#but man when you SEE it for REAL

[blissfali]

skifufd

[whollyjoly]

i want the whole SEASON of bucktommy

i want buck being wooed - flowers and being taken out and a little protective hand on the small of his back

i want to hear all the soft ways tommy can say evan and the look on buck's face when he does

i want to see them at tommy's karaoke trivia place because holy shit buck would love it (and didnt oliver say that we're getting buck singing this season cause uhhhhh)

i love that this is such a fling, such a happy thing for buck - he is finally feeling that puzzle piece click into place and it is freeing

and i cant wait to see all the small ways we see that play out!!!

let buck be happy challenge 2k24!!!!

[dhmis-autism]

DHMIS doodle pages that I managed to cut and paste together and color! I personally like them a lot haha.

2nd doodle page is sorta inspired by @mariaisshiki ‘s piggyback trio drawings.

 B/c it reminded me of the time I tried to carry my baby cousin on my back and I am SO short that even though I got her body off the ground,both her feet were still firmly on the floor. That memory was so horrific I had to project it onto the smallest one.

[raeofgayshine]

Bruce Wayne, drunk and full on Brucie mood in the middle of a gala: You know, that accent doesn’t really fit in around here. It’s cute. Where are you from?

Clark, internally debating every life choice that led him to this moment: I’m from Smallville. Kansas.

Bruce, leaning closer to Clark with a flirty smile: Oh you’re cute and funny. You know, I like that in a man.

Clark, very confused but trying to just go along with it: Thank you??

Bruce: I mean, everyone knows that Kansas isn’t real but I do always enjoy a good laugh.

Clark: What.

Bruce: What? Everyone knows that Kansas was made up for Wizard of Oz.

Clark, unsure if Bruce is fucking with him or if he’s just really deep into this dumb act: Bruce, Kansas is a real place. It’s one of the 50 states that make up America.

Bruce, tilting his head a little confused: There’s 50 states? Since when?

[wispforever]

[transmascissues]

hey i know your post about your mom was mostly just a personal vent, but i have to say, do you realize that also happens with trans girls and their fathers? literally happened to one of my friends. i’m not trying to downplay your experience or something but i found it strange that you seem to think this is something that only affects transmascs

i have one question for you: so fucking what?

i don’t doubt that trans girls have experienced similar things and yeah, that’s bad too, but what the fuck does that have to do with me and the specific things i’m facing as a result of being a trans man? i never said “look at this thing that happens to ONLY trans men and NO ONE ELSE,” i just said “hey, isn’t this thing that happens to a lot of trans men, including myself, fucked up?”

i would also like to point out that what you’re talking about is in fact a different (albeit similar) thing. the way cis people treat trans people can differ dramatically based on the cis person’s gender because their commitment to gender roles is, like, a major part of problem. the specific way a cis mother reacts to her trans son’s transition is often going to be very distinct, while a cis father will likely respond to his trans daughter in a different but equally distinct way.

what i’m talking about is a very specific kind of ownership and control and self-victimization and total lack of boundaries masquerading as love and care and maternal concern that cis women (i would argue white cis women in particular) project onto their transmasc kids when we do literally anything to our bodies. i’m talking about a phenomenon which is closely related to the way moms often pass eating disorders onto their daughters (or children they view as daughters) because they see a body that looks something like theirs and project all of their insecurities and ideals onto it. i’m talking about a form of parental transphobia and projection that’s specific to the dynamic of a cis mother and her child who was “supposed to” be her daughter.

if you’ve never felt that, you’re not even remotely qualified to tell me shit about how i should be talking about that experience, and if you couldn’t recognize that experience when you read my post, i’m guessing you probably haven’t experienced it because the replies to that post made it very clear to me that anyone who has experienced it firsthand immediately knew exactly what i meant.

like, yeah, cis dads also project onto their trans daughters, but are they likely to have a reaction like running away with actual tears streaming down their face? do you expect them to passive aggressively make comments about how sad their kid’s transition makes them, how it’s such a difficult emotional time, how it’s so tragic because their kid’s body was so beautiful before? do you think their go-to transphobic reaction will be weaponizing their emotions? i’m sure there are some dads out there who are like that, but i think we can agree they’re in the minority because that’s not how cis men are taught to react and parents like this tend to be pretty damn committed to following the gender roles they were taught.

and even if i’m wrong and our experiences are exactly the same, let me reiterate that i never said this was an experience exclusive to trans men. all i said is that it happens to us. that’s just a statement of objective fact.

this started in my life when i got my hair cut short for the first time almost a decade ago and it has not stopped since. i’ve watched my mom cry over me changing my name and respond to being asked if my happiness matters more to her than my name by saying “i care about both”, i’ve watched her melt down in a mall over me getting a suit for prom and give me the silent treatment for days after, i’ve heard her plead with me to stop t because it “looks unnatural�� and she’s just so “concerned for my health”, i’ve watched her stare at me post-op and say “my poor baby” over and over like she’s looking at my corpse in a casket. i’ve watched her turn herself into the victim of every single aspect of my transition. i’ve had to live with this for 9 years and spent the early years of the pandemic literally locked in a house with it. this has been my entire adolescent and adult life, and the question of if i’ll have to cut her off someday (and maybe never see my cat or my little cousins who i love more than anything in the world ever again as a result) haunts me every single day.

who the fuck are you to tell me how to talk about that?

