#anyway hell on earth

[paperconsumption]

I HAVE TO GO TO WORK TOMORROW

[transmascissues]

in 2024 i want to see more songs sung in t voices, more grown-out t scruff, more hairy tits and top surgery scars, more gay sex involving t dicks and pussies, more cutting each other’s hair when the hairdressers can’t get it right, more helping each other with t shots and sharing extra bottles of t gel, more passing down binders and post-surgery pillows like family heirlooms, more crackly laughs and excited voices that don’t know how loud they are now, more proudly showing off phallo scars like we show off top surgery scars, more teaching each other how to shave and tie a tie and all the other things our dads didn’t teach us, more sheer shirts over post-op chests, more skirts and short shorts on hairy legs, more moving the fuck out instead of living with transphobic parents, more breaking up with partners that wanted girlfriends not boyfriends, more pregnant dads, more twinks turned into otters and bears by t, more scars and binders on the beach, more romanticization of t dicks and meta dicks and phallo dicks, more rage and resistance against anyone who would try to rob us of our history or our ancestors, more pride in complex manhoods and queer masculinities, more getting louder every time someone tells us to shut up about the things that are important to us, more searching for transmasculinity in every piece of media and injecting it into anything that failed to consider us, more cuntboys and boygirls and transfags and butch dudes and transsexual men, more jumping headfirst into masculinizing transitions, more delighted reactions to realizing “holy shit i think i’m actually a guy”, more trans manhood and transmasculinity as force of nature and fundamental truth and fact of life that cannot under any circumstances be ignored.

[leahaart]

Eeepy boys

[lycankeyy]

Why is everyone I know catching covid all of a sudden

[shanastoryteller]

The day his deal comes due, Sam goes missing.

Dean tells himself it’s nothing, that he’s gotten caught up in some research, some last ditch, hail mary nonsense and that he’s just turned his phone off and everything’s fine, that he wouldn’t do something stupid, that he wouldn’t break his promise.

He tells himself that for the first two minutes after he cracks his eyes open and sees the empty bed across from him, and the first time his call goes straight to voicemail, and not much after that. Sam’s broken his promises over things significantly less important to him than his brother’s life.

Dean is dressed and in the Impala five minutes later, heart thudding wildly in his chest. He calls Bobby, Ellen, everyone he can think of, but none of them have heard from Sam, none of them have eyes on him. Sam was with him last night, even if he boosted a car, there’s only so far he can get.

He keeps calling, keep searching, desperate to stop whatever he’s trying to do, to find him, to see his brother one last time before he’s dragged to hell. To make sure Sam is going to be okay after he’s dragged to hell. But the hours tick down, the sun sets, and he can’t find a trace of him. He’s so exhausted and heart sick that when he goes to call Sam again it takes him a long time to read the number on his phone, eyes swimming, the time not making any sense.

1:03

That’s not possible.

That’s not –

His phone rings, blocking out the time with Bobby’s name across the screen, and he answers it but his throat is too thick to say anything.

“Dean?” Bobby says tentatively. “Are you – I got an email from Sam. It just said, I mean, did–“

“What did it say, Bobby?” he asks, even though he’s sure he knows.

Bobby sucks in a breath at his voice, because he knows just as well as Dean that he should be screaming in hell right now, not answering his phone. “To take care of you.”

Dean drops the phone, hears Bobby still talking as he grips the wheel and presses his forehead against the back of his hands. This is what he’d been afraid of. This is why he hadn’t wanted to mess with the deal in first place. This is the one thing he’d begged Sam not to do.

It's easy to find a crossroad.

The demon is laughing at him when it shows up, wicked grin in a pretty face. “That didn’t take you long, boy.”

It’s a different demon than the one he delt with, obviously, but Dean figures they all know the same shit, since demons are a bunch of gossips. “This wasn’t the deal. My brother lives and I die.”

“You traded your soul for your brother’s life,” she corrects, so amused by all this that all he wants to do is kill her, to exorcise her, to make her scream. “Just like your father traded his for yours. There’s no reason Sammy can’t make his own trade. Man, but is your family fucked up. Maybe if you’d just settled down like little Sammy wanted, you wouldn’t all be bargaining for each other’s lives like haggling at a flea market.”

“Untrade it,” he snaps. “My soul for him alive, come on, no year, no waiting, you bring him back and take me to hell right now.”

She laughs in his face. “You don’t have anything to bargain with, boy.”

“My soul,” he repeats, “That’s what this is about, isn’t?”

