#calling this the unhinged version

[sorryimananti-romantic]

Ateez | The Type To

Hongjoong

toothless smiles. you'll never get enough

knows every little fact about you. it's all stored in his head

but can't always figure out your mood, where he needs your help

picks your clothes or accessories sometimes

lets you do the same

more of the dating-inside kind of guy, but makes the most of when you do go out

if he's busy, he'll acknowledge you with a smile and then go back to work and forget you're there

because he likes to focus on one thing at a time

and when he's not busy he's all yours

but when he is busy and you decide to play naughty, he will focus on the task ahead- you.

and make you regret (in the best way) interfering with his work

which has become your thing now

calls you his 'muse' and def makes you feel like one

esp with the way he kisses you and makes you feel like a puddle

he really doesn't stop his hands from going anywhere he pleases

fav place might be at your hip

or fingers in your hair- might take a liking to tug your hair back to make you look at him at times

which is when he'll give you the most sultry look and tell you exactly what the events following will ensue of

def the type to hold you against the wall and move across the room while you make out

laughs between kisses oh goodness-

teases the fck out of you and makes you a whimpering mess

spends alllll his energy on you but still takes care of you after

bites-

the type to make you watch yourself too- like if you can see him taking you in some reflective surface or a mirror, all the better

and then you won't believe the filth that'll come out of his mouth (tho you love it when he mumbles dirty little things in your ears)

also has his soft moments, which are so intimate that sometimes you feel overwhelmed with love

and he'll constantly assure you he's here, here with you, forever :')

does the most meaningful things for you- brings you your fav food, reforms your clothes or accessories for you, paints with you, lets you try doing something with his music samples, etc etc

he's your captain

Seonghwa

pass you subtle glances from across the room

hold your hand and lead the way whenever you're out

make you walk on the inside of the sidewalk

mother you in every way-- wiping your mouth with his sleeve, fix your hair, fix your clothes, fix you

scold you in the most loving tone possible

which makes you wonder if you're actually getting scolded because you start to get heart eyes

never make you feel insecure- it hurts him more than it hurts you

details. details in everything he says and does (flashbacks to his fav colour being 'glossy silver chrome' like who are you i don't know you-)

which means your dates are detailed asf. he'll have everything planned out and make sure you have the best time

but also love it when you take him out on impromptu dates

scans your face before he kisses you

forehead kisses. temple kisses. it's his thing

plays with you a lot (take your mind out of the gutter i'm talking about actual games like the board games or whatever)

but also plays with you a lot- *coughs*

tongue.

also his fingers are kinda long so-

will pick you up in the middle of your makeout session and take you somewhere more comfortable

goes hard, but it takes him a millisecond to turn soft

and he's the best softie ever.

he's gonna take his sweet time exploring every nook and cranny of your body, learning everything about you

learning what you like

and you'll most of the times feel like it's your first time all over again- that's def how he makes it feel like

tho he certainly spices things up every time

it's just he makes you feel so safe and loved

also i feel like you both bring out the playfulness in each other, in both romantic and platonic ways

he's such a romantic.

he's also capable of driving you insane with his facial expressions alone

takes care of you when you're tired, makes sure you're good, tucks you into bed, spoons you, lulls you to sleep :')

Yunho

okay hear me out-

he is literally your best friend

and i mean in the way best friends know each other inside out

and the way they know exactly how you're feeling by just glancing at you

so with yunho, you always feel safe. his constant vocal and physical reassurances keep you grounded at all times

so you wish to do something in return for him-

but he assures you that you, just like this, are enough

he's not hard to please in that way. he's not demanding but he's not making you feel like he's not interested in you either. he's got that perfect balance

the most comfortable presence out there is what i'm saying

(maybe this^ was my delulu thoughts ok now to the real shit-)

he's always looking at you to make sure you're okay, or there,

but sometimes, something turns him on and his eyes change

and he really, really can't hide when he's turned on. he starts picking at his lips while giving you the most sultry gaze

sometimes you pretend not to notice

which is when he becomes unexpectedly playful and teasing

he knows what his hands on your body do to you (turn you into jelly is what they do btw)

so he's going to give you a backhug and while he kisses your neck or ear, he's going to let his hands travel all over your body

or when sitting on his lap, he'll let them rest on your thighs- purposefully

and we all know what purpose those long fingers could serve

he's def the type who'll cuddle into you while lovemaking- like bury his face in your neck, in the crooks. you think that's soft? he can make it a hard moment too.

groans into your ears 100 % and that sound might be one of the hottest things you've heard

and when he mumbles things in your ears? his voice goes new levels of deep you never heard before.

kisses you like you'll break

also loves pinning you to surfaces

fully capable of manhandling you (lovingly, ofc)

likes experimenting a lot with you, figuring out what you like and what you don't like together

big spoon most of the times you bet

jokes around a lot with you too- he never makes you feel overwhelmed in any situation

but he is also fully capable of driving you insane at times *coughs*

best caretaker you know it

Yeosang

i'm having a vision- what starts as savage remarks thrown at each other turns into a challenge, turns into another different sort of challenge

we'll get there later

cafe dates. chocolates. you better be ready to satisfy his sweet tooth

you love complimenting him bc 9/10 times he's gonna respond with a shy smile that made you fall in love in the first place

he's usually teasing you bc that's his love language but is also the most genuine person you know

so whenever he compliments you or tells you how much he loves you, you know it's straight from the heart

holds your hand whenever he gets the chance

will kiss it too

shy kisses at first

until he gets turned on and his eyes change and the inner demon that we seen in halazia comes out oof

gentle kisses. demanding kisses. we-have-all-the-time-in-the-world kisses. i might be lacking in my vocabulary

hands cradling your face- that's what makes you weak

is pretty vocal and wants you to be vocal too when he does something new or even in routine

there's this switch in him- y'all be having a soft moment and his switch gets flipped and then he's just... banging. wild.

loves foreplay

might have a thing for placing his hand on your throat too i mean he has his moments

and he also lets you have your moments which is sth you love about him

i feel like he loves to drive you to the edge multiple times before he finally lets you have your way

which is hot asf

but is also so nervous about making sure you're okay, you're good with whatever he's doing

so he's gonna spoil you when he takes care of you, which might probably lead to a round two-

anyways time to touch some grass <3

San

this mf istg- *breathes*

okay he's such an eye candy do you think you'll be interested in anything else other than just staring at him 24/7 whenever you're with him-

let's not let these intrusive thoughts win and dive deeper :D

so yeah he is a nature admirer and when he takes you out, you do admire nature but you admire him more

esp the curves and edges of his face

and when he catches you, he gets shy. like actual shy

rewards you with a sweet kiss

and a good old hug

but sometimes, things get... heated instead

so he raises his eyebrow and goes sth like 'you done staring'?

and if you toss a sarcastic remark next (9.9/10 times you do), he'll just attack you

flirts with you in public

unintentional flirt most of the time

his kisses have a wide range spectrum. from being the most slow, gentle, i-might-break-you-if-i-hold-you-wrong kisses to hot, open-mouthed, i-am-going-to-break-you kisses (i cannot englishi-)

and he's really not shy in lovemaking. he knows what he's doing. he takes advantage of it

loves driving you to the edge too. will take so long to actually get to the real deal, just playing with you first and cornering you and driving you insane ugh

the type to pull you into his lap and make you straddle and ride him

tongue-

tbh i feel like it can get really filthy with him in the best way possible

but also, he's the softest when he's in the mood

and you love that he can switch

the type to shut you up with a kiss

also the type to hold you by your chin and have a staredown with you whenever you tease him

which just leads to other things-

hugs

lots and lots of hugs. hugs of every kind.

his laugh heals you :(

he'll always tell you he's there for you, he loves you, how imp you are to him :(

pocket sized hehe

Mingi

he's a princess so he deserves princess treatment. the end.

no but he's such an unfiltered personality i feel like in the sense that it just shows what he wants

you can see it in his eyes when he wants a hug, when he wants to leave some place, or when he wants to steal the last bite of your food-

also very good at reading you even if you argue that you're not that readable

to him you will be bc he pays attention to every little detail

the kind to throw his arm around you while you walk

bonus if it's winters and he wraps you in his coat

the type to tie a scarf around your neck and then pull you with it and give you a kiss

his kisses are the meaningful sort. you can tell by his kiss what mood he's in

like if he's slow and he sighs in between, he's probably feeling down. if he's gonna act naughty you'll know what he wants

which makes it easier for you to lead things

lets you lead most of the time too

unless he's feeling some type of way

and when he's feeling that type of way, you're in for a banger (pun intended maybe)

i feel like he's really good with his core strength even when dancing so uhh just go ahead and imagine

fingers. (getting shy at this point)

probably gives the best head

like can you imagine the tip of his nose brushing at the your most sensitive parts-

likes when you run your hands through his hair

likes to tug your hair even more

might have a marking kink like he'll like it when he can see what he's done to you

but he's also the most responsive and comfortable during intimacy

and can go on forever, makes you feel like you can go on forever with him

cuddles with you when you're done, cuddles long and good

will shower with you and 9 out of 10 times that means a second round-

softie. absolute softie at times ;-;

Wooyoung

you both love to drive each other insane. you'll fight a lot at most random things, end up laughing in the middle of an argument, tease tf out of each other

but at the end of the day there's no one you'd rather be with

he feeds you like his life depends on it

which means he'll make you food, he'll get you to try different things when you go out, and he just likes it when you're happy with food

takes care of you subconsciously- like wiping your mouth, fixing your clothes, rolling your sleeves when you're eating, etc- he doesn't do it on purpose, it's ingrained in him to take care of you

intentional flirt.

which means he makes you flushed with embarrassment in public

he knows how to rile you up, and oh, when you're riled up-

you know you'll go home all heated up which will def result in a hot makeout session

he's not shy to show you how much he likes it when you're making out so he's very vocal

and we all know about his degradation kink LMAO he loves it when you show him his place in the middle of making out

and you love it when he begs for you to do sth

but he's also very, very good at making you beg, oh, he'll push to to the edge and make you fucking cry before he gives you what you want

his hands everywhere on your body.

