#but a person worth saving

[watcher0033]

I LOVE NIMONA SO GD MUCH. WTF ANIMATION GOLDEN ERA. 😭😭😭🙏🏼

It was the perfect movie. It was so good. “I don’t know what’s scarier. The fact that everyone in this kingdom wants to run a sword through my heart or that sometimes I just wanna let ‘em” MADE ME FUCKING SOB ACTUAL TEARS THE HORRIFIC REALIZATION WHEN SHE WAS NEAR TO THE STATUE BECAUSE I THOUGHT I THOUGHT SHE WANTED TO DESTROY THE SYMBOL OF OPPRESSION AND BIGOTRY But of course. Of course, it was worse than that. It was a gigantic painful trek to an end to that would be less painful than what she’d been thru NIMONA U GAVE ME SECONDHAND TRAUMA IM FUCKING CRYING GDI. And it took. And all it took was one single person to see and accept her for who she is and suddenly she was phoenix rising ready to take on the world and rewrite the narrative. Just the one person to make her believe and be believed in return. WTF THIS MOVIE IM GOING TO WATCH IT AGAIN WHEN IM NOT GONNA BE HANGOVER FROM FUCKING EMOTIONS OHGOD

[golyadkin]

I cannot express enough that if your reaction, as a hobby artist, to not getting that many notes on your art is to say "maybe I should just stop doing art altogether" you need to stop posting art to tumblr

not necessarily forever, not even for long, but just stop putting your art on here and start doing it for you again, remember why you enjoyed doing art in the first place and stop relying on the attention of faceless people on the internet for your enjoyment of your hard work

believe me, I get it, nothing crushes the artistic soul quite like labouring for hours on a piece only for it to get like 10 notes, so you need to find your own source of joy in the act of creation and a lot of the time that means making art and not showing it to anybody

[s0fter-sin]

soap's whole deal being sniper and demolitions gets me going bc on the surface they sound so different but when you get into it, you realise it's bc soap's smart

sniping is all math; calculating distances and wind interference and bullet drop. something i think people overlook is he was listed as a sniper first so it can be implied that he's better at it than demolitions. he does more sniping in both campaigns than demolitions work; in capture or kill, ghost specifically calls on him to take down the aq snipers

and demolitions is math with a hit of chemistry; knowing what mixes with what, knowing how much to use, recognising environmental factors and adjusting accordingly. it's not just about the boom; so much work goes into contained/ planned explosions. especially when having enough power for a breacher charge and not bringing down the whole building is the difference between mission success and failure

the chemical bombs he makes in alone can't just be any old cleaners, they have to have the correct reaction to each other; he just knew off the top of his head what would mix with what to create what reaction. he would also potentially have to recognise them by sight/smell bc they would’ve been written in spanish

soap would also have to know architecture; recognising structural integrity and weak points so he knows exactly where to plant a charge to bring it down and how it'll come down

he has an incredible soldier's mind people just forget that bc he's sociable which itself is a skill

we know he tends to buck against orders he doesn't agree with like when he pushes back against ghost in capture or kill and shepherd when he tells them to release hassan

he gets closer to people and sees if he can trust them and that's when he follows them without question. really think about how he talks to alejandro and rudy; he asks about their home and alejandro's family and rudy's relationship with him. those aren't questions you ask a stranger after a few hours of knowing them. that's not even touching on his relationship with ghost

he also deliberately brings people of higher ranks down to his level; talking informally with ghost and giving him a shoulder punch, addressing alejandro (a colonel!!) by his first name and rudy by his nickname despite literally just meeting them. he personalises all of them and it’s in direct opposition to the reason most characters do that; it’s not due to insubordination or lack of respect, the more he respects and trusts someone, the more casual he is with them

he digs into people; he wants to know what makes them tick and that determines if he can one, trust them and two, follow their orders. once he decides that, he's the ultimate soldier; he bleeds loyalty which makes him vicious when that loyalty is taken for granted

he isn't naive or bubbly or insecure; he's an incredibly smart and aware soldier. he's aggressive and bloodthirsty and loyal and intuitive and i love him so much

[edelgarfield]

i love shadowgast, i think their journey together learning how to be better people & healing is beautiful.

but nothing annoys me more than when Caleb gets all the credit for Essek's redemption arc, or when Essek's relationship with Caleb is automatically placed on a pedestal above his friendship with the rest of the Mighty Nein.

because it is straight up untrue. it wasn't even Caleb that did most of the legwork reaching out to Essek, it was Jester. Yes, their magic lessons, and Caleb's understanding went a long way towards showing Essek that he could change, but Jester was the one who consistently and repeatedly reached out to him. I am of the firm belief that without Jester, the Mighty Nein would never have gotten past Essek's initial standoffishness.

