#at least the basics of them if nothing else

[a-b-riddle]

check tags for warnings

In the mood to write angst. Imagine you’re the conscientious observer who accidentally sees how your team talks about you behind your back.

Your morals were… complicated. You didn’t believe in killing anyone. Your faith told you that killing someone is wrong and even if it’s to save your life, handling a gun is something that doesn’t sit well with you. You’ve been to gun ranges. Mandatory for your position in the military that you have basic fire arm knowledge. But having something in your hands that could so easily take a life made you uneasy.

You were pescatarian, but tried to limit meat. Cried anytime you saw chickens in those trucks heading toward their demise. You fed stray cats around your house back home. You tried to be kind and cherished life in all most of its forms. The exception being garlic butter shrimp that was too good to give up and anytime of bug resembling a cock roach. And yes, palmetto bugs were still cock roaches.

And wasps.

Fuck wasps.

At the same time, you were pro-choice. Initially, you were pro-choice for other women, but you didn’t think you would have the strength to get an abortion. It wasn’t until you were holding your friend’s hand as she got her D&C that your views on your own body autonomy changed. It didn’t have to be medical to be necessary.

But you still refused to hold a weapon. Which is why even though you were a very talented medic, you were always judged for not carrying any sort of defense while in the field.

But no one on base would dare say anything to you about it. At least not to your face…

You got stuck instructing a training seminar when your phone continued to buzz in your back pocket. But even with the consistent messages, you didn’t falter by showing the newest members how to give basic first aid until health could arrive.

Nearly two hours later, you finally fish your phone out to see what’s going on.

Dozens of text messages in a group chat between you, Captain Price, Johnny, Kyle and Simon. You had gotten close to them over the last few months. You were halfway through your contract and were already dreading leaving knowing they were staying behind until the job is done.

You open it, your phone taking you to the first unread message.

Cpt.: Hows the arm healing up?

Soap: Fine. Hen did a good job of keeping the sutures nice and even. Should barely scar.

Gaz: Wouldn’t have a scar if she just fucking carried.

Soap: You think she honestly would even know what to do with a gun if you gave her one Garrick 😂

Ghost: Still think she’s a liability. Someone who won’t raise arms against an enemy isn’t meant to be on the team.

Cpt: Already tried. Laswell says we need the numbers. As long as she does her job there’s nothing I can do. We can’t be down a medic and it’s either her or nothing.

You shook as you continued reading the conversation.

Liability. Coward. It went on and on about how weak you were. Why couldn’t you just carry a small pistol instead of expecting everyone else to keep you safe.

It then switched to your personality. No one should be that happy. Annoying. A yapper. Couldn’t get a word in most of the time.

On and on they went until you realized they spoke so freely because they didn’t realize you were in this group chat. What did they say when you weren’t around?

You felt like a fool having extending more than just trying to be a civil coworker, but a friend. Taking on tasks that weren’t your responsibility simply to help them.

Getting a floral arrangement delivered for Johnny’s sister after she had given birth. Talking on the phone to the nursing home where Price’s mother resided trying to sort out her insurance. Taking priority Kyle when he was injured after falling out of a plane (both times) over your other patients. And always having the electric kettled going in the morning so Simon could have his tea without waiting too long.

You were helpful. Just because you had one boundary didn’t mean their words held any merit. But still you couldn’t help the deep feeling of just… betrayal? Rejection? You weren’t sure there was a word fitting enough to sum up how utterly stupid you felt.

Maybe they were right. This wasn’t a civilian setting. This wasn’t just life and death for your patients, but for you. You were out in the field with no form of protection except from others.

You weren’t abandoning your morals. You couldn’t. Not when every fiber of your being told you to remain steadfast. There was only one solution.

You didn’t have much to pack. Uniform was issued to you. Your stethoscope and some other tools came out of your own pocket. Your laptop, phone, charges. You packed all your lounging clothes and miraculously everything fit into a military duffle. Which wasn’t actually anything impressive given how big those things are.

You were confident in your decision even if it made you feel like a failure.

As you stood outside the office door you returned back to the group chat. One by one you proceeded to block all of them. You knew when you left the group they would know that the notification would pop up and they either wouldn’t give a shit that you finally knew what the actually thought of you or they tried messaging you to make amends to cover their asses. You weren’t sure which was worse.

Once you had blocked the last one, you left and knocked on the door that you had been idling in front of. A faint ‘come in’ was granted before you walked through.

“Hey, Kate.” You greeted. “Can we talk?”

[bbyangyl]

˚ʚ♡ɞ˚— EASE YOUR MIND- DEKU | IZUKU MIDORIYA

˚ʚ♡ɞ˚— description: after inviting you to an event, izuku has a difficult time deciding if "a date" would be the right term to use.

˚ʚ♡ɞ˚— w.c: 2.1k

˚ʚ♡ɞ˚— tags: sfw (however, my blog isn't!), fluff, very soft, deku is basically in love with you but overthinks like CRAZY

˚ʚ♡ɞ˚— a/n: here's something that has been sitting in my drafts for a while now. I actually have a lot written so you'll be seeing a lot from me soon :) I just need time to edit a few things. please stay tuned!

deku was sweating

he was sweating so much that his palms felt drenched, struggling to discreetly wipe them against his pants, hoping you wouldn’t notice. you walked beside him, wearing a smile that outshined the sun.

he doesn’t know how he got here, with you. the only thing he could recall from the events of his spiraling and panicking brain when he asked if you wanted to go with him to a “history of heroes” event, where he scored two tickets for, were your bright, excited eyes and lovely smile when you agreed to go with him.

and then, he was sure he messed it all up when, for some reason, his mouth moved faster than his brain and said “I’m so glad! It’s a date then”

he didn’t mean for the words to be heard aloud. and through his stammering voice and flushed cheeks, he tried so hard to make an excuse; to distract you from the fact that he just called it a date. which meant he asked you out on a date.

but instead of gazing at him in confusion or uncertainty, (or worse, disgust), you simply giggled, nodding as you gathered your belongings before heading out to the dorms.