mumbles things in your ears, dirty things

and then bites you earlobe

you just love it when he breaks away in the middle of making out and pushes your hair back, all the while scanning your face as if making sure you're real before smiling the purest smile ever :(

and when he evil smiles? you know you're in for a ride quite literally

switches most of the time

satisfies you in ways you didn't know were possible

quite possibly plays a lot with you- might have a thing for tied wrists (his or yours, whatever you're feeling like)

keeps telling you how beautiful, how perfect you are, and when he says it? you never feel like he's lying. you start to believe it

boosts your confidence 10000x

honestly he has a contagious energy so you kinda sometimes turn into wooyoung too and he just 🧍

aftercare is a whole new level with him

hugs you to sleep <3

Jongho

he sings for you. what more do you want? :')

you'll have to hide apples from him tho LOL

being with him is very comfortable and... peaceful. like he brings out the calm in you

tho when he cracks a dad joke you start to reconsider-

but he's adorable

slaps your butt at the most random times

and then giggles before he runs away

gives you backhugs at the most random times too

likes to peck your cheeks while you're sitting in his lap watching sth with him

which sometimes makes you kiss him

usually starts slow but there's a certain sense of urgency behind that kiss sometimes

which makes it into a heated makeout session

stares into your soul when he breaks away to catch his breath

dry humping follows

likes seeing exactly what his actions make you feel like

shy at first but he's also confident asf

and he's... strong

it just drives you crazy when he pins you as he thrusts into you like there's no way you can break free from that

and why would you? ;)

has a thing for necks i've said it before i'll say it now

and he knows exactly how to please you

which means that when he's in the mood, he's gonna drive you to the edge multiple times before letting you have what you want

sometimes lets you do the same to him

he loves it when you're on top of him and ride him. perfect place for him to hold your butt and squeeze it

really good at aftercare, makes sure you're feeling good too

bear hugs after. cuddles

kisses you multiple times before settling down

sings you to sleep :( (i'll always end jongho imagines with this line)

[adharastarlight]

my best friend: you have such 1989 handwriting

me: *squeals and jumps and spins excessively*

[goingxmissing]

2023 camera roll: fandom edition

One photo per month of fandom shenanigans that made me so happy this year. Captions under the cut. Happy new year everyone!

January - Max cushion, spotted at a market and immediately purchased. The stallholder proudly told us she'd made it herself. British Max fans in the wild!

February - Get yourself a girlfriend who unknowingly buys you a matching Valentine's Day card 🤣

March - Get yourself a girlfriend who sees they're displaying an RB car at a nearby shopping outlet and demands you have a day out to visit

April - If you have that girlfriend, you gotta propose to her next to the Ross Fountain, with Edinburgh Castle in the background (@strawberry-daiquiris is my favourite thing I've found in fandom)

May - Miami GP watch party at the hotel at Silverstone. An Experience, to say the least. Not sure if our usual race commentary is appropriate for a public watch party...

June - Red Bull Factory drive by (we didn't go in because we aren't millionaires and their tours are £££)

July - Silverstone. Watched quali from Copse and simped over Oscar's P3 interview 

August - Zandvoort. Waiting for Driver Interviews at the Fan Stage (simping again)

September - That episode of Unboxed was too powerful for a phone screen

October - Austin. Williams Fan Zone. More simping; don't we all look at Alex Albon the way the Williams media guy does?

November - Watching our Oscar Christmas jumpers cross Europe and hoping they would arrive before 2024 (they did!)

December - Silverstone Winter Tour, got a bus around the track, went up to the podium, walked the pit lane and the starting grid, 10/10 would recommend

What an incredible 2023 I've been lucky enough to have. Thank you to all creators as you exponentially improve the fandom enjoyment experience ❣ here's to more in 2024!

[nerevar-quote-and-star]

My Nerevarine Alvivecia is a necromancer.

Her boyfriend, Oromis aka new Sheogorath was in the Cyrodiil Mages Guild, so he completed that quest line before going to the Shivering Isles.

Yeah, they kinda break up after she absconds to Akavir and he mantles a Daedric Prince, but wouldn't it be ever so much funnier if like, Oromis killed Mannimarco the lich, only for his ex-girlfriend, an immortal necromancer, to move on with Mannimarco the god?

[mooremars]

Camelot 2023 Act 1 ramblings about the music and book and also the visuals again because turns out 3,000 words wasn't enough.

I cannot possibly recommend anyone actually read this because it is so absurdly, comically long but I needed to get some feelings out. Also it's in two parts because apparently Tumblr has a maximum character count and I hit it.

Overture

• Firstly, female conductor, we love to see it

• I love overtures and entr'actes and this show's is so good

• Shoutout to the orchestra

• I have never experienced a bad Broadway orchestra but still doesn't mean they do not deserve serious praise

• Does just the instrumental of Camelot make me very emotional and think about fundamental human goodness?

• Yes, this show did its job

• The end of the If Ever I Should Leave You part is just permanantly in my brain as the part during bows where they point to the orchestra

• Whatever the music that plays as everyone starts walking onstage is epic

• The vibe is set and I'm ready

Act 1 Scene 1: A hilltop near the castle at Camelot

• I've said it once and I'll say it one thousand times, I am obsessed with the way they've used the space in this show

• I love that they can walk up the back of the stage, I love that they have the stairs in front, I love that they've got so many exit and entrance points

• Sorry to the actors who probably had to do a lot of running around but it was fun for me

• As much as I like spectacle, I don't inherently prefer it over this kind of more minimalist thing

• But I do feel like they did a good job at conveying scale and drama even though the set is extremely minimal

• "I have the exact same amount of information that you do" just immediately starts the show off on the right foot

• This is a new take and I was here for it instantly

• And such a funny way to deliver a ton of exposition, this will be the first of what will become the prevailing theme of my rambling which is I adore Sorkin's writing beyond measure

• Merlyn's delivery drenched in sarcasm for every line is perfect and we clearly see where Arthur gets it from

• Specifically "do you know what calamity means?"

• But also "things in England are changing too fast"/"words that have never before been spoken"

• Establishing Sagramore in a funny way that becomes so serious by the end

• We jump right into the Sorkin dialouge rhythm and it feels so right

• There's the perfect amount of everyone overlapping each other and finishing the other characters' thoughts

• And also the jaunty music when most of the guards leave, like I don't exactly know why it sounds like that since it doesn't fit but I love it anyway

• I know it's part of at least the movie's score but like to me it's still strange, I've been calling it clown music in my head

• The difficulty finding the king exchange and also the pheasant hunting exchange are so funny and set the tone so well

• Can you see I'm attempting not the write out every line of dialouge?

• But also I love that we get this little build to Arthur to wonder what the hell is going on with this guy

• Because if you're me, you've come into this show with basically the association with JFK and that's it

• So I had no clue and was curious

• The knights have like mostly terrible points but Sagrimore's delivery of "snear all you like but five minutes ago we were at war with that girl's county and tomorrow I'll be swearing an oath to protect her with my life"

• He's not wrong

• The knights are so good, the actors are perfect

• Every bit of casting is inspired and those three are no exception

• "Arthur get the hell out of the tree"

• Again with no context, the tree really got me

• "Hiding, I'm obviously hiding" - I am instantly in, the delivery on this line is so funny

• Okay fine I was in from the way he said hello, also a hilarious delivery

• My roommate brought up immediately how effective it is not to have him do a British accent and how it again just makes Arthur relatable - genius

• Whatever voice he's doing is a perfect choice

• Also young Arthur is so much the right choice it's staggering to me that they ever did it any other way

• They thread the needle so perfectly of Arthur being young but not in a way where he's like an incompetent child

• Which I feel like is actually how some of the other versions with older actors still managed to come off

• But this Arthur is just young and trying

• "My mouth disconnects from my brain"/"I've witnessed that"

• As like a character note, I love that exchange but I also was worried this was gonna be what it usually is, which is a male character who cannot treat a woman like a human person

• But no, Arthur has absolutely no problem with that, his mouth only disconnects from his brain when he's trying to confess feelings and that is 1000% more endearing

• "Years of tutoring in philosophy and law, why didn't you ever teach me about love and marriage?"/"You're not marrying for love and there's nothing about it that can be taught."

• To which my roommate that I dragged to see this twice and who has just been forced to talk about this show with me, maintains that perhaps you could maybe convey that relationships are about communication

• That lesson might've helped just a bit

• "You're not marrying for love" like Merlyn is trying to warn Arthur and he sure did not listen

• "They should be reading" Arthur babe they literally can't, it's the Middle Ages

• Also the establishment of no magic is so deftly handled

• Arthur complaining that people think that dragons are real and you get exactly what this world is

• I love that I Wonder What the King is Doing tonight becomes his noble king music

• Also I just absolutety love any time anything has a recurring musical theme it just lights up some part of my brain every time

• The yelling of "he's scared" and all of the subsequent lyrics in that spot is again hilarious and just very good characterization

• Also the delivery of the slaying a dragon part whatever that singing accent is I love it

• Actually the way he sings all the parts where he's imagining what other people are saying

• The other characters have a lot of songs that are gorgeous and require some incredible vocals and songs with fun lyrics and fun performances but not at lot of them get to infuse this much personality and character into the songs through just the delivery

• Don't know if that's from the original or not but it's one of my favorite characters introductions I've seen in a bit

• From what I've seen this is definitely an escalation of previous versions and I adore it

• He's so annoyed, he hates this shit so much and he's so funny

• I mean also lots of credit to the lyrics because they are obviously very funny

• I love this song a lot

• Arthur's "shhhhit" when he realizes that he's managed to run into his future wife

• The multi-layered complication line, so quintessential Arthur

• The contrast between the gorgeous Julie Andrews channeling singing and Genny's brashness in her movement and dialouge

• Like obviously that's already in the lyrics but the book and direction just stretches it

• Everyone knew Phillipa Soo was going to be perfect and she is

• A lot of my strongest impressions are about Arthur

• Because I had no idea who the actor was and because in the limited amount of adaptations I'm familiar with of this whole story, Arthur is the bad guy or a good but extremely boring guy

• But I knew going in that I was gonna love Guenevere and Phillipa Soo even if I've never seen her on stage before

• So it was unsurprising

• Like my expectations were sky-high and she's so talented in every way and the writing for Genny is so good that she exceeded them anyway

• And she's so damn funny

• Obviously the whole rescued in the wood bit is already just a good joke and I'm honestly impressed with how funny the original songs are

• I am a sucker for the thing in stories where we know what's going to happen because they've been told so many times

• When they have a character say something the audience knows is foreshadowing

• "Cause a little war" is what I'm thinking of in this moment but there are tons and every time it's a hit with me

• The delivery of the clause one bit is perfect and her backing Arthur into falling on the bench and then just turning around and back to angelic singing

• The turnaround from the aggressiveness to the extremely soft and feminine singing is brilliant

• "The more knights slaughter each other, the fewer there are to slaughter the rest of us"

• The exchange about the dowry still being in the carriage

• Their deliveries are so funny

• They immediately bounce off of each other perfectly

• And Genny not even escaping with the dowry she's supposed to be using to buy her freedom, amazing

• "What is power uuuused for? That is a very interesting question."