[demigod-of-the-agni]

A little special something for something even more special. Hint: it's about love and fears and birthdays and new beginnings

(@/marvel hire me <3)

[arthurpendragonsass]

yk there's a lot of talk about the way merlin is practically a god but lives as an unassuming servant, and seeing this surprises druids/other magic users. i wanna see kind of the same thing happen to arthur with the people of his kingdom. we know arthur so intimately, from merlin's pov, but i wanna see him as a living legend. stories of his valor spreading across land, blown out of proportion and missing details. “the prince slayed the great dragon and gifted its head to the king!” “some say the goddess blessed him when he was born, when she took the queen back. how else does one survive an attack by a questing beast?” “he held out his hand and the sword stuck in solid stone flew to him! iwan says meredith’s aunt saw it herself!” “the word has come, king arthur defeated annis’ champion—a giant of a man!” old men discussing arthur’s policies, comparing them with those of previous rulers, and being glad that it's him on the throne “finally, a good fucking king.” people having faith that their ruler is generous and fair and can be approached in times of need, and having the comforting knowledge that he would do his best to help because that's what he did with the other village last year! young boys dreaming to join his army and young girls daydreaming about a fairy tale ending with him (or vice versa, obv). just... arthur of his people.

what I'm saying is i want an outsider pov character study of arthur pendragon king of camelot. hope that helps

[mother-of-houseplants-2]

fiona gallagher // the angry man in the house

[itsallaboutbl]

Poom Phuripan as Joe My Stand In, trailer

[sugar-grigri]

If Fumiko is monstrous then Fujimoto should start presenting her as such

Fumiko is written to remind us that Denji is a child, and I repeat, she is the symbol of a child's sexual trauma in all its horror and "paradoxes".

Touching Denji without his consent, catching an adolescent who hasn't yet discovered himself off guard, is the most obvious way of proving the link between the theme of sexual assault and Fumiko, but it doesn't stop there.

The fact that Denji accepts only proves this point: it shows just how much he's someone who needs boundaries and protection. He passively listens to what he's told without question simply because Fumiko has the upper hand.

She has one, but spends her time pretending she doesn't, in particular by disguising her age like a predator, calling him "senpai" when she's 22, and playing up her protective role as a "bodyguard" when she's only there to stop Denji thinking for himself

As can be seen in the dialogue between Miri and Denji, she positions herself as an interlocutor, standing in Denji's shadow, influencing his decisions and distracting the boy from the substance of Miri's message.

But she's a complete paradox, still trying to make Denji believe she's protecting him, she refers to Chainsaw Man as a "child", which rather than demonstrating a good intention shows that she's well aware of what Denji is and that she's abusing him head-on.

Who protects a child by attacking him?

Once again, I insist, these are two pages from the same chapter. Dare you tell me that Fumiko doesn't present any contradictions?

Above all, she makes it seem as if she only wants what's best for Denji, even when he hasn't responded to her pleas for help. Once again, there's a paradox: the predator blames her victim for not having seen her own vulnerability, whereas she’s only abusing those of her victim.

Fumiko is a metaphor for the very dangerousness of sexual assault, gentle on the surface but insidious, its violence only made clear and felt after the event, rising like a tide.

When Yoshida convinces Denji to give up his normal life, he leaves him in the hands of Fumiko, a public hunter, who symbolises the extent to which, despite the monster in front of them, danger also exists among men, and that the milieu of public hunters is a harmful world for a child.

I think the reason Fujimoto doesn't immediately place Fumiko in a position of condemnation is to instil a feeling of frustration and powerlessness at seeing Denji unprotected, to make it clear that "he's missing something", a parental figure.

But I think that for the writing to be complete, the author has to take a clear stance on the subject, in his own way of course, but explicitly

Seeing Fumiko next to Denji makes me anxious, it's such a common form of violence that it pulls me out of my reading.

Fumiko is a monster, so I pray that Fujimoto will have fun explicitly detailing her dark side and her horror.

If he doesn't, then she'll remain an unfinished and confusing chimera, the result of lazy writing and a fear of commitment.

[skitskatdacat63]

2023 Brazilian Grand Prix - Podium - Fernando Alonso

[mango-sideburns]

My fav thing about TAZ is that any aspect out of context sounds fucking bonkers.

Like, in the balance finale there's a scene in which Garfield (who is very specifically never described visually bc most people imagine him as like. The Lasagna Cat. Who in this universe is the most powerful warlock in the realm and also has a hobby of cloning people, which is great for the one character that got forced into haunting a mannequin) is summoned by an alien spaceship that runs on the power of friendship so he could beat up some flashing balls. In D&D.

