#at least they all looked good at least we have that lol

[genericpuff]

hi, i know the episode came out weeks ago, but i wanted to talk about ep 277 and your essay on it. i thought it was very well thought out and had brought up lots of concerns abt apollo's other victims and the harm persephone caused to others that i just. hadn't really thought about myself because honestly this webcomic is a BLUR to me LOL. thank you for writing these insights and putting them online for others to read ! i think you manage to keep a respectful distance to rachel [1/]

Yeah, regarding how the SA was handled...

I think Rachel did exactly as well as anyone might have expected someone like her to write a plotline like that.

Honestly if Rachel really did want to do the arrow thing, I think it would have worked WAY better if she had used the arrow of hate. First of all, because it had already been established back in S2 when it was shot at him by Psyche, but ALSO because making it an arrow of love confirmed that Eros literally did what Apollo asked despite the fact that he's Persephone's best friend and should have been more suspicious of what he was going to use it for. Why not just do a bait & switch where Apollo is under the impression that it's an arrow of love but Persephone trusts in her friend and pieces it together that it's probably an arrow of hate? It would also payoff the whole "news crew being nearby" thing (as well as all the other gods that just randomly showed up) because uh oh now they all see his true nature and he can't hide behind his lies anymore!

After all, as I mentioned in my previous post about this (the one I believe you're referring to) it's not like there wasn't already foreshadowing that Apollo was going to fall on his own sword the way of Mr Waternoose from Monster's Inc, he was already showing signs of cracking under the guilt that he was feeling towards how he treated Persephone/Eris/Hermes/etc. so why did it have to be Persephone taking a massive risk by sticking him with an arrow of love that still doesn't fully explain why he would even suddenly be a changed man? Loads of people like Apollo think they're in love / define their infatuation as love so I don't see how an arrow of love would suddenly make him empathetic to her pain. Especially when, again, he still begs her not to make him confess, so the guilt he's feeling is still completely empty and unmotivated.

I will leave this with one final thing that I saw the other day that very much reminded me of the Apollo SA plotline and I think it rings very true for the misdirected conclusion of the plot itself:

One of the biggest issues of the Apollo SA plotline, at least in my opinion, is that it never really gets to the root of why people like Apollo exist. There absolutely were strong foundations for this - he's the son of a guy who's known for being a serial cheater, he's popular and egotistical and is used to women wanting him, etc. - but all of those foundations kind of fell to the wayside in favor of turning Apollo into just another boogeyman, especially to lift Hades up as a "good man" by comparison (when Hades himself also falls on this spectrum). But many people like Apollo aren't just random guys in an alleyway or conspiring with some "higher power" that's manipulating them, they're men who fundamentally do not understand consent and assault on the varying spectrums in which it exists from "SA just exists, oh well" passiveness to "I'm an actual monster who gets pleasure out of victimizing women" aggressiveness. I think there's a lot to discuss about how people like Apollo exist WITHOUT sympathizing with them, but LO manages to do neither - not only does it give us uncomfortable and unnecessary looks into the rapist's POV more than we get the victims, but it does it in a way that doesn't actually address the issue of how people like Apollo come to be, it's just "Apollo is the big evil boogeyman who raped Persephone". Not only does it not actually put enough focus on the victims, but it reduces the societal and cultural complexities of where Apollo's brand of egotistical entitlement comes from to just "some guys just be evil like that". Guys like Apollo don't just come out of the womb like that, they're often shaped into what they are by a society that both excuses them for awful behavior towards girls ("Boys will be boys!") and enables - if not outright encourages - them to objectify women as trophies that they're entitled to. Even the seemingly innocent and sentimental practice of "giving away a bride" at a wedding is rooted in these patriarchal systems, with the belief that a woman first "belongs" to her father before being "given to" her husband.

It's the part of feminism that often gets overlooked - it's not just about uplifting female voices and helping survivors speak up about and heal from SA, it's also about deconstructing and challenging the patriarchal systems that lead to SA victims being created in the first place. Sure, Apollo got sentenced to building temples in the Mortal Realm, but what is that actually doing to address the bigger topic of how men like him come to exist in the first place? Especially when it was also treated as a good thing for TGOEM to be disbanded, instead of, idk... reworking it into a women's support group for survivors like Persephone?

