do i know you? chapter eight
[ chapter eight — 6.4k words ] [ masterlist ]
[ prev chapters: one, two, three, four, five, six, seven ]
"well, now you know what to get me for christmas."
richie jerimovich x reader, past mikey berzatto x reader, slow burn
warning: drugs, insects
the next day, you wake to your customary darkness. outside your window light snow whispers against your window and thick clouds beyond promise there’s more where that came from. you pull a mini pizza from the freezer, crack an egg on top and put it in the toaster oven, call that protein. boil some water in your smallest pot. pull out your favorite chipped blue mug.
the dream did come last night, but its dread was dulled by early waking. you’re grateful for that. this is about as good as it gets, you think: tea on the way, a thick stillness enveloping your apartment, the city outside preparing to sleep while you keep watch.
but wait, the phone.
you go into your room and kneel by the bed.
michael’s small box is half-empty now that you’ve put his shirt in the wash, so the nokia is easy to find. when you flip it open, he’s there, waiting for you—one unread text—and in the sleepy silence, a bubble of incredulous unreality balloons and then bursts. it’s not michael.
they all blur into each other like drops of blood in water: you’re crushed to find that he’s still gone, relieved he’s still gone, guilty you were relieved, relieved that richie’s texted—no, happy—no, that’s embarrassing, but you can’t help it. it’s happiness and it’s something else. happiness is the warmth by your side and something else is the radiator.
the message turns out to be a single emoji, the one with the pink tongue sticking out. definitely richie. with no idea what that’s supposed to mean, you try to think of something equally silly. failing that, you pull up wikipedia on the phone and generate random wikipedia articles until you finally come across a fragment that strikes you as too beautiful to pass up. you weren’t looking for beautiful, but what the hell, it’s charmed you. copy, paste, and send.
> it was announced on january 30, 2023, that she will be writing an original poem dedicated to nasa's europa clipper. the europa clipper will launch in 2024, and by 2030, will be orbiting jupiter. limón's poem will be engraved into the craft.
not expecting an immediate reply, you replace the lid on the box and slide it back under your bed, only to hear the vibration of the phone against the wooden floorboards.
reading what he’s written makes you smile. proper punctuation and all, mimicking you. can’t tell if it’s meant to be snide or if he’s just matching what he thinks is your mood. you’ll take it either way.
> must be a bad motherfucker, that limon.
> must be.
> is she your favorite poet or something?
you feel a dissonant twinge of pride and shame. you once had a favorite poet, but that was a long time ago.
> i haven’t decided yet. are you getting better?
> i haven’t decided yet. i had three grape popsicles in bed for my breakfast, it’s kind of hard to argue with that.
> malingerer.
> i’m actually polish.
and so on.
when he finally says goodbye so he can go back to sleep, you’re still laughing a little to yourself, and you’ve been kneeling there beside the bed for so long that your knees ache.
.
.
.
in the days that follow, richie texts you at exactly the time he’d usually visit. you stand outside like he’s still there, have a couple cigarettes, and enjoy the nonsense even as your fingertips go numb in the cold. once, he sends a picture of a meme so italian that you don’t get it. you obviously weren’t meant to get it, either, so you respond by sending him the middle finger emoji, which he, nonsensically, hearts.
if he needs help, he’ll ask for it, you think. you hope. he seems to be on the mend. anyways, you no longer feel that fear except in dreams, and you stop wondering when he’s gonna text and start expecting it, and then, less than a week later, he shows up. you know this because he texts, where are you?
you open the window and stick your head out into an eddy of snow. sure, you’re glad to see him, but: it’s too fucking cold for this!
he waves.
man was feverish for literally days and here he is in mid december with a hoodie under his leather coat but no scarf, absolute idiot, and so you close the window, go down to meet him, and break the rule. standing there, holding the door open, you say, c’mon.
he’s surprisingly perceptive. he walks over, but he doesn’t cross the threshold, just pauses in front of you.
i don’t think we can smoke in there, he says.
we can’t, you say, moving back one more step, making even more room for him. or at least i can’t. i don't want to get evicted. my landlady will do it too.
yeah? he says, not moving. you're scared of her?
you shrug. you've moved back as far as you can, you're letting all the cold air in, and there's nothing you can do except say please.
you say, she's like four foot tall and a hundred years old, man. women that tiny that survive that long? you should be scared of them.
