He didn't care whether or not Bubbles helped. Julian was a man of many connections, and even if he couldn't find someone else to get the job done he had no qualms with taking care of the situation himself.

"I mean, if you think that lady's dangerous then you know I'm gonna follow you Julian 'cause you got the brains and stuff behind the projector, but I just gotta let you know I'm still workin' on my grade ten so whatever idea you have you got to make sure it's not illegal 'cause I can't go back to jail, not right before Trinity's birthday. That means we can't do any property damage or breaking and entering or any shit like that." 

"I promise you Ricky we're not gonna go back to jail, we're just gonna annoy the shit out of her until she leaves. I was thinkin' maybe you and Cory and Trevor could host like a really loud party across the street tomorrow night, you know - something to keep her awake. If we get a noise complaint, we'll just shut it down, but then once the cops leave we'll start it back up again. We'll do this for a few nights until she finally decides to move out." 

"That's a pretty fucking good idea, that's smart. Plus, since it's a party we can get drunk and high."

It's 2 a.m. and that fucking party is still going. There were several times you considered calling in a noise complaint but you decided that it was a better idea to just wait it out. It had to end at some point and overall, it was never a good idea to get involved with parties like that because sometimes they got out of a hand, and you were too smart to be in the wrong place at the wrong time.

Though when you stepped outside to 'check your mailbox' - spy on the party still going on into the early hours of the morning - you find yourself tripping over something. You stumble onto your hands and knees and it's only when you pull yourself up do you really get a good look at the man passed out by your mailbox. It's Ricky, and he's mumbling things almost incoherently. He mutters something about dope, bitches, Trinity, more bitches, Lucy, and good booze. It's a pathetic way to be, but you can't help but feel bad for you.

You use the toe of your shoe to rock his face awake. Ricky sputters before waking up in a drunk panic. He's angry and yelling incoherently, but your promise of a hot shower and a hot sandwich satiates his anger. He struggles his way through a shower, though almost slips a few times. He eats hand to mouth, chewing loudly, and drunk conversation ensues. He shares a lot with you - stuff he probably wouldn't have shared sober. He eventually passes out, not remembering much in the morning. That morning you share breakfast and a little bit about each other. He tried to hate you, he really did, but you were charismatic in a friendly way. There weren't any ulterior motives, you just enjoyed conversation.

"I don't know Julian, she seems fine to me. I mean, she's not all that bad. Her yard is pretty clean and you know, she has that pink little flamingo in her yard and honestly it's pretty fuckin' cute. I mean yeah she's kinda annoying and I hate that fuckin' southern fuckin' cowboy accent she fucking has but whatever. I think you're gettin' worked up over nothin'. You've been so busy tryna push out this lady who hasn't done nothin' wrong to you while I'm over here slavin' away watchin' after these fuckin' dope plants and tryin' to study for my grade ten all while play peepin' tom spy guy on some poor fuckin' lady." 

"You're just saying that 'cause she let you spend the night and made you breakfast."

"You know what I sure as fuck I am! She made me breakfast and kept me from sleepin' on the fuckin' ground drunk as piss and let me use her shower and shit and I didn't even have to put out! It's not like I trust her or anything like that - I didn't talk about dope or nothin' like that at all." That was the truth. "It's just at this point anything is better than fucking Cory and Trevor. I'm not sayin' you gotta like her or trust her, but she's not all that bad Julian. Maybe if you actually got to fuckin' know her like I have you'd see that you're just being a paranoid dickbag." 

"You know what Ricky, you don't anything about her. You're just seeing what she wants you to see. But I'm smart, so I see right through it -" 

"Come on Julian don't be like that -" 

"- and since nobody is going to take care of this fucking situation then I guess I'll have to." 

Julian felt like everyone around him was failing him. Nobody else seemed to feel the same way he did about your existence in the trailer park. As each day passed, Julian grew more overtly snide. When approaching Ricky and Bubbles, Julian never took the time to acknowledge you. It was obvious that he was just being an ass, so you opted to ignore it, preferring not to fight. Silence was Julian's strongest weapon. But as the days ticked by, the tension between you and Julian only seemed to mount itself higher.

It's not like you inherently disliked Julian. In fact, you liked to believe that there was good in everyone and you prided yourself in your ability to be able to pull even the toughest people out of their shell. However, Julian was no easy project. Every time you tried to approach him, he simply brushed you off. You weren't even sure that the two of you had even exchanged any greetings. He hadn't even said hello. So when trying to talk to him didn't work, you simply tried to stay out of his way. This was frustrating for Julian because what he wanted you to do was to blow up and make it a big ordeal. But you didn't. You simply kept to yourself and resumed helping others around the park without complaints. 

There were times where Julian thought about approaching you in the way Julian thinks about approaching any pretty thing in a summer dress that talks to him. But he remains strong in the face of adversity. Gone were the days of chasing anything in a dress. He had a dope business to worry about.

But sometimes the thought would creep up onto Julian ever so slowly. Sometimes, he'd get this kind of fantasy in his head - especially on the Sunday afternoons you'd spend gently pushing yourself back and forth in your rocking chair, enjoying the summer sunlight. He could think of a million ways you two could enjoy the afternoon together, but he often pushed the thought out of his head. He had a park to protect. Friends to protect.

"You know, you have some real nerve comin' up here in this trailer park and putting on a show like you're doing." 

You look up from the rocking chair you were gently pushing yourself back and forth in and offer Julian a small smile.

"So you're Julian?"

Julian can't help but be a bit enamored with your slight southern drawl. It sounds like you're somewhere from the deep southern United States - one of those more rural provinces like Texas or Alabama. He can't quite pinpoint the accent, but he secretly finds it endearing.

"And how do you know that?" 

"I mean, with how much you do for the people here it's kind of hard not to know who you are. Plus, Ricky and Lucy both never seem to shut up about you. You know, if I didn't know any better I'd say they're both in love with you or something. Also, yesterday you came to pick up Ricky and he pointed right at you and said well, there's Julian, see ya later. I just put two and two together." 

"I'm not here to make small talk, (name)." 

"Then what are you here to do, Julian?" 

There's silence. What is he here to do. There wasn't anything that he could reasonably do and he wasn't the terrorizing type if he didn't have to be. Fuck, he had even promised that his greasy trouble-causing days were over. But here he was, standing at the edge of the patio stairs, contemplating whether or not he should threaten a woman.

"I'm just here to ask you about your intentions with Ricky, that's all." 

You can't help but laugh out loud at the comment. "Oh, please. There's nothing going on between us." 

Julian knows that because if there was something going on between you and Ricky, Ricky wouldn't shut up about it and the whole park would know. But he's trying to be covert about his intent to interrogate you.

"Yeah, well . . . there better not be . . . Ricky's a good guy and I'd really hate to see him get hurt . . ." 

"Why are you really here, Julian?" 

Julian stands in silence, thoughtfully cradling his glass in his hand as he tries to come up with a clever lie - but it's hard to think when he catches a glimpse of your thighs pressed together underneath your thin summer dress. He squints and then looks away briefly.

"I just wanted to stop by and tell you more about the culture of Sunnyvale. You know, we're really tight-knit. Like family."

"I know." 

"And you know, family protects family." 

"I know." 

"And you know, I'd do anything for my family." 

"I know." 

"Anything." 

"What are you getting at?" 

"I'm not getting at anything, (name). I'm just givin' you a little more info about our park, just trying to get acquainted with you." 

"Oh, you're trying to get acquainted with me? This is the first time I've spoken to you in the month I've been living here." 

"Well, you know, I was busy with the business I'm running -" 

"- that lawn mowing business you and Ricky got?" 

Is that what Ricky is calling it? "Yeah, we've had a lot of customers so I've been having to do a lot of bookwork to keep up with the business you know. But it's been busy, so I haven't had time to talk, but now I do and I want to get to know you." 

"You want to get to know me?" 

"That's what I just said isn't it?" 

"Well I'll tell you what Julian," You push the chair backwards in thought, looking up at the bright summer sky. The sun shines in your face, warming your skin. It's a nice feeling. "If you really want to get to know me, you'll come over for dinner tonight." 

Julian wasn't going to admit it but he was excited at the prospect of dinner. The last time he shared time - much less a meal - with a woman, she ended up stealing his dope plants and lying to him about being in love. In all fairness, most people would have been wary of someone saying I love you within the first week of getting to know them, but Julian (for the most part) was a hopeless romantic. He liked the idea of a life with someone else. 

Julian told himself that this was strictly business - that he was here to set the record straight. This wasn't get-to-know-you dinner, this wasn't a date. He was just here to let you know that he wasn't going to tolerate funny business. He just happened to be wearing his nicest clean black shirt and he just happened to be wearing one of his nicer pair of jeans - the ones that didn't have the holes in them. Julian knocks on your door. The two minutes he waits for you to answer feels like an eternity but when you open the door, he's glad he's waited. 

"You got a hot date you're going to after this?" 

"What, this?" You look down at the pink summer dress you're wearing, "This is casual." You had always been the more feminine type, enjoying softer clothes and pretty dresses. Plus, unlike jeans dresses were more comfortable. You usher him inside and he obliges, being careful to not spill his drink when he steps in. 

"Dinner is served." Dinner being a massive fucking bowl of macaroni and cheese with cheap ass hot dogs. "Sorry it's not exactly the best, but -"

"It's fine, don't worry about it." Julian sets his glass down. He's actually ecstatic. Macaroni and cheese and fucking hotdogs? "You know, I don't know where you're from but around here this is a five-star meal." 

You give a dry laugh. as Julian picks up his fork to eat. "You'll have to forgive me, I'm kind of new to the whole trailer park life and the whole being poor thing." 

"Oh yeah? Where are you from?" 

"Southern United States." 

"What state?" 

"Texas." 

"That's a long way from here, basically on the other side of the continent. Why'd you come up this way?" Julian tells himself that he's not trying to get to know you because he's interested in you - he's trying to get to know you to get dirt on you, to know what he's up against. 

"I needed an abortion." You answer dryly, "And even though it's been legal for some years now, no physician was wiling to perform one on me." 

"Why come to Nova Scotia? Why not just go to another state?" 

"Well, I figured things were just better here than they were there. Don't get me wrong, it's not perfect by any means but it's better than where I was from. At least here I know if I need the service again, it's a little more reliably accessible. Plus, it's not like I had anywhere or anyone I could turn to. So I just kind of . . . stayed." 

"Heavy stuff." Julian sets down his fork, "Didn't have any family to turn to?" 

"No, and even if I did they're not the kind of people I'd want to be around." 

Julian could relate to that.

"So you just came to Canada for an abortion and then decided to stay? You know, when Americans come to Canada they want to go to Quebec. Nova Scotia isn't exactly on the top of the list, let alone Dartmouth. Let alone fucking Sunnyvale Trailer Park. Nobody just moves in here. Come on, (name) . . . what's the real reason why you're staying here?" 

Your mouth runs dry as you consider answering him honestly. "Well, uh . . . you know . . ." You twiddle your thumbs a bit, "I came to Canada with my passport and got my abortion and then . . . I just uh . . ." There's a long pause as your appetite disappears completely. "I didn't have anywhere to go to so I just . . . never left . . . this place was the only place that'd rent to an illegal resident . . ." 

"Holy fuck you don't have your papers?" Julian wasn't sure what kind of story he was expecting but it wasn't that. Now he feels like an asshole. "How did you get a job? How did you even afford this place?" 

"Well, I had some savings so that was a good cushion, but when that ran out I was able to find a job working as a waitress at that little restaurant just out of town. I'm not technically on the payroll, they just don't make me report my tips, and any extra money is kind of . . . earned under the table." You respond sheepishly.

God, Julian feels like such a fucking jackass for being a raging asshole to you. 

"That's . . . hard." Julian doesn't really know what else to say.

"Yeah." 

"Well, I've shared my deepest darkest secret with you. Do you want to share anything with me?" 

You and Julian talk well into the early hours of the morning, swapping life stories, funny anecdotes, and talking about all of the small things in between. Honestly, he feels at ease with you in a way he hasn't felt at ease before. The conversation flows naturally and even the silence you occasionally fall into feels comfortable. It's nearly two in the morning when you both look at the small clock hanging on your wall and realize the time.

". . . well, it's a little late . . ." You stretch in your chair, still sitting across the table from Julian. You don't really want him to go, but you've both run out of things to talk about and you still have some errands you have to run before work tomorrow. "You know, I have some things I gotta do tomorrow . . . but if you're feeling nice, maybe you can pay me back for dinner by making some for me. I'm usually too tired to cook when I get home . . . you know, only if you want to." 

It's hard for Julian to say no to that face.

"What time do you get off work?"

. . .

Julian continues to insist that he doesn't feel some kind of way, that he's just taking the opportunity to really get to know you - you know, in case you ever pose a threat - but the nightly dinner-dates seem to differ. 

"Why is it so hard to admit that you have a hard-on for (name)? It's so fucking obvious." 

"It's not like that Ricky. You know, I have somewhere to be so why don't you just fuck off and give me some fucking space?" 

"Oh yeah I know exactly where you want to be, all up in -" 

The truth of the matter was that even though Julian fantasized about it at night, truly nothing had happened. You were sweet, kind, intelligent, patient, compassionate - a truly wonderful person. And that was the problem. Normally, Julian found himself happy to jump into a relationship, but he found himself afraid of making a fool of himself. Guys like him didn't get with girls like you. Simple as that. Besides, love just wasn't in the cards for Julian. It just never worked out like that.

Tonight was yet another night of disappointment. You had lingered on Julian's doorstep after dinner, hoping that maybe he'd make a move and at least give you a kiss goodnight - but the two of you simply stood there awkwardly until he nodded, saying he was probably going to go off to bed now. It was frustrating because you thought you were sending all of the right signals. Light touches, flirtatious giggles, risque comments - the works. But yet again, you find yourself leaving empty-handed. It wasn't that you weren't satisfied with the friendship, you really liked the dynamic the two of you had. You liked that Julian showed you ways to save money, ways to spruce up the trailer home so it felt more roomy, showed you around town a bit - but it left you feeling a bit stupid because you could have sworn the two of you had something more. You could just feel it. But he never addressed it and it drove you crazy. 

You knock on the door nervously, your hands shaking.

Julian answers the door again. "What's going on?" 

"I don't want to go home just yet. This is about the time J-Roc films his adult films. Can I just sit here for thirty more minutes? He usually finishes up around one in the morning or so." 

"Uh, yeah, sure, come on in. You can hang out here. I have to shower because, you know, I got somewhere to be in the morning -" Tomorrow was the day he was supposed to drop off the product with the prison guards, "- normally I'd wait up but I got some important stuff I gotta take care of tomorrow. I'm about to get ready for bed, so you can just leave whenever you're ready."

"Alright." 

You find yourself sitting awkwardly on the couch as Julian disappears into the bathroom. The trailer shakes a bit when he turns on the water and you can hear the pipes rush before the water falls like rain into the tub. You sit in silence and contemplate. You couldn't keep going back and forth like this, it'd get nowhere. He had hinted a few times at maybe having feelings. Sometimes his hand would linger on the small of your back too long when he was moving past you, or he'd stand too close to you - so close your shoulders would touch - whenever he got the chance. But nothing would ever come of it, and you were tired of it. You think about maybe joining him in the shower but that's too ballsy of a move, so you simply sit there and listen to the shower run until it's turned off. There's more shuffling and you can hear him go into his room. The hallway light turns off and the door clicks close. You should probably get going by now, but you can't bring yourself to just leave.

. . .

You feel like a psychopath drifting down the hallway. You only came down here to use the bathroom, but now you were standing at his bedroom door - contemplating whether or not you should knock on the door.

Knock. Knock. Knock.

"Ricky, is that you? I told you to stop picking my fucking lock -" 

"No," You answer meekly, "It's me. I uh, wanted to take that book back I lent you before I went home. I didn't see it in your living room so I figured you might be keeping it in here." 

Julian stares up at the ceiling in thought. Julian is pretty book-smart and it doesn't take a genius to know the game you're running. He's been down this road a thousand times. He wants to say yes, but there's still the lingering fear of ruining the good friendship that's already there.

Julian turns his head to look at his nightstand, the small paperback book sat there. Shit, maybe you weren't playing any games.

"Yeah, give me a moment, I'll come bring it to you." 

"You don't have to go through that trouble, I'll just come get it real quick . . . if that's alright with you." 

". . . that's alright with me." 

You gently push the door open, slipping through before gently closing the door behind you. You can only see the outline of Julian's body in the dark, a few shadows illuminated by the moonlight that drifts in through the blinds. 

"It's right over here." You see the shadow of Julian's hand reach over and grab the thick book. Infinite Jest.

