#as well as the post that comes after

[lucabyte]

i feel like people are sleeping on the occam's razor situation of how buckwild it is to outright accuse a guy of being a clone of your friend even if you DO have a lot of circumstantial evidence. there's other options is what im saying. they could just be like. a guy. that's a sensible deduction. you should explore that deduction. ignore my shirt that reads I <3 RED HERRINGS.

i still think odile has the correct theory on lock but she's smart enough to know it needs like... a real smoking gun to be able to bring it up without sounding insane.

anyway. (mirabelle voice) i know its rude to speculate but has anyone else noticed the grieving? they seem to be grieving. does anyone have any thoughts on the grieving? i have some thoughts on the grieving.

[welcometogrouchland]

[ID in ALT] I've made posts before about Talia/Dick co-parenting Damian moments (will never happen but let me dream) and this came to me in a vision. Took me ages to finish for some reason 😭 and then even longer to post

[turbo-tsundere]

*superglues them together*

Aka, eeeeh fok it. Here's some ougoku stuff I've been sitting on. Happy THOSE GUYS day.

[vivipokedex]

archeops for @cherirb :3 thank you!

[redundantz]

Act 2 Thanks for reading

[poorly-drawn-mdzs]

MDZS x ISAT part 1: In Stars and Necromancy.

(Part 2)

[jaybee2000]

The Decameron on Netflix has a suprisingly high body count for what was pitched as a raucous sex comedy about the plague. And not enough of the dead are from the plague. It was mostly murder.

Anyway. Come for the fourteenth century fashion and comedy. Stay for the lesbians and tragicomedy.

[boygirlctommy]

i love the bit from oct 17 2020 when tommy and quackity trapped wilbur in a cobblestone box to keep him from pressing the button... wilbur punching through the blocks with his bare hand to try to get to the button... tommy frantically replacing the block in front of him yelling for quackity to do something... the moment when tommy stops, blocks the exit, and tells wilbur to do it. press the button. but then theyd die with him. quackitys like "wait, wait-" but tommy holds his ground and wilbur. ohh wilbur. "why'd you have to make it so hard?"

[kazanskyy]

iceman + his concern for maverick post-hop 31

[s0fter-sin]

god the way ghost’s voice drops when he tells soap, “you’ll need to improvise to survive”

before that, everything he says is steady but when he acknowledges that soap’ll have to do something outside his skill set, something he intimately knows to be difficult, his voice wavers. he does the same when he says, “welcome to guerrilla warfare”; it’s sombre and serious in a way he doesn’t act for the rest of the mission. if you read into it enough, he almost sounds apologetic; like he knows exactly what soap’s about to go through and wishes he didn’t have to

he keeps soap going; poking at him and making jokes, giving him tips and asking about his progress. he never lets him stop and take a second to think bc he knows the moment he does is the moment it'll all hit him; the betrayal, the pain, the fear, the deaths, all of it will drown him and if that happens, soap won't make it

he needs him to be a soldier through and through and he knows this is one of the worst kinds of battlefields you could end up on

and the only times he slips is when he acknowledges that fact

it happens again when he says, "tryin' to get you here alive and in one piece". his jovial dark humour facade drops for just a moment when he has to face the potential reality of losing soap. then he tries to pick it back up again with, "one of us has to survive to tell the tale"; completely discounting himself as a survivor to try and rally soap and make him think it’s all down to him

and soap does the same thing

when he's calling out for ghost on the radio, he's tentative, testing the frequency, then when he doesn’t get a response, he grows desperate; "ghost, this is 7-1, do you copy?"

then when ghost answers, he smooths out his voice; he hides the pain, the fear, and no matter what response you give to ghost asking if he’s injured, soap brushes it off (“i’m good”, “what’s the difference?”, “i’m not a medic”). soap decides it’s in ghost’s best interest to hide the extent of his injuries

he doesn’t know where ghost is, if he’s secure, if he has any weapons; he doesn’t even know if he’s in las almas until he says, “there’s a church, i’m headed to it”. for all he knows, he could’ve run in the complete opposite direction. if ghost knows he’s hurt, then his attention would be split between his own survival and soap’s

and soap, who lets himself be poked and prodded towards the church, needs to hide his own doubts. maybe he needs ghost to believe he'll make it so he himself can believe it ("what are my odds?" "don't make me bet against you", "think i'll live that long?" "probably not")

he all but begs ghost to tell him he'll get through it and if he knows just how bad off he is, maybe he'll change his mind. maybe he'll think he won't make it to the church

maybe he'll leave him alone for good

"you injured?"

"i’m good"

"let's find out how good you are"

[convoloutedinjoke]

If Harry’s tragedy is that he can’t go on like this but he has to, Kim’s tragedy is that he doesn’t have to go on like this but he will.

