#can people please just tell me things

[inkskinned]

crows use tools and like to slide down snowy hills. today we saw a goose with a hurt foot who was kept safe by his flock - before taking off, they waited for him to catch up. there are colors only butterflies see. reindeer are matriarchical. cows have best friends and 4 stomachs and like jazz music. i watched a video recently of an octopus making himself a door out of a coconut shell.

i am a little soft, okay. but sometimes i can't talk either. the world is like fractal light to me, and passes through my skin in tendrils. i feel certain small things like a catapult; i skirt around the big things and somehow arrive in crisis without ever realizing i'm in pain.

in 5th grade we read The Curious Incident of the Dog In The Night-time, which is about a young autistic boy. it is how they introduced us to empathy about neurotypes, which was well-timed: around 10 years old was when i started having my life fully ruined by symptoms. people started noticing.

i wonder if birds can tell if another bird is odd. like the phrase odd duck. i have to believe that all odd ducks are still very much loved by the other normal ducks. i have to believe that, or i will cry.

i remember my 5th grade teacher holding the curious incident up, dazzled by the language written by someone who is neurotypical. my teacher said: "sometimes i want to cut open their mind to know exactly how autistics are thinking. it's just so different! they must see the world so strangely!" later, at 22, in my education classes, we were taught to say a person with autism or a person on the spectrum or neurodivergent. i actually personally kind of like person-first language - it implies the other person is trying to protect me from myself. i know they had to teach themselves that pattern of speech, is all, and it shows they're at least trying. and i was a person first, even if i wasn't good at it.

plants learn information. they must encode data somehow, but where would they store it? when you cut open a sapling, you cannot find the how they think - if they "think" at all. they learn, but do not think. i want to paint that process - i think it would be mostly purple and blue.

the book was not about me, it was about a young boy. his life was patterned into a different set of categories. he did not cry about the tag on his shirt. i remember reading it and saying to myself: i am wrong, and broken, but it isn't in this way. something else is wrong with me instead. later, in that same person-first education class, my teacher would bring up the curious incident and mention that it is now widely panned as being inaccurate and stereotypical. she frowned and said we might not know how a person with autism thinks, but it is unlikely to be expressed in that way. this book was written with the best intentions by a special-ed teacher, but there's some debate as to if somebody who was on the spectrum would be even able to write something like this.

we might not understand it, but crows and ravens have developed their own language. this is also true of whales, dolphins, and many other species. i do not know how a crow thinks, but we do know they can problem solve. (is "thinking" equal to "problem solving"? or is "thinking" data processing? data management?) i do not know how my dog thinks, either, but we "talk" all the same - i know what he is asking for, even if he only asks once.

i am not a dolphin or reindeer or a dog in the nighttime, but i am an odd duck. in the ugly duckling, she grows up and comes home and is beautiful and finds her soulmate. all that ugliness she experienced lives in downy feathers inside of her, staining everything a muted grey. she is beautiful eventually, though, so she is loved. they do not want to cut her open to see how she thinks.

a while ago i got into an argument with a classmate about that weird sia music video about autism. my classmate said she thought it was good to raise awareness. i told her they should have just hired someone else to do it. she said it's not fair to an autistic person to expect them to be able to handle that kind of a thing.

today i saw a goose, and he was limping. i want to be loved like a flock loves a wounded creature: the phrase taken under a wing. which is to say i have always known i am not normal. desperate, mewling - i want to be loved beyond words.

loved beyond thinking.

[bonefall]

it is healing to come onto this blog and see basic respect for diasbility after being in other corners of the fandom and reading the words “snowkit could never be a warrior because he wouldnt know what anything is. he wouldnt even know what a clan is because nobody could explain it to him” said in full seriousness

Im..... That statement is so ableist I cannot even imagine the worldview you'd need to have in order to come up with that.

They really think the only way anyone learns anything is through verbal-speaking-words-noises? No one has ever observed something before? Not even once?

This is beyond touching grass, this person just fell out of the fucking Jurassic Period when all they had was ferns and stegosaurs.

I just...

OH YES. I remember my first day of Society Lessons as a hearing person, where the everything was explained to me. Via Audiobook. FIRST they spoke and said, "you are standing on the ground." It was a life changing revelation, and the world began to spin.

But it did not stop.

THEN they said, "there are fingers on your hands." The sensation of flesh and bone crackling into existence is indescribable, but I did not yet know pain, until they told me, "that hurts." I began screaming immediately.

And yet... it continued.

They explained so much. Chairs. Tables. Walls. The sky. Frogs. Ionizing radiation. Breathing. I was told all of it, in one sitting, and only then did I understand. Only when my ears were bursting with normal hearing knowledges, did they begin... my final test.

A strange wall-chair-finger emerged from the sky-of-the-wall, stood on the ground several times, until it was in front of me. A second one came behind it, this one slimmer. The audiobook gave these things names;

Human. Father. Mother. Door. Walking. It was completely impossible to know what these things were until that very moment.

I watch a human dip a hook into water and produce a fish, and I recall my Society Lessons where they called that "fishing." I am decked in the face by a nefarious hooligan, and I have only the audiobook to thank when I know I have been "punched" by a "bad guy." It was only the magic of verbal-speaking-words-noise that made me understand that there are "other people" and that they "do stuff."

Sometimes, even, in "groups."

Before the Society Lessons Audiobook, I knew nothing. I was pure, innocent, uncorrupted by concepts such as "parents" and "door." I am grateful every day that there is no such concept as "being shown things" or "simple logical reasoning" or "looking."