"I'll come get it." You pull yourself up onto the bed, you're knees on either side of his feet. Gently, you shimmy your way up, crawling over him on your hands and knees. Julian shifts a bit. Both of your breaths are heavy and as you sit yourself comfortably on his waist, you watch his chest rise and fall with heavy breaths. Gently, you pluck the book from his hand. "Thank you." 

"You're welcome." Julian's voice is barely over a whisper.

You thumb through the thick book, landing on a page barely illuminated by the moonlight, reading the page you've thumbed to. "Everything I've ever let go of has claw marks on it." Truer words have never been spoken. Like everything in life, Julian has sunk his fingernails so deep into it he's drawn blood. He likes to pretend he can let things go, but he can't. 

Julian's hands gently grip at your hips, squeezing them softly - almost like he's afraid that if he squeezes too tight he'll hurt you. His fingers grip at your waist, gently pushing your hips backwards, guiding them in a gentle rocking motion against him. Your hips follow the movement of his hands, rocking against him with a pleased hum.

"Is that right?" Julian asks in a whisper.

"That's right." You respond gently.

"Me included?" He can't hope that you want him so bad that you'd sink your nails so deep into him that he'd never be able to leave you, even if he wanted to. And even if you wanted to leave him, he'd probably stay around and beg for you to take him back anyway.

"If you'll let me." 

If he wasn't rock hard before he's rock fucking hard now. "I want you." Julian's voice is hoarse, completely contradicting his typically firm and masculine present. He melts under you. Whether he wanted to believe it or not, Julian was a romantic and the touch of a woman he really valued meant a lot to him. His breath is labored as he guides your hips against him, "Please, I want you." 

If this were someone else in the park, it'd be a different story. Sleeping around with people in the park for Julian wasn't about emotions, it was about releasing a physical need, and when you can't keep a boyfriend sometimes you have to turn to your neighbors for some help. Everyone slept with everyone. But you're not them, this isn't just casual for Julian - he doesn't want to fuck it up. He shudders when your fingertips drag across his chest, tracing patterns and circles into his shirt as you rock against him, grinding your hips downwards to create more friction. You're a tease, you take your time, and he hates it but he loves it. Two large hands reach up to cup your breasts over your shirt gently, His hands trail downwards, over your abdomen, grabbing gently at your stomach for a short moment before finding themselves at the hem of your shirt. 

"What are you waiting for?" You ask him between small breaths, still making rhytmic riding motions. It's a softly-asked question but also a plea for action. "Please, Julian. I've wanted this since the moment I saw you." 

"God, fuck you're so fucking hot." It's like a flip switched in his head and he can't hold himself back anymore. Strong hands placed firmly on your hips flip you onto your back. Now he's on top of you, every part of him everywhere. His lips touch yours in a kiss, teeth pull at the skin of your neck, and tongue sooths the freshly bruised areas by rubbing itself on it in small circles. Like always, he can't help himself, and unlike recently, he stops wasting time.

Your shirt is the first thing to come off - Julian helps shimmy it off of you, throwing it to the side. The next thing to come off is your pajama pants, which he also tosses to the side after helping shimmy it off of you. He has half a mind to compliment the pretty color of your underwear and tell you it looks good on you, but he doesn't pay it any mind since it's about to come off anyways. His hands lift you up by the small of your back just long enough for him to unclasp your bra, letting you fall back down onto the bed. His hands hook underneath your knees, lifting them up and pushing your legs up so he can help slide your underwear easily off of your body. You're left naked under him while he remains fully clothed, lowering himself onto you before you can complain that he hasn't undressed yet.

His thumbs roll against your nipples, gently pinching and pulling at them before taking them into his mouth. Julian has never been the most gentle lover, especially when he gets excited, always eager to take matters into his own hands - but that's part of his appeal.

Kisses trail down your stomach, followed by him dragging his tongue along the skin, pushing your legs apart. He takes his time adorning your inner thighs with kisses, sucking on the skin and taking it between his teeth. He likes the way he makes you whimper and moan, it's intoxicating. But eventually the teasing becomes too much even for him, he's growing impatient, so he lends his tongue to you, circling it around your clit, strong nose pressed into sensitive skin.

Your body writhes as you feel a familiar pressure build in your abdomen, thighs tightening around his head so tight he thought he might suffocate. What a way to go that would be. Your fingers curl into his short hair, gripping and pulling at his hair while your toes curl. You whimper but that only encourages him to slowly push his thick index finger into you, followed by a second after you properly adjusted. His mouth and fingers work in tandem, his fingers curling and pressing inside of you in a come hither motion while his tongue continues to stroke your clit.

"Fuck, Julian, god, fuck -" But before you can climax, he's gone - pulling away. If Julian enjoys anything, it's edging. There's just something about bringing a woman to climax and leaving them nearly in tears that turns him on. 

"You look disappointed." Julian catches a glimpse of your lopsided frown illuminated in the moonlight, "Don't worry, I'll take care of it." His shirt is pulled over his head, exposing his bare chest. When you touch the muscle, it's firm from years of consistent working-out. You trace a tattoos that look like they were done with a sewing needle and ink - probably stick and poke tattoos - but Julian frowns. He doesn't like those tattoos, he's not proud of them and he's not proud of his time spent in jail. But you only offer him an encouraging smile and place your palm over the tattoo before dragging your hand down to his belt, pulling at the buckle. Julian offers you a half-hearted smile. "Can't wait?"

Julian pushes your hand out of the way gently, taking his time to unfasten his belt and slowly pulling it through the loops. The belt is tossed to the side, along with his pants and underwear, leaving you both equals. Two hands hook themselves underneath your knees, placing your ankles on his shoulders while he uses his right hand to stroke his cock a bit, helping to harden himself up more. Sometimes the nerves just get to you.

"Holy fuck Julian you're big, you gotta be careful with that thing you're carrying a whole fucking concealed weapon -" 

Julian chuckles a bit at the comment but presses a gentle kiss to your ankles. "I'll be careful with you if that's what you're trying to say." 

The tip is pushed in slowly with great discomfort, pushing himself in. There's a stiff moment of silence as you let out a labored breath. 

"You good?" he asks.

You nod, dragging your teeth over your bottom lip. Julian takes his thumb against your bottom lip, peeling it out from underneath your teeth. His thumb drags your bottom lip down, exposing the inside of it before pushing his thumb into your mouth. Your lips wrap around his thumb, letting your tongue slide against the skin, sucking on the appendage as he pulls out just a bit, repositioning himself before he thrusts back in. Your body pushes upwards with the motion, head pressing against the headboard slightly. His thumb is still pressed in your mouth while his free hand keeps hooked underneath your knee, pushing it backwards so he can angle himself better - each thrust pushing itself deeper inside of you. Sweat coats his chest and runs down the side of his face, abdomen flexing the closer he gets to coming, but he restrains himself - wanting to ride it out for as long as he could. 

"Fuck, fuck, fuck." 

"Oh, God, Julian -" 

"Fuck, (name)." 

"Julian -" 

"(Name), (Name), (Name)." 

"I heard you did a real good job of running that girl out of the trailer park last night, Julian." 

"Hey, Barbara, why don't you fuck off?" 

[mommalosthermind]

How do you block and filter fics with rampant racist micro aggression since that's never tagged properly and the writer will have a white meltdown if they're ever confronted with the fact their fic is racist?

I honestly can’t tell if this was in earnest or if it’s meant to be another Gotcha! Attempt from one of the anti-censorship posts I’ve annoyed people with, so I’m going to assume it’s the first and do my best to answer.

As a white woman, I am definitely not someone who should be speaking on racism, since the systemic issues I deal with are very very different.

Unfortunately, though, your experience with such a fic is going to mirror what I’d imagine is also your experience with most other forms of media which don’t flag that kind of behavior: bail. Back out. Don’t finish the thing that is upsetting you. Possibly, (as I’ve done with authors on issues that hit home for me) take note of who’s behind the thing so you know to avoid them in the future, as they’ve broken that trust.

This is also known as curating your space. I don’t remember if I go on that rant in the other two (three?) posts that seem to have picked up, but that’s the READER’s side of the equation. Find your garden and tend it well, keep it how you like it, because it is for you and you alone.

My job as a writer is to tag to the best of my ability so you know exactly what you’re bringing into your garden. I don’t want to spoil your flowers anymore than I want someone to trample on mine.

Hopefully, as people talk about this more, authors will be more open to tagging/ modifying and/or adding a footnote for things exactly like this.

Micro aggressions are especially difficult, since (again, pulling purely from my lived experiences) getting folk to agree on what ‘counts’ is rough. But as an author— I want to share my stories. That’s the point! If I’ve written it, then I damn well better be self-aware enough to tag it, and be willing to ADD TAGS so I’m not breaking trust with the people I’m trying to give nice things to. Hopefully that makes sense?

I’m gonna say that again since I feel it needs it: if you’re comfortable enough to write the Real World problem happening, you’re fully capable of being able to recognize why someone might like the warning. Be kind. Tags only work if you use them.

On AO3, I believe they recently made it possible to block an author entirely, so they no longer show up in the results for your searches.

I’ve run across exactly one author I’d have blocked if it was possible at the time, because he refused to add tags to a story that… really needed tags. And, going through the comments in later chapters, dozens of people have asked him to update tags. He claims that doing so will ‘ruin the story’ despite the graphic raped-to-death-then-magically-revived bit having literally nothing to do with the plot at all. Instead, it comes out of literally nowhere in an otherwise really well written tale, and was deeply deeply upsetting to the point that his response to my first chapter squee was “yeah, tell me if you still like it after chapter X”. (Unfortunately i am a very fast reader and had already gotten that far and bailed immediately. Dude if you KNOW it’s THAT upsetting to so many people ADD THE TAG.)

I’ll never read anything he’s written again, just like I refuse to read anything by JKR ( awful human) or Terry Goodkind (I can’t stand how he handles his female characters. At all.)

Obviously these two examples are not identical, but it’s the main comparison I have on hand.

This isn’t meant to sound like I’m belittling or downplaying that concern at all. But until people get better at tagging—and I really wish traditional books and other media would ALSO tag, because I’m very very tired of running into Specific Things without any fucking warning— you have to protect yourself and your happy place by putting up a fence, and booting unsavory things right back over it.

—side note: for those worried about spoiling the plot you can…skip the tags... just know you’re choosing to walk in blind. OR! And I wish i could figure it out—you can add! A hyperlink! That takes you to the footnote at the BOTTOM to add things that deserve a warning but might be spoilers! There’s even a tag for that! ‘More tags in notes!’ These are good and useful things! Use them so your readers can better curate their spaces!—

The system isn’t perfect by any means. There are a million ways to improve, and we’re trying! But please, please y’all use the damn tags because right now it’s the only system we’ve got. Take care of each other.

[love-bokumono-fics]

How does one write a good fic summary? What information should go in there? Any tips in general or anything you’ve seen that goes well is greatly appreciated 🩷

Hi Nonny,

There are lots of ways to write a summary for a fic, and different methods can have different results. I'm hardly an expert resource, and my methods might not vibe with everyone, but here's my general thoughts:

Keeping in mind what you want a Summary to DO is one of the most important things.

Do you want it to draw readers in with a teaser? Do you want it to tell readers what to expect in the story? Do you want to give readers a sample of your writing style? All of the above? None of the above?

Having a general idea of what you want your summary to Do will help you fill it out. I tend to write my summaries in a way that gives potential readers an idea of what to expect in the story, as well as leaving something to mystery to draw them in.

Generally I try and answer the basic questions: Who? What? Where? When? Why? (How? usually gets left off, because the How is the body of the story. I leave the unexplained How as the bait to draw readers in. Or I offer the question of How? as the hook to draw readers in.)

These questions can generally be answered in a couple sentences.

Who? Is used to establish the main character(s) and/or the POV character(s). People don't always read Character tags, or they just skim the list for a certain name, so having this little bit of clarification in the summary can help a reader.

What? Can be used to establish the premise of the story. What's happening? What day is it? What's going on? These sort of questions.

Where? Can be included or not depending on your story. If you're establishing an AU or the story takes place outside of the characters' normal location, it can help to orient your readers to other details in the story. But if your story is taking place in the normal, familiar places, it's not as necessary to spell these things out. Such details are often implied in other parts of the summary.

When? Like Where? including that detail may or may not be necessary. If the time of day or the season is a significant part of your story, then include it to help paint the idea. Or if you're outside of canon times, or at a specific part of the canon timeline it can be helpful to give your readers an ides of things.

Why? Often goes hand in hand with What? helps establish the impetus of the story. Sure things are happenings, but giving a hint as to why those things are happening can help draw in readers, and also give them a clue as to what's happening.

Ideally you want to walk the the line between giving out enough information to the readers to pique their interest and draw them into the full story without giving away everything that happens. This can be employed to various degrees, and depending on things like how long your story is, and how much you the author want to share (or even know what is happening, because some stories go way off track) can greatly change how you format your summary.

Then you can sprinkle in other things to help add flavor, an excerpt of text from the story (in or out of context), the opening lines, even things like tropes, jokes, author's commentary, lyrics that fit the theme/ were inspiration.

There's a million different ways to craft a summary, and I don't think there's any one "Correct" way to do them. The formula can help provide a baseline, but if the story I'm writing hinges around not knowing Where? for example, then obviously I'm not going to spell that out in the summary. Or I'm writing a story that's so short and simple it doesn't even have the questions asked to be able to answer. giving a very simple "exactly what it says on the tin" summary works in those places.

In other places, spoilers in the summary work in ways that wouldn't elsewhere. I've written stories that included a canon compliant plot point, and included that in the summary, because the canon plot point wasn't the purpose of the summary, it was getting to that point.

My advice if you want to figure out how to craft summaries is skim through AO3, pick your favorite fandom, or go to a random fandom, and just scroll through the stories, read the summaries. Pick up real books and read the summaries that publishers put out. See what people do, how people do it. Look at the way people phrase things. Pay attention to what draws you in personally, compared to the things people might say that turn you off from a story. Look beyond characters and tropes and such when you're doing that, pay attention to the way authors talk about their works. See how you feel when it looks like authors are excited to share their work compared to how it feels when author's tear down their work. Examples and references can help So Much.

And remember, your summary doesn't have to be set in stone. It can change along with your story. If new characters come in, new relationships develop, if there's a plot point you want to tease out, add them it. Or even if the story is done, but you just thought of a better way to summarize it, then go for it!

Good luck writing, Nonny!

If anyone else has advice for writing summaries, or a method that's completely different from mine, feel free to chime in! What works for one person might not work for everyone

[dyrewrites]

Writing Whispers

@deanwax tagged me!

I am leaving this OPEN, but also tagging @rmgrey-author

Rules: Find a few paragraphs of writing from as long ago as you can. Re-write them how you would now.

Making me wish I hadn't thrown out my ancient folder of printed out stories from when I was in my teens there, pal. Would have been funny.

But, since I do not own a time machine...and the hard drive with anything older than a couple years is not currently functional.

Here is something from somewhere around 2020, which was more of a "I had a neat dream, lemme jot it down" than anything...but it's the oldest thing I have. Also, I just tied it into the same universe as Pale Blood and need to rewrite it anyway, so win/win. Though it'll need to be third person before it's done and I rewrote it as first still...

(2020) Light Thieves

I was a tiny woman, barely five feet, "90lbs when wet" they'd say. My partner was a giantess, seven feet tall depending on how you looked at her and roughly the measurements of a bulldozer. We drove a nondescript white van down streets lit with the harsh glow of leds. There were no stars in the sky, no moon casting it's soft glow on the black monoliths around us. There was another vehicle, much smaller and faster, coming at us from behind. It was my fault. I couldn't help it. We had jars upon jars of the stuff in the back and there was no time when we grabbed it all to really look at it. The light coming from the small jar in my hands was warm and golden, much like the sun at midday, exactly like the sun at midday. We had done the impossible. The back of our lumbering van, their light and warmth hidden by a thick lead blanket, were roughly a hundred jars of natural light. The soft glow of the moon on a clear night, the gentle golden light of the morning sun, the glimmer of sunset, the searing heat of summer in midday, the twinkling light of faraway suns, we had it all. Well, a little bit of it all, but we knew how to get it now and could have so much more. I was a fool. My partner screamed and cursed as I effectively turned the front seat into a lighthouse beacon, but I didn't care. It was warm and bright and beautiful. Until our van fishtailed into a wall and scraped it's way into an empty parking lot. Whoever was in the little car was screaming incoherently and coming at us fast, but I was faster. The jar rehid, I was out of the van and to our assailant's vehicle just in time to hear our windows shatter. We'd just replaced those. I trusted my partner had it covered, I was in charge of making sure the lumbering oaf I ran past didn't follow us. I rewired his pretty little auto and was back in the passenger's seat of our van before he noticed it driving away without him.  "What you have is worth a hundred" he growled when he noticed. What we have? He must think we only have one.