as if that was the final straw—though how could it be?—richie walks inside. without skipping a beat and for no reason you can figure out, richie walks inside.
learn my ways, sweetheart, he says, touching his chest and giving you his very best look of ridiculous condescension. old women love me.
as you close the door behind him, you fend off a stray, ridiculous burst of giddiness. it's just the lobby, pale linoleum floors and a single artificial plant by the elevators, but it feels radically different from the concrete outside. no cigarettes, no excuses. he’s only there for one reason.
old women do not love you, you say.
they do!
tina loves you. the rest of them, i don't know.
he snorts. you really don't want to be standing face to face with him for however long you’ve got him, so you lean on the wall instead, and he settles by your side the same way he always does.
when he looks over at you, there’s a hint of sly mischief in his eyes that makes you say, what?
wait for it, he says, and when you open your mouth, he holds up a finger.
you roll your eyes, but you hold your tongue with no idea what this is about, undisguised curiosity, and a readiness to be delighted.
you hear that? he finally says.
wind, maybe, or the distant rattle of a train? nothing special. you shake your head no.
that, richie says, is the sound of the sky not falling.
knowing he noticed, that’s the worst thing about being told that everything is gonna be okay. it’s also the best thing. you shove him with a bony, solid elbow. i should’ve let you freeze.
he catches himself before he can topple, his smile gone goofy and so pleased. fuckin drama queen.
full han solo style, block of ice.
it was carbonite, not ice. how do you not know star wars?
course i know star wars, you lie. how do you live in chicago and not own a hat?
i have hats. i just also have a car.
uh-huh. if he wants to trade accusations, you’ve got a doozy you’ve saved up till you could turn it on him in person. i noticed the other day that your place isn’t exactly in a location that makes my place ‘on the way home’ from the beef.
he’s caught, not sorry. grins. you noticed that, did you.
yeah, i might not be from around here, but i still know north from south, all that shit.
well okay, sherlock. you wanna charge me with a crime? the challenge in his eyes says it all; he knows you’re not unhappy to find he lied.
you still need to get a hat, you say.
well, now you know what to get me for christmas.
you’re getting jack shit.
you already know what you’re getting him for christmas.
.
.
.
kraft’s mac and cheese is a christmas tradition in a two-person slice of your family, and you’re one half of that slice, so mac and cheese is the first thing you think of when richie tells you he’ll be there for christmas eve.
after that, it’s on to donna’s on christmas day. then i’m gonna kidnap carmy for some ice fishing, he says.
you ever been ice fishing before? you say.
he splutters. do i not strike you as a, uh, an experienced-ass f—
no.
—fisherman and woodsman, and like—
nope.
—man of the… he gives up. whatever?
do you have a float suit?
richie exhales smoke and fixes you with a look, annoyed but curious.
i’m carmen fucking sandiego, you say, by way of explanation. of course you’ve been ice fishing, you’ve been all over the world.
sure you are, he says. he waves a dismissive hand. my buddy’s got all the stuff, we’ll be fine. it’s whatever, i just gotta get carmy out of the city so the only things he ends up killing are fish.
his first christmas since. you don’t have to finish the sentence.
yup, richie says.
it’s richie’s first christmas since, too, but there’s no call to say that.
lapsing into a companionable silence and shrinking a little closer to the building as the wind picks up, you decide that you’re definitely gonna make him kraft mac and cheese for christmas eve. he wouldn’t take it as a letdown, he'd laugh at the single spinach leaf on top. he’d get it.
.
.
.
on christmas eve, ten minutes before you’re expecting richie to show up, you get a text message.
> need u
it’s the wrong phone, though. it’s your work phone, and after everything those fuckers have done, they can’t possibly be calling you in on christmas eve. not now. your butter’s already cut, your colander’s in the sink, and you’re stirring the pot of boiling macaroni with a couple takeout chopsticks. they can’t—
the phone starts ringing. you pick up.
fuck off, you say.
no wait!
the voice is familiar; it’s kevin, a man so stupid that he once introduced himself to you out of anxious friendliness even though you’ve always made very clear that you don’t want to know anybody’s names. kevin must have you on speakerphone, because in the background, you can hear the telltale sounds of somebody else cursing in a continuous wretched stream. that piques your curiosity.
thirty seconds, you say. keep it clean. meaning, don’t give me names.
kevin says, we were doing a thing and some stuff happened.
