#but I should write them just in case I guess

[gods-perfect-idiots]

Okay bear with me folks, I have some ~thoughts~ about the Vanessa/Wade relationship (or frankly lack thereof) in Deadpool & Wolverine. I should start by saying that I am analyzing this with the (likely erroneous) assumption that everything on screen is 100% intentional and mindfully written to deepen the characters and inform their arcs. For the record, I don't necessarily believe that's true - there is certainly room for mistakes, lazy writing, confusing plot elements, or in this case, sidelining a potentially strong and important character for nebulous reasons (I'm guessing scheduling conflicts + run time concerns + actor's strike complications but idk for sure). (Also thanks to @gossippool and @kendyroy for encouraging me to post my thoughts instead of just rambling in the tags in the first place, y'all are the realest)

Long rambly post below the cut fyi

Now, granted, it has been a while since I watched the original Deadpool so I am not as well-versed in their early relationship as I am in the handful of scenes Morena Baccarin has in dp3, but I do think it is pretty canon that Wade generally struggles to express his deeper worries and feelings (without filtering it heavily through crude humor, sex, and pop culture references of course), especially after the events of dp1 and the physical and mental damage he sustains, and Vanessa is frankly no exception despite how much he cares for her. The entire first movie hinges on the fact that he doesn't really believe she could love him in his post-Francis mangled state, which is pretty contrived imo given that the film has established already how bonded they are, and she doesn't strike me as being written to be so shallow as to reject him based on a physical deformity. I mean iirc she wanted to stick around through chemo despite him being literally riddled with inoperable cancer, so she clearly is in it for the long haul (at least in dp1), messiness and all.

Now, in dp2, obviously she is shot and killed early in the film, and Wade spends much of the rest of the film wallowing in his very profound grief, trauma, and guilt over losing her due directly to his violent lifestyle. He goes to prison, he basically gives up on life and seems very resigned to dying once he has the power suppressant collar on, even excited to do so so he can be reunited with her. She is mostly sidelined as a Fuzzy Dead Wife trope basically, but the important thing here is that he spends weeks if not months in the throes of despair over losing the love of his life just as they were trying to start a family, and trying to reach across the boundaries of death to be with her.

Now, my first couple times watching dp3 I was frustrated by the trite narrative presented in the interview scene towards the beginning - specifically Wade's whole "my girl is getting tired of my shtick and I need to show her I matter". It felt contrived and disingenuous, and I just brushed it off as iffy writing, a means to an end, but the more I reflect upon it the more I think it is based in an emotional reality that is just handled with a very light touch by the film in favor of fanservice and Poolverine content (NOT that I'm complaining in the slightest - I think this movie is a masterpiece in many ways, albeit a flawed one but that's beside the point here), which for the record I am not against because I think it lends it an air of realism. This is Wade's story after all, Vanessa is a part of it but it is ultimately about him and his journey.

Basically, I think the combination of what happened to him in dp1 (the brain damage, the trauma, the awareness of the fourth wall, etc) followed by the events of dp2 (Vanessa's death, his grief and the associated guilt and trauma of being the direct cause of her death) led to an unbridgeable emotional gap between the two of them that ultimately leads to their breakup.

It's important to note that I don't think Vanessa has any recollection of her own death, given that Wade goes back and saves her before she can take the bullet, and so of course she can never fully fathom what Wade went through grieving her and their life together and their potential family, for however long he spent between her death and bringing her back with Cable's device. She can try (and she clearly does in the one scene I'll talk about next) but I fear she accepts, maybe even in that scene, that she can never succeed. He is beyond her reach by this point, and vice versa, his experiences having fundamentally changed him.

The one scene we really see from their relationship between dp2 and dp3 is the one where Cassandra mind-gropes Wade in the Void and we see Vanessa struggling to reach Wade across this aforementioned gap - she wants him to open up, she wants him to share what he's going through, she wants him to be the person she initially fell in love with (not even selfishly - to her nothing has changed really, because to her no time has passed). But not only does he not understand what she's really asking for but he responds in such a way that makes me think he has unprocessed issues that are only tangentially related to what she's saying - ie the stuff about mattering, about asking her if she even wants to be with him, etc. And he's not the Wade Wilson she met back in dp1 anymore. He watched her die and grieved her and brought her back, believing it would make everything go back to normal and they could resume their life together as if nothing had changed, but he has been fundamentally changed in a way that she can't grasp, even if he WAS good at externally processing his trauma openly without the artifice of wry jokes. She didn't "come back wrong" - instead, she came back exactly the same as before, but HE'S different now. Not wrong, per se. But changed.