(2023 - just now) Light Thieves

That fancy little auto may have been much smaller and faster than ours, but it was getting awfully close…with no signs of losing interest. “And whose fault is this?” Delilah asked–more sneered, but who could blame her. I didn’t need to answer, and she would’ve clocked me if I tried…but it was my fault. I couldn't help it! We had jars upon jars of the shine and there was no time when we grabbed it to really look. So, as soon as we were free of the transport, and free of the drones, I looked. A peek, really! Worth it, if you asked me–and someone would, later, probably with knuckles involved. But I didn’t care. The light I held was as warm and golden as my mothers told me the suns used to be. It was like a vidstream of those old middays made whole and real and it was in my hands. We had done the impossible. No more harsh LEDs and falselight lamps for us, we could pop a jar and bask in true sunlight whenever we wished. And, in the back of our lumbering van–their light and warmth hidden by a thick lead blanket–were roughly a hundred more just like it. We had the soft glow of the moons on a clear night, the gentle golden light of somrise, the glimmer of somset; we had it all. Well, a little bit of it all, but we knew how to get more. Set for life, as they say. So long as we lost the leech on our heels, which looked less and less likely as the starless night stretched on. Narrow streets weren’t built for big vans, and with so many autos going hover there wasn’t much street left for our wheels as it stood. Nevermind the trash that littered our part of the dome, which was piled some three of mes up in spots. And, of course, that fancy auto chased us nose-first into one. Delilah screamed and cursed when our van fishtailed. I didn’t much mind though, what with paradise in my fingertips. Besides, he hit the face of a burnt out skyskraper while my Delilah managed to scrape us along all its rusted metal and into an empty parking lot. We were safe, no need to get bent out of shape over it. Until our hanger-on got out of his auto, that is. He screamed when he leapt from that tin can, it was almost feral how he howled, and then he booked it for our trunk. I got the go-ahead I wanted; a short nod and a deep grunt, and slipped out the top of our van–the dealer that sold it to us called it a ‘skylight’, said it was made to soak in the suns…and the name felt just about perfect. Unfortunately, while I was slipping under the leech’s vehicle, he was shattering our windows. But with my Delilah at the wheel, that wouldn’t be all that shattered. She had him covered. I, however, was in charge of making sure the lumbering oaf didn't get any further. His pretty little auto slapped hard enough to dent its slick front-end, but it still purred plenty when I dug into it. And plenty more when I high-tailed it back to the passenger's seat before he noticed it driving away without him.  "What you have is worth a hundred," he growled at my cackling laughter and stiff finger as we drove off. “’What you have’,” I said, laughing still and turned to Delilah, “if he only knew.” She said nothing, but her bloodied knuckles cracked tighter on the steering wheel. And, well...I kept my mouth shut and my hands off the merchandise after that.

[seriouslysam8]

Hey Sam, I love love love Brumous so far and I can’t wait to read more. I know things are going to get more dark and I hope this isn’t asking for any spoilers but how dark is everything going to get? I guess what I’m trying to ask you is if the death eaters will be sa the Hogwarts students? As someone who went through that at a very very young age I can’t read stories have those story lines for obvious reasons. I’m usually good at looking out for tags or warnings, but I thought I could handle it with one particular fic and let’s just say it was a downward spiral. It was my fault and not the writers in any way, I think I thought I was stronger and better and reality really slapped me in the face. I’m a lot better now but I’m trying to be more cautious of what I read or the fics I get invested in because sometimes as a reader you read things that make you uncomfortable because the writer is so good but then you realize that you can’t handle certain plots and it and it takes a toll on you. I would never blame the writer because they usually warn you, but sometimes we think we’re stronger than we actual are. There was one of your fics I had to avoid reading because of the warnings, and I hope this doesn’t come across as rude but I’m afraid to get invested and things becoming really dark in terms of sa with minors. This probably seems like a stupid ask and I’m sorry if it comes across as rude or anything and im probably not explaining myself well, but I hope I was able to ask the question without sounding rude or like an idiot. I really admire your work and I hope you keep gifting us with your amazing writing.

Don’t worry at all, okay? I got you. You’re not the only one who has asked, and I don’t mind at all. I don’t want someone to ever be upset by something I wrote because they were blindsided or tried to push through. I am not offended or upset at all, all right? I would much rather be frank about what will happen in my stories to make people feel comfortable and confident when they read. It’s not at all rude to say you avoided one of my stories. I am just glad I tagged it appropriately for you and I can guess which one you’re talking about.

Short answer: No.

Long answer: I have no interest in writing those kind of scenes with minors. It’s hard for me to read those kind of scenes and most times I will just skip those scenes when I read stories with it. So I totally understand your concern and your desire to avoid it.

I try to tag appropriately and even give a heads up in special author’s notes before the chapter begins. I remember Bell and I deciding how to write the warning for Harry’s throat slicing moment without giving away what happens but also warn people enough to know it’s gruesome and have an idea of what was going to happen.

Now, that being said, it will be dark akin to Backstabber and Bête Noire. There will be death and torture. I’ll do my best to warn people at the beginning of the chapter if there’s something particularly gruesome. If you decide to read and get to one of those chapters where it sounds like it may be too much for you to read, you can always private message me on here and I’d be more than glad to give a summary of the chapter or tell you exactly what POV to avoid or what have you.

I hope that helps!

[duckprintspress]

“Aim For The Heart”: Campaign Updates and Spotlights on Artist Jennifer Smith and Author R. L. Houck

The campaign to fund Aim For The Heart: Queer Fanworks Inspired by Alexandre Dumas’s “The Three Musketeers” is now halfway done and going strong! For those not super familiar with how campaigns go, usually the bulk of funding comes in during the first 48 hours and the last 48 hours of the campaign. I personally usually look to see us at 50% funded by the end of the first 48 hours; if we hit that metric then I can say with a fair degree of confidence that we’ll reach our goal. This campaign did hit that, handily, and now with 15 days left, we’re only $750 shy of our goal! While I’m not hosting any parades yet, as I check in midway through our campaign…we’re doing great.

A huge, HUGE thank you to everyone who has backed so far, and also to everyone who has helped spread the word about the campaign. Word of mouth is 10000% the most effective way to help people find out this project exists and get them interested in buying the anthology; we’d never get to the goal without our supporters, and we’d never get there without every person who says, “hey, have you seen this?” Y’all rock. We love that we get to bring you awesome books.

Anyway, on to today’s contributor spotlights!

Knight and Squire by Jennifer Smith

About the Artist: Smith has been drawing since a young age. With a focus in traditional drawing techniques, she has recently started using digital mediums to imitate traditional styles. Her focus is in portraiture and landscapes, especially with watercolor. You can find more of her art on her Tumblr.

Link: Tumblr

Allergy Girl and the Hate Arrangement by R. L. Houck

About the Author: R. L. Houck (she/her) still has one of the first stories she ever wrote, all the way back from elementary school. It was about flightless penguins reaching the sun and was a good indication of her boundless imagination and her love of animals. The latter became a full-time veterinary career; the former keeps her occupied with fanfiction and original fiction in her downtime.

She’s sometimes found wandering the woods around her house in Virginia with her dog. If not there, she’s sitting on the couch, catching up on a Netflix series, and smothered by her five cats. Sometimes, there’s even space for her wife.

Links: TikTok

Story Teaser:

“Oh, no! Mom’s been very supportive of me being trans. I just meant the name change. For an English lit professor, she has a real hard-on against Shakespeare,” Portia said. “It was one of the main reasons I chose the name.”

Christa didn’t want to bring the conversation down by discussing unsupportive parents of LGBTQA+ kids. Instead, she jumped on the mention of Shakespeare. “Well, Portia was a kick-ass character too,” Christa said.

“Right? Thank you!”

“You’re quite welcome. Oh! Phoenix! Is that why you chose the tattoo? Never mind, you don’t have to answer that. I apologize—I’m being super nosy,” Christa said, immediately backtracking.

Portia laughed. “You’re fine. That is exactly why I chose the phoenix: rebirth. And those pictures are sent; tell me what you think.”

A few seconds later, Christa got a text message from an unknown number. She opened it to see a gorgeous flower arrangement shown in several pictures taken from multiple angles.

“Wow. This is beautiful,” Christa said, voice faint from awe. “Are you sure this says, ‘I hate your guts and wish abstract misery upon you for the rest of your natural existence’ in flower language?”

“…in so many words, yes,” Portia said, sounding amused.

Tags: allergies, attraction at first sight, character has a different gender than in the source material, customer service representative, deadnaming (accidental), f/f, florist, getting together, the language of flowers, meet awkward, modern, past tense, pining, pov third person limited, siblings, tattoo, triplets, trans

We’ve already raised $7,250 to fund this anthology, and we’re 90% of the way to our goal. Come see what all the fuss is about, and help us spread the word by sharing today’s awesome teasers or any of our past posts!

[ao3feed-piltovers-finest]

CaitVi a03 rss feed update

Almost a full year later, we are not really sure if this onslaught of new followers is due to current Twitter issues, or Riot’s new q/a-merch drops - but we still feel a bit overwhelmed by the new numbers, glad that SO many of you appreciate the ease of these fic-post notifications flowing freely over your dashboards. The point of this place was the convenience, as well as to connect all those talents out there to a hopefully wider audience - while at the same time sparing everyone from the problematic stuff also being written/posted - that most of us would like to avoid.

This is still  the same old place, with same old goals – but for all the new followers out there (which, WELCOME! ✨) here’s a little update of our house rules:

CONTENT: Even between more of us now, it is still physically impossible to read everything, so we can not offer guarantees about any content quality. But it goes without saying that, based on what’s presented from descriptions and the tags - it’s your choice to peruse, or respectfully move on. It is the responsibility of both author and the reader - the first one of creating the content (and of course marking/tagging it appropriately) and the latter one making their own choice about consuming and engaging. 

TAGS: To prevent any unpleasant situations, ALL posted fics must have pertinent, unambiguous tags - main, as well as all the additional ones. The content itself is naturally writer’s prerogative, but the issue of the reader’s choice to engage or not is also non-negotiable (so no, vague little acronyms not familiar to those who do not browse Craigslist personals are not enough) and then everything is simple: if forewarned about the content, one can still choose to give it a shot (and be hopefully pleasantly surprised) or not. Insufficient or inappropriate tagging may lead to misunderstandings and/or dismay, and that’s exactly why everyone out there usually does abide to the common tagging courtesies. On the other hand, if a fic has been tagged with something possibly problematic only as an act of cautiousness - while it does not really contain any actual content like that - it might still be posted, upon careful screening. In that case, all readers are still advised to use their blacklists.

BLACKLISTS: People create these spaces to present their content and all the safewords and blacklists are unfortunately a necessity, ultimately to protect ourselves as well as everyone else. As stated in the initial post - we will be filtering all extreme content (rape, underage, gore, incest, beast, etc) but please use your own regular blacklists for anything else. If there are any other discrepancies or inconsistencies to this rule, please inform us and we shall review accordingly. 

ANONYMOUS FICS: This blog will not waste time screening explicit/dd “Anonymous” fics, nor posting them. Because if someone refuses to put their name on it it’s usually for dubious reasons - so why should we?

DISCUSSIONS: Not really here to facilitate discussions (be it about systemic issues, encroaching the spaces of others - or authorial egos and other similar nonsense) nor to arbitrate personal issues and conflicts - this page is here ONLY for the fanfiction, good vibes and (hopefully great) stories about the characters we all love. So if you feel inclined to, only fanfiction reviews, recommendations, questions, suggestions and proposals will be (wholeheartedly! :) encouraged.

FIC RECS: Occasionally, per request - we provide fic recommendations but as always, do feel free to share your own - as posts, comments and/or submissions.

We will all be grateful.

That's it. Keep enjoying the fics, and if you do… as always - make sure to let the authors know.

Cheers! 🌈

[not-poignant]

When it comes to your original fiction did you post them on tumbler before making them available as an e-book. I want to write original work but am scared of posting it on here or a03.

Hi anon!

I actually personally (I can't stress this enough, this is a me thing) really hate posting (and reading) fic on Tumblr. You can't tag it properly and people can't filter it out effectively, it's a pain to read (lots of scrolling), and it's a pain to archive. So that was definitely never an option for me!

My original novels never went anywhere before they became novels, partly because if you 'dry run' stories like that, Amazon and other distributors can get tetchy and say it's no longer a first edition and sometimes even pull your ebooks offline without enough paperwork, lol. So I just...would not do that because even if it all works out, knowing how other authors have been treated re: this issue, I would not!

I'm a big believer in just kind of taking the leap and putting fic up wherever you feel comfortable. If that's AO3 or Tumblr, then do it! The fear is normal, it is a normal part of writing, and a normal part of facing that gap between 'only I've seen it' to 'now other people will see it.' The good news is you can always delete the fic if you don't like it. On AO3 you can delete any comments you don't like. But those kinds of worst case scenarios are incredibly rare.

What's (sadly) more likely is just that not many people will necessarily read it at first, until more people start finding your writing and your tags, and that can take a little time!

It can be good sometimes to sit down and really figure out what you're scared of re: posting a story. Because a lot of the fears have concrete answers:

Scared of people hating it? Most people will just click away if it's not their thing, and if they try and make it your problem, you can delete and/or block everything to do with them.

Scared no one will notice it? Well, that is actually a normal part of writing for almost all of us when we just start out. You're part of a huge community of writers experiencing exactly the same thing you are. You are never alone as a writer, even when it feels lonely. Sometimes you can find Discords and similar groups to get more notice, but often it's just a matter of taking the time to put more words out there.

Scared someone will be mean to you? Understandable! However, you don't deserve bullying from anyone. Block these people and then go find a space that feels good to you or watch something that feels wholesome or go outside or do something that doesn't feel 'chronically online.' (It's amazing how much trolls don't matter as much when you're looking at a sunset, or eating your favourite food).

These are all pretty universal fears in writing (and the arts) before posting something, and after posting something, and I wish I could tell you they'll all go away one day, but I think what happens for many of us instead is that we learn more tools to deal with these fears. It helps knowing that most folks get them to some degree, and most of us have learned ways to deal with them - that's why authors will tell you to block trolls and delete troll comments, and that's why authors will reassure you that they started out in a place where no one noticed them at first too, and that's why authors will sometimes talk about how folks have been mean to them and how they were impacted by it, but also remembered to ground / reminded themselves who their real friends are - and that doesn't necessarily stop the fear and the pain, but the solidarity can help.

Post your writing on Tumblr (ignore my personal thoughts on Tumblr fiction, that's just my feelings and they are not universal lol, lots of people love Tumblr fics), post it on AO3, post it on Tumblr first and then AO3 later!

AO3 is a great place to put fics, because you can write about anything and put it up literally any time, and even orphan it / make it anonymous or delete it if you want to. You have complete creative control.

You'll never get to see what's on the other side of your fears if you don't take the leap.

But it's also okay if you're just not ready yet. :)

[mdhwrites]

I think Dana explained the betas though, it was the characters in a much different, heavier and darker story, that probably would have leaned more into the idea of witches and… well hell. Since Hieronymus Bosch drew lots of purgatory images. But you cant really do that for Disney. Plus to be fair, you’re meant to be able to throw ideas at a wall (even if they are very unlikely to work) for concept art and then be willing to immediately dump stuff and try new ideas without getting attached.

 Side note, while the big selling point for the Betas is that they are edgy or can be used to explore darker subjects, people sometimes just make them borderline evil, or just… actual evil, did you know its very easy to find beta fics tagged with non con and/or underage? Yea. They make Willow actively hateful and sadistic or make the Lumity ship a copy paste of Catradora, aka have them beat the life out of each other but then say uwu owo its not toxic, they love each other.

(seriously i cannot take ship discourse in fandoms seriously, they'll say one ship is toxic or problematic and turn around and ship the same thing but worse.)

For the first point... You're absolutely right. I should not judge for someone exploring different possibilities in concept art because I have no idea when in production that art was made or what the idea for the show was at the time. A LOT of things go through a half a dozen rewrites before the public ever sees them. Frozen apparently came down to the wire for its final plot and it's a miracle we got what we did at all. And even then, I think that movie is still a bit of a mess at times.

Also, fun fact, I have considered an Owl House AU where Luz went to hell instead. In that, Eda would be a demon looking for redemption and her only real ally, but also the only one trying to be real with her so Luz keeps thinking the demons who want to manipulate her are the ones to trust. Amity would have also been an angel undercover and supposed to be giving reports to god about the comatose child who's soul went to hell for some reason when the worst she deserves is Limbo. I could do a concept pitch blog for it but *shrug*

So I think it's personally wrong to conflate canon material with fan material and what is being criticized. Fanworks and the like are one of the safest places to explore different topics or express pain and the like you've had. It also only commonly has one or two eyes on it to say something might be toxic while media on tv usually has a few dozen and the fact that no one catches the red flags is... questionable. Especially why those red flags exist.