IDK, it's a very complicated subject that you can approach from a million different angles, I don't think that my criticizing it should outweigh the opinions of those who were satisfied with the punishment that was given to Apollo (my saying the SA plotline sucked doesn't mean you're not allowed to find your own validation in it) but I do think that, at best, Rachel ended the SA plotline the only way she could because she herself is just not equipped to tackle such broad subjects that require a lot more education, experience, and nuance than what she's capable of writing. There are definitely 1298423108 better ways that plotline could have been resolved, but not with Rachel Smythe at the helm.

And that's my many cents on that.

[ratgrinders]

So I read this interview of Brennan Lee Mulligan post-Junior Year (really interesting btw, I recommend everyone check it out!!!!) but I wanted to talk about a couple questions that interested me in it regarding the Rat Grinders:

I love the Rat Grinders and how they're just this dichotomy...Talk to me about leaning into not just that they are the opposite of The Bad Kids, but their corruption, because they were really sweet as the High-Five Heroes before they followed Kipperlilly down this path. Brennan Lee Mulligan: There's an interesting question there. I think that for a lot of it, there were hints, and most of the things we've seen of their sweetness are contextual from bits of writing, little things, investigations. But I think that you can see… It's both. There are elements that they were not always like they are now, but the seeds of what they are now are there in the past. I think that when you look at the High-Five and then eventually becoming the Rat Grinders. There's an indication there of Kipperlilly's focus because yeah, the High-Five Heroes is sweet, but it's also sort of a indication that Kipperlilly is pushing them towards, for lack of a better word, do we have something that we're about? The Bad Kids get their name because they've all been given detention on the first day and it's connected to their story. Whereas you get the sense from the High-Five Heroes that it's not actually describing anything. It's like the person being like, "Our inside joke is going to be high-fives." And you're like, "Well, everyone high-fives." So there's an indication there, for me at least, that Kipperlily is trying to make a comradery right away that is not actually there. It's not based in something that happened to them.

So a confirmation that Kipperlilly naming them all the "High-Five Heroes" on the first day is her trying to "force" a sense of comradery, and also possibly an adventuring identity? Like how the Bad Kids already have this strong group cohesion and "story" because they were all given detention on the first day of classes, and Kipperlilly's trying to create something like that without it having a strong basis.

This seems indicative of a couple things to me, like Kipperlilly having a naturally strong, pushy personality that maybe overrides her other group members, or that she has a certain idea in her head about what makes an adventurer. She wants all the gimmicky stuff like a cool party name and inside jokes, but even then on the first day is trying to force it without having earned it. She's enamored with the idea of an adventurer in terms of them being the hero of their own story, and in her head how good of a "story" you have is directly linked to how good of an adventurer you are.

It also makes her opposing the name "Rat Grinders" later interesting, lol. Rat Grinders is obviously WAY more based in something unique to their party and an inside joke on what they actually do. Maybe it was just because she didn't appreciate her sense of control and her name being undermined.

How do you think they're going to diverge now that they don't have Kipperlilly leading them? Brennan Lee Mulligan: I think that the future of that group is very… I think I leave it to the players, but as you're saying with Kipperlilly, her leadership of that group to me, the moment that is the fundamental, very critical to the season and understanding it I think, is that killing of Lucy Frostblade. Where that is the moment where power and the opportunity for power is chosen over all else. The participation of everybody in that, that the other Rat Grinders came in and that they killed Lucy Frostblade, is the ultimate like, "Oh, we can understand wanting to have the status that The Bad Kids have. This was not worth that. It is not acceptable. Even if you really want to have something, you can't kill an innocent person who is also your best friend to get it. That is evil." And so I think that that's really the turning point for them.

And talking about Lucy being her best friend, and the killing of Lucy Frostblade as the point of no return. I imagine that after killing Lucy the Rat Grinders were deep in the sunk-cost fallacy, that "oh, we've just done this horrible thing, there's no turning back now". Like the text messages the Bad Kids found in Ruben's house.

