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ckret2 · 5 months

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Chapter 51 of human Bill Cipher is once more the Mystery Shack's prisoner: Dipper and Mabel try to figure out what the Axolotl's poem means; Dipper gets the hang of astral projection; and... whatever's going on up there happens.

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Ford and Dipper came back into the shack through the gift shop; Ford didn't want to risk crossing paths with Bill. While Dipper went into the house, Ford went down—returning to the safety of his subterranean study.

Once Ford had put on the old black trench coat he'd worn during his multiversal travels and gotten comfortable at his desk, he pulled out Journal 5 to document the events of the last few days. In a cheap ballpoint pen, he wrote, I've lost my #1 Grunkle pen (and favorite coat) to the waters of Lake Gravity Falls. And then, deciding this didn't adequately express his feelings, he drew a small frown. That coat had served him well for decades, and he'd really liked that pen. It did write excellently, and it had reminded him of his gniece and gnephew.

He spent three pages documenting the eclipse—what happened, what readings he'd taken, what he and Dipper observed—and then another four pages talking about Bill. What he'd told them, why Ford had dismissed it; his claims about a trans-dimensional axolotl distorting gravity with its migration; the statue, the rescue, the breakdown.

The act of writing always helped Ford clarify his thoughts and untangle mysteries; it wasn't until he was writing that he realized the limbs Bill had said he couldn't feel were the ones that had broken off the statue.

He listed the rules of the chess variants he could remember Bill inventing. He drew Bill huddled in front of the board, grim, tear-streaked, exhausted; and then scratched out his face, embarrassed at the thought of immortalizing such a raw moment for his private viewing.

He wrote, There's still a slim possibility that the entire "eclipse," start to finish, was Bill's masterfully-orchestrated scheme to make us pity and trust him; but it's unlikely. Although Bill is fiendish enough, he isn't currently powerful enough, and his lies certainly aren't elaborate enough. If he could pull off such a byzantine ruse, then he could just as easily escape—and if he can escape, why hasn't he? Bill may be insane, but he's never been THAT irrational.

And so, even as twisted as Bill's idea of "friendship" is... for the very first time, I'm convinced that he was telling the truth all along when he said he wants me as his friend. It's not an act. He risked his life to save someone who's an active threat to him.

And at the end of it all—though I'm grateful to be alive in spite of my own stubbornness—do I like him any better for it?

Ford leaned back and shut his eyes, sifting through the inner tumult of anger and old hurt that defined most of his memories of Bill, looking to see if anything had changed.

There was a sore, tender spot in his emotions, a place beginning to rot with remorse; when he prodded at those emotions, he found that it was shame over his own harsh conduct of the last couple of days. But he was only ashamed of how cruelly he'd acted; he wasn't ashamed that Bill was the one he'd done it to.

Outside of that tender spot—regret over his own behavior—nothing else had changed.

No. I still hate him. I'm grateful to be alive, but I hate him. He hasn't undone anything he did to my family and me, and he never will. Forgiveness can't be purchased with favors.

I'm only relieved at the certainty of it. Bill has committed an act that can't possibly be a lie. I know, beyond a shadow of a doubt, that he's shown me the truth; and the truth is he'd rather see me alive than dead. Whatever other lies he may tell, I can hold on to that fact.

Bill's miserable eyes peered out at Ford between the scribbles he'd drawn across his face. It was truly a pity that Ford had to hate him. Pity that Bill hadn't been somebody better. He could have been better.

Ford couldn't find it in himself to be embarrassed that he'd filled four pages talking about the monster he'd already wasted so many more on. Bill had been right about him: You might hate me to my face, but behind my back you're as obsessed with me as ever. The only thing Bill didn't understand was that hatred and obsession weren't mutually incompatible.

####

"Hey, Dipper," Mabel said, unfolding the living room sofa bed.

"Hey, Mabel," Dipper said, passing through living room on his way to the stairs. He climbed up to the attic.

He came back down from the attic. "Mabel. Why's Bill asleep in your bed."

"He really needed a nap," Mabel said.

"Okay but why on your bed?"

Mabel pouted. "Dipper, do you realize he's never slept on a real bed? Ever?"

Dipper tried to imagine sleeping on a couple couch cushions on the floor every night. "Yeah, okay, that does kinda suck." Even if it was Bill's own fault he wouldn't sleep in the living room.

By unspoken mutual agreement, having a Bill in the bedroom followed the same law as finding a centipede in the bathroom. The law was "that's the centipede's bathroom now." So once the folding bed was set up, they sat on it to serve as their hang-out spot for the evening and caught each other up on what they'd done the last couple of days.

After Dipper & Co. had left, Grenda had come over to take advantage of the low gravity to retrieve the kite that had been stuck in a tree near the Mystery Shack since last summer (it was, tragically, too tattered to salvage), and then they'd gone over to Candy's house to photograph each other performing feats of impossible strength. (Mabel would be sending some pictures to their parents to confuse them, and adding the rest to her summer scrapbook.) She'd spent the next day breaking the trampoline world record until Soos came outside and said gravity was probably too low for it to be safe to be up in the air anymore, if Bill's warnings about being off the ground when gravity hit zero were true; at which point Mabel had hung around inside air-swimming until she suddenly slammed against the ceiling, and then the ground. She was fine. She just had a couple of bruises. She showed Dipper her bruises.

In return, Dipper told Mabel about how their quest had gone: the checks for micro-rips, Bill's increasingly frantic warnings, the lake—

("You got to see a bajillion magical axolotls and I didn't?!")

—the cliff, the Axolotl, Dipper's near-death experience, and what he now knew about his out-of-body dreams.

"Seriously?" Mabel hissed, eyes bugging out. "And he had us looking up lucid dreaming books! What a jerk!"

"I know! He could have just ignored the whole thing, we didn't even think it was anything but dreams."

"And I'd thought he was being so helpful, too! Like he was really trying to make up for giving you 'nightmares'!" Mabel laughed in disbelief and flopped down on the flimsy mattress. "All that because he just didn't want us to know how it was really his fault? Biiill, ugh."

His fault. Dipper hesitated, wondering whether he should tell Mabel what Bill had said about Mabel's Fault; then decided against it. Bill had probably been telling the truth when he'd said he only wanted all the credit for Weirdmageddon.

But—Dipper did tell her about Bill saving their lives. He would have felt like a liar if he hadn't—like he was trying to trick his sister into thinking Bill was worse than he already was. He hoped Ford wouldn't mind; but how could he not tell Mabel?

"He could have just let you die and didn't?" Mabel turned that over in her head, processing this sudden shift in Bill's behavior. "Wow. I'm impressed."

He also told her about their previous encounter with the Axolotl. Considering the other lies Bill had told recently, anything he said about them meeting the Axolotl was dubious at best; but Dipper could remember the Axolotl, so maybe some of it was true, even if Bill had twisted as much as he could. ("The Axolotl said hi, by the way." "Aww. Tell him hi back!" "Yeah, I... don't know how to do that.")

Dipper laid out his journal between them on the folding bed, and Mabel read over the couplet a few times. "'Sixty degrees that come in threes, watches from within birch trees'..."

"It's got to be talking about Bill," Dipper said. "Equilateral triangles have three sixty-degree angles. I just don't know why the Axolotl wanted to talk to us about him."

Mabel frowned at the lines. "I think... I remember meeting him too," she said.

"You do?"

"Kinda. Like in a dream," she said. "We were in some kind of futury space race car. And he had a really comfortable beanbag chair."

"Yes! I remembered the beanbag chair, too!" And he hadn't mentioned it in his journal. "This is great! Talking about it must... must cause us to remember, somehow. Maybe since the universe where we met the Axolotl doesn't exist anymore, our memories of it are... detached or something? Psychically floating around between dimensions until we try to remember them?" He took in Mabel's skeptical frown and shrugged. "I don't know!"

She scrunched up her face. "Ugh. Last summer's first-grader time travel was complicated enough. This is like college-level time travel. Maybe we can ask Bill how it works?"

She said it so easily, like she thought it was actually a good idea. Right after she'd heard about the lucid dreaming thing, too. "I don't think he'd help." Dipper lowered his voice. "He really didn't want Grunkle Ford and me to find out about the Axolotl—and he kept telling me not to think about what the Axolotl told me. He's trying to cover something up."

"Oo-oo-ooh." Voice dropped to a whisper, Mabel said, "Do you think it's some kind of Space Axolotl conspiracy?"

"It could be," Dipper said. "All I know is he was trying to tell us something important about Bill. Some kind of prophecy, or... maybe a warning...?"

He trailed off. Mabel had stopped listening to Dipper. She was rereading the couplet Dipper had written, moving her lips like she was murmuring under her breath—but whatever she was saying, it was much longer than the couplet Dipper had written down. Distractedly, she said, "Do you have a pen?"

"Yeah, here." Dipper quickly handed over the pen he kept in his vest.

Mabel clicked it, went to the bottom of the page, and wrote: A different form, a different time.

Dipper sucked in a sharp breath as the words snapped into place in his mind. "That's it! That was the last line! What else do you remember?"

"That's it," Mabel said. "It was free form poetry with a bunch of rhyme pairs."

"I don't think free form poetry rhymes."

"Pbbbt." Mabel blew a raspberry and shoved Dipper's face. "Whatever! You know what I mean." She pointed at the last line. "Do you think the poem's about why Bill's here? He time traveled to the Mystery Shack in a new body..."

"Exactly! Bill must be back here for a reason. He's got all those powers—or, used to, anyway—and he knows more about the multiverse than anybody on Earth... Maybe there's some kind of big threat coming, and Bill's the only one who can stop it, and—and the Axolotl wanted us to know...?"

"I like the sound of that," Mabel said. "That'd basically make him a hero, right?"

Dipper grimaced. "I mean. I guess? But we're talking about Bill. If he does help us stop a threat, it'd be like if a serial killer picked up a hitchhiker and killed him, and then it turned out the hitchhiker was an even worse serial killer."

"That still sounds kinda heroic to me."

"Pfff, okay." He looked at his journal. "But... what is he here to do?"

Mabel considered what they'd already written. "Maybe we can use him to spy on our enemies through birch trees!"

"Thaaat's probably not it."

"No, I think I'm on to something. I can feel it."

There was a lot of empty space between his couplet and Mabel's line. "There's more we're missing, though. Maybe the rest of the poem describes the threat? Or what we need to get Bill to do?"

"I can't remember anything else, though."

"Me neither."

They stared at the page together, waiting for something to come to their blank minds. Mabel looked at the fish tank. "Hey, Primrose! Do you know anything?"

The pet axolotl in the tank ignored her serenely.

Dipper said, "'Primrose'?"

"Yeah, last summer Grunkle Stan said her name is Freakface, but I thought she deserved a cuter name. She's primrose color!"

"Ford says he originally named him Nikola."

Mabel gasped. "Nikki..."

Dipper twisted around to look at the axolotl. "Do you know anything? Do you... get messages from the Axolotl's heralds, or anything...?"

Nikola slowly opened his mouth, and slowly closed it.

Mabel said, "Hey. The Axolotl's one of those dimension-crossy time-travely guys, right? He probably wouldn't have given us a prophecy in the wrong timeline and then made us forget it unless he knew we'd remember it in time in the rightdimension!"

"I guess," Dipper said uncertainly.

"So we don't need to worry about it! We'll remember it when we need to."

"Unless this timeline's going to branch, and the only one where we survive is the one where we put all our effort into trying to remembering—"

"Shhh!" Mabel put a finger over Dipper's mouth. "Uh-uh. No college time travel. We'll be fine!"

Dipper pushed her over. "Okay, but we should at least try a little to remember what the Axolotl told us."

"What if we work on it separately?" Mabel propped herself up on an elbow. "Instead of just sitting around thinking about it. And whenever we remember a line, we can tell each other and see if it makes anything click."

"That might be faster," Dipper said, stroking his chin. "We're already remembering different lines."

"Yeah! And that lucid dreaming book said something about focusing on a problem before you sleep so you can figure it out in your dreams! We can just work on it in our sleep and we'll remember it all in no time!"

Dipper laughed. "What? No way, I think lucid dreaming is just one of those made up pop psychology things. I didn't get it to work at all." Either it didn't work or Bill had deliberately recommended a terrible book.

"I did! I can remember like... eighty percent more dreams. And I can tell when I'm dreaming a lot more often!"

"Huh." Or, maybe Dipper just wasn't doing it right. "Maybe I need to start over from step one. Do you know where the book we were using went?"

"Over here!" Mabel had set a couple library books on the end table next to the sofa bed; she pulled out the second one, which had a glittery pink bookmark with a cat on it stuck two-thirds of the way through. "Just don't lose my bookmark."

"Thanks." He'd reread the first step before bed. "We should probably be getting ready for bed anyway, huh?"

"Seriously?! It's barely bedtime!" And when the adults weren't watching, official bedtime was an hour and a half before Actual Bedtime.

"I'm exhausted. I just hiked up and down a mountain and faced down death."

Mabel pointed at Nikola. "You faced down a big salamander."

"Close enough."

They went upstairs, brushed their teeth, went to their bedroom...

And stopped in the door. Bill was still asleep. "Oh. Right," Dipper said.

He was curled into a ball on his left side, facing the wall, covered with only the zodiac blanket and his borrowed/stolen top hat sitting on the side of his head. He didn't use a pillow; he'd pushed Mabel's pillows and dolls behind himself to form a squishy makeshift fortress.

"Please don't wake him up," Mabel whispered. (She'd already set up the folding bed for herself; she'd clearly planned on this.) "He's had a really really hard time the last couple of days, and I think he needs as much sleep in a real bed as he can get, and it's just for one night, and I'm sure he'd rather sleep than do anything evil—"

"He said something, didn't he?"

Mabel paused. "Yeah. I think seeing his body really messed him up."

Dipper sighed. "We were trying to keep him away from it." He didn't want Mabel to think they'd forced him to stare his own death in the face. "But he did that... eye thing and looked through the trees, and..."

Mabel nodded.

Well. Dipper couldn't kick him out now. For Mabel's sake.

As children, occasionally when they got hotel rooms with a bed too few, their parents would stick them in one bed with a barrier of pillows in between them. At age thirteen and without two crabby parents trying to get them to just go to bed after a long plane flight, they unanimously vetoed that plan. Dipper decided against asking Stan if he could sleep in Ford's unoccupied bed, both because he suspected Stan would just go upstairs and drag Bill out of the room and because he didn't want Stan to think he was scared of Bill. He wasn't scared of Bill. Not anymore. He could handle one measly night in the same room as him. Anyway, somebody had to make sure he wasn't unsupervised in their bedroom all night, right?

Dipper and Mabel quietly set a floor mirror and old lamp next to Mabel's bed, draped a sheet between them, taped on a pink poster that said "WARNING! TRIANGLE ZONE!" and was covered in stickers of triangular objects, and decided Dipper was adequately shielded. If Bill did get up during the night, he'd probably trip through the sheet and wake half the house before he got anywhere near Dipper.

Dipper went to sleep with a baseball bat in his hands.

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"Okay," Bill said, hands on his sides, "what am I looking at here?"

The feral band members of Sev'ral Timez turned toward Bill, eyes reflecting in the dim light. They were squatting around Bill's petrified corpse like a pack of apes examining a sleek black monolith.

"Hey girl," Creggy G. said.

"Hey," Bill said. He looked down at himself. His onyx black feet hovered over the ground and the yellow glow from his exoskeleton illuminated the clearing. "Lemme cut to the chase, is this gonna turn into a raunchy dream? My corporeal love life is about as cold and dry as Antarctica, I keep hoping one of my dreams will get a little hotter and wetter—"

"Nah, G," Deep Chris said. "Mr. Bratsman got us fixed."

"Aw."

"We're here to pay you reverence for freeing our minds from the chains of the conventional," Greggy C said, gesturing to Bill's corpse. Leggy P was kneeling and bowing to it and Chubby Z was posing for it. "We want to help free you like you tried to help free humanity."

Bill's eye narrowed. He tapped a finger against the edge of one brick as he considered this offer. Finally, skeptically, he said, "Fine. I'll bite. Why should I think you can help me?"

"Because we can give you the understanding your heart's been missing, girl. You're just like us," Chubby Z said. "A horror never meant to exist, born of a dream to construct the perfect golden idol, forced to dwell within an unnaturally-fabricated human shell."

Bill tilted his head thoughtfully. "I'm with you so far."

"We want you to join us," Deep Chris said. "Cavort with us in the silvan night, G. Shun the harsh light of the spotlight for the healing salve of moonbeams. We'll get drunk on the sweet fermented summer berries, uncaring of how the brambles prick our flesh. We'll dance in a frenzy of ecstasy and only sleep when the morning sun lifts the dew from the flowers and the sweat from our skin. It'll be straight Dionysian, boo."

"We can kiss the hot trees," Creggy G said.

Bill grabbed his shoulder. "Oh, you're the human that keeps making out with birch trees! I knew your face was familiar!" He paused. "So... are there any eligible ones around here?"

"Sure, girl, just downstream."

"If I'd known, I would've polished myself first."

"Say you'll join us, Bill girl," Deep Chris said. The band crowded around Bill to either side, posing around him—the backup dancers for the star singer. "You'd be one of us."

"We're already exactly the same," Creggy G said, holding up a mirror so that it reflected his and Bill's faces beside each other. In Bill's human face were two empty white eyes with pinprick pupils and pale blue irises, exactly the same as the eyes of the Sev'ral Timez boys.

He sat up with a gasp, hands flying to his face. There were still green boughs at the edges of his dreaming vision, blending into the wooden boards of the Mystery Shack's attic. Before sleep had fully fled his mind, he seized up the zodiac blanket draped over his body and stared into his embroidered eye.

The eye stared back at him. Through it, he could see his horrified sleepy face, and his normal slitted yellow eyes. His connection to the blanket's eye disappeared as he finished waking up.

He heaved a sigh of relief and flopped back down. He'd been lucid, but he hadn't been in control of that dream. He still needed practice.

He rolled toward the light of the window, groped around beneath it until he found his journal, grabbed up his crayons, and flipped pages blearily until he found the first blank one. He started writing down his dream, pausing only briefly as he tried to figure out how to translate "Sev'ral Timez" before settling on a sufficiently goofy way to misspell "several times" in Plaintext.

He made it halfway down the page before he stopped. Hold on. This wasn't his beautiful journal. These were not his beautiful crayons. He checked the cover and grimaced in displeasure when he saw a pine tree rather than a hand. Dipper's journal. Bill ripped out the page, ate it, and set the journal and Mabel's crayons back on the table under the bedroom window.

"What was that," Dipper asked, "some kind of Morse code?"

Bill yelped and twisted around. Dipper's soul was hovering above Mabel's headboard, watching over Bill's shoulder.

"Hey! Back, foul ghost!" Bill snatched up Mabel's pillow and swung it at Dipper.

"Ow—Hey! How did you hit me, I'm in the mindscape—"

"I said back!" Bill swung again, chasing Dipper off the bed. "Back into your fleshy tomb!" He climbed off the bed, stumbled into Dipper and Mabel's trap, tripped through the sheet and probably woke up half the house.

He yanked the sheet off and flung the pillow at Dipper by its corner. "Now get back in your body, go to sleep, and leave me alone."

"I don't know how to get back in it. I just wait until it happens by itself," Dipper said, floating irritably over his sleeping body, arms crossed. "Why do you think I just wander around every time I have this dream?" He paused. "Right—it's not a dream, is it."

Bill sighed heavily. "Try putting your body on like..." He almost said like an exoskeleton, remembered his audience, and amended himself: "Like it's clothing. I usually start with the hands. Just like putting on gloves!"

Dipper looked at the cold fingers wrapped tightly around the baseball bat. "How do I put hands on like gloves? There's no opening or—"

"Just try it, would you?" Bill sat tiredly on the edge of Mabel's bed.

Dipper shot him an irritated look, but pressed his ghostly hands against his fleshly ones, passing through the skin until one set of fingers rested inside the other. A fingertip twitched.

Bill gestured with one hand, continue. "Now the sleeves."

