#but it's interesting to see the progression of both me figuring out a character and my hand warming up LOLOL

[ronanlynchdefender]

The political stances of The Raven Cycle characters are so fascinating to me. You got Blue over here who is very much a progressive activist in the making. She recognizes things like misogyny and is not afraid to call those things out even when it concerns her closest friends. Because of that, I definitely see her as the type of activist who would be in the front lines at protests whether that be at the Capitol, college campuses, at the border, or as is the case in the dreamer trilogy, tied to a tree. She is the type of person who demands change in our current system and would demand it loudly and through acts of protest or civil disobedience.

Then you have Adam who displays no strong desire to change the system and whose only desire is to rise up in that system. He wants to climb the social ladder and assimilate to those of higher social status which is partially why he envies Gansey so much in the beginning because Gansey was born into it. Adam still tries to do this in the dreamer trilogy by essentially pretending to be a Gansey-like figure while at Harvard despite hating it. Eventually, Adam gives up on trying to belong within this higher social class and "climbing the ladder" but then strangely enough becomes a fed, which means just integrating into another form of hierarchy and power structure. And I feel like a more interesting arc would've been rejecting being a part of these societal systems altogether.

Which I suppose now leads us to Ronan who is a literal anarchist. He actually rejects all societal systems and rules and it permeates every aspect of his life. But actually, I shouldn't say all because there is one societal institution which he does enjoy partaking in: religion. With the exception of his catholicism, he does not engage in any other societal institution: education, law, politics. He hates it, in fact, It is antithetical to his being which is what makes his characterization so perfect because of course a gay farmer god would hate oppressive rules and structures (except for religion). That's not even mentioning that he is a canonical ecoterrorist that cost the US government a billion dollars. But what is really interesting about his character (and where his and Blue's political stances differ) is that because he rejects these systems he has no interest or stake in changing them. He'd sooner tear down the system than try to reform it.

And then there’s Gansey who doesn't seem to engage in politics and would rather spend his days reading his little Welsh books and going on his fun adventures. Of course, he is able to do this largely because he has the privilege to not worry about politics or social class. It seems that Blue's influence changes this as they are both chaining themselves to trees in protest during the dreamer trilogy. Other than that, I don't really have a lot to say about Gansey and his politics. But I find it very interesting that Maggie has created this close-knit group of characters with such varying relationships to how they view politics and social structures. I tried to draw out a 2-axis grid to show their differences, but I don't know if it really works because I feel like Gansey kinda screws it up but nevertheless I like how they each represent different ends of a spectrum sort of.

[needfantasticstories]

“Many places I have been

Many sorrows I have seen

But I don't regret

Nor will I forget

All who took that road with me”

-The Last Goodbye by Billy Boyd

This is an Adjuration by @not-freyja, after 86 chapters, 300k words, and 10 months of joy, laughter, tears, heartbreak and love, has finally reached its end. 

Adjuration is a tragedy that is nothing short of an act of love. That much is clear in the passion and dedication put towards the story, the characters, and the message Freyja is trying to convey. This fic will teach you about love. About death. About the inevitability of existence and why despite knowing it will all come to an end, there is still meaning in trying and hoping and loving each other. In loving yourself. You will laugh, you will cry, you will hope and you will despair as you read this story, but you will not be able to put it down.

It’s hard to say goodbye to something that has been so important to and loved by so many people. So we won’t. Instead, we will say thank you for this incredible journey and the community this fic has built. For the friendships that have been made and the endless inspiration you have given us. Thank you for wanting to tell a story, and for letting us join you around the campfire to listen.

Thank you.

(If you like Linked Universe and haven’t yet read Adjuration, see below for spoiler free reviews of this fic and artist credits.)

This is an Adjuration is the kind of story you fall in love with, the kind of story you think keep thinking about long after you put it down. The kind you keep finding hidden details in after you think you’ve got it figured out. 

The characters are distinct and people with their own voices, motivations, relationships and histories. You’ll have your favourites but love them all. They influence how you’ll see the characters in everything else. 

It’s full of moments where everything clicks and everything before is recontextualised in a way that’s so satisfying and make the whole story very re-readable. A time travel story where all loops are already closed, where you can know but not yet understand what will happen. It’s long, complex, and beautifully, meticulously planned and detailed. It’s clever and considered, funny and heartbreaking. 

A story that whispers ‘it matters’ over and over. It is worth it to love, it is worth it if it doesn’t last forever, it is worth it to give someone a little more time, it is worth it to fight. It’s about loving others and your world and finding grace for yourself. 

It’s loss and tragedy and the cruelness of fate. It is the sacrifice and the breaking. 

Full of heart to both fill yours and break it in the best possible way. 

It’s about love. Always.

By @toyouhellohowareyou

Sometimes, it’s hard to explain to others why art moves us.

I could tell you This is an Adjuration will make you cry, laugh, and sit at the edge of your seat in anticipation. And it’s probably true - I did all of that as I read, often with a coffee in one hand, early in the morning as I got ready for the day. 

But that’s not the reason why I’m writing this.

The real reason is how it followed me during the rest of the day.

You see, at a certain point I realized this isn’t a story about Links going on adventures. Well, it does feature Links, and they do go on adventures, so let’s talk about that for a minute.

The first thing that caught my attention about this book was the characters. Each individual is unique, interesting, and exciting to follow. Not only are the Links individually compelling, but one thing that stands out in Adjuration is how the relationship between each Hero and their own worlds matter, and these connections shift, evolve, break and grow as the plot progresses.

Freyja does an incredible job of bringing together impactful storytelling with humor and heart. This is an Adjuration starts with an interesting premise, and then twists and turns in directions you wouldn’t expect. It’s rich in thought-provoking moments, soft joy and intense action, blended in with carefully crafted time travel and magic.

Adjuration sucked me into the world it builds, combining believable characters with fascinating stories, an unnervingly devious antagonist, plot twists, and lovingly crafted details that slip unnoticed until you’re surrounded on all sides. It made me cheer for characters I feel as if I’ve known intimately for years, made me worry for their safety as I would for that of a loved one, kept me hunting for hints and hidden references, pulling on a thread to try to find the end only for it to twist and loop into itself and show me a completely new side to the story.

Yes, This is an Adjuration is a fanfiction piece that explores the winding river flow of the Legend of Zelda timeline and how the stories of each Hero merge into each other. It also stands out for its heavy emotional content, and it doesn’t shy away from angst and hurt.

But to me, Adjuration is an epic journey that taught me how the choices we make, make us in turn. It’s a tragedy that deals with pain and healing, and it bares naked the non-linear nature of grief. It’s a celebration of the things that make us unique, of our flaws, an essay of the impact of little acts of love. Indeed, it’s a story about love.

I can tell you now, This is an Adjuration moved me. It still does. It has a special way to surface in my mind in unexpected ways at seemingly random times, from something as simple as tossing an apple core, to watching a lightning storm in the distance, or finding a picture of an old friend.

And every time, without fail, it makes me think about love.

By @sunny-porridge

This is an Adjuration is a wonderfully and beautifully crafted story about love, loss, and choice as the various incarnations of Link come together and travel through time. Freyja seamlessly weaves a tapestry of setup and payoff across different timelines and loops, in the best-constructed time travel plot I’ve ever seen on page or screen. Even at its surface, Adjuration is an emotional rollercoaster involving tragedy and the soft moments that make that tragedy worth it. But the deeper you look, the more meaning you can pull from every chapter of this amazing work. This work has made me cry, squeal with delight, and think more deeply about its themes all while having an absolute blast reading it. So in summary: READ IT. READ IT. READ IT NOW. YOU WILL NOT REGRET IT.

By @life-in-winter

While I love that every chapter is emotionally enthralling, with carefully woven, visceral tension you crave in any good story, yet Adjuration is more than that, and you feel it in the careful weave of each character and plot point. Nothing is lost or unanswered. It's the kind of story that, by the end, makes you stop and take a hard look at your own life. Are you appreciating the now? Are you savoring joy? Are you so wrapped up in fear that you can hardly take care of yourself? Do you know who you are?

This story is more like an external experience. It's riding atop a tsunami. How do you handle that ride, Link?

There aren't enough words to describe how amazing this fic is.

@needfantasticstories

Artist credit

Legend: @gia-d

Hyrule: @bittirsweeteer

Time: @toonblade

Sky: @noorahqar

Warriors: @whitewinterstar

Wild: @weavingstarlight

Twilight: @bluury2

Wind: @thewitchdoctor39

Four: @lunaopus

Red: @peepthatbish

Blue: @glowingmin

Green: @winterfen

Vio: @waterfallstream

Shadow: @deleetrix

Wolfie: @linkiscool333

Fierce Deity: @awildsilver

Ravio: @lele5429

Malon: @tooner-tastic

Dink: @passerinesoncaffeine

[machineheraldbabe]

arcane, populism, and why viktor is the odd one out (yet again)

as a piltover-anti, a silco criticizer, and a pacifist, i am very very interested in how arcane presents not just the political undertones of both topside and the undercity, but the characters/dialogue through which they communicate those undertones. allow me to use some political science bro lingo to air out some thoughts.

long, long post incoming.

there are 2 ideological struggles at war throughout s1 (and i can predict that the struggle will carry over into s2): neoliberalism and populism - in their broadest terms since we're talking ofc about a fictional show dealing with surface level political machinations. by neoliberalism, i mean a focus on the social, political, and cultural structures of a polity (piltover, for our purposes) refocused into a strictly economic vacuum. and by populism i mean a unifying belief that the existing political systems of a polity fail to adequately represent their constituents, so the masses choose to rally around a specific gripe or issue, i.e., class discrimination, xenophobia toward immigrants, etc. this, in turn, forms a populist party or movement. an applicable example i can think of would be Nasser's Egypt in the 1950s.