that’s no use. he kept it a little too clean. you sigh and pinch the bridge of your nose between two fingers. you were doing a thing on christmas eve?
we thought…look, can you just come? aren’t you on call? isn’t this your job?
you tell me, you say. it’s been radio silence on my phone for three weeks and i haven’t gotten paid for almost a month now.
oh.
yeah, you say, knowing damn well that it’s not kevin’s fault, but more than happy to take this out on somebody. they fucking ghosted me.
sorry to hear that, man, he says awkwardly.
a thought occurs to you. likelihood of the carusos being involved in some shitbrained christmas eve scheme pulled by kevin? nil.
was this even a sanctioned thing? you say. like, did—
you know what, it’s fine, kevin says hurriedly. it’s basically a flesh wound.
the guy in the background howls, i got shot in the fucking foot!
shut up, howie, kevin hisses. you hang up.
there’s no reason for you to get involved. no orders, no blackmail, and probably no money; plus, your timer is counting down the last minute of macaroni boiling and richie will be on his way soon.
you pocket your phone, walk back to the stove, and resume stirring.
no reason for you to get involved. your timer rings out, so you dump out the pasta, put it back in the pot with the butter, add some water and the cheesy powder, stir with an eye for sauce thickness, wait for it to settle you. it doesn’t.
the thing is, there are so many small tricky bones in the foot, and you haven’t had a real surgery challenge in ages. ever since your bosses ghosted you, you’ve just been staying in your apartment, in limbo, seeing nobody except richie and occasionally a cashier. sleeping and waking neither on your old strict schedule nor on a normal daylight one. doing nothing, worth basically nothing.
so yeah, you text kevin.
> send me the address
then, as quick as you can so you don’t have time to overthink it, you text richie.
> work emergency, i have to cancel. sorry.
the response is immediate.
> text me when you get home.
you realize that you’re still stirring, and you turn off the stove. although you give him a couple minutes, richie doesn’t add anything. no joke to put spikes on the soft gesture, no expression of disappointment to make you feel guilty for canceling this late. nothing. text me when you get home, that’s all.
if you were that generous, you’d text back don’t stay up, let him get some extra sleep in preparation for tomorrow’s christmas hell. but you don’t. you want to think of him waiting for his phone to chime, staying awake for you, thinking of you, even worrying. so you react with a thumbs up to his message.
the next time your phone goes ping, it’s kevin sending you the address, and you head for the door.
.
.
.
you’re sitting on a coffee table beside the old sofa that holds your resting patient. lying on the coffee table beside you are half a dozen grape skittles, the remainder of your christmas eve meal. there’s literally baggies of cocaine sitting on the kitchen table, the tv is playing charlie and the chocolate factory, and everyone involved in this—including yourself—is so stupid that you’re all definitely going to jail. but you’re having one of your good nights.
only drugs compare to the state of pure focus that surgery grants you, and even though it’s always in shit circumstances done for shit people, you can’t help but feel like a serious machine doing all this ad hoc emergency shit. this has to be how athletes feel, after a game. it’s physical: your vision feels clearer, your hands are steady, your body’s slouched comfortable and sated. it was decent work you did, given the lack of fucking everything. you’re pretty sure howie won’t even have that bad of a limp.
kevin finishes counting your pay and hands it over. you begin to count it again, too—twenty, forty, sixty—and then look up at him.
what? he says.
you haul yourself up and walk over to the kitchen table, ignoring the cocaine in favor of the scale, on which you place a twenty. it comes up as 0.94 grams when it should be a single 1.0. so you throw your earnings in the sink, get out your lighter, and set it on fire.
the fire alarm! kevin rushes over to turn the tap on and put it out.
you can hear howie calling from the couch, what’s burning?
kev just tried to cheat me.
i did not, kevin says miserably, it was a misunderstanding.
he pulls his own wallet out of his back pocket and starts to count the money, but you take it from his hands, sit at the kitchen table, and begin counting money yourself, weighing each bill as you go. once you’ve taken a hundred and fifty, you stand up and call over to howie, night.
yo, howie says. is my, like. what are the chances they gotta amputate?
that gets you a little, despite everything. howie spent the past few hours thinking he was gonna lose an entire foot, and he was stubbornly proud enough that he almost made it without admitting the fear to anyone. in a way, you gotta give it to him. admiration’s too grand a word, but it’s something like that.
chances are super low, you say. as long as you follow instructions, keep an eye out for infection, and don’t get hooked on pills, you’re gonna be fine.
for a second, there’s silence. then: thanks, babygirl.
for that, you take another forty dollars from kevin’s wallet and point them at him. asshole tax, you say.
as soon as you’re out of the house, you can hear kevin locking the door behind you. then he says, goodnight!
i shoulda robbed you, you say. then you start down the sidewalk. it’s bitter cold and you’re not a hundred percent sure you’re headed in the right direction, but just then you feel invincible.
fuckin jagoffs, say to yourself.
