#but still its a lot more than Disney ever wanted

[moghedien]

Happy "Mickey Mouse has begun to go into the public domain" Day

[235uranium]

I love how ppl say they're writing ford as aro when they're writing him as aroace and by love I mean I find it deeply frustrating

[dokidokitsuna]

The Diary of Penny Polendina

The other day I was inspired to try working on a different NeverFell Projects installment, one that would probably be a lot shorter and quicker to write, because it's not like I care that deeply about Penny, right??

Well, I was incredibly wrong. ^^; So wrong that I'm actually having trouble with this story now...essentially, Penny goes through a bit of a 'rebellious phase' (gross oversimplification, but that's all you get for now) and there are, surprisingly, a lot of aspects of that character arc that I want to explore. Plus, a pivotal connection with Pyrrha, the climax of which I haven't quite figured out yet...

God only knows if I'll be able to finish, or if I'll just write the first 2/3rds of the story and leave it at that. But I figured I might as well warm up by talking about the designs. ^^

Penny's new look is basically 'Disney's Pinocchio, color picked from Arthur Watts' character design'~

I didn't necessarily want her to look evil, just...bolder. Like she specifically picked 'daring' items that maybe her father or Ironwood's PR team would rather she didn't wear, at least not compared to the more innocent frilly pastels she had on before. Between the chest window, midriff, and short sleeves, she's actually showing a lot more skin than before, despite still being 90% covered up. ^^;

Those multicolored wrist accessories are prototype weapons invented by Dr. Watts, that mix and pressurize Dust from the cartridges to cast "artificial magic". This way I get to do a bit of the 'Winter Maiden Penny' stuff in this Vol. 3-locked AU~

Penny's magic usage is one of the things that stumped me when writing this story...In NeverFell, magic isn't just glowy rainbow lasers or weather powers-- it essentially allows the user access to any conceivable semblance at any time; its potential is limitless. Being a beginner, Penny would probably just come up with one signature 'spell' to use in tandem with her Floating Array...but I can't decide what I want her to do. ^^; I think I'd like for her to do something connected to dance, because I feel like that's something unique to her, the way she dances with her weapons before striking. Nobody ever points out how the "robot" in the cast is the one who chooses to spend energy on unnecessary movements that aren't even used to maneuver around an enemy; they're just cute and fun. ^^ I think that's a great encapsulation of who Penny is~

Redesigning Pyrrha is always super difficult, because her original design is so perfect. But I like this end result a LOT. ^^ I may need to adjust the pant legs a bit, but overall it feels like a very believable alt outfit that keeps the spirit of the character.

Pyrrha is another one of the stumbling blocks in this story, because I'm now forced to create at least one malleable personality trait for her-- i.e. one that isn't intrinsically tied to Jaune and/or the plot. Something that she could actually take into a meaningful relationship with a different character... I had the idea to expand her "I'm sorry!" gag into a real guilt complex, where she has trouble letting go of instances where she's made mistakes or hurt someone. In this case, dismembering Penny 1.0 and essentially ending her life. :T She seeks out 2.0 in a desperate effort to make things right, and ends up helping her with ...things, and growing as people or whatever, and all that other stuff I have yet to write. ^^;

I just realized that Pyrrha could use her polarity semblance to pull Penny towards her in a situation where they need to reach each other...that's so cute. ^^ I gotta remember that~

[weird-an]

Billy blinks.

It's too warm, he thinks. The shadow likes it cold.

A monitor beeps. He shuts his eyes, annoyed by the sound.

Oh.

He can do that. He tries to listen inside himself, to hear its orders, its resentment, but he only hears his pulse beating in his ears.

He's alone. It's not there. The corner of his mouth quirks.

It's gone. He can move. He blinks again, because he's surprised, because he can't fucking believe it.

His finger taps the bed sheet. The fabric's a little scratchy, but it's the best thing in the world. He can feel it, he can touch it, because he wants to.

There's the beep again. Billy glares at the monitor, apparently showing off his vitals. There's a million strings and cables attached to him, to his arms and neck and holy fuck, there's Steve Harrington on a chair next to his bed.

Maybe Billy's dead and went to heaven. His dad has been wrong, heaven is fucking gay, because the fantasy of his last wet dreams is in his room, so close Billy could touch him.

Harrington drools on his fancy polo shirt. He has the audacity to still be the prettiest guy Billy has ever wanked to. And laid his eyes on, too.

"Good mornin', sleeping beauty," Billy drawls, even though he's got no idea what time of a day it is.

Harrington startles awake, big bambi eyes wide and pink lips forming a perfect O. Yep, Billy's in paradise and it's queer as fuck.

"You're awake!" Steve squeaks which shouldn't be as cute as it is. Heaven is for homosexuals - someone should put it on a poster.

"I just covered for Max," Steve says, face flushing. Billy wants to bop his nose to see if it can turn any redder.

"Pity," Billy tells him, because this has to be a fucked up version of paradise where people care about him. He halfway expects Neil and Liza Minelli to barge in with a dance number and a bunch of roses.

"I mean, we were all worried about you," Steve rambles. "That monster nearly... killed you."

Billy stares at his chest. There's bandages everywhere. Not really sexy. He nearly died. He probably should be dead.

"Oh." Billy's throat turns dry. "Bad weeds grow tall, I guess."

"You're shorter than me," Steve says after a heartbeat. His eyes sparkle like they are in a fucking Disney movie.

"No fucking way, I'm taller." Billy glares at him. Steve winks. Billy feels even warmer.

"Billy! You're awake" Max yells. Billy didn't notice her coming into the room. She gapes at Steve. "Are you flirting with my bro... Billy?"

He is. Hallelujah to that.

"No?" Steve lies unconvincingly.

"Gross." Max makes a face. "I'm giving your hot choc to Billy."

She hands Billy a sad looking paper cup. It's probably more water than chocolate. It smells like the best damn thing on earth.

"Should he already dri-" Steve asks, but Billy already downs the cup.

This is heaven on earth at least, he thinks.

"I put a lot of stuff in my mouth I shouldn't," Billy tells Steve.

Max makes a retching sound. "I'm getting the doctor."

[jmdbjk]

We are sure.

WARNING, SPOILERS.

I have no doubt that every now and then, especially in the beginning, at the end of a long day or when they are tasked with doing something they've never encountered... they look at each other and say ...

And it allows them to laugh it off. They said they were making memories they could look back on while doing their service. What a fantastic period of time they had to create these memories.

This ending scene of the last episode of Are You Sure? has changed the way I think about that moment of them from the Bangtan Bomb of their enlistment day.

On their enlistment day we were so sad and were convinced they were too. And they were. But at that time we had no idea the fun they had during these three fantastic trips, they ate some wonderful food, drank a lot of beer, saw sights they don't have time to see when they are traveling for promotions and performing, spent a lot of "just being" time together which is obviously something they enjoy doing.

And knowing that at the end of Jungkook's I Am Still documentary, there was a scene of him showing Jimin his shaved head... it's as close to seeing it all play out as we're ever going to get. Piece it all together and you have a clear picture of this strong connection they have with each other.

Like Hobi said in his recent Weverse letter, I hope Jimin and Jungkook have come to realize by now it will all be ok. 27 days left until Hobi is back. 8 months, 23 days until Jimin and Jungkook are back. 38 more Mondays.

And they gave us a tiny bit of hope that this isn't the end of Are You Sure.

Delulu time: They have a lot of time to scheme and plan a reboot. Planning the next trip can also help them have something to look forward to. Like Jin did, they can do a quick live at the Hybe building before jetting off to Bora Bora or Alaska to start filming the reboot of AYS. They can make it happen if they want to. It will be another ten days after their discharge before Yoongi is free too and the group can be one again. They can go away for a few days, get comfortable with cameras and civilian clothes again. Get busy, Universe! Please?

All along, Jungkook was expressing his love for these trips, his excitement for the experiences, his enthusiasm for the good food and his easy-going vibe because he's with someone who fits him so well. Jimin enjoys the vibe of being with Jungkook and enjoys watching Jungkook be immersed in everything that brings him joy. He said if we watched these episodes, this is what its like at home.

They made it clear there are no other people on earth either of them would rather be with than each other for these trips. Jungkook said it himself: these were the best trips of his life. Jimin teared up a little when it was time to head to the airport. This was a chapter closing in their lives. If it impacted them this much, they will for sure somehow try to do it again after military service.

Besides the fact the two loved creating this, the series has been ranking high in viewers which would help sway any decisions as to whether a reboot is worth the expense. Of course it is!

Questions: I guess the behind episodes will also be on Disney? Why would they be submitted for ratings if they were only going to be on BangtanTV? Or maybe they'll be on Weverse too?

With the purchase of the photo book, there is a digital code for 52 more minutes of footage. We'll begin seeing clips of that on Sept. 29 when people begin receiving their copies. Got mine! Can't wait for it to get here!

[thefreshprinceofjunes]

soriku endgame: an imagining

OKAY WELL HERE IT IS

TEN WHOLE PAGES OF HOW SORIKU ENDGAME MIGHT ACTUALLY PLAY OUT

i was rewatching vin play RE2 and fsr this invaded my thoughts and wouldnt leave

this is barely proofread and i reused a lot of the same words/phrases BUT its just meant to be an outline/abridged version so keep that in mind

(if i got any lore wrong tho pls let me know)

btw if you dont want to read this on tumblr for whatever reason, heres a link to the google doc

note: this is going off the assumption MoM saw everything (or at least everything soriku) through the gazing eye

scene is quadratum probably. master of masters (or whoever the bad guy in kh4 is) has sora and riku caught in a bad situation (for temporary visuals im picturing something similar to the dark guardian restraining aqua and ven in kh3)

sora and riku are struggling to break free, while the MoM just laughs. some kh dramatic banter occurs, before MoM changes the subject and starts monologuing (with sora and riku probably interjecting here and there)

MoM: [to sora] you still havent figured it out yet, have you?

MoM: dont you ever wonder why rikus heart holds as vast of a darkness as it does?

MoM: its not because of jealousy, or ansem, or even his desire for strength since you were children.

MoM: no, its much simpler than that.

MoM: remember that dream you had, sora? before the islands were destroyed?

MoM: there was a voice speaking to you, from deep within your heart:

MoM: 'the closer you get to the light, the greater your shadow becomes.'

MoM: well, the road goes both ways, kid. the deepest of darknesses can only come from the brightest of lights.

sora: wh-what are you saying?