• Genny just immediately knocking Arthur's socks off

• Trying to write out some of the word deliveries he does is so hard but there are a few that absolutely kill me

• They've known each other for five minutes and they're already having a debate

• "I've known kings, I'm daughter of a king so marrying a king doesn't have the same allure for me that it apparently has for you"

• She just speeds through those words at the end and it's great

• "They run to here" is another bit of hilarious delivery but I also love the contrast it sets up between Arthur trying to be kingly in a way that doesn't fit versus later when he does it his own way

• I could listen to them go back and forth saying why for ten minutes

• Genny's incredulousness when he says the weather

• I can't remember but I think she's walking away and then just turns to stare at him in absolute confusion

• Like he's so ridiculous that she can't help but engage

• I did a quick bit of intermission math and we know this takes place seven months before the Lusty Month of May which is obviously happening in May

• So Arthur is literally singing to Genny about how there's no winter until December while at best - assuming the one month later and six months later are rounded up - it is snowing at the absolute beginning of November

• More likely October

• No wonder Genny thinks he's full of shit

• His improv did not pan out

• This is a joke for me, thank you Aaron Sorkin

• Do love that canonically, Arthur is in fact singing the song Camelot - that he just made up in a panic - what a dork

• Genny's little interjections of skepticism are all so funny

• Also just instantly establishing her as someone you love

• She's perfect

• But my favorite is "my escape is time sensitive, do you understand that?"/Arthur still singing/"no he does not"

• These actors are both hilarious, the amount of stuff required of musical theater actors continues to blow my mind

• Like not only to do the whole singing, dancing, and acting thing but then you have to convey it to a whole theater but also not overact to the people up close and be able to do comedy and drama how

• I was in practically the back row up top and not a good view but extremely close (like seeing the actors spit close) on the side for the under 35 tickets and then also in very good seats and the performances by literally everyone never felt too much or not enough

• "Are there any other people in these woods you could recommend?"

• Also this moment which is the cutest thing you've ever heard

• Do I remember exactly what happened? No. But do I know it was adorable? Yes.

• "And we have poets in France"/"Oh yes of course... But do you?"/Genny angrily naming French poets/"Understood" and he's already singing again

• The entire performance of this song and especially getting her to sing along, so charming in the most annoying way

• But also she's sort of into it which is cute

• I do see on YouTube that there was a bit more to this French poets discussion which was probably right to cut but I am delighted to find literally anything new

• Sidebar

• I have been known to have issues with staying present when I watch things and not letting my mind start wandering. And one of the reasons I knew Camelot was good the first time was that I was totally engaged the whole show. But the last time, I did have the one moment where a thought popped into my brain during this song that completely threw me out of it

• And that thought was "this Barbie has taken a carriage ride to hell" after Genny says that line and like why brain?

• (For the record Genny and Arthur are both Barbies. They are everything. Lance is just Ken. Perfecting his body and soul is his beach. He is Kenough. Arthur and Genny have a terrible day every day. Lance only has a terrible day if Arthur and/or Genny look at him.)

• (I believe I have come up with a combination of words that have never been spoken before and perhaps a genuinely new opinion on a thousand year old legend)

• (In a bad way)

• Anyway

• The pure chaotic comedy of the knights finding Arthur and Genny freaking out is not something I can articulate but I adored so much

• Phillipa Soo is stealing the whole show in this one

• Does Genny come out of her hiding spot with her mouth wide open before she gets on the ground or am I misremembering?

• "We call that a sin of omission your majesty"

• With no remose "oh we call it that too"

• "Were you never going to tell me?"/"No I was going to get to it"/"When?"/"After I told you about the weather"

• Not a single bit of remose again

• I don't have anything to say, I just think the exchange is very funny

• I love not making Arthur any kind of royalty, he is truly just some guy

• Like I'm reading The Once and Future King and Arthur's lineage is so weirdly complicated and I just don't care, I like him as some guy

• "He discovered he didn't have his sword because I left it at... a house, that doesn't matter, that's my fault"

• Now that's a line that is funny on time one and fills you with dread afterwards

• The most exasperated "I was just going to borrow it for the day"

• Something about the delivery of "when I opened my eyes the square was filled with people shouting god save the king"

• Like Arthur never actually says out loud that he didn't want to be king but Genny gets it right away

• "I see you now, you're just a boy wearing a crown you never wanted sitting atop a throne two sizes too big"

• Just an absolute cutting response but Arthur doesn't take it that way at all, he's so earnest

• She reads him to filth but it doesn't even rattle him, he just takes it because it's true

• Gorgeous writing in what she says and his response

• "But provenance has put us both here, both of us highness and want it or not we are commanded to wear that crown and to grow into that throne"

• Chills, the delivery is outstanding

• We finally get King Arthur

• And Genny being convinced, all it took was one genuine moment and she's ready to engage

• Then Arthur again just taking so passionately about what he wants Camelot to be

• No wink, no sarcasm, no shame

• This show is unabashedly sincere and optimistic and I love it

• Genny falls in love with Arthur, I fall in love with Arthur, Genny falls in love with Camelot the idea, I fall in love with Camelot the show

• Everyone including the audience and Arthur were already in love with Genny for Phillipa Soo reasons so there's no moment for that one

• I feel like the trope-y thing would be to have Genny be a cynic here but no, she's just as much of an idealist as him

• She put up a little front of cynicism at the beginning but as soon as she gets the option of hope, she's choosing it instantly

• "Or you can stay. And together we may discover if power might be harnessed as a force of good"

• Like he's instantly treating her as a partner in this endeavor

• And I Wonder What the King is Doing Tonight playing under it so beautifully and then the seamless musical transition back to Camelot is so perfect

• I am music stupid so I wish I had something to say about it but your songs have got to be tight to flow that way

• "I don't know if I'm worthy" also just a heartbreaker

• We don't really get to hear anything about Genny's life in France but she's clearly very opinionated and competent and I wonder if besides the whole wanting romance and adventure thing

• She also had an idea of what the life of a queen is like

• After all she's the daughter of one

• And she didn't imagine having this kind of role in actual ruling and doesn't know whether she can live up to this ideal that Arthur has set

• Like maybe she thought the only way she'd get to impact the world was knights killing each other over her or being the cause of a war, at least that's something

• But now she has a chance at more and she's grabbing it

• Genny singing the reprise is so beautiful thematically - it makes me a little teary just watching her instantly be like I see your dream and understand it and I want to be part of it but via some of the best singing maybe ever

• Such an amazing recontextualization from the original

• I've seen little clips of this reprise from 1961 and this one just feels warmer and more meaningful because it's about the ideals and not them confessing love at first sight

• And somehow more romantic

• They're instantly established as a team who share intellectual and philosophical similarities

• To so quickly convey that and make it believable

• It not only cements their relationship but makes them characters you root for

• And then the sounds of people coming in as soon as or maybe even before they get to finish singing together, like it's their world and they're falling for each other but there's no time, they're king and queen now and that will always supercede their relationship

• Also something about the moment when Arthur introduces her to the court just also really gets me

• "She's nice... some of the time"

• It's cute how smitten he is with her, all of her, immediately

• "Something about her makes me want to be a better king" (so Arthur is actually capable of expressing a romantic thought, don't get used it it)/"She's very attractive"/"Oh she is but it's not that"/"Arthur"/"Well it's not just that"

• I love the way they flip the speech Arthur gives Genny from the original about not feeling like a king until now meeting her

• But now that they've actually gotten to know each other a bit and it's after she's agreed to stay it actually makes sense here

• I do also love that even though he can't manage it to Genny's face, he does feel completely comfortable expressing his feelings about her to Merlyn

• The "oh she is" is so cute, he's so excited

• The music under his conversation with Merlyn before he starts just monologuing, very ominous

• I'm obsessed with it

• "We finally have peace" is another line delivery that I just need to sit and think about

• The joy of it, the relief

• Again the idea that Arthur has been a king at war this whole time

• Merlyn mentions, as part of a joke but still, almost as soon as we meet Arthur that he's fought armies

• He's not optimistic about the world because he hasn't seen conflict

• He's more determined because he sees what it does

• Channeling best man in all fiction Waymond Wang this is how I fight energy and that's very my shit

• Very much my shit might be a slight understatement

• It might not be surprising to learn that Arthur is my favorite thing about this show, they revamped this character so well

• So much of my life was spent in the media age of male anti-heroes and I love that we've returned to a point of male heroes

• Arthur idealistically talking about how they can finally start making Camelot for everyone and Merlyn walking off stage while the ensemble sings I think the part from the cut song and I assume some new stuff that's very Medieval church music

• So so good

• "What do I do next?" so eager and then just the emotional drop-off to his scared little boy when it becomes clear what's happening "Merlyn?"

• Stunning performance

• I think Arthur falls to his knees at some point but I'm already doubting

• The "what the hell do I do now?"