*i know these are weighty topics with very real world implications! i just want to separate the theory to apply to our favorite fictional world.

the political struggle in question is put forward immediately by piltover, who, though presented as a technocratic state, embodies crucial neoliberal ideals emphasized especially by up-and-coming counilor mel medarda, much like how fresh-eyed american economists blew up the economic scene in the 1980s with a revival of capitalist, free market enterprise. take how she seizes the advent of hextech, for example:

she quickly sees hextech's potential yet not from the solely intellectual standpoint that jayce and viktor do - for her, it is profitable, literally and in terms of international relations. her goal is for piltover to prosper, but she has no rose-colored glasses on; prosperity means capital gain, and she's willing to override piltover's political and social systems to achieve her goal. an important caveat is that she draws the line at ambessa medarda's progression into militant authoritarianism, which deserves a whole post of its own!

piltover's populism moment will come later. first, let's unpack silco, who is probably arcane's most blatantly political figure, and a masterclass in the merits and failures of left wing, class-based populism.

silco, having been spurned by the classism and xenophobia that piltover's elite proliferate, and assisted by his rampant shimmer operation, fills the vacuum that vander's pacifism opened up. though silco's methods are unilaterally cruel (argue with the wall), the undercity clearly invested faith in him at some point, especially as vander's credibility as a guiding figure wavered over the years. he was fighting alongside vander for zaun's right to exist as their own independent body. in other words, he was uniting the undercity toward a common cause because the existing political system failed their constituents. to quote councilor shoola: "they may not be our preferred constituents, but they're still our people."

the track record of populism in our real world frequently ends in the ruin that silco himself brought upon the undercity. the kingpin is too dedicated to self-preservation, sees himself as too central to the movement, which prevents both compromise and/or a necessary armed revolt (insert your own politics about self-determination here). see italy's right wing populism party, Lega Nord, as a real-time example of this phenomenon.

but arcane makes an interesting plot decision with jayce, a very unexpected and "unwilling" contributor to piltover's abrupt dip into right wing populism. the showrunners love foils!

in arcane lore, i think it's safe to say that jayce's moniker "the man of progress" is pretty tongue-in-cheek. both he and viktor have a bemused tone about it in the run-up to his speech, and jayce is taken aback by heimerdinger's insistence that he deliver said speech. but the glowing, savior-esque imagery can't be ignored, nor can jayce's quick switch into his councilor role, no matter how reluctantly he makes it.

jayce is confronted by 2 forces that he seeks to combat in his quick tenure as councilor: internal corruption and an ineffective governing body. the latter goal is inspired almost solely by viktor, playing into jayce's naivety as a fresh-faced political figure, but this will be especially important to note later on. the innocence he offers up to mel is quickly erased, transformed instead into an uncomfortable - and inexperienced - militancy:

important in the bridge scene to my analysis is the populist "out group," or the designation populists give to those whom they actively oppose, and this opposition serves as their basis for organization. in this case, it's the undercity (keep this in mind for viktor's role!!).

jayce's combined frustrations at the unrest in the undercity and the council's (namely heimerdinger's) refusal to act, to both save viktor and to deal with the undercity's looming violence, motivates him to act like silco for a short time. unsatisfied with the status quo, he unites a likeminded individual, vi, along with the enforcers, to undercut the political system he feels is unable to represent its constituents or act in an effective manner. however, UNLIKE silco, jayce's realizes the inevitable cost the method of violence has and refrains in the end. he returns to the council and capitulates to some of silco's demands in the name of a peace piltover and zaun always thought impossible.

jinx's complete undoing of this underscores the failures of populism, especially as an extended movement over time. she wasn't accounted for. it's common sentiment at this point that she didn't attack the council for political gain. she was not invested in zaun's independence. she did it out of her and silco's twisted parental bond, and thus undid piltover's brief instance of compromise and compassion.

so...where does viktor fit into all this? and what are his implications for neoliberalism vs. populism in season 2?

viktor is neither wholly within nor wholly outside the populist outgroup - though jayce unintentionally shoves him back there in the pivotal bridge scene. furthermore, viktor also makes use of piltover's technocracy. he seems to have had a "raise yourself up by your bootstraps" history in arcane, contrary to left wing populist insistence that neoliberal ideals make this impossible.

this compounds as a double alienation for viktor, who also is straddled with the complications of his disability. a lot of his story is searching for a fellow in arms, if you ask me, and he had that with jayce until the pendulum swung, hence his return to singed.

if we stop there, viktor represents the failing of these 2 very flawed political ideologies. he fits nowhere and arcane uses him adeptly as a symbol of the failings of binaristic ideologues and systems. but let's speculate some more!

i'm convinced that viktor, due to his ambiguous 3rd party role in the story so far, will be one of the central villains (if not THE villain, if you allow me to be admittedly hopeful/biased) in season 2. consult the innumerable very well written theory/meta posts about the subject for more details, but one piece of evidence i want to focus on is this inherent physical, cultural, and ideological separateness that is innate to his character.

can we see him allying ever again with piltover, knowing that there's a split incoming? even without outside knowledge of league lore, singed's damning prediction ("if you take this path, they will despise you") cannot go unheeded. alternatively, then, can we see viktor allying with the supposed jinx-as-revolutionary side? no. personally, i see him as becoming increasingly unwillingly to compromise his a) immediate survival; and b) his ideals, especially after being endlessly sidelined in his attempts to express them in acts 2 and 3. he's also just a loner, guys.

there's some controversy on this point, but i'm convinced that the finger-printed cultists/followers we saw in the s2 trailer are devoted to viktor. starting with the shimmer addict he touched in the teaser, he is accruing a following all his own. and since noxus is here, touting their authoritarian militancy to replace piltover's outdated liberal ideals, nothing that jinx's revolution OR viktor's following does can be apolitical. to organize and to fight is survival under s2's raised stakes.

there aren't any binary spectrums when it comes to political theory in my opinion, so i am prepared to witness viktor introduce an entirely separate totalitarian narrative into arcane. where it will surely lack in militancy, it will make up for in its domination of the arcane. my biggest speculation is that, as they always do, piltover will fold and compromise at the last minute, perhaps yield to noxus, and invest wholeheartedly in taking down viktor's BBEG cultist regime. and by isolating his narrative repeatedly in s1, the writers planned this out expertly.

even if i'm wrong about viktor as third party, i like to think my observations still stand about the specific and qualifiable political divisions between piltover and zaun. the biggest hole this leaves for me is the question: will arcane ever take a stand? they seem very averse to making a blatant political statement, but i think their pervasive anti-police thread makes it clear that we're not meant to sympathize with piltover yuppies or their seasoned, jaded councilmen. let me know your thoughts!

also, as a jayce fan and a fan of arcane's overall story, none of this is meant as a CRITIQUE of him, mel, or silco. as silco said, "we all have our parts to play." i believe arcane's very greatest strength is their archetypal storytelling, and these distinct character roles are crucial to the success and vibrancy of the story.

if you read all the way to this point - ily <3

[clementineofmine]

I'm sitting here rewatching Tua S3 for reasons, and one interesting thing I picked up is that the entire season is really just each of the Umbrellas struggling to define and searching for family in their own way. Here's me laying down some thoughts for y'all:

Luther - For him, family has always been about the team. That's part of the reason he's so drawn to the Sparrows, bc at first they seem to have the cohesiveness that the Umbrellas lacked. Remember, Luther was the last one left at the Academy, then Reginald sent him to the moon alone. So of course seeing a "functional" team is going to be compelling for him, and he desperately wants to be part of it. And then he and Sloane quickly fall in love and for the first time in his entire life, someone wants him for him. It's intoxicating and utterly consuming NRE that is more powerful than anything he's ever felt.

Diego and Lila - For these two, it's about figuring out how to be a family. Both together, but also a little bit with the other Umbrellas. Diego looking out for Allison and Klaus and Lila and Five coming to a truce are part of this - more about Lila and Five in a sec.

Allison - In her mind, her family is Claire and Ray. This one is obvious, but I also think that the writers did us a disservice by not letting us into Allison's perspective. If you think about it, it's completely normal for a parent to put their child above all. While I don't defend her actions, her motivation could have been more compelling and it would have strengthened her character. But sadly she's the character on the show that is most "othered" (which is bad for many reasons)

Klaus - he really dug deep into individual relationships w family, starting with Five (e2 and 5 Five and Klaus bonding are still some of the best bits of the season imo), Diego, Reginald, Sparrow Ben, and then Luther in the afterlife.

Five - Five remains a pragmatist. His bar for family is very low - success for him means the Umbrellas being alive, no matter what the personal cost or sacrifice to him or to some extent others. It is somewhat depressingly delightful to see how he makes his peace with the end of the world as the season progresses. Before that, however, I'd like to meander back to e3 and 4 where Lila convinces him to electrocute himself and then they go on the Commission mission. Both of the actors do a fine job here bouncing back and forth between witty banter and genuine emotion and I love it. It's a quick and subtle piece of dialogue when Five explains how he saved Lila from the Handler. The undertone is that they were both abused by that woman in a similar way - ultimately, she developed and kept them both as pawns in her own game. And I think Five, starting in S2E10 and fleshed out through S3, develops genuine empathy for and eventually acceptance of Lila as family, as one of them, because of this shared experience.