MoM: its been in front of all along, but you were too blind to see it.

cut to voiceless flashbacks of all the times sora encountered the brightest light: when receiving the keyblade, when almost pulled out of sleep by the memory of aqua on DI, during the dive to heart at the beginning of kh3 (assuming it really happened and wasnt just for gameplay purposes), and after using the power of waking at the KBG (the tunnel scene)

sora looks at riku, then back at MoM. riku is grimacing.

sora: that… that was… that was rikus light?

MoM: bingo!

MoM: but theres even more to it than that.

MoM: theres another force of power in this universe that keeps light and dark in harmony

sora: another…?

MoM: you feel an unfathomable depth of it in your heart for, well, pretty much everyone youve ever met.

MoM: what lies in rikus heart, however, comes from the same place, but is also very, very different. its something you claim to not understand, even though youve encountered it many times during your adventures.

rikus eyes widen and he tries to interject, but the MoM physically stops him; sora calls out for him

MoM: its more than just friendship. its hearts that are really, truly connected between two people.

MoM: think about it. think about all the times when everything seemed hopeless, but something, something, kept the bad guys from winning. it wasnt light.

cut to voiceless flashbacks between many of the disney couples sora has met: the beast arriving at hollow bastion out of sheer force of will in his search for belle, flynn sacrificing himself for rapunzel and her tears bringing him back to life (some shit with will/elizabeth and sam/quorra too maybe idk), and finally, herc gaining his strength back as he rescues megara from styx, followed by herc saying, 'people always do crazy things when theyre in love.'

sora stares ahead at nothing in particular, before wincing in pain; suddenly, a forgotten memory surfaces in his mind (if the convo with NS confirms he hasnt completely forgotten, then its the key details that have been missing):

rikus sacrifice in the KBG

riku calls out for him and struggles, but MoM just laughs so more.

MoM: there, now its coming back to you. and that wasnt the only time riku sacrificed everything for you, yknow, although it was probably the most heroic instance. remember him taking on ansems form to beat roxas? and his dive into your heart to wake you from slumber, despite the tremendous danger? you only met her briefly, but one of the princesses of heart experienced something very similar.

MoM: aurora. maleficent placed a curse on her when she was a baby, causing the princess and the rest of the kingdom to fall into a deep sleep on her 16th birthday. but the heir to a nearby kingdom, prince phillip, valiantly fought his way to the castle, and woke up the sleeping beauty– through a kiss. a kiss, of true… 

MoM trails off and looks at riku, then back at sora, expectantly. riku is still struggling to free himself before the truth is revealed, but its no use.

sora stares off again, before looking MoM in the eyes.

sora: … love…?

MoM does jazz hands and poses.

MoM: ding ding ding ding! we have a winner! it only took you, what, 12, 13 years to figure it out? honestly, i just couldnt stand watching it go on for any longer.

MoM: but, hey, i still have my honor. if im wrong, im more than happy to apologize.

MoM turns to riku then.

MoM: well? am i wrong, riku?

riku doesnt respond, and MoM sighs dramatically.

MoM: still no answer? okay, guess well have to do this the hard way.

MoM starts hurting sora, causing him to cry out in pain while riku watches helplessly 

MoM: come on, riku! do it! use your true strength! unleash the power hidden within your heart!

sora gasps and winces, barely getting out rikus name 

suddenly, theres a bright flash of pink energy (maybe rikus eyes also turn dream eater pink too?)

(if the power of love is too cheesy even for kh, then maybe its a black and white darkness/light combo attack)

riku breaks free of whatever MoM did to him, and then channels the energy through his arm, blasting it through soras restraints.

unfortunately, sora was being held in the air, and starts to fall– but in the blink of eye, riku is there to catch him in his arms.

MoM laughs in triumph and draws back slightly.

MoM: there we go!

MoM then shrugs.

MoM: well, this was fun, but ive got places to be. and im sure you two have a lot to talk about. toodles!

MoM disappears, leaving sora and riku in stunned silence.

after a moment, riku sets sora down and turns away from him, avoiding soras gaze.

sora meanwhile takes a second to catch his breath, before staring at riku with wide eyes.

sora: r… riku… is… is that...? is that really… how you feel?

riku clenches his fists at his sides and stays turned away. after a pause, he responds.

riku: … even if it is, it doesnt matter.

sora: what do you mean?

riku: i know… im not the one for you.

riku takes a deep breath.

riku: … when you were put to sleep for a year to fix your memories, some of them found their way into xion. they happened to be your most important memories– the ones you couldnt wake up without.

riku: those… were your memories of kairi. and xion took on her appearance because of them.

sora is stunned, only having been vaguely made aware of what happened in that year.

sora: k… kairi?

riku nods solemnly.

riku: yeah. and the only reason your memories got messed with in the first place is because the organization forced namine to make herself the person most important to you, instead of kairi.

sora pauses.

sora: you mean… castle oblivion.

riku nods again.

sora watches, before feeling a pain in his heart and grabbing at his chest instinctively.

underneath his hand, he can feel the cold metal of his crown necklace.

and thats when it finally clicks.

everything blurs, and theres a sudden rush of memories.

(maybe a memory sequence that you actually play through?)

sora, holding kairis wayfinder in castle oblivion. suddenly, the memory gets static-y, like during soras memory restoration.

cut to namine confessing to sora shes not the girl he cares about– but every time the word is feminine, its distorted by video static. (this is how we fix the aitsu thing)

"no. the g̸͓̦͙̫̮̦̠͗͐͗̊͑̕͝i̷͖̝̝̱̐ͅͅŗ̸̄̆̓̆̊̄̿l̶̮͉̦͓͔̹̀̂͗͝ͅ you care about...the one who was always with you... its not me. its ḧ̴̳͔̻̾̇e̵͚͂̀r̸̺̣̠̓̂̀̚."

cut to namine speaking to sora before he goes to sleep.

“but theres another promise you made—a promise to someone you could never replace. s̵̹̀͗͜h̷͇͇͌̆̐e̷̡̛̱'̷̦̆s̵̫͖̦̄̈̄ your light. the light within the darkness. if you can remember h̷̼̼̜͚͒e̸̢̡̤̹̬͖͐̒͒̾r̸͓̣̜̼̜̠͚͂̋̃...all the memories lost in the shadows of your heart will come into the light."

cut to a flashback of repliku talking about their shared promise. again, the feminine words are indecipherable.

"there was a meteor shower one night when s̶̳̄͑̆̅̆͗h̴͍̞͖͙͑̔̋̈́̎̈̾ę̷̧̰̰̖̝͆̆̕̚ and i were little... n̸̨̙̼͑̽ả̴̗͕̮́͊͝m̴̻̳͚̒i̸̳̟͑n̶̡̥̋̑̌é̸͍̦͑͐͋́ got scared and said, what if a shooting star hits the islands? so i told ḧ̷̡̬̽̅͆̊ė̸̙̩̠̥̿̃̚͠r̶̛̥̻̖̉̾̽͝, if a shooting star comes this way, ill protect you! and then—"

cut back to the memory pod.

"look at the g̴̬͛̄̚͘ŏ̴̞̙̰̍͂̀ö̴̘̥̗̱̐͋͆ͅď̷̨͙̙̩̓́͝ ̸̢̋̈́̂̚ļ̷̯̥̲̪̐̋͌̾̚ṵ̵̼̥̥͖̎c̸̱̟̹̚ķ̸̭̱̖̓̇ͅ ̷͇̳̃̑́͑͐͜ͅc̸̢̤̈̈́̊̚̕h̵̙̗̓͊̾ͅą̷̣̮̞̾̈́r̶̜̜͓̥̀́͋͝m̸̺̖͈̖͓̊̀̕. i changed its shape when i changed your memory. but when you thought of ẖ̴͚̙̆ȅ̴̡̛̞̲̥̼̋͐r̸̹̱̐, it went back to the way it was."

finally, a few more lines from namine.

"remembering one thing leads to remembering another, and then another... your memories are connected, like links in a chain. those same chains are what anchor us all together. i dont destroy memories. i just take apart the links and rearrange them. you still have all your memories."

cut back to sora in the real world. everything is still blurry, but now rikus voice can be heard in the background calling for him, distorted.

and then, a flash of light.

nighttime. its still. everything is quiet and peaceful.

young sora and riku are walking back from the beach.

suddenly, theres a bright streak across the sky. 

sora and riku both gasp.

then, another. and another. and another.

the night of the meteor shower.

riku watches the sky in amazement– until he feels a tug on his arm.

he glances at his side and sees sora, utterly terrified and clinging on to him for dear life.

sora: wahhhh!! r-r-riku, the sky is falling!!

riku laughs.

riku: no, those are shooting stars. theyre way up high in the sky.

sora however is not convinced, and keeps shaking as tears start to well up in his eyes.

sora: b-but…! theres so many of them. and theyre so fast!! what if a shooting star hits the islands?!

the reality of soras mood finally sets in, and riku is left staring as he tries to think of what to do.

hanging from his pocket is his wooden sword.

the words of the man with the real sword echo in his mind:

“no more borders around, or below, or above, so long as you champion the ones you love."

riku grabs his sword then and holds it up to the sky as he looks at sora, courage glinting in his eyes.

riku: if a shooting star comes this way, ill protect you! ill hit it right back into outer space!

sora sniffles as he watches riku swing the sword around.

sora: r-really?

riku nods his head confidently.

riku: i will. i promise!

after a moment of thought, riku reaches into his pocket and pulls out a silver chain with a crown dangling from the end.

riku: here. take this. i found it the other day.

with the magic of cutscene, riku somehow turns the chain into a necklace, and then reaches over to hang it around soras neck.

riku: whenever you get scared, all you have to do is look at this, and remember that ill always be there to protect you. no matter what.

tears run down soras face as he looks at the necklace.

the voice of the strange girl theyd met before rings through his mind:

"so then if something happens, and riku is about to get lost—or say, he starts wandering down a dark path alone—you make sure to stay with him and keep him safe. thats your job, sora, and im counting on you to do it, okay?"

sora gulps and then reaches out to grab rikus free hand in both of his own. riku is surprised by this.

sora: ill… ill protect you too! i-i know im not as strong as you, but ill… ill try! i promise!

riku is taken aback for a moment, before he smiles gently at sora.

riku: … thanks, sora.

afterward, a multitude of quick flashbacks to all the times sora and riku protected each other, culminating in seeing the KBG sacrifice one more time.

fade to back.

in a hotel room (or smth similar), sora suddenly sits up straight in a bed, heart beating rapidly.

sora: riku!