“it’s a date” you said, walking away from his frozen figure that decided to stay in place on its own accord, processing the three words you repeated back to him.

you said yes, despite him calling it a date, but did you really consider it a date? or did you know he accidentally called it that and you just went along with it, even though he truly did want to go on a date with you. but he never thought you’d ever go on a date with him. and even if he intentionally asked you out, he wasn’t sure a first date with you to a hero event was good enough. You seemed excited for it, should he plan something else?

as he looked up at your retreating figure, he noticed the way you look back at him, with soft eyes and a pretty smile before turning around, continuing to walk away.

he felt his brain short circuit, as you leave him with nothing but blooming red cheeks, shaky legs, and thoughts of you.

as the day of the event arrives, after thirty minutes spent rehearing how to approach you and what words to say, a soft knock unexpectedly echoes on his own door, before being opened slightly.

and he begins to sweat.

there you were, in a cute sundress, looking at him with such a sweet expression on your face. he felt his hands slightly trembling, his heart practically soaring through the air in a fluttering mess. he felt like a fish, mouth opening and closing as he tried to think of what to say. anything at all! at least a hello.

he didn’t trust himself, however. deku had a tendency to ramble and mumble, and he had an small feeling that a simple ‘hello’ would turn into ‘you’re the most beautiful girl in the world’, or something more than he was ready to admit

it was difficult to form words anyways, when just the sight of you is enough to leave him breathless, unable to think about anything else but the fact that you were here, ready to go out with him…

to an event that he had called a date, and you seemed happy to agree...

he felt his face burn, and one part of him believed that the temperature could’ve rivaled todoroki’s quirk.

“hey! I’m sorry if I interrupted you, I just wanted to let you know that I’m ready! If you’d like I can wait in the common area while you’re done.” you say, playing with the straps of your backpack.

he laughs nervously. “o-okay, yeah. I just need to grab a few things and we can head out” he feels his voice get shaky towards the end, and quickly he turns around, flustered, as he pretends to try and find something on top of his bed.

he hears a small laugh from you, before announcing you’ll be waiting for him over there. as your footsteps indicate you walking away, deku immediately lets out the tremulous breath he didn’t realize he was holding in.

the thought of being around you, without the confirmation of what this “outing” was considered to be, caused his nerves to skyrocket. he hated second-guessing, and couldn’t bear the embarrassment he would feel if he treated today as a date, only to find out you thought he was joking, or vise versa.

despite the inner conflicts in his overworking mind, he, at least, was certain of one thing. he invited you and you said yes, and you were now waiting for him in the common area.

with a small, unsteady sigh, he starts to relax a bit. everything will be fine. he’ll take you to the event, and you’ll both have an amazing time, free from his overthinking.

at least, that was the plan.

it’s a bit easier said than done, especially in this circumstance, where his mind is on endless overdrive, hanging out with a girl who practically hung the stars in his eyes.

he felt awkward, realizing that not a single word had been exchanged between the two of you since leaving the dorms. he tried to think of something to say, but the probability of stumbling over his words as he tried to start conversation was unfortunately high.

each step he took felt unnatural, as if every movement was a forced effort, desperately trying to match the light, effortless way you walked beside him toward the museum.

it only made things more complicated when deku realized he couldn’t even bring himself to look at you; it was too overwhelming. but the brief glances he stole, seeing you smile softly as you took in your surroundings, only made the fluttering in his heart grow stronger.

he was sweating

but luckily for him, you were the one to break the ice.

“y’know, I’m actually a bit shocked you invited me out, midoriya” you say softly, glancing at the ground with a small smile on your face. deku turns to you, feeling his hands trembling against his side, wondering if you’ll bring up his embarrassing ‘it’s a date’ declaration.

“what…uhm…what do you mean?” he asks, feeling his voice crack. immediately he feels his face grow hot, watching as you glance at him with a small laugh, no trace of teasing, just amusement.

“it’s just, we’re friends, obviously-“ you begin to clarify, and he can’t help but feel his heart drop slightly, despite that being the facts. “but…I don’t know, you were always so close with ochako, iida, todoroki and our other classmates. we don’t interact as much.”

it was the truth. deku never had much trouble talking or hanging out with his classmates. he was extremely close with a few and, at the very least, felt comfortable around all of them, even with bakugo. deku was proud of how far he had come from his middle school days, now able to talk freely and be himself. he felt lucky. but with you, things were slightly different.

he always caught himself rehearsing what to say before starting a conversation. he’d stumble over his words, his face flushing red during any interaction. just a glance in your direction was enough to turn him to mush. in some ways, you made him feel like his middle school self again; timid and nervous. but the reasonings couldn’t be more different.

“I actually wanted to get closer to you, but funny enough I was always kinda shy around you.” suddenly, he halts any movement. did that come from him? that wasn’t his voice. his eyes widen as he realizes that came from you. shy? around him? really?

“what?!” It was difficult to wrap his head around the fact. all this time he was so focused on how to interact normally with you, never once did he take the time to analyze any interaction you had with him and deem it as shy. you were always so happy and kind, and anyone with eyes could see how much he fumbled through the smallest of conversations with you. the thought that maybe you were also shy around him too, made his heart skip a beat.

he watched as you turn to him, cheeks blooming a pretty pink, like the petals of a cherry blossom fluttering through the air. “yeah…i mean…we talked every now and then. not as often, but you were always so kind despite our limited conversations. I never really reached out to you because I was always a little nervous around you, unable to get a clear picture of how you felt about me.”

you take a small step forward, and he immediately notices the slight hesitation in your movement, as if there was more you wanted to say but weren’t sure if you should. he catches the way you try to meet his gaze but become a little flustered, and how your fingers fidget with the straps of your book bag.

deku had always been so perceptive; picking up on body language and mannerisms with ease. but he never realized how similar the two of you were in your interactions. he was always focused on not looking like a fool in front of you; a blushing mess. Yet now, seeing the flustered look in your eyes instead, he felt himself melt on the spot, fighting the urge to kiss your cheeks.

“when you invited me to the hero event, I couldn’t help but feel happy! and…I felt over the moon when you called it a date. even if you didn’t mean to call it that l-“ you pause, before giving him a gentle smile “-it still made me very happy.”

he gazes at you, momentarily questioning if his mind is deceiving him, conjuring up a hopeful illusion. but as he watches you nervously bite your lip, awaiting his response, the reality of the moment sinks in. he feels his heart flutter in his chest, and the weight of your words sends a shiver through his entire body. “you wanted it to be a date?”

“Is it weird if I said more than anything?” you confess, shyly looking at the ground with uncertainty and anxiousness. he feels himself physically vibrate with excitement, hearts practically forming in his eyes as he steps closer, unable to hold back the confession on the tip of his tongue.

“I-I want that too! I want this to be considered an actual date!” he exclaims with happiness pouring out of his soul, feeling his cheeks become slightly sore from his smile. you look up at him, a shocked expression on your face as you slowly process his words. he watches in time the way your features soften, beautiful eyes widening slightly as you let out a gentle gasp.