Canon leaves it slightly unclear the order in which the Rat Grinders were shatter-starred, and just how culpable they are for their actions while under their influence. I'm going to assume that Kipperlilly was the first one, "willingly" taking one (for a given definition of "willingly", as I'd argue she had still be subjected to a year and a half of manipulation and grooming by Porter. She may have been sound of mind, but she never would've done this without Porter encouraging her or validating all her worst aspects). Then, she and Porter worked to kill the other Rat Grinders, an unwilling ritual that put them under the thrall of the rage god. Lucy was the last holdout, and was killed with the assumption that she would come back like they did, but she instead "stuck to her guns" and stayed dead.

I'm also going to interpret the shatter-star as an element of divine manipulation that drives people with rage to do actions they wouldn't do normally, but which are ultimately based on a kernel of truth. Think Adaine in the mall fight, "What would Adaine do if all she ever thought about was rage?" and Siobhan talking about the forest of Sylvaire being destroyed in the search for her mother. We know Adaine would never use such an excessive amount of destruction, but we see the underlying motivation to her actions.

So when the other Rat Grinders killed Lucy, they weren't exactly "sound of mind" as they were under the influence of the rage star, but they were still themselves, they still made the conscious choice to choose power over everything else. The rage star only elevated it to murderous heights; they never would've murdered her without its influence (in fact, I'd argue that the expectation she'd come back is why they did it in the first place), but the motivation still stemmed from a selfish want for power they all shared.

I think, too, that there's a thing with them, there's sort of a you can't have it both ways. The strategy that the Rat Grinders employ to get powerful is to do this grinding. Eventually, they get leveled up also by these powerful monsters that are being killed, they're allowed to join in with, but fundamentally it's like you can't have your cake and eat it too. Kipperlilly as a villain to me is very focused on, "Ooh, I can get by with the letter of the law and not the spirit. There's a better way to get powerful as an adventurer other than going on these important missions where you can probably die." That's the other thing, too, is you look at The Bad Kids, the Bad Kids run into that Corn Gremlin fight, and two of them die. They took a huge risk to save the school and stop something bad from happening, and the Rat Grinders never take that risk. So even as Kipperlilly is like, "Why aren't I getting what they're getting?" It's like, you're not making the choices they're making. Obviously grinding rats in the woods is a safer way to gain levels and the reward for doing it the safe way is you've never saved the world.

And with this last bit, Kipperlilly wanting the accolades of adventuring but without having to risk her life for it. It's interesting that Brennan mentions Kipperlilly avoiding "missions where you can probably die", because I've theorized before that part of the Rat Grinders' motivation for sticking to grinding is them not wanting to risk dying!

This is where genre conflict comes into play for me, because in a normal world I'd argue it's totally acceptable and fine for teenagers to do everything in their power to avoid Literally Dying. However, Spyre is not a normal world and runs on DnD conventions, where Aguefort trains them to be murderous "violent wanderers" who enact their will on the world, sometimes fatally. Death is also comparatively cheaper here when adventurers specifically have an easier time getting revived. The Rat Grinders may protest all they want about the standards of the genre that encourage crazy, violent, fatal behavior, but they're always going to be in the wrong genre and their protests are doomed to failure.

And "having your cake and eating it too". Her adventuring party never took those risks, so they don't get the rewards for saving the world.

[deluweil]

Thanks for your response to that other anon about Tommy; you’re totally right. I also was intrigued, even liked him and Buck after their first kiss. But his closet comment and behavior on their first date, like he didn’t care that Buck has LITERALLY just figured out his bisexuality and that’s A LOT to process, his dismissive attitude towards Buck’s ideas and feelings (the bachelor party henley, the “enjoy it while it lasts” at the medal ceremony)….and then add in the way some fans have gone 0 to 100 on them so quickly, even calling them endgame, and likely at least in part JUST because it’s two men…it’s become such a turn off. I was neutral, even wanted to like them at first, but now am counting the days until it ends. And it’s not because I’m a BoB or would dislike any Buck LI that isn’t Eddie. And I don’t agree with anyone getting HATE (we can sideeye and judge people’s actions ($cameos$) But I think seeing Buck in a canon male/male relationship has caused some people to lose their damn minds. Ship and let ship! Stay in your sandbox, we’ll stay in ours!