• Perfect scene ender

Act 1, Scene 2: The King's study - one month later

• The transition music between scenes is always good

• It's gonna be a struggle not to just quote this whole scene

• "Arthur, please call me Arthur" is so desperate like he has no one now, no actual human connections to him as a person instead of a king now that Merlyn is gone

• And then asking what she was called back home, he wants connection so badly

• And probably he still feels guilty for taking her from her home to be his wife

• "I was a royal princess, I didn't have friends"

• Well there is a reason they're both terrible at relationships

• I also love the way Phillipa Soo says Arthur in such a stilted way at the beginning of this scene and it becoming more natural every time she does it

• Genny telling him he's not attending to his duties with enthusiasm like she is not the least bit afraid to challenge the king a month in

• Love to see it

• Arthur's "I beg your pardon" when she asks about cortesans and the look he gives her

• "My father kept his women, his extra women, in their own wing of the palace. Where are yours? Might they cheer you up?"

• Genny the proactive problem solver

• Also something about the way she says extra women makes me laugh

• "I don't have extra women, I'm a married man. You were at my wedding" perhaps one of my favorite deliveries and lines in the whole show

• Genny's point of view in this scene is very interesting

• Like she does bring up that it's his legal right instead of dropping the whole thing and that's a choice

• Does she think he's lying about not having cortesans and reminding him that she is legally obligated to be cool with it so to be honest?

• Or is she just baffled by Arthur and his choices because this is a normal thing for a king to her?

• Or maybe since she already has feelings, she's trying to balance her own expectations to not get hurt?

• Possibilities

• "I'm aware of my legal right in that regard and I assure you I have no intention - oh my god - no intention of exercising it"

• Specifically the delivery of oh my god but the whole thing, he is so offended

• "And making the world into Camelot, are you abstaining from that too or will men at honor continue to plunder villages and take, rape, and kill whatever they please?"

• Genny

• Genny you are a hero

• She's so smart and fierce and unafraid to stand up to Arthur

• "I didn't make the world"/"You make a part of it"

• Arthur being so defensive and Genny calmly holding her ground

• She's taken to her new role so well

• And then Arthur admitting he doesn't know how to proceed without Merlyn, I love the way he builds trust in her in this scene

• "What would he say?"/"He'd say my god you're the slowest student anyone's ever tried to teach"/"Well I can convincingly say that"/"It's good that you mock me, kings should be mocked from time to time, it brings people pleasure. But for the record it's no fun for the king"

• Genny sounding so pleased with herself, Arthur getting out another sarcastic response

• Also what a lie, it is fun for him

• Mocking each other and public policy are their love languages

• "He once explained why but I got distracted because a white tailed eagle flew right by" with the most excitement and boyishness

• And then starting to go off on a tangent about eagles

• Never change Arthur

• I just think it's sweet the way she redirects him because she's fully committed herself to the idea of Camelot and her role in it

• "Pace freely at your own pace"

• Another brilliant line and delivery

• Channeling some Mary Poppins here

• Genny getting Arthur to think is so good

• "You had to pace and comcentrate to arrive at that?"/"It's hard to imagine why your country was willing to part with you"

• The proposition/resolved structure of this scene is very good

• And also that he starts with this pessimistic tantrum about human nature and Genny guides him back on track

• It's a great relationship moment but it also lets Arthur have some struggle and lets Genny be for Arthur what he was for her in the first scene

• Arthur collapsing on the floor and muttering "extra women" like wow he cannot handle being thought of as not a good person

• "That's it?"/"Wait"/"I wasn't going anywhere"

• Her being on the floor with him, gently pushing him

• He can't even maintain cynicism for more than a few minutes

• Them building the idea of the round table together, this is peak romance

• I can't just quote this scene in its entirety but every moment of it is a delight of them passing ideas back and forth

• "Isn't it also about the law?"/"It is"

• A standout delivery

• I love when they're working out the wordings like they make each other better

• "The law will be the stone upon which this rock - the rock upon - wait the church?"/"Have mercy"/"The law will be the rock upon which this church is built"/"Nothing can be more important"/"Nothing can be as important"

• This is what I love about Sorkin's writing

• The way that he has characters discuss ideas

• Like everything is an exciting discovery

• There's no singing in this scene but it has so much rhythm and is so compelling when in another writer's hands it would be boring and forgettable

• I broke out a chunk but it's so dense there are so many words and I love each one

• Genny counting down to his return, she already knows him so well

• Again I am trying not to type out every line

• I think they both yell for the page but I'm actually not sure, either way they are so excited and yelling something

• The new book has done so much to deepen their relationship, I adore these idealistic little nerds

• Arthur cannot contain himself

• His attempt to cool things down for himself by taking his hands off her face and then "you were very helpful, thank you"

• Smooth

• Convincing

• Definitely professional and platonic

• Truly do not know how Genny does not realize he's in love with her at this point but she sure is not gonna get better at that

• "And I suppose France too"/"I know that hurt"/"A little bit" and then he laughs it's adorable

• They're both so giddy here

• "Arthur I did already know that about you, that you were a decent fellow"/"I'm glad"

• They're in love. They are so in love.

• Arthur has taken on Genny's tone for the word inspiration when he talks to the knights

• "You've invited the French" every time Sagramore says it, it's just as funny

• "We may not be born equal"/"We are not sire" (with so much contempt)/"So our laws will make us equal" (with no room for disagreement)

• The immediate conflict

• And we see Arthur being a king and taking a hard line which we don't get to see much in this show and I love it

• "What about God's laws?"/"Not. Our. Jurisdiction" like are we sure this is not actually from the west wing

• I'm internally cheering when I hear it, I love this line far too much

• It's funny but also authoritative and kingly

• I get that some people do not vibe with Sorkin's style and that's fine but I very much do

• This show is so for me it's kind of incredible it was not made with that purpose

• A Sorkin character who would love Sorkin's work, I just adore it

• And according to the funniest line from any review I read, also has Sorkin's haircut

• That just lives in my brain because it's funnier than any piece of media criticism I will ever hear

• The knights already dissenting is very good but also that they don't fully agree yet with each other

• They build it in immediately and that's such a good choice, it makes every escalation feel totally plausible instead of the knights just easily falling for Mordred's bullshit

• Dinadan quoting Plato's ideas and saying how they're the well-educated people who should be in charge is great

• I love that the knights get to be characters and have thoughts

• Their constant vacillating between loyalty to the king and loyalty to the power structure they benefit from

• One of my favorite running tensions

Act 1, Scene 3: The countryside outside of Camelot - six months later

• The performance of C'est Moi is so funny

• Going 100% immediately

• Jordan Donica was just as perfectly cast as everyone else

• The lyrics are so funny and then he is just so loud

• His little whispered "C'est Moi" after the second verse while posing is so much funnier than it is on the cast recording

• "Had I been made the partner of Eve/we'd be in Eden still" is my favorite lyric

• The scream on clean destroys me

• Lance is always at a 10 and he's so delusional, I'm obsessed with him

• There's so much loud breathing in this performance which I love

• And whirling his sword around the stage

• "Beware enemies of Arthur do you hear me beware, from this moment you answer to me" while Arthur is literally unconscious behind him, this is comedy

• "You raised your sword to me"/"Oh I was saying hello"/"I did not know that"

• Lance is not sorry at all and it's hilarious

• He's just on another planet compared to everyone else and I love it

• Also Arthur so pure, just seeing a random person and trying to say hi

• Like you're the king of the country, you do know many people are not exactly going to be friendly, right?

• "I honestly thought I was more recognizable to the French"

• "Have you changed your Francs to English shillings?"/"Why?"/"This man's face is on money"

• Arthur subtly trying to tell Lance what's happening but the word subtle is not in Lance's vocabulary

• "I'm underwhelming in person"

• Says the man that keeps making French people instantly fall in love with him in the woods

• "My security detail... right in the nick of time"

• "I beg your majesty to forgive for me for by forgiving me I'll suffer even more"

• Lance is screaming the whole time

• I don't know how he does it

• "But my strength comes from purity of spirit"/"What was that?"/"Purity of spirit, my personal relationship with the almighty, he favors me"/"I'd keep that to yourself"

• I can't write it out but this

• And this is about to have to switch out for the rest of the show so like even more screaming somehow

• He's so funny, it isn't reasonable

• Also love that his language is the least modern of them

• It fits

• Seems like some of his lines come directly from the original book and it works amazingly

• "Be a faultless example to children" is another iconic delivery

• Also Lance asking for a mission, incredible

• He just plays everything so straight and it's perfect

• Like not a single acknowledgement of the ridiculousness of this character

• Arthur will literally get a concussion to avoid a social function, relatable

• "Until you came along and whacked me in my head"/"AND FOR THAT I BEG YOUR HARSHEST PUNISHMENT"/"Nope, nope, we're not going back to that"

• Yes the all caps is necessary, Lance is always speaking in caps, if he lived in a time a cell phones all of his texts would look like that

• And Arthur's tone when he responds

• When Lance starts singing again and then Arthur just says nope so many times

• This is their whole relationship

Act 1, Scene 4: A park near the castle

• This scene is just a magnificent Phillipa Soo showcase that we have been blessed with

• Like she is just so talented and I am blown away

• There's a reason Lusty Month of May is the song they have the most out there

• "The birds and the bees with all of their vast/amorous past/gaze at the human race aghast" is my favorite and she does it so perfectly

• Also the intro music just exactly captures that buzzy spring feeling

• My roommate and I both had the experience where the first time we saw the show, none of the music stuck with us

• And then the second time, all of the sudden it burrows into your brain

• This burrowed first because of course, it's so vibrant and lovely

• The original music is so good and somehow the transition from the more modern dialouge into the songs is seemless

• Genny has two missions: justice for all and bringing sex to England

• Look there's none in her own marriage and she needs an outlet, make those people kiss, it's all you have

• Genny's so fun and adorable in this song and it's perfect and I have no notes

• I'm just gonna go watch the today show performance and bask in it, this is the most classic Broadway musical sequence in the whole thing

• I love the idea that she's inviting all these normal people in and the beginning of the knights absolutely hating it

• "Be right quieter"

• And when they refer to Genny as a guest in the country

• The original is very and everyone loves her and I love that there's this tension where the people with power don't like her but everyone else does

• They say all the quiet parts out loud in this scene

• The show needs the knights so badly to show the discontent growing over time

• But they still respect tradition enough to enforce respect for the queen on Pellinore

• "I've only lived here a short time"/"Oh and you're already the queen, well done"/"I really had nothing to do with it"

• "Full of youth he was but brooding over problems that would confound Solomon. Ever met him your majesty?"/ "Constantly, he's my husband."

