What if, instead of the Sorcerers' Society being just a small organization with a headquarters, it was instead a hidden city or capital where not only could sorcerers go to for assistance and to get their licenses, but could safely live and learn without having to put so much effort into hiding their magic from general human public? (Something similar to Witch Hat Atelier perhaps)
A hidden away capital with houses and apartments and magical shops selling everything a sorcerer would ever need. Where they can safely converse on the street and network and apprentices can talk to each other and swap tales of their lessons and masters.
Out in the expanse of the human world, it's hard to come by each other so having a place to live like that would be great.
But also it would make Solomon getting chased out by a dragon so much funnier (or sadder) since he and the mystery apprentice would have been the ones to found the Sorcerers' Society in the first place.
He would probably own his own house there and come back there whenever there was a meeting he had to attend or some urgent matter to discuss. Solomon wouldn't stay there longer than he usually had to and his property is usually empty.
But when sorcerers usually take in an apprentice, that apprentice lives with their master in order to make the most of learning opportunities and a lot of them tend to move back to the Sorcerers' Society for convenience.
If Solomon was able to convince MC to live with him for "educational purposes" completely separate from the brothers and Devildom, who's to say he wouldn't give living amongst his peers an honest try once more?
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Haaayy can you tell us more about your au where branch finds cooper's egg?
Hiiii!! Thanks for asking! And of course :)
lol turns out I had a lot more thought out. Fair warning, none of this is concrete, this was thought up a while ago and uhhhhh… writing is not my strong suit lol
In this au I had debated whether to make copper a little bit younger, I already hc him as the youngest of the snack pack so idk if its needed lol.
While in the beginning of making his bunker, branch (who’s maybe 7??) would travel farther out into the forest and gather supplies to build when he stumbles on what looks like an egg? Just in time too, ‘cause Coops pops out like in twt, does his little groove, & then proceeds to flop over to nap (being baby is tiring work).
Branch is just ??? cause like what?? Baby? Way out here in the woods?? Why does the baby have 4 legs??? Why is said baby all alone? And that last part makes b pause for a sec bc where’s his family? Did he lose them? Or is it even worse…was he left behind? (He might be projecting a lil).
Cooper and Branch proceed to live where other kids w/o families go. Caretakers try to care for cooper & he is not having it. After all, branch is the first person he’d ever seen, was the first person who’d carried him. He’s imprinted on branch and whole heartedly believes and he is his family. So if C needs to be taken care of B has to be there. It goes on long enough that the caretaker decides it'll just easier if branch helped take care of him; and who knows maybe he'll regain his color being around such a happy little goober.
At first, branch doesn’t realize how much he means to C and assumes his attachment will fade. After all why wouldn’t it when he’s being doted on by warm and cheerful trolls. But nope! Whenever the caretakers aren't taking cooper around the village, Cooper is always following Branch. Around the pod, and through the woods. Branch looks out for him, talks to him, teaches him what he can, and even plays games! I think the fact that branch has been a part of Coopers whole life gives him a sense of obligation perhaps like a big brother?. It's easy to be open to him.
All attempts to foster Cooper are unsuccessful. It's not that Cooper doesn't match the family, it's that he just doesn't want to live with them. Imagine a foster family having the time of their lives singing & playing around & when the time comes Cooper's like 'I had a lot of fun today! Time to go! what?? Stay here? be a part of your family? ...Nope :D
When the time comes that the bunker can feasibly house him, (preteen?) Branch packs up what little he owns, and prepares to leave that night. It's not like the anyone at the orphanage would chase after him. Well, except for one trolling.
It's been years, long enough that their bond is strong, they're brothers in all but name. At least unnamed on branch's side, he kind of refuses to acknowledge it.
Anyway- Branch waits until everyone falls asleep and sneaks out. He doesn't even make it out of the room lol. One foot out the door and a sleepy voice is asking him where he's going. Branch just says he's going to the bunker, that he'll see him soon, it won't be forever you see what im trying to parallel? and it's true. It's not like he's leaving to who knows where. Cooper just nods & yawns out a "bye, see you later". Love me a parallel
Branch lasts an hour or two in the bunker. He's on edge the whole time, racked w/ guilt. Has a little mental spiral until there is just one loud thought of 'what am i doing? there's someone waiting for me' and runs back.
