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#anyway yes i am just saying
qqueenofhades · 2 years
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I’ve never seen any Dracula movie (I knew some of the general story from being alive for 30+ years and I’m now doing Dracula Daily), and seeing your posts about the awful choices the adaptations have made make me really happy with my life choices of not having watched any. I need the Muppets to make an adaptation; they haven’t let me down yet.
Okay, but when are we going to get an actually textually accurate Dracula adaptation instead of the endless schlock we have been foisted with to date? We have a legion of new Dracula fans who are INTIMATELY informed about the book thanks to reading it closely in small (or uh, not so small) chunks every day and writing extensive analysis about it afterward, so I am just saying. There is a market for this.
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knownoshamc · 1 month
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Armand + why would you say that if you have only met this man once
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inkskinned · 1 year
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you're grabbing lunch with a nice man and he gives you that strange grimace-smile that's popular right now; an almost sardonic "twist" of his mouth while he looks literally down on you. it looks like he practiced the move as he leans back, arms folded. he just finished reciting the details of NFTs to you and explaining Oppenheimer even though he only watched a youtube about it and hasn't actually seen it. you are at the bottom of your wine glass.
you ask the man across from you if he has siblings, desperately looking for a topic. literally anything else.
he says i don't like small talk. and then he smiles again, watching you.
a few years ago, you probably would have said you're above celebrity gossip, but honestly, you've been kind of enjoying the dumb shit of it these days. with the rest of the earth burning, there's something familiar and banal about dragging ariana grande through the mud. you think about jeanette mccurdy, who has often times gently warned the world she's not as nice as she appears. you liked i'm glad my mom died but it made you cry a lot.
he doesn't like small talk, figure out something to say.
you want to talk about responsibility, and how ariana grande is only like 6 days older than you are - which means she just turned 30 and still dresses and acts like a 13 year old, but like sexy. there's something in there about the whole thing - about insecurity, and never growing up, and being sexualized from a young age.
people have been saying that gay people are groomers. like, that's something that's come back into the public. you have even said yourself that it's just ... easier to date men sometimes. you would identify as whatever the opposite of "heteroflexible" is, but here you are again, across from a man. you like every woman, and 3 people on tv. and not this guy. but you're trying. your mother is worried about you. she thinks it's not okay you're single. and honestly this guy was better before you met, back when you were just texting.
wait, shit. are you doing the same thing as ariana grande? are you looking for male validation in order to appease some internalized promise of heteronormativity? do you conform to the idea that your happiness must result in heterosexuality? do you believe that you can resolve your internal loneliness by being accepted into the patriarchy? is there a reason dating men is easier? why are you so scared of fucking it up with women? why don't you reach out to more of them? you have a good sense of humor and a big ol' brain, you could have done a better job at online dating.
also. jesus christ. why can't you just get a drink with somebody without your internal feminism meter pinging. although - in your favor (and judgement aside) in the case of your ariana grande deposition: you have been in enough therapy you probably wouldn't date anyone who had just broken up with their wife of many years (and who has a young child). you'd be like - maybe take some personal time before you begin this journey. like, grande has been on broadway, you'd think she would have heard of the plot of hamlet.
he leans forward and taps two fingers to the table. "i'm not, like an andrew tate guy," he's saying, "but i do think partnership is about two people knowing their place. i like order."
you knew it was going to be hard. being non-straight in any particular way is like, always hard. these days you kind of like answering the question what's your sexuality? with a shrug and a smile - it's fine - is your most common response. like they asked you how your life is going and not to reveal your identity. you like not being straight. you like kissing girls. some days you know you're into men, and sometimes you're sitting across from a man, and you're thinking about the power of compulsory heterosexuality. are you into men, or are you just into the safety that comes from being seen with them? after all, everyone knows you're failing in life unless you have a husband. it almost feels like a gradebook - people see "straight married" as being "all A's", and anything else even vaguely noncompliant as being ... like you dropped out of the school system. you cannot just ignore years of that kind of conditioning, of course you like attention from men.