“really?” you ask, as he feels the joy practically radiating off of you. deku nods in confirmation, hands trembling from overwhelming delight. he meets your gently gaze, as you both stare at each other with bashful grins before a small laugh escapes your lips, followed by a domino effect of uncontainable giggles between you and him.

he feels lighter, almost euphoric; his entire body buzzing with warmth that radiates from his flushed cheeks, offering a new kind of comfort he’d never known before. he was always used to feel shy around you, his heart brimming with so much love and admiration that he could barely meet your gaze. but now, that love has multiplied, and all he wants is to lose himself in your eyes for as long as you’ll let him.

you step to the side, offering him one last smile before the two of you begin to walk in sync. it no longer feels out of place. just right.

“can I hold your hand?” he asks, a hint of the familiar shyness still laced in his words. but this time, there’s a newfound confidence beneath it. he’s certain you feel it too as you beam at him, gently intertwining your soft fingers with his calloused, scarred hand.

“you know…I…all this time, I was kinda freaking out! I didn’t know if this was actually a date or not, and I was extremely nervous this whole time. I’m sorry if things were a little awkward when we left the dorms” you look at him with reassurance; an amused giggle leaving your lips as you shake your head.

“please don’t apologize. I couldn’t even tell!”

[monstersflashlight]

I wanna know what books are your favorite!

Hi anon! I'm so glad you asked... *evil laugh* I'm a big BIG reader, I read a ton of books a year, and I'm basically reading 24/7 (bc I read for work and then in my free time I read some more), I'm obsessed with romance (autistic special interest) and I've been actively reading monsterfuckery for years, so surprisingly for nobody, my fav choices are all monsterfucker related. I've choosen five out of a ton, so be aware of that.

Monstruos series by Lily Mayne: My absolute fav series of all times, I love this so much I'm gonna get a bunch of tattoos with all the monsters. Is a dystopian world where the veil between the monster and human world dropped an human civilization kinda disappeared. It's all M/M books and I'm utterly obsessed. It's really painful at points, so be aware, but I recommend it if you like monster stories. My fav one is book six: Seraph. (If any of you has read it and wants to talk about it please do message me).

Deep earth dating by Lily Mayne: follows a very interesting new species of monsters who used to live underground and surfaced, now they live between humans and they are fucking fenomenal. Love, love, LOVE it. A lot more cozy.

(Not gonna mention the other books of Lily Mayne but def read them all because she's fantastic and all she writes is worth mentioning in this list)

Black dagger brotherhood by J.R. Ward: secret society meets mafia meets soulmates meets a long as fuck series with tons of trauma and sketchy moments. It's a great series but I have to say I stopped on book 15 or so, and it's on book 25 or something. Not because I didn't like it, but because life happened and never have the time to go back and catch up. My fav book is Lover at least (gay story with very very painful development). It's a great series, and has my favorite fanfic of all times (which is a 1200 pages of gay angst with happy ending).

The invisible life of Addie LaRue by V. E. Schwab: this is the only book I would recommend literally anyone. This book is so wonderful it made me cry multiple times and it's a wonderful exploration of human nature and desires. Great, great book. (So good I have it in spanish and english).

Prime Mating Agency by Regine Abel: dude if you haven't read this yet, go ahead because it's the perfect mix between social problems and romance in an intergalactic setting with a bunch of different monsters.

Black bear clan by Zoe Ashwood: orcs, size difference and fated mates. Nothing else to say, you should pick it up because is marvelous.

And I have a ton of other recs but don't want to make this post longer than already is. Would be super happy to give you recs on any monster or special settings, as I said, I read a whole lot (and have a wonderful excel with everything writen down bc autism).

[lover-of-mine]

I know that you've already gotten about a million asks like this already, but I'm also a person who joined because I vaguely heard of the hype of Bi Buck. I kinda joined the fandom at a time and in a corner of the fandom when people were just so happy to have Bi Buck that they were super excited about his relationship with Tommy. But even as someone who had truly zero context besides a few gifsets of them together and some posts, I still thought "oh, so Tommy is basically just Buck's love interest and nothing else? That's kinda sad that the fandom can't get a truly fulfilling queer ship. He's not even that charming, they just have to pretend because Bucktommy is more than they've ever gotten." (again, this is before I knew of Hen and Karen).

Later, I started to watch the show from the beginning and saw a few posts about Buddie and I was hooked from the first edit! It's wild to me that anyone can ship Bucktommy over Buddie past the initial joy of representation. Personally, I'd choose the friends-to-lovers, slowburn, matching each others' freak, having each others' backs, and whatever the entire shooting arc was over "at least they're currently canon" every day.

Honestly, it's kinda sad the way people just settled for rep for the sake of rep when the show does have good queer representation. And honestly, we are staring at what could be one of the best slowburns of network procedural history, you're dragging me off this ship kicking and screaming, settling for something just because it's canon when everything that buddie is is on the other side is so ????? to me.

[fallenclan]

so!! starting off to say Moon 263 [part 2] might be one of my favorite fallenclan updates ever. here are some more specific thoughts because i have A Lot

the first panel with the "not actually chosen" ones chatting is so nice. the colors for this update are so tasty and really have a mystical vibe, but i especially like this first panel with the mushrooms. also, the textboxes look so neat overlapping. i like how wolfbite is quieter and not saying much while feathersight is speaking the most. it can be inferred that he's explaining about how starclan/the glowcave usually works with darkstone and honeysong occasionally adding on, and at the end wolfbite is just like "all right guys, i get it."

the way the starclan cats are drawn is so cool... the "fading" effect that makes them look all watery, as if bits and pieces of them are drifting away?? incredible. i love it! i also really like how the stc textboxes are a different shade. it's just a neat detail. the star effects surrounding them is so pretty also. i just love how you draw the starclan cats in general, they look so magical. i like how away from the glowcave, their colors bleed past the lines, but at the glowcave they appear more solid, as if they're stronger there. i just,, i love it

the cameos! omg. i literally never thought i would see nick again but here we are. i'm a big fan of all the appearances!!

silverbelly is adorable. i love how excited feathersight is to see her. also, when she first appears, i like the detail of darkstone sweating. despite being a medicine cat, he's literally never seen a fully formed starclan cat before. he's nervous!! wolfbite looks shocked but i feel like this is more about the idea of her being "special" rather than seeing silverbelly tbh. she's like "damn i guess i actually am plot relevant."

salmonskip... i was so happy to see her... she's such a goober. nick's "we all had our own cats we hoped would come" was such a fun line as well for its thought provoking effect. i feel like it's a nod to how there were so many different "fourth cat" theories in the discord server but i could be wrong. we all had our ideas! now i'm super curious as to who nick was rooting for... and also who each of the previous leaders wanted (should i send another ask with my theories on who specific starclan cats wanted to be the fourth cat?)