LOL I am so removed from all the crowing bummies that I have to ask wth is BoB?

I actually went to look it up and found some interesting options, I am going with this one:

"Bob" is a generic and common name, and using it can be a way of avoiding formalities or creating a relaxed and approachable atmosphere

If you have the other meaning go ahead and tell me, like bummies I understand what benefits me in the moment😂

I kinda wish ppl will look up the meaning of "comphet" (I actually looked it up) that Ryan keeps bringing up in his interviews - that way ppl can stop saying crap things about him being the one to derail Eddie-T because he was supposedly against it. - Which is bullshit, Tim repeatedly said it was because the Natalia actress couldn't come back and M actress could. - Also, Originally T was supposed to be Lucy, she just couldn't come back so they took Lou in a pinch, so Obviously the endgame sure as shit wasn't the pilot.

And you're right, T's attitude was condescending at best, I was talking about it with a mutual the other day, and said that if they really had an interest to build BT properly, also by the time they came up with BT they knew they were being renewed for S8, they could have slowed into this. Actually make Buck's coming out story, a coming out story, not "So first date was a bust, how bout you come to my sister's wedding?" like who does that?

They could have started as friends with Lou being a gay guru, they could have had private dates until Buck was actually out to everyone and ready to be seen in public.

There could have been feelings involved that developed over time.

I gave the example of Tim-Ashley vs Nolan-Bailey from The Rookie, while Ashley was fairly kept to the background (btw she got more screen time than T, just saying) while Bailey was constantly and still being weaved into the story, intricated into Nolan's life, because he was meant to end up with her.

What ppl, who seem to have never watched good tv in their lives, don't seem to understand is that there is a way to write a story, and 911 not only screwed up spectacularly with Buck and Eddie's storylines, but they managed to make it clear from the get go that any LI to come along would be written just bad enough for it to be clear that they are not lasting.

Even furious, Eddie never walked away from Buck. Even when Buck was an asshole in 2x01, Eddie stood his ground and insisted they sort it through making it clear that they are on the same side, that he cares about him and wanting to be his friend. - His partner, a team.

Tommy, like all his predecessors, walked away as soon as something didn't fit his little comfort zone. Tommy walked away on that first date, he didn't contact Buck after that, Buck had to make contact and apologize for not being comfortable on his first date with a guy, like how messed up is that?

And Tommy's little acid retort in front of Eddie in the restaurant before that? From the side it's hilarious for someone who was never in that position. It was mean and uncalled for, but not exactly a surprise because T was never much of am understanding person, he was pretty much an ass from the get go in S2, only difference now is that he is out of the closet.

How did Athena put it when Michael first brought his new bf home after they got divorced? "If Michael had cheated on me with a woman, no one would have expected me to slap on a fake smile and welcome her into my home."

And that is exactly what the GA expects us to do, so what if Buck injured Eddie for attention? He's bi now.

So what if T was an ass and pretty much dismissive towards Buck and talks to him often in a bored way like one talks to a child? He's gay now.

A certain sexual preference does not excuse bad behavior. A person's behavior is supposed to be taken at face value, and not excused just because that person is now seeing someone who happens to be of the same gender.

Crappy behavior is just that - crappy behavior - equal accountability and all that.

I actually liked Taylor for Buck in S2, I think Lucy could have been perfect for him in S5, but the writers made sure to smear their characters in the eyes of the GA from the beginning, thus ending up with another failed relationship, while Buck's relationship with Eddie thrives from one episode to another for the last 7 seasons. One has to wonder about that even if they don't ship buddie.