“Oh, it’s what it’s all about,” she says. “But Sammy’s a clever boy. You know that, don’t you? He didn’t trade his soul for your life, he didn’t have to. You didn’t die. No, he traded it for your soul. Sorry, honey, but your credits been declined.”

At first he doesn’t understand. Sam traded his soul for Dean’s, exactly, so there’s no reason he can’t trade it right back. Then he gets it.

She sees the exact moment it clicks, the moment despair and horror sweep across his face too quickly for him to stop them. “That’s right. Little brother owns your soul now. For some reason he didn’t think you’d take proper care of it. You have it because that’s where he wants it, but no one will be making any deals with you, Dean Winchester. You can’t sell a soul you don’t own.”

“You can’t,” he has to clear his throat, “you can’t just come in and change things at the eleventh hour-”

“Eleventh hour?” she interrupts. “Sammy made his deal eleven months ago.”

His mouth is so dry he can’t speak.

“Isn’t it funny?” she asks, head cocked to the side. “All this time, the deal he’s been trying to get out of wasn’t yours, but his own. Maybe the two of you might have even managed it, except you just wouldn’t help, would you? Insisting that he not research, that he not look for a way out, and he spent so much time trying to convince you, coaxing you to talk about your feelings when he knew you were safe, all he because he thought it would make you feel better when he was gone, because he couldn’t tell you the truth and talk about how scared he was, so talking about your fear was as close as he could get.”

Dean’s going to be sick. “Don’t – please, please, I’ll give you anything-”

“You don’t have anything,” she says, gleeful. “You want to know why I agreed? The thing that made it just too delicious to refuse? Sammy’s down there, just starting in on an eternity of torture, and all he has to do get out of it is give up your soul. It’s his, after all, and he can put the original deal back in place any time he chooses. Just one moment of weakness on his end and his beloved big brother will be on the rack instead.” She sighs happily. “It’s almost as good as anything we’re doing to him down there, the knowledge that if he slips up for even a moment then it would all be for nothing. I couldn’t have found a way to twist the knife deeper if I tried.”

There’s vomit crawling its way up his throat and he has to swallow it down before he can speak. “I can’t – I’ll do whatever you want, please, there has to be something.”

She leans forward, cruelty and delight shining in her eyes. “The only thing you can do is what you’ve been telling your precious baby brother to do for the past year. Accept it. Move on. Live a good life so his sacrifice isn’t in vain.”

God. How can she – how can Sammy expect him to –

He’s doubling over, finally upchucking what little he’s ate today, and he’s dry heaving on the dirt when he hears the fading sound of her laughter.

This can’t be real. This has to be Hell, he has to be in it right now. He has to be.

[leenfiend]

what’s ur type first < prev next > full comic

[sad-emo-dip-dye]

This is actually the most devastating thing Asagiri ever wrote

[carnivalcarriondiscarded]

thinking about Eddie & hyacinths again

[fag4dykestobin]

any time i see *steve has a problem he doesn't tell robin about because it would be awkward/she wouldn't understand/whatever* in fics i'm like. BZZZZZT! WRONG! wrong answer! from the top, you can do better! if steve had a problem robin would drop everything to help him. if steve's house exploded she wouldn't be like Ahhhh shit i'm homeless now what do i do. no. she would go to robin. and tell her. "My house exploded :(" and robin would be like "don't even fucking worry about it babe (platonic) my bedroom has room for two. i'll sneak you food, you'll be like my little pet groundhog that i'm keeping in a plastic tote" "your what? did you have a pet groundhog?" "i entertained fantasies of it when i was five. don't distract me" and there. problem solved. they'd go about like that for every problem they have because they're cool and semi-functional like that

[doctorwhoisadhd]

dark water (2014) / end of days (2007) / jack's captain's log for torchwood 2.06 reset / dialogue - heaven sent / a day in the death (2008) / heaven sent (2015) / dialogue - dead man walking / dialogue - hell bent / dialogue - dead man walking / a day in the death (2008) / hell bent (2015) / dialogue - the waters of mars / dialogue - hell bent / children of earth: day five (2009) / dialogue - dead man walking / dialogue - heaven sent

webweaving: something about the way jack and 12 love

[ghost-bxrd]

"You're a kid whos mom was obsessed with a cult, and when you were just 12, she sacrificed you. You end in hell and expected to be tortured for eternity, but turns out the demon wanted a child of his own"

by WRITING PROMPTs

Maybe Bruce?

Aweee now, just imagine!

These cultists? Totally an accident that they for the ritual right. Jason doesn’t die so much as he just seem to kind of vanish into smoke and—

wtf.

Ok.