(As a note: I can't weigh in on if Catradora is toxic or not because I have watched only one episode of that show. Not even the first. I really ought to though since it seems up my alley.)

WITH THAT SAID, fanfiction authors aren't exactly going to always be respectful about such topics and the like and it took the majority of a year for anyone to tell me people used the Betas for more than murderous, drug addicted psycopaths. Even those people praised a story for having the two get into random fist fights with strangers in a Denny's parking lot so... Yeah. I'm not going to say the characterization of the Betas in the fandom is the best, or their use for that matter.

With all that said, I feel like the nicer Amity has become, and the more the two have come closer and closer to their Beta designs, the less I see of the Betas. Even now, I see lot less blood smears and sadistic grins and a lot more "It's just a normal Lumity picture except a different design." These aren't criticisms really but more just me ruminating on the fact that I think the fandom lost a lot of people who liked the edgier possibilities because of how poorly the show handled its own edge.

As for me as a content creator, have I ever considered using the Betas? I mean, I have for a one off or two, notably a one off where Luz is a dragon and Amity the willing sacrifice to her, but a one off can be hard to capture anything really interesting about them. I'd say I've only had one idea where I maybe wanted to use the Betas and that idea is a Noir Mystery? (It's complicated) story where Amity is a brothel owner in part to make her mom mad, Boscha is both bouncer and stripper for said brothel and dating Amity and Luz is a detective but not super gritty or the like. More Columbo (from what I hear, haven't seen it myself) than normal pulpy fiction Noir types. Also her detective style would lean a lot more into reading people and connections than forensics.

Another story I could do a concept pitch blog for since god only knows when or if I'll ever get to it. That idea is WAY more fleshed out than the going to hell one though.

But yeah, the betas are fine in my opinion to exist and mostly fine in how the fandom uses them because... I mean, if you don't like what they're being used for, just don't consume it. It's not necessary AT ALL to be a part of the fandom and I think a lot of fandoms really need to learn to chill about content creators creating content they don't like.

I don't think people realize the sorts of spaces they're creating within their own fandom because of that or the damage to their show's popularity either. It's a complicated topic and one I've had to give a lot of thought as, well... Ex-erotica writer, remember? And I've still done one erotic story for TOH too, even if it's aged up.

[antonsenrankin63]

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[eiirisworkshop]

The Fanfic Author's Guide to Metatext

(As Used on Ao3) by Eiiri

Also available as a PDF here. This thing is 13,000 words.  The PDF is recommended.

Intro: What is Metatext?

Metatext is everything we fanfic authors post along with our story that is not the story itself: title, tags, summary, author's notes, even the rating.

It is how we communicate to potential readers what they're signing themselves up for if they choose to read our story, how we let them make informed decisions regarding which fics they want to read, how we get their interest and, frequently, how they find our story in the first place. A lot of metatext acts as a consent mechanism for readers, it's the informed part of informed consent.

Since most of us who write fanfic also read it, we understand how important this is! But, for the most part, no one ever teaches us how to use metatext; we have to pick it up by osmosis. That makes it hard to learn how to use it well, we all suck at it when we first start out, and some of us may go years without learning particular conventions that seem obvious to others in our community. This creates frustration for everybody.

Enter this guide!

This is meant to be a sort of handbook for fic writers, particularly those of us who post on Archive of Our Own, laying out and explaining the established metatext conventions already in use in our community so we (and our readers!) are all on the same page. It will also provide some best-practices tips.

The point is to give all of us the tools to communicate with our audience as clearly and effectively as possible, so the people who want to read a story like ours can find it and recognize it as what they're looking for, those who don't want to read a story like ours can easily tell it's not their cup of tea and avoid it, nobody gets hurt, and everybody has fun—including us!

Now that we know what we're talking about, let's get on with the guide! The following content sections appear in the order one is expected to provide each kind of metatext when posting a fic on Ao3, but first….

Warning!

This is a guide for all authors on Ao3. As such, it mentions subject matter and kinds of fic that you personally might hate or find disgusting, but which are allowed under the Archive's terms of use. There are no graphic descriptions or harsh language in the guide itself, but it does acknowledge the existence of fic you may find distasteful and explains how to approach metatext for such fics.

Some sexual terminology is used in an academic context.

A note from the author:

This guide reflects the conventions of the English-language fanfiction community circa 2021. Conventions may differ in other language communities, and although many of our conventions have been in place for decades (praise be to our Star Trek loving foremothers) fanfiction now exists primarily in the realm of internet fandom where things tend to change rather quickly, so some conventions in this guide may die out while other new conventions, not covered in this guide, arise.

This is not official or in any way produced by the Archive of Our Own (Ao3), and though some actual site rules are mentioned, it is not a rulebook. Primarily, it is a descriptivist take on how the userbase uses metatext to communicate amongst ourselves, provided in the interest of making that communication easier and more transparent for everyone, especially newer users.

Contents

How To Use This Guide Ratings Archive Warnings Fandom Tags Category Relationship Tags Character Tags Additional Tags Titles Summaries Author's Notes Series and Chapters Parting Thoughts

How To Use This Guide

Well, read it.  Or have it read to you.

This isn't a glossary, it's a handbook, and it's structured more like an academic paper or report, but there's lots and lots of examples in it!

Many of these examples are titles of real media and the names of characters from published media, or tags quoted directly from Ao3 complete with punctuation and formatting.

Some examples are more generic and use the names Alex, Max, Sam, Chris, Jamie, and Tori for demonstration purposes. In other generic examples, part of an example tag or phrase may be sectioned off with square brackets to show where in that tag or phrase you would put the appropriate information to complete it.  This will look something like “Top [Character A]” where you would fill in a character's name.

This guide presumes that you know the basics of how to use Ao3, at least from the perspective of reading fic. If you don't, much of this guide may be difficult to understand and will be much less helpful to you, though not entirely useless.

Ratings

Most fanfic hosting sites provide ratings systems that work a lot like the ratings on movies and videogames.

Ao3's system has four ratings:

General

Teen

Mature

Explicit

These seem like they should be pretty self-explanatory, and the site's own official info pop-up (accessible by clicking the question mark next to the section prompt) gives brief, straightforward descriptions for each of them.

Even so, many writers have found ourselves staring at that dropdown list, thinking about what we've written, and wondering what's the right freaking rating for this?  How do I know if it's appropriate for “general audiences” or if it needs to be teen and up? What's the difference between Mature and Explicit?

The best way to figure it out is often to think about your fic in comparison to mainstream media.

General is your average Disney or Dreamworks movie, Cartoon Network or Nickelodeon shows, video games like Mario, Kirby, and Pokemon.

There may be romance, but no sexual content or discussion. Scary things might happen and people might get hurt, but violence is non-graphic and usually mild. Adults may be shown drinking alcohol or smoking tobacco, and some degree of intoxication may be shown (usually played for laughs and not focused on), but hard drug use is generally not shown or discussed.  There is little to no foul language written out and what language there may be is mild, though harsher swears may be implied by narration. There are no explicit F-bombs or slurs.

Teen is more like a Marvel movie, most network television shows (things like The Office, Supernatural, or Grey's Anatomy), video games like Final Fantasy, Five Nights at Freddie's, and The Sims.

There might be some sex and sexual discussion, but nothing explicit is shown—things usually fade to black or are leftimplied. More intense danger, more severe injuries described in greater detail, and a higher level of violence may be present.  Substance use may be discussed and intoxication shown, but main characters are unlikely to be shown doing hard drugs. Some swearing and other harsh language may be present, possibly including an F-bomb or two.  In longer works, that might mean an F-bomb every few chapters.

Mature is, in American terms, an R-rated movie* like Deadpool, Fifty Shades of Grey, The Exorcist, and Schindler's List; certain shows from premium cable networks or streaming services like Game of Thrones, Shameless, Breaking Bad, and Black Sails; videogames like Bioshock, Assassin's Creed, Grand Theft Auto, and The Witcher.

Sex may be shown and it might be fairly explicit, but it's not as detailed or graphic or as much the focus of the work as it would be if it were porn. Violence, danger, and bodily harm may be significant and fairly graphic. Most drug use is fair game. Swearing and harsh language may be extensive.

Explicit is, well, extremely explicit. This is full on porn, the hardcore horror movies, and snuff films.

Sex is highly detailed and graphic. Violence and injury is highly detailed and graphic. Drug use and its effects may be highly detailed and graphic. Swearing and harsh language may be extreme, including extensive use of violent slurs.

Please note that both Mature and Explicit fics are intended for adult audiences only, but that does not mean a teenaged writer isn't going to produce fics that should be rated M or E.  Ratings should reflect the content of the fic, not the age of the author.

Strictly speaking, you don't have to choose any of these ratings; Ao3 has a “Not Rated” option, but for purposes of search results and some other functions, Not Rated fics are treated by the site as Explicit, just in case, which means they end up hidden from a significant portion of potential readers. It really is in your best interest as a writer who presumably wants people to see their stories, to select a rating. It helps readers judge if yours is the kind of story they want right now, too.

Rating a fic is a subjective decision, there is some grey area in between each level. If you're not quite sure where your fic falls, best practice is to go with the more restrictive rating.

*(Equivalent to an Australian M15+ or R18+, Canadian 14A, 18A or 18+, UK 15 or 18, German FSK 16 or FSK 18.)

Warnings

Ao3 uses a set of standard site-wide Archive Warnings to indicate that a work contains subject matter that falls into one or more of a few categories that some readers are likely to want to avoid.  Even when posting elsewhere, it's courteous to include warnings of this sort.

These warnings are:

Graphic Depictions Of Violence

Major Character Death

Rape/Non-Con

Underage

Just like with the ratings, the site provides an info-pop up that explains what each warning is for. They're really exactly what it says on the tin: detailed descriptions of violence, injury, and gore; the death of a character central to canon or tothe story being told; non-consensual sex i.e. rape; and depictions of underage sex, which the site defines as under the age of 18 for humans—Ao3 doesn't care if your local age of consent or majority is lower than that.

In addition to the four standard warnings above, the warnings section has two other choices:

No Archive Warnings Apply

Choose Not To Use Archive Warnings

These do not mean the same thing and cannot be used interchangeably. “No Archive Warnings Apply” means that absolutely nothing in your fic falls into any of the four standard warning categories. “Choose Not To Use Archive Warnings” means that you the author are opting out of the warning system; your fic could potentially contain things that fall into any and all of the four standard warning categories.

There's nothing wrong with selecting Choose Not To Use Archive Warnings! It may mean that some readers will avoid your fic because they're not sure it's safe for them, and you might need to use more courtesy tags than you otherwise would (we'll talk about courtesy tags later), but that's okay! Opting out of the warning system can be a way to avoid spoilers,* and is also good for when you're just not sure if what you've written deserves one of the Archive warnings. In that case, the best practice is to select either the warning it might deserve or Choose Not To Use Archive Warnings, then provide additional information in other tags, the summary, or an initial author's note.

Unless you're opting out of using the warning system, select all the warnings that apply to your fic, if any of them do. So if a sixteen year old main character has consensual sex then gets killed in an accident that you've written out in excruciating detail, that fic gets three out of the four standard warnings: Underage, Major Character Death, and Graphic Depictions Of Violence.

*(Fandom etiquette generally favors thorough tagging and warning over avoiding spoilers. It doesn't ruin the experience of a story to have a general sense of what's going to happen. If it did, we wouldn't all keep reading so many “there was only one bed” fics.)

Fandom Tags

What fandom or fandoms is your fic for?  You definitely know what you wrote it for, but that doesn't mean it's obvious what to tag it as.

Sometimes, it is obvious! You watched a movie that isn't based on anything, isn't part of a series, and doesn't have any spinoffs, tie-ins or anything else based on it. You wrote a fic set entirely within the world of this movie. You put this movie as the fandom for your fic. Or maybe you read a book and wrote a fic for it, and there is a movie based on the book, but the movie is really different and you definitely didn't use anything that's only in the movie. You put the book as the fandom for your fic.

All too often, though, it's not that clear.

What if you wrote a fic for something where there's a movie based on a book, but the movie's really different, and you've used both things that are only in the movie and things that are only in the book?  In that case you either tag your fic as both the movie and the book, or see if the fandom has an “all media types” tag and use that instead of the separate tags.  If the fandom doesn't have an “all media types” tag yet, you can make one! Just type it in.

“All media types” fandom tags are also useful for cases where there are lots of inter-related series, like Star Wars; there are several tellings of the story in different media but they're interchangeable or overlap significantly, like The Witcher; or the fandom has about a zillion different versions so it's very hard, even impossible, to say which ones your fic does and doesn't fit, like Batman. Use your best judgement as to whether you need to include a more specific fandom tag such as “Batman (Movies 1989-1997)” alongside the “all media types” fandom tag, but try to avoid including very many. The point of the “all media types” tag is to let you leave off the specific tags for every version.

In a situation where one piece of media has a spinoff, maybe several spinoffs, and you wrote a fic that includes things from more than one of them, you might want use the central work's “& related fandoms” tag. For example, the “Doctor Who & Related Fandoms” tag gets used for fics that include things from a combination of any era of Doctor Who, Torchwood, and The Sarah Jane Adventures.

And don't worry, from the reader-side of the site the broadest fandom tags are prioritized. The results page for an “all media types” or “& related fandoms” search includes works tagged with the more specific sub-tags for that fandom, the browse-by-fandom pages show the broadest tag for each fandom included, and putting a fandom into the search bar presumes the broadest tag for that fandom.  A search for “Star Wars - All Media Types” will pull up work that only has a subtag for that fandom, like “The Mandalorian (TV).” You don't have to put every specific fandom subtag for people to find your fic.

If you wrote a fic for something that's an adaptation of an older work—especially an older work that's been adapted a lot, like Sherlock Holmes or The Three Musketeers—it can be hard to know how you should tag it. The best choice is to put the adaptation as the fandom, for instance “Sherlock (TV),” then, if you're also using aspects of the older source work that aren't in the adaptation, also put a broad fandom tag such as “Sherlock Holmes & Related Fandoms.” Do not tag it as being fic for the source work—in our Sherlock example that would be tagging it “Sherlock Holmes - Arthur Conan Doyle”—unless you are crossing over the source work and the adaptation. Otherwise, the specific fandom subtag for the source work ends up clogged with fic for the adaptation, which really is a different thing.

By the same token, fic for the source work shouldn't be tagged as being for the adaptation, or the adaptation's subtag will get clogged.

The same principle applies to fandoms that have been rebooted. Don't tag fic for the reboot as being for the original, or fic for the original as being for the reboot. Don't tag a fic as being for both unless the reboot and original are actually interacting. Use an “& related fandoms” tag for the original if your fic for the reboot includes some aspects of the original that weren't carried over but you haven't quite written a crossover between the two. Good examples of these situations can be seen with “Star Trek: Alternate Original Series (Movies)” vs. “Star Trek: The Original Series,” and “She-Ra and the Princesses of Power (2018)” vs. “She-Ra: Princess Of Power (1985).”

Usually, this kind of mistagging as a related fandom happens when someone writes a fic for something that is or has a reboot, spinoff, or adaptation, but they're only familiar with one of the related pieces of media, and they mistakenly presume the fandoms are the same or interchangeable because they just don't know the difference.  It's an honest mistake and it doesn't make you a bad or fake fan to not know, but it can be frustrating for readers who want fic for one thing and find the fandom tag full of fic for something else.

In order to avoid those kinds of issues, best practice is to assume fandoms are not interchangeable no matter how closely related they are, and to default to using a tag pair of the most-specific-possible sub-fandom tag + the broadest possible fandom tag when posting a fic you're not entirely sure about, for instance “Star Trek” and “Star Trek: Enterprise.”

The Marvel megafandom has its own particular tagging hell going on. Really digging into and trying to make sense of that entire situation would require its own guide, but we can go through some general tips.

There is a general “Marvel” fandom tag and tags for both “The Avengers - Ambiguous Fandom” and “The Avengers (Marvel) - All Media Types.” Most of us who write Marvel fic are working with a cherry picked combination of canons from the MCU, various comics runs, both timelines of X-Men movies, and possibly several decades worth of cartoons. That's what these tags are for.

If your cherry picked Marvel fic is more X-Men than Avengers, go for the “X-Men - All Media Types” tag.