Same pattern here with T. I was prepared to like him with Buck, I was prepared to see Buck making his way out of the closet with someone who would make him feel safe to do it, not kiss him unprepared under the pretense of coming originally on Eddie's behalf. Not that crap show that was that restaurant date. Not Buck apologizing after feeling insecure and exposed in public for the first time out of the closet and so many other things. - I'm getting the same vibes as Taylor looking through her phone in disinterest in 4x11 as Buck recites some google fact.

And you're right, the fans going from 0-200 after one kiss was just ridiculous, like chill people have you never seen two men kiss before?

I have, on screen and in RL, I grew up with lovely lgbtq+ friends from childhood, it's not all that. When my gay best friend dated someone who didn't treat him right, I told him to get rid of him. When my cousin's gf treated her like property and like she owes her something I urged her to find a better more nurturing person to be happy with.

Two men kissing is not endgame making, hell, from experience two men having sex (hot as it is) is not endgame making.

Love, passion, trust, security, fun, friends gatherings where they're cute and gross, can be made into a healthy endgame making relationship.

Buck and Tommy have physical attraction, they make for a steamy picture but nothing else.

And Lou, I am just... I don't know, I would have preferred not to find out the things he's done as cast of 911, I am just so disappointed.

I loved Lou, now it's just meh. Like he's trying to make as much money as he can before he finishes his way in the show is all kinds of wrong. Also very misleading to the ppl who are hanging on his every word. (And I don't think Oliver likes it either, he is pointedly ignoring any scene with T, not promoting anything that doesn't involve Eddie and Christopher or Buck's own development).

Even Ryan didn't know he was going to get shot until he got the 4x13 script, he was sure he was being killed off until he talked to whoever was showrunner at the time lol.

So Lou can't know he just talks out of his ass and make himself look bad in the process.

And I agree, ppl should be free to ship whoever they desire, but they are not entitled to force their desires upon others, I'm talking about both sides of the ships not just one. (Although I gotta say I've never got hate asks until a certain ship popped up this season. A lot of hateful - now blocked anons - that I refused to give stage to.)

These toxic battles are useless and made this season worse than it's writing.

All that's left is kick back and hope this season's last episode can salvage the poor and repetitive storylines we got this season, - I mean even Henren and Bathena got a replay of S4.

And don't even get me started of the fart shaped storyline Eddie got after switching last minute.

I'm tired lol

didn't mean for this to become this long monster, If you made it this far thank you, sending LOTS of love. ❤️

[things-arent-what-they-seem66]

Imagine this in Duck Adam au:

Lucifer: I just really miss him Grumpy… *Pets his head and wings*

Adam: YOU’RE MAGIC ASSHOLE! YOU SHOULD BE ABLE TO, I don’t know, turn into a duck and hear me?! Give me a voice?! Get that true loves kiss bullshit out of me!?

Grumpy: Angry duck noises

Lucifer: I should’ve told him already. I was blinded… If it could bring him back, I can throw everything away… If he was right here, right now, I would go straight to his arms and kiss him until we both lose our breaths…

Adam: Wh-What?

Grumpy: Quack?

(By the way, Lucifer already gained Adam’s forgiveness, he saw he was truly sad while he cried his heart out to him. But Lucifer never mentioned his feelings for Adam before.)

Lucifer: I know, it’s stupid. He’d hate me if he was here anyway… But *sniff* I can give everything! He deserves it…

Adam: I wouldn’t! Dumbass!

Grumpy: Quack! Quack!

Lucifer: Whatever. He’s never returning after all. But it still hurts… Good night Grumpy.

Lucifer kisses Grumpy’s beak.

Guess you can imagine what happens next.

He would transform the moment the kiss took place.

Lucifer: A-Adam.....

Adam: What? GASP! *Looks down at himself* I'm not a duck anymore...... I'M NOT A DUCK ANYMORE!! Ooof!

Lucifer, holding him: I thought you were dead.

Adam: Beats me on how it happened. At least I don't have to worry about that freak trying to eat me anymore. Luci....

Lucifer: Adam I-

Adam leaned forward and kissed him sweetly: Thank you, Luci. For everything, I forgave you a long time ago.

Lucifer: You know, it actually makes sense that "Grumpy" would be you.