It's an interesting scene because it's obviously a memory, and a crucial one at that, but you can see how Wade is misunderstanding what she's saying, viewing it through the prism of his own lack of self-worth and his own hopelessness - he takes away that she thinks he doesn't matter (even though like he says she didn't actually say that, but I don't think Cassandra invented that wholecloth - I think she pulled it out of his psyche because that's what he believes deep down, hence why his fixation on mattering even though she never said those words exactly), he takes away that she doesn't want to be with him, that she thinks he's nothing. Which would be frustrating as an audience member to witness as a pretty simple misunderstanding which could potentially be solved with one conversation, but it feels believable to me that these two people who have shared a great love would be fundamentally separated by unimaginable, cosmic trauma, and the on conversation they would need to have to rectify the misunderstanding is one that is impossible for Wade to verbalize and equally impossible for Vanessa to conceive of. It was one thing when they had shared trauma like violence and SA in dp1, but what Wade has gone through in dp1 and dp2, humor aside, is unfathomably traumatic, brain-breakingly so even, and that's not even factoring in the possible mental illnesses he now struggles with (I've seen folks suggest schizophrenia, DID, depression, etc. but I won't get into armchair diagnosing a fictional character here - suffice it to say he is canonically unwell as a result of what has happened to him, and yes it manifests as quirky fourth wall breaks and cheeky one-liners, but within the universe of the movies he is undeniably profoundly mentally ill, and that includes this humorous alter ego he created to cope with his trauma).

I think off-screen Vanessa probably really tried to reach him, maybe for years (the six year gap implies to me that they didn't break up immediately, that they tried for a while to stay together), trying to get her Wade back, but that Wade is gone. He struggled to express that to her until eventually he started to feel rejected because he couldn't express his trauma or how much he has changed, because even he can't fully conceive of the gulf that has formed between them. The truth is, he WANTS to be that Wade again, for her and for himself, but that Wade died when she died. Or maybe he had already started dying when Francis got a hold of him in dp1.

Anyway, all this is to say, I think Morena Baccarin WAS criminally underutilized in dp2 and dp3, but I think there is a strong argument to be made for the believability of their breakup regardless. I think even relationships built on enormous love can crumble due to trauma, and what Wade suffers over these movies is mind-bogglingly enormous trauma. It's especially heartbreaking that he blames himself for their relationship ending, talks like she just got tired of him, thought he didn't matter, whatever. But it is a credit to him that he never seems to feel anger towards her about it. He doesn't seem to feel entitled to her, though he longs for her and what they had and what she represented (hope, love, a future, a family), but ultimately she becomes more of a symbol of what he lost when he gained his powers, because let's be super fr right now - even if they had succeeded in having a baby, not only would they have lived in fear of her or the kid getting killed, but ultimately Wade would likely outlive both of them even if they managed to die natural deaths. The moment he gained his powers he was already destined to lose her, which is heartbreaking because she was the only reason he opted for the treatment in the first place - so he could stay with her.

I think a big part of Deadpool & Wolverine is watching Wade continue to process his own motivations (vis-a-vis Vanessa but also his other friends) and how he does eventually let go of the idea of "mattering" in favor of just saving the people he cares about (*cough* and being saved right back *cough* by Wolvie, as the final line and shot implies). And in the process he finds someone new who cares about him, who thinks he matters, who tries to sacrifice himself for him and his friends after mere days of knowing him, who comes home with him at the end of the story, who breaks his own centuries-old patterns, who has also experienced unimaginable grief and trauma, who has struggled with wanting to die and being unable to, who not only matches his crazy but matches his FREAK and also not only won't die on him but CAN'T die on him - and more importantly cannot be randomly killed by a stray bullet.

Idk if any of this makes much sense but I do think if you read between the lines and consider the potency of trauma and grief, guilt and emotional damage at play here, Vanessa and Wade's off-screen breakup is actually pretty realistic, and really heart-breaking to boot.

You can tell she still cares about him in so many ways - she shows up for his birthday party, she shows up to his welcome home party at the end, she finds excuses for physical contact multiple times, her eyes get soft when she looks at him, but there is a distance there that Morena Baccarin does an incredible job of portraying. She cares about him deeply, she has mourned the loss of their potential life together, she has let him go and accepted that the Wade she fell in love with is gone, but she wants him in her life even though she's moving on because she realizes he's gone somewhere she can't follow (literally and figuratively). And she wants him to be happy which is why I fully believe she would immediately clock the Poolverine of it all and not-so-subtly encourage them to make it official.