(paralleling when riku called out for him after waking up from the dive into his heart in ddd)

riku has been seated at the edge of the bed, waiting and worrying. when he realizes soras awake, he scoots down the bed towards him.

riku: sora! youre okay!

after catching his breath, sora looks around the room, confused.

sora: … what… happened?

riku: you passed out, so i brought you here. how are you feeling?

sora puts a hand to his head, grimacing slightly at his pulsing headache. but that doesnt matter right now.

sora: im… im fine. listen, riku… i saw… i saw some of the things that happened at CO.

rikus eyes widen.

riku: you did?

sora: yeah. i saw you… well, a version of you. and namine. namine…

sora looks into rikus eyes.

sora: she… she was wrong. or… maybe i was wrong, and she just played along for my sake…

riku: huh? what are you talking about?

sora swallows as his voice starts shaking, just a little.

sora: kairi… kairi wasnt the one most special to me. you were. i remember… i remember the night of the meteor shower.

sora clutches at the crown necklace.

sora: all this time, id thought id remembered everything important… but i forgot about it. [sighs] im sorry, riku

riku stays quiet for a moment, before putting on a forced smile.

riku: its fine, sora. we were little kids.

sora frowns.

sora: but… you never forgot, did you?

riku shrugs, and theres a moment of silence between them, before riku speaks again.

riku: maybe i was the one most important to you back then, but its not the same now. thats alright. im just happy to be your friend. i know how you feel about kai-

sora suddenly moves forward, closer to riku, now yelling as he cuts him off.

sora: i get to decide how i feel, riku! its my heart!

riku is taken aback at the shouting, and stares in shock. sora realizes hes gotten loud, and takes a moment to calm down.

dearly beloved starts to play in the bg

sora: i… i know now. maybe it took me a long time, but… i figured it out. the person most important to me… all along, its been you.

riku freezes up in pure shock. he cant believe what hes hearing. hed talked himself out of hoping for this day long ago.

sora finally smiles again.

sora: youre the one i love.

(paralleling prince eric with ariel)

BOOM FIREWORKS MAGIC SORIKU ENDGAME

riku is absolutely speechless, staring at sora with his mouth agape.

sora gives riku a sheepish grin, now growing nervous at the lack of a response.

sora: and… im the one you love… right?

after a second, riku returns soras smile– and, for the very first time in the series, starts crying.

he nods, shakily.

riku: … yeah. yeah, i do. i always have.

riku wipes at his eyes to stop crying, but its futile. the tears flow even harder.

sora feels himself start crying, too, but hes laughing at the same time.

he pulls riku into a hug, grabbing his upper back tightly.

without any hesitation whatsover, riku returns the embrace, holding onto sora in the same way.

(like so [sora in orange, riku in teal])

fade to black.

then they kill the MoM, get married, and live happily ever after. the end. :)

love balancing light and dark is largely taken from these tags by @osrinlore on this video of mine btw:

[raven-at-the-writing-desk]

do you happen to enjoy fairy tales as much as (character) Miss Raven does? I got the feeling not just because of- well, you choosing that as a big characteristic on her, but also bc of how you sometimes talk about your fav characters in scenarios where they have "princely" attitudes or stuff like that HHAHSHSHSH plus I think a certain amount of that type of writing shows in your pieces (which I love!!!)

if the answer is yes, then I wanted to ask: what kind of dairy tales are your favorites? is there certain motifs you specially like?

YES 🤡 I’m super into fairy tales! One of my favorite Disney movies is Enchanted, but I also love the Shrek universe (Shrek 2 and Puss in Boots 2, my beloveds) and Ever After High before it quietly got cancelled. I listen to fairy tale-themed songs (I’d recommend Cinderella Step by Daoko; been listening to that a lot lately), read fairy tale retelling novels, collect fairy tale themed blind box toys… All of it 😭 And one of my favorite anime ever is Princess Tutu, which references a lot of classic ballet and fairy tales ✨

As I mentioned in this post, Miss Raven (the OC) is not meant to be a self-insert, but she is in part informed by my own tastes since I did create her. I injected her with my love of fairy tales, but tried to incorporate that in a way that makes sense. While she was still an actual bird, she often people watched and then daydreamed about being a part of “that world”. Her wild imagination eventually leads to this rose-colored expectations of how great “that world” is. She’s expecting a fairy tale but is then slammed with the reality that the students at NRC aren’t exactly the perfect princes she was imagining. Miss Raven copes with it by being delulu daydreaming and penning stories~

Before TWST corrupted me, I love Love LOVED princely/knightly characters… and butlers and bug brother-types still I blame that in part knowing me enjoying fairy tales so much. snvsjwbskwkekdbsk I-I didn’t realize that that kind of dreaminess bled through into my writing 😭

I think it’s pretty obvious by my blog name, but I love Alice in Wonderland for its whimsy and nonsensicalness. Many of the motifs that commonly appear in Alice (mushrooms, card suits, tea and sweets, talking flowers, clocks, white rabbits, etc.) are charming to me. It’s a big reason why I was super into the White Rabbit Fest event. Anything Alice-inspired… I’m so tempted to grab 😔 I once went to an afternoon tea inspired by this story, which was so fun! I’d like to go again someday, and this time with my TWST plushies.

Some other stories I like are Little Red Riding Hood, Beauty and the Beast, The Little Mermaid, and The Ugly Duckling (though this one is more a fable than a fairy tale). I also quite like stories told in ballet, such as Swan Lake and Coppelia. If you squint at Miss Raven, you’ll notice that she has elements from each of these stories. I just really enjoy stories with themes of self discovery and/or getting lost but then finding your way. Again, this is also echoed in Miss Raven’s own growth and development journey.

[bambi-kinos]

After reading your view on John's treatment of Paul, I have to ask if you also have thougts on what happend between George and Paul during and after post Beatles. We know how they both treated him as the younger brother and how he tought they were to busy being John and Paul so they failed to see him though other artist saw him etc. We can also understand how he back away from John and Yoko. But what was his problems with Paul? Paul played on more George-Beatle songs than John did and George even played on John's solo record but said he would never play in a band with Paul again. Because there still seem to that he had another issue with Paul and there still seem to be tensions between them during the Anthology. Did Paul really deserved to be treated like that by both John and George. George went on a lot about his faith and spiritual seaching but not really lived up to it all the time. He played a lot about how unhappy he was in the Beatles and being famous buthe lived large with his cars and big house etc. I'm not defending Paul, well I do, but they both treated him so badly. Why, do you have any more ideas about that. Or what other artists, like ex Wings members etc who also complained about Paul's ways. I only ever see it as jealousy.

Legit had no idea how to answer this as George's dynamic with the rest of the band is opaque to me. I put the question to the McLennon server and they provided some very good answers, they have given me permission to copypaste it all here. I hope this helps Anon.

Note: I let the others talk and then I used Discord's "reply" function liberally to @ the different paragraphs. For tumblr I have rearranged the posts so that they read in order as full conversations instead of the weird mishmash that Discord produces. When you see weird timestamps, that is why.

***

Leggy「IT'S A GUNDAM 」 — Yesterday at 11:00 AM received an interesting ask from an anon, its very long so i'm just copy pasting

ask

What do we think of this? my take is basically that George resented Paul because he replaced George with John and their relationship never recovered, which snowballed into these bigger issues about George's contributions to the Beatles and his growth as an artist.

I think it was amoralto who pointed out that Paul was safer for George to attack because Paul would forgive him whereas with John that wasn't the case. and yet George was able to cut John off later so what gives?

LocalGoblin — Yesterday at 1:43 PM I think there's a lot to this dynamic that we're not privvy too. What we do know, however, are things like how during the white album sessions, Paul was constantly undermining George's suggestions. I think it was George Martin who said that. We can even see it a bit in Get Back.

On top of that, even to this day, Paul calls George his little brother in interviews. He has always viewed George as the little kid of the group and that would feel incredibly patronising and demoralising. Paul is a lot more wired that John, and I think that personality trait is just something that George stuggles with. John is the 'cool/fun parent'.

I know John also viewed George as the little kid. And I think this hurt George less because 1. John WAS that older kid/parental figure for so long. 2. You can't take what John was as seriously because he changes his mind day-to-day. 3. I think George honestly (probably) secretly respected Paul's opinion more. So Paul's remarks hurt more.

John = The deadbeat Disney dad. Paul = The more serious and caring/overbearing parent You can see how he would grow to resent Paul more. And I think he also blamed Paul for the breakup too. Or at least, how messy all of that was and all the horrible legal issues that came with it

Leggy「IT'S A GUNDAM 」 — Yesterday at 2:06 PM this one hurts. oof. when I read about the break up in excerpts I get the feeling that George thought Paul's problem was the money and the business decisions and he didn't consider (or didn't want to consider) what was driving it emotionally….after all he felt like Paul didn't consider his feelings 😬

LocalGoblin — Yesterday at 1:52 PM Anthology is interesting though. I really think George's attitude in that it partly because he needed to do it. He needed the money. I don't think he really wanted to do it. It was Paul's baby, and he also resented him for that. Hated Paul for being more comfortable financially too. Paul didn't need to do anthology. George did.

Leggy「IT'S A GUNDAM 」 — Yesterday at 1:53 PM genius, you're absolutely right

Leggy「IT'S A GUNDAM 」 — Yesterday at 2:08 PM this was also around the time that Paul's sweet new deal with Capitol became a thing, i think, because Capitol offered like a significant profit increase for Paul on Beatles royalties if he signed his next few solo albums with them. That caused a lot of upset with George and Ringo iirc, so damn :(

LocalGoblin — Yesterday at 1:55 PM (Also, Paul in a few interviews, has said that he was on good terms with John when he died - UNLIKE George. Almost rubbing it in George's face. I know he doesn't mean it. But I would be incredibly upset by that in George's position. To be constantly reminded of that.)

I think its funny that Paul is viewed as the PR savvy Beatles cause he puts his foot in his mouth all the time haha That actually might be why he's more reserved in interviews now. Sticking to a script… Who knows!

Leggy「IT'S A GUNDAM 」 — Yesterday at 2:19 PM Ha, god, probably. Paul has his moments, there's a good 80s interview where he bemoaned Frank Sinatra attributing a George song to maccalennon, but he doesn't seem to have been humbled until the Heather Mills circus.

vanessaaa0388 — Yesterday at 1:57 PM In one of the AKOM podcasts they mentioned a George quote about how he was the closest beatle to John back when it was only them 2 taking LSD… it's my personal theory than in those months he almost felt like he was finally taking over Paul's spot in John's life…I dunno, I get very competitive vibes from George. In his mind he was competing for John with Paul. At least in certain points. And I think John took advantage of that.