Adam: Shut up.

Lucifer; I'm so glad you're alive. *Remembers everything he told the duck* Ooooh I can explain.

Adam: No need, I heard everything. *Kiss* And I love you too, dumbass.

Then you can guess what happens lol

[tylerlockwood]

i’m going to be giffing again today and through the weekend so send me requests from last night’s premieres !!

[mobius-m-mobius]

Maybe he wants to mix it up. Sometimes you get tired of playing the same part. Is that possible? He can change?

The Avengers (2012) // Loki (2021 - )

[inkskinned]

it is all chaos and entropy. the thing is that the chaos and entropy make it beautiful and lovely.

yes, it's true that nature and the universe are uncaring and unspecific, and that is terrifying. i have lived through some of the unfairness - i got born like this, with my body caving into itself, with this ironic love of dance when i sometimes can't stand up for longer than 15 minutes. i am a poet with hands that are slowly shutting down - i can't hold a pen some days. recently i found a dead bird on our front porch. she had no visible injuries. she had just died, the way things die sometimes.

it is also true that nature and the universe are uncaring and unspecific, and that is wonderful. the sheer happenstance that makes rain turn into a rainbow. the impossible coincidence of finding your best friend. i have made so many mistakes and i have let myself down and i have harmed other people by accident. nature moves anyway. on the worst day of my life she delivers me an orange juice sunset, as if she is saying try again tomorrow.

how vast and unknowing the universe! how small we are! isn't that lovely. the universe has given us flowers and harp strings and the shape of clouds. how massive our lives are in comparison to a grasshopper. the world so bright, still undiscovered. even after 30 years of being on this earth, i learned about a new type of animal today: the dhole.

chance echoing in my life like a harmony between two people talking. do you think you and i, living in different worlds but connected through the internet - do you think we've ever seen the same butterfly? they migrate thousands of miles. it's possible, right?

how beautiful the ways we fill the vastness of space. i love that when large amounts of people are applauding in a room, they all start clapping at the same time. i love that the ocean reminds us of our mother's heartbeat. i love that out of all the colors, chlorophyll chose green. i love the coincidences. i love the places where science says i don't know, but it just happens.

"the universe doesn't care about you!" oh, i know. that's okay. i care about the universe. i will put my big stupid heart out into it and watch the universe feast on it. it is not painful. it is strange - the more love you pour into the unfeeling world, the more it feels the world loves you in return. i know it's confirmation bias. i think i'm okay if my proof of kindness is just my own body and my own spirit.

i buried the bird from our porch deep in the woods. that same day, an old friend reaches out to me and says i miss you. wherever you go, no matter how bad it gets - you try to do good.

[turtleblogatlast]

Thinking about the Don Suave scene and what it means in terms of LGBTQ+ representation because my brain does nothing if not torment me with random topics to ramble about on the regular.

Anyway, I just wanted to ramble about why I like the scene but to get it out of the way - the scene can very easily be interpreted in so many different ways, and all of them are valid. I personally see it as Leo having at least some attraction to a man. And the following is an explanation of my own interpretation and thoughts on it and what it means especially for Leo’s portrayal in the grand scheme of things.

Long-winded interpretation under the cut!

Now, to start with, it’s important to me that in the scene Leo looks at Don Suave in the very beginning and then for the entirety of the rest of the time the man is on screen, Leo’s eyes are closed. Yet, in the end, he is still visibly enamored with Don Suave, happily cuddling up to him as he’s being carried away.

You can very easily interpret this as Leo being spellbound and that’s honestly super valid and I believe he likely was at least somewhat in the beginning, but considering how fast he looked away and how he never looked again, I personally think it makes more sense to read it as Leo just finding the man attractive, at least somewhat. (For the record, I personally headcanon Rise Leo as bisexual with a heavy preference for men, but I want to be blunt when I say that any interpretation is valid. Literally any. Ace, pan, gay, bi, none of the above or a mixture of something new literally all of it is more than okay and fair. Hell you could even interpret this entire scene as more romantic attraction than physical and it would still work. Anything goes!! Don’t bother people, guys, really.)

