have you guys ever thought about how satan's personality is actually the combo of his 6 other brothers and somehow he's still unique in his own way and that somehow creates his charisma. just as i start making satan's moodboard and i start to realize man i love him so much it's hard to breathe.
i mean, he's like the most hard-working demon in the family, lucifer works because he has his responsibility and because he forces himself the perfect figure for the whole devildom and also because of diavolo the moment he realize no one watching him he immediately drop the whole responsible act; but satan works and studies and reads just because he loves doing things and learning. he never wastes a single opportunity to learn new thing. he loves art and beautiful things, just like asmo but at the same time, he doesn't care about his look, just like beel, and they both make asmo so mad because they seems like they can't realize how attractive they are. he loves to play pranks on lucifer with belphie but somehow he is also willing to take care for his brothers when they're wasted and constantly checked on lucifer when he lost his memory. he loves cooking for his family and even when his brothers make riddiculous request he still tries to satisfy them. he's maybe the most boring guy you've ever met, he's a nerd, he starts to talk like levi when he visits destinations from his favourite shows, he looks serious in his stundent id, and he's so intellectual and normal and you may or may not have already seen someone like him in your life. he's so normal, he has nothing stand out but his love for cat. his laptop is covered in cat stickers and he has a cat wallpaper on his devices. he's so normal. he acts normal unless when he's angry. he's decent. he's also popular. but at the same time, don't you guys find him adventurous? he loves trying new things, he meets people here and there and makes friend here and there. you will see him at some super fancy restaurant and you also see him on the bleachers of some sports game. he even manages to take his whole family to a film festival because of his connections. he learns new things everyday and he tries to experience as much as he can. he loves nature, he loves camping, he loves animal to the point he flooded the whole house with cats. he knows all the things about human world and stuffs but he's not allow to go there. i mean, satan character is just the combination of many factors and he's so normal but so adventurous and caring and i can picture him having a super peacful life until you figure out he used to go to war and maybe fighted with the dragons and owns a rich comany stuff like that.
he's just doing whatever he likes without caring about people's opinion and make him...like gosh...i love him i love him i love him i love him i love him.
p.s: one of my theory is that satan wasn't born from wrath (yes i know the devs confirmed that but wasn't lucifer so angry to the point he started a war and stripped out his wings because he loves his brothers and sisters so much he didn't want to see them hurt?) but actually he was born from the love lucifer has for his family so that's why you can see satan shares similarities with all of his brothers.
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I feel like if Dipper were ever reincarnated as a demon, he wouldn't fit in super well with the others. Yes, he's been raised to vie for power and step on everyone in his way using whatever means is necessary - it's the same toxic bizz as when he was a human, appealing to gender norms. He's tougher, scarier, more powerful (than ordinary humans, that is), but when it comes to asserting control - being Evil - he doesn't have it in him. Given enough time, I think he'd grow pretty vocal about leaving living things alone. NOT torturing organisms for the hell of it, or stealing people's souls, or conquering planets. Sure, he's a demon. That's no excuse to be a MONSTER.
It's a VERY unpopular opinion amongst neighboring demons, and rumor spreads fast about the Goody Two-Shoed Activist imp raining on everyone's blood-splattered parade, so much so that it makes it to Bill, who's immediately intrigued. Call it intuition, but only one soul's capable of overriding goddamn demon nature for some preachy bullshit about "Doing Good." Lucky for him, demons occupy the same plane of existence, so all it really takes to verify the guy is a snap of his fingers, and POOF! He's floating right next to him. Sure enough, Dipper's fashioned himself a new and improved demonic form, and it is lovely!
No one likes Dipper's kumbaya "Can't We All Just Get Along" ideology, but Bill's almost instantly smitten with the guy, whoever he is, so he's gotta be at least somewhat powerful. Demons take notice when the all-powerful Bill Cipher starts lending his time (and magic?) to some low-leveler like Dipper. Is he being blackmailed? Are they working together? No. Not possible. Bill doesn't "work" with anyone, save for whatever human catches his eye every few decades. Doesn't look to be doing him any benefit, either. The opposite, even. Lending power to a saint like Dipper only makes it harder to cause chaos, after all. Why would he actively go against his OWN best interest to cater some imp's? It's almost like he's. He's.