Viktor - Like Viktor in all seasons, he continues to feel out of place with the Umbrellas and compensates by over-prioritizing his relationships with others. Don't get me wrong, I do empathize with him that he lost real love with Sissy and Halan, but I also think Allison was 100% valid to call him out on his lying in E6, and it was on point to verbalize how the constant focus on Viktors pain minimizes her (and everyone else's) experience. (Edit to add: Viktor finally seems to get the message on this, after being called out by Allison, then subsequently both Sparrow Ben and Five, and spends the last few episodes trying to make amends. Real character development here and I like to see it)

Reginald - Well, his overarching motivation since S1 has always been bringing back his dead wife, so I won't belabor that, but also it's interesting to see how he interacted with Klaus particularly - esp in E7 when he sobers up it seems he is experimenting with remembering his role as a father. Now we don't get a ton about his internal motivation here, but you can tell there is some mild curiosity, if not affection, for Klaus, despite the fact that he ultimately is cool with sacrificing him.

Some of these are more obvious than others, but when you tie them all together, the idea that they are all desperately looking for family and the blind spots that that creates for them, some of the messiness of S3 starts to make a bit more sense.

[redhoodinternaldialectical]

Every time I learn something new about Batman: War Games I lose my mind a little bit more cause just, just fuckin, look okay so here's the thing:

Stephanie Brown tries to implement a contingency plan of Bruce's just after he fires her from being Robin and because of that gets tortured to (almost) death and no one knows she survived.

THIS STORY RUNS IN THE NEWS:

So, you know, anyone who might be paying even half a fucking ounce of attention to news about ROBINS would definitely absolutely notice this!!!

And then very very soon afterwards Jason comes back and specifically targets Black Mask to ruin the criminal empire he tortured Stephanie to get

As a way to torment Bruce about the fact that he doesn't take care of the nastiest criminals and they continue killing people

And how Jason should have been the last to die

and SOMEHOW

these two things are in no way related and Jason has nothing to do with or say about Stephanie Brown, fellow Robin, fellow martyred soldier, fellow child dead due to Bruce related villains.

HOLY DEAD SIDEKICKS BATMAN, DO YOU COMPREHEND THE MAGNITUDE OF MISSED OPPORTUNITIES HERE????

please walk with me down a timeline in which:

Lost Days Jason at first just tries to go after the Joker and can't because who he's really mad at is Bruce.

Then he sees Who Really Killed Stephanie Brown and the utter horror of another Robin dying on Bruce's watch (not just dying, but tortured to death!) is what convinces him to try to straight up kill Bruce via car bomb

Roman Sionis is no longer merely a tool against Batman, but another figure to demand vengeance be brought upon, another attempt to give Bruce a chance to right his wrongs and do what needs to be done

The confrontation with him and the Joker being all the more tragic due to how obvious Bruce's answer would have to be once Jason knows Bruce isn't going to avenge Stephanie either

Does Jason, once he escapes the rubble after UtRH is over, kill Black Mask anyways? Does he decide to avenge her himself? Or does he think that she too would demand that of Bruce, and find his death by a different hand unsatisfactory?

If he doesn't kill Black Mask, then when Steph is back, I feel confident he approaches her, tries to reach out to the other dead Robin, almost certainly makes the offer now that he can ask her. Does she take him up on it, gaining an ally and slipping into a far darker role? Does she instead refuse, either appealing to forgiveness or far more interestingly refusing both vengeance and forgiveness? How would Jason handle a refusal, which I gut instinct feel is more likely?

If he does kill Black Mask, then when Steph is back Jason drops his corpse at her feet like a loving housecat with a dead lizard and she has to grapple with her feelings about having someone really and truly avenge her!!! Like how DO you react to someone who you have been warned is wildly dangerous and mentally unstable coming up to you and saying, "I'm glad you're back, like me. I'm sorry you're back, like me. I made sure you could rest knowing he was dead, because I know what it feels like."

Like no matter how each character reacted to this happening there would be so much high stakes emotional shit to explore with both of them!! Revenge I feel like is such a pivotal thing for both characters, they mirror each other in so so many ways, they could be really interesting together if DC would just fucking let them!!!

Jason had a criminal father who he missed and wanted to avenge. Stephanie had a criminal father who she wanted vengeance on.

Jason started off as a fairly gentle soul who progressively became more violent and more hopeless as he was exposed to genuine horrors during his time as Robin. Stephanie starts off violent, angry and rash and finds her own courage and hope through her time as a crime fighter despite of the horrors she's been through.

Jason went to Africa and died there after Bruce failed to save him. Stephanie was taken to Africa via a fake death in order to save her from Bruce and the vigilante lifestyle.

I just...

There's just...

There's SO MUCH HERE I am genuinely fucking confused as to how this is not all deliberate?? And it's all just left on the cutting room floor because for no reason apparent to me they all just decided Stephanie and Jason were not gonna interact!

AAGHHHH!

[rabbitsrants]

PROOF THAT SHINRAN IS ONE OF THE MOST BRILLIANTLY WRITTEN ROMANCES OF ALL TIME - PART 4

symbolism

disclaimer: gosho's imagery is subtle and therefore often overlooked, so in order to highlight it, i'll be referencing the work of suzanne collins, an author who tends to spell out her metaphors more

sharks

chapter 882-884

how the case begins:

how it progresses:

this isn't gosho's first time exploring the theme of sharks in the manga:

chapter 311

both shinichi and haibara relate to sharks, they're self-admittedly drawn to blood and darkness. but why?

haibara was born into it, she didn't have a choice... and even though she's no longer a part of the black organization, she still carries the past with her.

shinichi on the other hand? he seeks it out. he directly confronts it, because he wants to defeat it. his unfaltering idealism is what pushes him to be a shark.

ran is very idealistic too, which i talk about here. so why doesn't she act like a shark?

"Finnick knows then what Haymitch and I know. About Peeta. Being truly, deep-down better than the rest of us." - Suzanne Collins, Catching Fire Chapter 19

the closest that gosho comes to spelling it out like this, is haibara's line about ran "i'm up against dolphin, one of the most loveable creatures in the ocean"

ran's defined by more than her virtuous nature, she's also unbelievably compassionate and sensitive. that's what makes her a dolphin.

her unmatched kindness is constantly displayed throughout the whole manga.

sometimes it irks shinichi:

chapter 787

sometimes it hurts him:

but most of the time it baffles and touches him:

chapter 258

now i'm going to say something that might be controversial: from what i've gathered, shinichi doesn't just appreciate ran's tender heart... he depends on it.

and i'm not saying that lightly, i'm aware that ran's caring nature affects a lot of dcmk characters - it's the reason why vermouth calls her an angel, why haibara refers to her as a dolphin and sees her as a sister figure, hell, it's the reason why kogoro's able to function most of the time.

but i'd still argue that nobody relies on it the way shinichi does, which brings me to the next symbol i want to analyze:

cherry blossom

flowers can represent a variety of concepts, depending on your source and in what context you use them for your writing. the same rule applies to cherry blossoms.

gosho's used it as symbol for justice in the past:

chapter 687

it's interesting to look at it through that lense, but i don't think that's what the cherry blossom represents for shinichi.

after doing some research, i came to the realization that cherry blossoms are widely believed to symbolize hope and the beginning of spring.

i think that interpretation makes a lot more sense for shinran. especially if we examine their first interaction:

chapter 924

shinichi shows ran his deduction skills to impress her... ironically he ends up impressing everyone but her. shinichi's condescension leads to a full-blown argument:

but then something completely unexpected happens... despite the fact that they don't know each other, despite the fact that shinichi insults ran, despite the fact that ran's completely put off by his arrogance, despite all of that... she offers him a cherry blossom and along with it the kindest smile he's ever seen:

and i just can't help feeling like ran's cherry blossom is symbolically very similar to suzanne's dandelion:

"I found him staring at me  from across the school yard. Our eyes met for only a second, then he turned his head away. I dropped my gaze, embarrassed, and that’s when I saw it. The first dandelion of the  year. A bell went off in my head. I thought of the hours spent  in the woods with my father and I knew how we were going to  survive.  To this day, I can never shake the connection between this  boy, Peeta Mellark, and the bread that gave me hope, and the  dandelion that reminded me that I was not doomed. And more  than once, I have turned in the school hallway and caught his  eyes trained on me, only to quickly flit away." - Suzanne Collins, The Hunger Games Chapter 3

"What I need to survive is not Gale’s fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that." Suzanne Collins, Mockingjay Chapter 27

and clearly, only ran can give that to shinichi...

let me further elaborate by revisiting the shark analogy:

the most beautiful dolphin in the sea sees a shark like him, calls him out on his bluff and instead of avoiding him, she actually welcomes him. ran shows him genuine affection, despite having so many reasons not to. how could he not fall for her?

for someone like shinichi, a cool shark who's able to recognize other predators in the sea from such a young age, seeing the innocence and warmth of a dolphin is pivotal for him, because it reminds him that there's so much more to life than constantly familiarizing himself with other sharks (in his childhood by reading and later by investigating them)... there's good too.

to summarize... shinichi sees a delicate cherry blossom, a gentle dolphin and holds on to her for dear life. he desperately clings to the promise of hope and spring, he depends on her affection and warmth. he needs ran, because without her winter would never end, he'd never escape to coldness of the sea, he'd freeze.

which explains why

a) he's so protective of her

b) ran's smile serves as a compass for shinichi throughout the whole story - while his mind is busy chasing sharks, shinichi's soul is persistently searching for the same smile that strummed his heartstrings all these years ago. which is why he immediately notices when ran's not okay (even though she's very skilled at concealing her pain) and why he always tries to make her feel better

and that's ultimately why

a) shinichi's keeping his identity a secret

b) he's so focused on getting his old body back

without ran, shinichi wouldn't have a constant inner conflict as conan, without her, he'd lack purpose and as a result, detective conan would be empty and lifeless.

ran's not just a love interest y'all...

she's the heart of the entire manga.

visit the shinran library for more

[mythbringer-mayhem]

GODDAMNIT

man, I was just scrolling and now I'm a goddamn Raidioapple shipper what the FUCK

Ok ok-

And now I'm going to elaborate just because.