.
.
.
on the train home, the peace and quiet is interrupted by a herd of college girls, twentysomethings all decked out in tinsel necklaces, clearly on their way to a different party, and hitting all the wrong notes in deck the halls.
most days, you’d hate this, but in your current state of satisfaction with yourself and the world in general, their effortless enjoyment doesn’t seem to completely shut you out. they’re so young, and one of them is sitting in another’s lap while a third drapes herself over her shoulder. they smell like spiced rum, they make it hard to be a bitter old crone.
one of the carolers makes direct eye contact with you, and instead of having the decency to keep herself to herself, she extends her hand to you and sings even louder, fa-la-la-la-ing like she’s god’s gift. for a second, you let yourself mouth along, fa-la-la-ing, but then she says, come on, i know you can do better than that! and nope, nope. fuck it.
you try to look away, she yells another, come on! and you give her the death glare. surprisingly, she keeps beckoning to you—they’re stubborn, kids these days—but eventually you win the way you knew you would.
she looks away and whispers in the ear of the lap-sitter. that girl, the tiniest of them all, gives you a look that could sear meat. you could break her in half with one hand tied behind her back, she really has the build of a hummingbird, but that doesn’t seem to be stopping her.
you roll your eyes, lean back with exaggerated deliberation, and get out your phone.
> i’m home.
you want somebody of your own, you want richie’s reply. but none comes.
he’s not waiting for you outside your apartment building, either, so there goes that mad hope.
.
.
.
when you get inside your apartment, you kneel to untie your boots and spot a flicker of movement on the floor. it’s a black ant scurrying towards your countertop. with a rising sense of horror, you straighten up and see a swarm of ants, dozens and dozens, maybe a hundred busily moving little black dots, crawling to and from the pot of macaroni and cheese on your stove. your stomach turns, and if you’d had a real dinner, you wouldn’t be able to stop yourself from throwing it up. as it is, you just gag. it feels like a violation, an invasion, and you’re more outraged about these fucking ants in your apartment—your fucking apartment—than you ever were about getting not paid or cheated or maybe even blackmailed.
you go into the kitchenette and get the ant spray out from under the sink, then you stand back and spray everything in sight. the whole fucking counter, even though, yes, you cook your food on that, and the stove, and the floor for good measure. fuck them all.
you should’ve known better than to leave food uncovered in this apartment. you’ve lived here for three years and this always fucking happens. you’d think the novelty would’ve worn off, but nope. it’s still as disgusting as it was the first time you woke up to see last night’s plate covered in black.
today, the spray isn’t working fast enough for you, so you get out a trash bag, put the pot in it, and head out for the dumpster.
out there in the cold, waiting for the ant spray to do its work inside the trash bag, you remember that you left your lighter in kevin’s house. you tip your head back and look up at the sky. it’s so thickly smothered in clouds, there’s barely a glow of moon.
yeah, you say.
after a while, you untie the bag, shake the dead ants off your pot, and throw the bag away. you’d stomp on the ants for spite, but that would necessitate looking at them, and you’ve had more than enough of that. you just head back for home.
you almost make it to the front door, and then you smell it, the smoke.
well? richie says from around the corner. he must have heard your footsteps. you coming or what?
you walk the last few steps and there, just around the corner, there he is. he has the navy hood pulled up over his head, both his hands shoved deep in his pockets, a cigarette between both lips. he looks at your pot with interest.
after a second, you say, you’re late.
something tickles the inside of your wrist and you flinch. one last ant has crawled up the handle of the pot and onto your arm; you drop the pot in the snow and shake the ant off you. it lands by richie, and he stomps it dead matter-of-factly.
it takes everything you’ve got not to start swearing like howie with a shot foot.
merry christmas? richie says after a second.
merry fuckin christmas. you reach out and take the cigarette from his lips. long drag. you needed that.