big fan of the "you weren't actually chosen, you chose yourself" yada yada. wonderful! i love choosing your own destiny narratives. i'm sure nothing bad will happen to our little feline heroes

sleepycloud :(

"you sound different than i thought you would" - honeysong, had me in shambles. honeysong is older than lionsong was when he died... he looks so young here

poppyfeather made me laugh. i love the "not that this isn't heartwarming..." that i read in a 100% sarcastic tone. she is not in the mood for happy reunions!! she has a dictator to depose, guys. time to see her vengeful trait come into effect...

the ending! darkstone and honeysong look so envigorated whereas feathersight looks exhausted and wolfbite... looks ready to "do what has to be done." i love how happy she was to see sandsnap, and then how her happiness is buried once the poppyfeather and cherrystar step in with their plan, as if seeing sandsnap only strengthened her desire for revenge.

i had a dream after this post where the squad was about to confront ravenstar and he was all like "you thought i didn't know about your little schemes? cute." and his little gang rolled up (sleepydawn, flamefall, levi, patchback, etc.). i don't remember much else of what happened but i woke up like " oh no . . . the little guys are in danger . . . " anyway this segues into my prediction that there will be at least one death as a direct consequence of their attempt to depose ravenstar.

-🐉 (giggling and swinging my feet)

as always dragon... you literally never miss

i'm so glad you picked up on the textbox thing, you basically got it in one!!! feathersight and honeysong explaining helpfully, darkstone chiming in with his little snips and jokes, wolfbite talking less because she's got somewhat of a listening role there etc

IT WAS SO FUN TO DRAW THEM LIKE THAT... the white lines made it kind of difficult to see the white cats (looking at you sleepycloud) but otherwise. so fun. your assumption is correct, they're more solid there than they are as ghosts, and then in Starclan they arent wispy at all, just faintly glowing with those white lines (though they're so fun to draw like this i might have to just draw the ghosts like this always. idk)

cameos!! Nick was a special request from my sibling that I agreed with wholeheartedly. he was so silly

"damn I guess I actually am plot relevant" LMAO

yup it was a nod to all the guesses!! if i had infinite time and energy i would have put in more starclan cats as nods to specific guesses (Canarywish aka the greatest red herring I ever fished comes to mind), but alas. and you KNOW id love to hear all your thoughts fuck yes!!! (I didn't have anyone in particular in mind for Nick, but if I had to choose I'd say he was hoping for Snailpetal as well, she's his only surviving descendant)

i'm sure nothing will happen ! nothing bad at all!

sleepycloud :( indeed. i will let slip that i've got some plans as far as the sleepydawn situation but that's all i'll say about that for now

SHES ALMOST TWICE THE AGE HE WAS WHEN HE DIED... i always forget how young Lionsong was. not even 30 moons :(

i love Poppyfeather she is ALL business. "listen you guys can come back to the glow cave literally any time after we kill ravenstar's bitch ass can we get on with it pls"

YES EXACTLY!! Honeysong and Darkstone are the Young Optimistic ones, Feathersight is very cautiously optimistic but has seen a lot of shit and is more realistic about the odds they're facing, Wolfbite is in Get Shit Done mode. she's locked in. her thirst for blood has died down a bit upon seeing her dad and now it is HER job to save her clan. weight of the world on this poor girl's shoulders

i'm sure there will be no consequences. dont worry

[nolongeronlyhereforthewhispangle]

Here we are, folks. After 5 years, Madness Combat 12 is finally out. Now, let’s deconstruct it.

Spoilers for MadCom 12 below (duh)

The opening. Now, there are some things I would like to highlight.

ONE: Nevada is labelled as “The Occurant”. This will be important later.

TWO: The text on the side.

“THE PLACE THAT WAS NEVER MEANT TO BE” “THE INFINITE ENTROPY AT ALL BORDERS TAX THE HIGHER POWERS THAT GOVERN IT”

Entropy means “lack of order or predictability”. The sheer amount of chaos is literally tearing reality apart.

I just like this shot. The depth in it, vast, but empty. Eerily beautiful.

“TRACKER DATA ACTIVE” “HANK.” “DISSONANT;” “0.01%”

On Doc’s computer. Why is 2BDamned doing this? We’ll find out soon enough. It should be noted that the “Dissonance Triggers” almost look like X, Y, and Z coordinates.

“HANK’S CHARTER HAS BEEN REVOKED” “Fix Nevada.” “DO NOT WAIVER”

A charter is defined as “a written grant by a country's legislative or sovereign power, by which a body such as a company, college, or city is founded and its rights and privileges defined.”

Perhaps the “charter” here is Hank’s soul? His being? We don’t know for sure.

Waiver means “refrain from applying or enforcing”.

The Auditor, in this scene, is basically saying “Hank is not active, and I need to make sure it stays that way.”

This graffiti probably means nothing, but I think it might be describing Sanford. So far, he has not died once in the entire series.

Agony. The text to the right mentions the Auditor, “recovery”, and “suppliment”. I have no idea what this could mean, maybe our red-and-black boy is trying to copy what 2BD does, but in the opposite direction?

Auditor, but without the fiery parts.

Mind fuckery. Note that he tries a “CONVERT”, as well as doing multipe return commands. It also points out, again, how Sanford is NOT DEAD, NOR HAS HE DIED BEFORE.

No hope for those trapped, I suppose.

This looks like the tree from MadCom 1. Nice callback.

I’ll let this speak for itself (refer back to TRACKER DATA ACTIVE).

The text says:

“KILL THEM”

And this is where we see Sanford lose his eyes, although he can still apparently see somehow.

A better look at Sanford overall. He still has that iconic lip, but he is missing parts of his body and his eyes to a mysterious black spot that also functions like a hole in some cases.

This is one of the defining moments of the episode (to me, at least). Sanford, seemingly overtaken by rage, randomly gains the strength to tear a half-MAG agent’s head off their body.

This might be just there for the cool factor, or maybe some other power acted on Sanford in that moment. With the info we have, we can’t really tell.

Here we see an anchor, like the one used on Dedmos in the Dedmos mini-series.

“Employic”, according to my research, is not a word in the English language.

Substrata is “an underlying layer or substance, in particular a layer of rock or soil beneath the surface of the ground.”

This purgatory is apparently underground, which would make sense given that we only see passages to it connected to walls or floors.

The Auditor looking shocked as he is trapped in a capsule of rock. With context clues, we could make a conclusion that this is the same type of “purgatory rock” that now makes up Deimos’s lower jaw.

Hank is connected to a machine.

Sanford has somehow been resurrected, even though he still HAS NOT BEEN KILLED.

The Auditor specifically calls out 2BD. He’s onto Doc’s shit.