Blessed be those amongst us who escape the horrors of the Society Lessons Audiobook. I pray that you never learn what anything is. Be free! Free as a bird, which also knows nothing and famously cannot learn. 🤗

DEAF/HOH FOLLOWERS I'm losing my mind do you want me to bump a 'Hearing Disabilities Herb Guide' to the top of my priorities? Something you can use to bludgeon whackadoodles like that. This is ridiculous

Obviously not a MEDICINE guide but like; common causes of hearing disability in clan cats. Accommodations for hearing loss vs congenital deafness. Actual difficulties of not having that sense Clan-by-Clan. Debunking of misconceptions like... not being able to learn APPARENTLY.

[robynrocksforbrains]

Mike Wheeler is important and there's nothing wrong with analyzing him

Since y'all wanna be insufferable bitches about it I'm gonna explain to you why he's important, why Will loves him, why his struggles should be acknowledged, and why his character depth is pivotal to byler endgame being a satisfying conclusion for both Mike AND Will. Deal with it!

We are not seeing smoke where there isn't a flame. We are seeing smoke where there is a literal fucking forest fire.

Starting off with something a lot of people aren't ready for but I've seen more people talking about: Mike is the main character of s1 at the very least. He is the character that brings us into the world of stranger things. He is the character that the writers chose for this. Mike is the main character of s1 and it was an instant hit. The writers love Mike. Contrary to popular belief, giving a character an arc where they are struggling and their behavior changes from what is normal for the character we know and love does NOT mean the writers hate that character. It means they deliberately chose to give that character complexity and depth. Your inability to like characters that do anything wrong ever is not the fault of the writers. Your decision to act as if a character is not important is not reflective of the actual narrative because it in fact is in direct opposition to the narrative. So just to be clear, if you genuinely believe that Mike isn't important, or that the writers hate him, or don't care about him, or that his story "takes away" from any other character's - ESPECIALLY WILL'S - you are simply wrong.

In s1 and s2 Mike is established as an extremely caring person. He's loving, loyal, brave, intelligent, and trying his best. He is also established to be hot headed, someone who speaks without thinking quite often, someone who is capable of hurting his friends despite that being the last thing he wants to do. He is all of these things and more. He is a human. He is a kid. So in s3, when suddenly he is entirely different, it is completely logical to assume that there is a reason for that. He did not just wake up one day and decide he wanted to be an asshole, push Will away, make his friends feel abandoned, and echo the same sentiments their bullies held. Something is happening with him. He has so much going on in his head and it is painfully obvious. He's holding something in, he's hiding from everyone and from himself. We see glimpses of what he's trying to hide after Will calls him out on his behavior. Will gets through to him. Mike is usually unresponsive to tough love, except for when it's coming from Will. After their fight, it is obvious that he's trying to be better. But he still doesn't wanna face certain things, and he doesn't know how to navigate that. Because he's 13 years old.

There is a reason for all of that internal conflict. There is a reason it comes pouring out of him at certain times. He's crumbling. He is quite literally falling apart because he's holding on to too much. It's not a stretch to assume that, it just takes basic media literacy. Why would the writers have Mike act this way if he was just supposed to be a one dimensional character? Why would Finn be directed to portray Mike the way he does if there was nothing more going on? There are times where Mike looks like he's in physical pain because of his internal conflict. There is a reason for that. And acknowledging that DOES NOT mean people are taking away from Will. That's the most idiotic thing I have ever heard. Do y'all seriously not understand that more than one character can have emotionally complex storylines? Genuinely asking, is this a new concept for you?

Will's love for Mike

Will is head over heels in love with Mike. That is very much established. So when you're dismissing the emotional depth of Mike's individual arc because you think acknowledging it "takes away from Will" you are actually diminishing the significance of a huge aspect of Will's emotional arc. By taking away the significance of Mike, you take away from the significance of Will.

Let's do a quick recap of the very significant role Mike has played in Will's entire life:

Mike is Will's first friend.

They have grown up together and it can be assumed that they've reached important milestones together.

Mike has always been a safe person for Will. He's been a constant in Will's very chaotic and unfair life. Until the summer of '85, Mike had always been something good in Will's life. (That's not to say he is no longer something good, but it can be assumed that the summer of '85 is the first time Mike has been a causal factor in Will's unhappiness)

When Will went missing, Mike did not hesitate to search for him. It wasn't even a question of if. The moment he knew Will was missing he knew exactly what he'd be doing that night. He spearheaded the search amongst the party. He was the leader.

When Will came back, Mike was the only person that didn't treat him like he was gonna break. He cared for him, and he was there for him, but he didn't treat him differently; Will tells us as much. Which means we can infer that the way Mike was with Will in s2 - how gentle and loving he was - was nothing new. He had just always been like that.

When Will was possessed, Mike stayed by his side. Even when it was scary, even when it could've gotten him killed, he stayed. Because once again, for him, it wasn't even a question. That's just where he knew he needed to be. He was in the shed when they were trying to get through to Will. He was set apart from Lucas and Dustin, but he also wasn't equated to family. And his retelling of the story of the day they first met was the final push Will needed to find a way to communicate.

After a year of things being "weird" between them, Mike tells Will that he didn't deserve to be treated the way he had been. Mike tells him that he wants them to be okay again, and for the rest of the season he puts in the work.

