#but then i remembered that IT'S *MY* STORY and I can write a scene about a vamp bat hitting a window

[rayroseu]

dont know if this is a hot take, also this is kinda disturbing ig bcs it involves Lilia harming baby Silver a bit 😭✨

but this is my favorite scene of Lilia in Silver's dream lol As you know, I used to be a truther that Lilia hated baby Silver at first because he is human, a human from the enemies that killed his friends-- It doesn't make sense for him to immediately love him, and I'm glad at least the story expressed that even for a bit, just in this scene.

I imagine Lilia was about to strangle baby Silver here to avenge Meleanor and Levan, even though in game, there was no gripping sound, this is what I imagine 😭✨ The way his hand closes to that fragile neck, with an awaiting strength to choke out the life out of baby Silver OHHHH ITS SOO ✨✨✨ MHM !!!! TAKING OUT THAT CENTURIES WORTH OF HATRED TO AN INNOCENT PERSON WHOSE FAULT IS THAT HE'S JUST THE REMNANT OF THE CAUSE OF YOUR MISERY MHMM ✨✨✨‼️‼️‼️

Maybe he also could imagine he couldve killed Knight of Dawn this way as well, for taking away all that he loved, but as he closes to the actual part, he didnt grip Silver's neck nor wound him, but rather wiped the tears that keeps staining his cheeks 😭✨✨✨

But if it was me who'll write this, I could let Lilia harm him for a bit but hesitates for a last moment as he remembers the peace he must keep between Malleus and humans... Imagine he picks the baby up and that fresh marks of strangulation is immediately reflected, even though in his heart, that hatred for Dawn and the Silver Owls persists, that he shouldve done it so he can clear out the guilt, there was this unfamiliar feeling of regret as he stares at the wound, but why pity this little baby that he only met for a few minutes? Its more deeply intriguing if at this moment, Lilia's heart is torn by hatred and the desire to love Silver, and makes his question about if he can truly love humans if he still abhors hate for them but theres willingness to love them 😭✨

I love stories where you'll learn how to love 😭✨✨✨🙏

[loves-77]

You Are My Honey

*TW* Yandere, obsessive tones, mates, Bear hybrid, NOT PROOFREAD (Tell me if you notice anymore)

THIS IS MY FIRST STORY I HAVE EVER WRITTEN SO IGNORE ANY MISTAKES, I AM STILL TRYING TO FIND MY PERFERED WRITING STYLE!

TELL ME IF YOU WANT A SMUT PART 2!!

*One part of my story is inspired by a scene in another story I read, don't remember the author*

*Not My Picture*

What had the world become? You sit alone on your couch in a small little apartment you could barely afford, for what? To get up in the morning go to your job at the floral shop and make a couple bucks a day?? All alone because you don't have time to invest in a romance that would probably end after a month, because who would want to be with a 'workaholic' who only has time to stay at their job. All your friends got some husband or boyfriend or...... mate.

The subject of 'mates' confused you, hybrids are just now being accepted into society and now are 'mating' on people. With how many hybrids are finding their mates the government is passing a law allowing them to be with said mates. The thought scared you, maybe because you didn't know enough about it. Imagine going about your normal day and some random person, with ears or a tail, starts talking about how you are destined to be together. Scary, or romantic??

Finally getting out of your daydreaming you look at the clock and realize you are gonna be late for work if you don't leave this second. Running out the door, almost forgetting your bag, you rush downstairs and run down the street. You lived pretty close to the floral shop so it was easy for you to get there fast. Barley making it on time your boss gives you a long list of orders you have to prepare. Your day has officially started..

*Time skip*

After work you make it back to the apartment, dropping your keys in your tray and making a bee line to the couch. Your phone rings and you realize your best friend was asking if you were free. Once you text them you are you start getting ready. They didn't give you a lot of details but told you to dress casual.

They text you to meet them outside your apartment in 30 min and they were gonna pick you up. Getting ready you finally make it down the stairs and wait outside for her. Seeing her car pull up and her getting out you both greet each other. "You are gonna love it" she said, "I got invited to some party on the nice side of town, supposedly there is going to be a lot of nice, respectable men there!!!" Winking at you she started the car and started driving. "You know I am not looking for anyone right now, no one is gonna wanna be with me when I can barely go out. I mean I got lucky today and my boss let me off early!" "You might find someone who doesn't mind.... Or someone who makes some money, so you don't have to work as much." Both of you start laughing.

Finally making it to the house you guys pull into the drive way and a bunch of people walking around, inside and outside. "Is the house made of just glass" you question. "I guess it is the new thing with rich people, let everyone see your business" You both get out of the car, after parking it, and walk toward the entrance. Suddenly the both of you tense, realizing there weren't just humans at this party. Now you both don't have a problem with hybrids going into public places or having the same rights you have, but never being near one before and seeing their sharp teeth or ears freaked you both out.

You were the first one to relax a little, realizing they were just there to have fun, like everyone else. "I didn't know they were gonna be here sorry" your friend apologized. "It's OK, they are here just like us, no problems." You both walk in together and browse around to see who and what exactly was here.

A loud booming voice can be heard across the room. Everyone's heads turn towards the owner of the voice. You freeze in fear, or maybe just shock, you aren't quite sure. But you know for sure that the owner of that voice is not someone you want to cross paths with ever again.

He was ginormous with arms that could pick you up and throw you a mile away.... maybe even more than that. His shaggy honey brown hair draped around his face almost majestically. He smiled and you noticed his canines are pointier that anyone you have ever seen before.... wait, wait, wait. You could hit yourself for not noticing the round brown ears on the top of his head. That is why he is so much bigger than everyone in the room.... he is a grizzly bear hybrid.