"so let's talk boundaries." he orders more wine for you, gesturing with one hand like he's rousing an orchestra. sir, this is a fucking chain restaurant. "I am not gonna date someone who still has male friends. also, i don't care about your little friends, i care about me. whatever stupid girls night things - those are lower priority. if i want you there, you're there."
he wasn't like this over text, right? you wouldn't have been even in the building if he was like this. you squint at him. in another version of yourself, you'd be running. you'd just get up and go. that's what happens on the internet - people get annoyed, and they just leave. you are locked in place, almost frozen. you need to go to the bathroom and text someone to call you so you have an excuse, like it's rude to just-leave. like he already kind of owns you. rudeness implies a power paradigm, though. see, even your social anxiety allows the patriarchy to get to you.
you take a sip of the new glass of wine. maybe this will be a funny story. maybe you can write about it on your blog. maybe you can meet ariana grande and ask her if she just maybe needs to take some time to sit and think about her happiness and how she measures her own success.
is this settling down? is this all that's left in your dating pool? just accepting that someone will eventually love you, and you have to stop being picky about who "makes" you a wife?
you look down to your hand, clutching the knife.
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xxplastic-cubexx · 23 days
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i would like to draw him more i think..
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poorly-drawn-mdzs · 7 months
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Happy Valentine's Day! (and this blog's first post anniversary!)
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fruityumbrella · 2 months
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one piece is set in a nautical world with presumably nautical idioms and exclamations to match, right, like swearing by the sea rather than on a god etc. to wit, there's five seas (the four blues + the grand line) so we can assume when you're feeling particularly dramatic, you might refer to all those vast oceans to get your hyperbolic point across.
keeping that in mind, lets live in a stupidly romantic corny ass world for a moment ok? take my hand.
"I swear on all six seas, if you don't shut the fuck up right now—"
"What?" Sanji looks at him like he's stupid. Nothing new, really.
"Ha, even you're going deaf having to listen to your own annoying ass whining all the time, Cook. I was—"
"No, you—"
"Don't interrupt me! Oi!" he yelps as a wooden spoon bounces harmlessly off his shoulder. He's not impressed that Sanji manages to catch it before it hits the counter.
"You said six seas," Sanji states.
Zoro stares back in lieu of an answer.
"Huh, maybe this has something to do with why you're always lost. There's only five seas, dummy."
And ah, now he gets what the idiot cook is on about. He's surprised and a little disappointed, honestly. You'd think the guy would be a little more aware about his own fucking dream, but whatever. He's got that annoying smile, smug and cocky like he's oh so much better than Zoro.
"Would you like me to count them out for you? I know it's a big number, it's probably confusing for a simple creature like you."
Zoro crosses his arms in clear warning, something the cook, as always, blatantly ignores. He's leaning on the counter that's between them now, eyes sparkling with glee. Idiot. Zoro's thoughts do not have a fond tone to them. Thoughts don't have tones at all, thank you very much.
Sanji lifts a hand and proceeds to count off on his fingers with the precision of a drill sergeant.
"I'm sure you at least know our ocean, the East Blue. There's also the West Blue, North Blue, South Blue, and of course the Grand Line," he wiggles all his fingers as he puts his thumb up for the last one like he's emulating fireworks.
Zoro snorts indelicately. "And?"
Sanji frowns with a tilt of his head.
"And?"
Zoro holds up his index finger.
"And," he says, stifling his amusement as Sanji goes cross eyed trying to follow said finger as it arcs towards him, "your All Blue. Dummy."
He punctuates the last word by poking Sanji in the forehead, snickering when he sputters and swats the digit away in a huff. Then Zoro's words finally sink in, and he straightens up almost too fast. It's not endearing at all.
"Wait," he says quietly, "you count it?"
Zoro doesn't like how Sanji's looking at him with an open expression he's not usually allowed. He looks earnest and sincere. Zoro feels suddenly out of his depth.
"Don't you?" he deflects uncomfortably.
"Well yeah, but that's different. You're—" he shrugs half heartedly and looks away. Zoro can't tell if the end of that sentence was going to disparage him or the cook. Odds are likely split down the middle. Sanji keeps looking at him, and he feels pinned. The bright look is gone, replaced by something more reserved but perhaps...searching? Considering, at the least. It's making him increasingly self conscious. He needs to get out of here.