I was expecting someone out there to ship Lucifer and Alastor the second I heard Hell's Greatest Dad. I mean- two people singing/arguing over being father figures? Sounds gay to me /pos. The internet sure does love it's enemies to lovers (me included. I'm hopless lmao.)

BUT. I have specifics for this ship.

I hate it when people just look at Alastor's aromanticism/asexuallity and just go "nah. I'm just gonna do it anyways." I used to headcanon Alastor as complete aroace in the sense that he just can't feel that way for someone (this is not meant to sound like "oh he can't love anyone :( he's incapable" I mean specifically a romantic/sexual relationship.) Then fucking short ass king of hell arrives, and Alastor just IMMEDIATELY chooses violence.

I didn't think much of that besides "oh that's a little interesting," and then I stumbled across Radioapple and had to take a double take. My brain needed to figure out how that would work, like how it would start, flourish, ineract, yadda yadda-

.....so now I consider Alastor Demiromantic-

(I'm still goddamn writing jeez-)

Read on if you like random people looking wayyyyyy too much into fictional characters.

Headcanon timeeeeeeeee

When Lucifer and Alastor first meet, Alastor is surprised Lucifer doesn't know who he is. Up to this point, everyone knows about the terrifying radio demon, so it must be a little weird for someone to be completely ignorant to his existence. Especially when that person should probably know the ins and outs of what's going on- ....because he's the fucking king of hell.

This is something new for Alastor. It made him curious. When you're curious, you try to learn more right? So, Alastor starts pushing Lucifer's buttons, seeing how he reacts. On Lucifer's end, Alastor's just being a smug asshole. However his true intentions are information on the esteemed oh-so-powerful king of hell. Maybe Alastor doesn't quite know where this fascination comes from, but regardless he wants to learn more. I can picture him progressively bothering Lucifer more and more (this is his unique way of getting to know him semi-discreetly)

As well as figuring out what ticks him off, Alastor would also probably passively learn things Lucifer likes. For instance, he finds out what Lucifer's favorite alcoholic drink is or something- bare with me- Let’s say Lucifer has a rough day, and it's very clear to everyone in the hotel. While he's frustrated in his own room, he hears a knock at the door. Answering it, he finds his aforementioned favorite drink. At this point, he wouldn't know who left it. But after a while, he'd be able to figure out it's Alastor through process of elimination. (This is inspired by a comic I saw! :))

Now we've got Alastor trying to discreetly be kind to Lucifer, and Lucifer is aware without his knowledge. And Lucifer would call him out for it lmao. Slowly, they'd start acting friendlier towards each other. It would take a long, long time though. The slowest slow burn of them all. They'd hang out more, do things, kick angel ass, have friendly banter, do stuff with Charlie. Untill Alastor finally realizes that he might have a crush on Lucifer. Though, I feel he'd take a while to fully figure that out, do some soul searching, maybe go to Rosie for advice.

Then they'd confess. Or they wouldn't lol. I can totally see them going on what is essentially a date, even though they just consider it "hanging out". It would be a quiet relationship. Something you'd miss if you aren't looking for it, but it is there. They both just need someone they can rest with in my opinion.

These ideas are probably sporadic and nonsensical- but I ✨️don't care✨️ I just needed to rant about the old timey deer man and the short depressed apple gremlin.

[sailorblossoms-snowbaz]

In awtwb, we see Simon take his cues from Baz – he doesn't know how to be in a loving relationship (outside of friendship) and doesn't know how to express romantic love or sexual attraction.

We see Simon slowly learn from Baz, picking up what Baz puts down (making progress in bed when he switches his focus to "pleasing Baz") or identifying the things Baz does for or to him that he likes, and trying to do them for Baz. "I like the way Baz constantly checks on my well-being, you think that could be annoying, but it makes me so happy I wish I always had this..." after reading Baz being Simon's rock, the shoulder Simon leans on for a whole book... we see Simon doing the same thing for Baz in SFC. We see Simon start to use pet names for Baz after Baz has been using them with Simon since they got together, so we can infer that Simon likes when Baz calls him love and darling (and he would, since he insistence on being called Simon and not Snow comes from wanting to feel closer for Baz, since he was used to associating Snow with their distance)... but it doesn't end there. Or rather, it didn't start there...

On their very first meeting, Baz holds back while Simon can't resist the incredible pull he feels towards him. Much can be said about their meeting, about how much it says about the characters and the way they act about their feelings for the other, once they become aware of what those feelings actually are, but I don't want to get sidetracked here. Simon is someone who refuses to process (and so isn't used to analyzing himself or his feelings, or knowing what he wants outside of the very obvious – that being "I want a family, stability, to belong"), who needs something to guide his actions at all times... and so would be used to react to what he thinks other people are putting down. It's a survival instinct.

I think Simon has always been taking his cues from Baz.

When Simon first meets Baz, it's a moment characterized by an irresistible pull, an unbearable pain that can only be soothed by touching Baz. That's how loving Baz feels like for Simon. That's how attraction feels. It's painful to not be able to touch Baz (he will pick fights not just for his attention, but because is the only way he knows how to touch him... note how quickly Simon escalates in his touches in less than 24 hours once the truce begins). And Baz reaction to Simon in that first meeting? He's feeling the same things too, and yet, he restrains himself. While such control can awake certain admiration, his restraint in the face of such intense feelings can also feel like a rejection. Why else wait to hold Simon's hand? Maybe he just doesn't want to touch him at all, maybe he sees Simon as beneath him – which is something Simon could feel and internalize on a subconscious level, even before Baz starts acting in ways that Simon feels like it’s saying that more blatantly (which is part molded behavior and part of a wall – when Simon is like "Baz is the most arrogant person I know" I think Baz was very much exaggerating that shit around Simon, but that's another post)

This sets the tone for their future interactions. I'll never stop saying this because I'm not a bitch easily fooled by unreliable narrators with unprocessed homosexual thirst: Simon has always been following Baz around. It's just the intensity with which he follows him that varies. In one way or another, he always found him interesting and mysterious and enthralling... I also always say Simon is the obvious one between the two of them – he doesn't know, but his behavior betrays him (when Agatha and Penny both figure out in hindsight that Simon's behavior towards Baz has been gay behavior for years... it's them mostly looking back at Simon's behavior, they didn't know Baz like that back then). Baz is way better at hiding himself, and the defenses he employs are thorny. His walls have barbed wires at the top. When Baz looks unimpressed by Simon, but his behavior makes Simon think he's absolutely despised? Simon lashes out – Baz is a(n incredibly fit) creep only capable of making 2 or 3 expressions >:c (yeah, I picture Simon making that face, like he's pouting... because he is! Mr. "I know you're alive because I have been observing your soul" doesn't truly believe this shit). When Baz looks unimpressed by Simon, but his behavior makes Simon think Baz loves and wants him? A turn on, actually. Baz’s resting bitch face makes Simon want to climb him like a tree and suck his face. The difference is in what Simon is picking up from Baz (even if other things also come into play)... that has always been the case, I think. He's not free of impulses (he's full of them, actually) but a lot of his behavior centers on what he thinks (or assumes) (whenever he assumes we have problems) he's getting from Baz.

[jennamoran]

The Far Roofs: Systems

Hi!

Today I’m going to talk a little bit more about my forthcoming RPG, the Far Roofs. More specifically, I want to give a general overview of its game mechanics!

So the idea that first started the Far Roofs on the road to being its own game came out of me thinking a lot about what large projects feel like.

I was in one of those moods where I felt like the important thing in an RPG system was the parallel between that system and real-world experience. Where I felt like the key to art was always thinking about the end goal, or at least a local goal, as one did the work; and, the key to design was symmetry between the goals and methods, the means and ends.

I don't always feel that way, but it's how I work when I'm feeling both ambitious and technical.

So what I wanted to do was come up with an RPG mechanic that was really like the thing it was simulating:

Finding answers. Solving problems. Doing big things.

And it struck me that what that felt like, really, was a bit like ...

You get pieces over time. You wiggle them around. You try to fit them together. Sometimes, they fit together into larger pieces and then eventually a whole. Sometimes you just collect them and wiggle them around until suddenly there's an insight, an oh!, and you now know everything works.

The ideal thing to do here would probably be having a bag of widgets that can fit together in different ways---not as universally as Legos or whatever, but, like, gears and connectors and springs and motors and whatever. If I were going to be building a computer game I would probably think along those lines, anyway. You'd go to your screen of bits and bobs and move them around with your mouse until it hooked together into something that you liked.

... that's not really feasible for a tabletop RPG, though, at least, not with my typical financial resources. I could probably swing making that kind of thing, finding a 3d printing or woodworking partner or something to make the pieces, for the final kickstarter, but I don't have the resources to make a bunch of different physical object sets over time while I'm playtesting.

So the way I decided that I could implement this was by drawing letter tiles.

That I could do a system where you'd draw letter tiles ... not constantly, not specifically when you were working, but over time; in the moments, most of all, that could give you insight or progress.

Then, at some point, you'd have enough of them.

You'd see a word.

That word'd be your answer.

... not necessarily the word itself, but, like, what the word means to you and what the answer means to you, those would be the same.

The word would be a symbol for the answer that you've found, as a player and a character.

(The leftover letters would then stick around in your hand, bits of thought and experience that didn't directly lead to a solution there, but might help with something else later on.)

Anyway, I figured that this basic idea was feasible because, like, lots of people own Scrabble sets. Even if you don't, they're easier to find than sets of dice!