"I know how to get dressed." Dipper laid down in his body, forearm into forearm, shoulder into shoulder—until he was wholly back inside. He sat up, awake. "Huh."

"There, see?" Bill said. "And if you want to take it back off, just do the same thing in reverse. Like degloving your body from your soul!"

"Did you have to phrase it like that?" Still, Dipper tried it, peeling out of his body from the fingertips up. He left his body sitting upright as he hovered over it.

Bill chuckled tiredly. "Lookit your face, staring at nothing. Stupid looking."

"Shut up." He slid back into his body, more quickly now that he knew what he was doing.

"Great," Bill said. "Now that you know how to get back in your body, never do that again." He flopped back onto Mabel's bed and rolled over to face the wall. "It's a pain in my base having you wander around all night."

"Then you should've thought of that before you ripped my soul out of my body," Dipper grumbled. "Can you reattach me to my body?"

"Sure, easy." He lifted a hand to point down at his regrettably human form. "Not like this, though. Wanna help reattach me to my body?"

"Never in a million years."

"Then come back in a million years. There's nothing I can do for you until then." Bill dragged Mabel's zodiac blanket back over himself. "So sorry. Go to sleep. Leave me alone."

Dipper bet Bill could do it and was only saying he couldn't to try to trick Dipper into helping him. But he lay back down—clutching his bat again—and shut his eyes.

After a moment, Bill asked, "Where's Mabel? Sleepover?"

"Sofa bed in the living room."

"Right."

And then there was silence.

Several minutes passed. Dipper nearly fell back asleep. He heard Bill climbing out of bed and creeping across the room; but the footsteps didn't approach Dipper's bed, so he didn't open his eyes.

A few minutes after that, Dipper heard him come back, walking more heavily. He cracked open an eye to see what Bill was up to.

He was carrying Mabel, who was still asleep; his arms were trembling from her weight, but even at that Dipper hadn't known Bill was that strong. With a quiet grunt, he set her on her bed, then haphazardly tossed her sheet and zodiac blanket over her. He picked up his top hat from the bed and put it on; and then he wandered off, footsteps quiet as a ghost, and Dipper heard the creak of the door as he left the bedroom.

That was a lot nicer than Dipper had expected from Bill. Maybe he did care about Mabel in his own way.

Mabel rolled over and latched on to one of her dolls. Dipper shut his eye and fell back asleep.

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(My favorite part of writing this was Bill dreaming about Sev'ral Timez saying the most absurdly flowery things imaginable. Anyway, let me know what y'all think about this week's chapter! And reminder that I MIGHT skip next week or the week after because the next couple chapters need heavier editing than usual.)

#bill cipher #human bill cipher #sev'ral timez #(a tag i have never used before and will probably never use again.)#gravity falls #gravity falls fic #gravity falls fanart #fanart #my art #my writing #bill goldilocks cipher

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mckitterick · 3 months

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What Really Happened During the Atlanta Presidential Debate

This (very long but deeply informative) exposé of American journalistic failure reveals not only the malice they've shown toward Biden but also their inexplicable gentleness toward the other candidate who'd almost certainly put them all out of their jobs.

Not reported anywhere I've seen is how badly tRump's mind has been failing (perhaps because they're so used to his mental instability) or that he spouted 602 lies in 40 minutes during the debate (perhaps because he's known to have told more than 30,000 lies while he occupied the White House). And we've never seen a full accounting of why Biden was tired that night (as anyone would be, regardless of age, after such a harrowing week).

Rather than talking about the 34-times-over felon's (who's also facing 54 more felonies) horrific performance during the debate, or that tRump's physical and mental health are far worse than Biden’s (who's about the same age, btw), the mainstream press is only talking about how tired Biden was after a grueling week of actual work.

And let us not forget the ableism inherent in mocking a stutterer rather than exposing the other candidate's actual mock-worthy performance - a guy who presents as a malignant narcissistic sociopath and career criminal who’d be unemployable and likely unhoused if not for a $400 million inheritance from his likely-KKK dad, who constantly lies to hide the fact he was born between third base and home, and who's lost more money than he's ever "earned."

Check out the deeply researched article for the full story of journalistic malpractice: X

#journalism #election 2024 #journalistic malpractice #my screencaps

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fumifooms · 4 months

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Falin who cares too much and too little - analysis

Been stewing on Falin thoughts for a while, I know I have an interpetation on her that differs from many but I’m jumping into the fray. I think there’s a lot to be said about what we do see of Falin. This shorter Falin analysis I made is heavily encouraged prior reading. This analysis mainly explores her complex relationship with caring and so it’s sort of structured in two halves, with Faligon at the crux of it all.

Falin cares too little :

A lot of people assign Falin a people pleasing mindset and I… Don’t agree. We never see her care at all about people in her town or at the academy not liking her.

We do see her worrying about what people think of her… ONCE. And Laios comforted her, told her they didn’t matter and she should be proud of herself. She latched onto that hard. That’s why this scene was so important to be included during the dragon fight, relationship-defining; it’s always been them against the world. She grew to not care what others thought, to only focus on her close loved ones. No one else matters.

Laios’ words were her world. Her older brother who taught her how to feel comfortable with herself, who told her, you’re great, others are the ones in the wrong to not see that, I’ll always be with you, always be there for you. Older brother who always made great plans, who always knew more, who was better at wrestling to name the dogs, who she has always idolized. Laios who always spoke of traveling the world, to which she always said she wanted to follow. And she would, she’d follow him even if it meant leaving the academy and all she knew behind, she’d follow him to the ends of the world, and that’s what she did.

She didn’t care about showing to her classes or keeping up such appearances, she doesn’t even think of toning down her jumping into bushes when Marcille recoils, etc. She acts like an obedient pawn often, to her parent’s directives and then following Laios around no matter what he decides to do, but I don’t think the motivation is people pleasing, rather it’s being with & caring for her loved ones, and her go-with-the-flow attitude enhances the impression. Not that it’s as simple as that, mind you, but let’s talk about this for now.

Falin is perceived as selfless because we, the audience, have our perspectives revolving around the main people in her life (Laios, Marcille). They’re the ones she’s devoted to and people who care about her back a lot too, but to people like her classmates or the towspeople she probably must have seemed like someone who didn’t care about the people around her or her surroundings a lot, who just went on alone and did her own thing.

What matters to Falin? From what place does her kindness come from? Is a part of her keeping up appearances? And I think that’s the point, the horror of Faligon as well, that we can’t tell just how in control Falin the person is as the chimera (because we are shown that she’s in there, we just don’t know at what degree), that we don’t know her enough to be able to tell when she’s at her most genuine, her most raw. That even if you do settle on none of her being present as Faligon, we have to at least consider it, consider that she may be able to do something like this and have a part in it, brutal and uncaring. That even the lenses we see her through, the people who love her, may be unreliable.

And this is what’s very interesting about her too, she truly is so idealized by people around her as a saint. She’s so good and kind and caring to everyone etc etc etc. Laios, Toshiro and Marcille all see her as the paragon of goodness in the world. More cynical characters like Namari and Chilchuck have more layered opinions on her, the latter finding her somewhat unnerving because he can’t read her well. But then with that one flashback scene we see that… Her priorities are intensely focused on Laios and Marcille, she doesn’t care all that deeply about anyone other than them (+ maybe her parents). The rest of the party is in the same danger here but only Laios and Marcille who she’s speaking to get the special ,ention, and if they don’t cross her mind then of course she’d be ready to sacrifice strangers through a risky teleportation. That doesn’t make her not kind or caring!! Just that greater good isn’t exactly her priority. Any means is alright if the end result is her loved ones safe, it usually takes the form of healing and caring, but we see she’s ready to fight and make dangerous calls too. To me there’s this aspect to her that she isn’t as pure and magnanimous as everyone thinks she is, both in-world and interestingly enough meta wise as well, and there’s something interesting to that.

People pleasing implies a need to be liked, needs for the motivation to be that. A yes-man, etc. But if we analyze Falin, her general kind, smiling demeanor is more a matter of passivity I yhonk. Conflict avoidance is easier, so she’s friendly and hopefully things’ll be smooth sailing. It’s easy to be kind to classmates even if they act wary and rude if you don’t care about what they think either way. Of course she prefers good things happening to people over bad things, she is genuinely kind, but I think people tend to assign her a very grand altruistic way of life when to her the motivation is pretty self-centered. She doesn’t do what she does because she loves them, but because she loves them.

One situation that’s interesting to dig into for her way of thinking, and what I’m trying to get at, is Shuro’s proposal to her. I’ve seen people saying she hesitated because she didn’t feel comfortable saying no even though she wanted to, "I can’t say no, I don’t want to hurt him", something that sounds sensible and familiar, but it’s actually canon in the Adventurer’s Bible that the reverse was the case, that she didn’t feel comfortable saying yes. Because the offer was tempting, but it’d have been a loveless agreement on her end. And it makes sense she’d want to say yes too, like we see with the Toudens, marriage is very much a political strategical economical thing in their village, there’s even a bit on it on Laios’ Adventurer’s Bible profile about dowries, and both siblings were engaged very early. They lived poorly for a long time, it’s an enticing idea to marry rich, to have not only yours but your brother’s needs met forevermore easily, which at one point in their careers was their main worry and goal. Why shouldn’t she accept a life of leisure and wealth handed to her by a lovely friend?

So her hesitance was "yeah that’s convenient for me, but where it’s everything to him and heartfelt I’m able to be detached because I don’t care about it that much… Can I do that? I’m not reciprocating, not saying yes in the way that matters. Can I do that to him?" Very caring even though it’s not what you’d expect, isn’t it?

And central to my analysis, where I’m going with this is, I feel like that’s the thing with her character, that she doesn’t feel as strongly as she "should" sometimes, or feels a different way than she "should", or at least that she feels that way and others say she does. She didn’t mind suddenly leaving the academy, leaving Marcille behind and not seeing her for 4 years. She acted like it was no big deal that she sacrificed herself after getting resurrected after the red dragon fight. And in both those cases it upset the people around her greatly that she didn’t seem to get why it was such a big deal, didn’t seem to care about how they’d experienced her choices.

So it’s a tendency… And it’s not that she doesn’t care, it’s just that the way she measures what’s good for the ones she loves isn’t the same as what they themselves think it is (like Laios and Marcille not wanting to be apart from her). It’s an overt but quiet kind of care, it’s doing things like following them around and making sure they bathe and have a meal, even if that means she has to be dragged into misery too.

So yes she probably would know "not caring enough/the right way" is one of her perceived flaws, and that informs how she tries to handle her response to Shuro’s proposal. Her not wanting to accept like her first gut instinct, is because she’s thinking about reciprocity, about if it’d be right to go into this knowing that they have different priorities and she might not be able to keep up with the type and amount of emotions he wants/expects from her. And that’s a big part of her character isn’t it, having expectations pushed onto her. Her trying her best, but in her own way that may seem odd or even unfeeling. Not unlike when she exorcised the ghost as a kid too, unblinking and matter-of-factly, and not seeming to understand why people stared the way they did.

Even though she answered his proposal only post-canon, she’d been pondering it for a while even pre-canon and the Adventurer’s Bible explanation was released midstory, so I’m hesitant to assign her much growth about her hesitation and what I went on above, since she still didn’t react "right" with Laios after the red dragon fight (even if she apparently doesn’t remember sacrificing herself) and put herself in that situation in the first place. She hasn’t finished her arc on that flaw of hers is what I’m saying, she for sure still has it, but I certainly think her thoughts on Shuro’s proposal shows awareness, both of herself and social.

And awareness is a big analysis key word with Falin, especially here it can be hard not to conflate not caring with not knowing. How socially aware is she? It’s rather layered, because canonically she wasn’t aware of her ostracization in her hometown at all, and we’re not sure if she knew Shuro was interested in her before he proposed, but she generally seems more socially aware than Laios. She tags along on his caravan job to make sure he isn’t being mistreated (though doesn’t ask he get a salary), she catches social faux-pas more easily like in the genderbend magic mirror omake with Shuro, and interestingly enough she’s very good at empathizing with her parents and understanding their perspective. We see when she’s worried about Marcille coming that she does know about propriety and how appearances shape impressions. Being a chief’s daughter must at least have taught her a thing or two on that front.

She never stands up for herself, but when it comes to defending others she worries, strategizes and explains.

And this sort of understanding is part of why I think she’d notice the expectations pushed onto her like I was saying earlier, notice how she makes people feel when she’s careless. But if she changes anything about herself in response to noticing is for her to choose, and generally I think it’s a sort of inbetween of yes and no: that she becomes more complacent but also more reserved, complying but by hiding more of herself passively. She’s not sure wether to accept or reject Shuro’s proposal, doesn’t want to lead him on? She’ll just be taking a while to silently consider it, try to keep things as they are for the time being. The third, less conflicting option. She doesn’t feel heard by Marcille who keeps infantilizing her? Just bear with it. Retract yourself emotionally. Settle for it.

We see that when she was young she had a tendency to not read a room, and I think that’s here too. She doesn’t get why her nonchalance upset others but that doesn’t change that she doesn’t want them upset or hurt, so she tries, albeit in maybe a roundabout way. She always had a hard time deeply connecting with people, often keeping herself some amount of emotionally distant: erasing herself from the equation, from the two-way trade that relationships are and making it a onesided thing instead, where all their needs and emotions are directed towards her but she only lets out a bit of her own show. She takes everything upon her and deals with it and tries not to give others this same burden, though not on a conscious level, it’s just that she’s learned growing up that she doesn’t have much agency.

Like I went into with my analysis linked at the beginning, I think Falin is used to just taking what she can get and not asking for more, when it comes to social bonds. She’ll take spending time with her mother no matter what it is they do, she’ll follow Laios to the graveyards and stick by him even when he’s pushing her away (because he doesn’t want her borrowing his book or "No copying!" or such). Her father was always distant, cold and uncommunicative, her mother was considered sick from anxiety and the exorcism attempts were the main way they spent time together, at dinner tables there were only her and Laios. The dogs picked on her too even if she loved them— And so did the townspeople, maybe that being normal to her at home is why she didn’t notice the ostracization she suffered.

She’s always been the last to be asked about decisions or what she wants, never asked to play with at recess, neither her father or Laios asked before sending her to the academy or leaving the village. At home, in the hierarchy she was considered to be below the dogs by the dogs themselves, as someone they can disrespect. Dogs learn from example and behavior, so this means Falin must have been pushed around a lot, and that the family didn’t try hard to rectify the dogs’ misconception, likely worsened by Laios regularly wrestling with her as a competition.

So for example when Falin showed Marcille food, it was her way to implicitly ask to have lunch with her without voicing that question, without daring to take up space. Someone’s presence isn’t something you ask for, it’s something that’s bestowed upon you, you can follow them around but you can’t ask them to stay or to come with.

She’s used to her needs and wants not being listened to, so she’s learned to have less wants. Caring less about herself, caring less about other people beyond her safe zone, was a defense mechanism in part. She has a sense of learned helplessness too, like how when Marcille came to take her away from Laios, even though she didn’t want to leave with Marcille it felt so determined and unshakable to her that whatever Marcille decided Falin would have to comply with.

And still, it’s the "marrying you would be awfully convenient if it wasn’t that I’d feel guilty for not loving you back, the way you wanted me to when you proposed to me" and the "I don’t regret leaving the academy and leaving you behind without goodbyes but I’m sorry that you’re so much more upset about it than me". It’s the guilt of not loving people back the way they want to be, with the same intensity or fervor.

It’s the autism it’s the aroace of it all, it’s the emotional stunting and confusion but the pit in your stomach telling you you did something wrong again. The no object permanence even for people you love even for 4 years, it’s the feeling like you’re somehow at fault for someone having fallen for you and not knowing what to do with any of it. I’m not joking btw it isn’t uncommon for autistic people to not see their close friends for a long while, not having missed them all that much and for that to be really hurtful for the other if they notice/ask about it. "Hiii bestie! Oh umm you’re uh more emotional about this than I expected, hopefully you won’t feel alienated by me not feeling as intensely about it…"

So… Yeah. I think she thinks of things and relationships in a different way than most people, and beyond "good things happening to people is good" I don’t think she actually cares about people all that much. I’d argue that Laios shows more desire to connect with others and make relationships. And just like with Laios and his own issues with humans, that doesn’t mean her kindness is a lie or ungenuine or worthless! It just means that like, well it’s pretty straightforward really, she’s not all that social and doesn’t see casual bonds as meaning all that much and whatnot. She does want to see people happy, but it’s not as much like… A conviction or goal. She’s too laser focused on a select few people. "It’s not that they’re bad people, they just aren’t interested in humans."

And sometimes it feels like people get defensive about Falin in a meta way too, like if you ever so much as imply Marcille isn’t her whole world or that she isn’t the kindest soul out there then you’re saying she doesn’t care at all or she’s evil. And that’s actualy exactly the sort of vibe I wanted to get through with my analysis above here actually haha, that she does care and she is kind but it’s not in a way that’s quantified or understood in a way that makes people feel comfortable. In a way, that makes people feel insecure because they don’t have the same logic as her, don’t show love the same. And I think this is another stellar depiction of autism, of parts of it that feels unpalatable to many, if I’m making sense. The fandom idealizes her as well, which isn’t uncommon or surprising for the character embodying the trope of the perfect beloved to rescue.

And disclaimer, as I said in the tags I feel like the details of Falin are pretty vibe based when it comes to analysis, there’s absolutely a valid angle where she does super care about everyone always, feel free to disagree with me on the overarching angle of my analysis. There’s enough supporting evidence to tip the balance either way I think, and the reason I’ve chosen this angle is I feel it’s more compelling for the themes in Dunmeshi of idealization and being different, of desires vs wants, and because I think it neatly ties up Falin’s character arc as I’ll go over throughout the next section…

So.

Not feeling as much as she should. And……. Is this not Faligon pushed to the max?

You can’t tie down a dragon. As the chimera, she gets to just not care about everyone else and be on her merry way.

Part of it I think is finding comfort and freedom in the mindlessness, in not having the burden of feelings and connections and a consciousness (despite still ending up seeking those in a stranger, Thistle). Like when she’s dead in the purgatory as well, she gets to just… Hang around and do whatever. Similarly to when she played in the forest instead of going to class in her academy days. That’s what freedom and peace of mind looks like to her. Why she decides to roam post-canon, if only now with the goal to find herself instead, with her mind in tow and somewhere to go back home to.

There’s excellent analytic framing out there about how of course, Dungeon Meshi has a big theme of grief and letting go, and… Falin was always a symbol narratively, idealized by characters and often underconsidered by them despite their love. It was Falin’s choice to sacrifice herself for Laios, she thought it was worth it, knowing that it would be her end. Her resurrection and the process of it intertwining her soul with a dragon’s wasn’t done with her consent, and the subsequent opening it gave her to become a chimera puppet. She’s stripped of her agency consistently, and so… It’s very noteworthy that the final choice, of wether to go back to life or to stay dead, in that purgatory scene, was up to her. And she chooses life, but I do think about her in those fields and how at home she seemed there. Peaceful, by herself in a vast calm expanse she could explore, free.

Personally, I think freedom is Falin’s own subconscious selfish desire. And though to us becoming the chimera is obviously a shackle, I think it felt like freedom to her somewhat, too.

And if you think I’m going wildly off the rails here I want to talk about Laios’ wish of becoming a monster. And to be clear before getting into it, being mentally a monster is absolutely a big part of the appeal for Laios, it’s something that’s consistently referred to, something especially pointed out in the werewolf monster tidbit with Lycion. Right panel is from that, but left panel is from the extra with Izutsumi where Lycion talks about suppressing souls in a beastkin body, the human or the beast soul.

Finding comfort and freedom in being mindless, less sentient, less aware? While being unaware in her hometown might have saved Falin a lot of heartache although perhaps stunted her emotional growth, it’s always been Laios’ curse.