You look to your friend in panic and notice she had the same look on her face. Grizzly bear hybrids are rare and tend to be more aggressive than other predator hybrids. You have never seen one before in person, you considered yourself lucky until now.

Finally zoning back in from your panic you realize that some non-hybrids share the same look as you and your friend do. Looking back over to the owner of the voice you catch his stare. Freezing up once again you can't look away from those... black eyes? or maybe they are a dark brown, you can't tell from the distance. Snapping out of your shock you realize he stops to... sniff.... no he can't be sniffing the air... can he?

Then realization hits you when he starts heading your way. You heard that hybrids could smell who their mate is, but it couldn't be. You can't possibly be his mate. Panic sets in again and you couldn't tell if you were overreacting, it couldn't be you he was heading towards. But still, you grab your friend's arm and bolt away before he could get close enough to start a conversation.

"What- Where are we going??" Your friend asks "We need to leave right no-" "WAIT, YOU IN THE (F/C) SHIRT!!" You could have sworn the ground shook with how loud his voice was. You don't freeze, now that you know for sure he was looking for you. "Is that-" You cut your friend off "We need to leave." She doesn't hesitate to grab her car keys from her pocket and catch up with your fast steps.

Looking behind you see the hybrid trying to make his way through the crowd. "WAIT, WAIT!!" He sounded so desperate, you almost felt bad if you still didn't feel the pit in your stomach. Looking ahead of you again, you both make it to the front door, storming out of the house and to the car. While your friend was starting it you both hear the front door slam open, turning your head to the side you see the hybrid rushing out. Your friend gets the car started and hits the gas to go forward. Looking back, you see him chasing the car with.... were those tears in his eyes? No, it couldn't be, he didn't even know you. Finally relaxing in your chair, you lay back and look at your friend and say, "I don't think I am going to go to a party with you for a while." Making eye contact you both start giggling. "I understand completely" she says in between her giggling.

*Time Skip*

You wake up with a raging headache, barley remembering what happened yesterday you groan and sit up. Then you pause as you remember who you saw and ran away from yesterday. A chill goes down your spine and you remember his smile with those pointed teeth. But you snap yourself out of it and say, "He didn't do anything wrong; I shouldn't be scared for no reason." But you can't shake the feeling of fear you felt when you saw him.

Getting out of bed you get ready for work, which you are supposed to be there in an hour. Changing into a cute shirt and jeans you make yourself your (Favorite breakfast). Once you finish your food, you grab your keys and head for the door. Getting in your car you start heading over to the floral shop. Entering the store was a whole dream, all the beautiful flowers and the addicting smells you can't help but smile. Making it to the back your boss greets you and gives you the orders to start the day.

A couple hours later you hear the door open and close, looking up to greet the customer you freeze. "Welc-...." Standing before you was the (at least 6'3) huge hybrid from yesterday. "I have been looking all over for you! Since you left so abruptly yesterday, I tracked down your scent and found you here! I was going to go to your apartment, but I thought that might have been too far." The smile on his face not disappearing, even after you didn't respond and just stared at him.

"You found me by my..... scent??" The sheer surprise you had confused him, his eyebrows furrowing. "Well of course honey, how else would I find you?" ..... Honey?!?!? Why is he calling you that?? Shaking the shock off you respond "Excuse me? I don't know you sir and I don't appreciate being called honey." If it could even be possible his eyebrows furrowed even more, before it looked like he realized something. "Oh dear! I forgot to introduce myself!! My names is Caleb, and I realize this might seem weird for you but... how do I word this.... well you are my mate!" The smile on his face grew 10 times when he said 'mate'

Chills rushed down your spine, and not the good kind. "Did you just say mates? No that can't be, I am sorry, but you have the wrong person." You almost felt bad as his face dropped, but you reminded yourself he basically stalked you to work! "But -" You cut him off, "I am really sorry and I wish you the best of luck finding who you are looking for." Tears started welling in his eyes.

"(Y/N)!" Turning around you see your boss, "Yes, sir?" "Come here right now!" Looking back at Caleb you quickly turn and rush to the backroom. "Wha-" You were cut off, "You need to leave, and take the b-bear with you!" "What si-" "LEAVE! You are gonna make business go down, so take him with you!" "Bu-" You were being shoved out of the room towards a very hopeful looking bear.

"You kids have fun!" Turning around the store door was closed in your face. Turning around to look at Caleb, you turn and start walking towards your car, keeping silent. "Wait!" Your arm was yanked backwards. "LET GO!" "No." He growled with a snarl on his face. "You are going to come with me so we can talk. Don't argue because you aren't going anywhere." Shutting your mouth, you start to walk with him, not wanting to be on his bad side. But you can't stop the small tingle you feel in the spot he touched.

He led you to a black car, opened the door, and gently pushed you inside. Once he got in, he started the car and got on the road. "Where are we going?" you managed to get out in a calm voice. Smiling over at you he replied, "Home of course." You had the feeling that it wasn't your house he was talking about.

*Time Skip*

It seemed like you had been in his car for hours, but it was just 30 minutes. Glancing over at him he seemed very content with a light smile on his face. You realize this might be because he finally has what he has waited his whole life for, his mate. Thinking back, you feel bad you just ran away from him and didn't even give him a chance to talk. Looking at his face you think he is very handsome, and you are surprised you didn't notice before. His jawline sharp, light freckles dusting his face, his shapely nose, and he had longer lashes then you did. "I hope you are pleased with how I look." His deep voice scared you out of your daze. Quickly looking away from you stare at the road ahead of you. Out of the corner of your eye you see him look towards you and say "You are so beautiful. So much better than what I imagined my mate to look like." You felt your cheeks heat up as you take a quick glance at him, luckily, he was looking back at the road.