Leggy「IT'S A GUNDAM 」 — Yesterday at 2:20 PM Absolutely. Reminds me of, ha, Paul when he said that John was their personal Elvis. They all wanted his attention and approval. I also wonder if George was seeking a mentor somewhere and if he thought John was it since they dropped together.

vanessaaa0388 — Yesterday at 2:01 PM It's very complex, the Paul-George dynamic

Leggy「IT'S A GUNDAM 」 — Yesterday at 2:02 PM Paul is the one who's always looking for a "project" and can't turn off, being with him must have been exhausting and then you add being talked down to all the time. whereas John can be fun and turn himself off and then maybe the sting of being talked down to isn't so bad. And like we saw in Get Back when John said "we need George Harrison" because he realized George was looking for reassurance, so he could also build George up when he felt like he should.

I guess with John its more like "lots of fun with a few pointed barbs thrown in" whereas with Paul he's steamrollering you constantly and will only occasionally throw in a compliment.

maybe since Paul is more consistent, it meant more to earn his respect? or something like that, like Vanessa pointed out George was competitive for John's approval and attention.

Leggy「IT'S A GUNDAM 」 — Yesterday at 2:12 PM there's this consistent theme with George and Paul where Paul's closeness with John seems to really hurt and damage George. And its not like he could let it go easily either because Paul was also his teammate, not just John's. It was a quad act, not a double.

I think George said that being outside Lennon/Mccartney meant observing Beatlemania as a fan instead of as a bandmate. So he's getting all the trouble but very few of the benefits. And then there's the royalty issues on top of that.

Like, Paul was George's friend first, but then Paul pulped that friendship pretty much immediately when he saw John and never felt like he should do anything to fix it. And then George gets pulled into Beatlemania and then there's money problems and then Brian died.

Brian was George's big advocate I noticed, setting up a newspaper column in George's name (ghostwritten by someone else) because he wanted George to be his own brand outside the Beatles and maccalennon, so when he died a lot of that probably went down the drain too.

Leggy「IT'S A GUNDAM 」 — Yesterday at 2:23 PM George seems to have been very lonely in the Beatles but due to all this:

I know John also viewed George as the little kid. And I think this hurt George less because 1. John WAS that older kid/parental figure for so long. 2. You can't take what John was as seriously because he changes his mind day-to-day. 3. I think George honestly (probably) secretly respected Paul's opinion more. So Paul's remarks hurt more.

I guess it was easier to shift some blame onto Paul. A lot of George's spiritual journey appears to be about wanting to escape like when he sings about wanting to see God but being frustrated at how long it will take him. Its real but it also seems like he was pretty weary of life by his mid20s.

LocalGoblin — Yesterday at 2:40 PM Yeah, you're so right. John was also the other Beatle who was more spiritually inclined. He was the only one besides George who was fully committed to the India trip. (At least for a time.) This was probably something they bonded over too.

There's also that quote… I can't remember what interview it's from. But George was asked what it was like being a Beatle and he says he doesn't really know. He always felt like he was on the outside looking in on Lennon/McCartney. It must've felt like a very lonely place.

vanessaaa0388 — Yesterday at 2:40 PM I'm fascinated by J&P but I give George a lot of credit for putting up with them both for so long. I would've cut them out of my life so fast 😂

Leggy「IT'S A GUNDAM 」 — Yesterday at 4:05 PM honestly they ruined George's life in some ways!

[gumjester]

i made a map of ever after for my rewrite !! and also just out of general desperate headcanon organisation !! if you want some vague terrible and VERY long form of explanation of each of the regions ripped straight from my discord messages, look under the cut !!

the white kingdom: takes up almost the entire south of ever after. historical hub of trade as it spans a good amount of the river quill, very rich region as a result. this is apple's home turf obvs (as well as daring's) and home to almost half the actual population of ever after! many magical folk reside there, seeing as the kingdom borders the elvish district and pixie province, with faerie just behind. speaking of which!

elvish district: this is a canon region (though do not ask me where this is mentioned i presume it was in one of the books?? but i found it in my notes. i presume this is just where elves historically hung out. love it!

pixie province: where the pixies hang out!! i considered naming this pixie hollow but then half-remembered that pixie hollow in disney is like ?? an island?? with different regions for each season or something?? and i could honestly not even get into the geographical logistics of that so its just pixie province. and within this province is:

the thumbell kingdom: where thumbellina fucks around and does whatever it is she does in the story i havent read it in years

faerie: another canon region! i presume that, again, this is just where faeries be. faybelle's from here! but specifically from that little arm that stretches up into the dark forest. that arm contains a very high percentage of the dark faerie population of ever after, perhaps to no surprise.

the dark forest: SO MANY CHARACTERS R FROM HERE SO ITS BIG. ostensibly under the rule of the white kingdom, but there are local councils dotted about that hold more immediate influence. hood hollow is near the top border, a few miles from the bestia kingdom. ginger is from lower in the forest, kind of in the thick of it to be honest. hunter is from even lower down, near the centre. the centre of the dark forest is pretty rough territory, with most of the actual civilisation concentrated on the border to grimm county.

grimm county: where the brothers grimm originally set up shop. also a very rich region! more industrial than the kingdoms though, lots of factories, lots of apartment blocks. a capitalist hell! the county has been eating into the dark forest and the magical provinces over the years, in the interest of asset expansion.

grimm coast: more of an arbitary distinction, its still basically grimm county, but its got a lot more nature left and is relatively untouched by the industry. ever after high is here!

kingdom-by-the-sea: yet another canon region! basically nothing is mentioned about this in the books, so i've decided its one of the few regions actually ruled over by a charming family! most of the time, charmings dont rule any actual land, and are just absorbed into whatever kingdom it is they marry into (if any). but kingdom-by-the-sea is entirely charming! not a lot happens here, though. its mostly a holiday destination, but it is a high honour for the charming family to keep their beaches in top condition!

nottingham forest: back to the forest! sparrow is from here obviously, right on the border in that little bit that dips into the dark forest. i believe this region would be ruled over by a king richard? but i am truly not sure if that matters. hijinks occur here, a truly astounding amount of which can be traced directly to sparrow. quite rundown as an area, but not as rundown (and not home to as many dangerous creatures) as the dark forest

swan coast: duchess' turf! a rich (ish) and elegant region, with lots of man made lakes.

bestia kingdom: the only other kingdom to span the river quill! rocky, mountanous and pretty wild, not a lot of industry. home to almost the entire beast population of ever after, with a few spilling over into neighbouring regions. (through gritted teeth) rosabella is from here

queen's waste: this is actually a relatively new region within the timeline of my rewrite, created entirely through the events of the queen war. this region used to be the outskirts of grimm county, with the industry tapering off into small towns filled with people who wished to be closer to their work in the heart of the county. the evil queen essentially razed this region to the ground and repopulated it with her #MinionsOfDarkness, and it served as a barrier to her stronghold in the deadlands. most of those left without homes after the regions destruction fled to grimm county and the white kingdom.

hellhound marsh: this region was essentially barren of life even before the queen war. its basically all marsh, as the name suggests, and the few sentient creatures that lived there were trolls, which the evil queen was particularly enthusiastic about recruiting to her cause due to their virtual invincibility in combat. now, the only things that live there are newts, and terrifyingly large bugs.

the deadlands: raven's turf! a teeny tiny island where the evil queen carried out much of her tyranny, and where queen castle stands to this day, down to just two residents. windy, rocky, rainy, FREEZING. a villainous location if ever there was one.

the frog kingdom: hopper is from here :) very marshy, but unlike hellhound marsh, full of life! mostly frogs. lots and lots and lots of frogs! to me it has the vibe of a little village, lots of old stone cottages and plants EVERYWHERE. cozy little place. slimy though

kingdom of twelve: had to fill this space somehow! this is the kingdom of the twelve dancing princesses, where they get up to.... whatever they get up to in the twelve dancing princesses. justine is from here!

buff kingdom: yet another canon region that you can probably tell i was very annoyed i had to include because i made it tiny. this is where the emperor's new clothes story happens ! and thats it

the light forest: big, long old forest, with many more technical and civil advancements than the dark forest! blondie is from here, from bear woods, right below the lowest point of the bestia kingdom. its pretty nice all round in the light forest, lots of meadows that make you want to frolick and castles that make you go ooooooooh. lots of farmland here too!! the light forest is quite rich from acting as ever after's main produce distributor.

the old mountains: i'll tell you a secret! this is where the brothers grimm are from, WAY back in the day. the old mountains suck, at least according to them, which is why they made sure to start their ventures on the complete opposite side of ever after to them. truthfully, the old mountains arent all that bad! theyre quiet and the civilisation there is not massively technologically advanced, but they're very beautiful and theres a nice little tourist industry there. just dont go into any of the caves at night, because the things that live there have been there longer than any kingdom.

port avalon: our final obligatory canon region. i believe it was mentioned in a semi-charming kind of life? and no detail was given, it was simply called 'avalon', so i made it a port and decided that some stuff goes on there, but whatever it is is none of my business. im sure its fine

the ella kingdom: ashlynn's turf!! VERY beautiful region, not really bogged down by industry and city infastructure like the white kingdom, full of nature reserves and beautiful mansions and upcycling stores. hippie central, i feel. weed is legal there

the aurora kingdom: briar's home oh yeah!!!! almost as beautiful as the ella kingdom, just in a different, more antique way. theres actually... not a lot there? civilisation is quite sparse, and what is there has been there for hundreds upon hundreds of years and is not changing in a hurry. lots of town squares and charity shops. zero nightclubs. im losing the thread a bit here

story bay: its a bay........ also possibly charming-ruled? i dont know why they keep putting charmings in charge of beaches. probably because theres not a lot to them. even a charming could rule a beach

isle of charming: same deal. can you tell i was runnign out of ideas

rapunzel islands: rapunzel happened here i guess!!! very warm climate, living off the land vibes. people go here for festivals. the ibiza of ever after

ariel islands: completely forgotten to mention these OOPSS um the little mermaid happened here !!! people also go here for holidays but its more chill and cute like you could do it with your family ! fishing village!!!! sun and fun and poke bowls!!!! ive lost the thread but thats the end !!!