In the joined room, Cooper fell asleep on branch's bed waiting for him. So making sure not to wake him, Branch rests coopers head on his lap. Leaning against the headboard Branch just stares at his vest left at the end of the bed & has a moment of clarity. Like oh, that's why i felt terrible, i left my little brother behind. (Keep in mind that no, he didn’t really do that, but he’s a kid and that whole ‘see you later’ really shook him so he’s making some jumps in logic)(there some projecting happening as well)
So yeah, gained a brother!! yay!!! Cooper beat you to that revelation yeeaarrrss ago lol.
One thing I like about branch being a big bro is this idea that the more he learns about what it means to be one, the less he can understand his brothers. And are they his brothers?? Over the years it’s not looking like it.
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(as many of you may or may not know) Studio Ghibli’s “Howl’s Moving Castle”, is based on the Diana Wynne Jones book by the same name, and there are actually a substantial number of differences between them!
i was curious how many people have experienced both or might like one more than the other, so i put together a poll to help us find out :)
to clarify, saying that you like one version more than the other does NOT mean that it’s better, or that the other one is worse or bad—i love both the book and the film! it’s just an expression of your own preference
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i was having a chuckle to myself last night about Gristol, and how his plans are basically:
Restore Ford Cruller's memory
Find Maligula
???
Profit
but then... of course they are, right? this is Gristol we're talking about. Fatherland Follies drives home again and again that he's still operating on a child's logic, a warped and reductive version of the world that he never bothered to grow out of. both of his memory vaults center on the images of his childhood, this idealized version of the past that he clings to no matter what. and that's still how he remembers Maligula, too - as this saviour figure, who rushes in to help him when he's in trouble.
[ID: Two slides from Gristol's memory vault, Glory to Grulovia! Left: Gristol clings to Maligula's back as she summons waves to sweep away his assailants. Right: Gristol and Maligula waving from a balcony as the people cheer. Gzar Theodore brandishes a dagger in the background.]
like so much else, Maligula represents a return to this idyllic childhood - to the peace and simplicity of his youth, when he was free from worries and responsibilities. in his mind, he doesn't need to make any further plans - once Maligula's back, everything will go back to normal. Maligula will make everything better.
...is what i thought, but then i remembered this line:
[Screenshot source. ID: Gristol, in Truman's body, bows on his hands and knees in front of the newly-awaked Maligula. The caption reads: "Yes, High Priestess! I am here to correct the mistakes made by my father!"]
and that's kind of interesting, right?
to be clear: this happens directly after Maligula sees Helmut-in-Gristol's-body, and recognises him. her line before this is:
"Little Gzesaravich! Have you come to pay for your father's sins?"
my first thought was that Gristol hadn't expected to still be in Truman's body by the time he managed to find Maligula, and this was him trying to placate her and buy some time until he could explain the situation. but watching the cutscene back, that's clearly not what's happening here. Gristol is answering as himself, and his response of throwing himself to his knees before her is, as far as i can tell, genuine.
so what is going on here?
in Fatherland Follies, there's this line in the ride narration that stuck out to me:
"Why didn't the Gzar help Maligula in her time of need? No one knows, but historians agree - it is Gzar Theodore's biggest failure."
other lines mention Gzar Theodore's "mistake", and it's wording Gristol himself echoes in the screencap above. evidently, he believes that his father abandoned Maligula, leaving her to her fate at the hands of the Psychonauts, and it was that mistake that lead to them being driven out of the country - that mistake which he seeks to correct. maybe he even feels like he has a debt to repay to her for his family turning their backs on her all those years ago.
the 'High Priestess' thing, though - that's kinda weird, and threw me for a loop the first time i played the game. it took me until my second playthrough to connect the dots, and remember how the room in the Lady Luctopus - Gristol's room - was full of Delugionist scribblings and symbols.