Now going through an internal debate, you realize you don't feel scared anymore. It was almost like your body was relaxing after being with him and not fighting it. Trying to fight off the feelings you can't help but look over at him and say "Why am I feeling like this?" He glanced at you before turning his eyes back on the road. Looking concerned he said "Feeling like what? Are you feeling ill?" Sighing you say "No I don't feel sick but why do I feel comfortable with you? You basically just kidnapped me." You see a small smile making its way on his face, "It is because we are mates, you don't feel it as intensely as I do, since I have better senses than a normal human. But we were destined to be together it's only natural your body is reacting to my pheromones while your brain might be denying it." He suddenly reached a hand over and grabbed your hand. Tingles exploded everywhere just from that touch. You didn't move your hand away, even though you probably should have. Staring at your intertwined hands you couldn't help it, it just felt.... right.

Not even paying attention to the time anymore it takes you a quick second to realize the car stopped. Looking up you make eye contact with Caled. The smile on his face was so sweet you practically felt yourself melting, those dang pheromones. He turned and got out of the car, gently dropping your hand. You can't help but want to hold his hand again, even after everything. He opened the door for you, gently taking your hand again as you got out. As he went to pull his hand back you held on, refusing to let you go. You could see a big smile formed on his face as he looked at your hands.

Looking up you realize how far you must be from the city; you look at the beautiful cabin house, the log details, and the wrap around porch. The forest surrounding you was just as beautiful. Looking to the side of the house there is a small gravel pathway leading into the forest.

"Welcome to my home, well I guess it's ours now."

Looking at him, the sentence and you lightly pull your hand away from his. There is no way you are going to move in with him after just meeting him.... mates or not. A big frown formed on his face when you pulled away and hurt flashed in his eyes.

"I am not moving in with you. We just met! I don't appreciate being pushed into things. I know nothing about you, and you don't know anything about me."

Stepping back from him just a little. You see a change in his eyes, anger, or frustration? You are not completely sure.

Completely ignoring what you said before he continues on.

"My grandparents built this cabin when hybrids were still outcasts. Then it passed to my parents and now me. My parents built their own house further into the forest and decided I could have this house for my mate when I found her. No one knows about it."

Something flashed in his eyes when he said the last sentence. A chill ran down your spine and not a good one. You didn't like the implication of that at all. Your instincts were screaming to run and you couldn't fight your instincts. Not even giving your brain a chance to think, you bolted.

Running straight into the forest you curse yourself for not wearing running shoes to work today. You heard Caleb behind you shouting something, he sounded desperate and wounded. He sounded far enough away you know you surprised him by running. But you knew he would catch up to you eventually and you could hit yourself for not thinking about it before just bolting. There was a pain that you felt in your chest, but your adrenaline stopped the pain. You jumped over rocks and logs not wanting to slow down or trip. You could hear behind you Caleb was gaining on you and fast. Your legs burning you suddenly change routes. You hear a loud curse behind you and knew you shook him off your tail for just a second. That small victory didn't last long as the back of your shirt was yanked. Your back hitting a soft but solid chest.

You were absolutely winded while it seemed like he didn't even break a sweat. Looking at his face you shrink into yourself seeing a furious look. He had a snarl on his face and his eyebrows were furrowed together. You can't help but whimper slightly and you see sadness flash in his eyes just for a second before going back to anger.

"Where do you think you are going." He growled and you couldn't help but flinch at his tone.

"I was being nice and showing you my home, the one you are going to live in with me. I was going be nice and give you a week to stay at your house before moving in but after that stunt you pulled aren't ever going back."

"I'm sorry!" you practically cry out, shaking with fear. Turning around and grappling onto him, crying into his chest.

You couldn't explain it but the moment you ran it felt like your heart got torn out. But now, next to Caleb, the pain stopped.

"Why do I feel like this?!?!" Tears streaming down your face.

"Why do I want to be next to you so bad? Why did it hurt when I ran away!?"

You feel his muscular arms wrap around you and start rubbing your back. He started cooing and telling you it was ok, and he would explain later. His anger completely dissolving as he realized you felt the same pain he felt when you ran. Like someone just stabbed his heart out. Feeling yourself get picked up, you wrap your legs around his waist, stuffing your face in his neck, and wrapping your arms around the back of his head. You felt yourself calm almost instantly after putting your head in his neck. But the tears didn't stop even if you felt better.

"Let's get you back home, then we can clean up and eat something." He spoke so softly you almost wouldn't believe the anger he held in his voice not even 10 minutes ago.

Relaxing into his body you think to yourself, maybe it wouldn't be to bad if you just stayed with him.

[twinsarekeepers]

I’m curious as to your honest thoughts on the show? Like I love pjo and all but the show was a bit of a let down writing wise. There’s always the point of “it’s an adaptation, not a carbon copy” like yes but this new writing isn’t exemplary better than the book just because it’s rewritten by the author himself

I think the show is well-written not because Rick is attached to it, but because I actually like the way the writers are approaching adapting the source material. I have a lot of issues with the original books in terms of writing quality because frankly speaking, I don’t think Rick is a very good writer. He has a lot of interesting things in those books that he never explores or drops within the first two and this fandom gives him and the books too much credit imo.

This is why I’m not very moved when people try to ascribe meaning to a certain scene or choice he made in the books to get mad at the show for changing. As an example, one of the main things people were upset about was the kids “knowing everything” in the show when they were getting tricked left and right in the book. Many posts were dedicated to how the book version is superior because it illustrates how they’re just twelve years old kids so of course they’ll make mistakes and get tricked by monsters.

