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tomorrowxtogether · 2 years

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Tomorrow X Together – ‘minisode 2: Thursday’s Child’ review: even the worst heartbreak can’t put out their creative spark

The HYBE boyband sink – and then soar – through the stages of getting over a break-up on this sublime release

Last year, Tomorrow X Together were exalting the powers of love after finding a romance so strong it could thaw even the iciest of hearts. But life has a habit of swerving off course and destroying all your plans, hopes and dreams just when you think you’ve got everything on the right track. The five-piece’s latest mini-album ‘minisode 2: Thursday’s Child’ is evidence of just that, the band’s formerly potent affair now nothing but a painful reminder of what could have been.

“Love is a lie, I loved that lie,” Taehyun cries on ‘Good Boy Gone Bad’, a roaring rush of menacing rock guitars and assertive hip-hop beats. “Burn it, just burn it out.”Illusion of love’s all-saving force shattered, everything is now bleak and the group share equally as wretched views on the rest of the track. “A scar on my chest gone bad / Slash my heart, gone dead / The one you knew, that good you’s gone bad,”they sing on the electrifyingly dark chorus.

‘Thursday’s Child’ catapults us through TXT’s winding journey of romantic grief, each song representing a different stage in order. If ‘Good Boy Gone Bad’ is anger, then before it the stormy ‘Opening Sequence’ details denial and, after, comes bargaining, depression, and finally acceptance. In that way, the mini-album continues to fulfil the band’s aim of reflecting the reality of the world around us, vividly capturing the feeling of each step in both the lyrics and sounds exhibited on each track.

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Never ones to settle for something ordinary, the group use the subject of lost love to explore intriguing tangents. The indie-pop ballad ‘Trust Fund Baby’, in particular, is one of pop music’s most interesting takes on a break-up song in recent memory. Its title highlights TXT’s ability to capture the zeitgeist, here taking a voguish term for a rich kid and using it to tell a story rife with cynicism and despair about wealth’s impact on love and life, as well as feeling like your peers’ lives are on a much brighter and better path. “The shining spoon to me is someone else’s story / Someone that already has their dreams,” Yeonjun sighs, while later Beomgyu sullenly drops a pin in his location: “A paradise for the losers.”

This mini-album also finds Tomorrow X Together splitting into units for the first time as they enter the final stages of their journey. Yeonjun and Hueningkai team up on the contemporary R&B gem ‘Lonely Boy (The Tattoo Ring On My Finger)’, a song that’s as sparse in its instrumental layers as it is in feelings of happiness. A revolving acoustic guitar lick underpins the track, only beats and occasional coatings of barely-there effects joining it and the duo’s voices. “I hate it, now I now I don’t need it / Your traces that won’t heal,” Hueningkai sings, referring to the ill-advised titular tattoo.

Beomgyu, Taehyun and Soobin, meanwhile, join forces on ‘Thursday’s Child Has Far To Go’ and bring us to a sparkling synth-pop conclusion that shakes off the sorrow, ready to smile again. “Today’s hashtag: ‘break-up’ / Then paste ‘glow-up’ next to it,”Beomgyu sings, a nod to a TikTok trend that finds users working on bettering themselves rather than sinking further into post-split depression. “I’m looking forward to the wonderful days,” Soobin sings as the song hits its final throes, the magic of focusing on themselves clearly working.

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‘Thursday’s Child’ represents yet another leap forward for TXT, displaying continued inventiveness and improvement, and adding yet more creative credits to their resumes (Beomgyu co-produced ‘Thursday’s Child Has Far To Go’, while all tracks had the input of the members in their writing). Yeonjun, especially, shines with some brilliant rap verses – first in ‘Good Boy Gone Bad’ and, later, in ‘Lonely Boy’.

The latter perfectly conveys feeling foolish after giving your heart over to someone and the promises of “forever” that come with that – whether verbally or, as is the case in the song’s backstory, ink permanently etched on your body. “A doodle that lost its meaning / Yeah, I was stupid,” he raps at one point, despondently elongating the last word of the line to emphasise his misery. “Why did I do that then?”

The record fully justifies that hype, continuing to position Tomorrow X Together as voices for their generation (and beyond) with songs that are both sublime in quality and evocative reflections of life’s ups and downs.

#txt #tomorrow x together #220511 #article #NME #soobin #yeonjun #beomgyu #taehyun #hueningkai #minisode 2 thursday's child #minisode 2 #Thursday's Child

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chitto · 3 years

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I ANALYZED ALL OF THE NEW SONGS ON RANBOO'S LORE PLAYLIST - HERE'S WHAT I FOUND

Back in March, I listened to every single song on Ranboo's DMCA Lore Playlist. I came up with a solid theory, published my evidence and that was that. My work was done.

But nope! Ranboo's back and he's deleted a ton of songs and added more. And so I listened. Again. And I'm back with a theory, and it does not look good.

This new batch of songs shows us that this is a new era of c!Ranboo. Redesign Your Logo is meant to tell us that things are changing, and so is c!Ranboo. This could be do to the fact that something bad is most likely going to happen to c!Ranboo in the near future, probably the taking of his first canon life. Songs like Eyewishes and Goodbye heavily point to the ending of a chapter (or life) of c!Ranboo. The song Blue Monday isn’t anything revolutionary, as we were already well aware of the toxic relationship between c!Ranboo and c!Dream. Another thing to point out is that Everybody Wants To Rule The World sets up an interesting take on nuclear weapons, a thing that c!Tubbo has and c!Ranboo doesn’t know exists. If c!Ranboo were to find out about the nukes, it could lead to the two fighting over whether or not they were a good thing. Going into Time Moves Slow, the narrator there discusses a relationship that just ended between them and their lover, meaning there could be a c!Beeduo divorce arc in the near future.

Below are the analyses on each individual song and the added and deleted songs

Deleted: Prologue (StarKid), Introduction to the Snow (Miracle Musical), Dream Sweet in Sea Major (Miracle Musical), Turn the Lights Off (Tally Hall), The Mind Electric (Miracle Musical), The Ruler of Everything (Tally Hall), Ain't No Rest for The Wicked (Cage the Elephant), The Bidding (Tally Hall), Stranded Lullaby (Miracle Musical), Hidden in the San (Tally Hall), & (Tally Hall), I'm Gonna Win (Rob Cantor).

Added: Redesign Your Logo (Lemon Demon), Everybody Wants to Rule the World (Tears for Fears), Blue Monday (New Order), Eyewishes (Lemon Demon), Bystanding (Lemon Demon), Goodbye (Bo Burnham), Time Moves Slow (BADBADNOTGOOD and Samuel T. Herring).

Redesign Your Logo (Lemon Demon) - This song is about a pdf that went around during 2009 about the Pepsi company logo. In it, the Arnell group is trying to sell Pepsi a new logo, so that they can make tons of money. I feel that this song symbolizes evolution and growth, we’re entering a new era of c!Ranboo. He’s redesigned and rebranded. This song could also be on this playlist because of a fan animation on youtube set to the same song by Shyshui.

Everybody Wants To Rule The World (Tears for Fears) - This song was written about the Cold War between The Soviet Union and The United States that happened during the 20th Century. The main line of the song ‘Everybody Wants to Rule the World’ is about how everyone wants power, and the misery that it brings with it. This is a theme we can see clearly on the DreamSMP, with many leaders such as c!Eret, c!George, c!Bad, c!Wilbur, and c!Dream all leading lives of misery in one way or another. This is also important for c!Ranboo, as he is the most powerful man on the server. It tells us that his power will soon be his misery. Also a small little thing I’d like to point out is the line ‘Say that you’ll never, never, never, never need it’ which is meant to be about the use of nuclear devices during that time period. Many governments had them but claimed they would only use them if another country was launching a nuclear attack. This could translate to c!Tubbo owning nukes and c!Ranboo possibly finding out, which could cause discourse between the two.

Blue Monday (New Order) - Blue Monday is about the singer pondering the mistreatment of their person by someone they trusted. The person seems to be manipulative and toxic for the singer but the singer is too far under their control to leave them. Immediately we can tell that this song is most likely about the relationship between c!Ranboo and c!Dream. c!Dream uses c!Ranboo as his errand boy, making him do all sorts of tasks, although this hasn’t really happened since the Disc War Confrontation. However, we know the c!Dream still has some sort of hold over c!Ranboo because we saw c!Sapnap trigger an Enderwalk episode by giving c!Ranboo a message from c!Dream.

Eyewishes (Lemon Demon) - Eyewishes is a song about a distraught man who has no eyelashes, as he used them all on wishes, and now he can make no more wishes. The man pours out his frustrations and then resolves to committing suicide. While I don’t believe c!Ranboo would take his own life, I believe that he soon will die. The last line of this song is ‘So take care of my plants and pets and now I’ll say good-’. c!Ranboo has many pets in his care and he would want them taken care of after he dies. I could see him saying this line to a character like c!Tubbo. However, c!Ranboo is still on three canon lives and would not perma died if killed.

Bystanding (Lemon Demon) - Bystanding is the direct sequel to Eyewishes, starting off with bi, completing the phrase ‘goodbye’ started at the end of Eyewishes. Other than this, the song has no real points of interest as it’s just the singer repeating different words, working his way up from 2 to 5.

Goodbye (Bo Burnham) - I’m going to split this song up into two sections, just because I think there’s a lot to cover here. Let’s start pre-bridge. For context, Goodbye is the final track from the comedy-musical special Inside, done by Bo Burnham. Bo says the special was a long project for him as he filmed the entire thing in his house during COVID-19 Quarantine. The beginning part of this song talks a lot about how Bo doesn’t want the special to be over because now he has nothing else to do, and he’ll just have to live his life. This could translate into c!Ranboo losing a lot of things that he worked for, such as his valuables (totems and riches) and just being a normal person again. It could also signify an ending of a chapter for him, maybe his marriage ending, his partnership with the Syndicate ending. However, I believe that its most likely to be c!Ranboo’s neutrality ending. During the recent lore stream he did with c!Wilbur, we finally saw c!Ranboo pick a side. He chose Wilburger over Las Nevadas, losing his trademark neutral stance. c!Ranboo thought his neutrality made him more than others, that he was the one able to see over the conflict, but now he’s just like everyone else. He has a side and an enemy. Let’s move into the bridge and ending of the song now. The first line I’d like to call specifically is ‘Wanna guess the ending, if it ever does.’ This line could maybe signify the fact that throughout the history of the SMP there have been many times that the conflict and story feel like they’ve finally come to a close, only for everything to start up once again. The next lyric is ‘If I wake up in a house that’s full of smoke, I’ll panic, so call me up and tell me a joke.’ This is a callback to another song on Inside, Comedy, in which Bo talks about using his comedy as a way to help people, but really it was he who needed help. c!Ranboo acts as a protector for a lot of characters, most notable c!Tubbo and tried hard to please most people and aid as many as he can, but most of the time he’s the one needed the most help. Similar to Bo, c!Ranboo doesn’t realize he needs help until it’s too late.

Time Moves Slow (BADBADNOTGOOD and Samuel T. Herring) - This song is about a person who’s lover has left them, and although it’s painful they know its for the better. This could, unfortunately, suggest a c!beeduo split but there is another part of this song that I’d like to touch on. ‘Running away is easy, its the living that’s hard.’ This is the chorus for the song and it talks about how running from your problems is easier than facing them but having to live without them is hard. Throughout the story, we often see c!Ranboo ignore his problems, most recently with the vandalism of c!Tubbo’s cookie shop. c!Ranboo found it and decided to fix it and tell no one it happened, which lead to a hostile confrontation between c!Quackity and c!Tubbo.

#PLEASE FOR THE LOVE OF CHRIST REBLOG THIS #THESE TAKE ME AN INSANE AMOUNT OF TIME #dsmp #dreamsmp #dream smp #ranboo #ranboo dsmp #c!ranboo theory #c!ranboo analysis #dsmp analysis #dsmp theory

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asleepinawell · 3 years

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Been having a lot of Thoughts about the nier series recently and the larger themes of both games and wanted to jot them down and toss them into the void of the internet.

Massive spoilers for nier automata follow, including for ending e. Do not read this if you ever intend to play nier automata. There are spoilers for nier replicant as well, though not for ending e.

One of the biggest themes both nier games tackle is the tragedy of an uncaring universe. Bad things happen to good people, people who think they're good and doing the right thing find out they were actually committing atrocities, the very idea that there's 'good' and 'bad' people is dissected and rejected. At the end of the day, the universe doesn't give a shit about any of us and none of it matters. Enjoy your existential despair!