Things get rough in s3, and at the beginning of s4, and despite all of that, Will confesses his love (albeit veiled). In a moment where Mike is feeling awful about himself, he tells him that he loves him and needs him, and he tells him why. And to him it doesn't matter that he's breaking his own heart to do it, because it's Mike. Mike, who makes him feel like he's not a mistake at all, and that he's better for being different. For Will, there was no other option. The person he loves was hurting and he knew how to help, and so he did.

Mike is the first person Will tells about Vecna still being alive. Because they're back to being a team. He knows he can trust Mike, and Mike seems to be very determined to prove him right.

SO.

These are all real and canon aspects of Mike's presence in Will's life. Will falling in love with Mike isn't something that just happened for no reason. Will fell in love with Mike because of who Mike is. When you acknowledge that, and when you acknowledge the reasons they've set out for why Will loves him - the reasons Will literally told us - you can better understand Will. But when you dismiss all of these things about Mike, you are dismissing a large portion of Will's emotional and romantic arc. You aren't being a Will Warrior. You are erasing so much of him and his feelings and his lived experience. That is not the hill you wanna die on.

Will loves a person. Not a feeling. Yes, he says that Mike makes him feel like he's not a mistake and that he's better for being different. But that's not why he loves him. He feels that way because he loves him.

Mike is a fully fleshed out character with his own feelings and struggles and fears and traumas and motivations. He's not a plot device. He's not just an accessory to Will's arc. He's not a character that was written only to be Will's love interest. He's Will's love interest because he's Mike.

If Mike didn't matter, and if Mike didn't play a significant role in byler, then they would be able to write in a love interest for Will in s5 and have it be somewhat satisfying. But they can't do that. Will's love for Mike has so much depth because Mike has so much depth. It is genuinely crazy that this has to be stated and that I have to back up this claim because it is simply a canon fact.

So yes, the rain fight affects Mike's character development and his involvement in it is important. Yes, the van scene literally could not exist without Mike and therefore his involvement in it is incredibly important. Yes, every single byler moment has an impact on Mike, and Mike has an impact on it because they are BYLER moments. Yes, Mike will have a lot of significant moments - with Will AND on his own - in s5 because his arc deserves and needs as much attention as Will's in order to execute byler endgame in a satisfying way.

No, none of these facts negate Will's importance or take away from his story. If anything, they add to it because Mike and Will's arcs are corresponding and intertwined.

Mike's struggles

To name a few

Dysfunctional family

Has been bullied his entire life

Extreme self worth issues

Inferiority complex

Hero complex

Lack of self preservation

Suicidal ideation (has been on display since SEASON ONE)

Internalized homophobia

To get this out of the way: Mike's internalized homophobia is allowed to be discussed. Discussion of it is not the dismissal of Will's internalized homophobia. Surprise surprise, two queer kids in the 80s have internalized homophobia! Who'd'a thunk it?! Their internalized homophobia presents in different ways but it is there for both of them. I personally relate to the way Mike's is portrayed way more than I relate to Will's. So why is it that we can't discuss it without being accused of erasing Will's experience? Or without people saying that we're "copy and pasting" Will's story? Because quite frankly, that feels dismissive of my - and likely many others' - real and lived experience. So please for the love of all things that are good just stop with this talking point because it will never hold up.

Moving on

I'm not gonna do a full breakdown of all of Mike's issues. Because contrary to popular belief, there are a lot. And that would be exhausting and I'd get carried away and it's not the point of this post. The point of this post is to defend the acknowledgement and mere existence of them.

If you're a byler that for some reason thinks Mike only exists to be Will's love interest and his trophy as compensation for his trauma, let me ask you this: Have you considered how awful it would be to have a queer character's individuality and emotional depth completely ignored for the sake of focusing on the queer character that "really matters"?

If Mike's own issues, with his queer identity and otherwise, aren't thoroughly explored... What's the point of all this? If Mike really is insignificant in this storyline and his individuality has no effect on it.. where's the emotional payoff? If his perspective doesn't matter... Why have the writers gone to such great lengths to ensure we don't have that piece of the puzzle yet?

Analyzing Mike and understanding Mike is very important to understanding byler. Once again, I think it's crazy that this needs to be said.

I also think it's important to note that characters can have similar struggles. There's no rule against that. Just like real life. Characters having similar struggles is not a bad thing, and acknowledging that their struggles are similar is not dismissive of either character. We're talking about STRANGER THINGS. Jonathan and Nancy's thing is "we've got shared trauma". They have literal matching scars. Shared experiences are some of the main building blocks for this show's romances. Byler has a TON of shared experience, basically their entire lives. We already know that. So wouldn't it be so beautiful for them to learn that they've been struggling with the same thing this whole time? That the entire time they felt alone in what they were going through when really they had each other and they never even knew it? Wouldn't it be so beautiful for Mike's acceptance of Will and Will's love for him was also a step toward accepting himself? Wouldn't it be beautiful for Will to learn that his love makes Mike feel like he's not a mistake? None of that would be in the realm of possibility if Mike didn't have emotional depth and if his individuality wasn't important.

And that leads me to my concluding point...

A satisfying execution of byler endgame hinges on Mike's individual emotional arc being handled well

God I hope this isn't controversial to say. I sincerely hope most people haven't forgotten that.