settling beside him so both of you can look out into the night, you hand the cigarette back. and that’s how it is for a while, sharing. the wind thins out, the streetlight across the way reflects in the glass of another apartment building's door.
when your body’s finally calmed down, you look over at him. i got you something.
aw, you didn’t have to, he say, a little curious and not particularly surprised. he probably thinks it’s a joke.
you hold your right hand palm up, and he takes his right hand out of its warm jacket pocket to mirror the gesture. then you reach into your hoodie and unclasp his gift from your neck.
the chain is gold. thick, but not so thick that it comes across comical. incongruous with you and with him, the weight of it and the shine, how new it is. when you lay it in his hand, it looks like a golden snake, intricate and flawless.
after a second, he gives you his cigarette like he can’t both smoke and think about it. then he speaks.
this is fake, yeah, he says.
hundred percent fake.
actually, it’s regifted. it was originally one of your boss’s christmas bonus gifts, and given that you pawned all the other christmas bonus gifts to pay rent, you’re pretty sure that the chain is solid gold. it’s for the best that he doesn’t know it, though.
as you watch, he puts it on, fumbling a little with the clasp. looks at it for a second, tucks it back inside his coat. there goes the last
yeah? you say, after a second.
yeah. think i like this sugar baby shit. keep ‘em coming, he says.
you laugh, real, so relieved that he didn’t take it weird, so relieved that you got lucky tonight and he got it the way he sometimes can, acceptance without explanation.
he lets you laugh, and then he says, mine’s better, though.
diamonds?
it’s back at my place, he says. i can drive?
you want that so bad, and you didn't even think to want it just seconds before.
yeah, you say, dropping the cigarette and stomping it out right beside the dead ant, unbothered.
you want to take the pot up?
you shrug, crouch down, and cover it with some snow; you’re not gonna leave him down here waiting for you, and you’re not gonna take him up to the horrorshow of dead ants either.
it’s still pretty obvious, richie says.
it’s christmas eve, who’s gonna bother digging in dirty snow to steal a pot?
this is chicago.
this is idle argument as companionship and you know that, but you're impatient. are you taking me home or what? yes, you can hear the double entendre. no, you don't fucking care.
there’s a slight pause before richie says, car’s this way.
.
.
.
in the car, there’s crumbs but not much mess; a coupon for personal pizzas in the cupholder, and that’s it. he must have cleaned.
when he starts the engine, you say, wait, and make an elaborate show of putting on your seatbelt. then you say, okay, now i’m ready.
fuck you, he says, and he’s still smiling when he starts to drive.
the radio is playing carols dimly in the background, and you don’t hate it.
you doing anything for christmas day? richie says.
i’m working christmas, you lie.
seriously? tell your boss he’s fucking barbaric.
would if you could; you’ve already tried to say as much in your many texts, but it is what it is.
yeah, you say. bunch of fuckin jackoffs, right?
jagoffs, he says, over-enunciating, frustration immediate. he really is too easy and he knows it. you’re—
jackoffs, that’s what i said, that’s what you told me—
if you can’t do it right, don’t do it at all. he has to drive with his right hand so he can make chopping motions for emphasis with his left hand, because of course he does.
you say, jackoffs.
you’re killing me.
and yet you go on surviving. you relent. got everything you need for ice fishing?
richie scoffs in disgust. yeah, but now carmy is trying to bail on me.
if he’s not gonna say, typical, then neither are you.
he wants to work on the twenty-sixth, he says.
oof.
yeah. like a full planning session, go over the rest of the rollout schedule with the entire staff and like… he rubs his forehead. i don’t know. like we haven’t even gone to christmas yet and he’s already, fucking. i don’t know!
i mean.
he glances over at you briefly.
carmy wants to make the staff come in on the twenty-sixth just to go over the renovation schedule again?
he’s out of his fucking mind.
you already know what you want to say, but you have to double-check it in your own head to make sure you’re not overstepping. you don’t actually know these people.
but also, fuck it.
you know, you say, you could tell him if he acts like this, syd’s gonna quit again.
he whistles. julie with the big guns.
how i’m built, you say.
yeah, i noticed, he says affectionately. it’s okay. i’ll figure it out.
i know you will. it’s kindness, and you mean it, and you don’t take it back.
thanks, he says.
you lean your forehead against the cold glass of the car door and watch chicago going by, all gold and black and white.