Anyway. Poolverine forever. Nothing against Vanessa at all - I think she delivers a nuanced and beautiful performance, I think their relationship is sweet and heart-wrenching in large part due to her acting chops, especially given how little she is given to work with - but I think their relationship was sadly doomed from almost the very start, because Wade becomes this traumatized superhuman and Vanessa would always be at risk in his orbit, but also would always on the outside of his multiverse superhero experiences. I think it's weirdly beautiful, even if I am filling in a lot of gaps and giving the writers maybe undue credit.

Anyway... thoughts? Please DM me or write in the tags, I am feral about this movie and just want to talk about it with anyone haha. If you have further insight into these characters too I'd love to hear it - I am by no means an expert in these movies or characters!

[sotwk]

I have come so very close several times over the last few months to putting my blog on hiatus. Once or twice I even considered closing up shop completely and just going *poof*.

I believe people should take social media breaks whenever needed for their mental health--please put your well-being first! In my case, however, that's a tough decision to make, because online life and fanfic writing are my escape from real life problems and the anxiety I suffer from because of them. I avoid disclosing my Life's Great Burdens online, but I'm shouldering some whoppers, and the toll they take on my mental health can get significant!

What I really want to express in this post is my deepest appreciation for the Mutuals and Anons who take the time to engage with me through comments and Asks. You help keep my blog active and lively even during my creative droughts, and I want to give you credit!

I don't belong to any writing communities, I'm not active in any Discord servers, and I'm not really in any subgroups of the Tolkien fandom. I'm really just kind of a floater who tries to be friends with anyone who'd reciprocate. Sometimes that makes me feel a little bit like an outsider, but those lovely individual Moots and Anons keep me from feeling lonely or unwelcome.

Extra special thank yous to everyone, Mutual/Follower or not, who recently commented on/reblogged old fics of mine, especially those who did 2nd, 3rd, etc. kudos or comments! The longer I go without posting anything new, the harder I get on myself, and the worse my creative block gets. Thanks to your gentle encouragement, I actually started writing again yesterday. It's still a slow start, but hope it continues to flow.

And to the Anon(s) who regularly send me Asks about my OCs and WIPS--I don't even know what to say! I wish I could thank you properly for this BIG HELP you provide, but for now internet hugs will have to do.

Anyway! I guess the hiatus/desire to quit is once again shoved back into the closet for now. I will do my best to do my part of the work in keeping this blog thriving! :)

PS. Anyone still waiting for responses to requests (esp. for my long-past Summer event)--I'm still game to write if you are willing to wait. <3

[pleasantspark]

Going back to the point of VivziePop and her toxic work environment. Frost mentioned that you weren't allowed to go on other indie projects while working with Viv and could risk getting fired iirc. This was all Alledged.

So I'm certain the whole Edward Bosco turning down speaking as Alastor one last time in Thank You And Goodnight because he didn't want to jeopardize his role as Striker adds a little merit but not too much to consider it a possibility.

Also I feel like the reputable VAs that been in broadway themselves should at least question what the fuck they were saying in these shows. Some of them should have called out ViziePops double standard in her writing.

But I'm guessing criticism is a one way ticket to being fired. I mean if that's the case then I wouldn't mind. But if anyone is fired from SpindleHorse just for working on other projects you can sue for wrongful termination.

That's an advice for people who used to work for SpindleHorse and was fired because of working on other indie projects. I am not a lawyer and none of this information is verified. So. Take fhis post with a grain of salt.

[raksh-writes]

Ugh, the mortifying ordeal of having to write emails to your professors that you're gonna be absent from classes the next days. Ugh. I hate it...

[blushinggoku]

Been trying to read some goku x reader fanfics (because I love him and cringe culture is dead) but there's soo few out there it's insane. I'm disappointed in this fandom for not loving goku more

[crystaleevee4]

wip :) very very rough draft for now but i'm workin' on... a thing

(no this is not ao3. this is google docs with the ao3 font)

[sskk-manifesto]

Ep 5!!!

[numberoneanika]

Honestly the roleplay blogs are stronger than I am because if I saw a post where people were saying my blog was annoying and calling me corny I would jump in a large pit and rot away

[girlscience]

I hate getting into something that has a canon(ish) sapphic couple, but I only end up caring about one of the two women 😭😭😭

[altruistic-meme]

pov: you're Abram when he's about to start writing something

[hecatesbroom]

Apparently, today's brainrot of choice is a Golden Girls Sound of Music AU where Rose is Maria, Dorothy's the Captain, and Blanche is the Baroness, only that one scene where the Baroness visits Maria in her bedroom ends very differently & they end up in a polycule

[festivalofthe12]

mmmmmmmmmmmmmm when it comes to Kyou I sometimes worry if I'm being too hard on him through like a certain kind of projection, right

but. I can't be... the only one to think there's at least..a little bit of a...victim complex in him, right...?