Here's a hypothetical:

Imagine season five has been released. You're watching it, and you notice that Mike has been relegated to just a supporting character for Will. We don't get any of his perspective. We don't get any explanation for his s3 and early s4 behavior. His breakup with El doesn't have any real tangible effect on him, it's really just used for El's character development. We never see him pining for Will like we saw Will pining for him. And then suddenly Mike is learning about the painting and then suddenly he's confessing his love and then suddenly byler is canon and official.

Now wouldn't that just be awful? Wouldn't that be unfair to the audience, to Mike, and to Will? For us to never learn just how much Mike had to go through to even be able to say it out loud? For Mike to never get the chance to prove to himself through word and action that he is the heart? For Will to never get an explanation for why things did get so "weird" between them? It would leave us with one big, nagging question: What was the point of everything Mike has said and done throughout the entire show if his conclusion is that lackluster?

Disregarding Mike for a moment (I know that's incredibly ironic given what the entire point of this is but just bear with me) - how would that be a satisfying conclusion for Will? I mean, Will's s4 arc was basically dedicated to showcasing his struggle with his sexuality and with his love for Mike. We were shown just how deep that love is. We were shown how patient, unselfish, unwavering, and beautiful that love is. So how would it be satisfying for Mike's love for him to not be shown with just as much depth? How would it be satisfying for Mike to just be a one dimensional character whose s5 arc is essentially "break up with girlfriend, wait to find out best friend is in love with him, say he loves him back, then they live happily ever after"? I think Will deserves for his love to be returned with the same intensity at which he gives it. And I think it should be clear to the audience and to Will himself.

Back to Mike!

Mike has been through so much shit. I don't think anyone that is denying that actually believes he hasn't been through shit. Because you'd actually have to watch the show on mute and with your eyes closed to think this kid hasn't had just the worst time. It's so ignorant to act as if this stuff hasn't affected him. There's stuff we've seen but there's stuff we also haven't seen. There are issues he has that date back to his childhood pre-canon. Just like Will, Mike has been a queer kid growing up in 80s smalltown conservative america. Acknowledging the pain he 100% carries because of that is so important. His perspective has been withheld from us, not because it's unimportant, but because it's the final puzzle piece. If we had Mike's perspective in s4, byler wouldn't be a "will they won't they" (even though we all know they will). If we got his perspective in s4, byler would be a "100% certain without a doubt they will". But the thing about his perspective is that it's so much more than just loving Will. It's fear. It's pain. It's insecurity. It's doubt. It's the belief that his happiness just doesn't matter all that much. All of that has to be explored. All of that has to be laid out in the open for us in order for byler endgame to feel earned. Mike's emotional payoff will lead to byler's emotional payoff.

Mike has known he loves Will. In s5 we will see him make a deliberate and active effort to overcome the things keeping him from doing something about it. And then he will do something about it.

And so when it finally happens. When both Mike and Will finally know that their feelings are requited, and when their arcs end with us knowing that they will face whatever life has in store for them together, that will feel earned. That will feel like the logical conclusion for both of them. Not just for Mike. Not just for Will. For both.

And Mike is just as important to that conclusion as Will is.

And one last thing...

Some people are going to talk about Mike more. Some people are going to talk about Will more. Because newsflash, people have preferences. Some people just relate to Mike more, or they find his emotional arc extremely compelling, or they just like him. It isn't an attack on Will or any other character. No one is saying Mike is more important than any other character (I'm sure there are people that say that but they are a vocal minority and they are simply wrong). We are just saying that he is important. If you wanna engage in media analysis, please understand that "main character" or "central character" does not mean "only important character" and "only character that should be analyzed". If you wanna talk about Will and only Will, that's fine. But you don't get to act like people that talk about other characters are doing a disservice to your fave, because that's not how any of this works.

[uncanny-tranny]

Your life isn't a to-do list. You're allowed to exist, to take life as slow as you'd like. The dreams you have won't suddenly disappear. It's okay to stop and smell the roses, or to engage with "childish" things, or to recover, or do what you need to.

[darkwood-sleddog]

more and more i become of the opinion my dogs are not reactive to strange dogs but in fact it is unreasonable to expect them to NOT be reactive when the dogs we pass are unwalked, understimulated rural hellions that thrash at the windows of their houses, bark at us and follow us for entire lengths of properties, snarl at us, run at us with tense body language etc.

is this because a neighbor (who does skijor!) moved in half mile down the road from us a half a year ago with the most polite, unreactive dog that my dogs glance calmly at as they walk by? as it is unrestrained (no underground fence) on the property? absolutely is.

is this because a few years ago a neighbor's very nice pitbull mix got out and when it walked up to us with polite calm body language my dogs reacted just as calm and we were able to walk this dog home? absolutely is.

like i am a human woman and have lived in areas with much larger populations than i do now. i remember being followed by strangers, yelled at by strangers in aggressive ways. it made me tense and yes...reactive in those moments to ensure my own safety and needs were met. but was it my fault for having to react that way? To call friends and family and be on the phone any time that i walked alone? to check in when i got to where i was going? to bring pepper spray and iron knuckles to walk less than 10 minutes away from home? I don't think it is. Rather it's the failure that allows that behavior towards me which is at fault. i should not have had to carry those things with me. or call a single soul.

same with my dogs. my dogs aren't reactive, i'm just the only person who walks my damn dogs in my rural neighborhood. even though we can walk for 4+ miles either way on safe dirt roads out of our driveway before we reach pavement. nobody else. walks. their. fucking. dogs. yes i manage my dogs behaviors, it can be embarrassing when they get riled up, but know what? it is not their fault so many other dogs fucking SUCK. and it is not those dogs' fault that they suck either. i encountered more politely behaved dogs when i lived in the suburbs and city than i do now because those dogs at least had some sort of experience with being around other dogs (passing them on the sidewalk even) out of necessity. Rural people truly just throw their dogs outside and expect that to be enough. if you're lucky they install a little underground fence that will maybe keep fido in the yard (like uwu WE don't want to have a look at a fence and we're going to make all our neighbors GUESS if our dog might run into the road at them uwu).