"Okay. I'm gonna steal some alcohol now," he says shortly, striding to the cabinet and swiping a bottle before Sanji blinks out of his stupor.
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glitterghost · 1 year
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Correct me if I'm wrong, but I feel like there is a particular kind of sadness (or loneliness, if you will) that ace/aro folk feel.
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answermywearyquery · 5 months
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the theerapanyakul kids: how close are you with each other?
loan’s kinnporsche 2nd anniversary: favourite familial relationship: the theerapanyakul kids (insp: ½+½)
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autisticandroids · 1 year
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FAMINE: That's one deep, dark nothing you've got there, Dean.
[youtube with closed captions]
dean and his father. dean and his family. dean and how bad it is.
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(via @closetoyou1970)
#spn#vid#mind the warnings on this one for real#woe! fruit of my rewatch be upon ye.#pallas calls this my 'deangirl coming out vid' which honestly. true. but those who paid attention know i've always been a deangirl.#also. after this no more deanwinchester rilo kiley amvs I Pwomise#anyway. i'm not gonna give a full commentary here but a big reason why i chose this song is that the narrator#is essentially dismissing her own problems and instead watching the problems of someone else#and i kind of wanted to play with that theme. this is the parallels show so let's do some parallels. lots of things happen to characters#that are Like Dean somehow. either in personality or circumstance. that we know or can infer happen to him. but we don't see it bc it's#not sayable. not speakable. so like for an easy one. we see meg being tortured in caged heat. she also talks about apprenticing under#alastair just like dean. so i show her being tortured [in a way that is sexualized and demon-specific] and reacting how she does#because i invite the audience to imagine or interpret that this has also happened to dean at some point. we just don't see it#so there are many dean parallels in this video. some obvious. some subtle but textual. some products of my twisted mind. but that's the way#i am using them to make my argument.#oh also: dean voice sam's eyes going black is JUST like when he used to fight with dad and wouldn't listen to me when i told him not to.#i guess also the point is that because it's unsayable. dean can't say it. dean can't even acknowledge it. and so it bleeds through#into everything in his life#that's why it's important that the song narrator doesn't take her own problems seriously. dean doesn't either.
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skrunksthatwunk · 8 months
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thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.
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teddybeartoji · 4 months
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obsessed with the trope of person a can't sleep unless person b is in the same room with them. they don't even have to Sleep Together or anything – person b could literally be cooking or gaming or showering or whatever but it's enough for person a to feel safe to finally rest their eyes. plus points for when person b doesn't notice that they've dozed off but when they finally do, they just look at them with the softest fucking eyes before tucking them in. maybe they'll even.... give their beloved a small kiss on their forehead.... ok more plus points if this isn't an established relationship!!!!!!
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creativesplat · 7 months
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My favourite random engage headcannon: Rosado uses Alfred as inspiration for a lot of his paintings
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welcometogrouchland · 2 years
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[ID: a digital comic based on the owl house, featuring Hunter and Willow. The comic is a redraw of the "alphabet confession" meme comic. In the first panel, Hunter stands nervously in front of Willow, saying "I..". The next panel is a closeup of Hunter as he continues, saying "I...I" with an intense expression. In the third panel Hunter stops and looks suprised as Willow (partly off screen) continues, saying "J, K, L, M, N, O, P...". The next panel is a closeup of Willow, somewhat bashful, continuing listing the alphabet, now on "Q, R, S, T, U, V...". The penultimate panel is a closeup of Hunter as he finishes off the alphabet for her, saying "W, X, Y, and Z". He looks equally bashful. The final panel shows Hunter and Willow holding each other and seemingly spinning in mid air as flower petals circle around them. The comic is in black and white with the gutters between panels being light pink, and Hunter and Willow are both in their post-thanks to them designs. End ID]
HAPPY 1 WEEK TIL FOR THE FUTURE! Here's a silly comic idea that would not leave my head <3 they are so fucking stupid
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spitblaze · 2 months