For a short indie game focused on just that this would probably have been enough of a mechanic all on its own. For a large release, though, the game needed more.

After thinking about it I decided that what it wanted was two more core resolution systems:

One, for stuff like, say ... kickstarter results ... where you're more interested in "how well did this do?" or "how good of an answer is this?" than in whether those results better fit AXLOTL or TEXTUAL. For this, I added cards, which you draw like letter tiles and combine into poker hands. A face card is probably enough for a baseline success, a pair of Kings would make the results rather exciting, and a royal flush result would smash records.

The other core system was for like ... everyday stuff. For starting a campfire or jumping a gap. That, by established RPG tradition, would use dice.

...

I guess technically it didn't have to; I mean, like, most of my games have been diceless, and in fact we've gotten to a point in the hobby where that's just "sort of unusual" instead of actually rare.

But, like, I like dice. I do. If I don't use them often, it's because I don't like the empty page of where to start in the first place building a bespoke diced system when I have so many good diceless systems right there.

... this time, though, I decided to just go for it.

--

The Dice System

So a long, long time ago I was working on a game called the Weapons of the Gods RPG. Eos Press had brought me in to do the setting, and somewhere in the middle of that endeavor, the game lost its system.

I only ever heard Eos' side of this, and these days I tend to take Eos' claims with a grain of salt ... but, my best guess is that all this stuff did happen, just, with a little more context that I don't and might not ever know?

Anyway, as best as I remember, the first writer they had doing their system quit midway through development. So they brought in a newer team to do the system, and halfway through that the team decided they'd have more fun using the system for their own game, and instead wrote up a quick alternate system for Weapons of the Gods to use.

This would have been fine if the alternate system were any good, but it was ... pretty obviously a quick kludge. It was ...

I think the best word for it would be "bad."

I don't even like the system they took away to be their own game, but at least I could believe that it was constructed with love. It was janky but like in a heartfelt way.

The replacement system was more the kind of thing where if you stepped in it you'd need a new pair of shoes.

It upset me.

It upset me, and so, full wroth, I decided to write a system to use for the game.

Now, I'd never done a diced system before at that point. My only solo game had been Nobilis. So I took a bunch of dice and started rolling them, to see ... like ... what the most fun way of reading them was.

Where I landed, ultimately, was looking for matches.

The core system for Weapons of the Gods was basically, roll some number of d10s, and if you got 3 4s, that was a 34. If you got 2 9s, that was a 29. If your best die was a 7 and you had no pairs at all, you got 1 7. 17.

It didn't have any really amazing statistical properties, but the act of rolling was fun. It was rhythmic, you know, you'd see 3 4s and putting them together into 34 was a tiny tiny dopamine shot at the cost of basically zero brain effort. It was pattern recognition, which the brain tends to enjoy.

I mean, obviously, it would pall in a few minutes if you just sat there rolling the dice for no reason ... but, as far as dice rolling goes, it was fun.

So when I went to do an optional diced system for the Chuubo's Marvelous Wish-Granting Engine RPG, years later, to post here on tumblr ... I already knew what would make that roll fun. That is, rolling a handful of dice and looking for matches.

What about making it even more fun?

... well, critical results are fun, so what about adding them and aiming to have a lot of them, though still like rare enough to surprise?

It made sense to me to call no matches at all a critical failure, and a triple a critical success. So I started fiddling with dice pool size to get the numbers where I wanted them.

I'm reconstructing a bit at this point, but I imagine that I hit 6d10 and was like: "these are roughly the right odds, but this is one too many dice to look at quickly on the table, and I don't like that critical failure would be a bit more common than crit success."

So after some wrestling with things I wound up with a dice pool of 5d6, which is the dice pool I'm still using today.

If you roll 5d6, you'll probably get a pair. But now and then, you'll get a triple (or more!) My combinatorics is rusty, so I might have missed a case, but, like ... 17% of the time, triples, quadruples, or quintuples? And around 9% chance, for no matches at all?

I think I was probably looking for 15% and 10%, that those were likely my optimum, but ... well, 5d6 comes pretty close. Roughly 25% total was about as far as I thought I could push critical results while still having them feel kind or rare. Like ...

If I'm rolling a d20 in a D&D-like system, and if I'm going to succeed on an 18+, that's around when success is exciting, right? Maybe 17+, though that's pushing it? So we want to fall in the 15-20% range for a "special good roll." And people have been playing for a very long time now with the 5% chance of a "1" as a "special bad roll," and that seemed fine, so, like, 20-25% chance total is good.

And like ...

People talk a lot about Rolemaster crit fail tables in my vicinity, and complain about the whiff fests you see in some games where you keep rolling and rolling and nothing good or bad actually happens, and so I was naturally drawn to pushing crit failure odds a bit higher than you see in a d20-type game.

Now, one way people in indie circles tend to address "whiff fests" is by rethinking the whole dice-rolling ... paradigm ... so you never whiff; setting things up, in short, so that every roll means something, and every success and failure mean something too.

It's a leaner, richer way of doing things than you see in, say, D&D.

... I just didn't feel like it, here, because the whole point of things was to make dice rolling fun. I wanted people coming out of traditional games to be able to just pick up the dice and say "I'm rolling for this!" because the roll would be fun. Because consulting the dice oracle here, would be fun.

So in the end, that was the heart of it:

A 5d6 roll, focusing on the ease of counting matches and the high but not exorbitant frequency of special results.

But at the same time ...

I'm indie enough that I do really like rolls where, you know, every outcome is meaningful. Where you roll, and there's never a "whiff," just a set of possible meaningful outcomes.

A lot of the time, where I'm leaning into "rolls are fun, go ahead and roll," what it means to succeed, to fail, to crit, all that's up to the group, and sometimes it'll be unsatisfying. Other times, you'll crit succeed or crit fail and the GM will give you basically the exact same result as you'd have gotten on a regular success or failure, just, you know, jazzing up the description a bit with more narrative weight.

But I did manage to pull out about a third of the rolls you'll wind up actually making and assign strong mechanical and narrative weight to each outcome. Where what you were doing was well enough defined in the system that I could add some real meat to those crits, and even regular success and regular failure.

... though that's a story, I think, to be told some other time. ^_^

[the-amazing-digital-guardians-au]

The Amazing Digital Circus: Guardian AU

My TADC AU is now up and running! I will be making a poster, character cards, general art, and possibly comics based around the storyline. Here’s the information!:

Description:

Caine is the ringmaster and ruler of The Amazing Digital Circus, but there are some things that even he can’t control. NPCs go rogue all the time, often acting out and trying to genuinely hurt the circus members as they go on adventures. Because of this, Caine has always appointed two circus members he deems the most worthy to protect him and others from danger. They have been different over the years (mainly due to abstractions), but currently Jax and Ragatha are his Guardians. The two of them are more privileged than the regular circus members: they are allowed to wield weapons, swear, indulge in vices, and the like as long as they do so in private, do their jobs well, and don’t disrupt the "family-friendly" atmosphere of the circus. Caine trusts them…or so he says. And to make matters worse, it looks like NPCs are forming an uprising to overthrow Caine, led by none other than a revived Gummigoo! Travel through the colorful world of TADC, but covered in a grimy layer of violence, corruption, and deception.

Who will the story focus on:

Caine

Abel

Pomni 

Jax

Ragatha

Kinger and Queenie

Princess Loo, Gummigoo, and other/more NPCs as the canon Digital Circus web series progresses

Genre:

Religious and psychological horror

Comedy

Action

Philosophical(?)

Content Warning - Anything produced for this AU may have any of the following elements:

Religious themes

Implied/referenced torture 

Blood (No gore, but this may change in the future)

Mental health issues 

War themes

Gambling

Alcohol and Drugs

Foul Language

This AU is recommended for ages 16+

…Wait, there’s more?!

FAQ:

Can I make fanart?

Yes, fanart is encouraged and always appreciated! Just make sure to credit me as the creator when needed. Do not use my creations if you are hateful/racist/sexist/anti-LGBTQ or just problematic in any other way. I don’t want what I make to be associated with these things. As for NSFW stuff…I would prefer if you didn’t. (Okay, well…now that I think about it, sure, go ahead, go crazy. But please don’t send it to me, I don’t really wanna see it. And tag it appropriately! Be mindful of others!) Ocs are allowed!! Ships (Canon x Canon, Canon x OC, OC x OC, whatever) are allowed! Tag me in anything as long as it’s SFW. Seriously, do whatever you want!

What are the religious themes?

Christianity. I am a Christian myself, but I also really enjoy religious horror and researching different religions. Does Pomni represent Jesus in this story? Not really. But, I will be using themes/images of Christianity (like angels, for example) to enhance the horror. I also like studying Japanese and Chinese mythological figures, purely out of interest. I will never try to push my beliefs onto the audience in any way. People can believe in whatever they want!

Are there any ships?

Bunnydoll (Jax x Ragatha) is the main ship. It is mostly implied/referenced and nothing overly romantic happens. The story focuses on their emotional bond since they are both Caine’s guardians. If you don’t like the ship, please don’t be rude to people who do. And if you do like the ship, don’t be rude to people who don’t! There’s enough hate on the internet already. Just be mindful that we all like different things, and have fun!

How will the story be told?

Through comics, probably. It’s easier for me to write things in a document (as a script) and then draw, so it will take time. I will also make art on the side that may or may not have canon information or events. It depends.

What inspired you?

The 70s (lots of yellow, orange and brown colors), Skinnamarink, religious horror, vintage Las Vegas, vintage snacks, and other random stuff. I have specific inspirations for different characters. But my inspiration to even start this project is definitely @burrotello and The Amazing Digital Fight Club AU. It’s awesome!

Can I ask questions about characters, the story, etc?