Another picture of the tablet screen, shortly after Deimos drops it. We can be certain that “AUD” is referring to the Auditor.

Love wins. What else can I really mention if even Krinkels said it himself.

Deimos was “compensated”. Surprised anything still even has value around Nevada anymore. Maybe bullets do, actually.

Sanford has to return as soon as possible for a “deathless resurrection evaluation”. Wonder what that would even look like.

Hank’s icon, showing up for quite a short period of time before the screen fills with “ERROR” messages. He looks distressed.

Whatever could “OCCURANT LINES ARE CONVERGING” mean?

Well, we know that Nevada was labelled as “The Occurant” earlier.

(You might not be able to read this text in this screenshot with Tumblr image compression, I don’t know.)

————————————————————————

Finally, I have some info that isn’t necessarily what happened in the animation, but could help with understanding it. As this is already getting long enough, I’ll leave it with a short blurb.

The definition of the title word.

The description of the episode on the Newgrounds site.

————————————————————————

Even without looking at it in-depth, Madness Combat: Contravention was a masterpiece of animation. It was fluid, the characters were expressive, and the visuals were stunning. Big props to Krinkels, Cheshyre, Cturix (did the sound effects), and Tarkade (made the backgrounds) for creating the most entertaining 8 minutes of my life.

————————————————————————

Thoughts? Theories? Something I missed? Share it in the reblogs! After all, what is this fandom without the community we’ve formed!

[tyrantisterror]

What's the worst legacy sequel you've ever seen? What, in your opinion, separates a good legacy sequel from a bad legacy sequel and what's the worst thing you think a legacy sequel can do?

The worst that I've seen is probably Rise of Skywalker. It's close competition, though - both Jurassic World: Fallen Kingdom and Jurassic World: Dominion have moments that are significantly more stupid than anything in Rise of Sky Walker, but I also think both have a bit more creative effort put into them - Fallen Kingdom has that third act where it basically becomes a Resident Evil adaptation except with a murder-saurus in place of the Tyrant, and Dominion has the whole locust plotline which, while terrible, is at least an unexpected direction for a Jurassic Park sequel to go into that tries to figure out something ELSE you could do with the genetic engineering premise of the franchise beyond just making dinosaurs. Like, all three Jurassic World movies have big problems and they get progressively dumber with each installment, but they're also all ambitious to some degree that I still feel respect for, even if they never really actually reach those lofty aspirations.

Rise of Skywalker, on the other hand, has no ambitions at all. It has nothing it wants to say, no unique twists to pull, no real identity of its own. It's a potroast made of leftovers from better movies, a resuscitated corpse of something much more interesting, patched together like a Frankenstein's monster and abandoned to a cruel world just as callously.

It has no desire to do anything new, merely a checklist of Things You've Seen Before That the Focus Groups Say You'd Probably Like to See Again. Any character that can be slipped into an arc that was done in a previous Star Wars film is slipped into one no matter how little sense it makes for them, and any character who can't is either forced to tread water with nothing to do (hi Finn!) or just quietly shoved off to the side early on and forgotten about (hi Rose!).

Any story beats that weren't in the original films are simply grabbed from a box that reads "time tested cliches to keep your script moving with minimal effort." Make the plot a treasure hunt so we can just race from scene to scene with the flimsiest justification possible and try and trick the audience into thinking something is actually happening! What's that, audience interest is flagging? Quick, throw in a cameo of someone from an older movie! What's that, they're bored again? Pretend to kill one of the old characters, but make sure to reveal they actually lived in no more than two scenes down the line, or else we might piss off the fanboys! Hey, let's look at the Cinema Sins videos for the original movies and see if there's some gripes we can "fix" with this one for added fan cred! Can't disappoint our audience!

It's the story-telling equivalent of smothering something in salt to cover up the funky taste of the close-to-the-expiration-date ingredients.

As for what makes a good vs. a bad legacy sequel... ok, so, let's define legacy sequel first. A legacy sequel is a film or TV show that is a sequel to a popular film or TV series that ended a good many years ago, which brings back some of the old cast of characters (generally played by the same, and thus much older, actors that played them in the past) along with adding a new cast of characters played by younger actors. It tries to replicate the tone of the original series despite being made in a different era and probably by different writers and directors, and generally aims to give you that Ratatouille style moment of nostalgia.

I think most Legacy sequels are kind of doomed to be mediocre at best on the outset because the goal of them from the moment of conception is so mercenary - they're not created to Tell A Good Story, they're created to Keep Consumers Invested in a Lucrative Content Franchise. They have the artistic aspirations of a McDonald's Hamburger - "This tastes exactly like what you had as a kid, and doesn't that make you crave more of it?"

I don't think that art made for mercenary reasons is doomed to be bad, mind you - I mean, almost ALL movies and television were made to make money first and foremost. Even the classic High Art movies I love like Seven Samurai and The Third Man were made for mercenary reasons at the end of the line - it didn't stop the people who were working on them from having artistic goals, but it's a fact nonetheless.

But Legacy Sequels just have an uphill battle in the "artistic aspirations" department, because most people with artistic aspirations don't want to recreate the feeling someone else inspired with their art - they want to put their own stamp on it, their own spin, their own voice. And that will often mean something VERY different will be made, something that might piss of the fans - something that doesn't taste like the McDonald's hamburger you had as a kid, even though it came in the same wrapper.

The worst parts of Legacy Sequels are the only parts that Rise of Skywalker is made of - the parts where the story is clearly only trying to show you things you know, only trying to reheat the leftovers so they taste like your memories, only trying to trick the nostalgia center of your brain that you're four years old again eating at McDonald's. "Here's the thing you know! Here's the running gag you liked, repeated five more times by actors with far less enthusiasm! Here's the same basic premise as the first film, but the stakes have been inflated to make it feel like a progression! Cameos! Catch phrases! Eat your hamburger, you consumer pig!"

The rare good legacy sequels don't really TRY to be legacy sequels. They're just... sequels. Another story in the same world as the first, bringing back the characters who actually have interesting arcs left in them, creating new characters with their own shit going on who have good chemistry with the pre-established characters and setting, expanding on themes from the original and exploring parts of the setting that hadn't been explored yet, and all in all telling their own story that's related to the first one's but still manages to be its own distinct thing.

There are not many good legacy sequels, because a good legacy sequel is different than the McDonald's hamburger you ate when you were four, and might make less money than desired because of it.

[mbat]

i find it weird for a reason i cant place that of all the art mediums ive dipped into, 3D modeling has always been the hardest to get any grasp on. like, every 3D art program is so unintuitive and confusing, and you cant even just fuck around and find out with most of them.

[bigskydreaming]

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.

