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#character: patterson
queenbeekb13 · 6 months
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Rewatching jatp for the [redacted] time and thinking about how Rose was the last person to talk to the boys before they died which led me to think about the fact that she must have bedazzled the Sunset Curve shirt afterwards.
She would’ve been there when the show got canceled since they didn’t come back and then found out what happened. But she bedazzled in anyways. Not only did she keep that shirt for 25 years but she personalized it, poured love into it. Rose saw the boys perform at a rehearsal once and talked to them once and still saw something worth not only remembering and preserving in a representation of their music but something worth making her own in order to showcase that brief but vital connection they all had.
I’m still so unwell about this show
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thedesertpenguin · 2 months
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The way Luke looks at Julie in “Finally Free” changed the trajectory of my life and I’m not joking
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ohkaypoh · 2 months
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hey blesties, its been a while
polkadot patterson upon ye 🤟
v doodle under here
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Undead Character Showdown Redo: Round One Matchup Two
Who is your favorite undead character?
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(Sasha art by @ravensa, can be taken down if requested!)
Propaganda:
Sasha Rackett: "Sasha died and was brought back to life, but the resurrection caused her to slowly turn into a zombie. She is sneaky, stabby, and had a fucked up childhood. Also, so many daggers. I love her" -Submitter
No propaganda is submitted for Luke Patterson! If any is submitted through the ask box or comments on reblogs, they will be added next round!
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jessmalia · 1 year
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Mal's Gilmore Girls rewatch: Nick & Nora/Sid & Nancy 2.05
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itzpris15634 · 1 month
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Blythe and friends!
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They’re aged up here- lets say… mid 20’s ish
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imyourbratzdoll · 2 years
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Warnings and Reminders - Please do not plagiarise, copy, repost/republish, adapt, or translate any of my work on any social media platforms, apps, or third-party sites. The only platforms I post my work on are: Tumblr and Wattpad. I do not own any character of any franchise (Marvel etc.) All my works are fiction and may be dark or triggering content: READ ALL WARNINGS BEFORE PROCEEDING.
@royalsweetteaa had the idea for an elf fic, this is dedicated to her, the headers I use aren’t mine.
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🎄𝐌𝐀𝐊𝐄 𝐈𝐓 𝐀 𝐃𝐄𝐂𝐄𝐌𝐁𝐄𝐑 𝐓𝐎 𝐑𝐄𝐌𝐄𝐌𝐁𝐄𝐑🎄
❄️WELCOME TO MY FIRST CHRISTMAS HERE!❄️
🔞𝐓𝐇𝐈𝐒 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓 𝐈𝐒 𝐅𝐈𝐋𝐋𝐄𝐃 𝐖𝐈𝐓𝐇 𝐃𝐀𝐑𝐊/18+ 𝐖𝐎𝐑𝐊. 𝐏𝐋𝐄𝐀𝐒𝐄 𝐌𝐀𝐊𝐄 𝐒𝐔𝐑𝐄 𝐓𝐎 𝐑𝐄𝐀𝐃 𝐓𝐇𝐄 𝐖𝐀𝐑𝐍𝐈𝐍𝐆𝐒 𝐁𝐄𝐅𝐎𝐑𝐄 𝐏𝐑𝐎𝐂𝐄𝐄𝐃𝐈𝐍𝐆! 𝐀𝐋𝐒𝐎 𝐏𝐋𝐄𝐀𝐒𝐄 𝐃𝐎 𝐍𝐎𝐓 𝐑𝐄𝐀𝐃 𝐈𝐅 𝐘𝐎𝐔 𝐀𝐑𝐄 𝐔𝐍𝐃𝐄𝐑 𝐓𝐇𝐄 𝐀𝐆𝐄 𝐎𝐅 18 𝐎𝐑 𝐘𝐎𝐔 𝐀𝐑𝐄 𝐍𝐎𝐓 𝐂𝐎𝐌𝐅𝐎𝐑𝐓𝐀𝐁𝐋𝐄!🔞
AGE AND SIZE DIFFERENCE IS ADDED TO ALL! SANTA AND THE GRINCH ARE LARGER THAN THE READER! THE ELVES ARE THE SIZE OF HER PALM!