WHICH: to clarify straight up, he was treated awfully and never deserved any of that, and is all-around 100% a victim who's right to think of himself as such. All of that is correct!!!!!!

but. The whole STORY. is that the cat is the one animal who gets exiled. The one 'bad' one. The one who's ostracised.

And with that comes a certain... I mean, it's a bit easier to think of yourself as the victim, when that's the way everyone frames it, right? That you're the one who's been hard done by? That everyone else has it out for you? That to make things right, everything should be inverted, so everyone apologises and bows down to him for once???

Especially with Yuki. And, again to be fair, Yuki is not at ALL immune to minimising the shit that Kyou's been dealt with because it's often the inverse of what happened to Yuki and that envy is toxic and because Yuki was raised to think that way and also just because Kyou is annoying to him personally hahah.

But. Yuki knows about Kyou's True Form. Kyou... doesn't actually know what happened between Yuki and Akito. And psychologically, there's a hell of lot to benefit him if he reaaaaaally doesn't think about it.

So. Am I being biased to think that, all things considered, Kyou is more dismissive of Yuki's struggles? And that even up through the end of the manga, he still sorta... doesn't really entirely get it?? (At least from what I remember... which is little........)

But here's where I feel like I'm projecting because. My experiences are WAY more like Yuki: pushing things down, trying to do the right thing, feeling like you're just supposed to be grateful for what you have because you've been so privileged. And people who match the sorta description I have of Kyou above have kinda. screwed me up mentally in a lot of ways hahahahahahhhh.

so. I know it's such a cliche thing to have people learn about what Yuki's been through and be so Shocked and Comforting and ooo weepy uke Yuki or what ever (ever notice how nobody ever gets mad at the smug asshole seme stereotype?? HMM.) and I know I might just be biased against Kyou, because of all that IRL stuff and also because early in fandom people kind of did IIRC act like Kyou was right about everything and Yuki not that far off from how Kyou saw him. but.

IDK there's always a part of me that just. keeps thinking up scenarios where Kyou like. still doesn't entirely gets it. and gets called out a bit, or proven wrong.

and maybe that's really dumb or childish of me hahahah;;;;;

[nostalgia-tblr]

Thor: Ragnarok could instead have been a sit-com about the Asgardian monarchy where Thor is due to inherit the throne and Loki has to murder him to get the job instead and Hela has to murder both of her brothers (because sexism, boo) and everyone's running about pretending to be Wholesome Siblings but fratricide of some sort is very much on the agenda and Thor's lightning powers are all that's keeping him alive at this point (because his siblings are ambitious and talented and own many sharp objects!) and I don't know how all that Jeff Goldblum stuff fits in, maybe it just doesn't, but anyway some sort of comedy hijinx ensue and it's a lovely heartwarming film/series about how your real family are the people you choose as allies while you murder your way to the throne and who you're gonna have to get rid of ASAP once you finally manage that because they know where you were on the night your older brother(s) were mysteriously stabbed by unknown assailants and how your dad really died.

[helloidkwhatimdoing-0]

I feel? Bad? For no reason??

[bibiana112]

abt ur reblog abt fandom stuff, i will happily oblige to ask if ur brain gave u anymore thought of the no apocalypse junpei finds quark au? love love love aoi's role in it and i think abt it a lot so im curious! literally happy to listen to anything abt it this is my entire shit

Oh!!! Sadly I don't have much on it, no, but I do have the initial little exchange that made me think about it, a lot of times my brain just runs with a back and forth dialogue and if I like it I write it down and only if I like it a lot do I go back and write down the descriptors and rest of the context to how the scene plays out in my head but it's sadly not happened to this as fun as it would be of a scenario to think about my brain checked out after I wrote down Aoi being super embarrassing to Akane by talking about when she was a baby and bossing the two around cause they called him in to babysit for being the only one there who knows anything about tending to another living being

Okay actually I read the thing again and apparently I thought of this as an au on my version of the au where the kurashikis don't do any of the vlr or ztd stuff and just work with sois on random esper stuff after a couple years so they don't have to be on the run anymore but they still have more restrictions than other agents, so there's a little joke that's like hey do you this violates probation? And idk there could be a plot there somewhere also they're at least in their late twenties by that point if not early thirties and Junpei and Akane aren't married cause this isn't canon they don't get officially hitched as soon as they look at each other again

I guess I'll add what I actually have here, hold up I'll give the bare minimum of context so they're not talking in the void

.