[cerise-on-top]

Got any Farah, Valeria, & Laswell hcs? Anything, really- I'm dying for my girls 🤲🤲🤲

Hello! Yeah, I was able to come up with a few! I already wrote a few for Valeria here! Somehow, I forgot to put them in my masterlist, though, which I have since fixed! Thank you for making me aware of this, though :-) These are general Headcanons, though, since I had an easier time coming up with those and because you didn't specify, I hope that's okay!

Valeria, Farah and Laswell HCs

Valeria: She’s always had quite the temper, even when she was young. While she may not have been spoiled to hell and back as a child, she usually got what she wanted, as long as it wasn’t something extraordinarily big, her parents always took care of her like that. Valeria loved her mother, they got along very well with each other, and she also took after her, having inherited her personality for the most part. Her father was a bit calmer than the two of them, but that didn’t mean they didn’t get along either. Whereas her mother would encourage her to do most things, her father would try to talk sense into her if it was a bad idea. She often sulked because of it, which is why she didn’t like her father as much as her mother, but as she got older she realized he meant well. Sometimes she still thinks about his advice, but the both of them died a long time ago, so most things they’ve told her are a distant memory by now. Valeria may be successful with what she’s doing and doesn’t like being told what to do, but sometimes she does wish she could still eat some sweets with her parents like she used to.

Joining the military actually wasn’t her first choice of career. She tried many places, but no one would take her, so she opted for the military, which welcomed her with open arms. She got paid. Not well, but she received the money, which was important since her parents couldn’t leave her with too much. They didn’t have very much either, so there wasn’t much to be inherited. Because she’s a woman, a few creeps tried to harass her, but she had none of it and beat all three of them up herself and on her own. Ever since that incident she wasn’t a big fan of the military either, but no other place would take her. However, it showed just how capable she was and earned her a lot of respect. A few other men would try to make advances towards her, but she shot them down every time. However, whenever another female soldier would jokingly flirt with her, that’s when she’d give it her all, making it her goal to fluster her beyond all hell. She’s spent a few evenings and nights with a few female soldiers, but was always willing to rip a male soldier’s dick off if he was being too friendly with her. During her time as a soldier she also realized that she preferred women.

She didn’t always hate Alejandro, actually. Back in the day, they got along very well. He was a man, yes, but he had enough respect for her. It wasn’t a given, even if it should have been, but she appreciated it. Whenever they sparred he gave it his all as well and never looked down on her. In his eyes, the two of them were equals and it showed. Valeria could appreciate that. She liked him, she spent a night with him but realized she hated that sort of stuff with men. He was the final realization for her that Valeria does not like men. It didn’t make her hate him at first, though. Only when he insisted on the two of them being a thing did she develop some form of disdain for him. Once she told him that she could never feel the same way, he stopped. However, he also started treating her a bit differently since he was in love with her. As he rose in ranks, he was a bit harsher on her than the other soldiers, usually dissatisfied with anything she did. He didn’t even notice that, but Valeria did. Therefore he became just another scum to her.

Farah: Before her town got attacked, she actually had a pretty happy childhood. She was sweet and kind as a kid, she got along well with her parents and her brother and she had a few close friends. Farah loved going outside to play, sometimes even inviting her parents to make potions with her in a bucket filled with water, sand and rocks. Her parents were always afraid of the Russians invading and tried to keep their children safe regardless of what happened, but in the end they were unable to. It hit Farah pretty hard, she loved her parents. Even now she misses them dearly since they always took such good care of her and her brother. At least she still had her brother. Farah knew she was the younger one out of the two of them, so she likely should have been the one to be protected, but once her town got attacked she became determined to make sure her brother would stay with her. Drastic times called for drastic measures, so she actually has killed people just so her brother could stay alive. It was around that time that other people realized how she was a very caring person still and could be trusted. Slowly, through that realization, she was able to gather a small force that could help her.

Farah is a pretty good leader. The people she works with adore her because, under that rough exterior, she’s still a good person. All her brothers and sisters know she can be trusted with just about anything. She rarely ever says no upon hearing a request of one of her people, knowing fully well what it’s like to need something. As she’s been through a lot herself, she always has an open ear for her brothers and sisters. While there’s not always time to listen to everyone’s concerns, if she does have time she’ll listen to you intently. Farah knows a lot more about her people than she lets on, that ranges from how the latest battle has gone to how her sister’s family is doing. She’s never one to turn down someone in need, always offering food and shelter. I know she may seem stern, because she has to be in order to be a good leader, but deep down she’s still the same kind girl that she’s always been. Her people would give up just about anything for her, and they do. One day, Farah dreams, Urzikstan will be free, it will be safe and it will prosper, its people won’t have anything to fear anymore. Trade will continue, the people will be happy and she can finally lay down her weary head and rest for a bit. But until then, she swore she’ll fight and fight until everything is finally over.