[gothicprep]

so, apparently marvel is in disarray. ahead of the marvels coming out this weekend, variety dropped a bomb on the studio's somewhat dire state of affairs, as the franchise has hit its first real rough patch since the release of iron man 15 years ago. among the issues: jonathan majors, whose domestic violence arrest continues to hang over marvel's plans to make his character the thanos-like heavy for the next sequence of movies, the weak box office projections for the marvels (which some have said is tracking lower than recent bombs like the flash), the unending flood of hashtag content on disney plus which is overwhelming audiences who are finding it harder to keep up with the interlocking stories that have served marvel so well over the years, shoddy visual effects, spiraling budgets such as the reported $25mil an episode for she-hulk, a show that looked terrible because of the shoddy effects work aforementioned, behind the scenes chaos as kevin feige works to slash budgets and kill projects that aren't coming together. one movie at risk is the forthcoming blade reboot with mahershala ali, which has gone through rewrite after rewrite including reportedly one draft in which blade was the fourth lead in, quote, "a narrative led by women and filled with life lessons".

that last line has provided a lot of laughs for people like jay gothicprep, and critics who insist that marvel's efforts to diversify the lineup have led to much of this disaster, indicative of disney's overall failure with things like indiana jones and the dial of destiny or animated projects like strange world or lightyear. while this is potentially true (i guess, it's possible) it doesn't seem true because this certainly wasn't the case when black panther and captain marvel were both cracking the billion dollar mark a few years ago. rather it just seems, more simply, that marvel has run its course. marvel was hit by a double-whammy of endings. the thanos storyline that'd dominated the first ten or so years of the project came to an end. at the same time, the pandemic began and disney plus started flooding the zone with content, creating a natural break point for audiences that had no desire to watch hours of tv to understand 1.5 plot points in whatever the next movie that's coming out is.

this preamble is getting kind of long, and i have a lot more to say, so i'm going to continue to thought dump about this under a cut.

first of all, i'm still laughing like a week later at the women led life lessons description. no one has disputed that it happened. that description is the funniest thing i've ever read in a trade industry report possibly ever. what in the hell, my friends. did a writer even talk to a producer about what blade was? it's a movie about a guy with a sword who kills vampires! it's pretty straighforward! that sounds like something i want to see! there were three of them already, and two of them were pretty good!

anyway, i think you can take that incredibly ridiculous description of a draft that maybe wasn't the main draft – this movie has been through tons of writers and directors – and see some of the real problems with marvel's creative direction, which is that they've stopped making movies that highlight the core concepts of their characters. there are other problems as well, but when's the last time they put out a movie that was like, "iron man. he's a guy in a metal suit and he fights a bad guy." or "spider man. it's a guy in a spider suit with spider powers. he's got girlfriend problems and he fights crime around manhattan and maybe there's dr octopus." they don't do that. their recent stretch of movies have all been these impenetrable multiverse stuff with ties to tv series that you haven't seen and maybe won't ever see. there was a whole 25 minute section in black panther 2 that was setting up armor wars and ironheart. and like. who needs that sequence, which was boring and looked like total garbage? and now armor wars is being redeveloped lol. they've just departed from a lot of the core concepts that powered their earlier films.

they have some other problems. they've leaned into a slate of characters that is not all that well-known or inherently super popular, even for marvel being able to deliver on making billion dollar films out of guardians of the galaxy and such. maybe with the exception of spider man, which they don't get a full cut from because sony owns the actual movie rights. then there's the fact that the streaming series, by all accounts, aren't great but you *feel* like you need to have seen them. they're all real big problems. marvel needs to go back to making movies that are named after a character who's a superhero with a clear concept. guy with spider powers fights crime in his neighborhood. even though those movies got kind of repetitive, they did well enough because they didn't stray too far from the character concept.

i think, too, as a viewer, when you have a studio churning out so much stuff that's not good, you get the impression that the superhero industry feels entitled to your time and entitled to your money while not delivering.

this summer also represents an interesting counterpoint to what's happened with marvel and dc. the sheer amount of stuff that you devote every waking minute to keeping track of the damn things got exhausting and made movies stop feeling like events. this summer we've had barbenheimer and the eras tour, and those have been both big events and felt exciting. barbie was a chance to be campy, oppenheimer was a chance to see something serious and cinematic, the eras tour was exciting for fans of taylor swift who couldn't afford to spend $3k on taylor swift. and they felt this way because they were all unlike anything you'd seen at the movies in recent years. they had a high standard of quality, and going, it genuinely felt like people were there because they wanted to be, not because they were being force marched by a cultural behemoth to be there. you can't summon that same kind of energy for a marvel movie when it both feels obligatory and you expect it to be bad.

it also feels like there's a certain contempt for the audience where it concerns quality problems. i mean, i don't think that this is the intention. marvel isn't saying "we can deliver this stuff that's garbage and people will see it anyway". but one of the things i thought was the most damning about that variety story was the fact that, on some of the marvel tv shows, the final effects were inserted after the shows were released. so if you watched the show on opening night, you probably didn't see the final effects work. the arrogance involved in that is insane. it speaks to a total vanished pride in putting out a good product.

even some of marvel's better regarded films were heavily edited and heavily worked on right until the end, in part because kevin feige would come in and fix things, so stuff would have to get reworked. that's why effects deadlines were super tight and people were always crunching at the very end of this. there was that incredible quote from sam raimi from a couple months before the second doctor strange came out where he was like, "i think it's done but i'm not sure. marvel, they work on their movies until the very end." the director didn't even know if his own movie was locked or not because he clearly wasn't the one making the decisions about what the final print would look like.

that can work if you're making two movies a year and have a supervisor that comes in during the process and says, "i need you to redo this, in this way". but when you stretch that out to three movies a year, plus god knows how many episodes of television, there's no way to do that and make it a high quality product.

an instructive lesson comes from the book "disneywar", which chronicles michael eisner's time at disney. and one of the things in this book was the development and deployment of "who wants to be a millionaire" in america. bob iger is head of abc at this time. the guys making this show do it for a week. audiences love it. it's putting up huge numbers. everybody is excited. it's crushing it in the ratings. and the people who made it wanted to keep doing special week or two week long engagements that people would show up for. and iger was like, "no. i want this every week, three times a week, forever." and audiences got burnt out on it quickly, because it was something that only really worked as a special that ran for a week and disappeared for a few months. that's what the disney plus strategy feels like with marvel.

[okaystoptellingmetomakeanaccount]

Unpopular DT opinion: I don’t care for Don Rosa’s work. None of it ever resonated with me. I dunno if that makes me a heathen, but whatever, DuckTales in the early days bores me to tears. Guess you can put me at the stake. 🔥

I do get it. Rosa’s work is not for everyone. It certainly has a very fanfic-y taste to it, and arguably isn’t very Disney-comic-like at all. Or it at least isn’t Barksian. Rosa more writes like it’s a Hollywood movie. For some that’s exactly its appeal, but for others it’s a turn-off. Both are fair.

Also his art is probably a problem as well. I know it is for many. It’s very stiff. Me being a big Rosa fan doesn’t notice it while reading, but the moment you go and look at the art of some professionals it does start to stand out in a negative way. Rosa’s difference is also that he puts 10 times the amount of time in drawing compared to other artists, partly because he’s technically an amateur, and because he wants the very best possible, but it does end up in often overcrowded drawings. Some might really love all that extra effort and the details, some would say, like I quote my mother: “It hurts my eyes”.

There are a lot of people who dislike Rosa’s stories, so it’s really not the unpopular opinion you might think it is. You might just haven’t encountered the Barks purists yet. Or even those who prefer the cleaner drawing and writing styles of… pretty much everyone else.

I have seen very little of the original Ducktales and it kind of bored me as well. I don’t think that’s an unpopular opinion at all actually. I see lots of people say that Ducktales 87 hasn’t aged well compared to like, Darkwing Duck. I would even say it was never that great in the first place. I find it a very childish adaptation of the duckverse that looked at Barks’ stories and misunderstood everything that was good about them. Gotta say though, that the animation and staging was beautiful. Especially for that time! That was some movie-level of budget they had or something, because it still looks great, and maybe even better than some modern animation we see in the industry today.

[angelfirstclass]

X-men finale reaction...

OMG, hell yes. This was epic, this was a triumph and looking at all of the ten episodes together, THE best X-men adaptation ever. It did honor to the source material and was the best decision to keep it in the 90s and not modernize it And it took it beyond and super deep. The music was epic- I want the soundtrack or would attend a live concert of the music. Then the plot and fan service done to the viewers was chef's kiss perfection. There may be detractors out there and I may come down from this cloud and be able to nitpick but not now. I'm too excited and thrilled.

Firstly, I love that Disney is promoting X-men on the main page and was the first thing I saw when I opened the app. Yes, Disney! Disney/Marvel, congrats. You helped create a masterpiece of modern storytelling that revived an old almost forgotten piece of comic cartoon history and pulled it into the modern age. It was perfect timing and us old fans who grew up on TAS was thirsting after, but you also brought in new viewers and viewers like my husband who could care less about cartoon superheroes. But the storylines were compelling and the writing was deep, X-men 97 deserves its flowers. (Spoilers ahead).

Secondly, the writing and character development in this episode was fan service, it was perfection, and it was very well written. Starting with Cherik which I had some objections to last week due to feeling that Xavier was being holier than thou and not understanding Erik. But in this episode seeing the lengths that Xavier would go for Erik melted my heart. I still have some thoughts about Erik "making his X-men turn on each other" as I feel that they are grownups with their own minds, but the rest of the episode with Xavier cradling Erik and willing to go down with the ship with him is gold. Then they busted out the Badass X-women and I loved it! I am a huge Rogue fan and they did right by her- she was accepted back into the team no questions asked and she was so fierce. I teared up when she attacked Bastion with the "Remember it" line and I loved the whole team stepping up, working together to battle Bastion. I also loved the Cable/Scott/Jean storyline and we even got some Morpherine!

Thirdly, some of my predictions came true! I predicted in a previous post that the Avengers and other Marvel characters would make cameos in the finale and I was right! It was a veritable who's who of Marvel characters and I cackled in delight when they popped up! Predictably, Iron Man and Captain America were in the White House with the President. I knew that they weren't sitting out on this one! Then we saw Daredevil, Silver Samurai, Black Panther and Dora Milaje, Psylocke and many more!

Last but certainly not least, Apocalypse and more importantly DEATHBIT! As a ROMY shipper, I squeed so much at this! The fans have been dreaming about this since ep 5 as it gives us even a sliver of having some part of Gambit back and now it's confirmed with that Queen of Hearts cliffhanger. Oooh yes! Even if it's not the Real Remy back, just having Deathbit and a glimmer of Remy back in the storyline is juicy and desired indeed. There are a LOT of Romy and Gambit fans out there and this satisfies us and has us wanting more. Even if it's crazy and complicated, fans are going to eat up a Deathbit storyline, so yes please! And beyond Gambit, Apocalypse is a badass villain- kudos for the writers going here. Comic and Cartoon fans alike can agree that time travel is interesting and will come up with many cool, fascinating new storylines.

I can't wait until Season 2, but until then I will be rewatching the finale a million times. I am so glad that the writers understood the assignment and gave us this masterpiece. It calmed my Romy heart, gave us amazing battle sequences, had fun Marvel cameos, and perfectly set up next season.