[front-facing-pokemon]

[the-worms-in-your-bones]

I am once again going down the rabbit hole of trying to figure out the ages of the Gallifrey characters

[polysyndetonaddictsupportgroup]

hii 📓

Okay so the thing is that I wanted a “the Zenin raised Megumi instead of Gojo” fic but the thing is that I’m absolutely convinced that if the Zenin were the ones that took Megumi they wouldn’t actually take tsumiki too. The fandom consensus I’ve personally seen has been that she would have been taken and mistreated by zenin for being a female non sorcerer but I personally think they would have just straight up left her behind.

They only bought Megumi. They keep non sorcerers and women as servants in their compound but all of them are Zenin themselves. Tsumiki isn’t related and I couldn’t really see any reason why they’d want her. Which turned this into a fic where Tsumiki loses her brother, but she’s trying to find him again, she swears. I think of it as my “siblings doomed by the narrative desperately try to write a new one where they can be together” fic.

The thing is that Tsumikis mom was one of those people who thought love and consumption were synonymous. She had a habit of getting caught up with assholes and just… having both of them chew on each other for a while until it turns into this horrible fucking bloodbath.

Tojis just another loser her mom got caught up in, but he’s Tsumiki’s favorite out of all the losers, because he gave her her brother. Her mom marries this random guy she barley knows and Tsumikis pretty sure she does it so they can both ditch their kids twice as much, secure in the knowledge that there’s supposedly another person checking in. It works out great for them, because they both stop coming entirely. It’s fine, because Tsumiki has Megumi and Megumi has Tsumiki and they don’t need anything else.

It’s one of those things where they were in really unhealthy circumstances and it made their relationship a little bit unhealthy but not necessarily bad. They both had to grow up way too fast and deal with way too much too soon and become codependent on each other because they are, in the most literal way possible, dependent on one another. Neither of them know how to love in a way that doesn’t involve sacrificing themselves for their sibling, mostly because they don’t have a way that doesn’t involve that.

They’re in a sinking ship and tsumiki knows it. Their parents aren’t coming back. The money is going to run out sooner or later. Their problems are stacking up.

Megumi has confessed to her that he sees things that no one else does. When she asks him how he knows no one else sees them, he explains that they’d say something if they did and won’t say anything else. And she doesn’t know what to believe but she refuses to call him crazy. He tells her that monsters cling to her back and he fights them off for her. She patches up his bruises and cuts and tells him he’s brave and tries to figure out if she’s just imagining that her back feels lighter after. He tells her that there are dogs that only he can see that have started following him around, and she tells him she believes him and can never remember, later, if she meant it or was just saying it.

The last time Toji came by, he left them more money than tsumikis ever seen in her life, took them to ice cream, told them that he was sorry he was so shit at this and that the money was Megumi’s share in a payment. It was for something he was going to help daddy with later. Tsumiki and him were to use it to take care of themselves and be healthy, because Megumi couldn’t help him later if he wasn’t. And tsumiki was always afraid of what he meant by that, but in the end, she let it slip her mind. After all, Toji hadn’t been by in ages. He probably wouldn’t come by at all.

And he didn’t. But others did. Two men she’s never met before are waiting outside their building one day, and when they see Megumi, they laugh. But the thing that Tsumiki can never get out of her mind later is that she swears they weren’t looking at Megumi directly. They were looking at his dogs.

Tsumiki basically tries to get Megumi and powerwalk past them, but they’re a lot bigger and a lot stronger and there’s nothing she can do, really. They have a brief conversation about whether they should take her too, before one decides that Toji only sold him his kid and to leave the other behind. This makes both of them try to run, but there’s nothing either of them can do to overpower the men, and the men say that “Naobito would go ballistic if they left the ten shadows behind” so they take Megumi and leave her.

They put Megumi in a car and shove Tsumiki to the curb outside of it, and she tried to hold onto his hand, she swears. She grabbed at the car door even when the car started moving, and she banged on the windows, and she watched as Megumi kicked and punched and screamed inside, until one of them hit him and he went still. She ends up falling and hitting her head when the car picks up speed, and when she wakes up again, the cars gone and she has no idea where it went.

And it becomes a foundational moment for who she is. I think she was just intensely lonely before Megumi and poured a lot of herself into this idea of a family together. Tsumikis never able to shake the moment of her being outside the car and Megumi being on the inside, and not being able to get into him. She can never again get what she felt in that moment out of her head.

She goes to the police and tells them that it’s her little brother, his dad sold him but she wants him back, and they’re like “…”. The issue is that apparently her mom can pick up the damn phone if the police call and she shows up, spins some lie about how her and the stepdad split up and he took the kid with him, they never adopted each others kids so it was within his rights, Tsumiki was taking the separation hard and acting out. She lies, basically, because toji hadn’t kept up his end of the deal and dropped in to check in (neither had she) and his kid wasn’t her responsibility, he could do what he wanted with him. She doesn’t want the police poking around the way she lives. Just let the kid go because he’s probably dead and not her real brother anyway.

Tsumiki refuses to give up on him. They were both kids who no one cared about but they cared about each other and that had to be enough. But she’s seven with no support and zero idea on how to find him. She starts skipping school to look for him in random streets, puts up flyers, can’t go outside without looking for him. She gets held back a year in school because of how much she skips and she can’t bring herself to care. She buys him gifts on every birthday and writes him letters she can’t post because she’s going to find her brother and she’s going to prove to him that she never once stopped looking for him. She just. She needs him to know that she never stopped looking for him. She needs to find him and be able to honestly tell him she never stopped trying.

One day her mom comes back in clothes she can’t afford and comes with movers they shouldn’t be able to afford and announces a move they definitely can’t afford. Tsumikis absolutely opposed to going because if her brother comes to look for her, she needs to be in their old apartment so he can find her. She doesn’t have much of a choice in the matter. They have mysterious new benefactors who are setting up a trust to take care of tsumiki with a very generous stipend for her mom but they have to move to Sendai as a stipulation of getting the money.

It’s not until the attorney who’s managing her trust hands her a set of glittery blue butterfly hairpins that tsumiki realizes her mom sold her brother a second time.

The thing is that tsumiki had this one cheap set of butterfly hairpins she’d always stopped to look at in the store when she took Megumi to go grocery shopping. Shed never buy them, because they couldn’t afford it, but it was the thing she wanted most openly in front of him. She was always secretly really insecure about her hair, because they were the kind of poor where bar soap was a luxury they could only sometimes afford and kids at school made fun of how her hair was dirty and frayed. Megumi was the only one who ever saw how badly she wanted those stupid hair clips. If they had to give her a set of butterfly hair clips, it’s because he demanded that they did.