A henchmen.
(Bill's also 30% more affectionate the first month they reunite, because he still can't believe that his adorable little human husband came back as the same SPECIES as him! He'd never complain over having a sweet human to squeeze, but one with teeth and claws and cute pointy ears doesn't hurt).
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Deep in my enemy I find the lover;
Scene from a post-DSOD AU (ryou sandwich = tendershipping + gemshipping) I've been picking at for a while.
Part I is detailed here (contains malik/ryou but the relationship ends).
Part II is in progress (the actual tender/gem saga).
Everything will be posted under the #occult killer au tag when it's done. But here's a summary, so major spoilers.
Post-DSOD, supernatural entities start targetting Ryou. While figuring out why, he fights them with the help of his friends. On top of that, Bakura reappears, followed by Thief King Bakhura―and it definitely doesn't help when Ryou instigates/ends up in a very complicated (and physical) relationship with the two.
Eventually, the mystery unravels. The final entity reveals to Ryou that he's been an anomaly for a very long time: He was supposed to die in that car crash as a kid, but due to being Bakura's destined host (the events of YGO needing to happen), the accident took Amane and his mother in exchange. This devastates him.
What Ryou and Yugi initally thought was a "new evil" born because the Millennium Items were disturbed once again during the events of DSOD is really just the Outer Gods now more aggressively trying to restore a long lost "balance" (Ryou has "died" a total of three times in YGO but is brought back each time because of Bakura/'s influence). As long as Ryou's borrowed lives are not "returned", entities will always be after him/attempt to take the lives of those around him as compensation.
"Death is your gift."
This AU started because of two things: ① the slew of fanart I see of Ryou beating Bakura up/threatening to throw the Ring away, ② Spike from Buffy the Vampire Slayer reminding me of Bakura 🤭 (demon, pale hair, black coat, Spike dresses like a punk vs JP Bakura talks like a street punk, Buffy is stronger than Spike vs Ryou defeats Bakura in Monster World). I'm like, ah yes. Tendercore jk.
Anyway, the story takes some inspiration from Buffy (scenes and lines are borrowed), but it's not a 1:1 AU. It's not a vampire AU either. This comic is actually inspired by dialogue from Buffy S6E10.
If you're wondering what's up with Bakura's outfit, it's based on Takahashi-sensei's illustration (the IG link there no longer works). It plays a role in this story btw (even the nail polish). It's not just a glowup to me!
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so i sort of half accidentally did the end of totk on monday, i had over 130 hours and slightly over 50% of the game done and did the second to last fight with 3 hearts left and no way to heal but fairies after i gave up multiple times thinking the game might be trying to force me to fight a certain way xD
so im still playing it and am aiming for the 100% but i dont think theres gonna be much more to discover story wise
the game is really fun and has a lot of detail and love put into it that you can really see, the music is fantastic as well, some of the characters get more love which is great but the story is … well disappointing but not surprising, especially in its treatment of ganondorf, who still feels incredibly flat as a character, which was to be expected but also … you cant fault people (including me) for faintly hoping theyd do something more interesting tho i will say the end fight is really well done and i cant think of a way to top that in terms of epicness xD
anyway, some unfiltered thoughts and opinions in no particular order (keep in mind i know its viddy game logic uwu but still some things can really destroy the immersion; and also i like to think too hard about the stuff i care about so take this with a grain of salt, i never expected the story to be world changing but i want to remind you that i am criticizing it bc i love this franchise)
--what the hell happened to all the sheikah tech?? botws story gets mentioned a few times but never is it mentioned what happened to all the tons of tech lying around everywhere? if they dismantled the towers for purah to build her new ones around i guess thats fine, but all the srhines? the titans ??? THE SHRINE OF LIFE??? its all gone, esepcially the shrine of life irks me bc the cave is still there and its still called by its bame but its nothing but a cave in a vague shape of how the buidling was
it absolutely drives me crazy bc its so dumb?? even if it all stopped working for some reason why would you dismantled it all and even then where did the material go?? why would you dismanlted an neitre building like that anyway?? if you want to have a cave there just have it be half collapsed, if all sheikah tech has gotten useless just leave it there but overgrown??
and why is all of purahs tech still working then? zelda doesnt seem to care about it anymore either even tho shes been so obsessed with it for so long? the titans how would you even MOVE them??