If you are primarily working with MCU canon, use the MCU specific tags rather than “all media types” and add specific tags for individual comics runs—like Earth 616 or the Fraction Hawkeye comics—if you know you're lifting particular details from the comics.  If you're just filling in gaps in MCU canon with things that are nebulously “from the comics” don't worry about tagging for that, it's accepted standard practice in the fandom at this point, use a broader tag along with your MCU-specific tag if you want to.

Same general idea for primarily movie-verse X-Men fics. Use the movie-specific tags.

If your fic mostly draws from the comics, use the comics tags. If you're focusing on an individual run, show, or movie series rather than an ensemble or large swath of the megafranchise, tag for that and leave off the broader fandom tags.

Try your best to minimize the number of fandom tags on your Marvel work. Ideally, you can get it down to two or three. Even paring it down as much as you can you might still end up with about five.  If you're in the double digits, take another look to see if all the fandom tags you've included are really necessary, or if some of them are redundant or only there to represent characters who are in the fic but that the fic doesn't focus on. Many readers tend to search Marvel fics by character or pairing tags, it's more important that you're thorough there. For the fandom tags it's more important that you're clear.

If you write real person fiction, you need to tag it as an RPF fandom. Fic about actors who are in a show together does not belong on the fandom tag for that show. There are separate RPF fandom tags for most shows and film franchises. Much like the adaptation/source and reboot/original situations discussed earlier, a fic should really only be tagged with both a franchise's RPF tag and its main tag if something happens like the actors—or director or writer!—falling into the fictional world or meeting their characters.

Of course, not all RPF is about actors. Most sports have RPF tags, there are RPF tags for politics from around the world and for various historical settings, the fandom tags for bands are generally presumed to be RPF tags, and there is a general Real Person Fiction tag.

In order to simplify things for readers, it's best practice to use the general Real Person Fiction tag in addition to your fandom-specific tag. You may even want to put “RPF” as a courtesy tag in the Additional Tags section, too. This is because Ao3 isn't currently set up to recognize RPF as the special flavor of fic that it is in the same way that the site recognizes crossovers as special, so it can be very difficult to either seek out or avoid RPF since it's scattered across hundreds of different fandom tags.

On the subject of crossovers—they can make fandom tagging even more daunting. Even for a crossover with lots of fandoms involved, though, you just have to follow the same guidelines as to tag a single-fandom work for each fandom in the crossover. The tricky part is figuring out if what you wrote is really a crossover, or just an AU informed by another fandom—we'll talk about that later.

There are some cases where it's really hard to figure out what fandom something belongs to, like if you wrote a fanfic of someone else's fanfic, theirs is an AU and yours is about their OC, not any of the characters from canon. What do you do?! Well, you do not tag it as being a fanfic for the same thing theirs was. Put the title of their fic (or name of their series) as the fandom for your fic, attributed to their Ao3 handle just like any other fandom is attributed to its author. Explain the situation in either the summary or the initial author's note. Also, ask the author's permission before posting something like this.

What if you wrote a story about your totally original D&D character? The fandom is still D&D, you want the “Dungeons & Dragons (Roleplaying Game)” tag.

What if there's not a fandom tag on the Archive yet for what you wrote? Not a problem! You can type in a new one if you're the first person to post something for a particular fandom. Do make sure, though, that the fandom isn't just listed by a different name than you expect. Many works that aren't originally in English—including anime—are listed by their original language title or a direct translation first, and sometimes a franchise or series's official name might not be what you personally call it, for instance many people think of Phillip Pullman's His Dark Materials series as The Golden Compass series, so it's best to double check.

What if you wrote an entirely new original story that's not based on anything?  Excellent job, that takes a lot of work, but that probably doesn't belong on Ao3!  The Archive is primarily meant as a repository for fannish content, but in a few particular circumstances things we'd consider Original Work may be appropriate content for the Archive as well. Double check the Archive's Terms of Service FAQ and gauge if what you wrote falls under the scope of what is allowed. If what you wrote really doesn't fit here, post it somewhere else or try to get it published if you feel like giving it a shot.

Category

What Ao3 means by category is “does this fic focus on sex or romance, and if so what combination of genders are involved in that sex or romance?”

The category options are:

F/F

F/M

Gen

M/M

Multi

Other

The F/F, F/M, and M/M categories are for stories focused on pairings of two women, a woman and a man, and two men, respectively.  These refer to sexual and/or romantic pairings.

The Other category is for stories focused on (sexual and/or romantic) pairings where one or both partners are not strictly male or female, such as nonbinary individuals, people from cultures with gender systems that don't match to the Western man-woman system, and nonhuman characters for whom biological sex works differently or is nonexistent, including aliens, robots, and inanimate objects or abstract concepts. There are some problems with treating nonbinary humans, eldritch tentacle monsters, sexless androids, and wayward container ships as all the same category, but it's the system we currently have to work with. Use Additional Tags to clarify the situation.

Multi is for stories in which several (sexual and/or romantic) relationships are focused on or which focus on relationships with multiple partners, including cases of polyamory, serial monogamy, strings of hookups with different people, and orgies.  A fic will also show as “Multi” if you, the author, have selected more than one category for the fic, even if none of those are the Multi category. Realistically, the Archive needs separate “Multiple Categories” and “Poly” options, but for now we have to work with this system in which the two are combined.  Use Additional Tags to clarify the situation.

Gen is for stories that do not contain or are not focused on sex or romance. Romance may be present in a gen fic but it's going to be in the background.  While rare, there is such a thing as a sexually explicit gen fic—solo masturbation which does not feature fantasizing about another character is explicit gen fic; a doctor character seeing a series of patients with sex-related medical needs following an orgy may qualify if the orgy is not shown and the doctor is being strictly professional—but such fic needs to be rated, otherwise tagged, and explained carefully in the summary and/or author's note.

Much like the warnings section, category is a “select all that apply” situation. Use your best judgement. For a fic about a polyamorous relationship among a group of women, it's entirely appropriate to tag it as both F/F and Multi.  A poly fic with a combination of men and women in the relationship could be shown as both M/M and F/M, Multi, or all three. A fic that focuses equally on one brother and his husband and the other brother and his wife should be tagged both M/M and F/M, and could be tagged as Multi but you might decided not to just to be clear that there's no polyamory going on. If you wrote a fic about two characters who are both men in canon, but you wrote one of them as nonbinary, you could tag it M/M, Other, or both depending on what you feel is representative and respectful.

When dealing with trans characters, whether they're trans in canon or you're writing them as such, the category selection should match the character's gender.  If there's a character who is a cis woman in canon, but who you're writing as a trans man, you categorize the fic based on his being a man. If there's a character who is a cis man in canon, but whom you're writing as a trans man, he is still a man and the fic should be categorized accordingly. When dealing with nonbinary characters the fic should really be classed as Other though, by convention, fics about characters who are not nonbinary in canon may be classed based on the character's canon gender as well or instead. When dealing with gender swapped characters—i.e. a canonically cis male superhero who you're writing as a cis woman—class the fic using the gender you wrote her with, not the gender he is in canon.

Most of the time, gen fics should not be categorized jointly with anything else because a fic should only be categorized based on the ships it focuses on, and a gen fic should not be focusing on a ship in the first place.*

*(One of the few circumstances in which it might make sense to class a fic as both gen and something else is when writing about Queerplatonic Relationships, but that is a judgement call and depends on the fic.)

Relationship Tags

The thing about relationship tagging that people most frequently misunderstand or just don't know is the difference between “Character A/Character B” and “Character A & Character B.”

Use a “/” for romantic or sexual relationships, such as spouses, people who are dating, hookups, and friends with benefits. Use “&” for platonic or familial relationships, such as friends, siblings, parents with their kids, coworkers, and deeply connected mortal enemies who are not tragically in love.

This is where we get the phrase “slash fic.” Originally, that meant any fic focused on a romantic paring, but since so much of the romantic fic being produced was about pairs of men, “slash fic” came to mean same-sex pairings, especially male same-sex pairings. Back in earlier days of fandom, pre-Ao3 and even pre-internet, there was a convention that when writing out a different-sex pairing, you did so in man/woman order, while same-sex pairings were done top/bottom. Some authors, especially those who have been in the fic community a long time, may still do this, but the convention has not been in consistent, active use for many years, so you don't have to worry about putting the names in the “correct” order. Part of why that died out is we, as a community, have gotten less strict and more nuanced in our understandings of sex and relationships, we're writing non-penetrative sex more than we used to, and we're writing multi-partner relationships and sex more than we used to, so strictly delineating “tops” and “bottoms” has gotten less important and less useful.

The convention currently in use on Ao3 is that the names go in alphabetical order for both “/” and “&” relationships. In most cases, the Archive uses the character's full name instead of a nickname or just a given name, like James "Bucky" Barnes instead of just Bucky or James. We'll talk more about conventions for how to input character names in the Characters section. The Archive will give you suggestions as you type—if one of them fits what you mean but is slightly different from how you were typing it, for instance it's in a different order, please use the tag suggested! Consistency in tags across users helps the site work more smoothly for everybody.

This is really not the place for ship nicknames like Puckleberry, Wolfstar, or Ineffable Wives. Use the characters' names.

Now that you know how to format the relationship tag to say what you mean, you have to figure out what relationships in your fic to tag for.

The answer is you tag the relationships that are important to the story you're telling, the ones you spend time and attention following, building up, and maybe even breaking down. Tagging for a ship is not a promise of a happy ending for that pair; you don't have to limit yourself to tagging only the end-game ships if you're telling a story that's more complicated than “they get together and live happily ever after.” That said, you should generally list the main ship—the one you focus on the most—first on the list, and that will usually be the end-game ship. You should also use Additional Tags, the summary, and author's notes to make it clear to readers if your fic does not end happily for a ship you've tagged. Otherwise readers will assume that a fic tagged as being about a ship will end well for that ship, because that's what usually happens, and they'll end up disappointed and hurt, possibly feeling tricked or lied to, when your fic doesn't end well for that ship

You don't have to, and honestly shouldn't, tag for every single relationship that shows up in your fic at all. A character's brief side fling mentioned in passing, or a relationship between two background characters should not be listed under the Relationship tag section. You can list them in the format “minor Character A/Character C” or “Character C/Character D – mentions of” in the Additional Tags section if you want to, or just tag “Minor or Background Relationship(s)” under either the Relationship tag section or in the Additional Tags section.

There are two main reasons to not tag all those minor relationships. The first is to streamline your tags, which makes them clearer and more readable, and therefore more useful. The second reason is because certain ships are far more common as minor or background relationships than as the focus of a work, so tagging all your non-focus focus ships leads to the tags for these less popular ships getting clogged with stories they appear in, but that are not about them. That is, of course, very frustrating for readers who really want to read stories that focus on these ships.

If your fic contains a major relationship between a canon character and an OC, reader-insert, or self-insert, tag it as such. The archive already has /Original Character, /Reader, /You, and /Me tags for most characters in most fandoms. If such a relationship tag isn't already in use, type it in yourself. There are OC/OC tags, too, some of which specify gender, some of which do not.  All the relationship tags that include OCs stack the gender-specific versions of the tags under the nongendered ones. Use these tags as appropriate.

For group relationships, both polycules and multi-person friendships, you “/” or “&” all the names involved in alphabetical order, so Alex/Max/Sam are dating while Chris & Jamie & Tori are best friends. For a poly situation where not everyone is dating each other you should tag it something like “Alex/Max, Alex/Sam” because Alex is dating both Max and Sam, but Max and Sam are not romantically or sexually involved with each other. Use your judgement as to whether you still want to include the Alex/Max/Sam trio tag, and whether you should also use a “Sam & Max” friendship tag.

Generally, romantic “/” type relationships are emphasized over “&” type relationships in fic. It is more important that you tag your “/”s thoroughly and accurately than that you tag your “&”s at all. This is because readers are far more likely to either be looking for or be squicked by particular “/” relationships than they are “&” relationships. You can tag the same pair of characters as both / and & if both their romance and their friendship is important to the story, but a lot of people see this as redundant. If you're writing incest fic, use the / tag for the pair not the & tag and put a courtesy tag for “incest” in the Additional Tags section; this is how readers who do not want to see incestuous relationships avoid that material.

Queerplatonic Relationships, Ambiguous Relationships, Pre-Slash, and “Slash If You Squint” are all frequently listed with both the “/” and “&” forms of the pairing; use your best judgement as to whether one or the other or both is most appropriate for what you've written and clarify the nature of the relationship in your Additional Tags.

Overall, list your “/” tags first, then your “&” tags.

Character Tags

Tagging your characters is a lot like tagging your relationships. Who is your fic about? That's who you put in your character tags.

You don't have to and really should not tag every single background character who shows up for just a moment in the story, for pretty much the same reasons you shouldn't tag background relationships.  We don't want to clog less commonly focused on characters' tags with stories they don't feature prominently in.

You do need to tag the characters included in your Relationship tags.

A character study type of fic might only have one character you need to tag for. Romantic one shots frequently only have two. Longfics and fics with big ensemble casts can easily end up with a dozen characters or more who really do deserve to be tagged for.

Put them in order of importance. This doesn't have to be strict hierarchal ranking, you can just arrange them into groups of “main characters,” “major supporting characters,” and “minor supporting characters.” Nobody less than a minor supporting character should be tagged. Even minor supporting characters show up for more than one line.

If everyone in the fic is genuinely at the same level of importance (which does happen, especially with small cast fics), then order doesn't really matter. You can arrange them by order of appearance or alphabetically by name if you want to be particularly neat about it.

Do tag your OCs! Some people love reading about OCs and want to be able to find them; some people can't stand OCs and want to avoid them at all costs; most people are fine with OCs sometimes, but might have to be in the mood for an OC-centric story or only be comfortable with OCs in certain contexts. Regardless, though, Character tags are here to tell readers who the story is about, and that includes new faces. Original Characters are characters and if they're important to the story, they deserve to be tagged for just like canon characters do.

There are tags for “Original Character(s),” “Original Male Character(s),” and “Original Female Character(s).” Use these tags!  If you have OCs you're going to be using frequently in different stories, type up a character tag in the form “[OC's Name] – Original Character” and use that in addition to the generic OC tags.

Also tag “Reader,” “You,” or “Me” as a character if you've written a reader- or self-insert.

You can use the “Minor Characters” tag to wrap up everybody, both OC and canon, who doesn't warrant their own character tag. Remember, though, that this tag is also used to refer to minor canon characters who may not have their own official names.

Just like when tagging for relationships, the convention when tagging for characters is to use their full name. The suggestions the Archive gives you as you type will help you use the established way of referring to a given character.

Characters who go by more than one name usually have their two most used names listed together as one tag with the two names separated by a vertical bar like “Andy | Andromache of Scythia.” This also gets used sometimes for characters who have different names in an adaptation than in the source text, or a different name in the English-language localization of a work than in the original language. For character names from both real-world and fictional languages and cultures that put family or surname before the given name—like the real Japanese name Takeuchi Naoko or the made up Bajoran name Kira Nerys—that order is used when tagging, even if you wrote your fic putting the given name first.

Some characters' tags include the fandom they're from in parentheses after their name like “Connor (Detroit: Become Human).” This is mostly characters with ordinary given names like Connor and no canon surname, characters who have the same full name as a character in another fandom, such as Billy Flynn the lawyer from the musical Chicago and Billy Flynn the serial killer played by Tim Curry in Criminal Minds, and characters based on mythological, religious, or historical figures or named for common concepts such as Lucifer, Loki, Amethyst, Death, and Zero that make appearances in multiple fandoms.

Additional Tags

Additional Tags is one of the most complicated, and often the longest, section of metatext we find ourselves providing when we post fic. It's also the one that gives our readers the greatest volume of information.

That, of course, is what makes it so hard for us to do well.

It can help to break down Additional Tags into three main functions of tag: courtesy tags, descriptive tags, and personal tags.

Courtesy tags serve as extensions of the rating and warning systems. They can help clarify the rating, provide more information about the Archive Warnings you've used or chosen not to use, and give additional warnings to tell readers there are things in this fic that may be distasteful, upsetting, or triggering but that the Archive doesn't have a standard warning for.

Descriptive tags give the reader information about who's in this fic, what kind of things happen, what tropes are in play, and what the vibe is, as well as practical information about things like format and tense.

Personal tags tell the readers things about us, the author, our process, our relationship to our fic, and our thoughts at the time of posting.

It doesn't really matter what order you put these tags in, but it is best practice to try to clump them: courtesy tags all together so it's harder for a reader to miss an important one, ship-related info tags together, character-related info tags together, etc.

There are tons and tons of established tags on Ao3, and while it's totally fine, fun, and often necessary to make up your own tags, it's also important to use established tags that fit your fic.  For one thing, using established tags makes life easier for the tag wranglers behind the scenes. Using a new tag you just made up that means the same thing as an established tag makes more work for the tag wranglers. We like the tag wranglers, they're all volunteers, and they're largely responsible for the search and sorting features being functional. Be kind to the tag wranglers.