She’s never actually been in love. When she had the chance to develop a crush she was too young. Now that she’s older she doesn’t have time for anything lovey dovey in the slightest. Alex was the first person she ever developed a crush on. He may have seemed like an enemy at first, but it quickly enough became evident that that couldn’t be further from the truth. He was a good man, someone who could be trusted no matter what. He was loyal to a fault as well, which Farah could appreciate. However, she never told him, swallowing her feelings down instead no matter how intense they became. Yet, she sort of did always look forward to his small gestures of affection. Alex is a physically affectionate guy, so he’d sometimes pat her shoulder, put a hand on her shoulder or gently bump her arm to show he liked her. Farah is severely touch starved, so it made for a good combination. One time, he asked if she would like a hug, to which she said yes. To this day, Farah thinks about that hug since it was the first one she had received in seven or eight years. It may not have seemed like she was swayed at the time, but she was very content afterwards.

Laswell: Laswell’s parents didn’t really care too much for her. Don’t get me wrong, they provided for her physical needs, but they barely looked after her in any other regard, thinking she was happy because she had everything she could ever need. Laswell may have been strong because of it, even then, but she did wish her parents had cared more about other things as well, such as how she was doing emotionally. There were quite a few things that hurt her during her childhood, but she barely had anyone who would support her during her rough times. Her parents only ever wanted to see her happy and content, but barely made any effort to actually keep her as such. Laswell knew fairly early on that she was a lesbian and did come out to her parents, but that’s all that happened. It was never discussed again afterwards, even if her father would sometimes say that she would “find the right guy eventually” while talking to other people. Laswell has called him out on it numerous times, but he always made it about him and how he was the victim for saying something that made his daughter uncomfortable. Laswell didn’t stay in contact with her parents for very long once she moved out.

Even back when she was a child, Laswell knew she wanted to do something more exciting than be a hairdresser, waitress or cook. She wanted to do something with plenty of action, but at the same time she wanted to study and go to university. And thus she combined her wishes and started going to university at first. Afterwards, sometime in her twenties, she started to work for the CIA. She wasn’t treated with very much respect there at first, being a woman working there and all. But she didn’t let that disrespect get her down. In fact, on the outside, she stayed professional, but on the inside she took mental notes on who treated her badly and who didn’t. It soon enough became evident that Laswell knew what she was doing, even if her master’s degree should have been proof enough that there was some intelligence in that noggin of hers. However, soon enough she was transferred. In fact, she was transferred many times before she became a station chief, but it only showed just how competent she was in her field. Laswell has since saved thousands of lives and is proud of it. To her, such a thing is her calling and she wants to continue doing so for as long as she can, all the dangers be damned.

Laswell adores her wife. In fact, “Laswell” isn’t her original last name, she took that of her wife. At first they played with the idea of combining their names, but Laswell wanted fairly little to do with her parents at that point. Plus she wanted to show her father that she never “found the right guy”. So her being named Laswell is purely out of spite. While she may not be at home all the time, or very often, for that matter, she makes sure to bring her wife a gift every time she comes home. It can be something small, such as a souvenir she found while she was abroad, or it could be something along the lines of a golden ring that unfolds into an astronomical sphere. She needs to pamper her wife like that and make sure she knows Laswell loves her to the moon and back. Money isn’t an issue for her, she gets paid very well. Even if the biggest reward for her doing what she does is seeing her wife smile. Every time she sees her give her a big smile she’s reminded of why she does what she does, and that’s the most wonderful thing for her. Even so, not many people know about Laswell’s wife, only a select few do. It’s a safety measure since she knows people will target her. Although she’s a diplomatic kind of person, if anyone ever were to hurt her wife, then that person can be certain they’ll never walk freely among the sunlight again.

[alchemania]

Finally got enough energy to talk about Furina's SQ and while I loved her and the troupe, MC and Paimon were .... Not Great. I talked about this with friends but in Paimon's case especially, the way they interact with Furina feels like people who just don't understand trauma and depression and then engage with someone suffering from both in all the wrong ways.

Talking about how much of a downgrade her house is from the opera house, making fun of how she can't cook, pushing her to act when she's set a very clear boundary and then guilt tripping her after she's stuck to her guns, shaming her for not being able to fight well (Paimon literally talks about how second hand embarrassment is overwhelming and I'm just like ?????), telling her she's "not acting like herself" when she attempts to open up and be vulnerable....it's just really rough. That and the MC asking "is something wrong" when Furina gets sad over Poission ..like bro people died and she couldn't save them and she's tearing herself apart over it. Those people are never coming back and you know it and you have the gall to ask her is something wrong??? Of COURSE there is!!

It just feels especially odd because we literally get to see all of Furina's suffering and Paimon in particular is. SO mean? Like she was more understanding with Wanderer and Ei and THEY'VE tried to kill us multiple times!! I don't get it, and honestly I'm very proud of Furina for refusing to waver. Let her rest!! She's tired and depressed and she needs time to heal; and honestly fuck Paimon for trying to make her feel bad. Furina's worked harder than she EVER will.

[aintgonnatakethis]

whenever i see the view of 'always be 100% honest with the medical professionals providing you with healthcare' i just... how much privilege do you have to have to not see the pitfalls with that statement?

i understand 'always tell first responders what drugs you've taken'. but when it comes down to trans healthcare or people who're disabled or have "scary" mental health conditions. do you really think being honest the entire time is safe?