And that was just. Such a normal scene in the narrative. No one blinked an eye. I would like to bow down to Griffins clear unmatched talent for making me feel such big emotions over ridiculous shit like a goddamned umbrella or a regular ass pair of jeans or the idea of a taco recipe.

[fluffypotatey]

the way this scene has a chokehold on me :)

[the-judicial-assistants-notebook]

sits up in bed. so lana and ema definitely thought they were responsible for edgeworth "choosing death", right?

(the rest of this post was supposed to go in the tags, because it's not very well organised or written, but it got too long so. here are the slightly edited tags for your reading pleasure (or otherwise)):

i was going to make this solely about ema because she's the obvious one with her open adoration of edgeworth, but the thing about rfta is that it goes to great lengths to emphasise the connection between lana and edgeworth as well.

the sl-9 incident showed that lana grows attached to people deeply, hence angel starr's comment on how, when neil marshall died, 'she (lana) felt like her own brother had died.' with edgeworth, i think it was similar but worse. because he's not just a coworker or subordinate who's dear to her. he saved her life. and it cost him his own.

at the beginning of the case, edgeworth says he was mistaken for thinking that lana was always looking out for him post sl-9 (a statement interesting on its own because that's when everyone else says she grew distant), and, later on, he brings ema fingerprinting powder because lana asked him to. then, of course, there's the 'lady luck' comment he makes.

similarly, on lana's side, you obviously have the end of the trial when she says he did well, but there's also that additional moment post-trial where she's the only one to notice — in a group comprising her, ema, phoenix and gumshoe — that he's 'hiding', listening to their conversation. point is, there's enough to suggest that she might have been the nearest thing edgeworth had to a mia; his 'chief prosecutor' to phoenix's plain 'chief'. they're as close as two people can be in a relationship where one of them is constantly lying and the other is von karma's star pupil.

rfta is pretty straightforwardly depicted as the case which solidified edgeworth's resolve to do what he did; i don't think i have to prove that. rumours about him have reached new heights, his car and knife were involved in goodman's murder, he makes an unprecedented mistake in court by failing to connect the evidence room and carpark incidents, thus forcing the chief of police to enter the trial to do so himself, and he's publicly revealed to have relied on falsified evidence to secure a conviction in the sl-9 case, all of which only happened because of lana. jake marshall even claims that from the beginning — that if you trace edgeworth's rumours back to their source, you end up meeting one person: lana skye.

and it gets worse because at the end of rfta, she thinks he's fine!! she literally says, 'i was afraid the pressure would break you, but you rose above it,' and reminds him he's nothing like gant because he's not alone. she leaves the case thinking he will be okay. and then, what, like a week passes, and she finds out that he wasn't, and that he's gone, and it's her fault. even after she was freed from gant's control, even after she had finally stopped lying, she couldn't prevent herself from claiming another life. so much for 'lady luck', i suppose.

and the game reiterates this multiple times. gumshoe states at the start that edgeworth's ties to those higher up in the department have made him the subject of constant rumours, and phoenix says (in front of ema) that he shouldn't be held responsible for the forged evidence because that was all lana's doing, which then leads to edgeworth commenting (again in front of ema) that he feels as though 'something inside him has died.' it all goes back to lana. we can argue and say that it was technically gant's doing that caused all of this, but lana still took actions that led to it. even her complicated friendship with edgeworth isn't spared; it's that closeness between them that exacerbated those rumours. how could she not feel responsible in some way?

and with ema, it's rather obvious, isn't it? if she hadn't gone poking her nose into things, none of this would have happened or come to light. and, of course, she'd never choose anyone over her sister, not for anything in the world — it's simply not a question, but that's the problem, isn't it? it's not a question. it's not some hypothetical moral dilemma. it just is. she may not have killed neil marshall, but she still has one king of prosecutor's blood on her hands. and now she has to live with that. she just. has. to live with it. no matter if he chose otherwise.

moving on from that a little, i think it's actually wild how much of ema's journey to becoming a forensics investigator is paved with bad memories. neil marshall's death and her subsequent inability to testify are what drives her to begin pursuing it, her first proper investigation results in her idol's "death" and when she finally graduates, the person who saved her sister has been disbarred, and she can't even help because she isn't allowed to. all that pain and constant pursuit of her goals, and she's still the same ema skye, still that girl shrouded in darkness, always one step behind the truth, one step a little too late. no wonder she was angry in aa:aj. i would be furious.

[marzipanandminutiae]

"Lucille is hiding her true deranged evil self behind a fake ladylike exterior!"

sometimes Ladies are just deranged and evil and that does not invalidate their intelligent conversation, well-modulated voices, impeccable manners, and many genteel accomplishments okay. how dare you. the impertinence etc.

Ladies can have a little brother-fucking and murder and martyr complexes. as a treat