It’s basically implied that the Zenin are the ones paying for her care and upkeep due to an unspecified deal they cut with Megumi, but when they approached her mom with it, they added the caveat that Tsumiki had to be moved to a new city entirely and there could be no forwarding address left anywhere.

The zenins stance on tsumiki is, effectively, that she’s a weakness Megumi needs to be weaned off of. They honestly assumed he’d just like, forget she ever existed and he. Did not do that. He actually pitched a total bitch fit. Tried to scale the compound walls. Bit multiple people including the clan leader. But he’s got the ten shadows, he’s heir to the clan, and he can’t be caught up on some random non sorcerer who isn’t even a Zenin. They end up agreeing to pay for her to live very comfortably if he starts cooperating more but they want to make sure that he can’t ever find her again if he does ever succeed in running away.

Tsumiki is at once full of hope and hopeless, because on one hand, the butterfly clips prove that Megumi still loves her and remembers her, at least in her mind. But at the same time, she’s being moved to Sendai and doesn’t know how they’ll ever find each other again. She doesn’t honestly know if they’d recognize each other if they saw each other again. She wears the butterfly clips every day, even when she gets too old for the style, because she’s more confident about her brother recognizing them than her.

The thing about tsumiki is that she doesn’t understand hate. She just doesn’t. Her mom and toji always got caught up in these perceived slights and revenge and never once let go of the past. They’d destroy themselves if it meant taking down the people they hated with them. She never wanted that. She wanted to live with the people she loved and she’d happily turn around and forget everything, all the pain, all the searching, if it just meant she could go back to being megumis sister.

This isn’t about hate. This is about that moment outside the car, where her brother was inside and she couldn’t get in to him. This is about how helpless and small she felt when they shoved her to the curb and ripped megumis hand out of hers. She needs to make sure that when she finds Megumi, she can take him home again. So she decides she needs to learn how to fight.

Itadori Yuuji has the constitution of an ox and the strength to match it, and he is known for getting in fights with bullies and trouncing them so thoroughly that it’s never a question of who wins when the fight starts. He’s insanely physically capable and can hold his own in a fight with ease. He’s also nice and kind and Tsumiki’s comfortable enough asking him to teach her how to throw a punch or two.

She is bad at it.

So fucking bad at it.

But she never gives up, and Itadori is nice enough to keep teaching her despite how embarrassingly horrible she is at it all. He always asks her why she wants to learn so bad, she doesn’t seem to like it all, and she never answers his question honestly.

In their last year of middle school, their class has a trip to Kyoto. She, Itadori, and the rest of their group walk into some random restaurant in the city and have barely sat down when someone comes inside, starts searching every booth in the restaurant while shouting Tsumikis name.

And oh. They could recognize each other after all.

She looked for Megumi in every crowd she was ever in, but she didn’t consider that he was doing the same. Or that he would see her first.

Her brother grew up without her seeing it. Hes older, dressed in strange, expensive clothes, has a slightly bruised up face and split lip, but his eyes are the same, and he looks like the brother she remembered.

But a lot more nervous than Megumi ever was. He was a tiny, stoic child who didn’t take any shit and never showed fear, even when there were monsters that only he could see. But he’s nervous when he tells her that she probably doesn’t recognize him or remember him, but when she was a lot younger, he—

Megumi. He’s her little brother. Of course she remembers him. She’s been looking for him everywhere.

Megumi didn’t smile much as a child, but he smiles at her then. He tells her he doesn’t have a lot of time and she tells him that they can leave out the back, and he never let her hold his hand as a child but he takes her hand so easily in that second. And just for a second, she’s his sister again, and it’s everything she wanted.

They never make it out the back.

Two men come in. Megumi calls one of them uncle, and he goes stiff and flat the second he sees him. His uncle apologizes for his nephew, tells everyone that he always makes scenes when they’re out in public, tells him to apologize to the nice people and leave. Megumi was mistaken.

Tsumiki tríes to keep ahold of his hand. Really, she does. She tries to tell people to call the police. But megumis “uncle” steps towards her and Megumi slams him into a table, and then suddenly Megumi’s the one insisting that they leave immediately. They can go. It’s fine. They’re leaving. She loses ahold of his hand.

She tries to follow, but the other man restrains her. She learns that she’s better at slamming plates into peoples heads than she is at punching, and at this point itadoris Friend In Danger Override has been triggered and he fucking tackles the dude, which gives tsumiki the clearing that she needs to chase outside after her brother. She gets out just in time to see him be pushed into a car, and she’s had years to think about the last time this happened and figure out what to do differently. She throws herself in front of the car and refuses to move.

See her entire stance is that she’ll sooner get run over and killed in the street than let them do this a second time, but she also can see Megumi trying to fucking punch the drivers head in from behind because he’s about to hit his sister. His uncles trying to restrain him, and just for a second, she sees his hands make the shape of the shadow puppets he used to show her as children. Something invisible slams her out of the way just as his uncle knocks him out.

She picks up a rock and tries to smash in the fucking window with it, and itadori has to pull her out of the way to keep her from getting her feet run over when the car finally tears out of the parking lot. She goes ballistic on him for stopping her because her brother was right there and she lost him again and she didn’t even get the license plate. He was right there.

The police basically do jack all again. There’s no license plate, no names they can follow up on, and they’re still half convinced this is a settled custody issue even though tsumiki insists her brother was sold by his dad and is very plainly getting hurt wherever he is. Itadori is now a devoted advocate of finding tsumikis brother and reuniting them, and both basically kind of end up becoming really close to the other? He’s taking care of himself and his grandpa alone, she’s alone while her moms awol again, and they both become the others support system.

At one point, there’s this random girl and boy who doesn’t speak who shows up to their school for indeterminate reasons. The girl is bored and twirling her glasses in one hand while the person in a suit that they’re with asks the principal questions, and when tsumikis eyes catch at the right angle, she sees an invisible monster clinging to a classmates back through them. She realizes it’s exactly what Megumi always talked about and still remembers that the people who took him could see his dogs. She corners the two others in a room and tries to demand information about the invisible monsters or see if they know her brother or the people who took him, and immediately gets blown off. The fight escalates until the girl tells him that actually, yeah. She knows tsumikis brother. He is a very special person to some very powerful people, and the only way she can ever help him is to tell him that she’s let go of him and that he needs to do the same to her. That’s the only message that the people who have him would ever let get through, and his life would get a lot better as soon as he got it.

The people who have him would give him anything in the world, except for her. He could be a lot happier and healthier than he is right now if he just agreed to stop trying to find tsumiki. If she really wants to help her brother, then she needs to let him go.