Yes, but if it’s an answer I don’t want to reveal yet…well, we’ll see what happens. Sometimes, I will make drawings where a character reacts or responds!

[pendragora]

Placing Dimensions and Eye Directions Analysis for Season 2 Posters

Disclaimer: before we go forward, I want to remind everyone that I am a random person on the Internet and this is a simple interpretation that I created using my knowledge on composition, dimension plains and perspective in drawing. If you choose to add input – please, be respectful about it, it’s an open discussion; as the creator of this take, I am not going to take any insults, hate or negativity over a simple fandom post, so be warned that I will block such on sight. If you find my ideas and analysis unpleasant for your perception of the characters – please, disengage and feel free to block me as well. Let’s all be civil :))

In this post I will talk about the placing of each team individually, towards team members and then each other. Along with that, I will be analysing characters’ poses and line of sights for each of them individually since it is telling a pretty compelling story. As a reference I will be using a merged image of all posters together in one (credits to @liv-cole for the image that I saw here and @ara-meyy for showing it to me when it first appeared on Reddit)

Let’s first take a look at Team Green and their stance:

The far back is taken up by Criston Cole and then Aegon on the Iron Throne. First and foremost, the farthest in the whole plain. He does not line up with anyone in the picture and his placement makes the most sense – in the canon of next seasons, Criston will take the position the Hand, which does put him so close to Aegon with his sword at the ready. He the final line of protection for the king, however, his eyes are not directed to the side – in the direction of Team Black.

However, he is placed slightly behind Aegon and his throne. His eyes are also looking forward at the angle that makes him look beyond the banner of Team Green and, in order, is directed at Aemond, not Team Black. The sight is not the one you would describe as of certainty. I could go off about the shot being not the most pleasant, but I could also theorise that Criston’s sight is telling us about the caution with which he could potentially treat Aemond in further seasons.

Aegon’s position on the poster is slightly closer to the viewer than Cole’s but still is further than Aemond’s or Alicent’s. His figure is quite interesting and, in all honesty, contrasting to what we saw in the sneak-peek of the second season. He looks both relaxed and tensed on the throne. The general language of the way he is seated is aloof, he is not wearing his crown, but is holding it as a window into his future. He comes off as the transition period between the man we saw in the sneak-peek and the previous season. He is tensed by his duty, by the Iron Throne, but his hedonistic nature has not left him yet.

What is most interesting is his line of sight. If we look at his eyes, they are not directed at anyone at all. They go straight throne the circle of his crown and off into the distance. He is not on the same field to look at Rhaenyra or anyone else. His look is one of absence. Being the king on the Iron Throne, he is isolated from the conflict by his posing. The reasoning for it might be 1) his transition period into an active participant of war (before Blood and Cheese), 2) his present reluctance to be in this conflict that was established in previous season or 3) mostly his absence in the season after his character goes through dragon fire. Perhaps, we would see more of his struggles as the king and, if lucky, even the progression from an unwilling heir to the king that takes charge and makes decisions.

Interestingly enough, his line of sight goes beyond all of Team Green members and out the frame before it reaches Team Black members. If it is not his future he is looking at, it is like a prison cell’s window at the freedom he could have, perhaps?

Next comes Aemond, who is in the most front of the picture. What’s important to note here, his figure is the closes to the viewer and is actually on the same dimension field as Rhaenyra. He is stood between her and Aegon which makes sense since Aemond will be a driving force of the war (which also affected the number of episodes we will see him in). He is not the focus of the conflict, but he is the line of defence for his family and a force to reckon with. His hand is above the hilt of the sword, he is at the ready to draw it and, unlike Criston, his stance is not cautious but confident. He also has his lip corners up in the poster, enjoying the thrill of war, the hold of power that he has.

His line of sight is directed straight into Rhaenyra’s face, not anyone else. She is his primary concern or, perhaps, a target, because she is the main threat to his family and his brother’s ruling. Among his team, he looks like the most natural and merged into his role of protector. Note that this does not oppose Aemond and Rhaenyra, and, if it does, it is a one-sided conflict in which Aemond is involved while Rhaenyra is not an active participant.

The last in Team Green and the closest to Team Black is Alicent.

It is clear why she is stood in front of everyone in the team, but she is much further in the background. The placing of her dimension makes her stand a layer above Aegon but two layers deeper than Aemond. She looks reserved and worried, and such placing shows that she is not Rhaenyra’s main opposition. She, as was shown in the previous season, would stand in front of her kids to protect them, which places her front-line in team’s order, but it is no longer her conflict, no longer a rivalry between her and Rhaenyra. Unlike the book version, show!Alicent is not the mastermind, but a scared and devoted to her cause mother, and when the time comes for war – she gives way to her children (being placed in the background) but still shows that she is present and protective of them (being the first in line).

Her eyes are terrified and teary, looking at Rhaenyra. It shows very well her stance in the show, that her motivation was the fear for the life of her children before Rhaenyra.

Now off to the Team Black.

Since we are going from left to right, I’m going to start with Rhaenyra, who is also the representative of Team Black.

Surprisingly so, her and Alicent have similar poses, but the position translates a different message. While Alicent is one of resolve and acceptance of her position in the background, Rhaenyra’s pose is showing her leadership. She is showing herself as the queen in this poster and, it is really hard to miss, but in a way her stance reminds me of 8th season Daenerys (I personally dislike the parallels because I think Rhaenyra would be better off as a stand-alone character, but hype train is a hype train).

She stands tall, she wears her crown, she is dressed as a ruler and as a dragonrider. What is interesting, though, is that her line of sight is directed forward. Since she is on the same plain as Aemond, they both are the closest to the viewer and share dimension, she is not looking at him. She is looking forward, past him. My ideas for this are 1) she is looking at the Iron Throne in the background, not even Aegon, but the throne itself; 2) she is looking into the future, since, in Western culture, the idea of looking forward is associated with the future. Her sight shows determination and readiness for battle or her looking forward for her victory. The entirety of Rhaenyra shows here that she is the rightful heir in her own eyes and she is going to take what is hers.

The idea that her sight goes through both Aemond and Aegon and ignores them, in a way, reinforces the narrative that they are irrelevant to her, they are not the threat and, because of that, be the things the other way, she would not have them executed because they simply do not matter to her this much. It is not a battle between her and her siblings here or her and Alicent, but it is a story about her battle for the throne, as it seems.

What also caught my attention is that both Daemon and Alicent stand distant from Rhaenyra, practically within the same distance from each of her sides. It is purely my take here, but perhaps it is showing the relationship that she lost or is going to lose (given the rift that awaits her and Daemon?).

Now moving along to Daemon. Personally, I expected him to placed closer to his queen, given the establishment of their relationships, but in the poster, he is one a layer deeper into the background than she is. His overall posture of, not protectiveness towards his queen, but rather protectiveness of himself gives mixed signals as if it is not him being Rhaenyra’s shield, but her being his. Given what happens in canon between them, it might be foreshadowing.

However, what drives the point is his line of sight. He is looking up and forward, and, unfortunately, the way he is placed behind Rhaenyra makes it seem that his eyes are directed not at her, but at the crown. His general expression is not of a man that is preparing to protect his loved one, but one of a man who is scheming a way out for himself, there is a fleeting concern and calculation in the way he looks. For the sake of not hurting anyone’s feelings, it is purely my take and my reading of his character in the poster, take me as biased.

Daemon is ready to strike, but strike who?

Following figure is Rhaenys.

Rhaenys has a reserved pose and a look that is peeking at someone or something. Given the background from the show, there isn’t much to say about her in the poster. She strikes me as an unwilling participant of the war, but a participant that is going to do her bidding and show her strength. Rhaenys stands tall, truly like the Queen Who Never Was, and her stance shows that she will be a force to reckon with too, considering she is a dragonrider and a skilled one at that.

Her eyesight can indicate two things: she is looking forward, with a tilt of her head, which potentially places Alicent at her line of sight. It makes sense in a way given their confrontation in two instances in a previous episode. It feels as if she, as a mother who lost both of her children, asks her how far she is willing to go to protect who’s dear to her. It feels like in this there is a conflict of two mothers that is established: the mother that lost everything and now fights for what is left of her children (since Baela and Rhaena are indirectly pulled into the war as well) and the mother that will lose everything in the future. Alternatively, Rhaenys could be looking at Aegon and the Iron Throne, but at this point of her development as a character, that makes little to no sense.

Lastly, Corlys. Just like Aegon, he looks isolated from the conflict, but for different reasons. Initially, I had a thought that he was looking forward, and, considering that he takes place further in the background than anyone on Team Black, he could be looking at Aegon and the Iron Throne, but upon close inspection I concluded that Corlys is most likely looking outside the window. It perhaps is foreshadowing for him later on searching a way out of the conflict or out of the list of Rhaenyra’s supporters.

Now, to the parallels between the characters.

Aegon and Corlys are literally the last men standing of both their teams – both on the poster and in canon. They will be the last surviving men of their respected teams, having only Alicent outlive them both.

Daemon and Aemond being opposed only by their placement as the second from the centre of the poster – perhaps, a foreshadowing for a battle that they will clash in; Aemond is looking forward and, like in canon, anticipates the fight and goes in confidently while Daemon is looking out for himself specifically and does not acknowledge Aemond as a threat for himself.

Rhaenys and Alicent – a conflict between two mothers that already lost everything or will lose everything, the Queen Who Never Was and the Queen in Chains, both trapped in this conflict because of their children or what is left of them (grandchildren).

Aegon and Rhaenyra and the way they treat their role – Rhaenyra merging into her role as a queen and wearing her crown proudly while Aegon looks through in as if a window outside his prison.

Overall, the teams display different attitude.