That’s a perfectly fine interpretation but I was twelve years old when I first read tlt and I was able to anticipate almost every single trap, despite being pretty gullible and naive at that age. My knowledge of Greek mythology consisted of Disney’s Hercules, maybe two Google searches, and my second grade teacher’s reading of the kid friendly version of the Odyssey. No where near the level of Percy who’d been learning for a whole year in an established class on the topic with Chiron or Grover who was literally a satry born into the world or Annabeth, who spent the majority of her life dedicated to studying specifically quests and Greek mythology and was also on the run fighting monsters for a good portion of her childhood. Like twelve year olds can be dumb but those three stumbling into every trap was asking me to suspend my disbelief too far. I remember being upset that they weren’t able to figure it out because it was obvious that Rick wasn’t making that choice to show any personality flaws or character dynamics (because he would’ve had them learn and grow but they never did they just kept being not smart), he just wasn’t able to figure out a way for them to fall into those traps organically so he had to dumb them down.

I think the show was able to get across the characters’ childishness without compromising their established backstories. Yes, Annabeth knew it was Medusa right away because that makes sense for a kid who has experience with running into monsters. But, she still acted very much like a child in her interactions with her (and throughout the episode and season). She lashed out and called her a liar and wouldn’t listen to her side of the story because it painted her mother in a bad light. That’s peak twelve year old behavior.

Yes, Percy figured out Kronos was behind everything, but it makes sense because Percy knows Greek mythology and where Kronos resides. He still very much acts like a child when he asks Hades to give him back his mom in exchange for nothing because it’s the right thing to do.

There are dozens of examples like this for a lot of complaints of the show. And this is not me saying that the show is perfect: every single show has flaws. For me, I wasn’t the biggest fan of the dialogue or the exposition dumping. It didn’t hinder my enjoyment though because I don’t think it was egregious (and wrt the exposition dumping, I expected it because the book did it and there’s really no way to “show not tell” Greek myths). I also didn’t like that we didn’t get to really see the huge clashes between Zeus and Poseidon in the weather (we got references to it through news reports but I would’ve liked something more). I was able to look past it because I really liked the storytelling and the themes the show was pulling out of the original source material.

I loved Medusa-Sally parallels and Medusa-Annabeth parallels. I loved the juxtaposition of Pan’s quest to manifest density. I loved Percy and Annabeth’s opposite trajectory in respect to their relationships with their godly parents. I loved exploring Sally’s choice to send Percy to school instead of camp. I loved explicitly coding Annabeth as autistic. I loved Luke’s backstory being brought earlier into the story. I loved the deadline passing and Poseidon surrendering to save Percy. I loved Persues-Andromeda and percabeth parallels. I loved fleshing Grover out. I loved glory vs home seeking being the central theme of the show.

And lastly, I was able to understand that with a limited number of episodes and run time (due to the nature of child labor laws!), they did the best they could and I feel like they did a pretty good job for a first season.

These are not ALL of my thoughts on the show because that would be a very long post. I gave one detailed example of why I think the show succeeded in something the fandom tries to ascribe the books and it was like three paragraphs lol. Anyway this is not the post to try and convince me that the show is bad for whatever reason you have cooked up. I’m not going to change my mind and I doubt I’ll change yours. Here’s to a season 2 that builds on a solid season 1!

[the-letterbox-archives]

is there a muse or inspiration you draw from when it comes to your stories? you just have so many and i’m wondering what fountain of immortal writing youth you drank from, dawg LMAO

last ask before signing off! but this is such a fun one to think about!

i don't have one surefire source of inspiration (other than my chronically silly brain), each story has a different landing pad that usually consists of a random thing that i've taken inspiration from, and a question to drive the work (some are very edgy or philosophical haha). they come from incredibly random sources, but i can list the ones i remember!

tales from a dying heart

where it came from: i wanted to write an anthology as a break from my old novella structure, and i was thinking about love. obviously i had to fuck it up because god forbid anything on the archives is happy. fun fact: that was originally the only story the archives was meant to hold! it was the first and only story, and the blog used to be themed after tales from a dying heart entirely (that's why my current pfp is still the heart itself)!

driving question: "why does love hurt people?"

the rockdove promise

where it came from: originally a group project that i had the idea for (i was itching to write something with mythology and more classic fantasy if that makes sense). when the others couldn't continue it, i had already fallen in love with the world and gods, so i added more to the worldbuilding, and added characters i was passionate about (and found my first ever character punching bag, laszlo).

driving question: "how can we save what we care about from oppressive control?"

insincere.

where it came from: i had one of my worst days where i couldn't get out of bed. i had the idea to channel the feelings into a story, so i got out of bed, and wrote insincere., then decided i wanted to keep it going after my initial bad day.

driving question: "how can we feel happy?"

on kingston alley

where it came from: someone, i think it was @noxxytocin, added me in a tag game that involved writing a scene with the provided line. i was a young, growing archivist back then and didn't understand the concept, so i wrote a short screenplay, giving it a fun mystery hook (because i felt like it) and some repressed sapphics, then decided to continue it because the format was so freeing!

driving question: "why do we forget the victims?"

school rules

where it came from: a novel i abandoned because the format wasn't clicking. i axed the mc, replaced them with sunny and remade the old mc to be what is now darcy spencer, and changed the format to my first ever first person story since my first novella!

driving question: "how does academic pressure hurt us?"

the dumaresq poems

where it came from: i was getting overwhelmed with my own expectations for uploads from the rest of volume 1, so i dug up some old poems of mine, rewrote them a bit, and put a cute woodsy aesthetic over it!

driving question: "how can poetry tell us emotional stories?"

the hunt is a dance

where it came from: another project with a friend that fell through, it didn't change much from then. i took the friends desired ideals of religious and folk horror and intertwined it with my own narratives of power, hatred, and misguided justice.

driving question: "why do we bend to corruption, and how can we stop?"