Actively, through his choices, he seeks to grow closer to people, to form deeper bonds, to understand and be undertood, but… On a deep seated level, what he desires is to leave humanity and civilization behind. He has an irrational hatred for humans, born from the trauma of ostracization, being different, being beaten up and rejected consistently through his life. Running away from problems is easier. He wants to be free from being a social animal from a social species who has deemed him the black sheep, he thinks it’d be simpler to just leave it all behind, people and his own humanity. At its core, to Laios becoming a monster is a power fantasy, a coping daydream of "if only I could be strong enough to never be hurt again, the power to destroy anything I want, the power to go somewhere better, if only it was possible for me to never feel hurt again. If only I could be someone, something, that can never be hurt". "If there’s someone you don’t like, you can gobble ‘em up in one bite. If you could fly, you’d be able to leave this village right now." It’s a childhood fantasy, from a deep sense of being misplaced and a desire to be able to stand fearless, thinly covering up resentment that Laios represses.

But you’ll notice, when the Winged Lion is enticing him in the last page, even now with his lifelong wish of becoming a monster on a silver plate, he still cares about his friends. He still has that sense of responsibility to his friends, doesn’t want to leave knowing they’ll be in danger and alone. The offer that his friends may be left unharmed is already good, but Laios also visibly flinches when the Winged Lion offers to specifically care after Marcille and rid her of her biggest fear. Laios’ care runs that deep. Not unlike with the succubus, he resists temptation until he gets reassured that everyone will be okay. But see, what he desires isn’t to stand alongside Marcille until her last days, it isn’t to stay and see how well his friends will live, it’s to go. It’s to leave. It’s to fly away, a monster both in body and mind. He wants to be free from caring here, wants to not have to worry about his friends, wants to just go do his own thing, but for that he needs to feel safe in the belief that said friends will be safe even without him being there to see it, because despite everything else he cares, he does. It’s again that dichotomy about caring and wishing you didn’t, or not caring and wishing you did.

In the end, it’s Falin who achieves that wish. Both by becoming a chimera during canon, and by going traveling post-canon. In the latter, being both free of human relationships as something chaining you while still being uplifted by them, by the knowledge that there are people out there you love and that love you. It’s a theme that can also be connected with Marcille, because she gets anxious over people she loves getting out of her sight, worrying they’ll get themselves killed, that time is passing while they’re away from her. But before she can get to the point where she can both have her freedom and being uplifted by her social bonds, regaining both her individuality and her connections, she has to get a taste of just one at a time. Before they can find balance in her life, she has to see what it’s like to have what she’s never had on its own. Unapologetic freedom, and power.

No one can blame you for not caring enough or caring right if you’re a fricking dragon!!!! You make the rules when you’re a beast and you can just… Fly away. From anywhere, from anything. And if a dog bites you you can just crush it. Instead of being pushed around by the dogs because you’re at the bottom of the hierarchy, you’re now at the top, the one with the power to be heard and do what you want without consequences.

I think she’s on autopilot. I think she’s on autopilot a lot of the time, even before being a chimera, and it’s partly why her will is so weak compared to regular dragons. (Again, read my shorter analysis.) It’s familiar to slip back into the role of following someone around unquestioningly. And that’s what is weaponized when she’s a chimera, that instinct she’s been nursing all her life to unconditionally support, defend and follow someone. Only now, that someone doesn’t matter in itself, only the symbol of it. She doesn’t mind, either way is fine. Her will is weak after all, because she’s trained it to take as little place as it could.

Falin cares too much

She spends all her time caring for Laios and Marcille alternating that none of her care and emotional energy is left for others, including herself. So she had to get relieved of all of that for a bit, becoming the chimera so she could reset and recenter and remember that she, too, indeed, is there and an important part of her own life.

So you’re probably seeing the duality I’m talking about here, Falin is very self-sacrificial but for specific people in ways that they often don’t recognize or appreciate. She cares but selectively, both in people, putting all her eggs in the same baskets, and in the ways she cares after them. She doesn’t care a lot, but when she does she cares a lot. Falin doesn't have a lot of earthly attachments, but when she does, they're her world.

In canon her arc, especially post-canon, is to grow beyond Marcille and Laios. Her caring for her close loved ones held her back from looking after her own self-fulfillment needs. And this is what I mean when I say she cares too much; she could gain from caring more about the world besides Laios and Marcille, both lands wise and people wise. She cares too little, but her arc centers her flaw around caring too much instead. Her pitfalls that Kui highlight over the course of the story, while of course her selflessness is appreciated for how she saved Laios and everyone, on a personal level is shown to be self-effacing and damaging. She’s undermined by Marcille, without the courage to voice her thoughts and wants, she would dedicate her whole life to Laios. And I mean, it’s text, in the response to Shuro’s proposal extra no less. And she’s so laser focused on her most loved people that she’s fine with being callous and risking others’ lives, even.

Post-canon, she needs to leave to find herself, away from them.

Herself. What if she wants to just be with herself for a while.

And this is me reaching but I feel like, not unlike Izutsumi who learns to feel this sense of never being alone, always having someone on your side what with having two souls, the dragon in her would make her consider herself more. She finds it easier to care after other people after all, and in the purgatory fields sequence she takes care to bring the bit of dragon left with her… Not unlike with Izutsumi, having two souls forces you to think about your identity and figure yourself out. Besides being this sort of duo now, where if she wants to care after herself she can channel it to that other side of her too… In meta dragons are symbols of greed, and I think the bit of dragon would push her to want more and listen more to her desires, primal and self-serving as they might be. The dragon soul which warped her human body with feathers and draconic features, her image of perfection marred, her weirdness externalized in a way that’s not palatable. But she doesn’t care, about if her appearance is palatable for most people, she hasn’t for a while now, and that’s great.

Notes & nuance

I’m struggling with the structure of this post, making my points organized, concise and strong at once. It’s difficult to make any statement without going "things are generally like this, but there’s this time that this contradicting thing happened too" or "it’s ambiguous enough that you should just follow my interpretation for the time of this analysis" haha, so this is the pit where I put all the stuff that wouldn’t fit well in other places but are interesting for Falin’s character. This section is pretty separate from the main thesis of the post, it’s just more Falin observations. The post has reached the 30 pics limit so I can’t just pull it up whenever it’s relevant but I really encourage scrolling up to read the stuff I highlighted in her Adventurer’s Bible profile if you haven’t already.

I think with the shy-looking loner type autistic kid archetype, and knowing she didn’t seem to mind others ostracizing her, it’s easy to lose sight of how she was by no means an unemotional child. In all the bits we see of her as a kid she’s bursting with energy and emotions. Canon confirms Laios leaving the village did affect her and make her lonely and she cried a lot, too. She may not be social in the traditional sense, but she was clingy with her brother, and she also never was all that shy about who she was, wearing her heart on her sleeve.And okay. Okay okay okay. Speaking of appearances. About what I said of her not caring about what people think of her, even seeming defiant with the caravan leader… There’s one istanxe of her caring actually, and it’s about how her face blushes easily. I remembered it as being because Laios’ said it and as I rambled Laios’ words are her world, but actually it’s ambiguous. It’s only Marcille imagining up this scenario where Laios says Falin looks weird because of it, there’s no evidence Laios said or thought that at any point. And on the other hand…

Her Adventurer’s Bible says: "5, Lovely Skin. She isn't particularly careful with it, but Falin's skin is fair and beautiful. Possibly as a result, her cheeks seem to flush easily. Marcille's always saying she's cute, and she secretly has a sizable complex about it." The phrasing makes me think the complex she has over her blushing might have developed because of Marcille more than Laios. "Marcille's always saying she's cute, and she secretly has a sizable complex about it." It could be related to how Marcille gets swept away and infantilizes her, calling her cute wanting her to wear cute feminine outfits etc. Again this feels like it relates to Falin’s struggle to be seen for who she is and what she wants to be seen as, her struggle to be recognized, having ideals and perspectives pushed onto her. Here Falin is insecure over her blushing implicitly because she doesn’t like being called cute over it, but that’s not how she wants people to see her. She doesn’t want Marcille to always see her as her 10 years old adorable friend. Like if your friend said you had puppy energy, it can be flattering, but it can also make you insecure.

Here’s a link to what I mentioned about her being uncomfortable wearing feminine outfits. It does seem to be more about comfort than the aesthetic perse, to me. Interestingly the shirt & shorts don’t seem like they show much more skin than her beach outfit, so maybe it’s more about the shirt and shorts being tight-fitting. Like the skirts and heels they feel stifling. Again a bit with themes of freedom and not wanting an aesthetic pushed onto her. So yes just to reiterate, I think this is more about self-affirmation and how her identity and self-image gets shown to others, rather than wishing to hide parts of her body like her blushing etc for people pleasing reasons. Makeup was a way for her to appear how she wants to and feel more confident. It was a way to take control over her own image. She didn’t keep doing it, the narrator stating the process to be ‘troublesome’. Ultimately she still prioritizes her comfort, and it was a lot of recurring efforts to go through.

And on the topic of appearances… A friend once asked me: "Does she really hide herself or not? I keep thinking about "falin is herself first and foremost" (in her Adventurer’s Bible profile) it’s just so. Hmmmmmmmm... I just keep seeing people say she hides her real self from people when I feel like the issue is more about her charitable traits straying too far into becoming flaws but people around her dont realize that..."

Imo the thing is, I don’t think she hides her identity, but I do think she suppresses her individuality for others’ sakes if that makes sense. In the way that only post-canon does she allows herself to go see what the world is like, but that’s not personality wise it’s needs and wants wise. And I do feel like that’s the closest interpretation of canon, she says it herself she doesn’t know what she wants because everything she’s done was always about Laios or Marcille, but she doesn’t change her demeanor or personality for others. But she *will*, like, not ask for things she wants directly, like sharing lunches with Marcille at the academy, she suppresses her wants, doesn’t ask things from people and doesn’t hope for more, hope for better. I don’t think we ever see her actively repress her personality, except like what, being more laidback than enthusiastic but I do feel like unlike Laios with her it’s less ‘appearing stoic to fit in more’ and more ‘yeah i’ll just chill until I’m needed or something activates my enthusiasm’. To which said friend quoted: "to feel like you belong you need to be useful. when you can’t be useful the next best thing is being convenient."

And speaking of passivity… I want to speculate about Shuro’s proposal some more. Shuro and her got along well though we don’t know how much, or how often they hung out, she even saved him from a nightmare. Why did she take so long answering Shuro’s proposal? Was it an effort to preserve or was she really just that conflicted? Procrastination probably yes, but what is the core motivation of itl Considering she ended up saying no to travel the world instead, I don’t think it was as simple as ‘she wanted to say yes for convenience’. Logically it’s what would have been best, but it’s not what she wanted for herself, but it was and still is hard for her to even know what she wants. Probably, since like she states it was a great offer and she doesn’t think she’ll get proposed to again, it’s that self-effacing tendency that yes it’d be convenient and logical, and that makes her want to say yes even if her spirit isn’t in it, because if it’s convenient then that’s more important than her feelings on the matter. Man also… Obviously Marcille is very vocal about how she shouldn’t get with Shuro, but imagine how Falin’s whole perspective on marriage must have felt when her only friend ever is a Romantic with a capital R who gushes about idealized romances and grand gestures and True Love and doing things with fully pure feelings all the time.

AND speaking of passivity!!! How much Falin is "there" as the chimera, just how much she’s master of her actions, is left ambiguous and intentionally so imo, but she’s for sure there & influencing the dragon’s action to some degree. Having a dragon’s foot on her in purgatory that keeps her from moving for sure visualizes how it must have been like, but there’s Falin calling out to her brother Laios, there’s the kind attentions towards Thistle that are so Falin-like, and most explicitly there’s the Adventurer’s Bible stating "Even after becoming a chimera, she has a soul that's as kind as ever", which I honestly dislike, a fantranslation puts it as "Even as the chimera, her caring nature remains" and either way to me it feels like confirmation that it’s her giving those berries to Thistle. Now, wether or not she has the mental capacity of a chicken or something closer to human Falin, no clue, there has to at least be some kind of mind bond between monsters and the dungeon lord, compelling or forcing them to go along with orders, or calling her to him in distress like with the fight on the first floor. But yes, it’s interesting to wonder what it is that a Falin, with her kind soul but without her human mind, would willingly do. On her profile, she’s described as Thistle’s guardian and servant. The power dynamic between the two are very interesting, I already went into how it might have felt like freedom to her while being fake so I’ll reign myself in and just mention it again. She’s still at the heel of someone, only now it’s someone who doesn’t care about her back. Going from being cared for so strongly that it’s suffocating and they would defy death and the world for you, to being devoted to someone who has not one feeling about you besides your utility as a paw . She has all this care to give and to focus onto others and he has none to send back to her and I think that’s part of it. In a way, being left with only her own feelings and a void, without expectations or feelings or ideals pushed onto her, it might have been soothing in itself, and eye opening. But yes the way I think of it, her care for Thistle isn’t unlike the care she gives the ghosts.

Interestingly, the care she extends for the ghosts is sending their soul to a peaceful death, freeing them, of life and any earthly attachment. Take that as you will with the themes of freedom and burden of life and mind, immortality and becoming a warped version of who you were, and such and such.

But going back on the topic of connections and bonds for a bit, I think academy days Falin & Marcille is super interesting bc we’ve never really see Falin form a connection besides with Marcille and even that is kept pretty ambiguous. When was the point that Falin started seeing Marcille as a friend and seeking her out? When was the "I’ll lay down my life for you" point? I’m so fascinated by how she wanted to share lunches with Marcille but never truly asked, only made little "hey want this? I found it isn’t it cool?" gestures of showing things to her… It’s the only way she knows to ask, or maybe it’s the only way she feels comfortable to. In all the scenes of young Falin and Marcille Falin seems comfortable in her friendship with Marcille, but at the same time… I think we see Falin at her most insecure around Marcille, because she really does care about Marcille and what she thinks of her so much, and while Marcille is a bit of an unstoppable force tornado style (affectionate) Falin is something of a doormat. I’d usually say showing her berries was her earnest way to connect and be like "Hey bestie look at this! :]" , but there’s a real possibility that she was self-conscious and holding herself back.

Friendship and Marcille! Involving Laios into this too but, again with the autism thing of not showing you care in ways that others understand, Marcille being very overtly affectionate and clingy was so so soo important… Marcille keeping on hanging out with Falin and caring after her, and being undeterred/unbothered by Falin not always seeming like she cares all that much back in the conventional way, as in Falin acts nonchalant and a bit like she didn’t mind wether she was there with her or not during her outings to the cave dungeon. Caring and being clingy and so affectionate despite that in such a classic Marcille way is soo needed, because so often people will get discouraged by say, their friend not keeping in contact regularly/well, seeming disaffected or as happy-go-lucky as ever even if you haven’t seen each other in a while or when they’re alone, and yes there’s potential for a strong friendship there but someone like Falin won’t be committed enough to reciprocating attention the same way… I hope I’m making sense but yes this angle in particular strongly correlates to autism. And the way Marcille always initiates physical affection, both Toudens being awkward about initiating touch because they don’t know if that’s allowed, if they’re going about the social interaction the right way, if they’re allowed to ask that out of someone…

Another fun observation to make is about the 4 years Falin and Marcille spent apart. Marcille despite being of a long-lived race treated these 4 years of separation with more gravity than Falin did. Falin brushed it off very dismissively to say the least. But then you remember that the amount of time Falin and Laios didn’t see each other after he left the village was 8 years. Double the years, double the time. And that reminder makes Falin’s actions so starkingly understandable. Of course she wouldn’t see 4 years of separation as a long time if 8 years of separation with her beloved brother is her point of comparison. Of course she’d see it as worth it to leave Marcille for 4 years if it meant ending those 8 years instead, especially if she was worried about him (the reason why she followed him into his caravan job).

A friend always says that while Falin is the center of Marcille’s world, Laios’ is at the center of Falin’s, and I tend to agree.

It’s fun to think of how her career dreams had always been shaped by Laios, even when they were kids. Of course there’s how traveling the world began as a dream they talked about and shared, but there’s how he reassures her by listing cool jobs she could do like traveling exorcist, etc. And then of course, she gave up on her magic academy and career path to follow him and do odd jobs, etc etc.

I should go into the violence of Faligon more tbh, because I think there’s an interesting parallel to how she has no problem wacking things with a mace, wether a ghost when she was a kid or a walking mushroom as an adult. Something that often surprises fans when they remember, I don’t really want to get into the whole " Falin hates violence and hates seeing people in pain to an intense degree. ‘If you die do it somewhere where I can’t see’ style’ interpretation, it has some weight but on the whole I don’t vibe with the theory she has a particular aversion to violence, she seems to be fine resorting to it as much as any other adventurer as long as it isn’t needlessly against ghosts. And Falin’s sudden mace hits are fun to me too because it’s not her becoming a berserker when the need arises as much as her becoming active because something she cares about is threatened, and that brings her out of her passivity from 99% of the rest of the time. Thistle included. Falin always could be violent, she just dislikes senseless carnage. The Shuro party vs chimera fight is a bit ambiguous on it, because you can argue she only attached after being provoked, presumably offscreen as well while the ninjas went off to fight the harpies. Falin becomes the most active when she needs to protect someone, she has no qualms doing whatever’s needed for that, wether it be leaving the academy & Marcille without notice no matter the consequences or what her parents think, or teleporting the party, etc.

I’m working on a post specifically pointing out all the differences between Falin and Laios, but yes I think both of them selfishly desire freedom in different yet similar ways. Falin’s dark secret is "Ethics and risks are optional if it means I can protect those I love" like the teleportation, and Laios’ is "Ethics and risks are optional if I can be free of all this bullshit" aka humanity aka his wish with the winged lion.

Conclusion

Flighted birds have hollow bones. With freedom and wings there comes risks and sacrifices.

Tldr: Falin doesn’t care all that much, she’s very go with the flow. For example if someone hates her she doesn’t really care because that’d require her caring about what they think of her in the first place, and she only cares about her loved ones. She smiles, but it’s more a state of being rather than out of active goodness: she’s canonically very genuinely kind, but it’s more out of a general want for pleasantness than active care itself. She’s passive, and softspoken because that’s just how she seems, but she has no problem hopping into bushes or getting heated if something calls to her enthusiasm or calls for action and a hit of the ol’ mace. Her loved ones needing tending or protective is what makes her go from passive to active. That familiar autopilot mode of making someone the center of her world and following their every move is what made her so easy to be controlled as the chimera, even ferociously defending him with her life. Faligon is most interesting to me with the theme of freedom. She’s shackled to Thistle and out of her mind, but there’s also a sense of empowerment and freedom from expectations and society. She spends all her time caring for Laios and Marcille alternating that none of her care and emotional energy is left for others, including herself. So she had to get relieved of all of that for a bit, becoming the chimera so she could reset and recenter and remember that she, too, indeed, is there and an important part of her own life. There’s a way of caring after others that can be selfish, not unlike Marcille being overly coddling and not listening to Falin. In Falin’s case, I think it was so selfless that it ended up looping back around to erasing her sense of self. In losing sight of herself, that devotion becoming neither quite selfish or selfless but a fact of life and a state of nature, muddled by its lack of direction.

She’s sooo used to never being able to ask things out of others, you get the crumbs of affection and approval that others offer to you unprompted and that’s it don’t hope for more don’t ask for more. (Also reflected in how she follows her loved ones around without complain or personal opinions and how she’s not willing to rock the boat and affirm herself in her relationships like with Marcille during canon)

Falin cares so much, so much and so laser focused on her few loved ones that it blinds her and she loses sight of everything else, she ends up neglecting herself and the rest of the world. As Kui puts it, Falin is herself first and foremost. She just had to remember the importance of that.

I see her as an enneagram 9, which can be surprisingly accurate and fun to research through the lense of Falin. Excerpt below from this book, but like my god, good way to put it

That’s it, ty for reading. Even if it’s a bit of a mess, hopefully you’ll have gained a thing or two from it. Falin is a character hard to pin down, but it is very gratifying when you find the way that the puzzle pieces fit together right for your own understanding of the story. Fantranslation of the shuro proposal comic by @/thatsmimi here.

Here’s my spotify playlist for her if you’d like

Sometimes love is about letting go, a lesson a lot of the cast needed to learn. Self-love’s important too, and just like with diets we need a healthy balance.