[lucabyte]

Hmmm just gonna spit this headcanon out in text post form since A. I don't think I could exposit it well enough in image form and B. It's not actually textually/thematically substantiated and I don't like actually staking my stuff on just vibes alone*

But anyway. I'd say it's pretty evident that all the islanders forgot their names, right? King obviously. Because why the hell else would he do that, but also Siffrin No Middle Names No Last Name.

They're 'pretty sure' they've 'always' been 'Just Siffrin' 'as long as they can remember'. It's a pretty cruel twist of the knife to say that they don't even get to keep their birth name as a memento, which is why I'm saying as such.

My utterly unsubstantiated claim is I think it'd be cute to say that Sisyphus *is* the name Siffrin initially picked, assuming the myth of King Sisyphus is recontextualised as idk, just a play or something in the setting. But I like the idea of Siffrin going 'oh shit 🫵 he's just like me fr' at a tortured fictional character long before the irony kicks in.

As for how Sisyphus -> Siffrin. I think that chronic mumbler and emotional doormat Sif just did not correct people who misheard the name during their time travelling, and went through enough places with incompatible phonologies (pronounceable sounds in the language) without ever really writing it down that it just got kinda. Changed until it was unrecognisable, and Siffrin just went with it until the earlier pronunciations slipped out of their swiss-cheese brain. And they just kinda don't remember any of that.

Also, something something the horrid realisation that Siffrin also named themselves after a King. Just not as blatantly.

*(though I think there's something here about Siffrin, a guy from a belief system that seems to thoroughly disincentivise autonomy and self-motivated choice continuously having their hand forced to make changes/choices they don't want but have no choice but to... It's not solid enough to really back this up tbh, but it informs it.)

Anyway.

[introspectivememories]

nah cause like you dont get it!!!! the sully kids and spider are a unit!!! they're puzzle pieces that fit together perfectly. the very definition of "the gang is what i trust"!!! they're together their whole lives and then spider gets taken and all of a sudden the puzzle is in disarray. kiri's so spacey cause she doesn't have spider to bring her back down to pandora. lo'ak's acting out cause he doesn't have his usual partner-in-crime/fellow outcast to make light mischief with. neteyam is like two seconds away from a heart attack/stroke the whole movie because the other kid he used to parent his siblings with for the past like decade is gone!!! and spider on the other hand? is completely alone. at least the other four have each other. all spider has is his alien racist, genocidal, imperialist dad dragging him on the world's worst war crime road trip. there's no kiri to get him out of his head. there's no lo'ak to to be outcasts with. there's no neteyam to have a quiet reassurance that they're in this together with. there's just him and his stupid, fucking mind. and then they blend his brain at bridgehead and it's over for him.

[starflungwaddledee]

Gimme that GOOD shit girlie 💅✨ (Starstruck x Galacta knight)

✧˖°. give up what you love, before it does you in .°˖✧

[rebeccasbiscuits]

I’m thinking so many thoughts after that episode, which was wonderful and hilarious, but something I’m very much thinking about is where someone on twitter pointed out the contrast between Rupert going to the club every single day for six weeks to wear Rebecca down vs Ted coming to her office every day for biscuits and genuinely wanting to get to know her. I’m especially thinking about how this adds some more context to Rebecca’s point of view on that as well. We see her disparagingly calling him ‘relentless, and nice’, and her desire for her love of the biscuits to not make her dependent on him providing her with something.

The moment I’m thinking about most is the one at the end of episode 5, where Ted storms in after finding out she sent Jamie away. The biscuit reveal at the end has always felt crucial in this way, but even more so in this context. Her experience has been with the relentless interest and charm until the other person pulled back the layer of charm and showed that this charming nature wasn’t genuine, and in a way I think here, as Ted yells at her, it lets her feel a bit vindicated, or at least secure, in her belief, or lack of belief, in the nature of other people. But then Ted continues the biscuits, and the extension of kindness they represent, no matter how angry he is, and not only that but reveals he has been (without having told her) baking the biscuits himself. His only deceit was hiding an extra kindness he didn't even seek self serving credit for, despite knowing how much she liked the biscuits. Obviously this works so interestingly as another anti-Rupert parallel in a Ted/Rebecca sense, but I love it even just generally in the context of how it’s visible that this is what shakes Rebecca in that scene, because it shakes the view she has of how people treat people after her abusive marriage and isolation, which is allowing her to go on with the plan that will hurt so many of them. It disarms her because even when she has done something bad, and Ted is expressing legitimate annoyance about it, he will not stop extending this relentless kindness and generosity to her, even when he has not got what he wanted, the way she experienced Rupert doing once he had got what he wanted. Ted’s not only relentless, not only nice, he’s also sincere.

[jicklet]

1.15 || 4.03

Was it after you drank Karen's fake poison for me? Earlier.