The main reason I take this scene to be at the very least LGBTQ+ adjacent isn’t just because of how it’s portrayed, but because of who Leonardo is. Not in terms of Rise of the TMNT, but in terms of the entire Teenage Mutant Ninja Turtles™️ franchise.

Leo’s a character who, while changing with each iteration, has still at his core been around for decades upon decades as “the blue one”. One fourth of the team. He’s the one most are going to look at as the Leader, and oftentimes he is the one closest to having the title of Main Character. Not to say the others aren’t just as important, but Leo’s presence in the A plots of basically all TMNT media is often something very main character-esque.

And that’s very, very important to note. Here we have a Main Character of a prolific and decades long-running franchise distributed by a children’s television network. You can play around with his and his brothers’ characters all you like, but there is always going to be challenges to dodge around, especially since this was still in 2018-2019.

For example, you can play around with their designs so long as they’re color coded turtles, but their sexualities? Now that’s tricky.

“But what about Hypno and Warren?” Not main characters and also they’re Rise originals. They have a lot more room to play around with than a character like Leo does. But even talking about main characters in the franchise, you could arguably have an easier time playing around with Donnie or Mikey’s sexualities than Leo or even Raph, as (unfortunately) the former two tend to get more B plots, so they’d likely have had a little more leeway (still not a lot though.)

So, where does this leave us?

It leaves us in a place where outright stating and/or showing undeniable proof of Leo’s attraction to men is very, very difficult. So, workarounds!

Workarounds like the entire Don Suave situation.

To be honest, as left up to interpretation and lowkey and deniable as it is, this whole scene means a lot to me because of who Leo is as a character. It’s just nice when we get so see even the bare bones of representation with characters that have been such a large part of pop culture for decades, y’know? Even if more would be so much nicer, this is better than I thought we’d ever get for these boys.

And, again, literally nothing I’ve said is the only way to interpret it, I’m more than happy when people interpret media on their own honestly, it’s just something I’ve been thinking of lately and I was wondering if others felt the same way.

Whatever you think when you interpret this scene or Rise Leo as a whole, I just thought this would be interesting to think about, even if it was ramble-y, haha.

[marcmorrigan]

@fenglianweek day 6: memories/growing up

the best thing thats ever been mine

[jessieren]

Stupid work has distracted me from the important business of Tux Tuesday…

But oh boy is it nice to see all that hotness on my dash 🥰

Normal service will be resumed shortly.

In the meantime here’s someone hot looking extremely smart…. and very hot

[choccy-milky]

hey!! i just wanted to come on here quickly and say i absolutely adore your art!! i was scrolling through the sebastian sallow x mc tag and found your artwork, and am about to starting reading your story on ao3! you’re super talented!!! and i look forward to reading your story and seeing more art from you <3

AW TYSM!! im glad you found / like my art, and i hope you end up liking my fic as well!👉👈💖💖💖

Y'ALL......im so glad u like my art and also my fic so much😭😭im honoured to be your fav, ty for the support and such high praise....and u are so right about the slytherin/ravenclaw dynamic. surprisingly i never really thought about the dynamic much before HL cause i was mostly focused on gryffindor/gryffindor or gryffindor/slytherin (ive never actually read any HP or HL fanfics, but i was always a romione shipper, and although i never dabbled, i was always interested in dramione/considered reading fics about them), but yess the slytherclaw dynamic just suits the MC/HL so much, especially with seb and his own personal quest for knowledge regarding anne's cure, like u said (also about your second ask, im glad u also enjoyed my ominis oneshot!! as for the nsfw idea.......👀👀....consider it noted👀( and even if i dont draw them im ALWAYS down to get some nsfw ideas or just ideas in general for either seb/clora OR ominis/MC. u never know what can spark inspiration😏) TY AGAIN🙏🙏🙏

[encrucijada]

writer gods help me finish part 2 of pointed north

[thebirdandhersong]

I remember talking to a friend last week and saying that if I'm reading obsessively it either means I'm extremely happy or extremely in need of help. alas goodreads my good pal you have GOT to be kidding me

[lucalicatteart]

Poll adventure (paventure? lol) Day 3: read the small story tidbit below the poll for more details, OR just vote based on initial impression

(✦ see past poll results + further information HERE (link) ✦)

The winning option of yesterday's poll was that the adventurer should throw a coin into the mysterious well ….

