No one tells you when you get a Big Serious Job™ how many fucking abbreviations you’ll be forced to learn.
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Studying linguistics is actually so wonderful because when you explain youth slang to older professors, instead of complaining about how "your generation can't speak right/ you're butchering the language" they light up and go “really? That’s so wonderful! What an innovative construction! Isn't language wonderful?"
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I am loudly pushing the batdad agenda i am loudly pushing the— DPxDC Prompt
“Woah. You look like shit."
Granted, that’s probably not the first thing Danny should be saying to the guy that just bit the curb, but in his defense; he’s not running on 100% right now either.
The man -- tall, towering, and broader than Danny is tall -- whips around on his heel, black frayed cape flaring out impressively. Danny would've whistled in appreciation, but he takes the time instead to wipe the back of his hand across his mouth, smearing the blood running from his nose across his cheek.
"Sorry." He blinks widely, not even flinching as the man with the horns zeroes in on him. "That was rude of me. I have a really bad brain-to-mouth filter; Sam says its what always gets me into trouble."
And she's not wrong either, per say. His smart mouth is what landed him in this situation -- with blood blossom extract running through his veins and cannibalizing the ectoplasm in his bloodstream. Thanks Vlad.
The man grunts at him; a short, curt "hm" that shouldn't make Danny smile, but he does because he's somewhat delirious and probably concussed. The man keeps some kind of distance, sinking towards the shadows of Gotham's alleyway like he dares to melt right into it.
If it's supposed to scare Danny, it doesn't work. Danny's never been afraid of the dark; he's always been able to hide himself in it. He blinks slowly at the mass of shadows.
"You look hurt." The shadows says, blurring together around the edges. Danny squints, and licks his lips to get the blood dripping down his chin off. Ugh, he hates the taste of blood.
"I am." He says, "My godfather poisoned me. M'dying." The agony of the blood blossom eating him from the inside out looped back around to numbing a while ago, so all he feels is half-awake and dazed.
"Hey," Danny stumbles forward towards the man, a bloodied hand reaching out to him. "You-- you're a hero, right? You're not attacking me; which is more than I can say for most costumed people I've met." Maybe it's a poor bar to judge someone at, but he's already established that Danny's not in his right mind.
The man makes no change in expression, but Danny realizes blearily that it's hard to tell with the shadows on his face. He stays still long enough for Danny to latch onto the cape -- stretchy, but almost soft under his fingers.
He looks up blearily into the whites of the man's eyes. "Can you help me? I don't-- I don't wanna die." Again. He doesn't wanna die again. He blinks slow and lizard-like. "I mean- I'll probably get to see mom and dad again, but I told them I'd at least try and make it to adulthood."
There's a clatter down the street, and Danny's ghost sense chills up his spine and leaves a bitter, ashy taste in his mouth. He immediately knows who it belongs to even before the deceptively gentle; "Daniel?" echoes down the way.
"Daniel? Quit your games, badger, Gotham is dangerous for children."
Danny's mouth pulls back, and blood spills against his tongue. "Please." He rasps, and grabs onto the shadow's cape with both hands. "Please. He's going to kill me. Please--"
"Daniel? Is that you?"
His lips part, dragging in air to plead with the darkness again. He doesn't need to, the whites of his eyes narrow, and the cape whirls around him before Danny can blink. Soon swaddled in shadows, the Night lifts him up, and steals him away.
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the thing is that they're so fascinated by sex, they love sex, they can't imagine a world without sex - they need sex to sell things, they need sex to be part of their personality, they need sex to prove their power - but they hate sex. they are disgusted by it.
sex is the only thing that holds their attention, and it is also the thing that can never be discussed directly.
you can't tell a child the normal names for parts of their body, that's sexual in nature, because the body isn't a body, it's a vessel of sex. it doesn't matter that it's been proven in studies (over and over) that kids need to know the names of their genitals; that they internalize sexual shame at a very young age and know it's 'dirty' to have a body; that it overwhelmingly protects children for them to have the correct words to communicate with. what matters is that they're sexual organs. what matters is that it freaks them out to think about kids having body parts - which only exist in the context of sex.