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"This historical figure who was born as a woman and lived the rest of her life as a man isnt transgender and shes not a man she was an oppressed woman who pretended to be a man in order to pursue her dreams under intense patriarchy" listen i understand what the line of logic here is and i know that applying modern labels to figures who lived and died before these words and concepts were invented or popularized is a dangerous game but if this dude not only lived his life as a man but insisted that he be referred to as a man and went off on people who misgendered him and had an entire love life where all of his lovers would also refer to him as a man and was adamant that his body not be examined postmortem as so not to be retroactively defined by his genitals and wished to still be recognized as a man after his death i feel like at the very least you could respect his wishes to be referred to and seen as a man and leave the 'born female' thing to be an interesting tidbit at most instead of the fact about him you parade around
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ganondoodle · 7 days
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with the rough draft for chapter two nearing its completion
if i may dare say this on main, but actually i am unbelievably excited to get to paint demise (tiddies) again
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sunshinechay · 9 months
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I absolutely understand why Babe would forgive Charlie so quickly. These two moments right here explains it perfectly:
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And this one
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Babe has spent almost his entire adult life feeling like he can’t love anyone. Feeling like he can’t, like he wasn’t worthy of that love, that he wasn’t worth it. He wanted someone who would love him uncondititionally and completely. Someone who would take care of him and not judge him. Then came Charlie. For all of Charlie’s flaws and lies, that is the one thing I don’t think I’ve ever doubted. Charlie loves Babe. He loves Babe so much but he also knows that if he tries to tell Babe who he is right away, Babe will reject him. Babe will, like he did at first, assume that it is all a part of Tony’s plan to get Babe back, to force him to go along with what Tony is planning.
With the foundation that their relationship has now, Babe knows that Charlie loves him. That everything he did, no matter how fucked up, was because he loved him. Charlie offers to die so that Babe will gets his senses back. I think that right there says a lot about how much Charlie loves Babe. How much Charlie loves period. He was even willing to lie to Tony on something easily fact checked. He lies and says he hasn’t seen Jeff. If Tony doesn’t know Jeff works at the garage I’d be very surprised. Charlie is so completely willing to put himself into harms ways for those that he loves. And Babe knows that.
So Babe forgives him. Babe forgives Charlie because Charlie disproves every single negative thing Babe has ever thought about his ability to love, about his ability to be loved. Babe is so starved for love, for touch, for someone to love him. Charlie gives it to him in spades, never stopping. Babe feels safe enough with Charlie to actually love him back. Something he has never done before, he’s never felt like he could.
This is also not so incidentally why I won’t get on the “Way might be a walking red flag but I’m color blinded” train. I have felt the exact same way Babe has felt before, something I still struggle with to this day. That kind of intense self loathing is tough to live with. Babe lived with his for years before Charlie. He never felt like could love anyone, and Way made him feel that. Way made him feel like he wasn’t worthy. It feels like an extremely fucked up version of “if I can’t have him no one can”. I do think it comes from Way also feeling similar to Babe, which is why I am still ultimately sympathetic to Way as a character, but the boy needs to step the fuck back from Babe and let the man live his life and be happy with Charlie. Babe has said so many times, including to his face, that he and Way could only ever be friends. Way just doesn’t seem willing to accept that, which a big yikes for me. Add the hypnosis on top of that and if this were in any other genre, I’d be voting for Way to get his head lopped off. Still I love Way is able to move on, whether that is with Pete or not. Hopefully his and Babe’s friendship will improve because of it.
So yeah, I don’t find it surprising at all that Babe is willing to forgive Charlie that easily. Charlie is everything he’s ever wanted on a silver platter. He was also willing to be completely honest with Babe as soon as Babe asked for honesty. He didn’t lie, he didn’t beat around the bush. He explained it all, point blank. He didn’t even lie about being the reason Babe lost his senses, even when he could have and it’s likely Babe would have never found out. Charlie proved that he does love Babe, genuinely and completely. He wants to protect Babe no matter what. He is willing to do anything. It’s exactly what Babe wants and what he needs. I have no doubt Babe will give back as good as he gets too.
This likely isn’t the end of the road for this discussion. I think they will revisit it eventually, though under what circumstances I can’t say. For now, Babe is willing to forgive him easily, because he loves Charlie and Charlie loves him. In the end, that’s all Babe wants and now that he is getting the chance, he’s going to grab it and hold on with both hands. He knows he can do that because he knows, down to his core, that Charlie will do the same for him.
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