"After nearly ten minutes rummaging through the disorganization at the bottom of his backpack, he finally approaches the well once again, meager coin pouch in hand. He meticulously balances a little golden coin on the tip of his thumb, positioning it just so for an elegant coin flip… With a flick of his hand, the coin wobbles off, anticlimactically dropping into the darkness.. He pouts, leaning in to listen for a plonk as the coin hits the water but… nothing…. silence.. A few minutes pass and he shrugs, moving to pick up his bag and just continue his journey elsewhere, when suddenly a faint noise echoes from the well.. an almost cartoonish plopping sound, like wet feet slapping against stone..? The pitter patter grows closer and closer…then stops abruptly. The adventurer cautiously slinks over to the well, only to find.. a creature of some sort, clinging to the walls, staring up at him blankly. - What should he do next?"

[synthville]

so what im getting is that it was absolutely unnecessary to isolate raffi on gotham city in order for her story to go on.

a story that’s so halfhearted that five episodes in—halfway to the end. btw—her motivation is yet to be explained (why go back to this sector of intelligence work when teaching seemed to be fulfilling? was she made to do this?? did she volunteer because her son now lives on this planet now apparently?? was losing elnor cris and possibly seven so painful that burying herself in work seemed like a better option??? who knows! not me!!) and it’s definitely a retreat character-wise but the fact that they still haven’t laid the groundwork to make this stick is kind of amazing lol. it’s the way they’re not even pretending to give a fuck about her or any of the other women characters for me—they said you’re a womb or a subordinate ladies pick one and shut the hell up LMAO?

the fact that the ‘real plot’ is happening on that other ship while everything raffi does is basically an afterthought with backstory slipped in between the cracks like aged caulk is so disheartening and pathetic. star trek picard make an effort maybe. she’s a polarizing character that’s been stuck in impossible situations, weighed down with retractions and stereotypes (they thread the line but HM) because the narrative continually refuses to meaningfully engage with her and a lot of fans of the show wont examine their own biases to see why they have such a viscerally negative reaction to a complicated black woman character that’s good at what she does, knows it and refuses to kneel at the foot of their hero’s :)

and if it wasn’t for ms hurd elevating this performance with sheer will, massive talent and the whip of that (sexy) ponytail? shit would be so much worse. but it’s still bad! because instead of giving her a nuanced, thoughtful send off she’s once again being made to suffer for the nth time. because why? oh right so wise man worf can guide her to the light lol give me a fuckin break.

and it’s no accident that if you cut raffi out (which they literally did in ep4 miss musiker you WILL be avenged) the story could more or less proceed as usual. that’s by design.

because legacy characters or not, im simply not buying that the main white cast members (plus two interlopers idgaf about those new guys and they’re doing nothing to make me care either. pick a random channel and their stories are being told right now live and in color like don’t piss me off) just so happen to be on the ship with the lead yet the sole woc is sent away on some underbaked adventure because ‘reasons?’ please. this season literally could not be more transparent about the audience they’re catering to and who/whose stories are of importance and consideration.

and i knew this would probably happen once the premise for s3 was revealed but i still can’t get over how obvious it is that there really was no plan for raffi and that she only happened to bypass the cull of the la sirena crew because she was romantically linked with seven at the time. which is baffling considering how things are (not) going between them (#theyareMARRIEDletthemTALKandKISSandREST)

and it’s not just them like everything about this season is quite literally happening just because. every slightly interesting or fresh development (and character it’s true) from the previous seasons has been dismissed or diminished and for what? secret sons and man pain? ew lmao. no suspense no lingering threads just excessive shots of ships, an aggressive insistence on biological families and rampant, shameless references to past glory. a mess.

[sysig]

Special Counseling (Patreon)