Team Green looks like a well-established line of defence around Aegon: his Hand is by his side; his brother is the main force of protection and then his mother who would sacrifice herself to save him. Their placement is to protect Aegon from the threat of Team Black.

Team Black appears, to say the least, not as the protection for Rhaenyra, but people who hide behind her, which surprised me. It looks rather fickle, with Daemon and Corlys being anywhere but present to protect their queen. They also form a perfect line from the back to the centre that shows that it is not only Rhaenyra’s fight, but it is also not them fearing Team Green, but having a goal to get back the Iron Throne.

[ask-whitepearl-and-steven]

I was going through my quarterly reread of the comic, and I guess it kinda just hit me how White Diamond!Steven doesn't have nearly as many allies as Canon!Steven did.

Obviously there's Lapis, and how WD!Steven scared her enough that she doesn't consider him a friend, unlike Canon!Lapis who was friends with Steven.

Then there's Peridot, and how events in the story kinda made it so the characters figured out the cluster deal without her help.

Of course it's not as though WD!Steven made no allies/friends, there's obviously Sea Glass.

But it's just really interesting to see how the themes differ from the show to the comic. Lapis' and Peridot's redemption played into the show's themes of second chances, change, and growth. While the comic definitely shares some of those themes, it's really interesting to see how they differ telling them, and how the whole vibe of the show is kinda thrown off as WD!Steven fails to gain the friends Canon!Steven did.

My question is this: was WD!Steven not gaining the trust and friendship Canon!Steven did intentional? Is it, or was it, ever a struggle to not include their redemption arcs when they were both such a pivotal moment(s) in the show?

You know, that's a good question.

I think in a sense it WAS intentional? Because WD!Steven has never been quite as trusting as Canon!Steven. He was far more cautious and less available from the very beginning.

Even when he freed Lapis (doing so out of his sense of responsibility) he didn't quite trust her enough to let her get away.

And the same with Peridot - though he tried to reach out, he would have never been able to let her run loose like Canon!Steven had.

In that sense, Yes! The fact that WD!Steven doesn't trust people enough is a very intentional plot point.

But at the same time, I don't know that I intentionally trimmed his Allies List. I think it was just a natural development of the storyline's progression.

I don't really mind not including redemption arcs that were in the original story because... well... they already happened!

I really love the original show, and I don't feel like it needs to be retold in a different color palette. I'm much more curious to explore the roads not taken. :)

[theballadoflucygraybaird]

I promised myself that I wasn't going to get involved in fandom conversations anymore but I need to talk about this, because I'm thinking about Tommy Kinard and how he was initially introduced to us. He was such an asshole to both Hen and Chimney, and in both of their begin episodes we start seeing him start to change and grow. And that by Bobby Begins, he's already closer to the Tommy we know now than the jerk we met in the beginning.

And now getting to know Tommy in this new light as Buck's love interest makes me so fucking soft when you think about his characterization as a closeted gay man during those earlier years. And how his and Buck's dating arc has been so sweet??? Tommy has become such a kind person who thinks about how his words and actions affect others. We see it clearly in the way he's been with Buck, how careful he's been from the very start with him.

He stopped their relationship from progressing because he felt like he was pressuring Buck for something he wasn't ready for. Because he's been there!!! He's been in his shoes where he's figuring out his sexuality while working in a field where it's harder to come out as anything but straight. Even after their first kiss, Tommy checks in with Buck.

He follows his lead in literally everything and it's so kind!!! And it's really the bare minimum of what a person should do for their partners and people in general, but thinking about who Tommy used to be and who he is now makes me so soft!!! Because we as the viewer also know that this change in him occurred with the help of Hen and Chimney and having befriended them. They changed him for the better!!!! And even though he didn't spend that much time with Bobby as his captain, he still helped with that positive change!!!

Anyway, I know this wasn't done on purpose by the writers, but I love that they brought back a character that we already knew bits and pieces of, a character that has come back into the story every now and then, and it accidentally turned into a very nicely developed character (so far)

Which makes me so much more excited to see where they'll take Tommy's characterization if he sticks around.

[rose-riot-johnson]

May I please request headcanons for Shanks, Sanji, and Ace reacting to their female S/O who's captain of her own crew being betrayed by one of her crewmates which greatly affects her since it causes most of her crew to die?

I will definitely see what can do with writing about them, since the request does sound interesting to write about😁👍 While I have written about Sanji before the other two I haven't, it sounds like good ideas for the request😃👍

🏴‍☠️His Reaction To His Female S/O Captain, (Female Reader) Being Betrayed By Someone Who Was One Of Her Crewmates🏴‍☠️(Every One Piece Character That is Requested For This Head Cannon fanfic x female reader)

Genres: Head Cannon(?) and Angst To Comfort (Warning⚠️: Trigger Warning (Mentions Of Murder))

⭐New Character For Me to Write About⭐

Shanks

*When Shanks first found out you were betrayed by one of your crewmates who has murdered most of your crew, he was actually shocked about it, however he tries his best to keep his cool. So, he decided to focus on you, your crew, your wounds, and your well-being. After all he figured it's the least he can do for you, even tough he's willing to do more than that for you.

*Shanks made his decision to have his crew (and himself) to stay in the village he bumped into you in, after the attack the crew member who betrayed you and your whole crew. He knew you blamed yourself for not seeing the traitor who's attack you never saw coming, which is why he assigned the rest of his crew to take care of the crew members who are still alive that he assigned his crew members to, while he assigned himself to take care of your wounds and well-being. He didn't assign himself with you just because you're his s/o, however he is also a captain of his crew just, as well as you are of your crew, plus he felt it's his job to take care of your wounds and well-being, after all.

*As time went by with Shanks taking care of your wounds and well-being (by frequent reassurance that nothing was your fault and you couldn't have known that the crew member who betrayed you would be a traitor of your crew and other stuff he reassured you with), the progress of your physical healing and the healing of your well-being has been going much better than he could ever expect. He knew you would heal with your wounds and your well-being, however he's surprised things went better than he thought. You confessed to him that you believe that it was his words and how he took care of your wounds helped you heal quickly, then you would thank him for taking great care of you and giving you reassurance often, as both you and Shanks hugged eachother, as the rest of his crew and the remaining members of your crew who are still alive, cheered with glee while celebrating your recovery.

Sanji

*When it comes to someone betraying your crew (and the crew member who turned out to be the traitor himself killing the most of your crew), Sanji is someone who be very upset. He will feel sad for you, considering you are is s/o. He also will be outraged that one of your crew members betraying the rest of your crew (you, included). Despite of Sanji not being a captain of his own crew, he does have negative mixed emotions (from sadness to anger) about your crew being betrayed by someone who was not only your crew mate, however this crew mate who is the traitor was also some you have trusted the most out of your crewmates of your own crew, which Sanji is aware of more than anyone else surprisingly.

*Sanji and Luffy both happily agreed on have you the the remaining members of your crew who are still alive stay on "The Sunny" (The Strawhat crew's ship), as long as you and the remaining crew members left alive need to and/or stuff like that. You (ofcourse) will be in the same room, as Sanji, because of the fact you are his s/o, so this will definitely help you with your well and he will be able to comfort you easier with more time together. There will be plenty of times where Sanji will prepare meals to surprise you and the remaining crew members (who are still alive), because your crew definitely enjoys his cooking, however you love his cooking the most. So, needless to say that he really wants to take care of your well-being and to feed you and the rest of your crew who are still alive.

*Sanji knew you and the remaining members of your crewmates who are still alive would be happy about his cooking and feel better from eating his food, however he is also surprised that everytime you and the other crew members who are still alive eat his cooking, you and the living members of your become more happier, as if the food has has some magic powers to heal your well-being (and the well-being of the rest of your crewmates who are alive). Tony Tony Chopper explained to Sanji, the rest of the Strawhats, you, and your crew members who are still alive about the ingredients that was in Sanji's cooking and how Sanji cooked the food has helped with your well-being for some reason. You and Sanji both were surprised the most about what his cooking did for your well-being, despite of the ingredients Sanji put in his cooking, what he put in the food, and you enjoying his cooking, while feeling more happier from eating his cooking, than you (and Sanji) expected.

⭐New Character For Me To Write About⭐

Portagas D. Ace

*Out the three, Ace knows what it's like for his crew (His Captain Edward Newgate, aka White Beard in the very same crew, as Ace) to have a crewmate betrayed by a crewmate, while having that same crewmate who turned out to be a traitor kill any of the other crewmates in his crew. After all, he definitely remembers full well Marshall D. Teach, aka Black Beard betrayed the White Beard Pirate crew when Teach killed Thatch for Teach to get his devil fruit powers from eating the devil fruit called the "Dark-Dark Fruit". So, ofcourse Ace would be very angry at the crewmate who betrayed your crew to the point he really was about to avenge you (and the rest of your crew due to your crew being betrayed.

*Despite of Ace not being captian of the White Beard Pirates and you being the captain of your crew, he most definitely has empathy for you. Even tough he wants to get revenge on the crewmate who betrayed you and anyone else in your crew, your safe and your well-being would most certainly come first (and the remaining crew members left alive, also). So, if he does see you emotionally breakdown or trying to hold your emotions in or both or maybe anything similar to both, he will comfort you the best way he possibly can and he will hug you when you need it. He definitely knows when things are bothering you, especially on how much being betrayed by one of the crewmates you did have betray the rest of your crew (including, you).