In nier replicant, the main character starts off as an optimistic young boy who wants to save, not only his sister, but the entire world. After the time skip, nier is a young man whose optimism has (partially) been tarnished and whose goal has narrowed down to just saving his sister. As you move through each route you understand more and more how tragic the world is and how, despite your best intentions, you are only adding to the tragedy of the world. The original 4 endings of nier replicant are all tragic in some way. Ending D has a glimmer of hope in it in the form of nier being able to save kainé at the cost of his own existence, but it's a bittersweet ending and the world is ultimately doomed anyway.

Which brings us to nier automata. Even more so than replicant, automata hammers home the meaningless of everything, the uncaring universe, tragedy both avoidable and unavoidable. The main characters are locked in an endless loop of violence and despair. The worst that could happen, does, again and again. It thrives off the type of tragedy porn I usually hate.

Except....

Except it doesn't. If endings a and b are the opening statement, endings c and d are the facts and body of the essay, but then there's ending e, the concluding paragraph which takes everything we've been told and gives you the chance to draw your own conclusion from it.

Route e starts after you've gotten both ending c and d and is no longer about the characters in the game at all. Route e is about you, the player, and what you believe. It says "we've given you a story of complete despair, we've shown you the universe is unfair and doesn't give a fuck about you, we've shown you things that end in tragedy. despite all of this, do you still believe it's worth fighting for the hope of something better?"

And then it asks you to prove it.

Route e is the ending every fan has asked for when they've said "I'll fight the creators to give my favs a happy ending." Today is your lucky day!

Route e is the ending credits of the game, except that the ending credits have turned into a bullet hell mini game. In fighting the actual credits themselves, you are fighting the game devs. You are saying fuck you I don't believe that everything is pointless. Fighting for better is always worth it. The meaning that we imbue in life is important to us and that matters.

The bullet hell of the end credits starts out fairly simple and gets harder and harder as you go, lasting something like 15 minutes total, which is a brutally long time to be playing something that requires split second timing and 100% of your focus. It's meant to feel insurmountable, just like the challenges the characters in the game faced (the larger plot challenges, not the combat). You will likely die a lot and check points are few and far between.

But there's more to it than that. The first time you die, a prompt comes up:

And then when you die again:

Except now, there’s a message on the screen. A message that appears to be from another player, somewhere in the world.

And again:

(this one really fucked me up, but that’s for a different post).

And then finally:

(thank you user MR-YE-1996)

When you accept the rescue offer, you go back to the bullet hell again, but now you have a wall of other players around your weak little avatar, shielding you from harm. The music, which has been a single vocal track up until now, gains an entire chorus of voices to represent the army of actual players who’ve shown up to save you (and there’s a lot I could say about the use of the (exquisitely good) music in the nier games, and especially about the difference in lyrical themes between ashes of dreams and weight of the world). Every time a bullet hits one of the players surrounding you, there’s a message saying that user’s data has been lost. Users from all over the world are sacrificing themselves to help you. It’s a very nice, heart-warming moment that you still don’t understand the full impact of quite yet.

After you beat the credits, you’re rewarded by a final cutscene. The android protagonists have been reconstructed and will receive a second chance at life. The narration at this point talks about how life exists within the spiral of life and death we are all trapped in. One of the two pods talking points out that even though the androids are being given a second chance at life, there’s a possibility that things will go just as poorly once again. And the other pod agrees, but adds: “However, the possibility of a different future also exists.”

And then the scene ends with this quote: “A future is not given to you. It is something you must take for yourself.”

And this is really the final conclusion of the game. There is no inherent meaning in the universe, so the meaning we give our lives is the most meaningful thing. (And the ‘you’ here isn’t necessarily an individual either. It can be, or it can be humanity as a whole, or even one group). And you, the player, thought that it was worth fighting to give these characters a second chance, and other players out there in the world thought it was worth helping you to do so.

It’s such a wonderfully beautiful piece of meta interpretation posing as a game ending, and also a departure from the final conclusion of previous Yoko Taro games. It feels like a much more mature and nuanced interpretation of the world than the ending of replicant was (I won’t comment on the new ending e of replicant just yet since it didn’t come out that long ago). (Also, for the record, I love nier replicant and the characters in it with my entire heart. This post is not bashing it).

But the game has one more surprise in store for you. After the cutscene ends, you’re given one last choice. The game asks if you have any interest in helping other players the way you were helped. And if you say yes, you’re told that the only way you can do this is to sacrifice all your save data.

I think that sacrifice hits differently for different people. Some people genuinely won’t mind that at all. As someone who probably still has save data from games I played 20 years ago, it felt like a gut punch. To me, save data represents all the time and emotion and energy I’ve put into a game. Games are so deeply important to me in so many ways and have been since my childhood when they were one of the few ways I could escape from a lot of terrible shit going on in my life. (There’s a reason my blog title is what it is). I could talk a lot more about that point, but I’ll leave it by saying that when I saw what the game was asking of me it felt like someone had knocked my legs out from under me.

For more practical players, it also is locking you out of chapter select, the best way to go back and get all the things you missed and grab the achievements/trophies you still need.

The game will point out that you’ll get nothing in return for this (not a lie, there’s no secret reward), that you will likely never know if or who you helped, that you won’t be thanked, that the person you help could be someone you intensely dislike, etc. And with all of this comes the realization that all those people who came to help you in the credits had already done this. Those people whose data was sacrificed to help you get to the final cutscene had already sacrificed their save data to help you.

We’ve now gone from a world where everything is meaningless, to a world where other real actual human beings out there have sacrificed something that represented hours of their time and a varying amount of emotional investment without any hope of reward to help a stranger see a message of hope.

When I was younger, I was more drawn to dark, hopeless stories. Stories about how dark and meaningless the world was. The world was a terrible place then too. 9/11 happened when I was in highschool (an incident that influenced yoko taro’s creation of nier replicant and had a huge impact on me at the time), the pointless wars that happened after and the recession and a million other things seemed to infuse everything with hopelessness. In that world, stories about everything being meaningless and hopeless felt correct. They felt validating. Yes, everything really does suck that much!

That sort of story lost its appeal for me later on. Pointless and horrible things continued to happen, and still continue to happen. The world events of the last few years have been an unnerving reliving of those earlier years, except even worse. The cycles of tragedy are still there with no end in sight. I’m exhausted from all of it. It really does feel hopeless a lot.

But stories that stop at that point no longer appeal to me. Stories like nier automata--stories that say yes, things are terrible, but there’s always hope, you can create your own meaning, it is always worth it to fight for better even if you fail, your life is worthwhile simply for existing--those stories are the ones I think we all need more than anything.

#nier automata #nier automata spoilers #nier spoilers #nier #nier replicant #niermp #mp #sitting around having existential thoughts on a sunday afternoon #as one does #nier meta

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cosmicbash · 3 years

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I'm hesitant to post this, because??? Honestly?? I'm not 100% sure I haven't already posted it. I was perusing my Google docs trying to relabel stuff as posted and such to better organize and found this, which @lemon-coke and me both can't figure out if I ever posted. So.

Better to repost it and give you all something to reread then not post it all I assume.

Sorry!

It starts out as a misunderstanding, of course, because how else would their relationship begin?

A series of short tentative chats that somehow blossom into a full on dinner together, Colson sweating and more anxious than he's ever been in his life. It just doesn't seem real, that not only could he be mending this feud with his idol but also sitting across from him at some fancy restaurant table learning Eminem eats his steaks well done like some child. And laughing about it.

He's actually laughing. With his idol, his rival, his highschool crush. Long legs kicking out under the table at his own bad jokes, Em half smirking back at him. Their feet brushing one too many times for the color to leave his cheeks even after he's done giggling.

By the time Colson is talking Em into splitting some crazy good looking chocolate cake he actually feels better than he has in years. Since before the beef. So of course something has to go wrong. It really would have to be a dream for things not to sour.

He wants to pretend the first few flirty comments are in his head. That Em reaching across the table to roughly rub some chocolate off his cheek is a Detroit thing. But by the time they're finished eating and waiting for the check Colson's creeping suspicion has turned into full on alarm bells blaring. There's just no way to excuse the nervous looks or Em's almost hesitant invitation up to his hotel room.

It feels like a slap to the face. Everything suddenly makes sense. Why they're eating in the other rapper's hotel, why Em is even speaking to him. None of this is to repair their relationship or end the beef. It's all just some poorly hidden buttering up before Em asks him to get down on his knees.

Colson should blow up. He should just lash out and throw his fist into Em's face. Storm out and flag down the valet. He's not some escort that the rapper can rent for the night and feed a fancy dinner to.

But there's that guilty feeling that has settled into the pit of his stomach. The one that's been there since he first lashed out and ruined everything with his diss track, the comments about Hailey, his childish bitching in interviews. It's only doubled since they first sat down to eat. Every muffled chuckle and weakly hidden smile from the older man digging that pit deeper and deeper. Showing him what he carelessly threw away in some desperate grab for attention.

It's got a small voice in the back of Colson's head warning him how if he says no and storms out he's just doing the same thing all over again, cutting Em out of his life. This time possibly forever.

So Colson bites his tongue and nods. His fingers anxiously climbing up into his hair to help hide the guilty look he knows must be on his face when he stutters out a "y-yeah, yeah, sure."

The genuine smile Em flashes back at him at his agreement just feels like a knife being jammed next to the shovel.

How can the man look so fucking blissful about something that feels like borderline blackmail?

But Em does. He looks stunned, downright flustered even at first at his response. Then happy. A happy that isn't hidden by some fake cough or behind a delicate yet strong looking hand for once. It gives Colson something precious to hold onto in the sea of uncomfortable and nasty emotions twisting up his stomach while the older rapper pays.

The knot just twists itself up tighter once they're in the elevator, his silence thankfully brushed off as nervousness by Em. The almost shy glance of steely blue eyes his way making him feel so small while buttons are pressed. Usually Colson would blame this kind of nausea on the ride itself, but for once his phobia of the small metal deathtraps is actually being overpowered. A new fear worming its way through his guts as each floor number blinks to life.

He doesn't want to freak out. To run away, but hes too goddamn sober for this. Avoiding smoking and turning down the offer of wine at dinner just to try and impress his idol was threatening to be his downfall. If he'd known Em was going to show such little respect and consideration to his being like this he would have lit a fat one up right there at the table. Hell, maybe that would have changed the older man's mind about propositioning him in the first place. Surely a druggie asshole was less appealing to make drop to their knees instead of his current carefully put together primped and meek self.

"Only a few more floors. Don't go green on me just yet Kelly."

Colson didn't know whether to take the playful nudge as comforting or creepy. Maybe, a little flattering? If Em had actually looked into him enough to learn about his problem with elevators and the man just wasn't guessing off the apparent discolor of his face that is.

"Y-yeah."

Imagining Eminem of all people actually following his interviews or caring about his personal life that much felt like a pipe dream though.

Outside of the next 20 minutes or however long it took for the bastard to get his rocks off he highly doubted Em would put much thought into his existence at all. Which would be fair. After all the shit he's said and done he really doesn't deserve the time of day from his idol.

A ding and the elevator doors were opening. Colson's legs feeling numb beneath him when he finally lets go of the railing in the elevator to stumble forward. Thankful that Em's focus was on digging his room's keycard out of his wallet and not his clumsy steps. Each one bringing them closer and closer to their destination, making the whole situation so vividly real he couldn't help but panic again. The other man's forced small talk about how he "Doesn't usually book the penthouse suite-" falling on deaf ears.

It’s ironic, how often he had dreamed for this exact scenario. For Eminem to be leading him up to some fancy high end hotel room, promising to shower him fully in his attention and gaze. Only now, with his dream coming true right before his eyes he can’t help but feel bittersweet about the heated gaze holding him frozen just outside the door. Em’s final offer for him to back down before they both step through the threshold clear as day in the look.

The twist in his gut tells Colson to take it, to just spin around on his heel and run away with his tail tucked between his legs. Accept he’s too much of a coward and too full of himself to actually mend their beef.

But the desperate need he feels for forgiveness and absolvement pushes Colson forward instead. Sheer will alone giving him the confidence to twirl his idols hoodie strings around his fingers to drag Em inside with him. The loud beat of his heart completely smothering the other man’s flustered outburst.