• With such affection ahhhh

• "You must be Morgan Le Fay... oh how he'd go on about the loveliness of Morgan Le Fey, her unsurpassing beautiful"

• Genny getting emotionally slapped in the face, it hurts so much

• The first crack in their relationship because they couldn't talk to each other...

• "I'm glad that nice young man found a nice young lady"

• Why does this make me feel things?

• I love the royal music every time

• "As you were everyone, pick grapes, eat flowers, or uh the other way around"

• Arthur and Genny's little catch up about Pelli is very cute, we don't get to see them be cute for a while after this so I just want to appreciate it

• Lance having no social awareness and continuing to make proclamations while Genny could not care less and is actively trying to speak to someone else, brilliant

• Genny and Arthur just waiting for Lance to stop talking after she keeps being interrupted and then Genny rushing out her lunch invitation and Arthur rushing out his response

• Arthur immediately wanting to run ideas by Genny, she is crucial to the development of Camelot and it's very much not a secret

• Arthur's "uh oh" when Lance is doing some casual misogyny

• "That sounded like a friendly exchange of pleasantries"/"It was not"

• No fucks for Genny today

• I wish I could one day know the translation of Genny and Lance's friendly exchange of pleasantries

• "Who would serve as the standard?"/"Oh certainly not me your majesty"/"See no hubris"/"My standards are much too high"/"Dammit Lance"

• "Have you achieved perfection milord?"/"Please say no"/"Of course I haven't your majesty"/"Good"/"Refining the soul is an endless struggle... but physical perfection"/"No"/"Yes"/"Go back to speaking French"

• "And in your quest for spiritual perfection have you considered the value of humility?"/"Ah something we should all consider. In fact let's take two minutes of silence to consider the value of humility."

• The dialouge between the three of them is so funny in this scene

• The ship is sinking and Arthur is just there with a tiny bucket while Lance and Genny keep creating giant new holes

• Genny calling Lance a jackass is both hilarious and also so valid

• "She already has an affectionate nickname for you"

• We have officially reached the beginning of the end, well we had some nice moments

• Like imagine if Pelli didn't start going on about how in love Arthur was with Morgan and then Arthur didn't show up with his new best friend who immediately implied women were too stupid to engage in government

• Genny was having a no fucks day and was probably ready to do a stupid thing and maybe that stupid thing was her husband

• A true tragedy

• "And with humility I"

• Dinadan's line deliveries are so dry and good

• And Genny's laugh

• "And whom will the three of you want to impress?"/"We want to impress the king too."/"Ah yes English men"

• I love the knights, they've all got their own little comedic touches in this song

• Gaslight, gatekeep, girlboss Genny

• Take Me to the Fair is a masterpiece

• I don't know what constitutes a hot take about this show because there are 5 people talking about it

• But my hot take is that as much as Lusty Month of May is a brilliant and amazing song

• This is actually the Phillipa Soo tour de force

• Her fake crying is so good

• There are so many good flourishes in the singing

• Same thing I feel about I Wonder What the King is Doing Tonight, Phillipa Soo is just enhancing every line with her hilarious delivery

• Also this sound

• Sagramore is always operating at 50% more intensity than the rest of the knights and it's perfect

• Him having to be held back by the other two when Genny sings to him

• It's involuntary at this point that I turn my head back at French during this verse

• His very loud delivery of "I swear to you the challenge will be met"

• "Sirrrr Liiiiionel"/"Ma'am"/"Ugh"

• And when she gives his chest a little slap after "and young du Lac"

• Perfect

• And her laugh-cry at the end of Lionel's part

• Their faces when she touches them are also just very confused and funny, she is not good at this

• I love when the knights are singing together, bringing up Lance really has wrapped them around her finger

Act 1, Scene 5: The King's study - the night before the tournament

• "You know that it's your move right?"/"I did not know that. I'll need to alter my strategy now"

• Honestly so relatable I suck at chess, Pelli is the best

• "If we're to care about justice, we need to care even more about injustice"

• Just a good little Sorkin nugget

• Pelli refusing to understand any of Arthur's ideas, excellent

• "Do I understand that you intend to be history's first king to yield power?"/"Oh now you're catching on"

• I do just love Arthur so much

• And the delivery of "she wrote what you just read"

• He's so pleased to inform Lance that Genny's writing treatises about justice

• Pelli's smug little "it's your move" like that's correct, no one is allowed to not respect women in Arthur's study

• "He's had you in checkmate for an hour and a half"

• Arthur's patience is astounding, Lance should be taking notes while he's perfecting his spirit

• "Would you like to play me or do you ever do anything but perfect your soul?"/"No I also perfect my body"

• Again just perfect deliveries and honestly so much respect to the new book for making Lance even more irritating but eventually more human too

• I am not dragging Lance, this is a compliment

• Just the way Jordan Donica plays it completely straight without being able to detect sarcasm is hilarious

• "The arrangement I'm in is called a marriage, having some fun would be called treason. And finally I hate his breathing guts."

• Setting up the consequences we know are coming with a little joke, I like it

• "Well be sure and give us clear skies tomorrow when you're arranging things with god tonight"

• Savage, I don't like most of the original dialouge but we had a winner with this one

• Her delivery just elevates it

• "No one could refuse your wish"

• The gall of Lance to say that like that in front of Arthur like he is shameless

• "Why do you have to bait the man?"/"I dislike him, I thought I was making that clear"

• Genny is so relatable

• Their first fight and Arthur's already insulting the French, I'm not sure why he thought this was going to go well

• Arthur trying to delicately ask Genny to withdraw her permission from Dinadan

• He's trying to have this conversation as her husband and not her king but Genny is not even having it a little

• Genny explaining that she already gave permission for all the knights is so funny

• I know they're basically the original lines but ya know, sometimes Lerner nailed it

• "It will seem to the entire court as if you are rooting for his downfall and championing his defeat."/"The only reason it will seem that way is because I'm rooting for his downfall and championing his defeat."

• "He's going to embarass those three. These are not men who take well to embarrassment."

• Like Arthur already knows exactly who his knights are

• He knows that they don't exactly match up to his ideals

• The delivery on "will you withdraw your permission" is also spot on like Arthur is ready to exit this conversation right now

• Also on "if I do will you forgive me"

• Like he knows that's not happening

• "Not as long as I live, no"

• Perfect riff on the original book's line

• Arthur doing some investigating on Genny hating Lance like he knows before she even does

• Ouch

• And then him starting to get frustrated when she's not answering like babies' first fight is not going well

• "Because he needs to be brought down to earth... literally not metaphorically"

• Like she has yet to be wrong

• "Merlyn never taught me how to handle a woman"/"You didn't read the book?"/"There's a book? No I can see from your face that there's not a book. Though maybe in France they would have published something, no I can still see on your face"

• We love a Genny dripping with sarcasm moment

• And Arthur being an idiot nerd

• He's so so stupid

• Another one of my truly favorite lines and deliveries, he is so excited that he completely forgets he's mad at her for a second and then pouting when he realizes

• "If the king wishes me to withdraw my permission, let him so command... nope, then I will bid you goodnight"

• The aggressiveness on her daring him to command her is so much

• Perfect

• I love her nope, a little power play

• Because she knows he won't and he knows he won't and she's happy to remind him of that they both know that and then leave

• His silence is doing so much work too

• Damn this scene is good

• "And before I go to bed as a gesture to Lancelot and to you, I'll pray it's over quickly"/It will be"

• They're so mad, I love it

• "There should be a book"

• Grumbling sullen Arthur is very funny even if How to Handle a Woman is lowkey the worst song

• And Arthur's worst impulse, which the narrative knows because it plays under him talking about vengeance and what he's entitled to later

• Like they do a good job recontextualizing it but it's still not the best

• Just hearing him sing the word threaten is kind of jarring, I cannot even slightly imagine this Arthur even thinking it once

• In my opinion they should've just cut it, I'd gladly take more Sorkin dialouge instead

• I do appreciate the way they scaled back this music in the rest of the show

• Because it's all over the second act of the movie, Arthur and Genny's theme if you will

• Like even during their last conversation

• Because they're not the love story so their theme isn't really a love song

• But then here, they play it under Arthur's worst impulses at the end of act 1 and banish it which is so smart

Act 1, Scene 6: A grandstand - the next day

• The music coming into this scene and when Arthur and Genny show up, again fantastic

• The outright hostility between the knights and Lance, they turned it so far up in this version

• Pushing him down and shit

• I love Athur and Genny showing up and getting to see them actually be king and queen and have their over-the-top outfits and crowns in this and the last act 1 scene because it's so removed from who they are the rest of time

• Arthur's speech at the beginning trying to glorify them not having the tournament and how great losing is and having to be stopped by Genny

• He's trying so hard and his speech is not good

• The fact that she basically tells him to stop and his response is fine like I think he forgets that he's actually in charge

• I love a sword fight

• The movement, the drama, the loud clanging...

• I am but a humble girl raised on the Pirates of the Carribean movies

• Dinadan being a dick before the fight with "and now for your lesson sir"

• The way Lance knocks the sword out of Dinadan's grip and makes him pick it up before defeating him, such an asshole move

• I truly can't tell if Lance has just such a superiority complex that he doesn't realize what parts of his own behavior are making people dislike him or he's just so stuck in his toxic little mindset that he doesn't care if people hate him for it

• I kind of feel like Lance is so into his specific notions of the world that even he doesn't really know why he acts the way he does

• "Dinadan seemed very inspired by your kerchief, should we continue?"

• "You know he almost had him, right up until the moment he never stood a chance"

• Their fight being played out by proxy while Arthur makes snide comments and they give each other looks is good shit

• Sagramore's scream, he's always going so hard

• The fact that Arthur fighting instead of Lionel is new for this

• Genius

• So good

• The dialouge around it is good too

• The temptation to just transcribe the whole thing is so strong

• Commanding Lance to pick back up his sword like damn

• I love seeing this new side of Arthur

• He can and will fight and he's good at it

• "I know what a damn baguette is"

• His little bit to Lance about it just being about morale is very good

• But also he can see what's going on even if Genny can't so is it?