it's gross to talk about a period or how to check for cancer in a testicle or breast. that is nasty, illicit. there will be no pain meds for harsh medical procedures, just because they feature a cervix.
but they will put out an ad of you scantily-clad. you will sell their cars for them, because you have abs, a body. you will drip sex. you will ooze it, like a goo. like you were put on this planet to secrete wealth into their open palms.
they will hit you with that same palm. it will be disgusting that you like leather or leashes, but they will put their movie characters in leather and latex. it will be wrong of you to want sexual freedom, but they will mark their success in the number of people they bed.
they will crow that it's inappropriate for children so there will be no lessons on how to properly apply a condom, even to teens. it's teaching them the wrong things. no lessons on the diversity of sexual organ growth, none on how to obtain consent properly, none on how to recognize when you feel unsafe in your body. if you are a teenager, you have probably already been sexualized at some point in your life. you will have seen someone also-your-age who is splashed across a tv screen or a magazine or married to someone three times your age. you will watch people pull their hair into pigtails so they look like you. so that they can be sexy because of youth. one of the most common pornography searches involves newly-18 young women. girls. the words "barely legal," a hiss of glass sand over your skin.
barely legal. there are bills in place that will not allow people to feel safe in their own bodies. there are people working so hard to punish any person for having sex in a way that isn't god-fearing and submissive. heteronormative. the sex has to be at their feet, on your knees, your eyes wet. when was the first time you saw another person crying in pornography and thought - okay but for real. she looks super unhappy. later, when you are unhappy, you will close your eyes and ignore the feeling and act the role you have been taught to keep playing. they will punish the sex workers, remove the places they can practice their trade safely. they will then make casual jokes about how they sexually harass their nanny.
and they love sex but they hate that you're having sex. you need to have their ornamental, perfunctory, dispassionate sex. so you can't kiss your girlfriend in the bible belt because it is gross to have sex with someone of the same gender. so you can't get your tubes tied in new england because you might change your mind. so you can't admit you were sexually assaulted because real men don't get hurt, you should be grateful. you cannot handle your own body, you cannot handle the risks involved, let other people decide that for you. you aren't ready yet.
but they need you to have sex because you need to have kids. at 15, you are old enough to parent. you are not old enough to hear the word fuck too many times on television.
they are horrified by sex and they never stop talking about it, thinking about it, making everything unnecessarily preverted. the saying - a thief thinks everyone steals. they stand up at their podiums and they look out at the crowd and they sign a bill into place that makes sexwork even more unsafe and they stand up and smile and sign a bill that makes gender-affirming care illegal and they get up and they shrug their shoulders and write don't say gay and they get up, and they make the world about sex, but this horrible, plastic vision of it that they have. this wretched, emotionless thing that holds so much weight it's staggering. they put their whole spine behind it and they push and they say it's normal!
this horrible world they live in. disgusted and also obsessed.
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need to exist in your warmth (id in alt)
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i love normal guys doomed by the narrative
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So? Who broke the ice?
insp (x)
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last three seasons spn are crazy. its just dean being borderline suicidal while sam tries to fix it by basically dangling his keys at him and going : “dean look! cowboys!” “dean look! strip club!” “dean look! haunted action figure.”
Meanwhile castiel is like i see that dean is suicidal, this is clearly my fault so i will remedy this by dying.