For basically the same reasons, using established tags makes it easier for readers to find your fic. If a reader either searches by a tag or uses filters on another search to “Include” that tag, and you didn't use that tag, your fic will not show up for them even if what you wrote is exactly what they're looking for.  Established tags can be searched by exactly the same way as you search by fandom or pairing, your off the cuff tags cannot.

Let's talk about some well-known established tags and common tag types, divvied up by main function.

Courtesy

A lot of courtesy tags are specific warnings like “Dubious Consent,” “Incest,” “Drug Use,” “Extremely Underage,” “Toxic Relationship,” and “Abuse.” Many of these have even more specific versions such as “Recreational Drug Use” and “Nonconsensual Drug Use,” or “Mildly Dubious Consent” and “Extremely Dubious Consent.”

Giving details about what, if any, drugs are used or mentioned, specifying what kinds of violence or bodily harm are discussed or depicted, details about age differences or power-imbalanced relationships between characters who date or have sex, discussion or depictions of suicide, severe or terminal illness, or mental health struggles is useful. It helps give readers a clear sense of what they'll encounter in your fic and decide if they're up for it.

One the most useful courtesy warning tags is “Dead Dove: Do Not Eat” which basically means “there are things in this fic which are really screwed up and may be disturbing, read at your own risk, steer clear if you're not sure.” This tag—like all courtesy warnings, really—is a show of good faith, by using it you are being a responsible, and thoughtful member of the fanfic community by giving readers the power and necessary information to make their own informed decisions about what they are and are not comfortable reading.

Saying to “Heed the tags” is quite self-explanatory and, if used, should be the last or second to last tag so it's easy to spot.  Remember, though, that “Heed the tags” isn't useful if your tags aren't thorough and clear.

“Additional Warnings In Author's Note” is one of only things that should ever go after “Heed the tags.”  If you use this, your additional warnings need to go in the author's note at the very beginning of the fic, not the one at the end of the first chapter.  If your additional warnings write up is going to be very long because it's highly detailed, then it can go at the bottom of the chapter with a note at the beginning indicating that the warnings are at the bottom. Some authors give an abbreviated or vague set of warnings in the initial note, then longer, highly detailed, spoilery warnings in the end note. It's best to make it as simple and straightforward as possible for readers to access warnings.

Tagging with “Dead Dove: Do Not Eat,” “Heed the tags,” or “Additional Warnings In Author's Note” is not a substitute for thorough and appropriate courtesy tagging. These are extra reminders to readers to look closely at the other warnings you've given.

While most courtesy tags are warnings, some are assurances like “No Lesbians Die” or “It's Not As Bad As It Sounds.”  A fic tagged for rape or dub-con may get a tag assuring that the consent issues are not between the characters in the main ship; or a fic with a premise that sounds likely to involve lack of consent but actually doesn't may get a tag that it's “NOT rape/non-con.” A tag like “Animal Death” may be immediately followed by a freeform tag assuring that the animal that dies is not the protagonist's beloved horse.

Descriptive

There are a few general kinds of descriptive tags including character-related, ship-related, temporal, relation-to-canon, trope-related, smut details, and technical specifications.

Many character- and ship-related tags simply expand on the Character and Relationship tags we've already talked about.  This is usually the place to specify details about OCs and inserts, such as how a reader-insert is gendered.

When it comes to character-related tags, one of the most common types in use on Ao3 and in fandom at large is the bang-path. This is things like werewolf!Alex, trans!Max, top!Sam, kid!Jamie, and captain!Tori. Basically, a bang-path is a way of specifying a version of a character. We've been using this format for decades; it comes from the very first email systems used by universities in the earliest days of internet before the World Wide Web existed. It's especially useful for quickly and concisely explaining the roles of characters in an AU. Nowadays this is also one of the primary conventions for indicating who's top and who's bottom in a ship if that's information you feel the need to establish.  The other current convention for indicating top/bottom is as non-bang-path character-related tags in the form “Top [Character A], Bottom [Character B].”

Other common sorts of character tags are things like “[Character A] Needs a Hug,” “Emotionally Constipated [Character B],” and “[Character C] is a Good Dad.”

Some character-related tags don't refer to a particular character by name, but tell readers something about what kinds of characters are in the fic. Usually, this indicates the minority status of characters and may indicate whether or not that minority status is canon, as in “Nonbinary Character,” “Canon Muslim Character,” “Deaf Character,” and “Canon Disabled Character.”

Down here in the tags is the place to put ship nicknames!  This is also where to say things like “They're idiots your honor” or indicate that they're “Idiots in Love,” maybe both since “Idiots in Love” is an established searchable tag but “They're idiots your honor” isn't yet. If your fandom has catchphrases related to your ship, put that here if you want to.

If relevant, specify some things about the nature of relationships in your fic such as “Ambiguous Relationship,” “Queerplatonic Relationships,” “Polyamory,” “Friends With Benefits,” “Teacher-Student Relationship,” and so on. Not all fics need tags like these. Use your best judgement whether your current fic does.

Temporal tags indicate when your fic takes place. That can be things like “Pre-Canon” and “Post-Canon,” “Pre-War,” “Post-Captain America: The Winter Soldier,” “1996-1997 NHL season,” “Future Fic,” and so on.  These tags may be in reference to temporal landmarks in canon, in the real world, or both depending on what's appropriate.

Some temporal tags do double duty by also being tags about the fic's relationship to canon. The Pre- and Post-Canon tags are like that.

Other relation-to-canon type tags are “Canon Compliant” for fics that fit completely inside the framework of canon without changing or contradicting anything, “Alternate Universe - Canon Divergence” for fics that are compliant up to a certain point in canon, then veer off (maybe because you started writing the fic when the show was on season two but now it's at season four and you're not incorporating everything from the newer seasons, maybe a character died and you refuse to acknowledge that, maybe you just want to explore what might have happened if a particular scene had gone differently), and the various other Alternate Universe tags for everything from coffee shop AUs and updates to modern settings, to realities where everyone is a dragon or no one has their canon superpowers.

The established format for these tags is “Alternate Universe – [type],” but a few have irregular names as well, such as “Wingfic” for AUs in which characters who don't ordinarily have wings are written as having wings.

If you have written an AU, please tag clearly what it is! Make things easy on both the readers who are in the mood to read twenty royalty AUs in a row, the readers who are in the middle of finals week and the thought of their favorite characters suffering through exams in a college AU would destroy the last shred of their sanity but would enjoy watching those characters teach high school, and the readers who really just want to stick to the world of canon right now.

Admittedly, it can get a little confusing what AU tag or tags you need to describe what you've written since most of us have never had a fandom elder sit us down and explain what the AU tags mean. One common mix up is tagging things “Alternate Universe - Modern Setting” when what's meant is “Alternate Universe - Canon Divergence.”  The misunderstanding here is usually reading “Alternate Universe - Modern Setting” and thinking it means an alternate version of the canon universe that is set at the same time as the canon universe, but is different in some way. That's not how the tag is meant to be used, though.

The Modern Setting AU tag is specifically for fic set now (at approximately the same time period it was written), for media that's canonically set somewhere that is very much not the present of the real world. This can mean things set in the past (like Jane Austen), the future (like Star Trek), or a fantasy world entirely different from our own (like Lord of the Rings or Avatar: the Last Airbender). Fic for a canon that's set more or less “now” doesn't need the Modern Setting AU tag, even if the world of canon is different from our own. If you're removing those differences by putting fantasy or superhero characters in a world without magic or supersoldier serum, you might want the “Alternate Universe - No Powers” tag instead.

Some of the most fun descriptive tags are trope tags. This includes things like “Mutual Pining,” “Bed Sharing” for when your OTP gets to their hotel room to find There Was Only One Bed, “Fake Dating,” “Angst,” Fluff,” “Hurt/Comfort” and all its variants.  Readers love tropes at least as much as we love writing them and want to be able to find their favorites. Everyone also has tropes they don't like and would rather avoid. Tagging them allows your fic to be filtered in and out by what major tropes you've used.

Explicit fics, and sometimes fics with less restrictive ratings, that contain sex usually have tags indicating details about the nature of the sexual encounter(s) portrayed and what sex acts are depicted. These are descriptive tags, but they also do double duty as courtesy tags. This is very much a situation in which tags are a consent mechanism; by thoroughly and clearly tagging your smut you are giving readers the chance to knowingly opt in or out of the experience you've written.

Most of the time, it's pretty easy to do basic tagging for sex acts—you know whether what you wrote shows Vaginal Sex, Anal Sex, or Non-penetrative Sex.  You probably know the names for different kinds of Oral Sex you may have included. You might not know what to call Frottage or Intercrural Sex, though, even if you understand the concept and included the act in your fic. Sometimes there are tags with rectangle-square type relationships (all Blow Jobs are Oral Sex, but not all Oral Sex is a Blow Job) and you're not sure if you should tag for both—you probably should. Sometimes there are tags for overlapping, closely related, or very similar acts or kinks and you're not sure which to tag—that one's more of judgement call; do your best to use the tags that most closely describe what you wrote.

Tag for the kinks at play, if any, so readers can find what they're into and avoid what they're not. Tag for what genitalia characters have if it's nonobvious, including if there's Non-Human Genitalia involved. Tag your A/B/O, your Pon Farr, and your Tentacles, including whether it's Consentacles or Tentacle Rape.

Technical specification tags give information about aspects of the fic other than its narrative content.  Most things on Ao3 are prose fiction so that's assumed to be the default, so anything else needs to be specified in tags. That includes Poetry, Podfics, things in Script Format, and Art. If it is a podfic, you should tag with the approximate length in minutes (or hours). If a fic is Illustrated (it has both words and visual art) tag for that.

Tag if your fic is a crossover or fusion.  The difference, if you're not sure, is that in a crossover, two (or more) entire worlds from different media meet, whereas in a fusion, some aspects of one world, like the cast of characters, are combined with aspects of another, like the setting or magic system.

If the team of paranormal investigators from one show get in contact with the cast of aliens from another show, that's a crossover and you need to have all the media you're drawing from up in the Fandom tags. If you've given the cast of Hamlet physical manifestations of their souls in the form of animal companions like the daemons from His Dark Materials but nothing else from His Dark Materials shows up, that's a fusion, the Fandom tag should be “Hamlet - Shakespeare,” and you need the “Alternate Universe - Daemons” tag. If you've given the members of a boy band elemental magic powers like in Avatar: the Last Airbender, that can be more of a judgement call depending how much from Avatar you've incorporated into your story. If absolutely no characters or specific settings from Avatar show up, it's probably a fusion.  Either way, if the boyband exists in real life, it needs to be tagged as RPF.

Tag if your fic is a Reader-Insert or Self-Insert.

You might want to tag for whether your fic is written with POV First, Second, or Third Person, and if it's Past Tense or Present Tense (or Future Tense, though that's extremely uncommon).  For POV First Person fics that are not self-inserts, or POV Third Person fics that are written in third person limited, you may want to tag which character's POV is being shown. Almost all POV Second Person fics are reader-insert, so if you've written one that isn't, you should tag for who the “you” is.

A fic is “POV Outsider” if the character through whom the story is being conveyed is outside the situation or not familiar with the characters and context a reader would generally know from canon. The waitress who doesn't know the guy who just sat down in her diner is a monster hunter, and the guy stuck in spaceport because some hotshot captain accidentally locked down the entire space station, are both potential narrators for POV Outsider stories.

Other technical specifications can be tags for things like OCtober and Kinktober or fic bingo games.  Tagging something as a Ficlet, One Shot, or Drabble is a technical specification (we're not going to argue right now over what counts as a drabble). Tagging for genre, like Horror or Fantasy, is too.

It's also good to tag accessibility considerations like “Sreenreader Friendly,” but make sure your fic definitely meets the needs of a given kind of accessibility before tagging it.

Personal

Even among personal tags there are established tags!  Things like “I'm Sorry,” “The Author Regrets Nothing,” “The Author Regrets Everything,” and “I Wrote This Instead of Sleeping” are common ones.  Tags about us and our relationship to the fic, such as “My First Work In This Fandom,” “Author is Not Religious,” and “Trans Porn By A Trans Author,” can help readers gauge what to expect from our fic. Of course, you are not at all obligated to disclose any personal information for any reason when posting your fic.

The “I'm Bad At Tagging” tag is common, but probably overused. Tagging is hard; very few of us have a natural feel for it even with lots of practice.  It's not a completely useless tag because it can indicate to readers that you've probably missed some things you should have tagged for, so they should be extra careful; but it can also turn into a crutch, an excuse to not try, and therefore a sign to readers they can't trust your tagging job. Just do your best, and leave off the self depreciation. If you're really concerned about the quality of your tagging, consider putting in an author's note asking readers to let you know if there are any tags you should add.

You might want to let readers know your fic is “Not Beta Read” or, if you're feeling a little cheekier than that, say “No Beta We Die Like Men” or its many fandom-specific variants like the “No Beta We Die Like Robins” frequently found among Batman fics and “No beta we die like Sunset Curve” among Julie and The Phantoms fic. Don't worry, the Archive recognizes all of these as meaning “Not Beta Read.”

The Archive can be inconsistent about whether it stacks specific variants of Additional Tags under the broadest version of the tag like it does with Fandom tags, so best practice is usually to use both.  You can double check by trying to search by a variant tag (or clicking on someone else's use of the variant); if the results page says the broader or more common form of the tag, those stack.

There's no such thing as the right number of tags. Some people prefer more tags and more detail, while other people prefer fewer more streamlined tags, and different fics have different things that need to be tagged for.  There is, however, such a thing as too many tags.  A tagblock that takes up the entire screen, or more, can be unreadable, at which point they are no longer useful. Focus on the main points and don't try to tag for absolutely everything.  Use the “Additional Warnings In Author's Note” strategy if your courtesy tags are what's getting out of hand.

Tag for as much as you feel is necessary for readers to find your fic and understand what they're getting into if they decide to open it up.

A little bit of redundancy in tags is not a sin.  In fact, slight redundancy is usually preferable to vagueness. Clear communication in tags is a cardinal virtue. Remember that tags serve a purpose, they're primarily a tool for sorting and filtering, and (unlike on some other sites like tumblr) they work, so it's best to keep them informative and try to limit rambling in the tags. Ramble at length in your author's notes instead!

Titles

Picking a title can be one of the most daunting and frustrating parts of posting a fic. Sometimes we just know what to call our fics and it's a beautiful moment. Other times we stare at that little input box for what feels like an eternity.

The good news is there's really no wrong way to select a title. Titles can be long or short, poetic or straight to the point. Song lyrics, idioms, quotes from literature or from the fic itself can be good ways to go.

Single words or phrases with meanings that are representative of the fic can be great. A lot of times these are well known terms or are easy enough to figure out like Midnight or Morning Glow, but if you find yourself using something that not a lot of people know what it means, like Chiaroscuro (an art style that uses heavy shadow and strong contrast between light and dark), Kintsukuroi (the Japanese art of repairing broken pottery with gold), or Clusivity (the grammatical term for differences in who is or isn't included in a group pronoun), you should define the term in either a subtitle, i.e. “Chiaroscuro: A Study In Contrast,” or at the beginning of the summary.

As a courtesy to other writers, especially in small fandoms, you may want to check to make sure there's not already another fic with the same title in the same fandom, but this is not required. In large fandoms, there's no point in even trying. After all, there are only so many puns to be made about the full moon and only so many verses to Hallelujah.

It may be common practice on other platforms to include information such as fandom or ship in the title of a fic, but on Ao3 nothing that is specified by tags belongs in the title unless your title happens to be the same as a tag because, for instance, you've straightforwardly titled your character study of Dean Winchester “Dean Winchester Character Study” and also responsibly tagged it as such.

Summaries

Yes, you really do need to put something down for the summary. It might only need to be a single sentence, but give the readers something to go off of.

The summary is there to serve two purposes: one, to catch the interest of potential readers, give them a taste of what's inside, and make them want to know more; and two, to give you a space to provide information or make comments that don't really fit in the tags but that you want readers to see before they open the fic.

We've already talked some about that second function. When you put an explanation of the title or clarification about tags in the summary, that's the purpose it's serving. You can also put notes to “Heed the tags” or instruct readers that there are additional warnings in the author's note here in the summary, rather than doing so in the tags.

The first function, the actual summarizing, can be very hard for some of us.  It's basically the movie trailer for your fic, butwhat are you even supposed to say?

There are two main strategies as to how to approach this: the blurb, and the excerpt. Blurbs are like the synopses you at least used to see on the backs of published books, or the “Storyline” section on an IMDb page. Writing one is a matter of telling your readers who does what, under what circumstances.