[marypsue]

If you're going to reblog my (admittedly very ADHD) post about, to borrow someone else's excellent summation, bees in the brain, to say 'OP check your medications', have you considered:

not doing that

[smile-files]

there's something interesting to be said about how nickel's female friends have to constantly school him on how horrible he is but animationepic won't say it

[moghedien]

i swear if you people start uwuifying OCD like you did with ADHD and autism I'm going to start attacking

[prosebushpatch]

Okay so I recently, finally, watched Wish and I have some thoughts. Overall, not as bad as everyone makes it out to be, but still has a lot of fundamental story problems and I've got to get them off of my chest. I'll mostly be focused on Magnifico because I think his motivations and arc largely represent the problem with the overall theme.

Okay so my biggest problem with Magnifico is his motivation. His tragic backstory. How on earth does he go from losing his whole family to thinking, the only way he can prevent that from happening again is to grant wishes? The logic doesn't track. It almost makes sense in his creating a kingdom where he protects everyone and "doesn't even charge rent," but it does not make sense with his wish granting. Having a great need to be control to make sure he doesn't lose anyone ever again can be a compelling motivation for a villain, where we see lines crossed that don't justify the intent, but in the movie, he's too self-absorbed to seem to have any actual care for the people of Rosas.

I think if the motivation was changed to something like Magnifico had once been a bright-eyed, enthusiastic wish granter who blindly believed all wishes were good but learned the hard way that that wasn't true could have been a better fit for the overall goal of the movie. Imagine that he granted a wish for a wicked person who used that wish to hurt others, or if Magnifico granted a wish but that wish ended up ruining the person's life because what they wanted wasn't what they needed (i.e. Remember The Princess and the Frog? Dig a little deeper) and that person could have went after Magnifico and blamed him for their troubles (harkening back to We Don't Talk about Bruno). This would be an understandable tragic backstory for Magnifico, and better explain why he's so careful about the wishes he grants. And, perhaps the reason he keeps the wishes he doesn't want to grant is to keep the people in his kingdom docile. No one will be angry with him for not granting their wishes if he makes them forget them and lose that drive and motivation, which makes more sense than the unexplained hording them like he does in the movie? Why does he keep them in the movie other than admiring the wishes? It doesn't make sense to me.

This would give Asha more of a reason to oppose him, if it's shown how his desire to not get hurt or to inadvertently cause hurt turned into a paranoia where he drains people of wishes to fly or play music that inspires others. And, as a side note, we need to see more of how Rosas is a kingdom of people who lack drive and motivation, where only those younger than 18 have that special part of them that inspires them to chase after a dream (something that Astor Rhymemaster touched on). Because that's the point of wishes, right? That's the point of the entire Disney canon. A dream is a wish your heart makes. That star can only get you so far, it takes hard work and determination. It's wanting something better in life, it's dreaming of leaving behind all you know to chase after a tangible light. It's finding a new dream, it's finding a new wish as you grow and learn about yourself and the world.

I don't think the movie Wish understood what makes wishes so important in Disney stories. You know what wishes do? They ignite change. It's not about getting what you want, it's about finding the courage to chase after something better. Ariel wants to be where the people are, but really she wants to be somewhere where others are willing to understand her and in the end, she finds that and makes amends with her father, who finally is willing to see her for who she is. Rapunzel wants to see the lights, and that desire pushes her to leave a tower she's been trapped in her whole life, learning that the world is not as cruel and cold as her abusive mother told her. Cinderella wants to go to the ball, to dance with people who treat her as a person and not a servant of cinders and ash. That wish is granted by a fairy godmother and gives her a hope that is worth fighting for, a hope that helps her reclaim what is rightfully hers; a glass slipper that fits only her and the love that comes with it.

Wishes inspire change. The movie should have been about that. Magnifico could have been right, that some wishes inspire negative change that can drag down multiple people. The kingdom of Rosas could have been so placid because change is scary. Maybe Magnifico could have convinced people, after taking their wish, that it wasn't worth it. Maybe the wish ceremonies could have changed so it wasn't portrayed as some sort of lottery everyone looks forward to, but Magnifico would grant wishes on the spot if he decided they were good and worthwhile, and he would lock away the wishes that would cause trouble and tribulations. 18 year olds could be enthusiastic to give him their wishes, thinking they were surely good and worth granting, only to forget their wish and be told that their wish would have only brought about their unhappiness, this would have justified a more solemn tone in the kingdom, setting up a world where people are mostly downtrodden, thinking their wishes are bad and pointless and they're better off without them. Imagine Cinderella or Rapunzel being told their wishes weren't good, reinforcing all the things their abusive families tell them, taking away that hope and courage to find something better for themselves.

Here's where the true conflict could come in. Asha could be onto this from the beginning, and her opening song could have been about this concern that the people who didn't get their wishes granted aren't willing to try at all. (Because, after all, why doesn't Sabino play music at all? Having that taken from him would take so much joy and creative expression from his life!) But why does Asha know something is amiss?

Simon.

Imagine that Magnifico has a strict rule not to ever share your wish with another person because then it wouldn't come true. It makes sense with our own superstitions, and then makes it so that no one knows anyone else's wishes. Maybe your best friend changes so drastically after giving up their wish, but you believe, like everyone else, that their wish would have only caused suffering. What can you do about it? Well what if Simon told Asha about his wish? What if Asha knew his wish wasn't dangerous and couldn't imagine a way that it could go wrong? That would give her a reason to doubt Magnifico and put more emphasis on how Simon has lost his drive like all the other adults in the kingdom. And it can also emphasize in the end that sharing your wishes and dreams with others can be a powerful thing. Just the act of sharing your dreams can inspire others to go after their own, and they can give you the encouragement to chase your wish too. Wishes inspire change, love gives you the courage to make it happen.