TITANSPINE

where it came from: @ominous-feychild and i were discussing some of her lore, and we both bonded over our love of telepaths/prophets in stories. i had always been fascinated by urban fantasy and had a vague desire to make it, but magic systems are so hard for me. that conversation sparked a drive to actually make it. i named it red velvet, then barlowe told me to change the it (thanks for that btw), and i created the protagonist that shaped the whole story and it's themes.

driving question: "how can we fight social and police corruption?"

n3xt y3ar

where it came from: scandal after scandal, feud after feud about the existence of generative ai and it snubbing real creatives tipped me over the edge, so i wrote n3xt y3ar out of spite, imbuing it with a main character near and dear to my heart due to our similarities, and a world i both loathe and fear. let's see a robot make a story with that motivation. fuckers.

driving question: "how do us creatives find hope in a world of generative ai?"

soleil éteint

where it came from: i wanted to write another fiction podcast style story (school rules technically being the first), and i was on a magnus archives high. i'm fascinated by fear in the real world, and dreams in writing, so with the motivation of some great fiction podcasts, i began writing soleil éteint, which flowed very quickly since screenplays and podcasts are quite easy for me to write as it turns out!

driving question: "how can we stop running away from fear?"

shatter the shield

where it came from: i realised i was long overdue for some tragic gays, and i wanted to experiment with a more distinct narrator without writing a fully discursive piece like a podcast or screenplay. as i was writing the prologue, i knew the narrator, kåre, wasn't the main character. but the love i gave him for the main character, roshan, was so palpable, it made me want to continue the story. i knew by how i wrote it that kåre was going to die, and soon, but i think that added an extra level to the themes of the story.

driving question: "why can't we accept love, and why can't we process grief?"

and of course, volumes 3 and 4 come from even more random places lmao- hope this explained my random writing process!

[liquidstar]

a friend who'd wait :)

[blazingblorbos]

oh god. oh god. oh.. oh gosh. I didn't expect this so soon. I didn't expect this today, I've been busy with life related things so the HYV calendar is really unbeknownst to me, is this update really next week already?? where can I rant about this- whERe can I rant about this-

oh. I made a blog for that exact purpose ! OKAY—!

fuck. fuck me, dude holy-

FUCK.

the slightly worried look on Arle's face as Snezhevna is reaching out her hand, only for her face to seemingly revert back to cold and neutral once the camera actually focuses in on her. Her tone is cold but her words are reassuring,,,,,,,,

ALSO GOD FUCKING DAMN IT. HOW GENTLY SHE HOLDS HER HAND.

the d o o r. the DOOR. THE FUCKING DOOR, CHAT. the slow opening at first, and once you can make out that it's certainly Arle's silhouette she shoves it fully open - both doors, both hands. incredibly attractive—. the FEAR in that man's eyes.

The crossed hands. We can't see her face but you know what expression she's making (it's not really an expression. it's neutral but you can feel it). THE FUCKING F E A R ON THAT MAN'S FACE.

Oh- she literally just grabbed him by the throat. Just like that- ! There's the expression. Oh, you feel it, alright. If you go frame by frame, you'll notice her eyes narrow in the slightest right before ->

POV: you're getting chocked out by Arlecchino, and that's actually the least of your worries. (my god she is beautiful).

I did not expect him to simply be thrown down to the ground and I ... d i d not expect her to step on his FACE. [insert gay masochistic joke here. you know the one]. Did not expect her to smile (this is the ONLY scene wherein we see her smile even slightly... huh...) *And the reason I say "I did not expect her to smile", is because with the momentum we were getting I thought she was straight up going to crush his throat, or stab him (hand, weapon or otherwise). It looked like she was digging the forefoot of her shoe into the guys head and not the... .. y'know deadly fucking heel, so that.. confused me. (and the sound when she supposedly stomped his head in did NOT sound all that impactful) but ANYWAYS I digress-

I'm of course assuming more happened after the cut to black because . madam where did you get that bloodstain on you—

BLOODSTAIN ON HER FACE!?!?!? (more on this in a second)

Freminet??? Freminet feature ! (not Lyney or Lynette.. interesting). :(((( the poor boy sounds so,, desensitized. His father

holy shit quick intermission. After the mental chronological fuckfest that was "The Song Burning in the Embers" I don't think I can look at Arle and the HotH the same anymore because she's.. she's like not even 10 years older than them (?) it's insane this doesn't make any sense- ANYWAYS.

HIS FATHER comes back with what we later see to be real blood on her face. Tells him "I've acquired new funds". We know what that means... HE knows what that means!!, and the way WE - THE AUDIENCE - know that Freminet knows what it means is because the boy replies "Oh.. Okay.."

LIKE-! chat omg this is truly just routine for them,,,, Like out of the 3 siblings, Freminet always gave off the biggest child assassin vibe, but wow. To see that routine and desensitized nature of the HotH's line of work just,, splayed out in a Character Trailer is . wow. and the look in his eyes as he says it is- wow.

YEAH UHH BLOODSTAIN ON HER FACE??/ The lighting in this scene now is evidently less saturated. And it's just- oh my FUCKING GOD it does so many things:

the blood on Arle's face looks... dry. it doesn't look as fresh as you may expect which could mean many things. It could mean she spent,,, hella long in there with that guy doing what needed to be done. It could mean she took care of something else immediately after dealing with that guy (perhaps smth related to the children Snezhevna wanted to save). But regardless, it means she didn't put in the effort to clean her face and hide what happened. OBVIOUSLY !!! that is so . obviously her style but to S E E IT IN MY GENSHIN IMPACT CHARACTER TRAILER it's- oh my god

it serves to highlight the really, truly, bleak nature of the scene now that we know plain and simple Arlecchino just killed a man. There's no subtext, there's no reading between the lines. The only thing that didn't happen is that we didn't see contact nor see a body. But, no sugarcoating, Arlecchino killed a man. No one is hiding it. You are not surprised. No one should be but damn.

and ofc it acts as a representation of Snezhevna dying...

because it seems like the saturation is back once the camera switches to looking at Snezhevna laying in bed.