There’s- there’s a whole child.

Right at Bruce feet. All of a sudden.

A human child.

In hell.

And look, they couldn’t have chosen a worse demon to send a sacrifice to because Bruce? He’s a protector of children.

Because there’s something that so many story and demonology books get wrong.

Hell is for the bad people to be punished for all eternity.

And Bruce? And all the other demons populating hell? Well, they exist solely for one reason:

To punish sinners for the crimes they committed in life.

It’s a jail. Bruce and his fellow demons are the jailers. They don’t guard the doors of hell because they don’t want anybody to get in, they’re guarding them so nobody gets out.

But children, children have no business being in this place of torture and agony. Not ever. There’s a whole ass system in place to keep the good souls from accidentally wandering where they shouldn’t be.

So Bruce sees this tiny, starved child crying and screaming and— fuck. This is a Dick situation, isn’t it? He needs to go to earth. Again. And drag some people down to damnation all early and piss off death again. But you know what? Tough shit. They want a demon? They’re gonna get one.

(Jason is soon introduced to another strange human after he mysteriously pops back up on earth. His name is Richard “Dick” Grayson, and his teeth are too sharp and his pupils look almost reptilian in the right light, but he takes Jason to a big ass house with a real strange butler and lots of food.

Jason thinks he’s seen the weird Brucie guy who introduces himself as Dick’s dad somewhere before… but Jason is cool with not looking a gift horse in the mouth. After all, what are the chances he’ll fall into another cult’s hands so soon after the last?)

[11syrups]

⭐️If I were a constellation⭐️

Here’s a prompt I did for @/joseiforaction requested by @/covenantofrock on Twitter :)

The donation period is over but make sure y’all go and support the artists who took part in it!

[essektheylyss]

concept: gamechanger masks that say "I'VE BEEN MASKING THE WHOLE TIME"

[matryoshkalex]

i forgot i started this in like april and never finished bc i got super busy with tmaynt but i suddenly remembered and finished it this week!!

i watched 2003 when i was in like? middle school and same as it never was stayed with me and was one of my favorite episodes because ive always been a fan of the darker and more angsty stuff. so i thought about 2012 in the sainw timeline and couldnt get it out of my head so. here they are. two versions because i couldnt decide which background i liked more

[redhoodinternaldialectical]

"Murder is Werewolves" - Batman

I don't got the SPOONS to do this thought train justice, I have seriously been trying to write this thing for MONTHS so just, idk, have this half baked skeletal outline of the essay I guess:

I don't believe that Batman's no-kill rule is primarily about rehabilitation or second chances.

His refusal to believe that Cassandra could have killed someone when she was eight years old because "how could a killer understand my commitment not to kill" is absolute fucking MOON LOGIC from a rehabilitationist standpoint. No jury on the planet would think for even a second that she could reasonably be held accountable for her actions in that situation! Her past cannot condemn her to being incapable of valuing human life under a rehabilitation centering framework. However, Batman's reasoning makes perfect sense if he believes that killing is a spiritually/morally corrupting act which permanently and fundamentally changes a person, and that corruption can never be fully undone.

Dick Grayson killing the Joker is treated both narratively and by Batman as an unequivocally WIN for the Joker. The Joker won by turning Nightwing into a killer. Note that this is during a comic in which the Joker transforming people was a major theme! Batman didn't revive the Joker because the Joker deserved to live; he revived the Joker to lift the burden on Dick.

His appeal to Stephanie when she tried to kill her dad is that she shouldn't ruin her own life. He gives no defense of Cluemaster's actual life. Granted this is a rhetorical strategy moment and should be taken with a generous pinch of salt, but it fits in the pattern.

When Jason becomes a willful killer, he essentially disowns him, never treats him with full trust ever again, and... Well, we can stop here for Bruce's sake. Bottom line is that his actions towards Jason do not lead me to believe that he thinks Jason can become a better person without having his autonomy taken from him, either partially or fully.

The Joker is, for better or worse, the ultimate symbol and vessel of pure, irredeemable evil in DC comics now. He hasn't been just another crook in a long time. He will never get better, he will only get worse. If you take it to be true that the Joker will not or can not rehabilitate, then there's no rehabilitationist argument against killing him.

Batman does not seem to consider it a possibly that he'll rehabilitate. Batman at several points seems to think that the Joker dying in a manner no one could have prevented would be good. Yet Batman fully believes that if he killed the Joker, he himself would become irredeemable.