Tsumiki nails her in the back of the head with a milk carton when she tries to walk away. It sloshes out on her. Tsumiki did not intend this. She cannot admit that fact. There are some actions you just have to own when you do them. She tells the girl that he’s her brother and she’s never letting go of him. She’s going to find him. They can’t keep him from her forever. She doesn’t care how long it takes her.

For a second, tsumiki really thinks this girl is going to kick her ass, but she doesn’t. She wishes her luck and tells her she’ll need it, and it’s only later that tsumiki realizes she slipped the eyeglasses into her pocket.

And as it turns out, her brothers monsters were real all along.

There was a knife that toji left in the frame of his bed. Tsumiki confiscated it from Megumi as soon as he found it, and it was odd and strange and gave her bad feelings when she held it, and it can kill the things that gather on her back. When she follows Itadori to their local high school and joins the occult club in an attempt to find more people involved in this world of invisible monsters, she wears the eyeglasses and keeps the knife hidden in her bag.

It comes in handy when her senpais are trying to open this thing and suddenly there’s like a fucking portal opening and Actually Let’s Not Oh Too Late Let’s Run Let’s Fucking Run.

They run.

Meanwhile at the hospital Megumi found out in very quick succession that his sister has fucking sukunas finger and also that there’s a very over enthusiastic himbo who is the self appointed vice president of the Find Fushiguro Megumi And Bring Him Home Club who absolutely fucking refuses to leave his side. Sorry who are you. Why are you so enthusiastic about finding him. Megumi sort of was the one doing the finding there was a whole tracking situation and him waiting dramatically in the shadows like they just did it.

Anyway they run very very quickly to tsumikis school where she is dodging she is serpentining this is a fuckton of monsters oh holy fuck is that her brother?

The fight goes bad.

Tsumiki manages to follow itadori and her brother out at a much slower pace because she’s not a freak of nature like itadori and shows up just in time to see her brother shouting at itadori to not eat the fucking finger while itadori is absolutely trying to eat the fucking finger.

She chucks her shoe at him. The finger goes flying.

Then the monster eats it instead.

Tsumiki: :o

Yuuji: :o

Megumi: fuck

Now there’s a bigger monster and the fight goes even worse. There’s a lot of shouting. Itadori ends up with her knife. Then he ends up getting eaten and they’re down both a knife and itadori, who’s probably fucking dead. Then megumis insisting she run and she’s insisting he shut the fuck up because it’s sort of taken a decade to get this close to him again and she’s not fumbling the bag now because of a monster on the rampage. Have a sense of fucking priorities here.

Then itadori bursts out of the monsters stomach with the knife like the fucking Kool Aid Man and the fight is suddenly very over. Good job, team.

Gojo rolls up to his most stoic and eternally pissed off student having a dramatic and emotional reunion with his sister.

Yuuji, in a very bad whisper: no no so like she’s been looking for him for years but he saw her in the restaurant

Gojo: :o go on

Yuuji: and then he got caught by like, I don’t know, he said he was his uncle or something but the dude acted so weird and creepy and they put him in a car and Tsumiki tried to stop the car but they got away

Gojo: *gasp* what no

Yuuji: I know! Anyway then I start helping her look for him but we can’t find him anywhere until I’m at the hospital and he just walks up to me right?? And I’m like “dude I have been looking everywhere for you” and he’s like “I have no idea who you are, I’m here about that fucked up demon finger” and I’m like—

Megumi, really trying to have a moment here: we can both hear you

And megumis like “this is uh. My new teacher. I guess. I am his only student. And he is uh. Enthusiastic. Do not linger in conversation with him.”

Tsumiki is lingering. She needs fucking intel so he can’t disappear again. Where does he go to school and can she transfer there. It’s fucking wizard school? Will they take her even though she’s not a wizard? She cannot emphasize enough that she will study any fucking subject they want so that way she can be close with her brother again she does not care if it’s applicable to her education or life. She can throw things at people itadori tell the man tell him how enthusiastically she will throw things at monsters for their weird fucking wizard school.

Itadori: she hit me in the face with her shoe like five minutes ago

Tsumiki: see???

Megumi keeps trying to forbid her from wizard school but she’s technically the older sister so she has override rights. She will go to wizard school. How does she get wizard school to accept her.

And Gojos just really weird and off and keeps looking at Megumi and saying that he “didn’t know he had a sister.”

He really didn’t know that Megumi had a sister he wanted to stay with.

And then suddenly it’s like a switch is flipped and he’s back to his normal self telling them to leave everything to him, because he’ll make sure tsumiki can come back with them. And uh? Itadori? Weirdly physically capable kid who will apparently eat anything? Is he going to be good getting home after all this?

Itadori: actually if it’s not too much trouble can I go to wizard school too my grandpa sort of died half an hour ago and I don’t have plans for the rest of my life. Tsumikis kind of my best friend and I’d like to make sure she’s all good at wizard school. I’m a really good fighter and I stabbed the last monster so like can I come too because you know. Dead grandpa. No family or future to speak of. Haha.

Gojo:

Megumi:

Tsumiki, softly: dude

There’s more after they make it to jujutsu high but this is already really long so we leave it here

[lususnatura]

burgeon employing 'natural insect hunters' which essentially means animals like bluebirds, as well as owls + frogs to control the amount of pests in his garden (which is honestly a HUGE place and has a spiral staircase + this is where you will find it most of the time) because he refuses to use pesticides is honestly... kind of iconic of him when you don't think about all of the atrocities it has committed JSJSJ i mean, because there have been studies done to show that they negatively affect other thing's besides insects themselves, such as the soil of the plants you are putting it on itself and non-target plants along with other creatures.

so you better bet that blamore has some thing's inside his garden that attracts these animals and he treats them kindly. and now that i've mentioned it, i suppose his appreciation for nature is one of the better qualities that blamore possesses — though i think it's bitterness towards humanity in general has still very much left him feeling lonely, and just having the occasional animal as company is not sustainable for it. which i think is part of why blamore has forged a bond with nico morselli because he is one of the few people who he can trust will not cringe at the sight of it / think less of it because he is vastly different from the person he used to be.

[snekdood]

if ppl telling you "jewish ppl in israel were already kicked out of other countries and have no where else to go" makes you feel compelled to call whoever said that a "zionist", I really just dont think you give af about jewish ppl's lives quite frankly.

if your "free palestine" means "getting rid" of all jewish civilians in israel I think you're probably just a heartless asshole.

[get-more-bald]

the biggest thing about X6 is not that he doesn't think of himself as human (though he doesn't, and according to some it's correct) BUT that he doesn't see himself as a Person

[sysig]

Dangerously frightened ft. a sorta redraw (Patreon)