you CANNOT tell me that all this tech that survived tens of thousands of years just went poof within a few years; and sometimes it even feels .. insulting? like you know how much robelo cared for cherry and now shes tiny and just serves as a way to buy fotos for your collection? the fact that the shrine of life is fully gone but the cave is vaguely shaped like its interior and where the bed used to be is a healing pool of water too? like idk if im just insane but it feels like 'haha lol remember what used to be here? get it? the water heals you like the bed in the shrine of life and lol there was the stairs HAHA remember? its gone now for no reason.lmao.'
to be clear i like having some mysteries and all but that is just …. so weird? when i discovered the shrine of life i was so taken aback i didnt know what to do, it really broke my immersion, by alot even, it just makes it feel even more like all sheikah tech was replaced by much cooler (tm) sonau tech
--what happend to the sonau people? we only know that rauru and mineru are the last two remaining ones back then but … what made them die out like that? this is by far not as important to me as the issue with the sheikah tech but still feels like a point that could have been mentioned
--as much as i like the open world and how free you are to do things your own way but, regardign the dragon tears i think they should have been locked more behind story progression, i got all of them rather early on and it made it a lil frustrating to play through the other story parts bc you know the truth but you cant tell anyone and everyone around you is acting like a dumbass running after fake zelda while the real one is floating around above you, and i know thats partly my fault for getting them all so early but it still felt like some could have been more well hidden or locked or something since theres no hint to when it would fit to do which one; i expecpted impa to travel to each one but it seemed like she appeared on only a few here and there- additionally i fully expected her to be more important, that she would have an actual involment trying to help zelda undragonfy but that turned out to be very wrong lmao
--why are the enemies in the underground mining sonanium? ganondorf didnt seem itnerested at all in any of their tech, only in the mystery stones (only one too, he didnt seem to want any more of them either) they dont use it for anything? at least the ones on the surface collected stuff they could eat or use for fighting?
--did mineru really build herself a robot body just to fight ganondorf for a bit and then leave? as the last of the sonau, even tho long dead too, why wouldnt she tell their history and knowledge or something and instead if just helping a lil in the fight and then go poof
(i half expected purah to be a surprise sage since the spirit one would have fit her i think)
--the zelda being the white dragon plot point lost alot of weight to me when it was just .. resolved like that in the end, i know she spent thousands of years like that and all but it seemed like a much heavier decision that later on felt a little less flat after fidning mineru even tho i felt like i didnt care at all at first bc of the way i found out ,and i half expected there to be an extra mission to try and find her soul again since that apparently gets lost when you do the whole dragon thing, but in the end that wasnt a problem at all, two ghosts and link (somehow naked again) blasting her with some magic(tm) and boom shes back and well and fine woohoo it was a non problem after all
i didnt expect her to stay dragon since that would mean the end of the legend of zelda basically, but still it took away alot of the weight of her decision to me? like i get undragonfying her before the end would be difficult since you can get material off of her but still i hoped for something other than boom it resolved itself and i thoguht and worried about it for nothing
honestly a post game or even another title where the main focus wouldnt be desstroying yet anyother one note evilest guy of them all and isntead the goal is to bring zeldas soul back and undragon her or something would have been a cool idea tbh tho i know its unrealistic
--did ganondorf think turning himself into a dragon would end the world somehow? did he mean the lil evil goo clouds he spit at you in the last fight to end the world? and how come that he was vunerable to fight? none of the other dragons could be hurt and for an 'immortal' dragon he sure went down fast
also how did the stone get back on his forehead? you need to eat it to dragonfy yourself and zelda doesnt have her stone out either (i know viddy games logic but still)
(on another note, gan shoving half his arm in his own mouth felt really cursed to watch)
--into WHAT exactly wanted gan to reshape the world into?? only destroying it is such a non reason if you want to rule it? theres nothing left to rule if you kill everything in it??