#I find it hard to express myself right on the topic of Falin. Both because the issue is pretty vibe based and because we don’t #get that many moments with her. So there’s ambiguous scenes up to interpretation addressing a layered topic and like. Save me. Save me #As always falling down the rabbithole of starting an analysis about a specific facet and then needing to explain everything else around it #I’m doomed. I’m getting lost in the sauce.#dungeon meshi #delicious in dungeon #falin touden #analysis #character analysis #meta #autistic reading #aroace reading as well. Sort of. It’s mentioned #The aroace autistic guilt of not caring back in the way/with the intensity you’re expected to #As always this is just my interpretation blablabla #Spoilers #dungeon meshi manga spoilers #She loves like a dog aka unconditionally and happy with eating scraps of affection and attention off the floor #Laios touden #he’s here too bc they are an unit #If you’re not capitalizing on the uncanny vibe autistic effect for Falin’s character u are missing an opportunity imo #Fairy’s child is written all over her. Her cryptic-ness is the point so why am I surprised she’s hard to fully pin down #Even with the graveyard scene it was Falin following Laios… Sob. Laios could feel responsible her powers were found out #I’d like to rework this at some point if i get better at structuring. I’m not satisfied by the level of clarity #Will 90% for sure edit stuff in if i find more to say.#Fumi rambles #Crazy style #I give a TLDR at the end if you’d prefer. It doesn’t have the like evidence/explanations alongside but it makes the main points i think

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writersdrug · 5 months

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Training for Two

Chapter 2. Rules

Masterlist

Summary: Simon lays the ground rules and shows you around the house.

Warnings: Simon's email etiquette, very mild cursing, beginnings of obsessive behavior.

Sure enough, Simon had emailed you by Tuesday afternoon. You noticed how... unprofessional it was. Not that he had been rude or obscene, but it was obviously written by someone who never had to write many emails for his career.

here is riley's routine. she likes walks, usually 3 or 4 a day. she eats one scoop in the morning and one at night. she doesn't finish her food all at once, but she'll come back to it. if you're gonna give her more cookies, just two per day. fill water every morning. around the house, if you could just dust and clean up any dog hair, that would be great. let me know if meeting me tomorrow at 0900 for the key works. I ship out thursday. thanks.

Simon.

You chewed your thumb nail, reclining on your couch with a confused expression. Was he irritated with you for some reason? He didn't show it at the interview if he did have any hostile feelings... you reminded yourself that he was a rather gruff man, and maybe that just bled into his written words, too. You rolled your shoulders and started working out your reply.

Hello Simon! Tomorrow works perfect for me, I'll be there by 9 am!

Does Riley have any favorite places she likes to go? Any particular spots or trails she enjoys? Also, are there any rules you have for her, like being on the couch? Is she ok going to the dog park? Lastly, does she take any medications I should be aware of?

See you soon!

You sent the message, sighing and dropping your head back against the arm of the sofa. You were honestly thankful that you'd gotten the job, even if Simon was a rather stiff client. You finally quit your shitty job, and while you did still have babysitting your niece and nephew, you never charged for that - the only time you were "paid" for it was when you took them out somewhere fun, and your sister forced you to accept money for the admission fee.

So this gig fell into your lap at the perfect time. And the fact that you had beat every other person Simon had interviewed made your ego soar. It wouldn't be a bad idea to make a career out of this, you thought.

Your phone dinged - you held it above your face, and saw that Simon had already responded. You sat upright and opened the email.

she only takes aspirin when her leg flares up. no more than twice a day. no favorite trails, we just go around the block a few times. she can sit on the couch, my bed too, but she'll need help getting up. no human food is the only other rule. never took her to a dog park, but if you really want to, that's fine. she's good with other dogs.

Simon.

You frowned. Walking the same block every day, multiple times each day, sounded awful. It wasn't even close to animal neglect, but you couldn't imagine walking the same route every single time. If it didn't drive Riley insane, it certainly would for you.

You read back over the email, your eyes lingering on "if her legs flare up." Simon had never discussed Riley having arthritis with you - and you sincerely hoped that was the reason she had leg pain, and nothing else. You made a mental note to ask him about it tomorrow as you began to write your reply.

Understood. Thanks again!

"Here's the basement." Simon said, leading you down the stairs and into a dullish room. It had a cheaply-manufactured desk, what appeared to be a dining chair (not matching the dining set upstairs), a stuffed bookshelf, and some cardboard boxes filled with paper. A fan stood in the far corner, and next to it was the washing room. Much like what he had shown you of the rest of the house, it was bland and drab.

You looked around, letting out a polite noise of approval. Truth be told, Simon's life seemed awfully boring to you. Your mother had always told you that military men were always overly practical, in more than just home decor. They never cared much for the environment around them, as long as there was no mold, or anything similar. But you had never expected it to be so brutally true.

You knew he had a life outside of his home - from the way he described it, he was usually deployed more often than he was in his own home country. But you wondered - what did he do for fun, besides watch the telly? Did he have friends, and were they all like him? Any hobbies?

"If for whatever reason y' need to clean up a stain, you can find solution in there." He said, pointing to the washer room. "Other than that, nothin' much to see down 'ere."

You followed him as he trudged back up the stairs. Riley was sat upright on the floor, watching you and Simon move about the house with an observant expression.

"The only other things I'll ask you to do is hoover n' dust when it looks like it needs it." He said, leaning against the kitchen counter. "There really isn't much else t' do; of course, if you do see anything that needs fixin' you can always text me." He rolled his head from side to side, wincing as he worked out a crick in his neck. "Might not answer immediately, but I'll see it."

You nodded, standing in the walkway of the kitchen. Even with him leaning against the counter, muscles hidden under his sweatshirt, he was huge. For a brief moment, you imagined what he looked like on the field, dressed in his uniform and holding a gun - but you quickly shooed the thought from your mind before it had the chance to latch on and fester. "Gotcha. And just so I know, do you let Riley sleep with you?"

Simon paused in confusion before he responded. "Come again?"

"Like- you know, if I crash on the couch, is she allowed up with me?" You said, shifting your weight. You couldn't quite tell if Simon was irked by your question, or if he was genuinely confused.

He paused again. "Uh, yea, that's fine. If y' don't mind waking up covered in 'er slobber."

You laughed. "Nah, I'm used to it. A little drool never bothered me. Although, if I do need to wash up, am I alright to use the shower? Or would you rather I use my own back at my flat?"

Suddenly, it clicked in Simon's head. You were planning on sleeping at his house.

He had assumed you would just stop by for walks and meals - he didn't expect you to actually live here while he was gone, and he wasn't sure how it made him feel. He'd never had anyone else spend the night. Hell, no one ever visited, besides the rare occasions of the rest of the 141 stopping by. Even then, they never stayed for longer than a conversation or two.

But, once he took a second to think about it, he realized it might be better if you did stay - at least, while he was on missions. Riley would be bored out of her mind if she was alone that long, especially after spending the past several weeks with Simon constantly there. It would be good for someone to be there when he wasn't, and you seemed like you would be the best person for that, of course.

"Sure, 's fine." He said, rubbing the back of his head. "Just don't touch my shit in there."

"Don't worry about that..." You said quietly, "catch me dead and cold before I touch a 3-in-1 anything."

He chuckled and rolled his eyes. It was refreshing that you could handle his gruffness - most people treated him like a landmine, never wanting to say the wrong thing and set him off. You seemed to have taken life by the horns, like you weren't afraid to bite back at someone. He wondered if that was all for show, or if you really would snap back if he was to test you...

He pushed himself off the counter and reached into the drawer behind him, pulling out a spare key. He walked over to you and held it out. You were just about to take it, when he suddenly yanked it back.

You faltered. "Sorry...?"

"You lose this key..." Simon began lowly, "n' I'll frame you for murder. Understood?"

You gaped, mouth opening and closing like a fish out of water. He didn't really mean that... did he? You waited for him to laugh and say he was just joking... but he never did. His eyes bored into yours so intensely, making you shiver, as he waited for you to answer.

"Y-yes, sir. Understood." You said, voice wavering a bit.

He grunted in satisfaction, then handed you the key. You let out the breath you had been holding, then cautiously took the key, before immediately attaching it to your lanyard. You didn't want to take any chances at losing it - not after Simon's threat. You took a deep breath and smiled at him, trying to dust the exchange off of your shoulders.

"You can come 'round tomorrow after o' nine hundred, I'll be out by then." He said, turning sideways to moce past you and heading towards the door. You followed behind and rubbed Riley's head when you passed her; she let out a contented sound.

"Feel free t' use the kitchen if you'll be stayin' overnight." He opened the door for you and leaned against it.

"Will do, thank you!" You chirped, hovering on the landing outside of his house, right were you were two days ago. "Thank you for showing me around - good luck on your- mission- deployment, thingamajig!"

He huffed. "Promise I will, luv."

Your spine tingled in response to his comment. Get it together, don't get your knickers in a twist over a client. You thought. You straightened your posture and cleared your throat.

"Well, see you around!" You said with a smile, then hopped down the steps to your car.

Simon waved, taking a moment to watch you pull out of his driveway. He shut the door and leaned back against it, exhaling slowly through his nostrils.

He was an observant man - he had to be, with his occupation. Your reaction to being called "luv" didn't fly over his head. And it's not like Simon didn't know the effect he had on women... he knew how he looked, how he presented himself, and he saw the reactions it got him.

But with you, something felt different. He saw your reaction, and a part of him wanted to chase after it. To see what you would do if he continued to apply pressure to your weak spots. Would you blush? Would you call him out? Would you drop the gig altogether?

He thought about how easily the word "sir" had rolled off of your tongue. He thought about how you would look, all tuckered out on his couch, donned in whatever pajamas you decided to wear, your face peaceful and expression soft as you slept - he imagined you in his shower, the room filled with warm steam and the scent of your shampoo, water hitting your skin as you-

Riley barked, making Simon jolt where he stood. She stared at him, ears turned to the side as she whined. She could always tell when he began to dissociate, and knew just as much as he did that it wasn't a good sign.

Simon sighed, running a hand down his face. "Get it together, fuckin' creep." He muttered to himself. "I need a bloody hobby, f' Christ's sake..."

He blamed it on the upcoming mission. He would typically stress about it beforehand, and if there was anything else that could occupy his mind, he would fixate on it. Right now, unfortunately, you were the victim. But he buried it deep down into his subconscious - it wasn't fair to you.

He pushed himself off of the door and headed towards the washroom, adjusting his crotch as he went. He figured he should at least tidy it up a bit, since you would be using it. The only other people who had been in there were Johnny and Captain Price, and of course, they never cared if there were trimmers on the counter, or if the mirror had splotches from toothpaste residue.

Hopefully, he'd forget all about you - at least, while he was on the mission.

Next ->

Taglist: @my-queen-rhaenyra-targaryen @jisungswiftie @sweet-tooth4you @kennyis-aloser @hyyyxr @lahniu @dory-98 @naradae

#simon ghost riley x reader #simon riley #simon riley x reader #ghost x reader #ghost #simon riley x reader smut #ghost x reader smut #ghost smut #simon riley smut #simon ghost riley #simon ghost riley smut #cod fanfiction #cod mw3 #cod mw2 #call of duty #cod #cod x reader

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thewriteadviceforwriters · 2 months

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The Telling Truth: When 'Show, Don't Tell' Doesn't Apply (You Don't Always Have To Show, Don't Tell.)

Hey there, fellow writers and beloved members of the writeblr community! 📝✨

Today, I want to talk about something that's been on my mind lately, and I have a feeling it might resonate with many of you too. It's about that age-old writing advice we've all heard a million times: "Show, don't tell." Now, don't get me wrong – it's great advice, and it has its place in our writing toolbox. But here's the thing: it's not the be-all and end-all of good writing. In fact, I'd argue that sometimes, it's perfectly okay – even necessary – to tell rather than show.

First things first, let's address the elephant in the room. The "show, don't tell" rule has been drilled into our heads since we first picked up a pen (or opened a Word document) with the intention of writing creatively. It's been repeated in writing workshops, creative writing classes, and countless craft books. And for good reason! Showing can create vivid, immersive experiences for readers, allowing them to feel like they're right there in the story.

But here's where things get a bit tricky: like any rule in writing (or in life, for that matter), it's not absolute. There are times when telling is not just acceptable, but actually preferable. And that's what you all will explore today in this hopefully understandable blog post.

Let's start by breaking down why "show, don't tell" is so popular. When we show instead of tell, we're engaging the reader's senses and emotions. We're painting a picture with words, allowing the reader to draw their own conclusions based on the details we provide. It's a powerful technique that can make our writing more engaging and memorable.

For example, instead of saying "Sarah was angry," we might write, "Sarah's fists clenched at her sides, her jaw tight as she glared at the broken vase." This gives the reader a clearer image and allows them to infer Sarah's emotional state.

But here's the thing: sometimes, we don't need or want that level of detail. Sometimes, efficiency in storytelling is more important than painting an elaborate picture. And that's where telling comes in handy.

Imagine if every single emotion, action, or piece of information in your story was shown rather than told. Your novel would probably be thousands of pages long, and your readers might get lost in the sea of details, losing sight of the main plot or character arcs.

So, when might telling be more appropriate? Let's explore some scenarios:

Summarizing less important events: If you're writing a story that spans a long period, you don't need to show every single day or event. Telling can help you summarize periods of time or less crucial events quickly, allowing you to focus on the more important parts of your story.

For instance: "The next few weeks passed in a blur of exams and late-night study sessions." This sentence tells us what happened without going into unnecessary detail about each day.

Providing necessary background information: Sometimes, you need to give your readers some context or backstory. While you can certainly weave this information into scenes, there are times when a straightforward telling of facts is more efficient.

Example: "The war had been raging for three years before Sarah's village was attacked." This quickly gives us important context without needing to show the entire history of the war.

Establishing pace and rhythm: Alternating between showing and telling can help you control the pace of your story. Showing tends to slow things down, allowing readers to immerse themselves in a moment. Telling can speed things up, moving the story along more quickly when needed.

Clarifying complex ideas or emotions: Some concepts or feelings are abstract or complex enough that showing alone might not suffice. In these cases, a bit of telling can help ensure your readers understand what's happening.

For example: "The quantum entanglement theory had always fascinated John, but explaining it to others often left him feeling frustrated and misunderstood." Here, we're telling the reader about John's relationship with this complex scientific concept, which might be difficult to show effectively.

Maintaining your narrative voice: Sometimes, telling is simply more in line with your narrative voice or the tone of your story. This is especially true if you're writing in a more direct or conversational style.

Now, I can almost hear some of you saying, "But wait! I've always been told that showing is always better!" And I completely get it. I'm a writer myself and prioritize "Show, Don't tell." in my writing all the time. We've been conditioned to believe that showing is superior in all cases. But we can take a moment to challenge that notion.

Think about some of your favorite books. Chances are, they use a mix of showing and telling. Even the most critically acclaimed authors don't adhere strictly to "show, don't tell" all the time. They understand that good writing is about balance and knowing when to use each technique effectively.

Take, for instance, the opening line of George Orwell's "1984": "It was a bright cold day in April, and the clocks were striking thirteen." This is a perfect blend of showing and telling. Orwell shows us it's a bright, cold day (we can imagine the crisp air and clear sky), but he tells us about the clocks striking thirteen. This immediate telling gives us crucial information about the world we're entering – it's not quite like our own.

Or consider this passage from Jane Austen's "Pride and Prejudice": "Mr. Bennet was so odd a mixture of quick parts, sarcastic humour, reserve, and caprice, that the experience of three-and-twenty years had been insufficient to make his wife understand his character." Here, Austen is clearly telling us about Mr. Bennet's character rather than showing it through his actions. And yet, it works beautifully, giving us a quick, clear insight into both Mr. Bennet and his wife.

The key is to use both techniques strategically. So, how can you decide when to show and when to tell? Here are some tips:

Consider the importance of the information: Is this a crucial moment in your story, a pivotal emotion, or a key piece of character development? If so, it might be worth showing. If it's more of a transitional moment or background information, telling might be more appropriate.

Think about pacing: If you want to slow down and really immerse your reader in a moment, show it. If you need to move things along more quickly, tell it.

Evaluate the complexity: If you're dealing with a complex emotion or concept, consider whether showing alone will be enough to convey it clearly. Sometimes, a combination of showing and telling works best for complex ideas.

Consider your word count: If you're working with strict word count limitations (like in short stories or flash fiction), telling can help you convey necessary information more concisely.

Trust your instincts (Important): As you write more, you'll develop a feel for when showing or telling works better. Trust your gut, and don't be afraid to experiment.

Now, let's talk about how to tell effectively when you do choose to use it. Because here's the thing: telling doesn't have to be boring or flat. It can be just as engaging and stylish as showing when done well. Here are some tips for effective telling:

Use strong, specific language: Instead of using vague or generic words, opt for more specific, evocative language. For example, instead of "She was sad," you might write, "A profound melancholy settled over her."

Incorporate sensory details: Even when telling, you can include sensory information to make it more vivid. "The room was cold" becomes more engaging as "A bone-chilling cold permeated the room."

Use metaphors and similes: These can help make your telling more colorful and memorable. "His anger was like a volcano ready to erupt" paints a vivid picture without showing the anger in action.

Keep it concise: One of the advantages of telling is its efficiency. Don't negate that by being overly wordy. Get to the point, but do it with style.

Vary your sentence structure: Mix short, punchy sentences with longer, more flowing ones to create rhythm and maintain interest.

Remember, the goal is to create a seamless narrative that engages your reader. Sometimes that means showing, sometimes it means telling, and often it means a artful blend of both.

It's also worth noting that different genres and styles of writing may lean more heavily on one technique or the other. Literary fiction often employs more showing, delving deep into characters' psyches and painting elaborate scenes. Genre fiction, on the other hand, might use more telling to keep the plot moving at a brisker pace. Neither approach is inherently better – it all depends on what works best for your story and your style.

Now, I want to address something that I think many of us struggle with: the guilt or anxiety we might feel when we catch ourselves telling instead of showing. It's easy to fall into the trap of second-guessing every sentence, wondering if we should be showing more. But here's the truth: that kind of constant self-doubt can be paralyzing and ultimately detrimental to your writing process.

So, I want you to understand and think: It's okay to tell sometimes. You're not a bad writer for using telling in your work. In fact, knowing when and how to use telling effectively is a sign of a skilled writer.

Here's some practical ways to incorporate this mindset into your writing process:

First Draft Freedom: When you're writing your first draft, give yourself permission to write however it comes out. If that means more telling than showing, that's absolutely fine. The important thing is to get the story down. You can always revise and add more "showing" elements later if needed.

Revision with Purpose: When you're revising, don't automatically change every instance of telling to showing. Instead, ask yourself: Does this serve the story better as telling or showing? Consider the pacing, the importance of the information, and how it fits into the overall narrative.

Beta Readers and Feedback: When you're getting feedback on your work, pay attention to how readers respond to different sections. If they're engaged and understanding the story, then your balance of showing and telling is probably working well, regardless of which technique you're using more.

Study Your Favorite Authors: Take some time to analyze how your favorite writers use showing and telling. You might be surprised to find more instances of effective telling than you expected.

Practice Both Techniques (Important): Set aside some time to practice both showing and telling. Write the same scene twice, once focusing on showing and once on telling. This can help you develop a feel for when each technique is most effective.

Now, let's address another important point: the evolution of writing styles and reader preferences. The "show, don't tell" rule gained popularity in the early 20th century with the rise of modernist literature. But writing styles and reader tastes have continued to evolve since then.

In our current fast-paced world, where people are often reading on devices and in shorter bursts, there's sometimes a preference for more direct, efficient storytelling. This doesn't mean that showing is out of style, but it does mean that there's often room for more telling than strict adherence to "show, don't tell" would allow.

Moreover, diverse voices in literature are challenging traditional Western writing norms, including the emphasis on showing over telling. Some cultures have strong storytelling traditions that lean more heavily on telling, and as the literary world becomes more inclusive, we're seeing a beautiful variety of styles that blend showing and telling in new and exciting ways.