And is it me, or does it look like Arle's allowing herself to actually display a tinge of worry in her expression this time? And also, EVER so slightly in her tone as well. You can feel it, it's gentler.

"Once I'm better I'll start my next mission.."

THIS. THIS!! IN SO MANY WAYS THIS!

OKAY. so bear with me. I haven't actually read any of the sibling's character stories yet, so there could be a LOT of info I'm missing but:

There's still a pretty thought-provoking conversation going on (in MY mind, at least) about just how intensely these children are being trained to be soldiers for the Fatui. They're obviously in an environment that indoctrinates them into being soldiers of SOME kind, but I still don't know what kind of soldier that's supposed to be. Are they all ALWAYS extensions of the Fatui? Or are they more-so extensions of Arlecchino specifically..? Snezhevna was obviously trying to help those children she came across, and I'm assuming that happened on her latest mission, so was the mission for a charitable cause?? What was her next mission supposed to be?? Same line of work? Saving people? Or would it switch up and was she going to be sent to "take care of" (kill .) someone???

So I don't know whether to interpret that line as a hint of them being overworked and 1) feeling like they need to continue their work out of pure fear that they'll be deemed ineffective and useless... or 2) feeling like they need to continue their work out of a sense of loyalty and duty to the place that took them in and raised them. Or both..

and ofc the funeral scene. I can't say much more than what's already shown right on the screen.

and am I bugging? Or is the location of the grave....

[boyfriendyke]

there r a lot of things about the myth of psyche and eros that makes me a little insane but one of them has always been the tasks from aphrodite and the unfairness of it. they're not intended to be possible. they're so obviously not meant to be possible, and psyche isn't fucking hercules, you know, she's not a demigod or whatever, she's mortal and these aren't mortal tasks!! it's why psyche has to be helped with each one, fucking by like ants and river gods and shit. and so like. idk. i know ppl see psyche and eros as like a story about love and shit which obviously it is but as a kid psyche and eros always felt like a story about being able to accept help

[samarecharm]

Random question about the “they should make persona for people who like good games” post. Do people think the persona series is that bad? I know they aren’t perfect but I wouldn’t call them bad games.

I had a wholeass essay written out before i realized im too tired to make it sound coherent. AND my only experience is p 4 and 5, so my opinion on it means jack shit. All i can say is that the most recent titles suffer from bad writing. (And repetitive gameplay, but thats a different issue). Be it poorly written characters and dialogue, or poorly written interactions and plot, it is hard to take some of the stuff in the more recent games at face value. One could argue that that just means the game is subpar, not necessarily bad, but thats subjective; bad means different things to different people. And i say this as someone who thinks this game is Not the best but still found it incredibly engaging and entertaining.

[waywardsalt]

im actually going to tear into totk’s dragon’s tears/ memories rn bc i remember feeling distinctly unsatisfied with them when i got all of them so im just going to write some general bullet points about them, about what i dislike or maybe what i do actually like about them, leaving out both master sword scenes and the mummydorf one because i’m here to talk about the stuff in the past not that

- off the bat (i play this game in english btw so all of this is based on the english text and translation i am aware some stuff is slightly different in other languages) im not really a fan of how the descriptions of all of the tears is just a literal description of what happens?? i think my issue with it is that some of the text is a little bit too in depth, as in it just tells you literally everything about the scene. this might be nitpick-y but i personally dont like it

- what’s up with zelda saying ‘but that must mean...!’ at the end of the scene. is it suggesting that she’s made the realization that rauru and sonia are the first king and queen of hyrule? because they literally tell her that like ten seconds before. i guess it’s suggesting she’s realizing she’s in the past but... idk the texts says ‘she’s left startled by a suspicion that she’s heard those names before’ yeah theyre the first king and queen of hyrule?? they tell her that. they tell her their names and that they are the first leaders of hyrule is she just now connecting the dots that she’s in the past? that’s what the next cutscene implies. but all of the surrounding dialogue and the description don’t suggest that that’s what she’s realizing i feel like this was kind of muddled in the translation

- why did sonia elbow rauru he was just standing weird he didnt say anything this isnt a nitpick im just confused. is it because he’s not being very empathetic towards what zelda’s going through? she elbows him and then she goes and talks to zelda why even elbow rauru. ordinarily you elbow someone like that if you mean for them to go do something why elbow someone if you’re going to do the thing you want anyways

- why doesnt zelda offer to help with the purah pad or anything like that. what happened to her sheikah tech fascination from botw. not even as someone actually familiar with the technology who could give mineru some points as to how it works

- what are sonia and zelda doing behind rauru when he shoots that insane fucking beam at the mulduga swarm they’re clearly doing something with their stones but like... are they amplifying rauru’s power somehow?? what do time powers have to do with the beam of light i dont- what were they doing please the text description only mentions him using his powers so are sonia and zelda just... supporting his powers? idk man

- dragon tear #5 is a whole can of worms with its worse-than-oot reenactment of that one scene from oot. why the focus on sonia and her tear btw. i mean yeah she dies to motivate rauru and zelda but like. why not aim for the new girl who probably doesn’t know how to use it as much and is probably more likely to be separate from the king who can shot insane lasers. im really not a fan of this scene for how strongly the game sides with rauru and zelda being passive and judgemental but ganondorf is literally the best part of it there’s a lot of character in just how he picks up his sword and stands up to leave