Just like in church the blonde finds himself on his knees not too long after entering. Mouth open and hands clasped together, ready to ask for forgiveness. Except this god he’s praying to is running it’s fingers through his hair, and there’s a stiff cock separating his palms. A chorus of curses and “Holy fuck, K-Kelly just wait a second, shit, your tongue is-“ tickling his ears instead of hymns.

He’s never sucked a cock before, and it’s embarrassing how quickly he finds himself choking. But Colson doesn’t give up, even when his jaw starts to ache and the grip on his hair grows a bit too tight. His discomfort doesn’t matter here. He just needs to make Em happy, earn the forgiveness he doesn’t deserve.

“Can I- fuck, can I fuck your face?” Both of the older rapper’s palms are holding his bangs away from his face, tilting his head back just enough to force their eyes to meet. The shame in his chest doubles but so does the surprising tightness in his jeans when he sees the uncharacteristic flush to Em’s cheeks.

He isn’t experienced, the smart thing to do would be pull off and admit that. He’s seen first hand how disastrous things can go but his head bobs in a yes anyway. Eyes already starting to water from how the action jabs the other rappers cock right against his gag reflex.

A low groan is all the warning he gets before Em’s fingers are knotting in his hair, forcing his head down to meet the thrust of strong hips. Stuffing that hard dick down his throat so fast it burns and his hands can’t help but flail, helplessly grabbing onto the meat of the older rapper’s thighs through his sweats. Unable to even steal another gasp of air before it happens again. Em’s hips pistoning forward to fuck his mouth like some cheap replaceable toy.

Even after he gags and gurgles spit the rapper doesn’t stop.

The harsh pants of praise and encouragement burning his ears just as hotly as the tears in his eyes. “Ah, so good. So fucking good baby, the best, ah-“

Colson doesn’t know what’s worse, how quickly his heart skips at the surprise tern of endearment or how pathetically his cock jerks in his underwear. Not that he has much time to think on it with how Em abruptly forces his face right down to the bone, soft and scratchy pubes tickling his nose. Startling him before the other man’s blowing his load, Colson’s eyes widening and nails cutting deeply into Em’s legs while he chokes. There’s too much, even with his throat reflexively swallowing it still fills up his mouth and bursts out the sides. Dripping down his chin and out onto his shirt when Em finally pulls him off.

It’s salty, and thick. Nothing like the eggnog Rook’s joked to him it tastes like. There’s nothing sweet about this thick cream, even if the lightheaded feeling he’s got from milking it out still makes him feel drunk.

“Shit. I wanna take a picture.“ Em’s palm is tilting his head back again, dragging his glassy eyes up away from the twitching spit slick cock in front of him. Thumb forcing his tongue down flat to flash what he can only imagine has to be a white mess before the hand in his hair is fumbling out a phone. “Can I?”

He almost wants to laugh at how the brunette doesn’t even wait for his answer before there is the unmistakable flash of a phone light temporarily blinding him. A curse and then another two, these ones at least allowing him the chance to shut his eyes tightly.

The shame within him is boiling, burning through his veins like lava and making his heart drop down into his stomach.

“So pretty-“ Em’s fingers are releasing his tongue and jaw to rake through his bangs yet again. Exposing his face even though Colson wants nothing more than to hide. A stifled sob tearing at his aching throat while he swallows what he can inside his mouth without completely gagging.

He can’t cry. That would ruin the mood wouldn't it? And if it doesn't, Colson doesn't know how he would handle having Em laugh at his tears. The almost soft demeanor and shy quality to his tone is all thats keeping the blonde from running away as it is.

The shuffle of shoes and curl of strong fingers pulling him up startles Colson's eyes back open. Lashes fluttering to blink away the brief flash of wetness that's blurred his vision before he realizes he's being kissed. That Em's palms are cupping his jaw yet again, helping him to his feet.

It's scratchy, and softer than he expects. Not that he was expecting Eminem to be kissing him in the first place, but the man doesn't relent. Just keeps kissing him, even after he's grown to his full height and the angle of their heads has switched. Em's tongue snaking its way inside his mouth while they stumble back further into the room. Until Colson's head is feeling fuzzy and his knees weak, the cushioned crash of his body hitting a mattress barely felt.

It feels wrong when Em's hands smooth up over his chest and down inside his jeans. The uncontrollable kick of his hips up into a tight hand around his cock almost blasphemous. There's no reason for Em to even be bothering with touching him there, he doesn't deserve it. But the rapper is sucking and nibbling along his neck, up into his ear to whisper a dozen filthy praises and compliments. None of them possibly true.

"So pretty-" "Perfect-" "Wanted to touch you for so long-"

"Stop-" Colson's hands feel shaky as they drag his idols face back up to meet his in a messy kiss. Breath tight while he tries to speak between pecks. "Just- fuck, just hurry-"

When he winds up on his stomach some point into the night, Em's too big cock pressing hard against his entrance he can't help but cry out. The pitiful fist he shoves between his own teeth doing nothing to stifle the sound.

It hurts, more than the thin fingers he'd taken only moments prior. But not as much as the soothing shushes and affectionate run of hands through his hair.

#and yeah #i kinda stole the formatting metalheadkells uses for their tumblr posts #i seriously forgot i had more options than just bold or italics #🥴🥴🥴#forgive meee #emgk #i hope if you have read it you at least all enjoyed it #and if not #the same #😭😭#prompts

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fyexo · 3 years

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201203 The Powerful, Limitless Kai

EXO member Kai unpacks his solo debut, artistry, and how he learned to express himself.

“I wanted to show that Kai is limitless,” 26-year-old Kim Jongin, better known by his stage name Kai, tells Teen Vogue of his newly-released debut self-titled album. The word is multifaceted, conjuring up an unfettered existence or an endless void, as terrifying as it is appealing.

Kai leans toward the latter. His voice — soft, restrained, thoughtful, and at times giddy during our interview — is an anchor in that wide open space. He’s quite excited about the idea of limitlessness, of existing on more than one plane, of proving you’re more than one thing.

Kai, out November 30, is just the first step.

“Over the years I've been in the industry, many people have seen me as a member of EXO. I have performed in front of our EXO fans and SuperM fans. This is the first time I'm actually releasing something under my own name,” he says. “I want to show people who Kai is through this album. The name Kai means ‘to open’. So, I want it to be open and show a new side of me.”

The year was 2012 when EXO debuted with an intensely mythological, high-concept origin story. Shortly after the heart of the Tree of Life dried up due to the red forces’ incessant attacks, Kai descended to Earth — along with the rest of the members of EXO — as part of the legends that “see the same sky but shall stand on different grounds, shall stand on the same ground but shall see different skies.” (A parallel to EXO’s original split into two groups, one focused on China’s pop market, the other on Korea’s.) Each member has his own superpower, and Kai’s is teleportation, although he doesn’t always know what to do with it. During the music video for “Lucky One," the rest of EXO use their powers to fend off villains, but Kai breaks out into dance. (Though if you’ve seen Kai dance, you’ll know that’s as much a superpower as anything.)

That may be Kai’s beginning, but he was brought to life by Kim Jongin, the youngest of three siblings, who grew up in Suncheon, South Korea, with an early interest in ballet and jazz dance. Taking on the persona of Kai at 17 years old, he began to set the framework for what he’d soon become known for: a fluid, captivating dance style infused with seemingly endless confidence, smirking through concept changes with ease. As EXO’s popularity hit the stratosphere shortly after their single “Growl” — with performances on world stages like the Pyeongchang Winter Olympics, the multi-million selling 9-member group remains one of the most revered acts in modern-day K-pop — so did Kai’s reputation as one of the most enigmatic performers in Korean idol music.

Duality is one of K-pop’s favorite concepts, and the endearing dichotomy between Kai and Jongin is a perfect example of where the person and the artist diverge. On stage, Kai paints a mysterious picture, flitting from lithe self-possession to seductive swagger, to borderline arrogance. Off stage, however, Jongin is uncharacteristically shy: he blushes when complimented by his group members, often forgets his own passwords (and asks friends to help out), and is obsessed with his niece and nephew.

While every gaze, every spin, every step with Kai is intentional, Kim Jongin is as free of the bounds of pretense as it gets. It could be as easy as turning a switch on or off, but that would be doing Kai’s ethos a disservice. It’s subliminal. “Kai is me in my dream state,” he says. “When I'm sleeping, it's like my dream character comes alive, and that would be Kai. I’m more of a normal, down-to-earth person. That's just me, but Kai is this persona that's on stage… I do notice that when I'm dancing and pulling off all these different concepts, [I’m] like a totally different person outside of myself doing that.”

And if EXO member Kai is one type of persona, solo performer Kai is another. He previewed Kai with a short film song-sampler, in which he “teleports” through a cinematic thoroughfare of concepts, each one diving deeper. In “Hello Stranger,” his voice is the lighthouse in the storm of the bustling city, asking to talk about the things that overwhelm you. “Reason” is a modern-day fairytale, with Kai as the quirky, attention-grabbing prince in a sea of droning conversations and pretentious debutantes. Hold his hand, turn the corner, and you meet Bad Boy Kai in “Amnesia,” sheathed in leather and a mullet (a hairstyle that continues to be one of the greatest things ever to happen to K-pop) and leaning into noble sacrifice: “Forget me before I know you,” he says. How can you?

We pass through scores of mirrors, each with a different version of Kai as he croons, “Don’t think about anything else.” He holds this attention until the mirrors open into a vast landscape. Now, he is the one looking at a mirror of his own — clad in lace and soft whites and vocalizing his desires openly, “Nothing On Me” is his version of suave vulnerability. The story ends on “Ride Or Die,” a throwback to yesteryears with its heavy, sensual synths and noir setup. It’s a full circle moment; this Kai is the same one we get a glimpse of within the first few seconds of the film, as a hologram. All this while, the mirrors that pull us through the songs have been windows, a journey through the hallways of Kai’s mind, ending in the confident reassurance that he will “ride or die” with us, till the end.

“[I wanted to show] that I can do anything and that anything is possible,” he says. “It’s the connection between teleportation and the limitless possibilities that I have as an artist, as Kai. I wanted to showcase that all of these different sides are Kai, are myself.” And he learned a lot about himself in the process of making the album. “To be honest, I was pretty stressed preparing for all of this on my own, but I think I learned a lot about myself throughout this process. Not just myself as an artist, but [also] a lot about myself as a person: my personality, how I deal with stress, and just... what I’m like as a human being.”

Teleportation is an apt comparison for Kai’s continued interest in embracing other art forms and expanding his artistic lexicon. If that comes with playing with the constraints of conventional style, fashion, and masculinity, then so be it. Like his artistry, his sartorial expression is boundless: whether it’s the slew of crop tops worn to highlight the chorus in “Don’t Mess Up My Tempo”, which gave us one of the most memorable fan-cams of 2018; to the shirtless red suit for “Love Shot” that, frankly, deserves its own museum; to the soft yet dangerous combination of flaming red and lace he’s sporting in the highlight medley for Kai. Every outfit is the period at the end of his words, mapping out his own zeitgeist.

“As my career progressed, fashion itself became a way to express myself on stage and the being that I am,” he says. “It's not just about expressing the song or the concept itself. I think it’s really important for me to try new things and have people notice what I've been trying. I actually want people to look back on the styles that I've tried as an example for them to reference later on. Fashion has become a really important thing for me to develop myself.”

At the heart of these many concepts, of both his Kai persona and his life as Jongin, is movement. Kim Jongin and Kai share a fundamental receptiveness to the world, and of course, a singular, synchronous rhythm that has become the bedrock of his artistry, whether as part of EXO or out on his own.

“When I was younger and I first started dancing, I think I just simply loved dancing itself. I was immersed in the art of dancing,” he says. “I loved doing it, but I think as I've progressed as a performer, as my career has grown, dancing has not only become something I love to do, but it's also become a tool [to] express myself on stage and to audiences. Dancing has been part of more than half of my life now. It’s like a friend that I can't live without.”

source: Tanu I. Raj @ Teen Vogue

#exo #kai #t: interview #teen vogue #album: kai

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cauliflowercounty · 4 years

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Gone Too Far? (Fred Weasley x fem!Reader)

House: Gryffindor

Blood Status: You Choose

Warning: Light swearing, some suggestive moments

A/N: Youre in an established relationship with Fred

——

Fred and George have been on a major hot streak. The pranks were glorious and the castle had been in mayhem for the last week, which the twins basked in gleefully and your heart filled with warmth seeing Fred so happy and satisfied with his schemes.