[bajistadiamond]

Yuu and the Magical Power of Songs

Yuu Singer, Scarabia (Arabian Nights)

Yuu was very happy to be in Scarabia (Even if he didn't remember saying yes to Jamil's invitation).

Jamil on the other hand didn't know if he was right to bring Yuu. He had hypnotized him into being another witness in Kalim's "madness and tyranny", but now he was regretting it himself.

If per se, Kalim is a sun. Together with Yuu that force of light was multiplied by a thousand.

Jamil was grateful that Yuu was a good cook and more focused than his personal karma.

The first night was turning out to be a lot of fun, even Jamil was enjoying himself.

Kalim was talking to Yuu.

The surnamed Asim didn't know why, but ever since he saw Yuu at the entrance ceremony he felt a connection. As if his magic told her to protect him. But he kept it to himself, maybe it was nothing, which was why he hadn't told Jamil.

Kalim was still sad that the other had not joined the music club.

But Yuu didn't want to, even though she had gotten better at controlling her power. He didn't feel safe using it on a stage with multiple people watching.

Kalim then excitedly suggested that he sing something for them, he swore to him that if anyone made fun of him he would punish him (Yuu thought that Kalim would just send him to a corner).

Yuu accepted and positioned himself in the middle of the windows that opened onto the balcony.

Yuu thought of a song he could sing and one of his favorite songs from Aladdin came to mind. Which belonged to his family before a distant relative sold the rights to that creation to Disney.

Which, unknowingly, was a song that had been created some years ago by her great-grandmother in that world.

Jamil was also focused on time. It was almost time to hypnotize Kalim when…

~ Oh, imagine a land, it's a faraway place ~ ~ Where the caravan camels roam ~

All of Scarabia looked at Yuu as flutes could be heard in the background playing a mysterious and ascending melody. As she sang, Yuu moved her hands gracefully to add drama to the lyrics.

~ Where you wander among every culture and tongue ~ ~ It's chaotic, but, hey, it's home ~

Viper was speechless. Whenever Yuu sang something in the depths of his being, he told her to use the aforementioned to be free and another thing he didn't understand, but he always ignored him. At that time, he wanted to pay attention to that voice even though he didn't understand its meaning.

~ When the wind's from the East ~ ~ And the sun's from the West ~

Everyone felt a warm wind that came from nowhere and everyone could see that the stars in the sky shone brighter. Yuu ever since he was a child hated the fact that he couldn't tell that Arabian Nights was created by his great-grandmother. But every time he sang it he felt an enormous warmth, he felt at home every time he sang it.

~ And the sand in the glass is right ~ ~ Come on down, stop on by ~ ~ Hop a carpet and fly ~

Suddenly, the rugs that those who were sitting on began to float. They all gasped in surprise, but laughed with delight and continued to enjoy the moment. In itself, they already had a hard time with the attitude their dorm leader was having. Yuu felt the magic flow through him and taking advantage of it he led everyone on the carpets outside; Although he was afraid of dropping someone, he put those worries aside when he saw that many had their pens ready in case of an emergency.

~ To another Arabian night ~

The note was so loud, it could have been heard even through the mirror. Yuu's rug was higher; from the perspective of the Scarabia students it seemed that Yuu touched the moon. Yuu's smile became more mischievous as he swayed his hips to the music that no one knew where he came from.

~ As you wind through the streets ~ ~ At the fabled bazaars ~ ~ With the cardamom-cluttered stalls ~

Kalim and Jamil felt that they had heard that song before. Kalim felt it more, wondering if he maybe he had known Yuu before from NRC or some relative… Jamil wanted to have Yuu to himself at that moment, the dance he made reminded him of the dancers at the parties in the Asim mansion. He knew that he was a servant, that was why he was planning Kalim's downfall, maybe he should use Yuu power to get the job done faster? No. Jamil didn't want his diamond in the rough to distrust him, he needed it…or rather he wanted it.

~ You can smell every spice ~ ~ While you haggle the price ~ ~ Of the silks and the satin shawls ~

The rugs moved across the deserted bedroom; the sands rose transforming everything into a bazaar. The lights, the colors, the aromas, nothing was missing. Jamil couldn't help but feel nostalgic.

~ Oh, the music that plays as you move through a maze ~ ~ In the haze of your pure delight ~

Many in the dorm were originally from the Land of Hot Sands, or as it was called the Scalding Sands worldwide. They felt a huge connection to the song.

~ You are caught in a dance ~ ~ You are lost in the trance ~

Yuu dances amazingly; every move was well timed. And she was getting excited, she was about to do something crazy that she hopes would work out as he planned.

~ Of another Arabian night ~

Yuu… jumped back. And everyone cried out in concern. Kalim instinctively tried to control the rug he was on forgetting that Yuu laa manipulated. The other students were about to use magic on him, when Yuu's rug moved quickly and wrapped him in a swirl of lights.

~ Arabian nights ~

And in the next instant, Yuu was back on the carpet, but wearing a beautiful white gown with sleeves made of lace and a gold headdress with rubies in her hair that sparkled in the moonlight.

~ Like Arabian days ~ ~ More often than not are hotter than hot ~ ~ In a lot of good ways ~ ~ Arabian nights ~

Everyone in Scarabia could only stare in awe as sparkles and wisps of gold came out of Yuu's hands transforming into dancers mimicking the same dance. But, everyone swayed their bodies to the rhythm of the song. Jalim only had eyes for Yuu; him for the first time he wanted something and would do anything to have it.

~ Like Arabian dreams ~ ~ This mystical land of magic and sand ~ ~ Is more than it seems ~

Grim just smirked at Yuu's spectacle. He loves Yuu's songs; he may always say that Yuu is his subordinate, but for Grim the human was his brother first and foremost. Even Yuu wanted him as such, so he and Yuu would be the most powerful wizard duo in Twisted Wonderland. And that was a promise or he stops calling himself Lord Grim.

~ There's a road that may lead you ~ ~ To good or to greed through ~

The sands moved creating a whirlwind that surrounded them all. The sky darkened as lightning flashed white and gold.

~ The power your wishing commands ~ ~ Let the darkness unfold or find fortunes untold ~

The whirlwind disappeared, but now there was a large tiger statue that Jamil recognized as the Sand Sorcerer's Cave of Wonders. Meanwhile, Yuu waved his hands to the sky. Her right hand glowed white and her left hand glowed purple and black.

~ Well, your destiny lies in your hands ~

Yuu then clasped his hands together causing the magic to coalesce and become a golden orb that he cradled in his hands. He lit up Yuu's face giving it a mysterious look when an unknown voice was heard.

~ Only one may enter here ~ ~ One whose worth lies far within ~

The sand monument's eyes glowed red, and its mouth gold. A shadow could be seen in the doorway; a shadow that Scarabia's students saw as the founder of their dorm.

~ A diamond in the rough ~

Yuu looked at Jamil when he said that sentence. The black-haired one felt very flattered by that. But, it is his opinion that the diamond was Yuu while he was a piece of coal. Jamil knew it, it was a snake as his last name described it, but he didn't see any other options he wanted freedom (and Yuu)... He didn't want to keep hiding his potential. The statue vanished and the sky cleared. The rugs were moved around the gardens and terraces of the bedroom.

~ Arabian nights ~ ~ Like Arabian days ~ ~ They seem to excite, take off and take flight ~ ~ To shock and amaze ~ ~ Arabian nights ~ ~ Neath Arabian moons ~ ~ A fool off his guard could fall and fall hard ~

The rugs floated back into the room and settled back into place as if they had never carried students feet off the ground in the desert. Yuu's rug descended much slower following the final rhythm of the song.

~ Out there on the dunes ~

Saying that, Yuu pointed to the vast desert behind the windows that opened onto the balcony. And then colored fireworks exploded in the sky. Ending the song.

Everyone stood up and applauded, others whistled with excitement at the incredible show and display of magic. Kalim was elated, and as he gave Yuu a hug he asked again if he was sure he didn't want to join the music club. Jamil looked at the sky forgetting for a few seconds all his problems and his plan. An Arabian Night without a doubt"

[dokidokitsuna]

...I just remembered I wanted to make my own statement on the AI thing. ^^;

So you've probably heard, but in case you haven't: Tumblr just sold out everyone's data to the AI trash compactors, they probably did it long before they gave us the option to opt out, and even if you do opt out they're probably still taking and using your work anyway (telling people to opt out instead of actually asking for their permission is already scummy business practice, but when it comes to AI it's functionally meaningless. :/ It's always "well, we're telling them not to use these people's data and we're hoping they'll be nice and go along with it" with no regulations or consequences if they decide to just steal everything indiscriminately...)

Despite that, I am not leaving Tumblr anytime soon. I'm looking into other sites*, but at this moment in time, I have nowhere else to go. ^^; Besides, I still like it here. When I left DeviantArt I was already getting sick of the place, having my art stolen regularly by "fans" and paradoxically getting less and less interest in my work over time. By the time the devs turned the website into eye-blinding slop with Eclipse, I was more than ready to move on.

But I still enjoy using Tumblr. I like writing long text posts that no one would bother to read anywhere else, I like answering asks, and I like the unique sense of humor and style among the users here. ^^ It would take a lot to force me out.

Also, I can take a little solace in the fact that AI-bros do not value "low-quality" art like mine. ^^; If messy cel-shaded sketches with visible pixels ever become popular, then I'll worry, but for now I think it's highly unlikely that anyone will want to wholesale regurgitate my art. If anything, I think prioritizing it in their datasets would only make them worse...and on that note, if you do have "high quality" detailed/painterly/semi-realistic art that would be targeted, I'd recommend 'poisoning' it with Nightshade/Glaze. Although I heard a rumor a while back that AI is "building immunity" to Nightshade and already learning to work around it, but I'm really hoping that was just a wishful lie from the trash compactors themselves. I haven't heard it repeated since then, so I think it's still worth a shot. ¯\_(ツ)_/¯

So anyway, like the post I reblogged said, I think the best thing we can do now is to make it clear that WE DON'T WANT AI ART. We don't care how easy it'll be to instantly generate thousands of hours of mindless 'content' to look at; we don't want it. Since regulation is lagging so far behind (wanna know why Disney's copyright hounds didn't shut this down on sight? Most likely, they're hoping to profit from it down the line) the only way to fight this right now is with individual litigation and consumer demand.

Don't support projects made with AI**; don't hate-watch them or spotlight them. Focus your energy on the millions of human artists who are still here, and need your support now more than ever.

*I've heard people mention moving to Twitter and/or Artstation: fam, you're jumping out of the frying pan and into the fire. ^^;;; IIRC, Arstation was one of the FIRST art sites to start flirting with AI, and Twitter has been selling off its users' data for several months already. Go there if you must, but don't go under the impression that it's "safer".