This brings me to an important point: your voice matters. Your unique way of telling stories is valuable. Don't let rigid adherence to any writing rule, including "show, don't tell," stifle your natural voice or the story you want to tell.

Remember, rules in writing are more like guidelines. They're tools to help us improve our craft, not unbreakable laws. The most important rule is to engage your reader and tell your story effectively. If that means more telling than the conventional wisdom suggests, then so be it.

As I wrap up this discussion, I want to leave you with a challenge: In your next writing session, consciously use both showing and telling. Pay attention to how each technique feels, how it serves your story, and how it affects the rhythm of your writing. You might discover new ways to blend these techniques that work perfectly for your unique style.

Writing is an art, not a science. There's no perfect formula, no one-size-fits-all approach. It's about finding what works for you, your story, and your readers. So embrace both showing and telling. Use them as the powerful tools they are, and don't be afraid to break the "rules" when your instincts tell you to.

Remember, every great writer started where you are now, learning the rules and then figuring out when and how to break them effectively. You're part of a long, proud tradition of storytellers, each finding their own path through the winding forest of words.

Keep writing, keep growing, and keep believing in yourself. You've got this!

Happy writing! 💖✍️ - Rin T.

Before you go, why not join us at The Write Right Society? We're a supportive Tumblr community where writers lift each other up. Whether you're a newbie or a pro, we'd love to have you! Share your work, get feedback, and connect with fellow wordsmiths, writers and aspiring authors.

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tomriddleslove · 8 months

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Omg I have a THEODORE NOTT request for you

Super duper angst hurt comfort

Theo’s dad basically hurts the reader and sends her back to Theo as a warning to stay away from such mudbloods and its just heart wrenching guilt and hurt and tending to her wounds through treat

Song: Half a Man by dean lewis perhaps?

I already have.

✩Theodore Nott x Reader (request)

Summary: The one where Theo has the one person he loves the most hurt by his worst nightmare. Alternatively: He thinks he’d rather die than see you in pain.

A/N: I DID MANAGE TO DO IT BY TODAY!!! I’ll be responding to the next few requests soon. You said comfort but didn’t specify a happy ending 😺

Warnings: Mentions of Abuse, blood.

Theodore Nott never expected to fall in love.

It seemed rather bleak for him, to be honest. He didn’t have the time to think about love when he was too busy wrapped up in navigating the life he had ahead of him.

One couldn't blame him though. With his family as the only example of what love could be, he certainly didn't have a good impression.

Theodore couldn’t recall a single time when he had seen his father treat his mother with kindness or respect.

Let alone love? A truly laughable notion.

Theodore's father had not shown a single ounce of love to his wife, or Theodore. Even on that godforsaken day when Theodore had witnessed his mother die, his father had simply delivered a swift strike to his face and told him to ‘man up.’

So to put it simply, The absence of love in his family cast a shadow over his perception of relationships, making it difficult for him to fathom the idea of falling in love himself.

Then you came.

You came, and god, Theodore doesn't remember how he lived without you. It wasn’t a whirlwind love, a sort of fell fast and hard, rather you entered his life like a slow and steady rain, seeping through the foundations of Theodore's life till you had consumed them completely, crumbling them down against his own will.

It rained, and you became the quiet storm, soft yet unyielding.

Love came like the easiest thing when he met you. It wasn't foreign, or a distant concept; instead, it felt like the most natural and effortless occurrence in Theodore's life. Love with you was as simple and uncomplicated as breathing, a seamless rhythm that he hadn't known was missing until you came along.

You were more than shocked when Theodore admitted he didn’t think he could ever fall in love. The boy, who loved you as though he was born to (he argues he was), who would so tenderly kiss your forehead and hold your hand, not capable of love? The one who would leave his coat for you during the winter months and bring a spare scarf because, he knew you were stubborn, and he was worried you'd get sick, not deserving of love?

You kissed him deeply and made him swear he'd never think of that ever again.

You reminisced on Theodore like some sort of lovesick fool separated by war from their lover, though it was merely only the summer holidays. Whilst Theodore would want nothing more than to come with you, his father demanded his presence back at home. You knew little about Theodore's mother, and even less about his father. Anything leading up to a conversation about them would simply result in Theodore immediately redirecting the conversation, becoming a tad more guarded for the next day or so.

It’s not that he didn’t trust you, because he wholeheartedly did. He would place his beating heart in your hands even if you had a knife in the other, for he trusted you that much.

No, in fact, it was the very opposite. Theodore knew you, and he refused to let you ever get involved in that part of his life. He swore he would never let his father even lay his eyes on you.

He would have loved for his mother to have met you. He doesn't remember her that well, but he's sure, some sort of instinctive feeling within him, that she would have loved you.

You had been back in Hogsmeade a mere 2 days before school had started, to stockpile on some supplies for school.

Students were permitted to start returning to Hogwarts three days before school began, and you would always go back early, valuing having the near-empty castle. It meant you could settle back into a school routine comfortably, and have some time alone before school resumes.

It also gave you time to do stuff for Theodore. You didn't know much about what went on at his house, but assuming from the way he’d come back absolutely exhausted with bags under his eyes, you figured it wasn't good.

It seemed to be the same routine almost every time you'd come back - he comes over to your dorm (luckily for you, all your dormmates essentially lived in their boyfriend's dorms, as they were all friends with one another, so you had it all to yourself 99% of the time). He’d kiss you hello and wordlessly take off his shoes and jacket. You’d lie on your bed and he’d come lie on top of you, wrapping his arms around your waist. He would rest his head on your chest, the sound of your heartbeat soothing him, as he listened to you talk about your holidays till he fell asleep, feeling safe for the first time, unburdened by his worries.

He’d sleep, and you'd trace the furrow of his brow. You ached for the ability to just, alivieate him of everything he carried so close to him. But you knew that healing was a long journey, and you'd be there for him on the way.

You wander around a little bookstore, finding a book for you and Theodore to read. You paid for the copy, turning to leave the shop when you bump into a man.

You quickly offered a polite apology, even though his cold gaze and disdainful demeanour sent a chill down your spine.

Those eyes. They were oh so familiar to the very striking eyes of the boy you so loved. Come to think of it, the hair was the same too. Was this…..

"Watch where you're going, girl," he spat, his voice dripping with disdain

You clenched your jaw, swallowing the anger that threatened to surface. Keeping your composure, you replied evenly, "I apologize if I inconvenienced you, sir."

His eyes then flickered to the books in your hands, a sceptical look crossing his face. "You are a student at Hogwarts? What year?" he sneered.

You took a deep breath before responding, "Final year, sir."

Seeing an opportunity to shift the dynamics, you gestured towards Theodore's family resemblance. "You must be Theodore's father. The resemblance is striking."

His eyes narrowed, and he asked with an air of suspicion, "How do you know Theodore?"

You hesitated for a moment but decided to be honest. "We're dating."

Theodore's father raised an eyebrow, a mix of surprise and derision on his face. "Dating, are you?" he scoffed. "Tell me, girl, who are your parents? Perhaps I've heard of them."

A small smile tugs at your lips as you shake your head, responding. "I doubt you would know them. They're Muggles."

His expression darkened, and a look of pure contempt appeared on his face. "Muggles? Muggles?" He snarls, taking a step closer to you.

Theodore's father's face contorted with disgust, and his voice dripped with venom as he continued, "You, a pathetic Muggle, dare to pollute my son's bloodline? You're nothing but filth, tarnishing the Nott family name with your presence."

You felt a surge of anger and fear. This is what Theodore was trying to keep from you. That his family were prejudiced against your very existence.

Without warning, he roughly grabbed your arm, his grip tightening painfully. The pain shot through you, and you winced.

"Listen closely, Mudblood," he hissed, tightening his hold. "You're nothing more than a passing fancy for my son. If you have any sense, you'll sever ties with him before you bring further shame upon yourself."

Without a second to let you answer, he releases his grip on you, spinning on his heel as he storms out of the store. It takes you a second to recuperate and process what the fuck had just gone on before you turn and quickly dash out of the store, trying to catch a glimpse of his father. Sure enough, you spot him disappearing down a narrow alley.

Before you can stop to think, you chase after him, shouting as you do.

“Hey!” You snap, closing in on the distance.

Theodore was correct in one thing. He knew you well. And he knew that if you ever knew of his father, you’d get involved.

His father’s long black cloak billowed behind him, disappearing down a narrow alleyway that seemed to swallow his wrath. Fueled by a mixture of hurt and anger, you hurried after him, determined to address the injustice he had just unleashed.

Desperation laced your anger-fuelled shouts as you closed the distance. His brisk pace showed no signs of slowing, and as you reached out to grab his arm, the narrowness of the alley made it easy for him to turn around swiftly.

"How dare you touch me, you wretched Mudblood!" he hissed, his eyes ablaze with hatred.

Before you could react, he unleashed a hex.

It hit you with an intensity that sent a shockwave of pain radiating through your body. The force of the curse flung you backwards, and you collided with the cold stone wall, gasping for breath. A searing pain radiates throughout your body, and you cough, looking down. It was akin to some sort of slash, as though he had hit you with an invisible thing, a clean cut on your thigh, and arm. You see a drop of blood drip down onto your skirt and, dazed, bring your hand up to your face. You feel something wet, and when you pull your hand back it has a crimson red glistening on your fingertips, and-

oh.

There was a cut on your face too.

As you steadied yourself, you felt the searing pain intensify, a burning sensation spreading from the point of impact on your arm. Theodore's father approached with a malevolent satisfaction etched across his face. He looms over you, glaring down at you.

"You'd do well to heed my warning, Mudblood," he sneers, his voice low and menacing. "Stay away from my son, or next time, the consequences will be even more severe."

He cast a disdainful glance at your injured form before straightening up, his dark cloak billowing as he walked away without a second thought.

You took a deep breath, shuddering as you braced your palms against the cobblestone floor of the alleyway. You push yourself up, wincing as you try to ignore the throbbing pain in your body as you gingerly get up.

You gather your scattered belongings and look around, seeing nothing but the near-empty village. Summoning every ounce of strength, you began to limp back towards the castle, the weight of humiliation pressing down on your shoulders.

You felt exposed. The idea that Theodore had hidden such a massive thing from you, made you feel all the more humiliated.

You keep your head down and soon enough appear at Hogwarts. It doesn't give you the happiness it usually does, rather you just want to go back to your room and change, and sleep.

It was at this moment that you were rather glad that you decided to come back early, for you can only imagine the looks you'd get if it was packed full of students.

Exhausted, and simply just over it, you make your way up to the dorm. There are only two other students you spotted on the way, but they were far too busy snogging the daylights out of one another to notice you.

It reminded you of…

Theodore.

How would you face Theodore? Did you want to face Theodore?

No, you resolved, you didn’t. You couldn't comprehend keeping such a key detail from someone, let alone the person you loved. Why he did that to you, you’d never understand.

You unlock your dorm room door, dropping your bag at the door, You look up and to your utter confusion, see Theodore sitting on your bed. He looks up at you, the smile on his face very quickly replaced with a deep frown.

He gets up, and-

oh.

Never mind.

You did want to be near him.

You really wanted to be near him.

It was stupid really. You didn’t feel like crying at all, but the second you saw Theodore, that feeling very quickly resolved into the urge to bury your face into your chest, and not stop.

So you did.

Theodore's arms envelop you, and he holds you impossibly tight. He swears every sob that comes from you chips away at his being and he soothes you, rubbing your back as he holds you.

Theodore can count the number of times he's felt pure anger on one hand. Sheer rage. The type that consumes you from the inside out. Once when he was 8, and his mother passed away. He remembers hearing his father disregard the whole thing with such cruel indifference he felt as though a fire was blazing him from the inside out. As with many young wizards his age, he did not know how to control this magic.

He ended up setting fire to the library that day.

The second time, in 1st year, when Alicia Thornsby had made a cruel remark about Theodore’s home life.

“Well, my mother said that Theodore must have a horrible holiday. What, with his father being-” She starts, but she didn’t get to finish.

The teachers couldn’t comprehend under what vindication a child learnt a stinging hex strong enough to permanently mar the skin of the girl, but it was the first and last time anyone dared utter a word against Theodore.

That was the 2nd, and last time Theodore had felt unbridled rage, in his 18 years of life.

That was, until today.

Because, the sight of you, with blood on your cheek, sobbing into his chest, was enough to reignite that dormant flame of anger within Theodore.

“Who?” He manages to utter, voice strained.

You remain quiet, the silence punctuated by the occasional sniffle as you remain hidden in his chest.

He pulls back, lifting your chin. Your eyes are fixated on where the once-dried blood had washed onto his shirt, and he is fixated on you.

“Who?” He emphasises again, his eyes flickering down to the cut on your face. He runs his finger gently along the cut, and when he watches you wince he pauses, a flicker of pain crossing his face. The sight of you wincing, even at his gentle touch, shatters something within Theodore.

You hesitate before you speak, but ultimately, the words slip out of your mouth.

“Your father.”

The weight of those two words, "Your father," hung in the air, and for a moment, Theodore felt as if the very ground beneath him had crumbled.

His eyes widen momentarily, and he can't speak.

No, because there's a horrible feeling of fear, guilt, regret, perhaps a combination of all three, and it's lodged in his throat. It’s almost suffocating him, he can barely breathe, and it's constricting his airways.

The image of you, the person he held dearest, broken and bloodied, collided with the nightmare he had feared for years. He couldn't comprehend the cruelty his own flesh and blood had inflicted upon you, someone he cherished beyond measure. He speaks, and his voice is so heartbreakingly soft, a mere whisper weighed down by the burden of the truth that unfolded before him.

“I'm so, so sorry.” He utters, as though he prompted the hand that came down to hit you.

He believed he did. Because it was only by association, that you had been hurt by his father. That was why you were hurt, right?

His fault. All his fault. All his fault.

He has to take a deep breath and force himself to calm down and think.

Think.

His first priority was you. Always you. He leads you down to your bed and forces you to take a seat on the edge. You watch him as he disappears into the bathroom, reemerging with a damp washcloth in his hand. He kneels down in front of you, hesitating as he slowly lifts the hem of your skirt upwards slightly. He catches a glimpse of the gash on your thigh and that horrible feeling remerges again.

He gently wipes the cloth over the cut, leaning down to press a kiss on your skin. He mutters a few words, and with a small sharp pinch, the skin on your thigh begins to stitch up slightly. Not enough to fully heal, but to ensure it would in the future.

You don’t question how he knows exactly how to heal these wounds.

You know.

He does the same for your arm. Every second he stares at the cut, he feels his resolve shatter further and further, till he can tell whether he wants to cry or ensure the murder of his father with his own hands.

His hands come up to your face, and he lets out a shaky breath. He is ashamed to even look you in the face,

His own reflection of guilt and regret is etched into his features. He keeps his eyes focused on the task at hand, tending to the wounds inflicted upon you by the person who Theodore swore would never even set his gaze on you.

The room is filled with an anguished silence as Theodore continues his ministrations.

As he tends to your injuries, Theodore's mind is a battleground of self-recrimination. The echoes of your sobbing, the memory of your blood on his shirt, haunt him like a relentless ghost. "I'm so, so sorry," he whispers again, the words heavy with remorse as if he could somehow atone for the sins of his family.

With each stitch on your wounds, he feels the seams of his composure unravelling.

When he finally lifts his gaze to meet yours, the vulnerability in his eyes is palpable. The shame he feels is evident.

You muster a weak smile, a hand coming up to cup his face. Your thumb brushes against his cheek lovingly as you speak, your voice calm.

“It's not your fault,”

He wants to cry.

It is. It is his fault.

Theodore pulls you into an embrace, holding you tightly against his chest. The warmth of his embrace is both comforting and suffocating, a paradox of love and guilt; a conflict that threatens to tear him apart.

As Theodore lies down with you, the weight of his guilt still hangs in the air. He holds you as if trying to shield you from the world. He utters words of apology, repeating the words like a mantra.

“I love you.”

But amidst the soothing cadence of his voice, there's an undercurrent of resolution. The conflict within Theodore reaches its zenith, and a painful decision emerges. He knows he can't risk his father ever hurting you again. The love he feels for you clashes with the harsh reality of his future.

Theodore's grip tightens for a moment as if trying to hold onto the fleeting moments of solace. Yet, with a heavy heart, the decision he has to make is almost clear.

“It isn't your fault. Don't apologise.” You whisper, curled into his arms.

“It is. It's all my fault. I got you involved in this,” He utters, as though the admission is poison on his tongue.

“I’m not a good person. I have a horrible family, and he’ll want me to do horrible things, and I’ll have to do them.” He admits, voice breaking.

“No, you don’t. I’m here. I love you, Theodore. I won’t ever leave, and I swear you won’t deal with that alone.” You repeat, voice laced with conviction.

“I'm beyond help. Don’t give your heart to me.” He croaks.

You lift your head up from where it was resting, eyes gazing directly into his. You remain silent for a beat, then two, before you speak.

“I already have.” You respond.

Theodore should feel relief at those words, but he doesn't. Rather, he feels sick. Because he can’t, he won't risk you getting hurt again. He kisses you and pulls you back in, laying next to one another as he wraps his arms around you and holds you tightly, if only for one last night.

Because there was only one thing Theodore could do to make sure his father would never hurt you again.

He had to leave you.

#slytherin #slytherin boys #harry potter #tom riddle #draco malfoy #lorenzo berkshire #slytherin boys fic #theodore nott #blaise zabini #pansy parkinson #theodore nott x y/n #theodore nott x you #theodore nott angst #theodore nott x reader #theodore nott fic

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sinofwriting · 1 month

Text

Claiming - Max Verstappen (Dark Fic)

Words: 2,231 Summary: In a world where F1 drivers can claim someone as a wife while at a race, here is Max’s version. Note(s): DARK FIC, NSFW. Reader is essentially kidnapped. I’d like to thank lovey on Ko-fi for commissioning this. I had a lot of fun writing this and oh boy did it take a turn I wasn’t expecting. Takes place in 2023. Also, once again thank you to 🦢 anon for this idea and all your thoughts! Claiming wouldn’t be a thing without you.

Charles’ Version

Masterlist | Support Me!

Since a month ago the emotion she’s felt most is confusion. From the moment a security guard and an FIA official escorted her from the grandstands to the Red Bull garage, to Max Verstappen’s drivers room. From him gently grabbing her hand and kissing the back of it, to the conference room where the FIA official explained things to her and god, she felt like she had only heard every three words, to now.

Max is the source of all her confusion, because he is confusing. He’s aggressive and dominant on track. So clearly hates press and events he’s forced to go to. If he likes you, he likes to make you laugh and make sure you're happy. He’s attentive in a way she didn’t know was possible.

As soon as they were in Monaco after the race, after he claimed her, and she fiddles with the heavy diamond ring on her finger at the thought, he had taken her to the grocery store, claiming that his fridge and pantry were empty since he’d just come home from a triple header. She hadn’t realized then but as they walked through the grocery store he had watched her closely. Watched what shelves she paused at, what brands and items she put in the cart versus the ones she made small faces at. Making a note of them all.

It wasn’t until a few days later when someone came by to drop off groceries and she saw all that all the groceries were things and brands she likes that she started to realized that it’s quietness in the grocery store, him following behind her, hadn’t been him giving her a bit of space, some grace, but rather him making notes of what she likes.

She’s unable to hide anything from him, which is even more confusing, because he doesn’t know her. Had chosen her seemingly on a whim. When she was told why she got taken his driver’s room by the FIA official, she had thought it was some sort of prank, a joke, but as three different binders had been laid out in front of her and proof of everything had been shown to her, had proved that she had been claimed, that she was now married to Max Verstappen the odd, weird, confusing reality had sunk in.

She had honestly figured as she laid awake next to Max that night that she would be just kept at his place for quick relief. Asked to undress and roll or bend over whenever he needed a quick easy fuck along with someone to keep his place clean and cooked meals in the fridge. She hadn’t expected for him to not even touch her like that.

He did however like to look at her like that. Eyes darkening, just a little narrowed as his jaw would sometimes twitch, deep breaths through his nose. But he never touched her like that which made her more confused because he did touch her.