It was obvious who the pranks had been orchestrated by, but the twins were masters of their craft, working with a couple of other trusted Gryffindors to create air-tight alibis and complex game plans, so it was impossible to provide evidence that it was them other than “of course it was the twins!”

This round of pranks all started when the twins decided to get under the Slytherin team’s skin before the upcoming quidditch match. Gryffindor would be playing Slytherin and Draco Malfoy had been targeting Harry as of late to get him off his game.

In order to even the playing field, the twins enchanted all the statues in the castle to shout insults about Draco Malfoy whenever anyone passed them, earning cheers from everyone not in Slytherin. Some of the favorites of the student body were “Draco Malfoy is a deviled old twat” and “Draco Malfoy’s wig is made of treated Sasquatch hair.”

The statues were finally silenced once the statue of the architect of Hogwarts in the front hall shouted that Draco Malfoy was “a bigoted mother fucking daddy’s boy,” which Professor Snape heard loud and clear while discussing the upcoming Quidditch match with Professor McGonagall. Snape quickly silenced the statue and set off to deal with all the others, leaving McGonagall with a small smile on her face.

Next, Fred and George set to messing with the whole team and had sent fraudulent report cards in unmarked envelopes that would read aloud the fake abysmal grades they’d written in them to all the members of the Slytherin quidditch team. Fred and George also sent them to all the Slytherins in Harry’s year for kicks, in order to freak them out, too. This, earned the slytherins a lot of unwanted attention and resulted in all of them wasting about two hours going to their professors, trying to resolve their grades only to find they were fake while Fred and George snickered in the corner and the Gryffindor team booked extra practice time while their opposition was distracted.

Additionally, the twins had charmed all the food at the Slytherin table to turn into ash in peoples mouths and the pumpkin juice to disappear during breakfast among other things.

The last incident was the grandest that had yielded exactly what the twins wanted, but also ended up unintentionally landing you in a 3 week long detention with Snape.

The Slytherin quidditch team had finally been able to book a practice on the Tuesday before the game this upcoming Saturday. The Slytherins has been relieved that they were able to book the pitch since the twins had been putting obstacles in their way for the last week. Their relief was short lived; the twins had arrived at the pitch two hours before Slytherins’ time slot and enchanted all the equipment.

Upon releasing the bludgers, things seemed normal at first until the quaffle started to turn red hot in the chasers’ hands each time someone caught it, causing the player to drop it and yelp in pain.

The bludgers were normal, until Crabbe and Goyle started hitting them. Each time a bludgers came in contact with the bat, the bludgers would split in two. This went unnoticed by the two beaters until all 16 of the bludgers decided to hurl themselves at the team captain, intimately causing him to flee. This resulted in Draco Malfoy losing sight of the snitch, but once he realized what had happened, catching the snitch was the least of his problems.

The snitch on the other hand, had grown to be about a meter in diameter, but it kept its old flight pattern and started to zip around the pitch, cutting into the stands with its wings, which were now blades of destruction. It hurled through the air, nearly knocking all the players off their brooms.

This turn of events made the whole team to abandoned practice and return to the castle and find Professor Snape, knowing full well the twins were behind this. Hopefully Snape would be able to take points at the very least or have them banned at the upcoming match, making the Gryffindor team to have no choice but to forfeit.

As the Slytherins rushed into the changing rooms to escape the gargantuan death snitch, Fred and George popped out from the changing stalls and confunded all of them I order to ensure this couldn’t be traced back to them, making a quick getaway.

After being confunded, none of the Slytherins remembered who was at fault for the outcome of practice, but passed by you studying for Transfiguration on their way to tell Snape what had happened, resulting in you being blamed for the mayhem since you were the last face they saw. This earned your three month detention and lost Gryffindor 50 points.

You knew it had been Fred and George who executed the prank. Most people if they wanted to mess with another team would dye something a different color or perform an easily reversed transfiguration, but charming all the equipment to produce a quidditch practice from hell reeked of Fred Weasley and seeing Fred Weasley’s face after you had your talking to from Professor Snape said it all.

Because of that, you and Fred aren’t talking currently, which was mostly the fault of Fred since he was suddenly to shy to come up and apologize. Maybe it was the look of death you have him after you saw his face? You desperately wanted to talk to him, but he was avoiding you at all costs.

Otherwise, the final days leading up to the game were wonderful. Now, you’re sitting at the Gryffindor table with Harry, Hermione, and Ron, trying to get Harry psyched up.

“Come on, mate,” Ron says, pushing Harry’s plate toward him. “You gotta eat something. I haven’t seen you like this since your first quidditch match ever.”

“I’m just concerned about this time. Malfoy wants blood this time, especially this time since Fred and George have been merciless as of late,” Harry groans, shoving his head into his hands.

“But you gotta admit... Fred and George got him good. That statue moment was priceless,” Ron laughs. “Speaking of Freddie, are you taking with him again, y/n?”

“No,” you reply, “and it’s not my fault. He hasn’t spoken to me since I came out of Snape’s office. It’s too bad. I miss Freddie. I’m not even that mad at him anymore....”

Hermione raises her eyebrows at that comment. “Not mad at him?” she scoffs. “I’m not buying it, y/n. You were livid at him.”

“Well, that was only for 2 seconds. I can’t stay mad at that face,” you sigh, earning a fake barf noise from Ron. You roll you eyes at his reaction. “he did land me in Snape’s detention of all detentions for 3 weeks and lost us all valuable points. Now Ravenclaw is in the lead for house cup,” you explain, “but I’m over that. I want Freddie back.”

You smile, thinking about Fred and your late night conversations in the common room until 3am and the way he families when you laugh at his jokes. You sigh, hoping he’ll get over himself soon.

“Harry, eat something,” you say quickly, eager to change the conversation as you snap out for your day dream. “If you say Draco wants blood, you should eat so he doesn’t have the upper hand to begin with.”

You look over to the Slytherin table and they’re all horking down food like there’s no tomorrow.

“... also I think Crabbe and Goyle just ate a full chicken each,” you whisper, trying to look away from the two slytherin beaters with chicken fat smeared on their hands, face, and uniform. Your friends hiss at the sight and divert their eyes.

“Don’t worry, Harry,” Hermione smiles.

“Yeah,” you join in. “You’ve always been the better seeker.”

Harry nods in thanks and returns to his food, eating this time as you all hope for victory this afternoon.

“HARRY POTTER HAS SEEN THE SNITCH! He’s gaining in it and- Ooh! Draco Malfoy has just rammed into him from the side, pushing Potter off course! Now he’s after the snitch- Malfoy should really learn to find the snitch himself, lazy ass-“

“JORDAN!” McGonagall scolds angrily, glaring at Lee.

“Sorry, Professor! It just comes out!” Lee defends, but McGonagall shoots him a look of pure irritation. Turning back to the game, Lee stammers, “I-I mean... it won’t happen again! Potter and Malfoy are neck and neck! Fred Weasley deflects a bludgers header for his seeker! And now the seeker go into a dive! This is gonna be close!”

“GO HARRY!!” You shout as you watch Harry plummet towards the ground, swiftly pulling up inches above the ground.

The seekers fly forward, arms outstretched. From behind, a bludgers heads for Malfoy, knocking him forwards off his broom. As he falls, Malfoy grabs onto Harry’s robes and pulls him down to the ground with him. Both of them hit the ground, kicking up a large cloud of dust on impact. A resounding chorus of oohs euros from the crowd. That must have hurt.

“And the seekers WIPE OUT!” Lee shouts, nearly leaning over the edge of the stands too far in order to get a good look.

As the dust clears, the crowd mourners and a figure emerges. It’s Harry, holding the fluttering, struggling snitch between his fingers.

The Gryffindor, Hufflepuff, and Ravenclaw stands erupt in joyous cheers at Slytherin’s loss. Groans and angry shouts fill the Slytherin stands as Draco Malfoy, holding his arm limps forward and angrily kicks his broomstick, bitter and jealous of Harry basking in the glory of a Gryffindor victory.

You sneak a look at your Freddie. He’s bumping bats with George, a gleeful smile on his face, knowing his pranks and psychological warfare paid off. Fred looks down to the stands, and his eyes scan for you. You smile as you lock eyes. A dopey grin breaks in his face as he realizes that your smile is directed at him. You wave to him, calling him over as the Gryffindors next to you clear stands to get to the after party in the common room that’s sure to last late into the night with streamers, confetti, loud radio music, and endless butter beer.

“Hi, Freddie,” you call as he pulls up in front of you on his Cleansweep.

“Hi..,” he respond, a little on edge since this is the first time he’s said anything to you in days. Fred knew it was wrong to ghost you after the incident, but the longer he waited, the harder it got to say something to you again. “Y/n- I’m so-”

You giggle as he starts. “It’s okay, Freddie. I’m not mad anymore,” you explain with a comforting look.

“Please! I just messed up and I didn’t know that the charm would-”

“Fred! I’m not mad at you! You don’t need to make a speech!” You clarify, reaching out to him. Surprised, he nods and touches down in the stands next to you. He demounts and sits next to you. Folding his hands into yours, you lean on his chest and he smiles at the closeness. He’d missed you more than he’s care to admit.

“How come you’re not mad at me? I landed you in detention.. with Snape!” he says, furrowing his brow in confusion.

“Don’t remind me,” you shush, putting a finger to his lips. “All I wanted was a quick apology from you. Detention is a small price to pay.”

“You you think Georgie and I went overboard?” He asks you. “With the pranks?”

“If you didn’t go overboard, I’d be concerned,” you joke, learning you a small kiss. “It’s not like you to just half-ass a prank.”

“How do you even stand all my nonsense?” he asks, pulling you closer to him.

“It’s one of my many talents,” you quip. “And I love you. Now, go get changed, Mister Weasley. You smell like quidditch and we should be heading to the common room to celebrate your victory.”

He nods and grabs his broom.

“Come on,” he says, motioning for you to climb on behind him. You look at him incredulously. “I’m not letting you walk down all those stairs when it’s easier for you to hop on as I fly to the changing rooms. Get on, love. I don’t bite.”

“You,” you start, pointing at him, “know that’s an absolute lie, Fred Weasley. Remember that one time in that broom cupboard? And you just couldn’t-”

“Of course not! I cold too forget that,” Fred interrups, with a smirk. “I also happened to remembered we both agreed on a continuation of that encounter, but a follow up never happened...”

“Okay, okay, Freddie. Later,” you smile, climbing into the broom behind him and wrapping your arms around him. With a hearty Fred Weasley laugh he kicks off and you both fly off towards the changing rooms where he drops you off. As he heads in to change, you call to him that you’ll wait for him.

He shouts back, “no need to, love!”

You wait anyway. He smiles as he comes out with disheveled hair from changing, spotting you. He told his eyes as if to say “I can’t believe you waited again,” even though he loves that you sit and wait for him, and he takes your hand as you place a kiss on his lips. He returns the kiss immediately and holds you closely.

Breaking away reluctantly, you whisper “never leave me alone like that ever again, Freddie.”

“I don’t plan on it, y/n,” he smiles back, packing your cheek and pulling you toward the castle for the Gryffindor house party.

#harry potter #fred weasley #fred weasley imagine #fred weasley x reader #weasley twins #Fred weasley is a sweetheart

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dailyexo · 3 years

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[INTERVIEW] Kai - 201203 Teen Vogue: “The Powerful, Limitless Kai”

"EXO member Kai unpacks his solo debut, artistry, and how he learned to express himself.

Kai, out November 30, is just the first step.

Credit: Teen Vogue.

#EXO #EXO K #Kai #201203 #t:news #fs:teen vogue #album:kai #comeback:Obsession

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eurosong · 3 years

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Undo my ESC '21 (semi-final two)

Good afternoon folks, and welcome to the second part of Undo my ESC – my annual quest to make the year’s Eurovision better (at least, for me xD) by making a feasible change in each country – it could be something as small as altering a lyric or a staging detail, or as big as a different artist entirely winning the NF. Semi-final one was here so let's jump straight into SF2!

🇸🇲 San Marino: We're thrown into the deep end here with a fan fav that doesn't do at all for me. I'm one of maybe 5 people on the planet who prefers Freaky by far, I guess? I'm happy for Senhit to be getting so much love and for the diminutive serene republic to finally have a shot at a good result - but I'm not so keen on the way it's been done. There's a bit of cognitive dissonance for me because my favourite thing about Adrenalina is Flo Rida's rap, but I don't like the idea of bringing in famed American artists like "ringers" to elevate a song above one with "only" local talent. I would be so tempted to give the rap part to local artist IROL instead to spit some hot bars in Italian.