• The fact that he may well have won the fight if it wasn't for a cool bird, what a man

• Fun fact about me, I didn't even see the bird or realize that's why he got distracted until the last time

• He and Genny are like very much not in a good place this moment but he will let it slide to point out a bird

• Arthur's fall is very good

• Can you tell I think this scene is also very good, I've only written it like twelve times

• The fact that they're letting people fight with swords and there isn't a doctor for 12 miles, amazing planning by everyone

• The bit of everyone thinking Arthur was dead and him sarcastically correcting them is amazing 100% of the time

• "He put life back into him" is just consistently hilarious

• "I'm not wanted here Arthur"

• With the most heartbreaking delivery

• Aw we finally see Lance have some shred of being an actual person

Act 1, Scene 7: The castle terrace - on the evening of the same day

• I Wonder What the King is Doing Tonight intro-ing into this scene

• "Well you got me there" being screamed is perfect

• Pelli sensing that something is bothering Arthur, their relationship is very sweet

• Pelli describing the way Genny and Lance were looking at each other, what a shit stirer

• "It may be the only way to get him to stay"/"Maybe it's best if you let him go"/"Let him go?"/"Maybe it's best"/"Why is that?"/"Well...You said yourself, morale"

• Like she's trying to protect them but she won't say it

• For obvious reasons

• But it's confirming what Arthur already suspects

• And just drawing them further apart

• Another great her silence is doing so much work moment

• The entire telling Lance he's being invested discussion is so intense

• So much anger simmering in Arthur that can't help but come out in the line deliveries in the beginning

• Genny refusing to engage and turning her back to the whole thing

• "I'm sure he'd like to hear it from another child of France"/"This is my country now"

• Oh boy I love this exchange

• Like she's trying, she's trying so hard

• And I don't know what the fuck Arthur is thinking with that one, in what way could she possibly respond that's not going to be bad for him?

• Arthur leaving them alone like whyyyy

• And then Arthur giving Genny back her bloody kerchief, fuck

• All is very much not forgiven here

• "God dammit Pelli, I wasn't dead"

• Genny making it clear she does not believe Arthur was dead, I appreciate that she's also very clear on the fact that their world is not magical

• I wonder if Lance does think he willed Arthur back to life

• Probably

• "Don't ever say it out loud. Neither of us can ever say it out loud"

• This was another straight up gasping in the theater moment

• The entire conversation between Genny and Lance is so good and tense

• And the delivery on that line just feels like getting punched in the gut

• Phillipa Soo is amazing

• I love that she won't let them say it, that she's fighting it

• And the way she cuts him off, the way she makes him agree to not say it

• This is the intense love she wanted and it doesn't need to be said which is exactly what she needed to feel from Arthur but didn't get

• Also Lance just trying to confess his feelings the first second he can is just such an interesting character choice

• Like the truth is his purity of the soul bluster doesn't hold up to the slightest temptation

• He's ready to betray Arthur the second he leaves the room

• It's all a front

• Not intentionally, like he believes the things he says he believes

• But he can't keep to it

• I think he's so drawn to Arthur because Arthur actually has the qualities he's proclaiming define him

• But I don't even think Lance knows any of this about himself

• At least not until later

• He's just impulsive

• Which is I think what makes him an interesting character to me but also makes his motivations hardest to decipher

• Before I Gaze at You Again is such a stunning song

• And watching Phillipa Soo just emote for the whole time

Act 1, Scene 8: The great hall - on that evening

• All the music that starts this scene is brilliant

• "I'll never disappoint you"/"I know"

• I just...

• Like we the audience know but also the characters sort of all know and they are determined not to let it happen but that only makes it happen anyway

• Ugh those lines are a little nothing but they're everything

• I have the YouTube clips of Richard Burton's version of this and it does just indicate how well they've modernized

• Theater has changed so much so the pacing of 1961 compared to this is kind of fascinating

• This is also actually the writing I think is the best from the original and it is so fascinating to compare the two versions which I'm sure someone has done and I want to read it because there is so much to say

• It's so bold to close act 1 with a speech instead of a song

• I had no context coming in so they had me in the first half, I wasn't sure if this was Arthur's turn into the villain moment

• Once again I'm just like pointing to the whole speech and yelling how good it is

• Whoever decided this belonged on the cast recording is my personal hero

• This is just on my normal spotify playlist and as long as I'm not reading, I will not skip it

• But I love the idea that in the original book Arthur starts out by declaring his love for Genny and Lance and in this version it's like he's actively talking to the audience to defend himself

• To say he's not some stupid optimistic kid, that he sees everything we have

• Comes out swinging

• I can't explain how much "proposition: I am not a befuddled king" shook me, I was ready for shit to go down and I love it as the opener to this

• The pause before "whom they love", the sadness in it

• "And she didn't choose whom she married"

• Like Arthur can never get rid of that guilt

• The push and pull of this entire thing where he will try to make an argument with himself that everything is fine but the bitterness keeps seeping in until there's no rationality left

• Trying not the write out the whole thing but the rhythm of it, the pacing, this performance is spectacular

• The way the audience startles when he starts screaming

• Like he's having his back and forth rational debate with himself and finally we see him lose that control

• And it is the good shit

• I can't explain how much I came in with no context for this show and how much this completely threw me in the best way

• We're finally a glimpse of what's happening inside Arthur's head, to see the way he's been holding so much back from everyone else

• I love that he's still yelling at Merlyn, not exactly sure what I want to read into that, I feel like there are a few lines of thought

• "Am I not entitled to a man's vengence?"

• Perhaps my favorite line in the first half

• Every line is sort of my favorite but I guess let's settle on this one

• Because the original is "I demand a man's vengence"

• And same sentiment but entitled is so much more toxic

• Like the thing about this magic-less universe is that Arthur wasn't destined for some greatness and so he pulled the sword from the stone

• He wasn't owed something, he didn't deserve it, it just happened and he chose to rise to the challenge

• And this is the first moment he's decided he might be entitled to anything

• And then he does a 180 into deserving nothing

• "Proposition: I'm not a man, I'm a king"

• Like wow so much to unpack psychologically there

• I mean he and Lance have very much the same problem of trying to suppress their own humanity but the reasons are so different

• When Arthur switches into his idealistic mode and they start playing I Wonder What the King is Doing Tonight because he's being kingly, literally gets me every time

• The entire thing is so good, I love the second half so much

• "I wasn't trained for this"

• I love the running theme of Merlyn training Arthur in all of these important skills but never teaching him how to handle emotions and relationships and uh maybe he should have

• There were perhaps some limits to Merlyn's wisdom that set Arthur up to fail

• Because he's been king since he was barely out of childhood

• He never got the chance to have normal, equal relationships where he could figure shit out

• So instead he just pushes it all down because he's not wrong in that he doesn't get the luxury of following his emotions

• I love every second of this scene

• I love every line, every delivery, every movement

• Like it is a hard ask to make an actor just walking around the stage monologuing compelling in a musical and this is so so compelling

• Just on the whole of this show, I don't know that I've ever been so blown away by a stage performance as I was watching Andrew Burnap and this scene is just a perfect encapsulation of why

• Whatever he's in next, I will go

• Okay real talk something about this man's face just renders it unrecognizable to my brain so more than likely I'll see something and be like wow that person was amazing, who was that and then it will turn out to be him

• I say specifically because I happened to be watching Under the Banner of Heaven the whole time I've been having a Camelot obsession and how did I find out he was in it? I happened to see his name in the end credits four episodes in...

• But anyway I will at least try to know whatever he's in next so I can go on purpose because this performance is living in my brain and I don't think it's leaving

• I do make fun of previous versions of this show for casting people who are clearly not musical theater actors in this role but actually I do think casting actors who do straight plays does add so much as long as they aren't terrible at singing

• All of which to say again that I do think this was some of the most perfect casting I have ever seen

• Basically the statements you can tell Andrew Burnap is not a musicals person and you can absolutely tell Phillipa Soo and Jordan Donica are absolutely musicals people

• Are both extreme compliments to the people that decided on this casting

[icelectricspyro]

🔶 The Warrior God 🔶

doing what needs to be done

- finished version of this

- support me on Kofi

[flower-do0dles-dump]

I told myself I'd make a piece of art holding all my different versions of the SAME character I've been writing throughout my role-playing years. Lonnie, Stanley, Manny, Bently, Wally, Thomas (I suppose he can be called Tommy! But he was a funny case!) But what about the very first? Monty...!

Edit: warning for big ol' ramble in the tags. It's 12 at night and the adderall is falling off

[cordelia-street]

the day blondie plays hoax or call it what you want or hey stephen is the day you check on me

[sailxrmxrs]

more infinite blue fics who could have guessed teehee. this one's for tobias nation i am being nice to you for once <3 but also make it rivals to lovers because i want to write about tobias being mean but also i adore the 'we dislike each other but also pretend we don't secretly have feelings for each other' trope so much it tastes so good. i had a whole other plan for this but then rings of power happened and the galadriel/halbrand dynamic grabbed me in a chokehold so u get this instead. writing this was also a struggle of me battling my internet while also fighting the urge to keep playing piofiore episodio 1926. it's been a TIME. but take some more fantasy/historical au tobias bc WHY NOT RIGHT also!! a content warning for violence/blood/injuries basically your usual fantasy things. stay comfy gamers and buckle in bc it's a long one o7

The sun had about reached its peak in the sky as you strolled through the castle grounds. Today was a rare day spared from your regular duties, a blessing that only came once every few weeks. There truly was no greater pleasure than to be awoken by the sun’s first morning rays brushing your face and turning over, burrowing further under the covers for an extra hour of sleep. That extra sliver of rest was enough to alleviate the persisting tiredness from the last few days. And now, a clear schedule ahead, there was a window of time dedicated entirely to you. So, as fitting with your station, you were making your way to the main training room. Other fighters of the King’s army were scattered about the courtyard, those relieved of their duties for the day swing swords at training dummies or sparring with a partner. Considering the bright skies and gentle warmth in the air, most were making the most of the nice weather. What nicer backdrop to the rigorous training regimes than a clear sky and the far-off sound of birds chirping atop the castle walls? However, in spite of the perfect conditions, days off were enjoyed much more thoroughly when spent alone. Of course, you enjoyed the companionship of your fellow fighters—they were the people you trained so hard to defend and aid in battle, after all. But no matter how close you may be with a great deal of them, days off were you to revel in your own company.