He kissed her hand in greeting, put his hand on her lower back, would sling an arm around her waist, put his arm over her shoulders. He’d make their legs intertwine in bed or practically blanket her with his body when he didn’t have her cuddling into him, head resting on his t-shirt covered chest. Max hadn’t even tried kissing her on the lips despite clearly wanting to with the way he would sometimes stare at them as she talked.

Max Verstappen is confusing.

—

Max knows that he was supposed to claim a wife much sooner than he did. He could have done so the day of his first win, when they pulled him aside and told him that he could. He knows that’s what they wanted. They wanted him to claim a wife, to calm down, to bring a little less negative press to the sport. Luckily it was up to him to decide and there was no way in fucking hell he was claiming a wife. He made that clear in his celebrations with the team and his private words to people about how the FIA could fuck off.

He was also lucky that Red Bull backed his decision. He was their first driver since Mark Webber to get to claim a wife, the youngest in the history of the sport. The FIA couldn’t pressure him into it or punish him for not claiming anyone yet, but they could try and flaunt options for him to choose from. And they did. They did every year at nearly every race until finally the start of the 2022 season happened and there was a number one on his car.

That didn’t mean they stopped during the 2022 season, it was just significantly less than before. And now in 2023, just a few races away from winning his third championship, they hadn’t bothered him at all. The end of Monza marked them never being able to bother him again, he thinks as he watches his wife look at the clothes he had delivered for her. His now three championship trophies somewhat framing her with how she stands in front of the large couch.

They were all in her sizes, some from brands that she already had clothes from and other’s from more luxury brands that he had to be familiar with. She liked the one a lot, her fingers kept going back to the two tops from there, rubbing the fabric. He’ll have to take her to their store after COTA, he muses. The heat in Qatar had been too much for his poor wife and it had even got the better of him.

“Do you like them?” He asks, wrapping his arms around her from behind, relishing in the sharp inhale she gives, the slight sped up breathing. “I do. They are all really nice.” He presses a kiss to the top of her head, making a note to not buy her anymore hoodies, or at least buy them for himself and wear them a few times. She had worn so many of his, he figured she’d want one or two of her own, but the hoodie was the only thing her eyes and fingers had not returned to. “Good. I have some jewelry coming for you tomorrow as well.” “Oh, thank you, Max.” “Of course, vrouw.” He smirks at the way her body shivers at the Dutch word for wife.

—

It’s been nearly three months since Monza, since Max claimed her, since she became his wife. Which means it’s been three months since the last time she got off, six months since she last had sex. The sex part she can deal with, but she doesn’t think she’s gone this long without masturbating since she learned what it was and started doing it. And it feels like it’s killing her.

Because Max… Max is handsome. She’s seen tweets and things about how Max is ugly and she can’t even begin to comprehend that. He has some of the bluest eyes she’s ever seen, a nice jaw just barely covered with facial hair, slightly pouty lips and god it kills her that she hasn’t kissed them yet, kissed the freckle that rests on his top left lip. He has broad shoulders, strong arms, large hands, fingers that make her thighs press together when they tap against her hips or press into her. And his thighs. Every time she sees them, whether it’s in shorts or boxers, she can feel herself clench around nothing.

Maybe he wouldn’t affect her so much if he didn’t so clearly want her back. But he does. His eyes more and more frequently watching her, want simmering in them. And he’s never been shy about his morning wood, but instead of tilting his hips away from her, scooting away, or just adjusting her so it’s not pressed against her, now he stays. Lets her choose to move away when she feels him against her.

She never moves away, not until they absolutely have to get up.

She’s reached her limit, however. She constantly feels turned on, a warmth always burning inside of her, sometimes getting stoked to burn a little hotter and she fears that if she doesn’t get off in the next few hours she will jump Max. It’s tempting to just get to it, just lay down and fuck herself quickly, but that won’t leave her satisfied. She needs more than one quick orgasm to satisfy herself and she’s in luck because Max is leaving the house, having been invited to a paddle match.

She accepts the kiss on the cheek he gives her, wishing him good luck and then waits by the front door for a few minutes before turning and nearly rushing to the bedroom. Her arms somehow get tangled in her tank top as she pulls it off and her fingers fumble with her pajama pants and underwear as she tries to push them down. It takes longer than she wants, but finally she’s undressed. There’s an urge to fall onto the bed, but she forces it away, forces herself to take a deep breath as she goes to their closet.

Going to one of her shoe boxes, she lifts the lid, breath shaky as her fingers touch the lace of a La Perla balconette. She had never spent more than seventy dollars on a bra before Max, had privately thought people who spent more than a hundred dollars on scraps of lace and fabric were crazy but as she feels this against her fingers, she understands why people spend so much.

Her fingers are surprisingly steady as she puts on the balconette and matching panties. As she looks at herself in the mirror, hands rubbing at the body, her breath catches. She looked good, hot even. The lace against her skin making her blood rush.

She’s nearly back into the bedroom when she spots the shirt that Max had been wearing to sleep in last night. It’s just barely hanging on the edge of the hamper, about to fall on the floor. Before she can stop herself, she snags it and throws it on, breathing in the familiar and nice smell of Max.

Laying on the bed, she runs her hands over her body, eyes fluttering shut as they go under her shirt. Her breath catches as they trail over her stomach, fingers pausing at the waistband of her panties before moving back. They trace over the lace details of her top, breath catching when the tips of her fingers catch on her pebbled nipples. Moaning as she twists and pulls at them lightly, thighs pressing together.

She continues to play with her breasts, enjoying the feel of them and the lace in her hands. Drawing moans and whines from herself as she squeezes them, pinching and twisting her nipples, grazing her nipples with the tip of her finger. She’s aching for more, her panties damp. Her dominant hand leaves her breast, fingers just about to slip into her panties and there’s a hand clamping around her wrist.

Her eyes fly open, a gasp leaving her. “Max.” Her other hand drops away from her breast. His grip on her wrist tightens, eyes darker than she’s ever seen them. Her name comes out in a near growl. Her tongue darts out, swiping across her bottom lip and Max’s eyes fall to them at the motion and she breaks. “Please. Max, please.” “Please what?” She takes a shaky breath, “Touch me, kiss me. Please, Max.”

It’s like she blinks and he’s on top of her, his hand no longer gripping her wrist but instead gripping at her hip as he kisses her. She moans at the roughness of it, not even noticing him adjusting her until he’s fully in between her legs, one of them hitched around his waist. She only notices when he grinds their hips together, the friction making her break the kiss, panting as her fingers rake over his back.

“Max. Please.” “What vrouw? Am I not kissing you?” He presses a kiss to her neck, over the flutter of her pulse. “Touching you?” He rolls his hips into hers. She throws her head back at the contact. “I want,” a whine leaves her as he dips his head, running his tongue over her still lace covered nipple. “Fuck, Max.” His hand still gripping her at her hip tightens its hold and she hopes he leaves bruises. “What do you want?” “I want,” She nearly loses her train of thought again when grinds into her again. “Want you to fuck me. Please, Max, want you so bad.” He groans, head resting on her chest as he gives a slightly stuttered thrust.

The slight loss of control makes her moan, her other leg moving to wrap around him, encouraging him to grind against her. She wants him. She wants him to touch her everywhere, not leave a single place that hasn’t felt his touch. She wants to feel his breath against her lips, his teeth sinking into her skin. She wants the press of bruises as he holds her tighter than maybe he should. She wants him sinking into her over and over again even though she hasn’t felt it once yet. She wants and wants and she doesn’t think that doing this once, twice, a hundred, a thousand times, will satisfy that want.

#max verstappen imagine #max verstappen x reader #f1 imagine #f1 x reader #formula 1 imagine #formula 1 x reader #max verstappen dark fic #max verstappen smut #f1 dark fic #f1 smut #sins fics #claiming a wife : max #claiming a wife

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astralstarlight · 8 months

Text

walking in on you with your favourite toy !

w/ sukuna and choso (separate)

warnings/tags: implied fem! reader (bc that's how i'm thinking about it in my head rn), suggestive, 18+, no curses AU, in a relationship with choso, it's anyone's business who you are to sukuna (housemates maybe??), definitely not in a relationship with him though and you probably have to deal with him walking around shirtless all the fine and looking fine, the toy is a vibrator

a/n: thinking about them a lot recently

Sukuna is not amused. This is not his fault.

If you were going to be doing such private things, then you should lock your door.

"I can explain." You say.

Sukuna gives you a once-over. You're extremely calm for someone who's just had a ruined orgasm. The vibrator is still buzzing a little away from where you'd given up on trying to turn it off and just thrown it to the side for hopes of bringing some small sense of decency back onto your naked form. The blanket is haphazardly tossed over your legs.

It barely covers you.

You're wearing a big t-shirt and nothing else on the bottom half. He got a pretty good glimpse in your panic anyways — wet, wanting, twitching... He can't seem to get it out of his mind anymore.

An eerie acceptance settles over your face. It must be the adrenaline, Sukuna deducts.

"Okay." Sukuna says, crossing his arms and pushing the door closed behind him. "Explain."

"Well." And you have the audacity to hesitate on your words still, as though he isn't already wasting his time and attention on you. "You should knock." Pause. "Next time."

Sukuna lets out a barking laugh. "There won't be a next time, brat." He stalks over to you. It's a bit more imposing than you would imagine, especially when his eyes are scanning over your form as though he's already eating you up in his mind. He decides to toss a side-glance to your vibrator in an attempt to embarrass you further, before drawing his attention back to you.

It works, a brief flicker of panic exposing itself on your face as you seem to finally catch up to the situation.

"Just ask. But don't try to be cute about it." Sukuna continues.

"Sukuna?" You ask timidly, still trying to figure out what he's actually proposing.

"I told you not to be cute about it."

That seems to rile you up, and you feel a flash of annoyance run through you. "I'm cute about everything."

You just get to finish your sentence, before he cups your jaw dangerously tight, tilting your face to look up at him. Perhaps you weren't such a quiet and innocent housemate after all. The way your cheeks squish together is kind of cute actually.

He thinks you might look better crying.

A sound between a questioning mumble and a choke leaves your throat. You open your mouth to say something else, but his fingers are already tracing down to your collarbone. He tilts his head slightly as he feels your breath hitch.

"Lie back." Sukuna says, nudging your shoulder a little.

It's a final warning, you realise. A checkpoint in deciding whether you want to continue or not.

You do follow his instructions, jerking slightly as he manages to slide his hand onto you and press down onto your sensitive clit. His hands quickly move to keep your legs open.

He stops moving for a bit and you peek up at him to see what he's doing. The vibrator is in his hand, looking rather small and pathetic.

"We'll see how easily you cum from this, and depending on whether you impress me..." His eyes travel from your lower half up to your eyes. "I'll show you how good it'll feel to take me."

Choso is polite about it. Every kiss you've shared with him has been soft, sweet even. He's never shown any particular interest in furthering it. It's why you're so oddly embarrassed when he walks in on you with your vibrator pressed against your clit.

"Choso!" You manage to slip the vibrator out of your hands and turn it off, ignoring the urge to pull the blankets over your head.

His face reveals no surprise, nor a blush. A feeling of insecurity runs through you and a stinging starts behind your eyes. Huh.

In the silence, he's staring very intently at your closed legs. He takes a step into the room, still saying nothing.

You jump slightly when he sits beside you on the bed. He's uncertain, bordering on nervous as his fingers twitch slightly.

It's quiet enough that you think you should say something.

"Choso—" You say again, in a softer, more reassuring tone.

He cuts you off. "I'll help."

The matter-of-fact tone makes you blush. You forget how straightforward he usually is.

You shake your head. "It's fine. If you're uncomfortable with it or you're not really sure, you don't need to—"

Choso reaches under the covers from where you've thrown your vibrator. The top of it still glistens with your slick. He takes it out, twisting it in his hand as though to investigate it. He presses the button until it vibrates a bit too loudly.

It's not a setting you usually would have set it on to start with.

"Just tell me what to do." He says.

Good thing there's a lot of different settings for him to play with under your guidance.

#sukuna x reader #choso x reader #jjk x reader #jjk smut #jujutsu kaisen smut #jujutsu kaisen x reader #jjk drabbles #ryomen sukuna x reader #sukuna smut #choso smut #— alathea writes #i care for them a lot #having a little bit of a hands obsession recently #choso kamo x y/n #choso kamo x you #sukuna x y/n #sukuna x you

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kasagia · 5 months

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Right Hand V

Pairing: Na-Baron Feyd-Rautha Harkonnen x fem!exBeneGesserit! reader Summary: The Bene Gesserit has something... very interesting to show you—something that only makes you question your situation more. During this time, Feyd is also put to a great test. But how much can your relationship endure before you both come to the conclusion that maybe you're not meant to be together? Warning: 18+; violence; blood; Feyd Rautha; death; fight; brutality; smut; Feyd-Rautha Harkonnen's Masterlist ~•♤♤♤•~ Main Masterlist ~•♤♤♤•~ PART IV ~•♤♤♤•~ PART VI ~•♤♤♤•~

Dreams have a strange power. You can see your future and past in them. You can drift between dreamland and the real world and be semi-aware of your surroundings. You can create a new reality that is more tempting than your real life. Dreams can be either your sweet escape from reality or your dark oppressor.

For you, dreams were reminders of what had been, ghosts of the past, catching you in your most vulnerable state. But this time, you weren't dreaming about your past.

You were in Giedi Prime. You walked through familiar corridors, hiding from the Harkonnens' eyes. It was rare to meet anyone in these corridors. Most of them were dead ends with secret passages that were unknown to most of the inhabitants of Giedi Prime. That's why you were terribly surprised when suddenly someone pulled you by your cloak.

You freeze, startled, and turn slowly to face the small child. The kid looks like Harkonnen's child, but not quite. His skin is creamier than white, and white hair grows on his head in unruly curls. But what you recognised perfectly were the blue, bright irises that only one person could boast on Gieidi Prime.

"Mommy!" A boy around 5 years old runs up to you and hugs your legs as you look at him in shock and confusion. “Dad said he would take us on a trip! To Lankiveil! We will swim in a real lake! Can you imagine that?!” – he asks excitedly and holds out his hands to you. You automatically scoop him up into your arms and place him on your hip, trying to figure out what the hell is happening.

Someone's quick footsteps echo in the corridor. You look past the child and see one of the harpies approaching you. She breathed a sigh of relief and bowed to you when she saw the boy in your arms.

"You can't run away like that, my lord Na-Baron. The baron told us to look after you."

"I didn't run away. I quickly left to find my mom. Dad wanted to speak with her. Besides, it's not my fault that you're so slow." Both you and the woman next to you do everything in your power not to burst out laughing. You smile, burying your face in your "son's" hair. He was so damn similar to his father and you.

The boy jumps out of your arms and grabs your hand. He runs with you through familiar corridors and hidden passages, not caring if you can keep up with him.

This way, you are in the war room in just a few seconds. Feyd stands with his back to you, analysing something on the hologram of the planets in front of him. He doesn't even flinch when the secret passage closes behind you with a bang.

"Dad, I brought mom." Your boy announces proudly, leading you to Feyd. The man turns and runs his hand through your son's hair. The little one smiles, showing a series of night-black teeth... with small cavities. He looked so damn cute. Like a little version of his father...

"Good job, Feydor. At least you are able to find your mother in her shadows. Go, torment your uncle. I've heard that you promised Rabban a great fight after our lessons." Feyd says teasingly, wrapping his arm around your waist. You roll your eyes at his comment about shadows, but you can't help but watch his interactions with your son in fascination.

Feyd was rarely around children; on Giedi Prime, they were quite... not shown much. They were a temporary inconvenience rather than a source of pride, and the noblest and most important of the inhabitants rarely cared for their own descendants. The nannies and servants usually took care of them. That's why you observed with admiration how soft and tender he was towards the boy, who was a living mix of both of you.

"I did! I can't wait to use the voice on him. I love you, dad. I love you, mom." He hugs you and practically runs to the training room, looking forward to training with his uncle.

"Just don't humiliate your uncle too much! And remember to turn on your shield!" Feyd shouts after him, and you feel like crying at the worried and caring look on his face. You've never seen him like this. Well, not when the two of you were in no danger. "In moments like these, I feel sorry for Rabban. He has to face a deadly mix of both of us. Devious beast, just like us. It doesn't matter that Rabban is not using all his strength against him; he would have defeated him anyway with his tactical mind and the tricks he learned from you. I need to start training with him so that he doesn't become too arrogant and self-confident after his numerous victories over Rabban. He must always be alert and ready for his opponent."

Honestly, you're not listening carefully to what he's saying. You are shocked by this new reality in which you find yourself. It was too surreal for you. But you couldn't stop your heart from fluttering as he spoke about his son with such tenderness and pride. Your son.

"What's wrong? You look pale. Are you two alright? You had unusual cravings again, and now you regret what you ate?" The concern in his eyes confuses you even more. He places his hand tenderly on your stomach and watches you carefully, searching for any sign of discomfort as you wonder what the hell happened to make him... like this. It must have been your imagination. This couldn't be any vision of your future, because even in your wildest dreams, you had never imagined it to be so... beautiful. "Y/N? Talk to me, my baroness. Should I call a healer?"

"I'm fine." You reply with a smile, shaking your head and placing your hand on his—the one that was still tenderly caressing your small pregnancy belly.

"You sure?" Your lips hurt from smiling as you try your hardest not to cry in front of him with emotion. So you grab him by the neck and pull him in for a kiss.

He caresses your lips so gently and tangles his hand so carefully in your hair that you feel like you're about to cry from the way this rare, soft side of him makes you feel that he so bravely shows you.

"Yes... we... we are perfect." You whisper, resting your forehead against his, not at all referring to yourself and the child. You close your eyes, letting yourself breathe in his scent as he draws patterns with his finger on your stomach, keeping his arm possessively around you.

You wrap your arms around him tightly and bury your face in his neck, holding him as close as you can. He laughs softly and presses a kiss on your temple.

"There you are... I almost forgot how sweetly clingy you are while carrying my heir under your heart. We should've tried for a sister for our Kwisatz Haderach a long time ago." He murmurs against your skin and lazily plays with your hair, massaging your head. "Are you sure you are feeling good? You have been very quiet. Usually, you would throw all sorts of insults and banter at me. It's not too late for you to swallow your pride and admit that you want to give birth on Arrakis or anywhere other than on this polluted planet. Damn what those old hags think of you; it won't make you any less of a Harkonnen."

Your heart swells with every word he says. It takes a lot of strength on your part not to cry in his arms and to keep your voice from shaking as you try to form a coherent sentence.

"I... just promise me you will never let me go." You ask him, not daring to even look at him because you're afraid you'll cry the moment his eyes meet yours.

"You stuck with us, my baroness. Nothing can separate us." He promises it to you, pressing a kiss to the top of your head and tightening his hold on you. You felt safe. Warm. Loved.

"Good." You mumble, snuggling into him even more. You act as if this is really happening, like this is really supposed to be your life and future.

You have come to the conclusion that it is impossible and unrealistic for Feyd to change like this. The Harkonnens were not soft; they did not lead a tender family life and cared for their wives if they did take one. But in the end, it's your dream. So you sink into his arms, enjoying the sweet words he whispers in your ear and the way he strokes your hair.

Feyd had never been in such a hurry to get to his chambers. His heart was beating fast, and adrenaline was pumping through his veins as he thought about what had happened in those few hours. The baron is missing. He was kidnapped or killed by the Fremen. Feyd was to take his place until they found his uncle's body or the council officially declared him dead.

And Feyd had his suspicions about who could have contributed to the sudden disappearance of his beloved uncle. You couldn't have given him a better birthday present. In fact, you could, and he was practically running back to his chambers to pick it up.

He enters the chambers and immediately senses that it is too quiet there. He tries to dispel any suspicions and enters his bedroom, only to find the bed empty.

“Y/N?” He calls out, knocking on the table a few times to make his presence known. He peeks into the bathroom, slightly hoping that maybe you're waiting for him in the hot bath to tease him even more, but you weren't there either.