🇪🇪 Estonia: I had hope this year, I really did, for my era of absolutely adoring Estonia at ESC to be revived after 4 painful years. There were so many good songs at this year's Eesti Laul, like those of Ivo Linna, Egert, Gram of fun, Heleza - but ultimately, my huge favourite was, as expected, Jüri Pootsmann. Anyone who followed this blog back in 2016 knows how much I adore Jüri and was desperate to see him get a redemption arc at ESC itself. Magus melanhoolia was one of the best songs of the season for me and one of the best stagings. As much as I prefer '20 artists to get their shot in '21, problematic Uku with his toxic ex vibes song will have to step aside and let the Jüri renaissance happen here.

🇨🇿 Czechia: I really dig Benny Cristo - he has personality, presence and his own enjoyable style. At first I was kinda disappointed with Omaga because I was expecting something more in the vein of Kemama, with more pronounced Afrobeat influences. But it has grown on me a lot too. My change? Add more Czech than just one blink-and-you-miss-it line, mate! (Article continues below)

🇬🇷 Greece: I see this being talked up as potential televote top 3 and I just don't get it. Maybe it's the way the chorus rhymes dance with itself three times (and uses the term rockin' romance unironically); maybe it's the way that there are better 80s-inspired songs both in ESC and many fallen tributes in the NF season... it just leaves me cold. I actually preferred Supergirl and my change would be for Stefania to bring something with some actual Greek flair.

🇦🇹 Austria: I’ll echo what I said last year about Österreich – how did they go from Conchita to a guy who wished he wouldn’t have gay kids like this? I find both of this guy's songs insipid in different ways and I would invite Pænda back instead to avenge her getting robbed with the beautiful Limits. Or give a second shot at glory to the incredible Cesár!

🇵🇱 Poland: Unpopular opinion, but I absolutely love The Ride, and I feel bad for Alicja, but I much prefer it to Empires. What started as an ironic fondness for Rafał's cringy uncle vibes ended up being genuine appreciation - it's one of the few 80s-inspired songs that sound like they actually could have come out of that decade rather than like modern pastiches. And Raf actually does have an awkward charisma. My change - insert some Polish! Poland does so well with natural sounding bilingual efforts in JESC, they should bring it to the main contest too!

🇲🇩 Moldova: I was lowkey prepared to be disappointed by Moldova - I actually enjoyed Prison a lot and the news that they were going in a completely different direction didn't sit so well with me. And yet, I also love Sugar. Natalia's power! My changes: get rid of that weird scene with literally egg on her face - too on the nose for me. And incorporate a bit of the stellar Russian translation, Tuz bubi, because I'm always going to be advocating for more linguistic diversity xD

🇮🇸 Iceland: Daði Freyr can literally do no wrong with me. Whilst it doesn't have the same intense extra-fandom hype that Think about things did, I think I like Ten years even more. Nothing to change here.

🇷🇸 Serbia: It's no secret that Hurricane were far from my favourites at Beovizija 20, and that I find this a downgrade for Sanja compared to her powerful '16 song. And yet... Hasta la vista grew on me a lot, and so has Loco loco. It's something that is definitely scratching an itch at this year's ESC and the burst of anarchic energy it'll provide will be amazing. I am seriously tempted to change to the acoustic version, though, which has all the attitude of the original but is more beautiful for me and lets the girls' voices shine more.

🇬🇪 Georgia: Georgia keeps serving acquired tastes, and as a patron saint of marginal genres and I love them for that. This year, they've gone for something that even many fans of Tornike find hard to swallow - gone is the roaring rock of last year, replaced with a much more contemplative, soft effort that reminds me a little of Lou Reed. I enjoy both songs, but I can't deny preferring 2020. At the same time, I admire the chutzpah required to send something so different. I just wish there could be a moment to properly showcase T's powerhouse vocals.

🇦🇱 Albania: It was an odd Festival i këngës this year, outdoors in the freezing cold and without the orchestra that makes the songs soar so much more for me. Karma is a perfectly respectable winner, albeit one that lacks the immediacy and rawness of Shaj, Ktheju tokës and Mall. In my ideal alternate reälity, Arilena Ara would have been invited back. She'd bring a song as beautiful as Shaj - and not do a revamp into English that removes its edge this time.

🇵🇹 Portugal: 2015-2020 was a full on Portugal stan era for me. I want to believe that this year is an aberration and that in 2022, our lusitanian neighbours will produce the goods once again. Because ending a colossal streak of not sending songs that don't include Portuguese for this? I am baffled. I wanted the anthemic Joana do mar, produced beautifully by Luísa Sobral, or the timeless Contramão, which sounds like it escaped a Nouvelle Vague soundtrack. Saudade, Por um triz or a number of others would have been grand too.

🇧🇬 Bulgaria: I wasn't expecting much from Bulgaria - I really didn't and don't like TGS and the majority of songs in Victoria's NF-but-not-really aren't my cup of tea. I was happy she got her second chance, but resigned to not liking the song much that would get picked. And then, my fav, which was last in many community ratings, ended up being her pick. I adore GUIGO and believe it has the possibility to do very, very well at Rotterdam and be one of the 'moments' of the evening.

🇫🇮 Finland: CRIMINAL how YLE treated Aksel - it felt like he wasn't the defending champion, and that Erika Vikman had won the previous year. They also - I believe, deliberately - split his vote by making his just one of a number of ballads, so of course what stood out most were the two decidedly non-ballady songs. Finland only two years ago had a single-artist UMK. They could and should have brought it back for Aksel. I'd hope Hurt would win it, because that song is stunning.

🇱🇻 Latvia: I was, and am, delighted that Latvia stuck with Samanta Tina. The lady lives and breathes ESC, even wrote a university thesis about it, and if she tried so many times, finally won and then DIDN'T get to go to ESC, I would have gone to LTV headquarters personally to remonstrate. I really like both her songs. The moon is rising is poised, powerful and like nothing else this year. The only thing I'd change is adding some Latvian because it's a gorgeous language and we've been waiting for ages to hear it again.

🇨🇭 Switzerland: Gjon's song is once again not really my cup of tea, or tears - but I enjoy it better than last year's and I'm glad he's back. Highkey wish it did include Albanian or Romansch like confused commenters last year thought it did.

🇩🇰 Denmark: There is literally no excuse for Denmark's treatment of Ben & Tan. I'm not even a big fan of their music at all, out to not even allow them to compete in DMGP to defend their win with Iron heart? Even though there are songs that competed in DMGP that I prefer a lot, most notably Står lige her, I would probably have let them have a proper second chance.

And the automatic qualifiers voting in this semi -

🇫🇷 France: For me, France had an absolutely enthralling, sincere, perfectly Gallic entry that hit me so hard in the feels. And whilst I respect Voilà, no, that wasn't it. It was Pourvu qu'on m'aime, easily one of the best songs I heard all year inside NFs or out. I find Voilà a little too mannered and affected, whilst PQM is a shot straight from Juliette's heart into mine. In my dream, it'd have won CVQD and be receiving the same love that Voilà is right now.

🇪🇸 Spain: Whilst it is getting next to no love in the fandom and seems quite forgotten, I find Voy a quedarme one of the best songs sent from this country in several years - and I say that having preferred Memoria. I am proud of Blas and love that he had a hand in writing this song. My change? He said recently that the staging in Rotterdam won't be inspired by the poignant music video despite wanting it to be - I would incorporate elements from it in the live.

🇬🇧 United Kingdom: Frankly, I think almost all the Big 5+1 brought it this year, with the notable exception of Germany. Embers is the banger that I never thought was coming from James Newman, and it's been one of the biggest earworms of the season. I wouldn't change anything about it - I'd just ensure that the staging replicated the energy of the video as much as possible!

#eurovision #esc 2021 #opinion #eurovision song contest #eurovision 2021

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senchoubutter · 4 years

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Twisted Wonderland Guys As Kpop Songs I Listen To Too Much + Why

i’ma just say it now, i primarily listen to girl groups since I cover songs and they are in my range and i find them fun to cover most so expect a lot of those.

All songs are linked!!

Scarabia

Jamil

- Lucifer by SHINee || First and foremost I can see him performing this, easily. Aside from that, the song is tasty and classic. Jamil is a smart attractive man that is incredibly talented despite flying under the radar. People know of him but don’t take note until they know him, similarly to this song. It goes hard and you’ve probs heard it mentioned but you haven’t experienced until you played it at 3 am, screaming your heart out. Get to know Jamil and he ain’t just “some guy”

Kalim

- Um Oh Ah Yeh by MAMAMOO || This song reminds me of the 90s/2000s and there’s something about Kalim that also does that for me. Maybe it’s the not a care in the world disposition. I can see and feel in the second verse’s rap, Kalim’s warm smile. I can imagine him grabbing my hand, telling me to chin up. The choruses make me think of simpler times. Finally, Kalim seems like he’s always having a good time just like this song

Ignihyde

Ortho

- Candy Pop by TWICE (yes i know its jp) || This song always puts me in a good mood. It makes me feel warm inside and like everything will work out. When I see Ortho, I feel the need to protect him but also can’t help but feel like everything will be okay. Something about him brings a happy, warm peace to my heart that reminds me to just take a moment and find the good in life. The peppy beat of it just makes me think about how he almost always is smiling!

Idia

- Fairy of Shampoo by TOMORROW X TOGETHER || the song starts an I feel as if I’ve awoken floating in the deep sea, but i’m not scared. I feel at peace and as if I’ve been here before. The song tastes like iced tea and feels like nostalgia. When I look at Idia I see my past self and even present self. I’m afraid, I want to hide. The feelings the verses gives me reminds me of laying in bed, curled up in a jacket that hides my whole body, similarly to Idia’s. The song and Idia’s character call out to a nostalgic but soft side to a distant past I can’t recall. I want to stay with them until I can remember

Savanaclaw

Leona

- gogobebe by MAMAMOO || It’s got a lazy but sexy sound that Leona emboides. When the song picks up in the choruses it’s like it takes over your body, drowning the listener in an ocean of sensuality and playful teasing. It’s got a lil edge though too that caters to the gruff “fuck off” expression he has. I see the noise Hwasa makes at the end as the wanton but confused noise fans make as the man leaves, tail swinging after teasing them

Ruggie

- BAAM by Momoland || BAAM has such a sassy hyped up beat that screams a bitch that gets shit done, owns who they are, and lives life having fun. And it embodies everything I feel upon seeing Ruggie's smug smile. Even the rap bit during the second chorus has the sass and done-ness of “Leona-san! Get up!!”

Jack

- Bomb by AleXa || This song kicks your ass and so does Jack. Don’t for four seconds think he won’t beat the shit outta ya for underestimating him, similarly to AleXa and her music. The energy and the “I’ll show you” vibes remind me of this big dweeb. I would fear this man but turn to love him much like how I felt about this song as it was this artist’s first song. How do I say they just embody each other in my opinion lol

Pomefiore

Vil

- DUN DUN by Everglow || The sass. This song screams THAT BITCH, just like Vil’s everything. The way he carries himself is personified in this song. The power the song holds reminds me of his unique magic and how intense it is. Finally, the slower bridge is mythical and light as if giving the listener a feeling like they are walking on air and plays to the softer and more feminine side of Vil

Rook

- FINGERTIP by GFriend || Everything about this song is exciting. It’s suspenseful and alluring. If this song was a person, I could clear as day see it winking, whispering “chase me.” And that is exactly Rook’s brand of teasing and games. He’s a hunter but he’s got a charming aura to him still. This song wraps both of those things into it. The dance break is Rook’s darker senses personified. Umji’s lil “OW!” is he’s cute lil remarks in french, throwing you off now and then. But by the end of the song, you’re used to them and adore them

Epel

- Crossroads by GFriend || This song feels like a long lost friend that visits you in dreams. You can practically reach out to them but just as you do, you wake up. But you’re determined. That alone reminds me of Epel’s character as a whole. He doesn’t let his cute appearance push aside his wants and needs to be this tough guy. He, like Yuju’s strong vocals at the last chorus, presses on, determined each time he gets knocked down

Diasomnia

Lilia

- Deja Vu by Dreamcatcher || Maybe I’m biased cause I’ve covered this but this song is breathtaking. The melody speaks of a long road and the fight to keep on which I feel rings true for Lilia. We don’t know his true age but it’s clear he’s been around for quite a wild and the pain he’s probably gone through is unspeakable. He has stories galore and so much experience in life. I feel this song encapsulates a lot of what can only be speculated about him

Silver

- Crème Brûlée by GFriend || the soft, sweet song is addictive and cutesy. I feel Silver gets written off or ignored often, similarly to this song on the album. Sure he may not be god or a bad bad bitch, but he has his own warmth to him. Like this song, Silver makes me wanna curl up under a tree on an August evening and just take in life, making sure to breathe for once, releasing unnecessary tension and stress.