he just gonna play cards with some bokblins or what
-i really wanted to fight ganondorf on the surface, not in his lil miasma incubation cave again :(
--so …. why he evil? are we really doing the and WHOOP suddendnly theres the eviliest guy of the world and he hates your guts for some reason thing again? no tension with the gerudo that seemed to follow him in the lil cutscene we see and the ones that went on raurus side? no actual origin? does he have ANYONE to talk to normally or did he just surround himself by monsters all the time or abadon everyone that once followed him once he got his power up?? you can make any design or fight as good as it can possibly be but in the end its still gonna feel hollow if the character has no character besides evil
even the fake zelda wasnt actually him and just a lil puppet made of miasma so even him fucking with people is a little less interesting when he was actually just marinading in his lil goop cave, and the lil hand wink he gives you at phase two can only do so much lmao
--ganondorf is cool and all, but tbh he feels more like the evil miasma goop guy than anything else
--why are the old sonau ruins in hyrule so different from the rest? like we know now that they arent actually a civilization from the sky alone but were even in the underground too, and all of their ruins have that blocky white style to it, the supposedly sonau ruins in phirone for example, albeit they share the dragon theme the style on the outside is very much different? and the ancient ruins from the other races dont match it either
--are the sheikah descendants of the mixing of sonau and hylians? the white hair and third eye theme would fit to the only alive sonaus we see having white hair (fur?), the literal third eye and their affinity to techonology similar to the sheikah, and zelda having both light and time powers would make sense if its yet another descendant thing, but that would mean zelda was at least part sheikah .. (ngl white haired zelda might look pretty neat actually) but also … it didnt seem like sonia and rauru have been together all that long and no mention or even hint to them having children … which given that both of them die would be an important thing to mention no?
--why cant you do anything with the dongos but feed them????????? i wanna ride them :(
--where is kashiwa????????????????? they talk about him like hes a lost legend
--putting in all the amiibo stuff is cool and annoying at the same time, i spent 5 hours fighting my way throguh the underground to follow treasure maps and found 3 nigh identcal link hats from past games in a row, then two other parts of similar, then two aiimbo weapons and then jsut yesterday another one from a bigger quest that i expected more of; getting the armor sets of past games is cool if you want them but if i did i would have just gotten the amiibos back in botw, my inevntory already feels super bloated with all the new and old armor sets and now the amiibo stuff as well even tho i have like .. half of it all atm
(and dont go and argue 'oh so complaining about more content for free???' yes. yes i am.)
--whats with this game and making link almost naked? rauru saving you from death? naked. (annoying) survival shrines? naked. weird teleport to alternate ghost dimension to blast zelda with magic power tm to solve all problems? naked.
--(added in edit) im glad dorephan didnt die!! i fully expected him to have died offscreen or something to make way for everyones favorite fish
--(added in edit) so are definitely other lands besides hyrule if yona came from there, also lol
--the story feels, espeically once you see the last cutscene, very …. uncomfortable to me if dare to think about it more than just taking everythign as its said to you, like … the oh so perfect descednants of the gods(what) marry a normal hylian lady and sourround themselves with perfetly obedient faceless servants of the other races so the perfect and good kingdom tm is born and oh suddendly theres an evil brown man (makign him grey doesnt change the implications, if anything, it makes it worse bc they wont even stand for it and instead are trying to hide it behind uuuuh no no its fine hes blue actally kinda way) from the desert that attacks the perfect good kingdom and king, then he swears alliance to them only to betray and murder da queen right away to get his hands on a super power the perfect and good king held and would have never never used it in a bad way nono and now they need to defend it by all means and at the end woohoo zelda has now again the perfect kingdom with no opposition except the yiga who are (as much as i love them) mostly played for laughs or .. well, evil(tm)
as epic and cool the dragon fight was, zelda being the slim tiny white/gold/blue dragon and ganondorf being the evil spiky big black and red dragon and them literally being called white/black dragon feels like wow they arent even trying to hide the black and white storytelling huh (i know its a design trope to the bad be black(color) and the good anything else and spiky vs round and soft blah blah but that doesnt make it any better .. maybe even worse? idk)
the way nintendy was keeping stuff a secret and hinting around so much made me feel like it would finally be a little more nuanced and then it turned out to be even flatter than before and all that secrecy(?) was only to keep dragon zelda plotpoint a secret, something that was resolved no problem in the end anyway (i didnt need zelda to stay dragon but .. it all just lost so much weight the way it was done at the end)
-- (added in edit) master koga is the best character and no one can beat him, the most joy i felt was seeing him again and i am not joking, i wish i could talk to him normally tho without him being able to see through my yiga disguise :(
im so glad he didnt die tho bc if he actually went to gan he would 100% be dead within seconds
--(added in edit2) i forgot to mention but was just reminded that link getting his arm back felt super weird too, so really everything that meant major changes got reversed basically ... coool ...back to status quo i guess, couldnt he if he wasnt missing it at least have it be discolored somehow? or scarred? any reminder? zelda too even, could she also have some sort of scar or similar due to her transformation ??