Once the door cracks open and Akane gets up in a huff to greet her brother with one rant after another, none of which Junpei even directs his attention to or try to follow, he gets up from his seat carefully. Holding a little blond baby draped in a single blanket they had lying around in his arms.

Aoi already got the heads up of what's happening from Akane earlier, although she didn't sound as eloquent as usual. Tenmyouji was out and somehow came across an empty lot which somehow had a baby crying in it and somehow it wasn't just him hearing things but an actual child that was abandoned there when he went to look.

And somehow, he thought bringing the kid home with him was the most logical course of action, which Akane couldn't agree with less. There were a thousand other ways he could have helped and as far as she's concerned this is one of the worst ones.

Before they could get into an even messier argument the crying started up again and she elected to call her brother in for backup before she had a Moment™ over how irresponsible it was for her stupid fiance to come home with an infant when he has yet to successfully keep a plant alive on his own.

Despite how set off by such an unpredictable event his sister was, Aoi wasn't seeming terribly unsettled. In fact after he's done helping Akane cool off and sending her to take a breather along with a glass of water for herself, he walks up to Junpei rather giddy. Which Junpei will never get used to seeing from him. He'll much less get used to hearing him make a high pitched voice as he leans in to lend a single finger for the baby to grasp with his whole entire chubby little hand.

"Aww... where did this little guy come from?" He spends a little bit like that, Junpei also smiling fondly while Akane, from far over the corner table, silently judges them both. It's late at night and she got herself coffee instead of plain water. Then Aoi's voice goes mostly back to normal, dropping harshly to an incredulous tone as he pulls his face away like he didn't want the infant to notice the change in tone. Although, his hand doesn't move away. "Seriously though, are you guys gonna keep'em?"

"That's the idea!" "We're *not* keeping it!"

"Ah, I see what the emergency really is. You needed a babysitter while you tear each other to shreds, I mean, sure, at your service. Hey, hold like this." With that Junpei's arms are free, he does watch for what his brother-in-law to be shows him to be the correct way of properly resting them over the shoulder and then how to support the baby's neck and head with how he was doing it earlier.

"Did you give them a bath after bringing them in? Even wrapped up on this it's far too cold outside. How long's it been exactly?"

"Uh, only a couple hours, sun was already down. And no, of course I didn't, how do we even do that? You can't just put him in a shower."

"Well, no duh. You need a little plastic bathtub, eh- honestly even just the sink will do, as long as it's shallow enough to hold them up."

"How do you even know this stuff."

Akane joins them, getting close while paying attention only to what they're talking about. Unfortunately, it's Aoi who's talking.

"Mom and dad had me help dry Akane after her first baby bath–" "Aoi..." Her hand goes instinctively to pinch his arm but it stops halfway, then it stays there as she closes her eyes and inhales deeply defeated by the fact she can't shut him up this easily without risking him losing his balance.

"She was soo tiny. I don't know about being this small, but I think she was heavier."

"Aoi. Aoi. Please, shut your mouth. And I'm pretty sure you just couldn't hold as much weight back then."

"Hm. Maybe." He shrugs. Then completely takes the subject over a one hundred and eighty degree turn. "Do you think this violates probation by the way?"

It's Junpei who answers.

"That's... A fair question."

He didn't think of the legal implications of bringing a baby off the streets to his house which just so happens to be the same place his criminal mastermind girlfriend lives. In fact, he was much more hopeful she'd be all altruistic about it and how it's the right thing to do instead of getting hung up on it being an impractical solution or that he's just fooling himself wanting to skip right to raising a kid together or whatever.

"We are not on 'probation', and we're not adopting a whole human child because of an impulse *you* had, Junpei. Our technically legal position is only yet another reason we should–"

Aoi interrupts her before she can get on a roll ranting again.

"Can you guys argue at the grocery store? This thing is gonna get hungry sooner rather than later and we can't exactly feed them with instant ramen."

"I have other things on the kitchen, I'll let you know!"

"Yeah, well, but I don't figure you treat yourself to baby formula on the weekends, now do you? And a can of energetic won't do it either, jackass. Now, get moving!"

[orcelito]

I went and did my exam (very thoroughly), got home and sorted out my finances + ordered groceries (bc I finally have some fucking money to buy them with), & then planned to write a bit and then do some chores. But then I just conked out lmao

It's been... a rough few days. I probably needed the rest.