Depending on the fic, one sentence can capture the whole thing: “Sam and Alex have sex on a train.” “Tori tries to rob a bank.” “If anybody had mentioned Max's new house was haunted, Jamie wouldn't have agreed to help with the move.”

Sometimes a blurb can be a question! “What happens when you lock a nuclear engineer in a closet with a sewing kit, a tennis ball, and half a bottle of Sprite?”

Of course, plenty of blurbs are more than one sentence. Their length can vary pretty significantly depending on the type and length of fic you're working with and how much detail you're trying to convey, but it shouldn't get to be more than a few short paragraphs. You're not retelling the entire fic here.

An excerpt is a portion of the fic copied out to serve as the summary. This, too, can vary in length from a line or two to several paragraphs, but shouldn't get too long. It should not be an entire scene unless that scene happens to be uncommonly short. It's important to select a portion of the fic that both indicates the who, what, and under what circumstances of the fic and is representative of the overall tone. Excerpts that are nothing but dialogue with no indication of who's talking are almost never a good choice. Portions that are sexually explicit or extremely violent are never ever a good choice—if it deserves content warnings, it belongs inside the fic, not on the results page.

Counterintuitively, some of the best excerpts won't even look like an excerpt to the reader if they don't contain dialogue. They seem like particularly literary blurbs until the reader reaches that part in the fic and realizes they recognize a section of narration.

Some of us have very strong preferences as to whether we write blurbs or use excerpts for our summaries. Some readers have very strong preferences as to which they find useful. Ultimately, there's no accounting for taste, but there are things we can do to limit the frustration for readers who prefer summaries of the opposite kind than we prefer to write, without increasing our own frustration or work load very much. Part of that is understanding what readers dislike about each type so we know what to mitigate.

Blurbs can seem dry, academic, and overly simplified. They don't automatically give the reader a sense of your writing style the way an excerpt does. They can also seem redundant, like they're just rehashing information already given in the tags, so the reader feels like they're being denied any more information without opening the fic.

Excerpts can seem lazy, like you, the author, don't care enough to bother writing a blurb, or pushy like you're telling the reader “just read the fic; I'm not going to give you the information you need to decide if you want to read or not, I'm shoving it in front of you and you just have to read it.” That effect gets worse if your tags aren't very informative or clear about what the plot is, if the excerpt is obviously just the first few lines or paragraphs of the fic, if the except is particularly long, or, worst of all, if all three are true at once.

A lot of the potential problems with blurbs can be minimized by having fun writing them! Make it punchy, give it some character, treat it like part of the story, not just a book report. A fic for a serialized show or podcast, for instance, could have a blurb written in the style of the show's “previously on” or the podcast's intro.  Make sure the blurb gives the reader something they can't just get from the tags—like the personality of your writing, important context or characterization, or a sense of the shape of the story—but don't try to skimp on the tags to do it!

Really, the only way to minimize the potential problems with excerpts is to be very mindful in selecting them. Make sure the portion you've chosen conveys the who, what, and under what circumstances and isn't too long.  You know the story; what seems clear and obvious from the excerpt to you might not be apparent to someone who doesn't already know what happens, so you might need to ask a friend to double check you.

The absolute best way to provide a summary that works for everybody is to combine both methods. It really isn't that hard to stick a brief excerpt before your blurb, or tack a couple lines of blurb after your excerpt, but it can make a world of difference for how useful and inviting your summary is to a particular reader. The convention for summaries that use both is excerpt first, then blurb.

If you're struggling to figure out a summary, or have been in the habit of not providing one, try not to stress over it. Anything is better than nothing.  As long as you've written something for a summary, you've given the reader a little more to help them make their decision. What really isn't helpful, though, is saying “I'm bad at summaries” in your summary. It's a lot like the “I'm Bad At Tagging” tag in that it's unnecessarily self depreciating, frequently comes across as an excuse not to try, and sometimes really is just an excuse. Unlike the “I'm Bad At Tagging” tag, which has the tiny saving grace of warning readers you've probably missed something, saying you're bad at summaries has no utility at all, and may drive away a reader who thought your summary was quite good, but is uncomfortable with the negative attitude reflected by that statement. Summaries are hard. It's okay if you don't like your summary, but it's important for it to be there, and it's important to be kind to yourself about it. You're trying, that's what matters.

Author's Notes

Author's notes are the one place where we, the writers, directly address and initiate contact with our readers. We may also talk to them in the comments section, but that's different because they initiate that interaction while we reply, and comments are mostly one-on-one while in author's notes we're addressing everyone who ever reads our fic.

The very first note on a fic should contain any information, such as warnings or explanations, that a reader needs to see before they get to the body of the story, as well as anything like thanks to your beta, birthday wishes to a character, or general hellos and announcements you want readers to see before they get to the body of the story. On multi-chapter fics, notes at the beginning of chapters serve the same function for that chapter as the initial note on the fic does for the whole story, so you can do things like warn for Self-Harm on the two chapters out of thirty where it comes up, let everyone know your update schedule will be changing, or wish your readers a merry Christmas, if they celebrate it, on the chapter you posted on December 23rd but is set in mid-March.

Notes at the end of a fic or chapter are for things that don't need to be said or are not useful to a reader until after they've read the preceding content, such as translations for that handful of dialogue that's in Vulcan or Portuguese, or any parting greetings or announcements you want to give, like a thanks for reading or a reminder school is starting back so you won't be able to write as much. End notes are the best place to plug your social media to readers if you're inclined to do so, but remember that cannot include payment platforms like Patreon or Ko-fi.

As previously mentioned, warnings can go in end notes but that really should only be done when the warnings are particularly long, such that the length might cause a problem for readers who are already confident in their comfort level and would just want to scroll past the warning description. In that case, the additional warnings need to go in the note at the end of the first chapter, rather than at the end of the fic, if it's a multi-chapter fic; and you need to include an initial note telling readers that warnings/explanations of tags are at the bottom so they know to follow where the Archive tells them to see the end of the chapter/work for “more notes.”

When posting a new work, where the Preface section gives you the option to add notes “at the beginning” or “at the end” or both, if you check both boxes, it means notes at the beginning and end of the entire fic, not the beginning and end of the first chapter. For single-chapter fics this difference doesn't really matter, but for multi-chapter fics it matters a lot. In order to add notes to the beginning or end of the first chapter of a multi-chapter fic you have to first go through the entire process to post the new fic, then go in to Edit, Edit Chapter, and add the notes there.

Series and Chapters

Dealing with Series and Chapters is actually two different issues, but they're closely related and cause some of us mixups, especially when we're new to the site and its systems, so we're going to cover them together.

Series on Ao3 are for collecting up different stories that you've written that are associated with each other in some way. Chapters are for dividing up one story into parts, usually for pacing and to give yourself and your readers a chance to take breaks and breathe, rather than trying to get through the entire thing in a single marathon sitting (not that we won't still do that voluntarily, but it's nice to have rest points built in if we need them).

If your story would be one book if it was officially published, then it should be posted as a single fic—with multiple chapters if it's long or has more than one distinct part, like separate vignettes that all go together. If you later write a sequel to that fic, post it as a new fic and put them together in a series. It's exactly like chapters in a book and books in a series. Another way to think of this structure is like a TV show: different fics in the series are like different seasons of the show, with individual chapters being like episodes.

If you have several fics that all take place in the same AU but really aren't the same story those should go together as a series.  If you wrote a story about a superhero team re-cast as school teachers, then wrote another story about different characters in the same school, that's this situation.

Series are also the best way to handle things like prompt games, bingos, or Kinktober, or collect up one shots and drabbles especially if your various fills, entries, and drabbles are for more than one fandom. If you put everything for a prompt game or bingo, or all your drabbles, together as one fic with a different chapter for each story, what ends up happening is that fic gets recognized by the Archive as a crossover when it isn't, so it gets excluded from the results pages for everyone who told the filters to Exclude Crossovers even though one of the stories you wrote is exactly what they're looking for; and that fic ends up with tons and tons of wildly varying and self-contradictory tags because it's actually carrying the tags for several entirely different, possibly unrelated stories, which also means it ends up getting excluded from results pages because, for instance, one out of your thirty-one Kinktober entries is about someone's NoTP.

Dividing these kinds of things up into multiple fic in a series makes it so much easier for readers to find what of your work they actually want to read.

If you've previously posted such things as a single fic, don't worry, it's a really common misunderstanding and there is absolutely nothing stopping you from reposting them separately. You may see traffic on them go up if you do!

Parting Thoughts

Metatext is ultimately all about communication, and in this context effective communication is a matter of responsibility and balance.

Ao3 is our archive. It's designed for us, the writers, to have the freedom to write and share whatever stories we want without having to worry that we'll wake up one day and find our writing has been deleted overnight without warning.  That has happened too many times to so many in our community as other fanfic sites have died, been shut down, or caved to threats of legal action. Ao3 is dedicated to defending our legal right to create and share our stories. Part of the deal is that, in exchange for that freedom and protection, we take up the responsibility to communicate to readers what we're writing and who it's appropriate for.

We are each other's readers, and readers who don't write are still part of our community. We have a responsibility as members of this community to be respectful of others in our shared spaces.  Ao3 is a shared space. The best way we have to show each other respect is to give one another the information needed to decide if a given fic is something we want to engage with or not, and then, in turn, to not engage with fic that isn't our cup of tea. As long as our fellow writer has been clear about what their fic is, they've done their part of the job. If we decided to look at the fic despite the information given and didn't like what we found, then that's on us.

Because metatext is how we put that vital information about our fics out in the community, it's important that our metatext is clear and easy to parse. The key to that is balance. Striking the balance between putting enough tags to give a complete picture and not putting too many tags that become an unreadable wall; the balance between the urge to be thorough and tag every character and the need to be restrained so those looking for fics actually about a certain character can find them; the balance between using established tags for clarity and ease and making up our own tags for specificity and fun.

Do your best, act in good faith, remember you're communicating with other people behind those usernames and kudos, and, most importantly, have fun with your writing!

[horsesandhockeyplayers]

When Life Gives You Lemons-- Part 3

Warnings: Mature content, abuse, rape, eating disorders, OCD etc. Some of these things go into a bit of detail. These warnings are relevant to the whole fic not just particular chapters.

Word Count Chapter: 2295

Word Count Total: 10,244

Author’s Note: Barbs and Lemon are back by popular demand! Thank you SO much to @hockeylvr59, @newlibrary, @itisawitchesworld, and Nora, who I can’t seem to tag. The rewrite of this fic wouldn’t have happened without all of you. Thank you for indulging my impulsivity. All of you can see Mark in action during the upcoming Olympics! Reminder that this fic starts during the summer of 2019. I will be tagging the Avs and Lausanne HC. Also *~*~*~*~* means a POV change. Flipping between Mark and Clementine. Today we are beginning with Clementine.

Part Three

Being stuck in the elevator with Mark Barberio was probably the highlight and lowlight of my life.There were parts I knew I could come back and savor in 20 years and there were parts that were going to keep me up at night for the next 40. But, being able to toss out that last snarky line, wink, AND not fall on my face walking away? Just call me Wonder Woman. Granted, I fell down the steps as soon as I started down the stairwell, but no one witnessed that embarrassing moment so it didn’t count.

I didn’t see Mark for a week, unless there was plexiglass and a camera between us. However, I relived the elevator incident approximately 5 million times within that week, give or take, but who was counting? Training camp was done for the day and I was clicking through the pictures on my camera, making sure I had taken an entirely normal amount of pictures of Mark and exactly zero more than that. But, there were always 5x as many of him than anyone else. Actually, I had an entire folder consisting solely of photos of him that I had deleted from the camera. It was as I was sending one such picture off into the interwebs and deleted it from the memory card that my phone buzzed.

(303) 123-4567: What does a guy have to do to get a girl to buy him dinner around here?

Who is this? I had a suspicion of who it was and my traitorous belly did a flip.

(303) 123-4567: WOW. You have Landy in your phone, but not me?

I don’t have Landy in my phone. I’m in HIS phone.

(303) 123-4567: Oh man, now you’ve hurt his feelings. Good job, Nectarine.

That’s not even a citrus fruit, Mark.

(303) 123-4567 How did you know it was me!?

Well gee, let’s see….first of all, you’re the only one who calls me random fruit on purpose.

(303) 123-4567 Whatever you say, Strawberry.

I’m gonna block your number.

(303) 123-4567: What! No! I just got yours!

I have stuff to do, Barbs-- what do you want?

(303) 123-4567: Dinner with my favorite gal named after an orange.

Clementines are actually a hybrid citrus, not an orange.

(303) 123-4567: Does it ever get exhausting knowing more than everyone else?

Only when I’m speaking with idiots.

(303) 123-4567: I don’t know how to tell you this, babe, but if that’s the case, then you are in the wrong industry.

Seriously, Mark! What do you want?

(303) 123-4567: Hadn’t talked to you in awhile and my ego was getting too big. Almost couldn’t fit my head through the door earlier.

Pfft, that must be new for you, considering that’s the only thing you’ve got that’s big.

(303) 123-4567: I’m wounded.

You’re fine.

I slid my phone back into my pocket as I got ready to end my work day and headed for the hallway. Since the elevator incident had transpired, it had become my routine to take the stairs. It wasn’t a fear of elevators per se but more so that my conversation with Mark in the elevator was the longest conversation I had had with a man since my divorce, excluding those that centered around work or school, and I wasn’t quite sure what to make of that. I also didn’t really fancy getting stuck in an elevator again and repeating the experience with someone who was not Mark.

I think the part that was most unsettling was that I wasn’t actually unsettled at all. Surprisingly, or maybe not so, I actually enjoyed it, enjoyed his company, but it felt self-indulgent, so I was doing my best to avoid the elevator and further potential conversations and/or encounters in an enclosed space with one Mark Barberio by taking the stairs. Problem solved.

As I was passing the bank of elevators the bell went off and the doors slid open, revealing a distracted Gabriel Landeskog. Daze and I tried to dart out of his way and retreat to the stairs without incident but unfortunately, he looked up about a beat too soon and spotted us, smiling widely. “Oh hey Tine!” he exclaimed, “Are you waiting for the elevator?” He offered a jaunty wink that would have been creepy on literally anyone else but on Gabe, it was just good natured if not mischievous.

It was difficult to be serious around Gabe and I found myself smiling despite my hesitance to stop and chat, “No.” I explained, “No more elevators for a while. I’m taking the stairs.”

He didn’t say anything but looked down at Daze, who had taken the opportunity to plop down by my feet, addressing her as he continued, “That’s basically animal abuse, isn’t it, Daze?” She didn’t react outwardly to him, but I felt her tail thud against the concrete floor.

“Animal Abuse schmanimal abuse, Gabe.” I responded, “Do I look like I do too much physical activity? My fitbit basically begs for steps. Plus, she has a cushy job. It mostly involves naps.” I was also looking down at Daze, and she started wagging her tail with gusto.

“Aww,” he said affectionately, “she’s devoted to you.”

I couldn’t help the snort, “Gabe, that’s kind of… part of the job description.”

He shrugged, “It’s still cute. Anyway, Mel and I are having this BBQ thing before the season, you should come.”

Oh man. I sucked at social invitations. Mostly because I sucked at social interactions. My mouth went off without my brain’s consent again as I shot out, “I’m busy.”

His blonde eyebrow raised, “I didn’t say when it was.”

I stuttered, “I mean...I’m probably…probably busy. Probably.”

He lifted his chin and looked down on me, eyes a bit narrowed, “Well then, Tine, why don’t you give me three dates that work for you, and I’ll plan it for one of those days.”

My jaw dropped involuntarily, “Shouldn’t this be, like, a players only thing? Maybe coaching staff?”

He wasn’t going to budge, “It’s an Avs ‘organization’ thing.”

“Can you do that?” I replied, still trying to get out of potentially seeing Mark without dozens of yards and a camera between us.

Gabe shrugged, “I can do what I want.”

I supposed he could. “What if I don’t want to go?”

He looked offended, “How could you not want to go? I’m handsome and charming, and I throw great parties that would be the front page of all society pages except Mel gives me a budget. Can you IMAGINE?”

I could actually. Gabe had a not-so-secret Pinterest page that even I followed, and honestly, his party board was pretty spectacular -- it was even broken up by themes and occasion. I lowkey wanted to go to one just for the aesthetic, to experience a Landeskog party.

“The horror!” I sighed, with only the teensiest bit of sarcasm, “You can’t impose budgets on greatness!” I wasn’t sure my faux mocking tone made it through, but either way, he smiled.

“See? You get it.” His phone started buzzing in his hand and he started to walk away, “This weekend, Tine. Party, you’re coming.” He answered the call before I could reply.