Sebek

- Black Dress by CLC || Sebek is very interesting to me and when he blushes, my whole heart stops for a second. It’s similar to how when they build up to the chorus‘s first Black Dress and the music stops for like a split second. Sebek isn’t my favorite but isn’t my least favorite. I like him more than some though, I’d say. I’d say the same goes for this song. I love CLC, this isn’t my top song of theirs but I still like it a lot. There’s something uniform about the beat that resounds with Sebek as getting shit done in mind also. Sometimes a song just makes you think of a character and you can’t perfectly explain it

Malleus

- Pretty Savage by BLACKPINK || Yes i know t’s only recently come out as i post this, but this bad boy on replay. The beat isn’t crazy upbeat but it’s interesting. Malleus intidimates me in general cause of his aura, and while I love this song a lot rn, it was very intimidating at first. It still has some “don’t come near me” energy. The slower bridge bit calls to his stoic expression, melodic and pretty

Heartslabyul

Cater

- ICY by ITZY || I’ll be honest both Cater as well as this song were things I thought at first were just meh, okay. But as time went on both grew on me. Now that’s not the only reason though I associate this with him. The, no pun intended, ice shattering sound of the song gives me friendly popular girl that seems to be buds with 80% of the school. This is the very vibe Cater always gives me. He wants to just have a good, happy life. Also the song is a “so what? I’m hot. Get over it.” vibe like Cater

Ace

- Drama by TOMORROW X TOGETHER || Ace reminds me the guy you fall in love with in high school and you no it’s not going to last but you let yourself get taken away with. Drama feels like a soundtrack of every fun adventure Ace goes on, no matter the trouble that he may get on. It’s fun beat just brings me back to skipping school, running to my car and trying to sneak away without getting caught. The thought of Ace at my side, would shoot my adrenaline through the roof just like the high note of the song

Deuce

- God’s Menu by Stray Kids || Deuce is just ready to go swinging and that’s exactly what this song is. Elbows up and out, head down, swinging without a clue. The intensity and fire of it speaks to that fire in him. Meanwhile the prechoruses are soft and pleasant almost like it’s not the same song, alluding to that cute lil smile he has got

Trey

- REALLY REALLY by WINNER || Similarly to Ace, this song reminds me of a guy you fall for, but in college rather than high school. Everything about the song and Trey just feels right. The choruses hold your hand and fits perfectly in yours. They know what to say to make everything okay. It may not last, but you sure hope it does and will love them like it will. And while Trey isn’t my number one boy, those are the exact feelings I have about him too. Finally, the rap part reminds me of Trey’s more sadistic side, it bites and you may not think it fits entirely but the more familiar you get with them, the more both fit and you don’t mind it entirely

Riddle

- Wonderland by ATEEZ || The demanding nature of the song makes me think of Riddle immediately. It’s intense and doesn’t mess around; it wants what it wants. Riddle is a rule based person and this song is rather militaristic aesthetically. The bridge though, is so regal and breathtaking. It could stop time. Riddle, despite the kind of guy he is, is the same way. The power he holds is impressive and admirable. This description may seem kinda like I’m shitting on him and see him solely as a rule boy, but like this song, I have made respect for him and wouldn’t want to cross him

Octavinelle

Azul

- Love Battery by Hong Jin Young but performed by LOONA on Immortal Songs || This arrangement of the song has a certain magic to it that I melt in. At the very beginning as the build up singing ‘dangsineun’ i feel like I’m being submerged in a wave, reaching to shake Azul’s hand, signing a contract. The choruses remind me of his smile, how distant but inviting it is. Daring me to fall for him. The dance break bridge reminds me of the intense eyes behind those glasses

Jade

- Love Shot by EXO || This song and Jade are both things I am fearful of but greatly intrigued by. They share a scary beat and energy that says I fear you more when you’re smiling. Please stop slowly walking towards me, you’re scaring me. But at the very same time, the choruses keep me around like how pretty I find this twin. The combo of put together, intellectual friend but could kill easily and without remorse sends shivers down my spine if I think about it for too long. The chorus of this song make me shake my shoulders that suppress a shiver each time

Floyd

- WEE WOO by Pristin || I love both Floyd and WEE WOO. The song is the feeling you get going 85 down the highway. Both song and Floyd, get me excited. They feel like the weekend. That feeling of coming home Friday during high school, tossing your bookbag down, and getting ready to hang out with your best friend. It’s a relieving and exciting feeling. It’s a peppy beat that bites during the harmonies a bit. Just like Floyd. Peppy, fun, but ain’t afraid to take a lil nibble

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fandomtrash264 · 3 years

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I have some Fred and George promts that I don't want to forget so imma put them here. If you are interested in writting them, by all means go for it, just tag me. I don't think I have a preference over who is in each scenario. I will probably write George and Fred based on what I thought but they should work with either twin. I do think they are different, im just saying that I could see the story going with either boy

• Reader and Fred pull a prank on George that changes his hair color based on mood. (Red - angry, blue - sad, green - disgust, light pink - embarrassed, hot pink - flirty, purple - in love/swooning, dark purple -lust) The 3 are sitting in the great hall eating and George is staring at reader and his hair turns purple. Reader thinks he has just zoned out and starts to bug him asking who he is thinking about. Leads to confession (and I imagine he is embarrassed so his hair is pink)

• Reader is a metamorphmagus and they like to switch between male and female so they change their physical appearance as such. (I see Fred as bi ngl) Fred gets a crush on the reader without knowing they are both people. A little while later, he falls for the other side (if that makes sense) of them and thinks he likes 2 different people. He is super torn and has no idea what to do

•This one is a Soulmate AU. The one where you can hear the music your soulmate is listening to. Reader is listening to ✨🌶 S p i c y 🌶 ✨ music and he knows its reader and he is shocked because they don't seem like they would listen to it and he is pleasantly suprised to find they are super flirty and such (he is twin of your choice lol)

•Yet again, one of our boys gets pranked. They lie about something that makes reader upset so they prank them so that everytime they try to talk, bubbles come out instead and the only way to undo it is to do somthing super embarrassing (I'll leave that to y'alls imagination's) and they refuse because they are petty but they eventually give in with this big social stunt or smth

•i imagine reader is a Ravenclaw (could really be any) who is the child of Bellatrix and *Moldy Voldy* (why ravenclaw you ask? I'll explain) They are in George and Fred's year so they are older than Harry. Reader was rescued a little before Harry was born and got to stay with someone else (probably Remus or smth. I imagine a gryfinndor so that way the Slytherin and the Gryfinndor kinda cancel out so you get Ravenclaw. Slytherin is their blood but they know its wrong so they push for the good values. I know slytherins can be good [believe me, I am very big on the fact that not all Slytherins are evil] but when its Bella and Mr. Tom, they have some bad bones) and they keep it a secret from their friends (the twins, the trio, etc.) Until Remus brings them to an OoTP meeting. He doesn't say who he just says he is bringing He-Who-Shall-Not-Be-Named 's child and they are terrified of how their friends will react. Kinda angsty but eventually they all understand that reader isn't evil

• Branching off of the previous, same family situation but when they were younger, they weren't seen as a child, they were a weapon. Trixie and Tommy boy would experiment on them so they are lowkey fucked up. They are super powerful and struggle to control it. Reader freaks out because they are terrified that he will be able to control them or see in their mind and good 'ole Gred and Forge help our reader to feel better and reassure them

• Reader and a twin are dating in 7th year (With Umbridge) and instead of breaking up or telling them about the plan to start a shop, they just leave and break off all contact. Years later they see each other and reader confronts them about how he couldn't even break up with them before leaving and he confesses his worries. Inspired by the song Ways to Break a Heart by Maddie Zahm [you can find it on YouTube]

• Can happen to either the reader or George or Fred but somehow by prank or accident in class, they get separated into different parts of themselves [parts like the 7 deadly sins (so they would be split into Pride and Lust) but also other things work (like Fear and Wonder)] and the other 2 have to deal with it until the problem is fixed

• (I have a lot with the boys and pranks, sorry lol) the boys get de-aged and reader has to chase them around because they are H E A T H E N S but then later on they put them to sleep and the Love Interest (twin of choice) snuggles up to them and mentions how much they love them and reader gives it no mind because "he was a baby". They snuggle and when they wake up the boys are of normal age and the Love Interest just snuggles closer and says something like "I meant it y'know. I really do love you/think you're amazing" and just. Fluff

• (I wrote George, yet again, could work with either) Reader is playing with the sleeve/hem/string of George's sweater/hoodie and he quips with a flirty comment like "you want the whole thing? Here, give it back when it smells like you" and the reader brushes it off as a flirty comment and teases "how am I supposed to know what I smell like? I'm noseblind to myself" and he gives them a scent. The scent seems familiar to them but oh well. They wear it because its soft and it smells like him and later on when they are chilling in the common room or whatever (George isn't there) they realize that's what he said he smelt in his Amortentia in potions last week and they lowkey freak out and go to ask him about it and aaaah! Cute things ensue

• [!!!TW: Depression, suicidal thoughts!!!] Can happen to either reader or one of the boys.(If it happens to a boy i see it being George as he seems insecure of being in Fred's shadow and I will write the prompt that way but it works with Fred and reader as well) George has been a little off recently and reader and Fred can't figure out what it is until reader goes to the astronomy tower late one night and finds George on the roof of the atronomy tower, seemingly fighting with himself about whether or not he should jump off. Angst, ends with fluff, reader helps him to feel better. Inspired by the song Achilles Come Down - Gang of Youths

•During their 6th year with the Triwizard Tournament, a durmstrange gent takes a liking to the reader. They start to court the reader and flirt with them, give them lots of compliments, try to show their affection. The Love Interest (again, twin of choice) get REALLY jealous tho and decides to try and out-do the durmstrang boy. This leads to really extravagant methods of flirting (ex. Sending a howler that is actually a shower of compliments or after a big quidditch match, the whole team does a choreographed dance where the suitor sings/performs to reader) all of this leading up to the yule ball. They either go with the durmstrange guy and deal with Love Interest later or they end up going with the Twin, whatever you would like

• Everyone is at the Burrow and they decide to watch a movie. While everyone is in the kitchen, the twin (who is the Love Interest) comes by and says "Oh! Are you guys watching a movie?" Readet replies "Yeah, P.S. I Love you" and he just blushes really hard and sits next to them and says "I love you too". Reader doesn't know how of if they are gonna tell him that "P.S. I Love You" is the name of the movie. Then everyone else comes back in so they have to wait until after the movie to talk about it. The whole time the movie is going all they can focus on are the "I Love You"s that escaped each others mouths. Inspired by a wolfstar text post by @starsandmoonys

• Inspired by the drarry work, Mental by sara_holmes on Ao3 (which you should totally go read like holy shit i love this idea sooooo much) written with George but as usual, can work with either. Reader is in for total shock when a joke gone sour ends with George striking them with a bad Legilimency spell. Due to this spell, they can (and have to) hear each others thoughts and see the pictures in each other's minds. What will happen when they see all that goes on in each others heads? Will they learn to communicate? Will they let one another in? Will they like who they see, or will they be scared away from the thoughts behind closed eyes?