He frowns. He wonders if this isn't one of your games. Isn't that what you wanted—to play cat and mouse with him, to give him an exciting chase before he wins and can finally ravage you—but he quickly dismisses that (charming) idea. You were as desperate as he was. You wouldn't leave this room unless it was urgent. At least he hoped so.

He clenches his fists as he steps out into the main room of his chambers. The idea crosses his mind that maybe this time you actually ran away from him. He wouldn't be surprised. Maybe you finally snapped; maybe he scared you too much; maybe he went a step too far today by injecting you with truth serum and torturing your former lover/friend.

After all, you didn't say you loved him. You also didn't say that you despised him or that you wanted him to leave you. You could have escaped from him when the perfect opportunity presented itself…

"My lord, Na-Baron?" The frightened tone of one of the guards' voices brings Feyd out of his thoughts. He realises that he has gone out into the hall and is standing in the doorway, staring blankly at his two men. He clears his throat and turns his cold, calculating gaze on one of them.

"Have you seen my right hand?" They both shake their heads, not daring to look at him.

"No one left or entered these chambers except you, my na-baron." His madness grows as he unintentionally compares them to you. You always had the courage to face his anger and look at him, proudly bearing his burning gaze.

If you really run away from him... he will unleash hundreds of hounds, bring you back to him at all costs, and make sure you never leave his side again. He won't give a fuck if that's what you want. He gave you countless opportunities to leave him and end things between you two in a civilised way without brutality or bloodshed, but you didn't want it. The only thing stopping you two from being together were your stupid prejudices and fear. He planned to get rid of them completely once he got his hands on you again.

"Bring her to me." He growls at them, turning to go back to his chambers.

"But my lord..." Before the soldier can finish his sentence, Feyd reaches for his blade and cuts his throat with one skillful move. It eases the tension in his muscles a little, but the moment the man falls dead to the floor in front of him, his mood sours again. Because he remembers how, in moments like these, you often gave him a disapproving look and cleaned up the mess he made.

He growls at the other soldier, who is shaking with fear, to clean up and closes the door behind him with a loud bang. He had to find you. You got too deep under his skin for him to just forget about you. First, he had to determine whether you disappeared alone or whether someone had helped you. And God save him who dared to steal his baroness from under his nose.

He carefully examines his chambers, slowly exploring every corner. He frowns when he sees a familiar, polished dagger in his weapon collection. He picks it up and looks at it carefully. It was your blade. The one you had attached to your thigh. You had never left it—not since you got it from him for your birthday.

"Na-baron. You wanted to see me." You say, walking onto the balcony of his chambers. Feyd doesn't turn towards you. He stares at Giedi Prime spread out below him, the city completely shrouded in darkness. Only the few white stars that managed to penetrate the polluted atmosphere illuminated the planet with a pale glow. You quickly catch the hint and stand next to him, also looking at the buildings.

"I hate it here." He confesses to you without knowing why. "My home planet had seas, lakes, wild landscapes, and tundra that no one dared to tame. And here everything is so..."

"Controlled. Polluted. Defiled. Exploited. No room for anything... wild or natural." You finish for him. He nods, agreeing with your words.

It's been two years since you served him. And he had to admit that he didn't have such a good man on whom he could always count. You were extraordinary. Loyal, faithful, brave, honourable, and cunning. Feyd wanted to liberate you. Not many could live up to his expectations, but you seemed to know exactly what he wanted and needed after just one look. It aroused in him... strange feelings. Disturbing. But he didn't think about it when he was around you.

He preferred to admire your… difference. The hair that flowed slightly in the wind, the way your eyebrows knitted together in anger when someone questioned your position as his right-hand man, the way you walked, the way you could disappear into the shadows, the cunning and strength of your mind. You were an extraordinary woman. He started to appreciate you for the time you spent planning together. Nightly conversations about the nobility of Giedi Prime, your battle plans, and court intrigues became… something other than work for him. He was starting to like being close to you.

And at night, when he was with his concubines... he found himself imagining you in their place. And how much he wanted you... so much so lately that every little thing you did was the hottest, erotic act for him, even the way you moaned in appreciation when you ate good food. He was fucked up. Like a teenager in love.

But he didn't love you. He could not. His uncle had told him many times that the Harkonnens knew no love or affection. He just had to wait until this desire passed or find another right hand and make you his concubine, which was a much more difficult task. There were many pussies and holes he could have used, but you were the only one who seemed to have a mind even remotely like his. He couldn't afford to lose such a good strategist and soldier.

"Do you need anything, Na-Baron?" Your gentle question brings him out of his thoughts. He nods and goes to his chambers. He returns quickly with a black box in his hands. He hands it to you, carefully watching your reaction.

"Happy birthday, little witch." He says, not hiding a small smirk when he sees your shock. He managed to surprise you so rarely that he treated every such moment with reverence, as if it were the most important moment of his life. Pathetic. What power you had over him…

"How did you..."

"I have my ways too. Open it." He interrupts you, excited by your reaction to his gift. He puts his hands behind his back, feeling his fingers tremble slightly as they begin to sweat. He ignores it, completely focused on you as you gently untie the white bow and open the box. You hold your breath, staring at the dagger in awe. "Steel from my home planet. Don't stab yourself with it by accident. When it pierces someone's body, a piece of the blade dissolves under the heat of the attacker's blood. A small dose of this metal in the human body causes, in the worst case, a moribund state and death. We call it the shadow killer because death occurs hours after the attack unless an antidote is administered."

"I... I don't know what to say." You whisper, taking out the blade and running your fingertips over it. He looks at you with pride. He made it all by himself. For you. A detail he would take with him to his grave rather than admit to anyone.

"You can thank me. Didn't the Bene Gesserit teach you this?" He asks teasingly, making you roll your eyes at him. However, you give him such a beautiful smile that his black, rotten heart beats faster, letting him know about you for the first time in years.

"Thank you, Feyd." He melts when you say his name. You used it so infrequently that he had every little moment seared into his memory when you let your professionalism slip through and did it. And he loved the way his name sounded on your lips. He couldn't help but imagine what it would sound like when you shouted it, under much more pleasant circumstances.

"You know, we Harkonnens kiss each other on the lips as an expression of gratitude." He says this as your eyes move back to the dagger. He sees you freeze at the memory of it. You blush slightly, but enough for Feyd to notice the slight change. And he absolutely loves seeing you blushing and confused.

"I'm not a Harkonnen." You respond with a cheeky smile, and he shakes his head in amusement.

"But you are on our planet. I guess you should follow our rules and customs, right? Besides, in a few years, you'll be considered one of us."

"If I survive."

"I think you have a good chance." He smiles at your banter. The pride in his chest grows even more when, instead of looking at his black teeth in horror, you giggle, unfazed. You were so different…

However, he freezes when you take a step towards him. You cup his cheeks in your hands and pull him in for a kiss. He almost moans into your mouth like a total slut. It takes all of his willpower not to kiss you back, not to pull you closer, and not to actually taste your lips. But he can't. He won't show that he is that weak for you. So he keeps this fake kiss very professional. He is digging his nails into his palms until they bleed, as he is too afraid that he will accidentally reach for your body and pull you closer to him.

You pull away from him as suddenly as you place your lips on him. And he's both shocked and angry that your lips left his so quickly. His eyes wander to your lips as you lick them. Feyd curses himself for how badly he wants that pink tongue of yours to wrap around his own... or the hardening manhood in his pants.

"Thank you, Na-Baron Feyd Rautha." You whisper and head towards the exit, leaving him there, completely horny and wanting more of you—your touch, your kisses, your lips, your taste, your everything. He feels himself blushing at the thought of what he wants to do to you.

"Your welcome, my little witch." He mumbles as you disappear back into your shadows. He puts his bloody fingertips on his lips, tasting his blood. He closes his eyes, imagining how sweet you must taste...

Yeah... Feyd couldn't love you. A lie he had told himself since that night every time he felt his heart pound in his chest whenever he saw you.

"Brother… I mean... my Baron…" Rabban's voice reaches him vaguely as he continues to recall that day. Now he knew the taste of your lips... and your more intimate parts. And damn him if he doesn't put his fingers and tongue on you again.

"What?" He growls at him furiously, unsheathing his dagger and attaching yours to his body. The blade of the dagger was a bit uneven. And soft in his hands. It must have been used recently. And from the dried blood on the handle, he guessed that someone had clumsily tried to clean it. Someone took you from him.

He returns to the bedroom and grabs your shawl from the floor. He puts it to his nose and inhales your scent. He calms down a little—not enough for his fury to disappear, but enough to start thinking logically.

He was going to turn Arrakis into a living hell.

"The council has met. All high families. They are waiting for you."

Feyd would ignore it and go straight to find you, but your disgruntled face appears before his eyes. He would know that you would advise him to go to the council and present himself as best as possible—show his strength. He sighed, wrapping your shawl around his wrist as he made a decision.

"I see. Let's go." He announces this as he leaves the room and doesn't wait for Rabban to follow him. His brother runs after him, cursing under his breath as he tries to keep up with his fast pace. Feyd had a plan in his head and a clear goal. He'll have you in his arms at the end of the day, or he'll burn this damn planet down looking for you.

"And your witch?" Feyd suddenly stops. He turns his head slowly and looks at his brother, narrowing his eyes at him.

He shakes his head, knowing full well that you would castrate his brother before allowing him and his men to take you away. Rabban was too stupid for that and too afraid of him. If Feyd had to bet on who did it, he would choose the Bene Gesserit or Atreides with his Fremen.

"She won't be there. Order our men to close the airspace and monitor movements in the desert. Tell them to keep an eye on the Reverend Mothers and the Bene Gesserit. If they object to or question my decision, order to tell them that the baron is only trying to keep them safe. They are to report their every move to me. Once you've done that, join the meeting."

"Me?" He asks in shock, following obediently after him.

"You are my brother. We have to show that we are strong and that there are no divisions between us. Especially after my uncle is dead. They may think we are weak targets and want to get rid of us, just like we did with the Atreides. We must assert our dominance."

Rabban nods, looking at him warily. Feyd doesn't care what he looks like. They took you away from him. He'll do anything to get you back. It doesn't matter if he makes you seem mad or a worse psychopath than he already is.

Why does he need a reputation as a bloodthirsty beast if someone dared to get their hands on what's his anyway? People sentenced themselves to death and then dared to say that he was unpredictable. Pathetic idiots. He hoped you were giving them hell. His heart ached uncomfortably at the thought of someone hurting you while he had to deal with the nobility.

"Let's be honest. Baron Vladimir is dead. Paul Atreides is still at large, probably planning our murder, and the Fremen are rampaging in the desert, worshipping the false prophet. What are you going to do about it, Baron Feyd Rautha?" Feyd clenched his fists under the table. He slowly stopped being surprised that his uncle had become such a man.

After talking to the emperor for a moment, he felt like cutting out his tongue and gouging out the eyes of other high families staring at him. As if his role was to play their hero...

"We have already taken the first measures. It only takes a few bombs to extinguish the spirit of these desert rats. As for Paul Atreides... my people are looking for him. And my right hand went missing the night my uncle died. We suspect this is a related case. I'm going to head out into the desert and join the search. Of course, leaving members of high families in the care of my brother and some of our people. No one will leave Arrakis until the traitors are killed."

His calm, unruffled demeanour, and silent threat caused a slight stir in the room. Feyd suppressed a smirk. He loved controlling the crowd this way. However, he knew that impressing the emperor would be more difficult. Words were not enough to prove that the Harkonnens were a force they should be afraid of. And so far, his brother and uncle have only brought humiliation to their family. He had to fix it. Only with you by his side. That's why he had to leave this pointless meeting as soon as possible and start taking some action. His weapon craved blood.

"It wouldn't be the first time a concubine had gone missing." Princess Irulan comments. Feyd shifts his gaze to her, analysing her carefully. She was paler than usual, her posture more indifferent, as if she were trying hard to hide her true emotions behind her mask. Feyd made a note to look at her more closely.

"Probably not, Princess Irulan. However, in light of recent events—the Atreides attack, the death of my dear uncle, and the increased activity of the Fremen—I am certain that this is not a mere disappearance. This is a deliberate action. Attack on noble houses. Attack on the Harkonnens. And maybe I wouldn't be so concerned about my right hand being missing if it weren't for the baby." After his words, silence fell in the room. Feyd delights in the shocked look from the princess and the nobles in the room.

"The baby?"

"My heir she carries." Feyd nods, repeating his words to the emperor.

Feyd could barely contain his smirk, knowing full well how much you would like to see the faces of representatives of great houses now. To say they were shocked was an understatement. But what else was he supposed to say? That he goes looking for you with a thousand of his troops because he loves you and simply can't lose you? Only the thought of losing his heir was... a good reason to search all of Arrakis and close the airspace—any possibility of leaving the planet.

Because who would stop Harkonnen from desperately searching for the woman who carries his heir? Even a fool wouldn't dare. And if the Bene Gesserit were behind your kidnapping, they wouldn't dare do anything to you either after hearing that... surprising information. After all, they needed his offspring for their plans. Why would they destroy one? Feyd just hoped to get to you first before anyone discovered that you weren't pregnant at all.

"You horny dog! Why didn't you say anything?" Rabban pats him on the back, laughing hoarsely. It breaks the awkward silence in the room. But still, everyone's eyes are on him.

"We preferred to wait with any celebration until we were sure that the baby was growing healthily. After all, this could be our Kwisatz Hederach. Of course, now the safe return of my fiancée with our child is much more important. Therefore, I hope that the Emperor will consent to whatever… measures I intend to take in this matter. Whoever dared to raise a hand against the Harkonnens will pay the weight of their crimes in blood." Feyd continues his lies, knowing full well that you will kick his ass when you find out he called you his fiancée in front of great houses.

"But… I talked to the Baron…"

"My uncle... has not been in good health for a long time. May he rest in peace. Whatever arrangement he made with you, the emperor, during my reign it must be discussed again. Unfortunately, he will not rise from the grave and give us all the details."

"Of course… Baron Feyd-Rautha." The Emperor nods at him. Feyd takes the opportunity and decides to leave the room while he can. He nods to his brother, who turns out to be intelligent enough to understand the message and stands up as well.

"Excellent. If you don't mind, we'll leave now."

He doesn't wait for an answer. He just goes out, with Rabban close behind him. He orders him to prepare the army for the march and place spies around the fortress. They split up halfway to Feyd's rooms. He goes to prepare for his departure, hoping that Rabban will cope with the tasks he has entrusted to him. He missed you. He knew he wouldn't have to worry about anything if you were by his side.

He sighs as he enters his chambers. He stops in his tracks, seeing Princess Irulan next to his collection of weapons. He closes the door behind him with a bang, announcing his presence. The woman trembles and turns towards him.

"Baron."

"Princess." He responds coldly, looking at her carefully. He didn't say anything more. He wanted her to explain her sudden presence in his chambers. He notices, however, that his new title sounds nasty coming from her mouth, no matter how seductively she tries to say it. He imagines you whispering it in his ear as you ride him on his new throne on Giedi Prime...

"I thought you were leaving." He returns to the present moment, making sure he remembers to fulfil this fantasy once you both get back from this damn planet.

"I needed to change first." He replies and clears his throat, suggesting that she should leave. Unfortunately, she either doesn't want to or doesn't understand his hint and stays where she is, watching him carefully.

He feels like he's playing chess. One wrong move, and he loses a pawn. He hated this game until you started playing with him in the evenings, when you exchanged gossip from the court and your own comments. He doesn't remember how many times you fell asleep and he carried you to his bed. His harpies hated these evenings, and he too hated them at the beginning. Over time, he was just waiting for that moment when he was able to watch you snuggle into his pillow, sleeping peacefully.

"I… that's good. I was hoping to talk to you before you left."

"Talk then." He says this and starts taking off his clothes. He notices her blush and the way she looks away. But there's nothing sweet or funny about this gesture, unlike the way you do it. He changes into his usual tactical battle armour as fast as he can, still thinking about the way you used to even shout at him when he was going fully naked around you.

"I was shocked by this news. About the baby. And your fiancée."

"Why?"

"Well, you know very well, my lord, that the Bene Gesserit has planned to unite our families. This shouldn't have happened." He furrows his hairless eyebrows, feeling the anger start to boil within him again. How dare she tell him what he should do? Who should get pregnant, and who should not? He didn't care what the Bene Gesserit wanted. Feyd wanted you, and you probably wanted him. That was all that mattered.

"Would you rather be at my fiancée's place? Would you rather carry my baby instead of her?" He asks dangerously, approaching her slowly. Before she can react, he lunges forward and almost crushes her neck in his grip when he prevents her from using the voice. "You are trembling with fear, princess. It is pathetic that the Bene Gesserit even thought we could connect in any way. Even if we got married, I wouldn't lay a finger on you. At best, I would kill you right after I consolidated my power as emperor. Now that we both know where we stand... Tell me, where is my little witch?"

"The Reverend Mother sent her to Paul Atreides' hideout." She answers him obediently. Feyd smirks sadistically and maliciously as her eyes widen in shock when she realises he has used the voice on her. "How?" She managed to ask before Feyd tightened his grip on her throat again, giving her a bored look.

"With one of your witches by my side, do you think I won't do anything to learn your tricks? I'm not an idiot to let an opportunity like this pass me by. You think that I didn't also see you wince with every move at the meeting? This must have happened right after my fiancée stabbed you when you kidnapped her, right? The poison took effect, didn't it? Are you feeling weak? Do you feel how you slowly lose your vitality with each breath? It will get even worse. Maybe my fiancée will have the mercy to give you the antidote, but I have no intention of doing so. Now listen to me carefully. You won't say or write even a word to inform anyone about what happened. You will lock yourself in your room and endure the effects of the poison without complaining to anyone that something is wrong with you. Get out of my sight before I finish my beloved's work."

He throws her away like a rag doll, feeling defiled just by touching her neck. The only reason he kept her alive was because she was the emperor's daughter, and he couldn't afford to get rid of her YET. She runs away from him as soon as his grip on her neck is gone.

He smiles mockingly and leaves his chambers as well. Now that he knew you would be in the desert, he was going to dig up those damn sand folds and kill all the Fremen and Bene Gesserit who had a hand in your kidnapping.

And once you are by his side again, he will give you the heads of the princess, Corrino's Reverend Mother, and Atreides on a golden platter—an engagement present worthy of a real baroness. Well, he'll have to convince you to marry him first. He sighs, realising how much work is still ahead of him.

You wake up feeling numb. Entirely. There's a gag in your mouth, your hands are tied behind your back, and your ankles are cuffed together, completely preventing you from moving.

You look around your surroundings, realising that you are in one of the Fremen hideouts. A small room carved into the sandy rock resembles a prison cell. You gasp as you try to get off the floor. With a groan, you lean against the cold wall behind you as you somehow manage to sit up. You wonder how the hell you ended up here. And how can you escape when you are completely incapacitated?

Suddenly, the door to the room opens, and Corrino's Reverend Mother enters. You look at the woman with a calculating gaze, showing no emotion other than disgust.

"Y/N Y/L/N. We thought you were dead."

You roll your eyes at her. The old hag knew perfectly well that you had a gag. The fact that she expected any response from you was ridiculous.

"You betrayed your sisters. We should have killed you the moment you were recognised by one of us. You're lucky we're still keeping you alive."

You would snort if you didn't have a gag in your mouth. The Bene Gesserit knew no mercy; if they kept you alive, it was because they still needed you in their plans. After all, you were the strongest of them, which might not be visible now, but it was the truth. They didn't train you all your life and shape you into their ideal form of some sick Holly Mother, just to throw you away now.

You are tensing as the old woman walks up to you and painfully grabs your jaw. You glare at her furiously with your own, not showing an ounce of fear or remorse. What you wouldn't give to have at least a butter knife with you…

"Do you think you are smart, child? That you managed to escape fate? Not at all. Our visions may have been blurry, but now we see everything. Paul Atreides sees everything. After his plan succeeds, he becomes emperor, and you will become his concubine and the mother of the Kwisatz Hederach. Until then, we will keep you under control."