**Please keep a cool head when discussing AI art, and keep in mind that it used to mean something other than "mass theft". Artists have and still do create AI tools that are built on limited data sets with permission/compensation, that are used to aid them in their work and encourage human artistry (Vocaloids and DAW's, for instance) rather than stamp it out. Until a specific word evolves into popular use for exploitative AI, we're kinda stuck with this confusion, so remember to get the facts before you speak out.

P.S. Praying every night that this is a dumb fad that will soon die and go to the same hell as NFTs. >_< Praying every morning that the influx of AI art into its own datasets will eventually corrupt itself and make it useless. >_< >_< Praying every afternoon for both at once! >_< >_< >_< Like to charge, reblog to cast, all that

[lightandfellowship]

KHDR Re:Write - Giving Urd A More Prominent Character Arc

Hermod's rewrite can be found here.

The tl;dr:

Urd’s initial motivation: To explore the outside worlds and learn more about them.

Urd’s struggle: She realizes that when their mission ends, she will go back to her boring, normal life in Scala, once again forbidden to leave. This in conjunction with feelings of loneliness make her consider running away after their mission is complete.

Urd’s conclusion: The freedom to explore the worlds is still a motivating factor, but she realizes that protecting the worlds and sharing her experiences with her friends is her true desire, compelling her to stay in Scala and continue her training. Her loneliness can not be cured so easily, but her friends will help her work through it.

Below the read more is a rough outline of how I would implement this character arc into the story. Be forewarned that it's a fairly long and text-heavy post.

Four notes before we begin:

Rather than this being a full-fledged rewrite where I get to go ham and do whatever I want, instead my goal is to try and demonstrate how the game in its PRE-EXISTING state could have given Urd a more clear and satisfying character arc via fairly minor changes to the dialog, characters, and story. I want to see if this could have been possible without having to expend too much extra time and resources, since it seems like a lack of time/resources/budget is why her story got cut in the first place. So I won’t be doing anything drastic like creating entirely new episodes or anything like that. Same worlds. Same number of episodes. Same sequence of events. Same overarching plot.

Ideally, I would have liked to convey certain details about these characters and their story via secret reports/diary entries. Specifically, the sorts of details that would slow the pace down or feel a little too direct/clunky if addressed within the story itself. However, because of the self-imposed restriction I talked about in point 1 (i.e. no drastic alterations to the game or additions that would require extensive effort to implement), I won't be utilizing such a format, and so I will sometimes have the characters speak a bit more openly/directly about their feelings/thoughts than I otherwise would've liked.

Because I have a lot to say, I won't be providing summaries of the episodes I'm discussing as I explain my story changes. A fairly solid recollection of the game's events is...perhaps not required, but certainly helpful for understanding what I'm talking about and how I arrived at my choices.

I don't claim to know better than the writers or even be an experienced writer myself, this is just how I personally would approach giving Urd a more prominent character arc, because I think we can all at least agree that Urd didn't get enough focus in this game. If Urd's story hadn't been cut (presumably), I have no doubt that Tomoco Kanemaki would have come up with something better than what I'm proposing here.

But anyway, without further ado:

Urd's Motivation and Personality

During the flashback where the underclassmen explain their reasons for wanting to become Keyblade Masters, Urd says that it’s because she wants to explore the outside worlds and learn more about them. However, I feel that KHDR could do a better job of depicting this motivation throughout the game. Were it not for Urd directly stating her motivation in this scene, I don't think you could have ever reasonably guessed that this was her motivation based solely on her dialog and actions throughout the rest of the game.

She says her dream is to see the outside worlds for herself, and yet she rarely ever shows any particular interest in the Disney worlds that she does visit, or at least she’s no more interested than the rest of her friends are, which is to say: barely. It's a common gag/occurence throughout the game that the underclassmen are either disinterested or unsettled by the worlds and their inhabitants, and for whatever reason Urd is included in that. Sure, she’s on an important mission, but where’s the curiosity? Where’s the desire to learn more about the worlds? Shouldn’t that motivation bleed into her actions and dialog even a little bit? Even if she’s trying to reign herself back for the sake of the mission?

I think having Urd be just as indifferent/detached from the worlds as her friends is a misstep, personally. So in this rewrite, I am adjusting her personality a bit, in contrast to Hermod who doesn't really require any personality changes in order to have his arc make sense (to be discussed in his rewrite post). In short: I want her to be more excited and inquisitive in each world. I want her to be enamored by all the strange sights and sounds. I want her to get lost in thought as she analyzes some new find, her friends having to snap her back to reality and remind her of their mission. When the rest of the characters are awkwardly trying to ignore some oddity that's demanding their attention, I want Urd to be one of the few who actually shows genuine interest.

Like I mentioned, I know the characters are on an important mission and aren’t supposed to get sidetracked from their primary goal, but like, Vor and Eraqus were allowed to be curious and easily distracted by stuff, so I don't see why Urd couldn't as well, at least a little bit. I also think this personality change will provide more variety among the underclassmen, specifically in how they interact with the outside worlds.

Anyway, for the sake of not making this post any longer than it needs to be, I’m not going to list every dialog tweak that needs to occur in order to accomodate this personality change, just the most notable ones I can think of.

One last thing: it’s under-explored, but the game seems to suggest that Urd might be lonely. When remarking on how close Eraqus and Xehanort are, she says that she wishes she had a relationship like that herself. The implication seemingly being that she doesn’t feel like she has any best friends to share a special bond with. I think this desire for a friendship like Xehanort and Eraqus' may be further evidenced by the fact that she tends to tease Eraqus the most and is pretty friendly with him in a way that she isn't with the others, which makes me think that she's indeed jealous (in a nice way) of the relationship Xehanort has with Eraqus, and thus attempts to mimic their dynamic with Eraqus.

To me, Urd being lonely is too interesting of an emotional angle not to expand upon, even if the writers didn’t intend for her one-off comment to mean anything deeper. And I think her struggling with feelings of loneliness will synergize well with what I have in mind for her story.

Episodes 1-4: Establishing Urd's Character

The first dialog tweak: when Odin informs the class that they’re being sent on a mission to the outside worlds, in addition to Eraqus and Bragi expressing excitement at the news, I want Urd to be excited, too. She can still have her “Don’t sound so excited about it.” line, but maybe after she says that she makes her :3c face because she can’t hide her true feelings. Eraqus can reply with something like “Speak for yourself, Urd! Getting to see the outside worlds is a dream come true for you!”. Hermod and Eraqus can then have their usual lines of H: “Hey, this is serious! People are missing, you know!” and E: “Right. Sorry.”

As cool as the party member specific dialogs in Episode 3 can be, I’m dropping the mechanic where Episodes 1-3 let you choose your party member for the cutscenes. IMO, it's just bad for the story, because you can never focus on just one particular character and properly illustrate their unique personality; everyone's dialog has to be juuust generic enough to be easily swappable. Instead, in my rewrite, Urd is your assigned party member for Episode 1; perhaps she's even the one who requested to team up with Xehanort and Eraqus.

Not much happens in Episode 1 admittedly (it's mostly an exposition dump and premise setup), but in the very least it needs to establish and emphasize her love for exploration and learning. I think this can be easily achieved with the pre-existing Agrabah scenes. For example: when the party arrives to the outskirts of Agrabah and is attacked by Heartless, have Urd be disappointed that their first trip to the outside world was soured by their presence. When the party enters the abandoned city proper, have Urd express further disappointment that there’s no residents to interact with. Things like that. But obviously still have her be serious about their mission and the missing upperclassmen; she shouldn't seem selfish in her interests.

So Episode 1 is just kinda whatever, but It’s in Episode 2 that I definitely want her desire to learn and explore be in full force (she’s your primary party member for this episode as well. Which also synergizes with my Hermod rewrite—stay tuned for that, eventually). Everything in Wonderland is so strange and different and fascinating to her. The other characters find the world confusing and off-putting, but Urd finds it charming and unique. This does admittedly require Episode 2 to have some extra cutscenes/events since in the base game the only thing that really happens in this episode is the trial, and I think it’s still essential for Vor to be the party member in Episode 3 (where most of the Wonderland hijinks happen) since Vor doesn’t get much screentime in the second half of the game.

Two changes I would suggest: rather than the party waiting around indefinitely for the other underclassmen to show up to their meeting spot, and having the Cheshire Cat and Card Soldiers come to them, instead they get worried and decide to leave to go look for their friends, while running into these characters along the way. Then, take the tea party scene from Episode 3 and put it in Episode 2 instead, before the trial happens. You could even use this scene to foreshadow the trial by making it so that the White Rabbit fretting over his broken watch is because he doesn’t know what time it is and he fears that he’s going to be late for the trial. This will require some dialog tweaks in Episode 3 because the characters have an important discussion there that involves the Mad Hatter and March Hare, but it's nothing too hard to work around; maybe they just visit the tea party a second time, maybe they just bring up their interaction with them from Episode 2, or maybe they only talk about the Tweedles instead. There are multiple routes you could take to accomodate this change.

And rather than the Cheshire Cat directly telling the party that their friends are locked up, and the Card Soldiers mentioning the trial, instead I want the whereabouts of the other underclassmen to be more of a mystery that the party has to solve, with Urd being the one picking up on most of the clues just by being her inquisitive and observant self. Eraqus says it himself in some optional dialog that Urd has "always been good at figuring things out".

So ultimately, it’s Urd who realizes that the “trial” mentioned by the White Rabbit (because in this rewrite its the rabbit who mentions it instead of the soldiers), and the other “trespassers” mentioned by the Card Soldiers, are both in reference to their missing friends. (And maybe the Cheshire Cat gives the party a legit riddle too that they solve together, rather than being fairly straightforward in his hint like he is in the base game). Thus Urd paying attention and finding inherent worth in the strange and nonsensical world of Wonderland is what saves the day, her natural curiosity and collected knowledge about the world and its residents coming in clutch. This way, her motivations and personality can also be directly integrated into the plot rather than just being a character side story, and she gets the opportunity to shine, too.

And to tie in to the loneliness angle, I think some of the other underclassmen should be a little confused by Urd’s enthusiasm for the worlds they visit. Not in a mean or insulting or putting her down kind of way (they are friends!), but just a little at a loss for how to react when she expects them to understand her feelings and her point of view. The plot doesn’t need to highlight this too directly, just have Urd’s classmates being confused/unsure of something Urd says or shows them and then have Urd looking a little let down at their lukewarm reactions. Much like the underclassmen unintentionally leaving Vor out of stuff and underestimating her, I want this to be kinda subtle and under-the-radar. This would be mostly meant as set up for her arc later.