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I finally watched breaking bad (all within the past week or so while I worked, finished it and watched el camino last night) and I'm confident this isn't a new thought I'm expressing or anything but genuinely how DID an entire generation of dudes convince themselves Walter White was cool and admirable and intended to be sympathetic. I know ppl just lack media literacy sometimes but I'm still so confused
I don't think I've EVER watched a piece of media that so blatantly depicts a guy making the worst possible decisions at every turn and having his life ruined for it and not being redeemed or made sympathetic in any significant or lasting way. the kinds of justifications villains USUALLY give that make people consider them "morally grey" or "tragic" or whatever (everything I did was for my loved ones, I did what I had to to survive, once I was in this I couldn't get out, I just needed you to trust me so I could keep you safe, etc etc) is ALWAYS framed as complete self-serving bullshit when Walt says it, and one of the only shreds of personal growth he ever exhibits in the whole series is when he finally fucking admits that. every time he does something even remotely cool or drops a quotable one-liner, something terrible immediately happens that makes everything worse and makes him look like an unreasonable idiot asshole again. by the end of the series the ONLY characters they can still contrast as being morally "worse" than him are literally a bunch of bloodthirsty neonazis who kept a guy in a cage for several months. this show is practically SCREAMING at you the entire time not to admire Walt. why did every dude I knew in highschool have his face on tshirts and Facebook pfps.
I just don't get it. at least with The Dark Knight's Joker it was like, a feature-length movie and that's it. you spend a lot less time with the Joker and it has a lot less time to delve into his motivations, so there's way more room for flanderization and misinterpretation as people extrapolate the few cool/interesting/sad things they saw into a whole nuanced misunderstood guy in their heads and online. Walter White has 5 seasons' worth of 45min episodes to convince you beyond a shadow of a doubt that he is a miserable fucking loser who ruins everything he touches because of greed and selfishness. if you weren't watching it for that, what WERE you getting out of this. what DID you think this show was about. am I just missing some key piece of context from 2012 or whatever that would help me understand this
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There's this weird take I've seen floating around on TikTok that Bill doesn't actually care about his family/dimension or Stanford at all; that we're supposed to take everything in TBOB as non-canon basically because he's lying to garner sympathy from reader to make a deal with them. I'm all for having your own interpretations of media, but I just don't think this idea that Bill is a completely heartless unfeeling creature is supported by canon at all. In fact, it kind of feels like the opposite of the point of the book.
Like, yeah, most things Bill says should be taken with a grain of salt because he lies a lot, but he's not actually a very good liar? It's usually pretty easy to clock when he's full of it. But okay, even if we assume every word Bill says while trying to recruit the reader is a lie, there are three major things that this doesn't account for.
Bill is not the only source in the book. The lost Journal 3 pages were written by Stanford, we only know about the interdimensional Taco Bell incident because of an included police transcript, etc.
Even once he's lost any chance of making a deal with the reader to escape, Bill is having a complete breakdown and mentions all the people he so totally doesn't miss for real you guys. Why bother with reverse psychology double-lying for sympathy once his shot at getting the reader on his side is already gone?
Trying to garner the reader's sympathy makes sense to a certain extent, but why go out of his way to make himself look pathetic? Does revealing that he got drunk and cried over his ex in a fast-food drive-through really help his cause if that cause is to convince the reader he's still a powerful being capable of starting the apocalypse again so they can rule with him?
And that's all without even mentioning that, as previously stated, I think the entire point of the book is missed if we're interpreting Bill as having no genuine feelings or attachments. The book ends with Stanford healing from his past by being open about what he went through with his family and accepting their help, while Bill insists he doesn't need anyone and refuses to heal, actively making himself worse in the process. The clear theme imo is that accepting your past and accepting help from people who love you is essential to healing, while denying those things just makes everything worse. If Bill doesn't actually care about his family, his dimension, Stanford, or anything/anyone else, he has no trauma to heal from or regrets to learn from that he's refusing to accept and deal with, and the entire meaning of the book is made moot.
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the man trained by the shimotsuki since childhood, the mind behind the three sword style, the demon pirate hunter, vice captain of the Strawhat Pirates,
easily stopped with a hand on his shoulder by his captain (currently in a silly hungry vibe)
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can you even call it a warm up if I'm going to bed without drawing anything big
and a sketch I made while sitting in the park today
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I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.
it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"
plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.
anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.
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can anyone explain to me at what point rose tyler was "unbelievably stupid". was it when she was inventing transdimensional travel
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