--(added in edit2) so where did the mystery stones even come from? gans and zeldas are gone after dragonfying i guess so ...what?
so in summary, im not eloquent enough to properly analyse all the problematic/questionable stuff and put it into the right words, but these are my random thoughts just spilled out, theres gonna be things i missed, forgot, or gonna think about later, maybe ill add it maybe not
again take it with a grain of salt, the game is still one of the most fun games i have ever played, my problems with it lie majorly in the story, its still very much worth playing!
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The Batman (2022) isn't perfect by any means, but it is still a phenomenal film and one of the best pieces of Bat-media in recent memory.
Firstly, the aesthetic. Seemingly small but an incredibly important part. BTAS was broody, '89 was gothic, Forever was campy, TDK was... bad. And TB I think finds a real sweet spot in between vibes. It's dark, serious, it's got a technological noir, and yet still has vibrancy and color and (the key to my heart) neon.
One scene, you'll be sitting in an abandoned tunnel with shadows and muddy colors, the next you'll be surrounded by police under white lights, and the next you'll be in a night club with LEDs of every color you can think.
The fights. This film has some of the best Batman fights I've ever seen period. Really just action in general. The night club, the hallway, the finale. It's not like TDK where every fight is slow, precise, methodical, and honestly boring. Each fight or chase here is energetic and entertaining. The choreography is excellent, the stakes are legitimately high, and the settings are always unique.
The night club is crowded and overwhelming, with people swinging, shouting, and grabbing at Bats who aren't even apart of the fight. His skills and equipment save his life multiple times, whether it's block a bullet with a precise pipe throw or survive a shotgun blast with his armor. When he finally grabs Penguin you feel as overwhelmed and animalistic as he does.
The precinct escape is tight and tense. From the punch to the jump, every second makes you feel the absolute abominable stress of trying to escape a building like this. Officers pouring out of every room, bullets whizzing by and beaming off his suit. Merely seconds to get the flight suit on before they come pouring out to the roof. We experience the fall with him as his nerves spike, all culminating in a quick second decision that ends with him crashing into the side of the road.
Gotham. The beloved city feels full here. Subways are crowded, streets are packed. The crime feels real. Vandals, gang violence, thieves, assassins, crime families. It's not just militants and killers. We see the systemic issues in place that cause these. We see the feelings and social strains that make people do this. It's like you're taking a peak into another world with context and history you don't know but understand. It feels right.
The characterizations. I'm not a huge fan of the whole "Bruce Wayne is the mask, Batman is the real you" thing inflamed by TDK. And I really don't like "the Waynes were corrupt and did bad things, even for good reasons".
I think there's so much more to say about the two very different, very real sides to Bruce's personality. The one that comes out as billionaire playboy philanthropist, and the one that comes out as a violent and vengeful demon. Both who are willing to suffer for their causes. And I think there's so much more when the Waynes die from a mugging. That the crime is so bad it took the highest. That it could take anyone at any time, even the beloved elite.
However it does something right that most other Bat-media fails at. It makes Batman a symbol of hope. It demonstrates a growth in himself. That he can do more good to inspire the people than to instill fear in them.
Pandaredd made a good video on this, but in Crisis On Two Earths, Bats' opposite is represented as the ultimate nihilist. This means that at his core, Batman is really the ultimate optimist. And that makes sense. You don't put on a suit and fight crime, you don't try to create resources to help people, you don't befriend and reform your own Rogues gallery unless you believe you can change something. That all the work you do, all the suffering you experience will be worth it when you get to know the world healed.
And that's something The Batman understands. Batman started as a symbol of fear. So that every criminal hesitates at an alley. Panics at a shadow. But he became something else. A symbol of optimism. So that people can walk the streets at night. That they can get the help they need. That they can look into the sky with hope.
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