All that being said, I imagine Urd's loneliness isn't just because her friends don't always Get Her on a deeper level, it's also because she's not really open about her true feelings a lot of the time. Her official bio states that she's relied upon by the others, so perhaps she's too scared of burdening her friends with her own issues. However, relationships are a two-way street, and she's partially preventing herself from forming that close bond she desires because she isn't really letting herself lean on her friends when she needs them.

Episode 5: The Problem/Conclusion

So, to summarize, Episodes 1-2 need to establish her love for exploration and learning (and also give some brief glimpses at her loneliness) since she’s not present much in Episodes 3-4. Episode 5 is when her side story needs to officially complete. A rather quick arc, admittedly, but I think that’s what would work best in the framework of what the game gives us; the base game seems to suggest that her arc was supposed to end in this episode, anyway.

Events start to unfold when Urd realizes that once their mission is over, things will go back to normal and she will no longer be able to explore the outside worlds until she becomes a Keyblade Master. Something that might not occur for YEARS; heck, something that might not occur AT ALL if she fails her exam or if Scala's rules change. Thus, she starts to question whether she even wants to return home to Scala. What if, after their mission was over, she ran away? What if she got to explore to her heart’s content? She can’t imagine returning to her boring, normal life now that she’s gotten a taste of freedom. And maybe she can discover a way to cure her loneliness by finding fulfillment elsewhere? Perhaps it was Vor leaving in the previous episode that makes Urd realize that leaving is even an option.

Thus, in this rewrite, in Episode 5 when Lumiere offers Urd an invitation to stay in the castle, she actually seriously considers it. Of course Hermod and Xehanort are not happy to hear this, especially after what happened with Vor, and thus try to convince her to reconsider, but Urd is conflicted and doesn’t know what to do. She explains her concerns about being stuck in Scala forever, but is understandably reluctant to talk about how Eraqus and Xehanort’s strong bond has only reminded her of the closeness she desires and yet lacks. She loves her friends, but she doesn’t feel like she has a best friend who understands her on a deeper level, and she’s too scared of potentially hurting her friends’ feelings to admit this, so she keeps it to herself.

Xehanort doesn’t say it out loud, but he understands exactly the feeling of being stuck somewhere against your will and desiring connection and fulfillment in the outside worlds. He tells Urd that she should follow her heart on this. Hermod is taken aback and anguished at the situation, but doesn’t know what he can say to make Urd change her mind. They decide to just shelf the conversation for later so that they can focus on their mission of finding the culprits who stole the rose.

Vala witnesses this argument and decides to use what she's learned about Urd to her advantage (much like how Vidar witnessed Vor's conversation with the Mirror and then used that to his advantage). So when Vala finally approaches Urd, rather than trying to order Urd around (which didn’t make much sense as a tactic to begin with; that approach would have worked far better on Hermod, if you ask me) instead Vala tries to convince Urd that she can have the freedom she wants if she joins Vidar’s crew. She can explore to her heart’s content, with the benefit of having comrades at her side to keep her safe on her journey rather than having to run away and travel alone.

Vala, perhaps through her ambigious "vision" abilities, also correctly guesses about Urd's loneliness and tries to appeal to Urd’s desire to be understood by claiming that she and Urd are very much the same. They are both level-headed, analytical individuals who crave knowledge, and sometimes people are just too blind in their pre-existing beliefs to understand their (Urd + Vala's) "vision" of the world. However, Urd is unsure. She still doesn’t understand what Vidar is trying to accomplish, and as much as she wants to run away and find meaning elsewhere, if securing her freedom means having to harm the worlds alongside the upperclassmen, then she doesn’t want to do it. Plus, the thought of traveling the worlds with the upperclassmen rather than with her friends doesn’t sit right with her, despite everything.

Much like in the base game, Xehanort eavesdrops on this conversation, but this time Hermod has tagged along as well. In the base game, Xehanort alone eavesdropping on Urd and Vala doesn't really lead to much in the story as far as I can tell, because Urd reveals her conversation with Vala in the very next episode. I think this might be a dropped plot thread where Xehanort was supposed to sit on this secret information for a while longer before acting on it somehow, but in any case, it's no longer necessary for my rewrite, thus Hermod is now here as well. Perhaps Hermod initially tries to approach Urd right away, but Xehanort pulls him back and convinces him to stay in the shadows in the hopes that Vala will reveal something important about Vidar's plans.

As they eavesdrop on the conversation, they finally learn of Urd’s secret loneliness, and see that Vala might successfully persuade Urd to leave them just like Vidar did with Vor. Hermod simply can't let this happen, and so against Xehanort's wishes he bursts into the room, interrupting Urd and Vala’s conversation to grab Urd’s hands and tell her how much she means to him and their friends. He doesn’t invalidate her feelings, but apologies for making her feel so lonely. He never meant to make her feel like she was different or weird for her interests; he may not always understand her, but he thinks she’s amazing and brilliant. And he’s willing to help her in any way he can and support her in whatever she decides to do. Perhaps he and Xehanort even bring up how her interest in the worlds was essential to saving their friends in Episode 2, to show her that she's valuable and appreciated.

Hermod's impassioned and sincere speech along with her own misgivings about Vala's offer help Urd realize two important things. One, that she enjoys exploring the worlds so much precisely because she gets to share that experience with her friends; it wouldn’t be the same without them. Yes, maybe there’s still this feeling of loneliness inside of her, and maybe she still wishes that her friends and her were more on the same page about certain things, but sharing a laugh, fighting by their side, and just getting to spend time with them are still precious experiences for her, and not to mention, her loneliness would be so much worse if she didn’t have her friends by her side at all. It’s not perfect, but she still loves them dearly, and she knows they love her back. And who knows, maybe they’ll be able to help her work through her feelings now that the cat's out the bag.

The second thing she realizes, is that exploring and learning about the worlds and its people, though a big part of her motivation, is ultimately secondary to wanting to protect the worlds and its people. Which is what being a Keyblade Master is all about, really; a goal that can only be achieved by staying in Scala and continuing her training. And a goal that would certainly be jeopardized by assisting the upperclassmen.

I imagine Urd directly talking about at least some of her thought process here when she refuses Vala's offer and explains to her why, but the rest should probably just be implied. In any case, these two realizations make her change her mind about running away. As she says to Lumiere later:

Her home is with her friends in Scala, and she has the important responsibility of protecting the worlds she holds so dear.

And when Urd says “[The Beast’s] wish will come true, I know it.” she’s implicitly including herself in this statement. She knows she’ll gain her freedom one day and form the bonds she's looking for, she just has to be patient and believe in herself. Additionally, I want this line to now invite comparisons between the Beast and Urd: the Beast, lonely, trapped inside his castle, wishing for a genuine connection, ignorant of how he is surrounded by servants who love him unconditionally; and Urd, stuck in her little world of Scala, wanting to find fulfillment in the worlds outside, feeling distant from her friends despite them loving her deeply. Oh, and, perhaps Urd telling the servants to help keep the Beast's spirits up could parallel how Urd is now going to allow herself to rely on her friends for emotional support.

Finally, to make her untimely demise a bit more of a gut punch, I think it’d be fitting if Urd got to have some dying words. Maybe something like “But I never...got to...” Got to what? Become a Keyblade Master? See all her friends one last time? Explore all the worlds? Who knows, she doesn’t get to finish. That’s for your imagination to decide.

And yeah, that's my pitch. Thanks for reading this far. If you have any feedback, ideas, or criticisms, feel free to add on.

[pointy-spiral]

Hello! I hope you still take requests, if not I'm so sorry to brother you!!!

Anyways! I would love to see more of your yuusona, I think they are so cute 🥰.

And please tell us more about them :D

JKDLSJIIOAUEIOWUIOJKFLDJKFDL THANK YOUU!! :') not a bother at all!! This is such cute and sweet request!! u lil cutiee!!

i haven't really thought out much about her yet, and shes not really based on any specific Disney character, but i have some fun facts about her-

Her shirt is the same style as Epel's, because its a spare pomefiore shirt that Rook gave her during her first week at school. She's really scared of him though. Her first encounter with him was him commenting on her messy uniform, (since i doubt that Crowley would do much more than just grab whatever's in the lost and found basket for Yuu and call it a day) Rook basically drags her to Pomefiore to play dress up while she tries desperately to find some excuse to leave jkhfdfdshhsd

She wishes she could have just kept the job as a janitor instead of being a student at first (but she comes to like school starting the second year) since she enjoys cleaning and tidying and just going for walks, so being an errand runner for Crowley didnt seem too bad to her.

Because of this i wanted to make Floyds nickname for her "Vampire squiddy", since they feed on marine snow and are generally one of the "cleaners" of the deep sea. They live really deep in the sea, matching her gloominess and dislike for crowds and bright light. BUT THEN I REALIZE THAT LILLA CALLED DIBS ON BEING VAMPIRE SQUID so now i don't know anymore... i guess shrimpy still works..

Ever since accidentally stepping on Leonas tail she's been avoiding him like the plague. She thinks he's still mad at her, and nearly cries anytime she sees him dshdhdhdfhj she thinks he's super scary

The skirt she actually sewed by hand herself , using a spare curtain from Ramshackle as fabric.

Back in her "home world" she used to collect and make her own jewelry, the one she wears is one of them. She makes friendship bracelets for her friends of course.

She's good friends with Ortho, and they are desk neighbors. He's tried multiple times to invite her over for game night but she's too scared to hang out with Idia around. But her an Ortho hang out and study together a lot :) he's the designated extrovert friend

She became friends with Jade by being forced to wanting to join the Mountain lovers club. Its actually pretty good, since its a long walk and she can forage for stuff to eat so she can save more money (Crowley pays us in a handfull of pebbles and a pat on the back i swear to god) He's the social anxiety shield and talks for her sometimes.

She still kind of works as a janitor, and she stays after school hours to clean. And uses her job as an excuse to stay away from people, too much to clean!! so many floors to mop!! no i cannot come to ur party Kalim i am so so sorry!! would love too but i have to deep clean the school, by myself, all alone!! tomorrow as well! and the day after!! fdhdfshdshj

Has absolutely bonked Ace in the head with her broom!! he deserves it

Azul tries at some point to get her to be a janitor at Mostro lounge but she runs away from him mid conversation

Secretly very insecure about her height, thinking shes too tall for a lady, plus it just makes her stick out more as well

(actually as im writing this i realize she could be based on Cinderella in a way!!! with the whole evil stepmom (crowley) making you do a bunch of shitty work. im getting ideas.. >:) teehee gonna redraw the ball dance and glass slipper scene with her and someone maybe mwehehehehe)