.
.
.
after a few minutes, he parks the car in an underground garage.
you ready for this? this is gonna rock your world, he says.
diamonds and rubies? you say, unbuckling your seat belt.
you’re gonna be fuckin crying.
diamonds and rubies and pearls?
.
.
.
at the door to his apartment, he says, close your eyes, hold out your hands, and wait here, so you do. when the door opens, you can smell whatever it was he made for his christmas eve dinner with eva. it smells like everything christmas eve should be, rich and homey. you could wait here for, say, half an hour. you could stretch this moment out. you wouldn’t mind.
okay, richie says. here.
when the gift touches your palm, you instinctively pull back. richie swears and catches it.
it’s hot! you say as you open your eyes.
it’s soup, he says. you want it cold?
you look down. yeah, that’s definitely french onion soup, with a big white and brown patch of melted cheese and toast on top. it’s an echo of what you made him when he was sick. it’s him showing off his work in comparison to your two-ingredient version. it’s unfortunately perfect. there’s no way he knew that you haven’t had anything for dinner except skittles.
it smells like home.
here. you hand the bowl back to richie, but only so you can take off your coat and your shoes.
there’s only one hook on the back of his door, so you hang your coat overtop his. as you move through his apartment, you take stock: the walls are still orange, but things are a little tidier and there are new drawings magnet-pinned to the fridge. eva’s going through a cat era, clearly. the kitchen lamp is as warm as before, and the cactus by the window has a small red ribbon on it, probably a nod to christmas.
you sit down at the kitchen table on one of the foldable stools, and richie sets your spoon and bowl in front of you. there’s a half-empty bottle of coors on the countertop behind you, and you take a sip of that. he sits down on the chair to your left, so he’s in your peripheral. he’s next to you.
you can feel it coming.
um, you say.
he glances over, and you can feel that too. what’s up.
don’t be a dick, okay. you say it very low and very flat, not even angry, because angry wouldn’t cut it.
the pause is too long, but at least he finally says, okay.
you pick up your spoon and take the first sip.
the bit of melted cheese hits first, warm and gooey and salty then the sweet savory richness of the broth, and yeah, okay. it’s happening. your eyes are wet.
you can feel him not saying anything about it, but before it can build up to torture, his phone rings.
sorry, he says, getting up. it’s tiff.
he must know from the ringtone alone, but you’re not even mad at it, you’re relieved. saved by the bell, another bit of good luck. maybe christmas is real.
uh-huh, you can hear him saying. yeah. that’s— he laughs, and you know from that laugh alone it’s something about eva. yeah, put her on. a beat, then. hey, honey. no. no, she’s right. listen, santa won’t come if you spy on him. the guy likes his privacy, okay? he’s not in it for the applause, he’s not in it for the publicity. pause. well, that’s what the cookies are for. i am being serious, that’s what they’re for. okay. who—okay. he snorts. okay, you got me. don’t tell your mother, though, okay? she really enjoys it. pause. it’s up to you. okay, i gotta go. i love you. hey. i love you.
that’s more than enough time for you to wipe your eyes on your sleeve, get all fucked up again listening to him, and wipe your eyes a second time. by the time richie sits back down, you’re basically normal.
that sounded like some saga, you say.
this jewish kid at school told all the christians that santa wasn’t real, he explains. and now she’s going around busting all the lying adults one by one.
you laugh.
they’re starting young, he says. when i was in school, they always used to make us wait until at least sixth grade before we could go around busting myths.
you’re jewish?
he shrugs. kinda sorta.
you see the opportunity to make another joke about him being zero percent italian, and you ignore it. did eva like the doll? you say instead.
yeah. i mean, it was a huge hassle, it’s so expensive i had to go halves with tiff, and i nearly had a heart attack when eva said something about kirsten cause i thought i’d got the wrong one— he starts eating again, eating soup and talking, and you don't hate it. which by the way, swedes? have the most boring american history of them all, i don’t know why they’d make a doll about that, but anyways, yeah. she loved it. he reaches across you and takes his beer back so he can drink the last dregs of it. ever since the divorce, we don’t even call it christmas eve, we just call it christmas one and christmas two. as is tradition.
he says the last three words kind of weird.
as is tradition? you repeat.
tiff and i, we don’t have a bunch of traditions from our parents, so it’s like. we make up a lot of stuff and then we say ‘as is tradition.’ cause it’s not.