"Who allowed you to come in here?" A cold, commanding voice echoes throughout the small cell. The Reverend Mother steps away from you as if she's been burned by him, giving you the opportunity to look at Paul Atreides as she steps inside. You shiver as his cold gaze falls on you, but you show them nothing but disgust and anger. If you're going to die, at least you will make sure that before you do that, you'll be remembered by them as one big pain in the ass.

"I..."

"Silience!" Atreides yells at her as she feebly tries to explain herself to him. You frown, wondering how the hell he gained such power over the Bene Gesserit. "Leave us alone."

The woman nods obediently and leaves, closing the bars to your cell behind her. You shift your gaze to Atreides, examining him carefully. He was… more portly than you remembered him last time. He became stronger, tougher, and visibly hardened by the sands of Arrakis, since his posture was stiff as armour. You catch yourself thinking that if he stood in the arena in Giedi Prime, he would still lose to your na-baron.

"I am not here to hurt you, Y/N." Atreides says, walking over to you. He crouches down so that you are both at the same height. You look closely at the features of his face, analysing them carefully, trying to read what's behind the strange behaviour of the mysterious Fremen's prophet. "We both have our roles to play here. Something that is above us. I learned a lot about you.I know about your service to the Harkonnens, what you endured as a Bene Gesserit, and every darkest part of your past. And I know you are a wise and very strong woman. You probably understand why all this is so important and why we must fulfil the prophecy and take our places in this story." He says, removing your gag. You clear your throat as he finishes his speech, and, trying to hide your concern, you growl, your voice so hoarse and dripping with madness that Feyd would surely be proud of you:

"You are a mad freak. Feyd will kill you as soon as he finds you. And hell knows, he will come for me. It will be pure joy to fight him for the privilege of being the one who impales your head." Atreides gives you a small smile. He shakes his head, amused by what you're saying. He stands up, helping you to stand on your two feet as well, placing his hands on your waist respectfully, and touching you as little as necessary.

"Come with me. Let me show you something." He says this in an extremely calm voice as he removes the chain from around your ankles. You briefly consider kicking him and trying to escape, but you realise there's not much you can do with your hands tied. You are also still weak—too weak to maintain control over someone else for long with the voice. "Do not be afraid. I told you. I have no reason to hurt you." He encourages, concluding that your hesitation is out of fear and not a desire to attack him.

"I lived for years among the Harkonnens. I'm not afraid of anything except myself."

He gives you an ironic smirk, as if he were convinced that he was an evil worse than the Harkonnens. You don't care about his poor attempts to intimidate you. You weren't some desert rat to be terrified of a man with nice curls and eyes.

You walk through a series of corridors, and of course he leads you, holding your arm tightly and making sure you don't do anything stupid on this little trip around his kingdom. It brings you great satisfaction. Your reputation had obviously taken its toll if he continued to be vigilant around you while you were still half sedated and tied up without any weapons.

You smile sadistically at the Fremen you pass. They look away from you, too afraid to meet your gaze. You were known among them as the Na-Baron's bloodthirsty right-hand, whose cruelty rivalled that of many Harkonnens.

You and Atreides go deeper down. You slowly start to feel dizzy from the number of corridors, corners, and stairs he tells you to take, but eventually you reach a more spacious room. You sigh, feeling the humid air—a sweet change from the dry Arrakis wind. Atreides takes the torch and leads you deeper into the room. You gasp as you see a large pool full of water.

"The Fremen treat water as something sacred. They collect it from the bodies of their people; the water of the more deserving people goes to such pools."

"This is a waste. And stupid, considering that they are dying from a lack of water while having pools of it safely hidden from the Harkonnens." You notice, staring at the pool of water. You tense as you feel Paul's searching gaze on you. You turn your head and give him an intimidating look. He doesn't even flinch. He is unfazed as he continues to analyse you—something you don't like at all. You wish Feyd was here. He would gouge Atreides' eyes out the first time his gaze lingered on you for a second too long.

"Possible. But it's not the first time we waste something in the name of faith, right?"

"Faith befuddles and stupefies. Same as prophecies. We are responsible for our own fate. It doesn't matter what some crazy old man wrote in the books a hundred years ago, probably under the influence of drugs or other alcohol. No one influences our future except ourselves."

His silence at your words worries you. You turn your head to look at him. A small smirk spreads across his face—a sign that your words didn't outrage him as much as they were supposed to. He nods, agreeing with your words, and you realise what he really means. The son of a bitch was testing you. Logical, considering that he was the one who started the cult of him. He thought like you. He did not believe in any Kwisatz Hederach, and even if he did, he considered himself one. He just needed you to keep the propaganda and people's faith in him.

He wanted to show that he had tamed the Harkonnen's witch.

Atreides walks over to you and carefully places a hand on your shoulder, directing you to a different side of the room. You pass by a pool of water. In the centre, there is a large stone bowl on a platform.

"The Reverend Mothers call it the mirror of wisdom. It shows us our future if we continue on the path we are currently on. Look. See what awaits you with your crazy beast by your side."

"It's very brave of you to think that I'm not one." He chuckled at your words. He lets go of you and takes two steps back, keeping his amused, curious gaze on you.

"The Harkonnens are different from us. You may think you are one of them, that you have absorbed their ways and behaviours, but the truth is that you are not one of them at all. You may have adapted to survive among them, but can you look me in the eyes and tell me you don't long for something more... normal?"

"Normality is for the weak." You reply, huffing furiously. "Apart from that, my life has always been different from normal. This is my normality, Atreides."

"Even the bravest warrior needs a break, a moment of respite. Look. Aren't you curious?"

You were very damn curious. Especially after that strange dream/vision you had. So, without saying a word, you approach the bowl of water. You take a breath and dive your head into it, letting the images flood your mind.

This time you are not on Giedi Prime, and you are not a participant in the events. From a distance, you watch the older version of yourself adjust the crown on her head. Empress's crown.

You see yourself flinching in the mirror as the door to your chamber bursts open. Feyd, dressed as an emperor, walks in furiously, heading straight for you. He pushes the large mirror, smashing it against the wall with a roar.

However, you don't care about his sudden attack and watch him, unfazed, as he gasps with rage.

"Is something wrong, honey?" You ask in an almost too-sweet tone, mocking him.

"Do you have the nerve to ask me that? Why don't you tell me where my concubine is instead? Where did you send her? You gave the corpses to the harpies to eat? If any harm has come to her, I will make you eat all three of them before I tear out your cunning heart from your chest, witch."

"You'd have to touch me first. And we both know that lately you're more afraid of laying a finger on me than of our son dethroning you. Which is very surprising, by the way. Has that concubine of yours brainwashed you so much?" You see yourself smiling mockingly as you watch his anger grow with every word you say.

"Don't talk about her like that. Unlike you, she's not a cold, uncaring, selfish bitch."

"Of course not. A smart woman wouldn't willingly sleep with you." This completely breaks the remnants of his composure. He walks over to the older version of you and wraps his hand around her neck, pressing her against the wall.

But he doesn't do it the same way he does with you. It's not a gentle neck hold, a warning, or anything sexual—something that would turn you both on. He just cuts you off, choking you, watching with sick satisfaction as you squirm, trying to get out of his grasp.

"What's stopping me from ending your miserable life? You have already given me a son; your usefulness has long passed, and yet I still let you breathe the same air as me." He says this, tightening his grip on your neck. You gasp as he pushes you away.

From the way you fall to the floor and choke for air, you assume that the older version of you was only seconds away from suffocating. But you don't surrender to him; you don't give him any satisfaction in trying to intimidate you. You start laughing derisively, shaking your head in amusement as you slowly get up from the floor.

"Aw... you couldn't kill me. You're like a dog. You bark and do little. You love me too much to kill me, don't you remember? How did you beg me all those years ago for a piece of my feelings? Who said I love you first? Who was begging on his knees for my hand? Who wanted to have a child? You. You are just a desperate little boy looking for love and affection. You probably even liked the fact that I'm jealous of you and kill your lover? Unfortunately, I don't give a shit who you fuck. I didn't steal your whore, so get out and don't waste my time, husband." You mock him, waiting expectantly for his next move.

He stares at you with pure hatred and resentment. You feel the tension in the room begin to build; the immense anger and disgust between the two of you are palpable. You have no fucking idea how you came to be so hostile towards each other, but... you can't say you're surprised. Because if you were already imagining a future with Feyd... this was the scenario that came to your mind most often.

The two of you were too broken to trust each other and entrust each other with the remnants of the heart that beat and remained within you.

Feyd looks like he wants to say something. But he gives up and instead just leaves the room, slamming the door behind him.

You swallow, observing your pathetic fate. The empress locked in a golden palace. At eternal war with everyone. Lonely. Your heart aches at the thought of this being your fate. This is what you were running from. Before relegating you solely to the vessel she was to carry and give to the world, Kwisatz Hederach, Because what would be the use of you then? You would be rejected and alone. Waiting to die. However, you didn't expect your end to look like THIS.

A figure emerges from the darkness of the room through a hidden passage—a man who is a copy of you and Feyd. You see a similarity in him, in your movements, in your creeping through the shadows. He approaches you from behind, holding a dagger similar to the one Feyd gave you on your birthday. You don't react when you feel steel around your neck, as if you had long ago come to terms with how you would die—and by whose hands.

"You were right, mother… I was destined to achieve much more."

And with that, he cuts your throat. Crimson blood runs down your dress, almost invisible against the black material. You die quickly. Quietly. Like a rat...

"Have you seen something interesting?" Atreides' voice reaches you as you step away from the bowl after the vision ends. You sigh heavily, breathing heavily. Drops of water roll down your face and soak into your linen shirt.

"Screw you." You snap at him, trying to wipe your face on the frame. He tears off a piece of his shavl and walks over to you. He wipes the water from your face and hair, not caring about the scowl you throw at him in warning.

"I told you. The future with Harkonnen cannot end well. But if you stay with me, I promise nothing will happen to you. You can be more free with me than you ever could with him."

And you're tempted as hell to accept his offer. You can't say you're not interested at all, that what you saw hasn't made you question your choices... but you've been a Harkonnen for so many years. Could you really forget all this so easily? Forget about Feyd? Maybe in that stupid Bene Gesserit's bowl you saw your tragic end at his side... but did it really have to end like this? You could avoid all this. Take a risk to gain something much better...

"So this is your offer? Freedom and security for lending my uterus for 9 months?" You ask him, wanting to know exactly what options and choices you have.

"In very simple terms, yes." He nods, still staring at you. You find this very irritating of him; you were usually the one who pierced other people with your gaze. Not the other way around.

"What for? You're telling these fools that you're their saviour and the messiah. Kwisatz Hederach, ahead of his time. Why do you need me?"

"I need the support of the Reverend Mothers of other families. I may have... your powers and be the strongest of them all, but I've learned that if you can gain someone's support in a peaceful way, it's better to try it before reaching for a weapon."

Atreides stared at you like you were a puzzle to solve. You didn't like the hidden arrogance in his eyes—the belief that he was truly capable of discovering all your secrets.

Maybe he knew your past, and maybe he saw visions of the future, possible scenarios of what might have happened after his decisions, but the present was yours. And only yours. You will be more than happy to show him that no one could tear out all your fangs and claws.

"Feyd will kill you sooner and bind me with tighter chains than you did, than he ever allowed such a turn of events." You say confidently, convinced that he won't just leave you. In this situation, it's a huge relief for you... but in your head, you can still see his sadistic smirk as he choked you against the wall.

"Not if I kill him." You tense up at his words, and your heart starts to beat faster as you process his words. You would never think that Feyd Rautha could ever die—not by another person's hand, of course. And certainly not Atreides.

He fought too well, was too intelligent and cunning to fail in battle, and yet... you couldn't deny that that one simple sentence Paul said with such confidence didn't send a cold shiver of fear down your spine or that you felt no threat.

"Have you ever seen him in the arena? Or how does he fight? You may have become stronger thanks to your time on Arrakis, but he was trained from childhood to be a small, psychopathic killer and ruthless warrior. You don't stand a chance, Atreides. You won't last a minute fighting him."

"Maybe not in an equal fight. But by trick? More than one great king fell under the intrigue of a lesser man."

"Are you talking about your father or maybe even your mother?" You ask mockingly, making his jaw tense and his hands clench into fists. You are very pleased with yourself that you finally managed to hit his sweet spot. Feyd would be proud of you.

"I'm talking about what will happen. Feyd Rautha will die. From my hands." The more he talks about it, the more your anger grows. However, you decide to stay calm and continue the little exchange between the two of you, trying to get something useful from him.

"Are you that sure about your visions? You don't hesitate for a moment, Atreides? It must be so boring knowing what's going to happen. Never having any element of surprise…"

"There are no more certain and clear visions than mine. Maybe you should also start believing in them?"

"Not as long as I have my brain." And my own visions. You add it in your mind, thinking about what you had dreamed about before you woke up in this hole.

"The rumors about you don't lie… Harkonnen's witch." He hums as he walks over to you. His hand reaches up to your cheek, using the pad of his thumb to gently wipe your cheek clean of the drop of water still left on it.

You shiver, staring into his eyes. His touch burns, but not in a nice, familiar way. And when you realise that the reason you're not attracted to him is because he doesn't have the familiar ice-blue irises, pale skin, and bald head, it scares you more than Atreides' sudden proximity to you.

"I'm glad I didn't disappoint you, Atreides." You whisper, moving away from him. You quickly lean in, wanting to bite, or preferably bite off, his finger that was caressing your skin, but he withdraws his hand and takes a step away from you. He laughs at your feeble attempt to harm him.

He opens his mouth to say something, but then the ground around you starts shaking. The sand rock crumbles, causing some of it to fall from the ceiling onto the ground. Atreides looks at you suspiciously.

"Didn't you see it in your visions? Maybe there's a sandworm crawling through your halls?" You ask mockingly, shrugging your shoulders.

"Stay here." He commands you using the voice. He doesn't spare you a second glance, simply heading for the exit. You look at him in disbelief and quickly follow him. The last thing you want is to get buried in one of these rats' corridors because one of them summoned a sandworm in the wrong way.

"I could be of much more use to you there than here." You say, as you are catching up with him, desperately trying to convince him.

"Not if these are Harkonnens!" He replies without looking back and slamming the door shut. You kick them in rage, looking around angrily at the large hall where he left you.

"That's the point…" You sigh, fed up with it all. You walk around the room, trying to find a way out, but even when you manage to find the side passages, you can't take a step beyond the threshold. You are forced to stay inside. "Fucking Atreides."

Instead of wandering aimlessly around the room, you decide to try and break the shackles that bind your hands. You try to smash them against the stalagmite, only to hit harder as the metal cuts into your wrists. After a while, when you have released all your anger, you somehow manage to free your hands. You rub your wrists, letting your blood soak into the sleeve of your linen shirt. You close your eyes and listen to the quiet sound of the water and the footsteps you hear from the upper floors. Something is happening...

Frustrated, you wander over to the pool filled with water. You crouch on the edge and dip your toes in the water. You watch the drops fall, wondering how many people have already given their lives. How many died at the hands of the Harkonnens? You wonder whether your water and blood will also join the ranks of their victims. It seems surreal to you now that Feyd could ever kill you or your own son... but how were you supposed to know what your future was supposed to be? Were you supposed to trust some strange visions or yourself?

While playing with water, you freeze when you suddenly see someone leaning over you. Before you can turn around, a hand covers your mouth, and another wraps around your waist, lifting you up. You scream and kick, trying to get out of someone's tight grip, but your attempts to break free are futile. You freeze when you hear a familiar, raspy voice whisper in your ear.

"Don't worry, it's me. It's just me. Shhh… You're safe. It's me." You relax a little in his arms. You reach your hand up to his and remove it from your mouth. He loosens his grip enough for you to turn in his arms.

"Feyd." You sigh when you see his face. You throw your arms around him and nuzzle your face into his neck. You rest your chin on his shoulder and breathe in his scent as you hold onto him tightly.

You hear him breathe a sigh of relief as well. He places a kiss on the top of your head and hugs you tighter. After a moment, he pulls away from you—not too far away, only a bit—so he can look at your face and see if you have any injuries.

"You're getting out of here. Our men are hidden in every corridor of this hole. Take a few of them and go to the exit. They will take you to the ship. Wait for me there." He gently cups your cheeks in his hands and forces you to look into his eyes. Your heart beats faster as you recognise that concerned look in his eyes from your dream, mixed with anger. "Y/N. I mean it. I know you want to fight; you're brave and a great warrior, but do it for me and just go to that damn ship."

"No. Wait, listen to me. I have to tell you something..."

"You'll tell me you love me later, now you have to get out of here, so I can destroy this place." He interrupts you, gently pushing you towards the exit. You feel anger and frustration building within you as yet another person tries to control you and tell you what to do. No matter how sweet and protective Feyd is acting now, you are fed up with constantly obeying everyone around you.

"Stop!" You shout at him, making him stop in his tracks in shock. Under any other circumstances, you would laugh at the surprised look he gives you, but not now. "Do you trust me?" You ask, looking at him expectantly. You know you're asking a lot of him right now, but if you're going to change your future, you have to act now. And fast. Very fast.

"Y/N this isn't the best…"

"Do you trust me?!" You interrupt him, raising your voice. He must see the desperation and seriousness in your eyes because you see him swallow, considering the question you've asked him. You unconsciously hold your breath, waiting for him to respond.

You both know this isn't an ordinary question. It means something more. Admitting something you both had been avoiding since the first day your blades met in a little skirmish that earned you his sympathy. He had long admired you for your mind, intelligence, ingenuity, cunning, and natural charm. But could he trust you completely?

"I… I do. If I trust anyone, it's you. Only you."

You feel tears welling up in your eyes. You take a step towards him, cupping his cheek in your hand and kissing him. He tenses in surprise but kisses you back pretty quickly, moaning into your mouth as you express all the passion and desire you feel for him. He wraps his arms around your waist and pulls you closer to him, wanting to feel your body against his to make sure this isn't some dream. You caress the skin of his neck, shuddering as an electric shiver runs through you as he deepens the kiss, taking everything you have to offer him.

Kissing Feyd always felt like it was the first kiss between the two of you. He kissed like he fought—with his whole being, not holding back, transmitting all his passion and desire. He didn't even know how much you needed to taste all of him right now. And how bittersweet that kiss was for you.

You reluctantly pull away from him and press your forehead against his. You close your eyes, letting out a shaky breath.

"I love you, Feyd. I have always loved you. And I was very afraid of it, but I'm not anymore... I... I don't want to be scared of this anymore." You admit it as a single tear falls from your eyes. He reaches to wipe it off, but you shake your head. His hand freezes, hanging between you as he stares at you in shock, trying to process what you said.

Just as he's about to open his mouth, probably to tell you the same thing, you lean in and kiss him again. Slower, more gentle. A few tears escape you, allowing you both to taste them through the kiss.

You reach for the sword attached to his waist with trembling hands.

"I'm so sorry. But it's not our time yet." You whisper, moving away from him just as Paul Atreides returns to the room. He slowly walks towards you, his sword dripping with black Harkonnen blood. And you decide that if anyone spills blood in this room, it will be you. It must be you.

So when Paul is about to approach you and stab Feyd in the back, you close your eyes and stab Feyd with his sword. You hear him let out a shaky breath as his black blood slowly seeps from the wound, staining your hands. You keep your other hand on his shoulder, supporting his weight as he slowly sinks to his knees in front of you. You try to ignore him, not look at him or in his eyes... you simply cannot. Instead, you stare at Atreides.

Paul is beyond shocked by your actions. He looks for a moment at Feyd's black sword, the tip sticking out of his back—proof of what you did. After a moment, his eyes meet yours. After a while, he approaches you, sheathes his sword, and smiles proudly.

"This will be the beginning of a wonderful alliance, Lady Y/N." He says this, offering you his hand, which you reach for. You shake them, glaring at each other, assessing each other's behaviour as a new agreement forms between you.

You smile, hiding your fear as best as you can and holding back tears when you see Feyd's unconscious body out of the corner of your eye. But you've come too far to change your mind. From now on, you decide your fate.

Only you.

To be continued...

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