Batman's own form of justice (putting people into the hospital and then prison) is fucking brutal and clearly not rehabilitative. He disrespects the most basic human rights of all criminals on a regular basis. It is genuinely really, really weird from a rehabilitationist standpoint that his only uncrossable line is killing... But it makes perfect sense if he cares more about not corrupting himself with the act of killing than the actual ethical results of any individual decision to kill or not kill.

In the real world cops are all bastards because they are too violent to criminals, even when that violence doesn't lead to death. Prison is a wildly evil thing to do to another human being, and you don't use it to steal away massive portions of a person's life if your goal is to rehabilitate them. In the comic world, Batman is said to be necessary because the corrupt cops are too nice to criminals and keep letting them out of jail. I don't know how to write a connector sentence there so like I hope you can see why this bothers me so damn much! That's just not forgiveness vibes there Batman!!

I want to make special note here of the transformative aspect. You don't simply commit a single act when you kill, no, you become a killer, like you might become a werewolf.

The narrative supports this a lot!

Why did Supes go evil during Injustice? He killed the Joker. Why did Bruce become the Batman Who Laughs? Bruce killed the Joker. Why was Jason Todd close to becoming a new Joker during Three Jokers? Because he killed people, to include the Joker.

Even if these notions of redemption being impossible aren't the whole of his reasoning (people never have only one reason for doing what they do) it is a distinct through-line pattern in his actions and reasoning, and it is directly at odds with notions of rehabilitation, redemption, and second chances.

So why does he give so many killers second chances?

Firstly because this doesn't apply to all versions of Batman. Some writers explicitly incorporate rehabilitation and forgiveness into his actions. You will be able to provide me with examples of this other through-line pattern if you go looking for them. The nature of comics is to be inconsistent.

Secondly the existence of that other pattern does not negate the existence of this one. People and characters are complex, and perfectly capable of holding two patterns of belief within themselves, even when they conflict to this degree. You can absolutely synthesize these two ideas into a single messy Batman philosophical vibescape.

Finally and most importantly to this essay: he has mercy on killers the same way that werewolf hunters sometimes have mercy on someone who is clearly struggling against their monsterous nature, especially if they were turned in exceptional circumstances or against their will. They understand that they are sick, damned beasts, cursed to always be fighting against themselves and the evil they harbor within. It is vitally kind to help them fight themselves by curtailing their autonomy in helpful ways and providing them with chances to do some good to make up for their eternal moral deficiency.

I think in many comics Batman views killers as lost souls. Battered and tormented monsters who must be pitied and given mercy wherever possible. (The connections to mental health, addiction, and rampant, horrifying ableism towards people struggling with both is unavoidable, but addressing it is sadly outside of the scope of this essay.)

Above all, the greatest care possible must be taken to never, ever let yourself become one of them, because once you have transformed the beast will forever be within you growing stronger.

To Batman, it is the most noble burden, the highest mercy, the most important commandment: Thou shalt suffer the monsters to live.

[nintendont2502]

can't stop thinking about an alternate, narnia-style ending to homestuck where they can stay on earth c for as long as they want, but they always have the option to go home

sure, living on a planet you made and ruling as immortal gods forever sounds cool at first, but eventually it's going to get... stagnant, yk? what is there for you to do now? you won. your character arc is over. this is your happily ever after, in a world that reveres you as gods even though you're nothing more than a bunch of traumatised teenagers.

what if you could go back? go back to the day you were meant to play, go back to being 13 and powerless and a kid again, but with all the knowledge that you gained over the years - eventually, it'll fade, but you'll always have that experience. you'll always feel like somehow, somewhere, you were a hero once. John learning to appreciate his dad and his friends and his 'boring' life, and having a chance to reflect on himself. Rose realising that her Mom *does* care about her, just as much as Roxy does - just as much as Rose cares about both of them, enough to try and bridge that gap. Dave knowing that his Bro *isn't* some untouchable, flawless hero, knowing that Dave can stand on his own two feet and take care of himself and his friends even if he doesn't do it how his Bro would. Jade reunited with her best friend, armed with the knowledge that she *will* get out of here, that she *will* see the world and see her friends and loved ones and *live*. Everywhere they look, they see faint memories of people they think they once knew and loved and forgot - in the faces of family, old photos and preserved corpses, terrible movies and buckets and playing cards and the stars in the sky.

maybe they don't go at first. maybe eternity seems easy to them, an entire life left unlived laying in front of them, but once they've done all they can, lived as much as eternity will allow and more, once the only thing left to do is go back - I think they all would. maybe not all at the same time, but I think eventually, all four of them would choose to go home

because they're. yk. they're h. the. they're h. ho. they're homes-