And furthermore, Caleb was Essek's friend first. I don't think it's ever been confirmed, but IMO most of Essek's initial attraction to Caleb was 1) academic 2) performative, and any genuine physical or romantic attraction didn't start developing until post-reveal. I'm not even convinced Essek was romantically interested in Caleb, or at least able to identify it as such, by the END of the campaign. Essek values Caleb primarily as a friend and any romance on top of that is a bonus.

Essek's relationship with Caleb is not inherently more important than his friendship with the rest of the Mighty Nein just because they're dating. He loves all of them, and expresses that multiple times at the end of CR2. It was their friendship that changed him, not his interest in Caleb. Caleb values the Mighty Nein's friendship more than whatever budding romance he had with Essek. Essek's entire life doesn't, nor should it revolve around Caleb! Caleb is an important part, yes, but he values and needs the love he receives from the rest of the Mighty Nein just as much.

As someone who's aro/ace-spectrum and has little to no interest in romance, every time I see Essek's relationship to the Mighty Nein reduced to his relationship with Caleb, it feels like a slap in the face. It validates my deepest fear that I'm just an accessory in my friends' lives, and that no matter how much I love them or what I do for them, I'm inevitably going to be discarded when someone they want to date comes along.

People will watch 500+ hours of a show that emphasizes over and over the importance of friendship and platonic love then turn around and reduce it to romance alone.

[lord-squiggletits]

I think the key component to my personal reading of post-Delphi Pharma is that he's trying to be a horrible person on purpose. Not "on purpose" in the way that people have free will to exercise their own choices, but in that Pharma's "mad doctor" persona is a performance he puts on to deliberately embrace how much everyone else hates him. Basically, if people already think you're a "bad Autobot" and a horrible doctor who just kills his patients for fun, why try to prove otherwise to people who have already made up their minds about you? Just fully embrace the fact that people see you as an asshole. Don't try to change their minds. Don't plead for their forgiveness or understanding. Just stop caring. If you're going to be remembered as a monster, you might as well be a memorable monster, and eke as much pleasure and hedonism as you can out of it before karma catches up to you and you inevitably crash and burn.

I mean, I guess you could just go the route of "Oh, Pharma was always a fucked up creepy guy and Delphi was just him taking the mask off," but I really don't like that interpretation because, for one, it feels really wrong to take a character like Pharma becoming evil under duress and going, "Oh well clearly he did the things he did because he was evil all along," as if somehow Pharma breaking under blackmail/torture/threat of horrible death was a sign of him having poor moral character. As opposed to, you know, suffering under the very real threat of horrible death for himself and everyone he cares about while being manipulated by a guy who specializes in psychological torture.

The second reason is that it just doesn't make sense to write Pharma as having been evil all along. I mean...

Occam's Razor says that the best argument is the one with the simplest explanation. Doesn't it make way more sense to take Pharma's appearances in flashbacks, his friendship with Ratchet, his stunning medical accomplishments, and the few we see of him speaking kindly/sympathetically (or in the least charitable interpretation, at least professionally) towards his patients and conclude "This guy was just a normal person, if exceptionally talented." Taking all of these flashback appearances at face value and assuming Pharma was being genuine/honest is a way simpler and more logical explanation than trying to argue that Pharma for the past 4 million years was just faking being a good doctor/person. I mean, it's possible within the realm of headcanon, but the fact is Pharma's appearances in the story are so brief that there simply wasn't room in the story for there to be some sort of secret conspiracy/hidden manipulation behind why Pharma acted the way he did in the past.

I just can't help but look at things like Pharma's friendship with Ratchet (himself a good person and usually a fine judge of character) and the fact that even post-Delphi, pretty much every single mention of Pharma comes with some mention of "He was a good doctor for most of his life" or "He was making major headways in research [before he started killing patients]" which implies that even the Autobots themselves see Pharma's villainy as a recent turn in his life compared to how for "most of his life" he "used to be" a good doctor.

And although Pharma doesn't know this, we as the readers (and even other characters like Rung) know about Aequitas technology and the fact that it actually works, so... if Pharma really was an unrepentant murderer, why couldn't he get through the forcefield too? The Aequitas forcefield doesn't require that a person be completely morally pure and free of wrongdoing or else how could Tyrest get through, just that they feel a sense of inner peace and lack feelings of guilt. Pharma has murdered and tortured people by this point, and put on quite a campy and theatrical show of how much he sees it as a fun game, so why then can he not get through?

It circles back to my headcanon at the start of this post that the "mad doctor" persona is just that-- a persona. Delphi/post-Delphi Pharma's laughing madman personality is just so far removed from every flashback we saw of him and everything we can infer based on how other people see/saw him before that, to me, the mad doctor act is (at least in large part, if not fully) a persona that Pharma puts on to put his villainy in the forefront.