I watched his retreating back for a moment before Daze and I headed toward the stairwell.

*~*~*~*~*~*

I was pretty grateful Clementine hadn’t noticed that I had been trying to skate on the side of the rink she was photographing from, but after a week, she however, seemed to be the ONLY one who hadn’t noticed. By day 3 I was getting chirped so badly.

It had taken a yet to be determined favor owed to one Gabe Landeskog of all people, to get my pervy little fingers on Clementine’s phone number. As if the prospect of owing Gabe a favor wasn’t daunting enough, once I had her phone number I would theoretically need to use it which was terrifying in itself. So, I stared at my phone for 24 hours trying to figure out what to say. The text conversation lacked a certain… je ne sais quois. Actually, I knew exactly what it lacked: an agreement. From her. To go on a date. With me. I didn’t know why this was so important to me but I wanted to get to know her better.

I was back to glaring at my phone on the coffee table, wondering how to start another conversation. I wasn’t quite sure what my body was doing when it grabbed the phone off the table and tapped her name into my contacts and hit the green button. Shit, I was calling her. This was fine. I could be cool. I could be suave. Her voice sounded surprised when she answered.

“Uh, Hello?”

My mouth gaped open and closed like an oxygen starved fish.

“Hello?”

Ok, I could do this. Be smooth, “Hey,” I rushed out before she hung up. Great, that was super smooth.

She sounded slightly exasperated, “What do you want, Barbs?”

I wasn’t usually this awful at thinking on my feet or flirting with women, but she had this effect on me I couldn’t describe and my voice sounded foreign to my ears when I heard it ask, “How would you like to go on a date with a hockey player?” I winced internally because that was definitely NOT the way to get Clementine Jones to go on a date with me.

She snorted, “Cale is a little young for me, but I suppose I could make an exception.”

I put my hand over my heart even though she couldn’t see, “Wounded. I’m wounded, Lemon.”

“Seriously, Mark, why are you calling me?” I was pretty sure I could hear her eyes rolling through the phone before she continued, “I thought someone was dying. Text me your idiotic questions like a normal person.”

“So, asking you on a date is idiotic?” I felt my lips curve into a smile, in spite of myself. I loved our verbal sparring.

“It’s absurd,” she said impassively.

I could imagine her brows arching before that little wrinkle appeared between them, “Why?”

“Because, you can’t even call me by the correct name.”

Silly girl, “I think we both know that’s not true, Clementine.” I relaxed into the corner of the couch, bare feet propped up on the coffee table. I love our banter. It was the best type of flirtation.

She was quiet for a few breaths before she threw a bastardized movie quote at me, “What do you want to date me for, anyhow?”

Now, I’d never admit it to anyone ever, other than under threat of perjury or death, but Sweet Home Alabama was one of my favorite movies and that fact may have dictated my answer as I replied, “So I can kiss you anytime I want.”

I heard her quick inhale of breath before she paused again; I was hoping that by quoting the feel-good, thoroughly underappreciated Reese Witherspoon classic would come across as romantic and charming and she would be knocked off her feet and her pause was due to trying to figure out how to contain her enthusiasm before responding. I was wrong.

“As a French Canadian,” she began, “you should never ever try a Southern accent ever again.”

I was pretty sure the smile was going to be etched into my cheeks forever, “Duly noted.”

“But that is a great movie. Hey, listen I have to go take Daze out. I’ll see you at work tomorrow, ok?” It was a deliberate severing of the little moment we had.

The smile fell a bit, as I found our conversation ending far sooner than I would have liked. “Yeah sure. See you tomorrow.”

I spent a long time staring at the phone in my hand after she hung up. I’d never ever met a woman that was completely immune to my charms and my attempts at flirting, even if they were lame. Maybe it was a good thing she’d hung up on me, as the more I said, the worse I seemed to make the situation. But yet, I couldn’t bring myself to feel too embarrassed about it, or at all dissuaded from continuing to think about her.

My phone vibrated and in that millisecond before the screen lit up with who was texting, I hoped it was Clementine.

Landy: Yo, bbq this weekend. No dates allowed.

Dudes night, sweet.

*~*~*~*~*~*~*

Nora: Wait. He asked you out AGAIN? How many times is that now?

Two?

Nora: Okay. I know you think it’s a joke, but like, what if he’s serious?

Ok but like. He’s a man child who plays a game for a living and bros out like a total bachelor. If he is serious, what part of that do I want?

Nora: You have valid points. However, I would like to counter with 1) He’s hot. Like Gabe is ‘baby Swedish’ hot but Mark is like ‘Italian Stallion Man Who Would Worship Your Body’ hot. 2) he’s dumb as a post and wouldn’t even begin to know how to emotionally manipulate and abuse you so…there.

I mean...how serious could he possibly be?

Nora: About dating you? Probably 100 out of 10 serious.

No, I mean, like...to date.

Nora: K so, I’m going to preface this by saying ‘I love you,’ BUT you married the only dude you’ve ever diddled AND said dude emotionally abused you for YEARS and then you were a shell of a person after that. SO….. maybe he doesn’t need to be husband material. Maybe he’s just rebound dude material.

Does a rebound have a statute of limitations?

Nora: Irrelevant. And not to play therpist, but why is sex illegal in your head? A statute of limitations is like… for felonies and it’s interesting you chose that phrase.

Well, you are A therapist. You tell me.

Nora: Yes, but not YOUR therapist. Although, I do play one on TV. I’m hoping to get syndicated soon, just you watch. But seriously.

Nora: OH AND are you going to go to Gabe’s party? I should go also, you know, in a professional capacity.

But you’re not my therapist.

Nora: But I want to go to where the hockeys are.

You are married.

Nora: But I’m not dead, and I find their brains fascinating. And also maybe their bodies, too. Consider it a good deed for the future. Of science and stuff.

I had no idea you were so fond of elevator music.

Nora: It’s my jam. :dancer emoji:

I slid my phone onto the nightstand and leaned back into my pillows. Half of my brain started mentally cataloging my entire wardrobe, and the other half thought about Mark: why he called me and texted, if I liked him or hated him, his intentions behind asking me out, and strangely, whether he was currently waxed or not. And if he was, how far down said waxing went. It occurred to me that I couldn’t remember seeing his chest hair curling out from under the collar of his polo the other day.

Finally, I had to admit to myself that I maybe was a little attracted to Mark. As a rule, professional athletes were not my preference. I tended to like pasty nerds or equally pasty hipsters. Safe men. Even if I happened to be attracted to a hockey player, it was someone cute and endearing and soft and a lot less… testosteroney and macho and overwhelmingly male.

If I were honest with myself, I’d admit that I had imagined him naked, more than once, but these thoughts were brief fantasies that often ended in me choking him after he said something incredibly stupid. He had a hefty dose of that Italian man machismo that I normally hated, but if I was even MORE honest with myself, I kind of liked it on Barbs. Which, yes, since we’re being honest, I had taken to calling him, in my head. Goddamnit. I realized it was getting late and in that moment, when maybe I was feeling a little soft for the man, I snapped a picture of Daze --who was laying horizontal across my bed using my calf as a pillow --and sent it off to Mark. My moment of positivity, however, was fleeting and I instantly regretted sending the picture.

Then, that internal negative voice, which I couldn’t seem to drown out and had been reinforced out loud for years, started. And I was too tired to do the mental gymnastics to shut her up. I don’t even know why you bother. You’re so fucked up no one could love you anyway. And you’re all fat now, thanks to your fucked up eating and the meds you pop like skittles to make you ‘normal’. You couldn’t even get some normal nerd to love you so why would a professional athlete with abs like a washboard give you the fucking time of day?? Pathetic.

With a sigh, I climbed off the bed to do what I normally do to turn the voice off. My routine went as follows: pop a sleeping pill, get into a scaldingly hot shower (like I could burn the voice out of me, no matter how many previous such attempted exorcisms she had survived), scrub my skin until it was red and raw (like I could rub off all of my imperfections and wash them down the drain with sudsy hot water), put screaming death metal (so loud I couldn’t hear her in my head even if I wanted to) on my shower speaker, and then, when I was finally about to pass out, get out of the shower and fall unconscious onto my bed, still wrapped in a towel. Daze was so used to this behavior she didn’t even bother getting off the bed.

I woke up sometime in the middle of the night, freezing. With a sigh, I shed the towels from my body and hair and climbed under the covers.

[goingmorry]

Hellooo I love your writing soooo much >>•<<

Could you please write headcanons of ASL sister introducing Smoker as her fiancé ? Thank you so much !

[One Piece Headcanons] ASL Brothers -> when you introduce Smoker as your fiancé

Characters: Ace, Sabo, Luffy, Smoker

Tags: female reader, overprotective brothers

Author's Note: Thank you for the cute request! I got carried away and added short scenarios for each brother's reaction and a little extra at the end. I hope you like it! 💖

PORTGAS D. ACE

Goes from 😯 to 😡 to 🤬

Ace.exe has stopped working.

He's the 2nd Division Commander of the esteemed Whitebeard Pirates; who in their right mind would think it would be a good idea for him — the son of the late Pirate King — to meet a Marine Vice-Admiral?

Cue war flashbacks of when Garp showered him, Luffy, and Sabo with his "fists of love" for sharing their childhood dreams of becoming pirates.

Goes through all seven stages of grief and complains to Sabo every single time.

Threatens Smoker every chance he gets. The Marine Vice-Admiral repays in kind when you're not around.

Doesn't warm up to the idea of you and Smoker as a couple except on your wedding day.

"Behave yourself," you whisper to your fiancé, soft hands tightly gripping his muscular bicep in warning.

"I'm on my best behavior. It's your brother who needs to behave," Smoker says bluntly, brown eyes observing the freckled pirate's reaction to you and your beau's interlocked arms.

Ace stares, and stares, and stares — at his little sister and the familiar white-haired man he encountered early on during his journey to Alabasta — dumbfounded at the scene before him.

"Fire Fist," the Marine Vice-Admiral calls out, breaking him from his reverie.

"You—" Ace yells, flames erupting from the tips of his fingers to rapidly engulf his entire first.

Before your fiancé can return your fiery brother's sudden display of aggression, you step in between their bodies, eyes alight with fury.

"Stop it!" you scold Ace, extending your pointer finger and thumb to pinch his ear in retaliation.

He frowns at you, but obliges, flames extinguishing from his curled fist. "We need to talk. Now."

Not waiting for your response, Ace saunters off toward his bedroom at the other end of the hallway, posture stiff and robotic. To anyone, outsider or not, it was evident from Ace's appearance and demeanor that the usually friendly pirate was clearly not in a good mood.

"Just wait here. I won't be long," you say to Smoker before dashing off in pursuit of your freckled brother.

When you close the door to his bedroom, Ace begins his tirade, arms crossed against his bare chest as he faces your more petite frame.

"What the hell do you think you're doing?"

You look at him in bewilderment but don't say a word, waiting for him to elaborate.

"Him! That—that big oaf! There are millions of men in this world! And it has to be him? I don't approve!" Ace doesn't stop himself from frantically gesturing at the closed door — the only piece of barrier, aside from him, of course — separating you from your fiancé.

You frown at Ace's insult, adopting a defensive stance. "Don't call him that! And I don't need your permission, you know. Why are you acting like this?"

"You're my little sister! Of course, I'm concerned!" Ace adjusts himself from the desk he was leaning on. "Do you know what he's done to Luffy?"

You shakily exhale at his accusatory tone. "I know! We've talked about this. He's promised to look the other way when it comes to our family."

"And you believe him?"

"Of course, I do! He hasn't given me any reason to doubt him."

"He's not exactly husband material," Ace interjects, to which you roll your eyes. At this point, it was apparent to you that your big brother was grasping at straws, finding reasons — however shallow they may be — to make you reconsider this marriage.

"He dresses better than you, that's for sure," you say childishly.

Ace's eyebrows furrow, taking great offense to your statement. "What's wrong with the way I dress?"

"Have you seen yourself? You're always strutting around like you own the place. Shirtless and all," you comment, scrunching up your nose in disgust. "Have some common decency at least."

"He's not wearing a shirt either!" Ace says indignantly.

"No, but he has a jacket—"

"That he leaves open all the time, which basically makes it useless," Ace argues, "Why bother if you're not even gonna wear it properly?"

"Argh, forget it. I don't want to talk about this anymore," you say, burying your face in your hands.

Ace takes the hint, feeling guilty as he walks over to your defeated form to rub circles on your back slowly.

A truce, for now.

- - - - - - - - - -

Sometime later, when you return from Ace's bedroom, you find your fiancé calmly sitting on the corner of the couch. Without a word, you plop down beside him and rest your head on the crook of his shoulder.

Smoker takes a deep drag of his cigars, observing your distraught appearance and the lack of a certain cowboy-hat-wearing pirate. "Well, that went well."

SABO

Goes from 😟 to 😩 to 😭

Dies a little bit on the inside.

His precious little sister finally finds love, and who's her betrothed? The infamous White Hunter himself.

He expected this behavior from Ace, but you?

Discreetly pulls you aside to express his disapproval.

Learns to cope and eventually warms up to your relationship with the Marine. How can he not when you look so happy?

De-escalates arguments between Ace and your lover every single time.

"Sabo!" You pull your big brother into an embrace which he reciprocates.

When the blond Revolutionary notices the white-haired man standing behind you, he stiffens, gloved hand reaching behind his back to clasp his metal pipe.

Noticing your older brother's sudden alertness, you nudge his side in reassurance. "This is the fiancé I've been telling you about."

Sabo quickly puts two and two together. All those conversations you've had with him, and not once did you mention that you were engaged to an officer of the Marines. And not just any Marine officer, you were engaged to the Commander of the notorious G-5 base.

In an effort to remain composed, Sabo forces a half-hearted smile — appearing more like a grimace really, but an action you appreciated nonetheless - and extends his right arm to your fiancé for a handshake.

"Nice to meet you."

Ignoring the daggers you were glaring at the side of his face, Smoker hesitantly grips the blond Revolutionary's hand. "Pleasure," he grunts out, letting out a puff of white smoke from his cigars.

For a moment, the two men clasp at each other's hand in a show of fake camaraderie.

Choosing to ignore the growing tension thick in the air, you clap your hands together in mock enthusiasm.

"Great! Let's meet the rest of the family, shall we?"

MONKEY D. LUFFY

Goes from 😁 to 😊 to 🥳

The only one who's okay with your relationship with Smoker.

He's survived having Garp, the Hero of the Marines, as his grandfather; he can certainly handle an additional Marine in the family.

Gets along with your fiancé the best, though Smoker himself denies this.

"Woah, what's Smokey doing here?" Luffy says in awe, looking back and forth between you and the Marine.

You tap your feet in nervousness, gesturing between Smoker and your youngest brother.

"Luffy, this is my fiancé. Smoker, this is my little brother."

"I know who Straw Hat Luffy is," Smoker says impatiently, barely glancing at the pirate standing a few feet in front of him.

"You haven't been formally introduced to each other, have you?" you say indignantly, hips cocked to one side as you stare at your fiancé's tepid behavior.

"In a normal setting, I mean," you clarify, "You chasing him and his crew does NOT count."

Smoker shrugs at your accusation, and you sigh.

Luffy laughs at your scolding, looking up at the Marine. "It's okay. I meant what I said in Alabasta. I don't hate you, y'know?"

You smile at your little brother's statement. You could always count on Luffy to be accepting of your partner, whoever they may be. Also, he wasn't the type to dwell on the past, preferring instead to live in the moment. And that moment was your engagement to the Marine Vice-Admiral, the same man who used to hunt Luffy and his crew throughout the Grand Line for being wanted criminals.

'Tsk' is all Smoker says to the straw hat pirate's proclamation, earning a disapproving pinch to his side from you.

"Be nice," you whisper harshly to your fiancé's ear.

The sound of your little brother's joyous laughter is enough for the normally serious Marine to let out a small smile.

BONUS BELOW LMAO

MONKEY D. GARP

Goes from 😌 to 🥰 to 🤗

T H R I L L E D that his grandson-in-law is a respectable Marine.

The epitome of Proud Father Figure™

Compares the ASL brothers to Smoker every chance he gets during family reunions.

"Y'hear that Luffy? Smoker just caught a band of no-good pirates terrorizing the local townsfolk." Luffy picks his nose in acknowledgment.

Garp points an accusatory finger at Ace. "You damn brat, why couldn't you listen to me and become a Marine like I told you to?"

Garp gives a disapproving glare to Sabo. "And you! Why'd you have to join the shady Revolutionaries and become a wanted criminal like my son?"

Garp proceeds to give the ASL brothers multiple rounds of his fists of love. Meanwhile, he smooches your forehead in happiness for finding a suitable husband.

You and Smoker live happily ever after. The end.