• (TW!!!!: Dreamt character death, War) Fred and reader have been friends-with-benefits for a long time with feelings slowly growing between the 2 of them. They stay in denial until Fred has a nightmare one day where reader dies in the war. The next day he is desperate to hold them and see that they are okay. He confesses his feelings in fear of losing them. Inspired by Woke the Fuck Up - Jon Bellion

• [(TW!!! War) Fred lives] Fred and Reader had a huge fight right before Fred and George left Hogwarts and leave things on a rocky ending. Fred knows just how much he needs Reader and he desperately wants them back. Reader doesn't want to admit it but they miss him.and want him back too. They see each other again after the war and Fred breaks down in their arms and confesses how much he misses them and needs them. How hard it has been without them. Reader reciprocates these feelings and tells him. They start over, slowly building their love up again inspired by Bad Habit - Ben Platt [First verse and Pre-chorus would be Fred's feelings and second verse and Pre-chorus would be Reader. They blend on the 3rd]

• George has been strangely quiet all day. Reader is confused and a little hurt as George seems to avoid them. Leaving rooms when they walk in, not keeping eye contact and staying as physically far as he can. That is until they sit down in the great hall for lunch and Fred tells his friends (including reader) all about having put a truth serum in George's drink and all the funny things he has gotten him to admit. Reader goes to confront George about what he is hiding (because otherwise he would talk to them, right?) And they get an oddly specific but touching confession [ie. "I borrow your chapstick because that is what your lips will taste like" and "I see you in my dreams almost every night" ] inspired by Jenny - Studio Killers

• [Choose whether the person who can dance is reader or Twin of Choice. I will be writting with reader] The yule ball is coming up and reader can't dance to save their life. A certain red-heades friend comes in to help. At first, reader doesn't believe him because "c'mon, why would you know how to ballroom dance?" But they are pleasantly suprised to find they are actually really good at it. Like, REALLY good. "Mum made all of us learn. In case we ever needed it". Reader notices their feelings start to change as they spend more and more sessions together dancing until the yule ball occurs. Take it from there lol

• just a very cliche typical love potion fic. Reader volunteers to be on the receiving end of one of Fred and George's pranks- spike their drink with love potion- on one condition. The person reader will be in love with, knows about it. Reader figures this will allow them some leeway and safety against other pranks. All is going well until they spike the drink for reader to like (twin of your choice) and they realize that nothing has happened except they are a bit more flirty. Everyone is crazy confused because for everyone else they were head over heels swooning and attached at the hip until Hermionie (or somebody else) quips in with "You can't create something that already exists, y'know".

• So this one is less creative and it's also a mix of 2 tropes but bear with me. Reader is a very outgoing flirtatious type of person. They openly flirt with everyone, Fred, Ginny, Neville, Dean, etc. They don't care, its a way they show affection. Then, when they start to get a crush on George (or Fred) they star getting more shy and reserved with him. And he is completely clueless. He's lowkey hurt because "why doesn't Y/n crack jokes like that with me?" And shit like that. He is feeling down when he sees it. No, not 'it', he sees you. You and Fred flirting. He's got you cornered to the wall and your cheeks are flushed and George is big mad. (When really, Fred just cornered them so they couldn't avoid the question and was teasing and asking about their crush on George). George ends up seeing out Y/n, getting them alone and confronting them. Light angst? But ends fluffy as reader explains what actually happened

*im going to keep updating this as I get more ideas so be prepared*

#prompt list #my prompts #fred and george #fred weasley #george weasley #george weasley x reader #fred weasley x y/n #most of these are based off of songs

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shyrose57 · 3 years

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🌹" i already told you secrecy you cannot down right tell secret to people" dreamxd said clearly tired and annoy at secrecy" but i really want to help them and that secret can help them big time" she try to reason with her friend but she already know that won't work" here let's make a deal you can help them but you can tell them the secret you can give them hint so they can solve it their own"xd said as he looked at his friend who is clearly mesmerized at the deal" YES YES YES" she agree with no hesitation" well i gotta go i promise void that i will visit her along with pride it's been awhile i don't want her to throw a tantrum" xd said clearly don't want face the wrath of the void" ok i'll visit flower maybe we could have a tea party and invite harmony well we're off goodbye xd" and they go to their respective people that they have to visit

Dream xd the god of law and order they make sure that the goddess are not doing anything bad that could greatly affect the world they also make sure that the godlings are doing alright he doesn't usually interfere he only interfere if someone has broken the rules that he have given

The reason that pride split the end is because long time ago someone tried to close off the end something happened that caused all of the end portal do not work anymore and that caused a big riot and the damage it caused was big so she decided that it would be best to split it

Flowers children they have a mark on their hand a flower tattoo they make sure that no one hurts them no plants shall hurt them flower can grow flowers or plant from other dimensions her children however cannot they can only grow that if they're in the respective dimension if one of her children is in the end and try to grow the chorus fruit then it will grow but if she or he try to grow it on the overworld it will not grow unlike if flower did it it will grow

Ghostbur philza is happy to know that his wife is no longer alone in the afterlife while wilbur is quite having a mixed feelings he thought he was getting replaced but as the time grows he was able to grow used to ghostbur sally but sometimes visit his husband in the limbo and then there they will talk about fundy and how they are doing they're having picnic there sometime the undead creature they are both in death's domain and life's the main since they still can able to walk and still interact with people i like ghosts life is the one whose mostly incharge with them but doesn't mean that death can't pull them back to the after world fundy's blessing is like his fathers but weaker since his father is also demigod will be a little weaker but its still there

So he has a relatively good relationship with them? Does XD have any kids of his own?

How did splitting it fix the issue? If the End portals didn't work, does that mean nobody's been into the End ever since that happened?

What flowers do Tubbo and Lani have on their wrist? If one of Flower's kids were born in a different dimension, would they have an easier time growing the plants from that dimension than a different one?

The family gets along with Ghostbur fairly well then? How do all the other kids feel about him, growing up alongside the SBI and all? So Fundy basically just has a watered down version of his father's blessing? How does Wilbur feel about that?

#dream smp #dream smp au #Pantheon Of Moms AU #tubbo #dreamxd #ghostbur

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hemlockyy · 3 years

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Miss You - Lyric Analysis

by me because im bored.

yet again because whats more fun than going over lyrics for the 2736843th time? Absolutely nothing! and if you thought of something, you're lying to youself

So, miss you was a song released in the 8th of December 2017.

Some backstory before.

ObViOusLy, the whole babygate thing, add a lil cherry on top with the Elk split up (23rd march 2015 - 2 weeks prior) and them getting back toguether in 2017 (17 Feb). All of this aswell as Danielle and Brenda in the middle of it.

K with all the smol context under us we can already look around and see that just by the title 'Miss You' people had speculated it was for Eleanor, and since Louis said :

I wrote this song about a time in my life when I was going out partying every night. In hindsight throughout that time I was pretty numb and just going through the motions. Deep down it was always in the back of my mind that what I really missed was the girl that I loved

which obviously links the song to two occurences:

Babygate: 'was going out partying every night' (since we know for a fact he literally went partying every week)

The split up from Elk

but the thing is right- lmao Danielle just danielled away. No mention whatsoever.

This, all of this, and JUsT that quote that Louis gave us already destroyed like- half the narrative of 'Really good friends w an oops baby' and (obviously) just tarnishes yet again the 'engagement' route they were going to take. BUT IT ALSO leaves Danielle behind as if she didn't even exist!!

Which by the way things look, she might not've anygays.

The music video was made in LA

which again (If I could I would literally kiss louis brain) links it to Babygate.

Now the lyrics

verse 1:

"Is it my imagination?

Is it something that I’m taking?

All the smiles that I’m faking

“Everything is great

Everything is fucking great”"

Obviously we can literally hear the sarcasm on the last two lines. 'All the fake smiles' reffering to all the pap pics he did while the lead up to the Holy Conception. Aswell that him reffering to the scene as 'imagination' or 'something that he's taking' could emphasize that its so bad, so unreal that he thinks its a joke and that he's either too drunk or thinking it.

Going out every weekend

Staring at the stars on the ceiling

Hollywood friends, gotta see them

Such a good time

I believe it this time

Again, him reffering to him being papped every week on a club with the first line, the 'stars on the' ceiling reffering to the lights in night clubs, 'Holywood Friends' reffering to Annas, and specially reffering to Snoop Dog and his launch party, which was when this picture happened:

pre chorus:

Tuesday night

Glazed over eyes

Just one more pint or five

Does it even matter anyway?

One of the fucking smartest lines in my opinion, him reffering to tuesday. Which is him reffering to the day the first article of him being out partying came out:

The next are him reffering to what always happened; drinking and feeling shit. 'does it even matter anyways' is his subcontious trying to tell him to give in and just do what they wanted him to do, saying that it doesn't even matter because either way the end will be shit (and bla bla bla, but again, its his subcontious. not him.)

chorus:

We’re dancing on tables

And I’m off my face

With all of my people

And it couldn’t get better they say

the first two lines are ofc reffering to the feeling of being drunk, 'dancing on tables' and 'of your face' are ohrases people use to refer to drunken states. The 'people' Louis is reffering to is his escorts; people paayed to carry out what is supposed to happen that night (bodyguards, pr managers, paps, in cases the girls aswell he appears papped with), and the line 'couldn't get better they say' has both the connotation of this being the LA dream, of always partying, knocking chicks up, drinking to your hearts desire- aswell as having the connotation of 'his people' telling him it will not get better, so don't try to oppose it. (which links back to the previous verse 'does it even matter anyway')

We’re singing 'til last call

And it’s all out of tune

Should be laughing, but there’s something wrong

And it hits me when the lights go on

Shit, maybe I miss you

'singing til last call' refers to how late he spent in the clubs and 'out of tune' suggest again the drunk state. 'Should be laughing but there's something wrong' is again, elluding to that LA dream partying state that should've been what he was feeling, since that's what the media said. The 'lights go on' is reffering to the paps, when they take pictures (and obviously the miss you is talking about eleanor because he'd much rather stunt with her than be here lmao ) And yes, the miss you is reffering to Harry.

There doesn't have to be a reason and obviously it could also be a stunt line in the song- but let me explain what I think: We can see Louis' state by the end of the paps shoots, how he slowly just becomes VERY tired towards the last few ones. And keep in mind he was also touring with 1D WHILE HE PARTIED. Which meant it was Show-Party-Show-Party with things thrown between it aswell. Giving close to little time to spend w Harry.

(Pretty sure that's not at all what happened, its just what I think- it was such a fucking busy thing, I'd not be surprised if they both were stressed and not having enough 1-1 time)

Verse 2:

Just like that and I’m sober

I’m asking myself, “Is it over?”

Maybe I was lying when I told you

“Everything is great

Everything is fucking great”

First line reffering to how in the morning, next day of partying, he was again sober- for the shows- and him asking 'is it over' refers to how he just wanted it to be over with, all the patying and paps.

The two last lines could signify him talking to someone about his life- I'd say that the 'you' here does not mean Harry- but someone else- them asking "How's your life going" and then him going "Great Great, yeah- fookin great ykwim"

something along the lines of that you get me.

And all of these thoughts and the feelings

Chase you down if you don’t need them

I’ve been checking my phone all evening

Such a good time

I believe it this time

the first and second lines here are again, Louis talking about his subcontious; that 'this will turn on us' reffering to him and Harry. About a (probable) fear that this will make a strain in their relationship and stuff.

(a/n: kind of like how a lot of shippers unlarried while babygate was happening because 'louis couldn't cheat' or how a lot of shippers say they broke up during that time because 'Harry couldn't take the stress' and stuff)

Im not saying they broke up not that he cheated. What I'm saying is that there was a fear that this would make them break up- he says 'chase you down' which has the animalification of the wolves chasing down the pray to kill them etc.

Bridge:

Now I’m asking my friends how to say “I’m sorry”

They say “Lad, give it time, there’s no need to worry”

And we can’t even be on the phone now

And I can’t even be with you alone now

the first line links to what I said about Louis' subconcious; this would be that constant need to say 'I am sorry' for something that isn't his fault or something that he can't control, and then the second line goes on to say that he doesn't have to worry because, again, its not his fault and Harry undertands that.

Now the 'We can't even be on the phone now, I can't even be with you alone now' refers to their public appearance, on how other than that Paris interview there are no other interviews with just them two, on how we didn't get a Larry hour on 1Dday... It refers to them literally being unable to say anything to each other because of management.

Oh, how shit changes

We were in love, now we’re strangers

I WANT TO ALIENATE THESE TWO LINES BECAUSE OF HOW FUCKING LOUT IT IS.

this one links ti the last two of the previous, again on their public image (His and Harry's) about how they were once in love (fetus) but now they're strangers (the mortal enemies narrative)

When I feel it coming up, I just throw it all away

Get another two shots 'cause it doesn’t matter anyway

And to top off these last two lines of the bridge is him linking all of this back to the start of the song: 'is it my imagination, is it something that I'm taking' with 'when I feel it coming up, I just throw it all away'; when the thoughts that this is all fake and once he wakes up or stop imagining its all going to be better (aswell as with the connotation of over partying and vomiting) but at the same time him making himself stop those thoughts because he knows this is reality. And then round back again with the repetition of 'doesn't matter anyways' with it feeling like a dead end to him.