There were no sounds to be heard coming from inside the training room, the exact sign you were hoping for that the next two hours of your time would be spent in comfortable solitude. Releasing a satisfied sigh, you stepped over the threshold and assessed the equipment available. In doing so, your eyes landed on a familiar figure loosing an arrow into a target standing at the far end of the expansive room. Tobias. He was no new addition to the fighting ranks but had been a thorn in your side from the moment you laid eyes on him. He’d been recruited after a raid on a suspected rebel camp years ago after pleading innocence and offering his services in the form of battle prowess for the King. He was employed on a temporary basis until he was proved trustworthy enough to not act as a double agent and had been part of your day-to-day life ever since. At first his overly confident words were brushed aside as a nervous desire to be accepted among the others but as time went on, he proved that he was simply that confident in himself. Although perhaps arrogant was more apt. Tobias walked about the place as though he owned it, when he wasn’t being watched by superiors, that was. He held himself with indescribable regard that perhaps even the King himself couldn’t match And, of course, he could sense your dislike for him from a mile away. He would find ways to get himself assigned to work alongside you, would seek you out as for sparring practice, would take up a seat beside you during meal hours. Tobias spent more time with you than your shadow did—it felt that way, anyway.

Typically spending so much time in another person’s presence led to a close friendship developing but the exact opposite had transpired between the both of you. The mutual hatred was palpable, creating a tension so heavy it could almost be seen if someone focused their eyes hard enough. Threats of violence were commonplace and whenever you sparred together, neither held back; someone always walked away with a black eye or bruised rib from a harsh kick to their side. How the contempt for one another had grown so far was a true enigma to many of your friends, all looking on in question of whether the animosity was purely hatred or if another emotion lingered deep beneath. There had not been one standout moment to facilitate your less than pleasant feelings toward Tobias, but rather a general sense of distrust. He was not one to share much of his past nor did he show any desire to partake in activities that weren’t mandatory. He’d cite excuses of prior plans or tiredness from a day of patrols and leave for his room, only to be undiscoverable within the hour. Where he went was unknown to anyone but himself and you couldn’t help but begin to harbour seeds of distrust, only fuelling the fires of resentment with each day that passed.

Even now as Tobias lazily approached the target, having shot it directly in the centre, you were itching to wipe the smug smile that no doubt stretched across his face. He had paused at the target with the arrow sitting now in his hands as he examined it, fingers gently touching the head of the arrow with each gentle tap against his fingertips. Eyes darting to the throwing knives beside you, temptation snuck up onto your shoulder and whispered in your ear. Tobias had not yet noticed your arrival or, if he had, he was ignoring you likely to incite action. If action was what he sought, you would happily oblige. You took up a knife, eyes zoning on your target and letting it fly free. The throwing knife hit its mark exactly as intended, brushing past Tobias’ cheek and implanting itself in the target in front of him.

“A dangerous game you’re playing there, aren’t you? Two can play at that game,” he drawled, indifference lacing his words before he snapped into action and notched an arrow, aimed and shot at the spot on the wall right above your head. It had come dangerously close to your scalp, the feeling of the arrow brushing over your hair and sending a shudder down your spine.

"Is it dangerous if I trust in my skills?"

"Ah, but what if I had moved in the way? Would you tend to my wounds for me?" Tobias prowled across the training room, eyes fixed on you. He met your scowl with his mouth quirked into a scrutinising smile, as though he were calculating your intentions and assessing the best way to slither beneath your skin. Judging from the amusement all over his face, he was well into the process of concocting said plan.

"In your dreams. Watching you bleed out would give me great pleasure," you quipped, arms folding across your chest as you refused to back down to his towering frame. Tobias was far too tall for his own good, and it only fuelled his already staggering self-confidence.

His smile turned to a grin as he stopped in front of you. "Well, I do strive to please. In all areas, might I add." Tobias' grin only grew as you scoffed and pushed him away with disgust. "Too far? And here I thought you could handle a little more than that." Tobias now had an arm holding onto the casing of the door frame above your head as he leaned in closer despite the hand that tried to keep him at bay.

“Do you have to stand so close?”

Tobias ignored you, staying completely still as he continued on as though you’d never spoken. “You know, I’m surprised you’re not out there training with the others. You know how much I loathe seeing you spar with anyone other than me.”

“Hasn’t it ever crossed your mind that I do it simply because you hate it so much?” You could feel yourself getting more and more frustrated the loner you remained talking to Tobias, but there was no backing out of this encounter. Not if you wanted to retain any semblance of your dignity. Should you walk away now, Tobias would hold it over your head for weeks or, more likely, months.

The corner of Tobias’ lip twitched as though the idea of being so thoroughly disliked by you entertained him—as though this were all some long-running game of cat and mouse. “I’m flattered you think of me so much around other men. You know, if you crave my attention so badly, you need only visit my room. You know where it is, after all.”

“Rather presumptuous of you to assume my thoughts of you are in any way nice.”

Tobias raised an eyebrow at your dismissal, quickly firing back with his sharp tongue. “And it’s rather presumptuous of you to believe I don’t enjoy that to my very core.”

You blanched for a moment, Tobias managing to knock you off balance with each quip he sent your way. The man was insatiable in all the wrong ways. “What? You enjoy the fact I loathe your presence? I’m not one to judge but that doesn’t sound entirely healthy.”

“Have you never heard of the saying ‘keep your friends close and your enemies closer’? Well, little fox, wouldn’t you like to find out how close we can be?” Tobias' voice was a low purr, his face now barely an inch away from your ear as he let the low dulcet tones of his voice sink beneath your skin. He was a lethal man in so many ways, but this felt far more life threatening than any dagger to your throat or arrow to your heart could ever feel.

"Not in the slightest. Now are we done here? Some of us have plans they'd rather leave undisturbed." It took a great deal of self restraint to not take a small step back or waver under Tobias' watch. He was still leaning in close, clearly unaffected by the distinct lack of amusment on your own features. He seemed to be weighing up his options, but at your refusal to back down he finally moved away, bored with your lacking reaction. Tobias wished you a happy training session, his voice completely devoid of any genuine well wishes as he walked away. It took a good few minutes to calm the annoyance that had swelled during the short encounter with him, your mind replaying certain choice words and phrases he'd used while you warmed up to train.

The remaining afternoon passed by uneventfully, your training session alleviating all Tobias related stress. There really was something therapeutic about slashing a sword against a training dummy as hard as you were physically able. Eventually your body reached its finishing point, muscles tinged with dull aches that could only be relieved by a steaming hot bath. It was the signifier you needed to call it a day and return to your room to enjoy the remainder of your afternoon without any pressing duties. You were free to spend some time indulging in hobbies you otherwise had to set aside in place of training newer recruits or studying new formations. That peace was later shattered, of course, when news arrived that the castle was under attack. Of all days for there to be an ambush of any kind, it had to be the one day you were supposed to be relieved of duties. But, despite fate's cruel timing, you prepared to take up arms and fight as was expected of you. This was what you trained so hard for.

Commotion and chaos consumed the courtyard. What once had been the sunny site of peaceful afternoon training was now a bloodsoaked battleground. Night had fallen, bringing with it the cover of darkness—which had its own benefits and drawbacks. The diminished light meant that you could easily hide in the shadows before striking the castle's attackers but, by the same token, they could just as easily do the same. Still, with all your experience in battle you believed wholeheartedly in yourself and the soldiers at your side going out into the night. Clamour of swords clashing, metal on metal like a cacophonous thunder, and the shouts of angers were the music of the night. It was never pleasant, nor did it get much easier with each fight you found yourself entrenched in. It wasn't long before your sword was stained a deep, dark colour, far removed from its once silver sheen under the light of the moon. Flecks of blood and mud adorned your cheeks, none of it your own. Though some of your comrades were not quite so lucky. There was no time to dwell on whose injuries were beyond saving no matter how biting the sting of death always seemed to be. All those complicated emotions could stir once you were safe again in the comforts of your bed.

Advancing to another section of the courtyard, you searched for signs of further infiltration. There was always the chance this onslaught of attackers was a mere distraction from some ulterior motive playing out elsewhere. Despite having slipped into the shadows to make your escape, a stray attacker took advantage of your false sense of security. Just as you registered the presence behind you, a sharp sting heated at your side. Ignoring the building pain, you swung into action. Luckily this was your only combatant. With your newly acquired injury, fighting more than one opponent would prove rather challenging. Possibly fatal. Dying here was not an option. Not for you. Even as you moved a portion too slowly, the hilt of your attacker's dagger colliding with your head, you couldn't contemplate the chances of losing no matter how quick your attacker might be—and they were unbelievably fast. You raised your sword, bracing for the oncoming pain that never seemed to arrive.

When you refocused your vision, adrenaline the only force keeping your knees from buckling, all that you could see was the all-too-familiar head of golden hair stood before you. Tobias held a bloodied sword in hand as he fended off your attacker with an excellent precision; he might be insufferable, but the man could certainly fight. Your vision blurred, the inflicted wounds creeping up on you—not to mention the pounding headache that had just been inflicted upon you. There was no chance you'd be seeing this battle to its end with these injuries. No matter how much you wanted to press on, you had to bandage the still bleeding wound at your side and find something to ease the ache in your head. A cold darkness threatened to pull you under, the blanket of unconsciousness feeling like a welcome idea if not for the fact that Tobias had just killed your attacker. Grasping onto those wispy tendrils of consciousness, your breathing heaved as you focused on Tobias. If anything would keep you awake and aware, it was spite; you couldn't let Tobias hold this over you. Never in a thousand years would you allow him to be the one responsible for your survival and so you moved to continue fighting, despite your instincts telling you to retreat.

"I knew you were stupid, but I didn't think you'd be stupid enough to throw your life away. You're injured. We need to fix you up," he called out, his breathing laboured as he remained rooted in place.

"So what if I am? I'm fine. I can fight." You had never been a good liar.