Imagine if the star boy used to be a human, who wished to help others and lost his humanity to do it. Imagine his wish confirms Magnifico's belief, that wishes cause suffering because star boy lost his tether to earth and is separated from the people he loves. Imagine how he foils Asha who also wants to grant everyone's wishes. Imagine him ensuring she doesn't make the same mistake he did while she gives him a reason to change again, to anchor himself to humanity again because he loves her enough not to leave for forever.

Imagine the movie confirming that, yes, change is scary. Chasing your dreams won't always make things better. You might fail more than you succeed and some wishes cannot coincide with each other, leading to grief and strife. But some wishes are worth it. Sometimes, chasing after something better and failing is worth leaving a worse situation. Sometimes taking that chance is worth it, and, like in all fairy tales, if you are kind and generous and act with love, that will make all the difference in the end.

Also, I know everyone wished for a Magnifico and Amaya evil power couple, but imagine if Magnifico was truly in love with Amaya, as he is in the movie, but that love is eventually his undoing. Like Amaya leaps in front of Asha, and Magnifico stops or redirects his attack because she's the one thing he loves more than himself and that is the weakness that Asha and co can take advantage of. Imagine Amaya keeping Magnifico in the mirror and he gets to dote on her from his imprisonment for forever. I'm just saying. At least 30 sickos like me would be into that. Imagine the depth it would give to the themes of love and change and wishing and how acts of love make all the difference.

Alright, I'll get off my soap box. I just really wish Wish could have been stronger because these fairy tales Disney is famous for matter. They really do. But the movie feels too stale and shallow and too much of a cash grab that knows the outline of a disney musical, but is unable to understand the heart of why they work.

[haewangsong]

About this whole situation

i feel like the least you can do

is to just... not say you're going to keep enjoying the game.

Enjoy the game, no one can hold you accountable for that, but the moment you're posting on social media about the fact you're going to just ignore everything and support or say that project moon did their best you're just harming the artist they unfairly fired. I know it's hard. I know how devastating it is but at least,

the best thing you can do if you cannot bring yourself to stop playing- is to stay silent.

Also just for some context: (it gets kind of long but long story short. PJ Moon did not make this choice to protect the artist, but they did it because it is the easiest thing.)

Korean women that are angry are angry because this has happened before- in 2016, a VA that wore a t-shirt that was associated with feminism went under attack to the same group of DC incels claiming she's a feminist and should be fired for that.

What the company did- was to fire her, creating a whole whirlpool of situation that got other women targeted and fired. I'm pretty sure the VA here in question got blacklisted from the gaming company.

There are sources revealing that from 2016 to 2020, over 14 women got fired because of similar accusation, and I'm not even sure it counts freelancers that were just silently put off to work.

The National Human Rights Commission of Korea, for fucks sake, has made a testament on 2020 in how the censorship on feminism happening in the gaming industry is a hate crime.

So what Project Moon did here was, it was to do the easiest and most inhumane choice possible, which was to fire a female artist over a similar controversy, bringing the nightmare-ish situation that happened in 2016 back all over again. In 2023. That's why people are disappointed. That's why Korean women feel threatened by this situation. Saying that this was all to protect Vellmori is an insult to her, and to the other female workers who wrongly loose their jobs over situations like these.

The hilarious thing over this whole situation? Every single company that has fired their workers like that has fumbled over themselves! The company and the game that fired the VA got ultimately labeled as a feminist game and lost its male customers too- because they had to keep firing people the moment incels didn't like them, until they couldn't. So incels are saying the game went down because of feminism. Another game? The representative is on fire because to no one's (except for the incels) surprise they fired all of the workers in the project because the game wasn't making any money anymore- making these fired workers reveal the fact that they've been mistreated, overworked, and abused over years. That is two example of many! But what about the games that did the extremely brave and difficult decision to just ignore the incels and go on with their game?

They're fine. They're okay. They had their lows just when the incels attacked, but Korean chauvinist pigs are just so childish that either they decide that it isn't fun to dox people anymore, or comfort themselves saying that oh well, they aren't that feminist after all or, well it's too fun so I don't care it's feminist! This are the pigs PJ Moon cave in. There are games that are boring as hell from smaller companies that survived and are still surviving because their customers are loyal, because the customers know that at least they won't fire their workers over stupid reasonings, the bare minimum!

So just- stop saying you're going to support the game- at least please don't for a while. I can't stop you from playing, but this is something PJ Moon has to take on themselves or this will create the same nightmare-ish situation that happened in 2016 all over again. Don't enable them. Stop giving them the message this is okay. Stop saying it was to support Vellmori, because ruining a young artist's career by telling her she's fired in a phone call after 11pm is not protection. It will never be.

[mcybree]

Today i am in a wee bit of pain. If i watched skizzs 3l pov today and made weird bad takes about him on tumblr dot com would yall forgive me

[lesbianwithchainsaws]

Being queer and neurodivergent is great and all until you're with relatives and you watch other people and feel like an outcast in your own family

[slutdge]

anyways my mom stole the spare key to my apartment and refuses to give it up because she wants to be able to "check on me" (come over, break in and harass me when i try to set a boundary with her) so i guess i gotta change my locks. again.