To avoid an overly simplistic/ableist take, I don't think Tarn tortured Pharma into turning crazy. To me, it's more like the constant pressure of death by horrific torture, the feeling of martyrdom as Pharma kept secret that he was the only one standing between Delphi and annihilation, the physical isolation of Messatine as well as the emotional separation from Ratchet, being forced to violate his medical oaths (pretty much the only thing Pharma's entire life has been about), etc. All of that combined traumatized Pharma to the point that the only way he could avoid cracking was to just stop caring about all of it. Because at least then, even if he's still murdering patients to save Delphi from a group of sadistic freaks, Pharma doesn't have to feel guilty and sick about doing it. As opposed to the alternatives, which were probably either going off the deep end and killing himself to escape, or confessing to what he did and getting jailed for it.

In that light, Pharma becoming a mad doctor makes sense. It avoids the bad writing tropes of "oh this character who was good his entire life was actually just evil and really good at hiding it" as well as "oh he got tortured and went crazy that's why he's so random and silly and killing people, he's crazy" and instead frames Pharma's evil as something he was forced into, to the point where in order to avoid a full psychological breakdown and keep defending Delphi, he just had to stop caring about the sanctity of life or about what other people might think of him.

Then, of course, the actual Delphi episode happens, and Pharma's own lifelong best friend Ratchet basically spits in his face and sees him as nothing more than a crazy murderer who went rogue from being a good Autobot. Then Pharma gets his hands cut off and left to die on Messatine. At that point, Pharma has not only been mentally/emotionally broken into losing his feelings of compassion, he's received the message loud and clear: He is alone. Everyone hates him. Not even his own best friend likes him any more. No one even cared enough about him to check if he actually died or not. He will only ever be remembered as a doctor who went insane and killed his patients.

So in the light of 1. Having all of your redeeming qualities be squeezed out of you one by one for the sake of survival and 2. Having your reputation and all of your positive relationships be destroyed and 3. People only know/care about you as "that doctor who became evil and killed his patients" rather than the millions of years of good service that came before.

What else is there to do but internalize the fact that you'll forever be seen as a monster and a freak, and embrace it? People already see you as a murderer for that blackmail deal you did, so why not become an actual murderer and just start killing people on a whim? People already see you as an irredeemable monster who puts a stain on the Autobot name, so why beg for their forgiveness when you could just shun them back? You've already become a murderer, a traitor, and a horrible doctor, so what's a few more evil acts added to the pile? It's not like anyone will ever forgive you or love you ever again.

Why care? Why try to hold on to your principles of compassion, kindness, medical ethics, when an entire lifetime of being a good person did nothing to save you from blackmail and then abandonment? Why put yourself through the emotional agony of feeling lonely, guilty, miserable, when you could just... stop caring, and not hurt any more?

[starcurtain]

Trying to explain in the group chat why Ratiorine has me in a death grip and I couldn't find the words so I just sent Little Prince quotes.

“What does that mean — to tame?”

“It means to establish ties. To me, you are still nothing more than a little boy who is just like a hundred thousand other little boys. And I have no need of you. And you, on your part, have no need of me. To you, I am nothing more than a fox like a hundred thousand other foxes. But if you tame me, then we shall need each other. To me, you will be unique in all the world. To you, I shall be unique in all the world…please, tame me!”

“I want to, very much,” the Little Prince replied, “but I have not much time. I have friends to discover, and a great many things to understand.”

Absolutely "You become responsible, forever, for what you have tamed"-coded ship, my goodness.

[poorly-drawn-mdzs]

Leave wildlife alone. He probably bites.

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[kathaynesart]

sooo if ted is gone now will capril (cassandra x april) ever be a thing in your au? (i love ur au a lottt btw so well written!)

Thank you so much! As I've said in the past, I'm really trying to avoid actual ships in canon Replica! Like the tv show I do not want to make that the focus, HOWEVER I do want to leave it open ended in the same manner so that there's room for your own interpretation! So if you feel that there's Capril is in this Holiday Special... then there is!

For example: isn't it interesting that April is the only one Cassandra told about the pregnancy? Hm, that could easily be interpreted as just "girl talk" (since she's a woman and would understand better than the guys) or "lover's talk." Again I'm trying to leave this open for your personal preference! The same will go for several other ships, including Raph and Cassandra and even Donnie might have a little something going on the sidelines with a character I'll be bringing back in an upcoming update. Hehe.

Now, I will admit I have my personal preference of ships (I'm a huge romantic and have to really rein it in), but I keep them close to my heart and think that's a little unfair to enforce that onto a story that I want to try and keep "canon" when the canon has never confirmed any of them or even played in that space.

So TLDR, it can be whatever you want!