Tobias knew it too, walking closer as he reached for your wrist. "Please, just let me patch you up. You're clearly hurt." If you didn't know him better, you'd think there was some semblance of pain in his voice. Surely not.

"I told you, I'm fine. It's not as bad as you think. But I'll tend to it anyway. Alone." You made sure to stress the finality of your last comment. This was the last scenario in which you wanted Tobias' presence, let alone his aid. It wasn't that deep of a wound anyway. Nothing to fret over or concern anyone else with, least of all him. Despite his continued insistance to clean the wound and help dress it, you waved him off, erasing any evidence of the pulsing pain at your side until he finally gave in and listened. You weren't sure if he'd believed your claims but at least he'd finally acquiesced. Perhaps if he hadn't been so insufferably vexing in the training room earlier you might have relinquished and let him help you. But this was Tobias, ever the pain in your side even when staring in the face of mortal danger. When you finally reached the privacy of your rooms, peeling away the leather armour that protected your torso from sustaining further injuries, the pain only spread from the loss of pressure on the wound. You hissed at the feeling, head snapping up when you heard a familiar voice sigh from the doorway. Of course he hadn't believed you. Of course he'd come after you despite your instructions not to.

"And you said it wasn't that bad," Tobias said, his voice surprisingly languid considering the urgency with which he'd spoken earlier. He was leaning against the doorframe, his arms folded as he stared at the open wound at your side and the blood seeping onto your blouse.

You glared at him, unable to move the hand that instinctively came to your side to attempt to combat the pain. "Is this the part where you say ‘I told you so’? Because I’m really not in the mood for it right now, Tobias.”

He shook his head, stepping closer. It was now that you could see the dampened washcloth and gauze in his hands. “I’m going to patch you up like I said I would.”

“Thought I told you to leave it. That I could manage it myself."

“Did you really believe I’d listen? Did you really think I wouldn’t follow you?”

“No. I knew you would.” Your voice was quiet now, barely above a whisper as you angled your head away from Tobias. “You always do come to help, don’t you?”

Tobias continued his ministrations, treating your wound with utmost care. His hands were surprisngly gentle, barely ghosting your skin as he cleaned the wound as painlessly as possible. Whoever this Tobias was he was a farcry from the man you'd clashed with just a few hours ago. With every hiss of pain or involuntary twitch, Tobias would pause, eyes searching your face for any hint of distress.

“You can stop looking at me as though I’ll break. I can handle it,” you scolded, finally meeting his concerned look. He seemed strained, as though he was holding something back, though what exactly that was, you weren’t sure. Tobias was notoriously hard to read.

“Maybe you can. But I can’t.”

“And what’s that supposed to mean?”

Tobias sighed. You didn’t expect to feel the loss of his hands so strongly. “Nothing. Just…please don’t get yourself hurt like this again.”

You looked at him incredulously, the slight movement of your body sending a painful reminder that you needed to remain as still as possible right now. “And why do you care? I didn’t ask for you to come help me. Or even defend me back there. I don’t know what you were thinking, you could’ve gotten yourself injured or worse, killed!”

“That’s rich coming from you,” Tobias scoffed. He had finished cleaning the wound and had begun to dress it, his eyebrows knitted in annoyance. “If I hadn’t stepped in you’d be in a lot worse shape right now. Possibly not even standing to scold me.”

“So why’d you do it? Since when have you cared about my safety? I vaguely recall you shooting an arrow at my head earlier. Not exactly the actions of someone who cares for my physical health."

“You seem to forget that was an act of retaliation after you threw a knife flying past my face." He paused for a moment, hands halting in their movements. "And besides, little fox, the only one who’s allowed to kill you, is me.” Tobias had his hand on your chin, forcing you to hold his gaze. The eye contact was excrutiating, especially when you could see the murderous intent swimming in his eyes. Why he didn't just finish the job now, you didn't know. Clearly he wanted to. Yet he was bandaging you up as though he were a caring friend or doting lover, concerned for your wellbeing.

"Heavens above I hate you, Tobias," you whispered, knowing he heard every syllable as he looked into your face. If either of you moved even the slightest bit closer, his nose would be pressed against yours.

"All this talk of hating me and yet you didn't stab me when you had the chance, hm? I know you threw that dagger with no intention to strike true. You could've done it, you know? A single thought and I would have been gone. None the wiser to who my assassin would've been." Tobias' breath was warm over your face, every word painting your face and weighing you down. "Or perhaps you enjoy this little dynamic we have going on? Pretending that beneath all that hate and contempt there isn't the pulling tug of desire, begging for one of us to finally give in."

You tried to ignore the hand that danced on your uninjured waist—not to mention his burning touch still lingering on your chin. "You'll find me dead before I admit any kind of feelings for you."

"Oh, so you acknowledge they exist then? No matter how buried they may be, I guarantee it won't last. I know you far better than you give me credit for." The hand on your waist slipped beneath the blouse, his fingers cold on your side. You couldn't help the shiver that traveled the length of your spine as you struggled for a reply.

"Merely a lapse in judgement," you spoke, finally finding your voice. "Trust me, the moment I no longer owe you for saving my life? You're dead."

Tobias chuckled, the sound as cold as his touch had been. "We'll see about that, won't we? Hate me all you want. But we've got to keep you alive for that. I don't want you dead yet, anyway. And I'll kill anyone that even thinks about stealing my pleasures from me."

[diaryofawallfly]

"....Blond really didn't look good on me..."

[leedee013]

And siwy wittle

prev

"What does that have to do with this?" Jean asked, feeling his rage start to pulse through his veins with enough strength to make him shiver.

"It also helps explain his sudden suicide," Inspector Blake added. "It's not an uncommon course of action after someone who has always been in control loses that sense of superiority."

"Exactly. It's practically an admission of guilt."

As soon as Henriksen said that, Jean’s vision went red. “Fuck you,” he growled, his hands dropping from his arms and slamming onto the table. “Don't fucking talk about him like that."

Henriksen's smile faltered.

“You're fucking cowards who wants to take the easy way out. This is and always has been Tetsuji Moriyama. Don't you dare pin all our suffering on Riko, because he suffered too. When Kevin left The Nest, Riko didn't fully regain consciousness for three days," Jean spat. "He was punished just like the rest of us, except he punished himself too. Didn't you ever notice how Riko was also absent from the public eye after Kevin's 'accident'? Or, hell, how he was absent after mine?" he continued, his voice growing more frantic and increasing in volume with each question. "Tetsuji fucking Moriyama destroyed any chance Riko had to have a life outside of The Nest. Riko knew that he'd never been wanted. Riko knew that the only value The Master saw in him was as an investment, and that his life literally depended on how much that investment earned him. So if you want to have your careers considered anything other than pathetic failures, you'll get your heads out of your asses and focus on the real villain of this story. Stop letting the Moriyama name make you two its bitches and do your jobs properly."

The room was silent for a while.

MASTERPOST

[gothlovingoth]

not to swing a bat at a hornets nest but maybe the popularization of the gaslight gatekeep female manipulator unhinged crazy girlblogger who manipulates and pegs men because she hates men and is taking her sexuality into her own hands by playing guys and has no remorse has not been very #feminist and maybe hindered the metoo mouvement by giving many terminally online isolated people the impression that this manic pixie dream girl revenge wet dream is literally how mentally unstable women are and act

[werewolfetone]

In case anyone's wondering how my writing is going I started a new wip and I'm having the time of my life with it

[celaenaeiln]

You know what’s interesting?

Dick didn’t set out to murder Zucco with the intent of being a killer. He viewed it as an unfortunate byproduct of his actions.

His real goal was to “purge the world of criminals” because “darkness needs light.”

Do you realize how unhinged that sounds? It means Robin wasn’t created from anger. It was created from the messed up psyche of a child who realized at 8 years old that the entire world needs something better than what it was given and so he went out and became it.

I cant properly explain how insane that is. It’s like putting the logic of the Joker inside the mind of child but turning it for good. Everything is falling into place now. That is why the Joker hates Dick-he is the one Robin the man couldn’t break. Literally COULDN’T because when he’s facing Dick, he’s facing the version of himself that would have existed if he had put himself to good. That was would break HIM.

Imagine spending the better part of your life doing your utmost worst to show Batman that people and the system are inherently evil only to have him fall head over cowl for a version of yourself to completely invalidate your reason for existing. How psychotic would you turn when you realize you have nothing to prove?

This also explains why Dick is so well adjusted and sociable in a way that Bruce and the others aren’t.

Bruce loses it when he loses his children, he thinks it’s a failure of his abilities and doubts his life’s work.

Jason loses it when he thinks he’s been replaced because his reason for being is having someone care for him.

Tim loses it when he comes to a dead-end. He feels helpless and lost when he doesn’t know the next move because his reason for being is being able to solve what’s wrong.

Damian loses it when he feels abandoned. He feels hurt and broken because he’s a child who wants to be loved.

The reason Dick was the perfect choice for Dark Crisis and to become the dawn of DCU is because his sole reason for being is to be the light.

That is why Bruce refused to destroy a planet when Superman asked him too. That is why Dick was the only person in the universe who could control the Darkness infecting him when even Deathstroke lost his mind to it. That is why the evil Justice League chose Dick of every one to kill-to make a point.

This is why he’s looked up to by major heroes such as Superman, Wonderwoman, the Titans, the children, the villains, and the civilians.

This is why Harvey Dent called Robin Dick “Batman’s secret weapon.”

Although anger was the baseline emotion, Dick doesn’t have anger issues because:

Robin wasn’t created for revenge. It was created with the intention of building a world so unrealistically good, that the level of the vision Richard Grayson was aiming for and set the standards for- is so terrifyingly inconceivable.

And that-is why he is a happy, feral, monster.

[lovevalley45]

something so funny abt lookin at things i wrote with my OCs like five years ago n realizing. i have a different character use the same nickname for someone as i do now

[petalsofyouth]

realistically speaking who would you date in tokrev?

maybe like two months ago or so i took a test on uquiz who is your tokyo revengers bf or something like that and i got koko. the funny thing is that before that i took a test who do you kin from tokyo revengers and i got inupi. i am not a kokonui shipper, but i found it funny, hahah.