*Ace will come snuggle with you often, as your snuggle time with him will comfort you by alot, however he is also someone who will also keep an eye on you alot (he will also check on the rest of your crew who are left alive), atleast until your well-being recovers to the point where he wouldn't have to worry about you, as much (even tough he still will, anyways) and where you are becoming yourself again. Not only the rest of the crew you have left and Ace will notice the difference with you in a good way, however you will also notice that you and your well-being has been healing more and more each day. Despite this Ace will also keep checking on you to makesure your well-being keeps getting better and staying better (and it's also out of his love for you and you being his s/o).

🏴‍☠️The End🏴‍☠️

Okay my Tumblr Peeps I hope you enjoyed this One Piece head cannon(?) fanfic🏴‍☠️😃👍And @sacredwarrior88 I also hope you enjoyed the fanfic, as well😁👍I really enjoyed writing this One Piece head cannon fanfic(?), honestly😃👍

[octopus-punching-union]

Mortkranken first reactions—

(spoilers, obviously)

I really liked the case in this one. All the info we learned early in the chapter (about curses, the mermaid, the acid) came back and wrapped up nicely in the end, I thought that was really satisfying.

How desperate that guy must've been, though... being in the hospital for upwards of a year, not seeing any progress made on a cure to his curse. As someone who spent years trying to get an accurate diagnosis for chronic health issues, I kinda get it. (All of the conflicting info MC's getting about her curse is also deeply relatable...)

Hopefully he's not still conscious, in that state of being immortal but with his body constantly being eaten by acid. That's just horrifying.

The info about anomalous viruses vs allergic responses and all that was really interesting, but I think MC's curse is different from those. According to Ed, forgetting about the eye will break the curse, so it's at least partly psychological? (And they like totally gloss over Yuri's super-cure. Even though it didn't work on MC, he might've just cured a ton of the curses in existence, which is huge!)

Yuri's stigma was kinda underwhelming. Like, his superpower is Smart. He's already really smart, and I don't feel like he should have needed his stigma (plus MC's boost) to figure out a battle plan. (But I loved that MC was just like fuck it I'm gonna hold your hand and he was scandalized about it. Bets that he's gonna be lying awake at night thinking about it?)

Loved Yuri and Jiro's dynamic. Loved Jiro being so blasé about everything. Did he kill someone? Maybe, he can't remember, nbd. Let's just put a corspe on dry ice, nothing wrong with that...

I wonder how much of Jiro's memory is affected? If it's just stuff from around the Clash, or generally everything before his coma? (How much does he remember Zenji?)

LOVED MC taking initiative at the end and calling for the general students to help. Yeah, they needed some extra motivation, but like. Most of the ghouls seem to forget that the general students even exist, and don't consider that they might be able to help with anything. Once they get up to the surface, the general students realize that yeah, they can help! I think that's really important when talking about campus unity — the general students are part of Darkwick, too.

About the Clash... the murder victim being in Ultio is making me feel more certain that the list of suspects is a red herring. I feel like Ultio was pretty shady and literally anything could have happened.

Also starting to think that the Clash was like every house for themselves and there weren't clear-cut sides. Frostheim, Vagastrom, and Mortkranken all hate each other. Everyone hates Obscuary. Everyone thinks Hotarubi's a bunch of anomaly sympathizers. Etc.

Really nice to see everyone making an appearance in this episode, even if briefly.

Subaru and Sho! I love them so much and I hope nothing bad happens to them.

Luca and Kaito! I feel like they've both grown a little since we last saw them? Luca jumps to conclusions but backs down quickly when he realizes he's misunderstood something. (Adorable really, when he thanks the one guy for giving them directions to the Pit. What a sweetheart.) Kaito is so so so intimidated by Jiro, but he stands up for MC when Jiro tries to take her away without explaining.

Alan! I wish we'd gotten more of him, especially with him being the first witness and all. It reinforced some thoughts I had about his character — that he really cares about the Vagastrom students on a personal level. And once he's decided that he trusts you, he really trusts you. (Back in Vagastrom episode, he never once questioned Tohma's actions or intentions, even when Leo served up some damning evidence. And after their mission, he still had a lot of faith in MC even though her ability had just catastrophically "failed" right in front of him. Here, he trusts that she'll solve the case and is willing to give her whatever she needs without question.)

Leo seemed a little... softer this episode. I feel like in episode 2, he wouldn't have taken the step to go make a copy of the case report for MC to have. He's still got some conflict with Alan about how to investigate, but this doesn't feel like he's trying to cut corners. (Genuinely, HOW is Alan planning to interview 80+ people on his own. How.)

(Luca and Alan I think are similar in that they both feel a strong personal responsibility to take action, even if they don't know the best thing to do. Luca jumping to conclusions and picking fights despite Kaito begging him to slow down, Alan sticking with inefficient old-school methods despite the results Leo gets by being more innovative. They both need someone to balance them out so that they can do their best, and I think finding that is going to be a big character development thing for both of them.)

Also interesting that Tohma seemed to take issue with Haku saying "our" referring to Hotarubi, considering how much Tohma has integrated himself into Frostheim.

Oh my god. That conversation between Haku and Tohma. Haku was definitely in Frostheim before, and Tohma seemed even less friendly than in their campus scene. And Haku is totally taunting Tohma like "Maybe MC and I are closer than you think."

...And then right when Tohma is accusing Jiro of messing with Frostheim, Rui pops up like "you know I'm watching you right?" and provides an alibi for Jiro (the herbs). This new ability of like, lurking in the shadows and watching everyone is great yandere fuel...

I've been assuming that "President of the Institute" is an elected or appointed role? But Tohma just goes right out and says that Jin will be the next president. If they're planning a coup, that's not very subtle. Unless it's not news that Jin will be/wants to be the next President... like if it's a hereditary position or if Haku was already aware of Jin's ambitions (if Haku used to be part of their plans?) Or, if it's a hereditary position, does this imply that Jin's family founded the Institute?

Towa and the tree. The yellow fruit represents Vagastrom? Something between Mid-Obscuary and Mid-Mortkranken caused the fruit to grow, and something in the latter half of Mortkranken caused it to wither. Idk yet.

Ren, cup ramen connoisseur. Ritsu, so sheltered that he's only ever had ramen at one specific restaurant and doesn't really realize that it's weird. Cat manager of the campus store. Those cats really need to unionize.

Taiga... might just be trying to cause problems for fun? But possibly he knows something about the inner workings of Darkwick that would turn him against the Gala and Laurel Crown.

Ed! Ed!!! Yessss, call out the Chancellor for lying in front of the entire fucking school. I love him, and I love that after warning MC about confronting Darkwick on her own, he does it himself so publicly that they can't retaliate against her.

I want to like Hyde. I really want to like him. Looking at his deal positively, he probably knows Dante well enough to know that he would support the Gala, and therefore his own support wouldn't actually be the swing vote. And the deal with MC was just to motivate her to try and unite the ghouls (he's previously talked about seeing the ghouls as people and the extreme responsibilities put on them).

I still don't trust Nicolas or the Chancellor, even though he apologized. They're claiming to care about MC's mental health, but is really that much more traumatic to find out that you're turning into an anomaly, vs that you're gonna die in a year? Both suck, but their decision withheld critical information about the curse that could have helped her identify what's happening to her. MC had no clues at all until Ed talked to her, two months into her year deadline. She is already starting to change. I really don't think that Darkwick, as an institution, has any intention of helping her.

...but he's clearly got yet another agenda going on. What exactly is he talking Sho into doing now? At this point I think Dante is the least shady of the professors, and he might literally be a reanimated corpse.

[manicpixiefelix]

is reader rich? how rich are we talking, like what their family heritage or something?

idk im sorry i just like exploring lore

Don't apologise I love thinking too much about the lore for my stories (also this will probably develop into something far more concrete as the story progresses)

this is regarding head, heart, hand if you wanna read the fic 🥰

Also, warnings of parental emotional neglect and distance regarding the reader's backstory.

So I'm thinking the reader is from Old Money, long-time generational wealth, like the Cattons. While I assume their grandparents were more occupied with the family business, I think on their mother's side, both their father and their mother are image-obsessed "philanthropists" who make a big show of their charity fundraisers and feel-good endeavours, despite their family money almost definitely being sourced unethically.

The reader and Felix are childhood friends, since their parents are old friends, as the Catton's used to attend many of the reader's family publicity events, usually just Elspeth and Sir James, but several times they brought Felix and Venetia when encouraged.

Most people don't actually know the reader is even their parents' child. They were born to satisfy their grandparents wishes for a grandchild, but neither of their parents were particularly interested in raising a child. After Felix and Venetia took a liking to them, and Elspeth too, their parents were more than happy to let them spend breaks with the Cattons after they were finally old enough to send to boarding school.

The reader is a legacy student at Oxford (I think that's the term when one or more parents have graduated from the institute). While their mother comes from old money, she, like Felix, was attending more as something to do. She met the reader's father there, and he is well off, but from much newer money. Both sets of grandparents have approved of the marriage, and while the reader's mother finished a BA in Art History (that she uses to determine the value of various paintings across the world to then auction them for charity), their father studied law. While he completed his degree, he never attended the exam to allow him to officially become a lawyer, as soon after they were married, the reader's father fell ill, and he elected his new son in law to become head of the business. These days it's more of a symbolic title, they simply use the money while the company's board of directors actually runs the company.

They're very distant with the reader, even more so than Sir James and Elspeth are with Venetia and Felix. reader's parents just seem to be glad that they became so quickly independent, without realising how emotionally neglectful they were, which is another reason the reader clings so strongly to Felix. That independence their parents see is also why they believe the reader is capable of making important decisions so young, hence why they were allowed to attend the same schools as Felix and Farleigh and Venetia in their youth.

😅😅 maybe I actually have thought about this a lot haha I love this stuff, is there anything else you'd like to know?? I'd love to dive into this world, it helps me figure out how to write it and these characters going forward 🥰🥰🥰