- putting memories 6 and 7 together just because of how there was just. no fucking care put into the idea of zelda learning to use her time powers. memory 6 zelda talks about wanting to use her time powers and sonia gives her tips on how she could use it and visualize the use of it and then in memory 7 she can just use it perfectly with great control and timing. why even bother talking about her nothing yet understanding how to use it when the very next scene she just uses it like it’s nothing. how much time has passed we get nothing to show us zelda trying to practice this power just. nope. she’s good she can use it perfectly. also more awkward dialogue sonia saying ‘what a picture zelda paints of him’ as she is. looking directly at zelda. change the line to like, ‘what a picture you paint of him’ she is literally looking right at zelda so why would she say it like that

- generally i feel like memory six should have been before 4 and 5 (4 being where she uses some power to... support??? rauru and it being before memory 5 so that there isnt this weird break in between the memories concerning ganondorf.) memory 6 does not have anything to do with memory 4 or 5 so just put it earlier so there isnt a weird shift in focus between the two big ganondorf scenes

- good god they introduce the idea of sonia and zelda being aware of ganondorf using a fake zelda but theres literally nothing about it having been a problem or them having experience or like. anything. they just TELL you that they know and suggest that it’s been like. a thing for a bit??? also obligatory ganondorf’s face model rigging is fucked comment he’s still the best part

- the pacing of these memories is just weird in general, memories 7 and 8 being separate but the same scene is strange when other memories are long as fuck but cover one event each, plus theres clearly barely any passage of time between memories 7 and 8 it almost feels like they were split up to fill space or just because otherwise it’d be... too long? man idk

- ‘queen sonia needs you!’ girl she is DEAD good fucking luck doing anything to help her

- ganondorf’s horse and its armor both look sick as fuck i really wish you got to see more of it outside the memory it appears in

- everything about the original sages honestly sucks. they aren’t characters they’re just walking macguffins. they have no names and are not relevant or mentioned or make any appearance until they are needed by the story. why does the zora sage talk about getting word about the attacked gerudo village in this scene when like. they’ve all met up and have clearly. been together for a bit. when she gives them the news it’s clearly the first they’ve heard of it... but... why would she wait until this moments to give this info unless for the benefit of the player watching the scene. why does the ZORA sage have this news and not... the gerudo sage?? what’s with the masks. they’re all made of zonaite or whatever sure theyre gifts from rauru but like. i hate that it kind of denotes them being subservient and lower than him and the zonai. honestly i really hate this scene in general mostly because of the uncomfortable showing of how rauru absolutely holds power over them and despite them being leaders as well they are expected to be wholly blindly loyal to him. rauru only gives them these stones when he needs their aid and they swear loyalty too him soon after but you also see that sonia and mineru have stones, too, so they’re clearly withholding these things despite it being kind of reasonable for him to give each race their own secret stone as further proof of their pact? there is so much shit to be said about the imperialistic themes or whatever in this fucking story and i really hate it

- i do kinda like how the next scene shows you that the one rock in the corner of that first hidden room in the forgotten temple is sonia’s grave

- zelda’s phrasing and description of how she and link found ganondorf is weird to me ‘he’s still alive’ ‘he lives on’ girl that was a mummy. he was not moving until you got there. he’s undead at best as far as you know. this is def a nitpick but eh. also the reliance on link is a... bit odd when zelda does not actually know that link is safe until she gets the master sword. its fine but still. also her shell-shocked expression after rauru talks about her being in the past for a reason is a bit... it doesn’t fit her emotion it’s kind of similar to the expression she had when sonia was killed

- the memory about the imprisoning war starts with practically the whole story up until now being repeated back to you by mineru with a decent amount of bias on mineru’s part and while it’s fine because of some of the extra stuff you learn but it does a lot more telling rather than showing when it comes to the actual imprisoning war and... idk the whole thing about their ‘fight’ kind of falls flat when you don’t actually see any fighting you just see that the sages have gotten their asses beat. i think it would have been a little interesting if in the god-awful repetitive sage-awakening scenes they had actually showed you the og sages fighting ganondorf instead of just. slow-mo freeze-frames for whatever. once again ganondorf if the best part of the scene

- the rest of the memories are fine idc

i get the feeling that the japanese-to-english translation was either all-around rough or somehow rushed, because some of the phrases in the game as well as some of the dialogue is really awkward and... could have been better. i don’t know how it works but it feels like a lot of it was very literal, direct translation and no one at noa thought that it ought to be tweaked just a little bit

these memories also do a fuck-ton of telling rather than showing and it really is like they don’t really trust you to connect the dots, and some of it does come off like they either didn’t want to make more memories or ran out of time or something. i felt like the memory of ganondorf just summoning his monsters and riding on his cool horse could have been a bit longer to actually show us the forces of hyrule fighting him and having a hard time with it

a lot of the character animations doesn’t have a whole lot of personality to them, ganondorf is the character who had the most distinct and interesting movements. rauru and sonia had their... singular movement (rauru putting a hand to his chin and sonia taking zelda’s hands) and zelda was kind of just... standing around and reacting to stuff, and neither mineru nor any of the other sages had any really interesting animations asides from mineru’s coughing fit in memory 16 (plus her reclining chair that was a nice touch). very few of their movements really express anything about the characters besides some really baseline values or traits.

the ordering of some memories is kind of odd, the excessive flashbacks in memory 17 are a bit much, the telling rather than showing, the sometimes awkward dialogue, a lot of the scenes are characters just... talking at each other, you don’t actually see very much of hyrule in the past or any characters beyond the main four, and it really did nothing to actually get me to care about these characters at all.

tldr i dont like totk’s dragon tears

[kneworder]

i have all these draft documents of half finished fics full of lines i love but that are so fundamentally flawed i can't figure out how to finish them and can't kill my darlings mercilessly enough to get past the roadblocks so i just reread them over and over and think damn this is kinda fire. wish it was anywhere near shareable.