[Screenshot source. ID: left, the walls of the hidden backroom in Gristol's hotel suite, covered in scrawlings of eyeballs and Maligula's name. Right, the pinboard from the hidden backroom. On its surface are photographs and newspaper clippings connected by pieces of string.]
i mean, look at this stuff! he had a whole conspiracy board and everything!
we learn very little about the Delugionists and their beliefs as a whole during the game, but i think drawing the connection here suggests two important things. one: that Gristol was in deep with this stuff. i don't know how he linked up with them - maybe via old family connections, or just good old-fashioned digging (we know he's skilled at worming his way into peoples' good graces, after all) - but it seems likely that he's begun to internalise their ideas, maybe even warping his own memories of events. and two: the Delugionists themselves are, if you'll pardon the pun, pretty far off the deep end.
like... i understand why PN2 didn't go heavy on the "mass-murderer cult worship" aspect of things, in the end, but man this is such a tantalising glimpse into the wider mythos around Maligula. Gristol is proud and haughty and thinks himself above everyone else; the fact that his first reaction seeing Maligula is to throw himself to the ground at her feet says so much about the way he's come to see her. he's not just trying to bring back Maligula, his childhood bodyguard. he's trying to bring back Maligula, the High Priestess of the deluge, the semi-mythical figure whose supporters believe even death couldn't stop. he doesn't even flinch at the way she confronts him, and maybe it's because he's bought in so completely to this deified figurehead, this idea of Maligula; more a living force of nature than a person. and it all comes back to the same place: an abdication of responsibility, not just to the person who protected him when he was little but to this avatar of floods and destruction. Maligula will make everything better.
i'd write more about my thoughts on the Delugionists but that'd be taking a hard turn into speculation, and this is already kind of long and rambling so i'd better end it here. but what an unexpected and evocative line, right? it's some of the only stuff we have to go off of regarding the Delugionists as a whole, but i think it does such a good job of hinting at the wider story - at teasing another layer to the mythos surrounding Maligula, one whose ripples we see throughout the game but which never quite breaches the surface.
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happy election eve, uk folks!
going to give a shoutout to https://voteforpolicies.org.uk/—their quiz is a super useful summary of the largest parties’ stances on various policies (you can pick the topics that matter to you and do a little quiz where it removes their names so you vote unbiased, and then it gives you your results), and even if you end up voting tactically, it is *extremely* useful and interesting to get a succinct summary of what the various policies are in different fields (spoilers: reform are extremely easy to spot and utterly terrible, and there’s… lots of transphobic policies.)
also bit of a shoutout to https://tactical.vote/ which is just ‘get the tories out’, and will probably tell you to vote Labour in most constituencies in England which yknow you may not want to do bc *gestures at Labour*, BUT it is a handy place to see both the 2019 results and recent polling for your constituency. do with that what you will.
see you at the polls tomorrow, and don’t forget ID! we ARE getting the tories out tomorrow, and we keep building after that bc the world and activism and change does not start or end at westminster and electoral politics will only take us so far! replacing the tories (particularly with Labour) will not fix all our problems (we will retain many of the same problems, have you seen those policies?) and we have to keep actually… doing shit, taking action, getting out there, not letting the name of the party sway us.
also, not going to tell anyone how to vote – make the decision that makes sense for you and your constituency, tho I feel like my stance is pretty clear here – but tomorrow I’m wearing green, yknow? 🌱
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I'm trying to focus on what I liked about Episode 7 and my brain is just looping a few things.
-Was that Colonel Alkire at the camp heading up compound staff? I missed if he was named, but if so, I'm quite pleased to see him.
-Frank Murphy getting a letter from his mom ❤️
-The way the show approached the Great Escape. They managed to keep the focus entirely on the tragedy and incredulousness of the situation, and on how it could directly impact the American prisoners in the other compounds. It felt very balanced and very Great Escape in the context of MotA, not Great Escape eclipsing the show.
- MUSTANGS!!!!! MotA is a bomber-centric show and B-17s are incredible in how they can be beat to hell and keep flying, but fighter planes will always be my first love when it comes to WWII.
-Von Lindeiner's removal from his position as commodant being mentioned. He's someone I find very interesting, plus it's nice to have that hint of how there was a whole world of politics going on when it came to the running of the camps and the tension between the Luftwaffe and the Gestapo.
- I loved all the fountain pen shots we got to see this ep when folks were writing.
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