#Spotify #I swear I could do a full on essay on this song #Larry Stylinson #Louis Tomlinson #Miss You #Louis #One of my favourite songs tbfh #of forgot to add that by louis not singing this song #is basically him saying that he is not hopeless and that he knows what he is doing #also #makes you wonder why the label didn't give the song proper advertising right #along with other stuff #I just wanna kiss Louis' brain #Louis songs #Song Analysis

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tactyl-ymon · 3 years

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DnD session recap - Demons and Disappointments

We open several days after Tactyl Y’mon’s devastating defeat in the Principium fight pits against a group of frankly better equipped fighters who tried beat the magic of friendship and teamwork into everyone and Emmi leaving for horizons unknown on a ship with her mother, with everyone else partway through a series of group training exercises under the watchful eyes of Sukaren and Core, each offering their own version of helpful criticism to strengthen the groups teamwork. After several drawn out battles and training montages even Sukaren is left speechless although whether that was due to her being impressed by the groups teamwork or frustrated by their upsetting amount of dumb luck is yet to be discovered. As the group catches their breath, Core approaches and asks if the group think they’ve had enough only to be met with a mostly exhausted sounding chorus of yeses before Core smiles like a proud parent and mentions that one of his acquaintances, an elderly seer who lives in Principium has had a dream about the group and asked everyone to come see her when possible for guidance and that they should leave now before Sukaren finds another beast for them to fight so she could keep criticising them. While walking to the city, the group encounters their sometimes dragon, sometimes halfling, all time nerd friend, Fulgur who seemed excited to discuss what the group saw of the outside world and the seemingly endless storm overhead. They discuss how everyone felt a vague pull in their hearts towards the portal that led here, the druids in Kincaid village who knew most of the group from when they came and how time didn’t match up outside, Septima and Fulgur discussed old friends and acquaintances like the high elf inventor, Hattori, disgraced and kicked out of their society due to the nature of his experiments and who was responsible for Septima’s current form. With Hattori’s mention, Whisky pipes up that she knows a high elf named Hattori as well, in a jungle far to the east, he was her old teacher and taught her everything she knows about fighting, although he was very secretive about his life outside of her direct teachings. As fate would have it, most of the team has encountered him or his works with Fulgur mentioning that the hammer dangling from Eridol’s side was also made by him and the rapier that Veiraen stabbed himself with was also the inventors creation. After several silent beats, conversation continues on to the Night Roc that still lives in the Jaunted Pillars and the dragon Nervilyth that escaped it’s soulbound prison with part of Septima’s essence. With the mention of the undead dragon, Fulgur falters and tells us that should be impossible, Nervilyth should have died centuries ago before Osteria was created. After several minutes of the possibly millenia old dragon umming and ahhing over how Nervilyth still being out and about is a bad situation for literally everyone, the conversation moves back to the very large bird that tried to eat everyone after their impromptu trip through the sentient fast travel system known as the slyph. The group give as many details as possible about the night roc, the general surroundings of the Jaunted Pillars and how it’s become an overgrown mushroom forest that you should absolutely not burn because it’ll mess you up, but if you ask nicely, the group does have 2 pounds of the stuff in the bag of holding … for science. With the impromptu drug deal out of the way, the group discusses how the Roc almost ate Eridol and some possible spots the bird could relocate outside of the fungal hellscape that was poisoning the forest and was definitely not the type of environment to raise a child, even if that child is very large bird that could probably deepthroat a cow. The group leaves Fulgur outside his shop as they continue southward through the city towards the newly gentrified slums of the city to the patchwork tent of the elderly seer that had asked for them. We see the physical embodiment of what you think of when you envision grandma vibes but with dirty, short scraggly hair, enough teeth to count on one hand and milky non responsive eyes. Introductions are made over fresh brewed tea. Core explains that the seer had seen glimpses of the past that seemed to tie in with our undead dragon problem before she interrupts and mentions that we carry a strange scent with us, earthy, very potent, possibly magical and while everyone instinctively looks at Septima, she scoots over and somehow suddenly deaf to our protests begins rummaging through our packs until she finds the magic mushrooms and gets very excited. Mentioning these will do nicely and would allow her vision to extend to encompass us as well so we could see what she sees, makes it easier than having to put into words what she sees. With everyone weirdly eager to take a trip with their new grandma, we arrange ourselves around a fire, all hold hands and get our edible on. The tent disappears around us as everyone feels a pull in their brain far to the east, they find themselves sitting far above an empty expanse of desert, a monstrously large range of mountains to the side as time begins to rewind itself. A bright flash appears and the expanse of desert is replaced with a continent spanning city, bejewelled and twinking like the night sky itself. Centuries and millennia pass in an instant. The mountains themself begin to shudder and shake as the rock recedes and forms into a immense draconic skeleton, the earth shudders open and closed over the eons as golden flesh returns to the great wyrm and it jerks back to life next to a burning and nearly destroyed city, fire curling back and returning to the dragon in a sick reversal that left large patches of the city undisturbed. As time begins to slow it’s reversal and begins slingshotting back to where we came from the seer points to the golden great wyrm, proclaiming it as Aggadon, a powerful tyrant who’s bones hold together the earth itself. The city under attack is Aggadon’s Reach, the home of Septima, Fulgur and others from centuries ago. In the seconds before the city disappears in a flash, we see several small coloured dots racing towards it from all directions. Blue, Green, Black, White and Red. Septima is the one to confirm that they were Nervilyth and several other dragons that had come to shatter the hold Aggadon’s bones had over the earth itself and usher in a new age of destruction. As the vision fades, everyone finds themself in a grey expanse before a flash of violent purple light can be seen from within the seers still unresponsive eyes as she begins writhing unnaturally on the ground, she screams that the dreamwalker approaches and to run before the screams are cut short and she stops convulsing, body still contorted in a grim knot, rising slightly off the ground like a marionette on its strings. Her eyes replaced with a void of stars as she looks through everyone present and in a cacophony of voices says it looks west for strength and with a flick of her hand, three small specks of light appear in the seers withered hand as Core, Septima and Veiraen fall to the ground dead. She looks past Whisky and Donnatello, towards the small faltering figure of Eridol, a look of annoyance flashes across the elderly face as the voices whisper “God-touched” before the rictus grin reappears and the seer’s body begins folding in on itself. Each sickening snap and scrape the only sounds in the void before the body drops, whatever forced connection severed by the entity calling itself the dreamwalker. The expanse disappears and everyone is back in the tent. The already muffled sounds of outside were muted by the carnage inside the tent. Eridol screams and begins shakily reciting the prayers to resurrect the fallen comrades. Whisky and Donnatello try to make the seer comfortable while Eridol works. It feels like hours later when he finishes, Core, Septima and Veiraen conscious and the seer clinging to life. The group determines that whatever this is it’s above what they can deal with and petition Core to let them take it to the remaining council members of Ostaria. Upon hearing the news of what they have seen the council members mention that there is little they can do here. These entities are far older than anything their libraries would contain and if the group needs information they would need to leave the general safety of the country and travel abroad, quiet discussions occur about the available destinations and two options are given that garner a split vote. They could travel to the libraries of a magical city to the east or the religious archives of Eridol’s home country of Falthresh, far to the west. With a an even split of votes on where to go, the group splits, Septima, Whisky and Donnatello set to gather supplies and organise transport while Veiraen goes with Eridol to the large central temple in the city for Eridol to ask for guidance from his god as to where they should travel first. The Travel trio organise a lush carriage for the group with horses to pull it before coming across a travelling salesman the group had recently encountered and somehow charmed into liking us. Mentioning that he could teleport us to either location if we really needed but it would be up to us to make our way from there. Meanwhile at the large central church in the city Eridol tries and fails to commune with Tyr as Veiraen watches, growing frustrated the cleric asks if Veiraen could step outside and wait for a second as he begins another self pitying attempt to garner the gods attention, talking about how he is lost and needs guidance … he needs orders to server Tyr better. The room goes dark as Eridol finds himself in a misty void very similar to the one he found himself in earlier that day, the only light source being an immensely large, bright blue eye. As it slowly turns to focus on the small cleric, wisps of smoke begin to rise from the ground and form into several humanoid shapes. Before Eridol stands ghostly visions of his old military scouting platoon, they stand perfectly still, like a moment paused in time before turning towards Eridol and the very air itself shakes as an all encompassing voice shouts “YOU DISHONOUR THEM” The figures reach out pleadingly for Eridol as spectral gauntleted hands reach up and drag them down into the fog. The light begins to change to a sickly green as the figures are consumed and Eridol falls to his knees clutching his side, a familiar burning sensation tracing its way across his abdomen. Eridol sees flashes of the people he’s failed, of his home, of his family before he is back in the small church room, a worried drow rogue standing over him looking at the very clear unholy symbol of Bane branded into his side. Eridol heals the wound to the best of his abilities and asks that Veiraen not tell the others about this, not yet anyway. Veiraen, disappointed that Eridol is still so unwilling to trust him and the group, agrees not to say anything for now and they leave to catch up with everyone. With everyone back together and the obligatory showing off of the fancy new fantasy campervan the group sits down and Eridol mentions that he’s changed his mind and thinks they should go to the religious archives in Falthresh and that there’s definitely nothing that happened to influence his decision. After several pokes and prods from Whisky and Septima, Eridol mentions the vision he saw in the church and knowing that he would be physically unable to answer any questions on his own about what it represented, decides to cast zone of truth on himself and the deluge of secrets come out. He shamefully tells the group about his time in the military, his bonds with the platoon members, the cultists who ambushed them, the dungeon under the mountain they ended up in, the torture he endured at thehands of a so called Scholar until he broke, the despicable acts he did under their influence that earned him a heretics brand, the rescue by clerics of Tyr and not knowing what became of his found family, his abandoning the military, abandoning Sutha, his fiance and his family and his begging to the gods for strength to stop anyone else from following in his footsteps, the possible fate that awaits him once they begin travelling and that he is trying to do better, but he understands if they can’t forgive his past. The silence that follows is broken eventually by Whisky asking if anyone else needs a drink after that and that they’ve got a long day of teleporting half a world away to look forward to tomorrow. The group wakes early the next morning in several different shades of hungover and makes their way outside the city to the temporary camp of their travelling salesman companion and after an impromptu shopping session that nets the group several enchanted items, the destination is set, an oasis a couple miles out from the Falthreshian border crossing to avoid any military presence at the border and to avoid questions about why a carriage of heavily armed individuals is just appearing within the country. The salesman mutters some things as he does the mental math for the teleportation circle before very confidently rubbing out one of the glyphs and replacing it with a slight variation. The smell of chalk dust and ozone fill the air as the magic sparks to life and everyone boards the carriage and trundles through the gateway. It takes several seconds for the spots in their eyes to clear and see not a small, little oasis in the dunes but a mountain looming above them, gnarled and sinister trees surrounding the group on all sides and Eridol’s gut drops. He realises he is infinitely familiar with this mountain and the secrets held beneath it, everyone sees the panic and fear setting in on their small friends face as he wildly takes control of the carriage and begins rocketing in any direction away from it. The carriage narrowly missing trees and ditches large enough to bury a horse, until they don’t and several group members are launched forward into boulders and fallen trees and under one particularly angry coach horse with a broken leg. In the minutes it takes them to untangle themselves from the woods and heal the horse they hear a loud inhumane screeching come from above and a voice in their heads “Scholar Al-Halrazi sends his regards” as a giant demonic entity bashes its way into the camp, throwing an already injured Eridol closer towards death. A swift and brutal battle ensues before the creature falls and disappears in a violent explosion of sulfur and soot. Their victory is short lived as a flash of lightning illuminates the countless unnatural forms from within the clouds as dozens of Vrocks begin diving towards the group, intent on taking their prizes and Eridol does something he desperately does not want to do, he calls for his mother, telling her about the demons on their tail and hoping she can gather whatever help they can and intercept them outside his hometown of Brightbattern. Without waiting for an answer, everyone piles back into the carriage and continues their panicked descent trying to dodge divots and demons alike, hoping and praying that their message didn’t fall on deaf ears.

#dnd #dndrecap #tacytl ymon

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