[battywitch]

I've just had the delightful realization (again) that this is my story, and I can put whatever I want into it. Including a shape changing vampire.

[windfighter]

Working at a smile

Prompt: False smile | Holding back tears | ”I said I’m fine.”

--------

Gabriel looked around the classroom. He could see David disappear through the door and cursed. He had wanted to speak with him, make some arrangement about the World War I-project they should be working on. He quickly shoved his books into his bag, grabbed his crutches and hurried to catch up. Oskar put a leg infront of Gabriel’s feet and Gabriel hit him with one of the crutches.

”Not today, please.”

”Going after your lover~?” Oskar teased.

”Why, are you jealous?”

Oskar made a disgusted sound and turned away again. Gabriel waved goodbye to Mikaela and left the classroom. Hurried through the corridor. David had already disappeared. Gabriel’s crutches hit the floor with way too much force as he continued through the school, out through the entrance. David was disappearing into the crowd, his body getting more and more obscured for every second.

”David!” Gabriel called.

He lifted one hand and waved, but David didn’t turn around. Determined, stressed. Scared? Gabriel shook his head, took a few deep breaths and went down the stairs, across the yard. People moved out of the way when they saw him. Made if faster for him to traverse the yard then for David.

”Hey!”

Gabriel caught up. David stopped. Almost… trembled? Gabriel’s heart beat fast and he grabbed David’s sleeve to not lose him again.

”Hang on, lemme… catch my breath…”

David nodded. Smiled at him. Something was off with the smile. A milimeter too big, the way David’s teeth showed between the lips. Gabriel couldn’t pinpoint whatwas wrong, just that something was.

”You didn’t need to run”, David said and laughed.

The laughter was just this side of panic. Gabriel recognized it from himself, when he busted his knee. He let go of David’s sleeve, pulled a hand through his hair and gripped the crutch again instead.

”Are you okay?” he asked. ”You’ve been ignoring us lately.”

”I’m fine.”

But his eyes glanced around, like he was being chased. Gabriel shrugged.

”Okay then. Can I come with you? We need to work on our project.”

David’s smile disappeared. Reappeared, but tenser. Gabriel pulled at the straps to his backpack.

”Or we can go to my place?”

”I don’t…”

David seemed to fold into himself. His shoulders sank, he shrunk, his face turned towards his feet. He shuffled his feet. The sentence died out and disappeared with the wind. Gabriel tried to not let out a sigh, but David flinched. Gabriel never knew what he did wrong, why David felt so scared around him.

Gabriel gestured to a bench, tried to not look threatening despite having no idea how to even begin threatening anyone.

”Can we sit down? My knee’s still fucked up.”

David’s cheeks turned red. He nodded, sat down on the bench. Stared at his knees. Gabriel crutched over and sat down as well. Put his backpack next to himself. He let out a relieved sigh as he could take all the weight away from his knee. David opened his mouth, closed it again. Gabriel was pretty sure what he had wanted to ask, because everyone asked that.

”Two more weeks, then I’ll be free”, he said. ”It’s mostly painfree by now, as long as I don’t walk too much.”

He nudged David’s side.

”You’d know if you stopped avoiding us”, he said with a smile.

David looked away. Gabriel grabbed a small notebook from his backpack. Better just get to the point.

”I’m guessing today’s not a good day to work?” he said.

David nodded. Gabriel opened the notebook.

”So when’s a good time for you? My schedule’s flexible now when I can’t do anything.”

David snickered and Gabriel smiled. He was getting somewhere.

”M…” David’s voice trembled. ”Maybe tomorrow? Over lunch?”

The urge to say something sarcastic about missing their lunchbreak was huge, but Gabriel pushed it down. He was trying to befriend David, not push him further away.

”Yeah, sounds good. The library will be empty so we’ll have all the books to ourselves! Eat with us tomorrow, then we’ll go there.”

David tensed up again. Gabriel wrote down the plan in the notebook.

”We’ll see how far we get and if we need to do some after school-work after tomorrow, I guess.”

He put the notebook in the backpack, looked at David. He was still tense.

”...Benjamin won’t be there, just me, Lisa and Maria. You can relax.”

David smiled. Nodded. Gabriel tilted his head.

”...So are you okay?” he asked.

”I said I’m fine”, David answered, but his voice was tense. ”I… I’m fine. Everything’s handled. Just…”

He looked around in a way Gabriel had seen Benjamin do so many times. Searching, trying to find the perfect white lie. Or Bullshit lie as it most often was in Benjamin’s case.

”...lots of schoolwork.”

Gabriel decided to accept the lie for now. He nodded, stood up again.

”Lisa is smarter, but if you need help you can always ask me”, he said. ”I mean… I think my highest grade is a B, but I can try.”

He laughed. David stood up, shook his head.

”It… it’s fine. Thanks though. I gotta go home now.”

”Alright, see….”

David was already bolting down the street. Gabriel grabbed his backpack.

”...you later.”

He shook his head, put the backpack on his back and grabbed his crutches. Started walking home. Maybe tomorrow he’d be able to get some better answers. Because something was wrong and he wanted to figure out how to help.

[purplebass]

I hate when I'm trying to write something and it reminds me of something else I've written and I suddenly don't want to write anymore because I don't want to repeat/copy myself

and I want to come up with something new so it's not similar to other works of mine

[noxtivagus]

no thoughts only fiction fr i want to write 🫣

[aprilblossomgirl]

.

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)