[vio1315]

I feel the need to remind people,

There is nobody Jesus is unable to save

I feel it comes up far too often that I am researching a mental illness or behavior or types of people that people will comment how such people will never be saved, never come to Christ

And I honestly think this is an evil thing to say, let alone publicly, let alone where a record of it is kept for all to see for however long the website is running

Do you have any idea where people who are struggling with all manner of things and looking for help are going to end up? On those exact pages. Do you know where they might look for more information when the article/video/etc waxes on about how rare it is for these people to change or find help? Right in the comments.

How dare the people who post this stuff. To take away the only real hope for the lost. To say ‘this is where everyone can find peace for their soul except for you.’ ‘only those good enough can be Saved’

I have seen people mention being in absolute despair because there’s no help for them even though they want to change. There’s no need to make this even harder. 

No sin, no mental illness, no habit, no personality type, no mistake, no past is going to prevent people who put their faith in Jesus’s death and resurrection from being Saved, so stop trying to turn them away and discourage them.

[uncanny-tranny]

r u chill w non transitioning ppl?

Why wouldn't I be? At one point, every trans person who is transitioning was once someone who wasn't (whether or not that was a choice or their need is a separate discussion).

Hatred of any kind of trans person is not a Righteous or Good Thing - every single trans person has their place, their entitlement to safety, community, and respect of who they are

[wizardsimper]

Ok so when you first encounter Astarion and he pulls the knife out on you Gale threatens to incinerate him. Of course he says this because he doesn't want to see an innocent person get hurt but to me this is also his way of repaying you for saving his life by pulling him out of the portal. He only has a small group of people who care about him (Tara, his mother, Elminster) so I can only imagine his thought process after someone went out of their way to save him. He's just so grateful that someone cared enough to help him, even if he is just a stranger to them.

[brain-rot-central]

I don't wanna go to work. I just want to write vampire smut, cook good food, and bake bread.

[thefiresofpompeii]

i think one of the main reasons why i’m not connecting to thirteen’s companions is that they don’t get put through the wringer by themselves, they aren’t given the chance to prove themselves outside of the doctor’s immediate influence. amy was constantly being turned into a doll or a vampire or a flesh copy of her body or staying in an alien health facility for 30 years or falling pregnant or being possessed by a weeping angel or having her memories extracted to build a mythical prison for her best friend or falling pregnant or being cloned by a tesselecta or. you get it. clara was always being locked inside a dalek or uploaded to the cloud or travelling through the doctor’s timestream or being left to fend for herself against dimension-shifting creatures or being locked inside a zygon pod. you get the gist. they were vital to the plot both in one-off episodic stories and overarching arcs in a way that reached beyond giving the doctor pep talks to cheer them up and following them around asking questions.

what exactly has ryan done by himself apart from following the instructions on the plane which had been left by the doctor anyway? what exactly has graham done apart from grieving for his dead wife? what exactly has yaz accomplished on her own apart from that one 2-minute sequence in spyfall where she got transmatted to the kasaavin realm?

they hardly serve any purpose to further the story. they just hang around. space tourists, not companions. even in danger they just seem to rely on the doctor’s intelligence to clever them out of it and save their lives, not once so far (i’m halfway through s12) have any of them shown proper initiative or any distinguishing traits beyond a corny sense of humour tbh

[torchstelechos]

How pissed do you think Shen Yuan is when he finds out that a different version of himself (that’s living his transmigrator dream WHAT THE FUCK HOWS THAT FAIR-) sold him out to Bingge. Like on a scale of one to SQH made another sex pollen wife plot, how mad?

[francesderwent]

so I heard you wanna talk religion in ttpd! let’s talk I Can Fix Him (No Really I Can).

“they shake their heads saying ‘God help her’ when I tell ‘em he’s my man.” this isn’t the outright controlling judgment of the saboteurs in But Daddy I Love Him. nobody is trying to tell her what to do or force her to break up. this is a simple admission that the situation she’s in is difficult, that she’s chosen a hard path and needs help. and what is her response? “your good Lord doesn’t need to lift a finger, I can fix him, no really I can.” she admits salvation is needed. but Taylor is casting herself as the savior. she doesn’t need any help, any grace, any divine assistance. in fact, she doubles down: “only I can”. she and she alone has the power to reform this man, because of the love between them. it’s reminiscent of False God, except now the idol isn’t their love, it’s just her. she’s going to save him.

what’s interesting to me is we don’t know how the themes of salvation would have been recapitulated in light of the reversal at the end of the song, “whoa maybe I can’t”, because the song ends there. maybe she can’t fix him because he is ultimately unfixable, irredeemable, worthless. or maybe she can’t fix him because she’s not God. and honestly, I think the song is meant to leave us wondering. she’s waking up to reality, but is the reality his smallness of soul or her power trip?

so what is the blatant Christian language in this song for? is it telling us that Christianity is evil for implanting the idea of redemption into our minds when it doesn’t really exist? or is it a hint that trying to become our own gods, even with the best of intentions, is a pathway that leads only to death?

[myriadsystem]

My son Worm who has every disease