i mean, you got two generations involved, so that counts.
eh, he says, drawing it out dubiously.
i got two-generations traditions, you say.
you didn’t intend to talk about your family, you weren’t thinking about that at all, you were just thinking about richie. but now you gotta sit in the silence as he decides whether or not follow up about your parents.
finally, richie says, you got a kid? he’s doing his best to be cool about it, but his voice goes up a little crazy on the last word.
no, i mean—you’re laughing. i meant me and my dad.
oh, he says, maybe a bit relieved, definitely a bit something, you can’t quite place it. oh.
i used to make us mac and cheese for christmas. with a leaf on top, like lettuce or spinach or something. cause, you know, that makes it salad.
that’s cool, he says flatly. after a second, he adds, less flat, i don’t have any traditions with my dad. i mean, he’s dead, but like before then, we never. so i think that’s cool.
you hate his dad. it’s a split-second decision, but you feel pretty confident about it.
two generations is all you need, you say. and you got eva. so it’s a tradition.
heard, he says.
when you glance over, you see the chain catching the light, gold over his dark shirt. he looks at you. you both keep eating.
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eventually, you finish off two bowls of soup and a hot chocolate too, courtesy of eva’s swiss miss unicorn package. you feel a bit subdued by the ordeal of being human, but relaxed.
best christmas ever, you say.
really? richie says, like he believes it and feels bad for you.
god no, do you think i came out a dickens?
what the fuck is a dickens?
you’re illiterate, it’s okay. you look at him. you know that your eyes are a little red, but thankfully you can also see, reflected in his eyes, that he knows you're all right.
thank you, richie, you say. it’s all wrong, you shouldn’t be saying his name and you shouldn’t be saying thank you either, it’s thanks or nothing, but something about the formality feels a little heavier and therefore suited to the day. it’s getting late.
i’ll drive you? he says, and there’s a little extra question in it that you can’t bring yourself to consider.
you shake your head and get up from the table heavily, feeling a thousand years old. i’m good.
he gets up, follows you, stands there with his hands in shoved his pockets as you crouch to put on your shoes.
i wasn’t suggesting a sleepover, he says.
no, of course not, you say, and you congratulate yourself on not making it sound bitter.
unless, richie says.
you look up at him.
i have so many condoms, he says, deadpan. just. so fucking many. some of them are citrus flavored.
there he goes, saved it.
it’s not just tonight, is it? it’s not just tonight, it’s not just luck, it’s not just christmas; somehow, richie’s become…he’s figured it out, how to be with you. when to show up and when to let you go. not always, but more than enough, and he just. he wakes up and he struggles and he breaks shit and he irritates you and he calls eva and he watches youtube and he goes to bed and he wakes up and he struggles and he learns and you love him.
what a fucking time to find out. you look down and begin tying your shoes again.
you got pineapple flavor? you say.
in what world is pineapple citrus? richie says.
well, tough luck. you back up and turn around to put on your coat. for me, it’s pineapple condoms or nothing.
you’re a real high-maintenance fuck.
you laugh. michael used to like that about you, just how easy you were, or how easy you made yourself. buddy, you got no idea.
it’s been such a long day for both of you, apart and together. of course you’re getting messy, of course it’s time to go. you zip up your coat, run your hand through your hair.
let me drive you, he says again.
you wave him off. no, i need to walk. clear my head.
it’s december in chicago, fuckin pitch black—
i’ll be fine.
it’s christmas eve, are you really gonna punish me for a fucking joke? he says, and you look up, startled; you didn’t know he was upset. in retrospect, you were just focusing on avoiding his eyes, so what did you expect?
i’m not punishing you for anything, you were great. richie. you look at him straight on and steady, so he understands. a little gentle, as gentle as you feel you can get away with. you truly have to go, and there’s no resentment in it. i just need to clear my head. i’ll be fine, i’m always fine.
you never… richie trails off, eyes you, decides against finishing the sentence. you’re stubborn.
always. you give him a small smile. thanks for the soup.
goodnight.
that should be the end, but it feels unfinished. his blue eyes are alive to the possibilities when you reach out, but you just touch the chain with a fingertip where it rests over his collarbone. his right hand moves a little and you draw back, your other hand on the doorknob at once, already leaving.
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two days later, the cops issue a warrant for your arrest.
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[ next chapter ] [ masterlist ]
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