THE READER IS INNOCENT IN ALL!
ALL IN THE SAME UNIVERSE! SAME READER FOR ALL! (poor reader…)
೫˚🎄❀ *ૢ🎁೫˚🎅🏻
𝐄𝐋𝐕𝐄𝐒
𝒎𝒂𝒓𝒔𝒉𝒎𝒂𝒍𝒍𝒐𝒘 𝒅𝒓𝒆𝒂𝒎𝒔 - ft elf jake jensen.
𝒈𝒊𝒏𝒈𝒆𝒓𝒃𝒓𝒆𝒂𝒅 𝒉𝒐𝒖𝒔𝒆 - ft elf lee bodecker.
𝒔𝒏𝒐𝒘 𝒂𝒏𝒈𝒆𝒍𝒔 - ft elf johnny storm.
𝒄𝒉𝒓𝒊𝒔𝒕𝒎𝒂𝒔 𝒍𝒊𝒈𝒉𝒕𝒔 - ft elf steve rogers.
𝒄𝒂𝒏𝒅𝒚 𝒄𝒂𝒏𝒆𝒔 𝒂𝒏𝒅 𝒉𝒐𝒕 𝒄𝒐𝒄𝒐𝒂 - ft elf ransom drysdale.
𝒕𝒊𝒏𝒔𝒆𝒍 𝒕𝒖𝒏𝒆𝒔 - ft elf frank adler.
𝒖𝒏𝒅𝒆𝒓 𝒕𝒉𝒆 𝒎𝒊𝒔𝒕𝒍𝒆𝒕𝒐𝒆 - ft elf curtis everett.
𝒋𝒊𝒏𝒈𝒍𝒆 𝒃𝒆𝒍𝒍𝒔 - ft elf lloyd hansen.
೫˚🎄❀ *ૢ🎁೫˚🎅🏻
𝐒𝐀𝐍𝐓𝐀
𝒅𝒆𝒂𝒓 𝒔𝒂𝒏𝒕𝒂… 𝑰 𝒄𝒂𝒏 𝒆𝒙𝒑𝒍𝒂𝒊𝒏 - ft santa ari levinson.
೫˚🎄❀ *ૢ🎁೫˚🎅🏻
𝐓𝐇𝐄 𝐆𝐑𝐈𝐍𝐂𝐇
𝒈𝒓𝒊𝒏𝒄𝒉𝒎𝒂𝒔 - ft grinch bucky barnes.
೫˚🎄❀ *ૢ🎁೫˚🎅🏻
𝐅𝐋𝐔𝐅𝐅/𝐃𝐑𝐀𝐁𝐁𝐋𝐄𝐒/𝐇𝐂 - 𝐀𝐋𝐋 𝐂𝐇𝐀𝐑𝐀𝐂𝐓𝐄𝐑𝐒 𝐀𝐑𝐄 𝐖𝐄𝐋𝐂𝐎𝐌𝐄 (𝐧𝐨𝐭 𝐣𝐮𝐬𝐭 𝐜𝐞/𝐬𝐬)
𝒕𝒉𝒆 𝒆𝒍𝒗𝒆𝒔 - @lavender-annd-lilac - 𝒆𝒍𝒇 𝒃𝒂𝒃𝒊𝒆𝒔 - 𝒈𝒊𝒗𝒊𝒏𝒈 𝒊𝒏 - 𝒘𝒆𝒍𝒄𝒐𝒎𝒆 𝒕𝒐 𝒕𝒉𝒆 𝒏𝒐𝒓𝒕𝒉 𝒑𝒐𝒍𝒆 - 𝒆𝒍𝒇 𝒈𝒂𝒎𝒆𝒔 - @birdstooth - 𝒆𝒍𝒇 𝒕𝒂𝒍𝒆𝒔 - @birdstooth - 𝒆𝒍𝒇 𝒇𝒓𝒊𝒆𝒏𝒅𝒔 - @birdstooth - 𝒔𝒂𝒏𝒕𝒂’𝒔 𝒍𝒊𝒕𝒕𝒍𝒆 𝒉𝒆𝒍𝒑𝒆𝒓 𝒂𝒅𝒅𝒆𝒅 𝒔𝒄𝒆𝒏𝒆 - 𝒘𝒉𝒂𝒕 𝒊𝒇 - 𝒘𝒆’𝒓𝒆 𝒑𝒓𝒆𝒈𝒏𝒂𝒏𝒕! - 𝒆𝒍𝒇 𝒌𝒊𝒅𝒔 - 𝒈𝒊𝒇𝒕𝒆𝒅 𝒑𝒖𝒑𝒑𝒚 - 𝒅𝒂𝒊𝒍𝒚 𝒍𝒊𝒇𝒆 - 𝒆𝒈𝒈𝒏𝒐𝒈 - 𝒇𝒐𝒏𝒅𝒖𝒊𝒏𝒈 - 𝒕𝒊𝒏𝒌𝒆𝒓𝒃𝒆𝒍𝒍 𝒘𝒆𝒏𝒕 𝒔𝒑𝒍𝒂𝒕- 𝒎𝒆𝒂𝒏𝒊𝒆 - 𝒍𝒊𝒕𝒕𝒍𝒆 𝒎𝒐𝒑𝒆𝒅𝒔 - 𝒈𝒍𝒐𝒓𝒚𝒉𝒐𝒍𝒆 - 𝒆𝒍𝒇 𝒌𝒊𝒕𝒕𝒆𝒏𝒔 - 𝒃𝒂𝒃𝒚 𝒈𝒓𝒊𝒏𝒄𝒉 - 𝒄𝒖𝒅𝒅𝒍𝒆𝒔 𝒘𝒊𝒕𝒉 𝒔𝒕𝒆𝒗𝒆 - 𝒕𝒆𝒍𝒍𝒊𝒏𝒈 𝒕𝒉𝒆 𝒆𝒍𝒗𝒆𝒔 - 𝒕𝒊𝒏𝒚 - 𝒆𝒍𝒇 𝒐𝒓𝒈𝒚 - 𝒂 𝒄𝒉𝒓𝒊𝒔𝒕𝒎𝒂𝒔 𝒃𝒍𝒐𝒘𝒋𝒐𝒃
𝐭𝐡𝐞 𝐦𝐫𝐬 𝐜𝐥𝐚𝐮𝐬 𝐬𝐡𝐨𝐰
೫˚🎄❀ *ૢ🎁೫˚🎅🏻
𝐠𝐞𝐭 𝐭𝐨 𝐤𝐧𝐨𝐰 𝐭𝐡𝐞𝐦
𝐬𝐭𝐞𝐯𝐞 - 𝐫𝐚𝐧𝐬𝐨𝐦 - 𝐟𝐫𝐚𝐧𝐤 - 𝐣𝐚𝐤𝐞 - 𝐜𝐮𝐫𝐭𝐢𝐬 - 𝐣����𝐡𝐧𝐧𝐲 - 𝐥𝐥𝐨𝐲𝐝 - 𝐥𝐞𝐞 - 𝐚𝐫𝐢
೫˚🎄❀ *ૢ🎁೫˚🎅🏻
2023
𝐚 𝐬𝐩𝐞𝐜𝐢𝐚𝐥 𝐜𝐡𝐫𝐢𝐬𝐭𝐦𝐚𝐬 𝐦𝐞𝐬𝐬𝐚𝐠𝐞 𝐟𝐨𝐫 𝐲𝐨𝐮
೫˚🎄❀ *ૢ🎁೫˚🎅🏻
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hinumay · 1 year
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Heres a kitsen knight riding a taynix into battle cause i told people i would draw it but im quite busy so its just a sketch
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sofiaherzen · 5 months
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shirley + being tortured via musical number
3x03 / 3x08 / 4x12
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I Am All In Rewatch - Episode 2x9
But if you'll notice in that scene when she came up at the end, one of the last scenes in the whole thing..and she's coming up to say, hey, you know, I still dig you and you're part of my life and you know this kind of thing, and she she's saying what she's not saying what she mean. She's saying what she means without having to be direct about it. So, um, and I'm fixing a watch. I had a tiny little watch screw driver. I had it face open. How does Luke know how to fix a watch? Couldn't fix a toaster, right. Exactly what is he doing, like with an intricate piece of jewelry that is very complex? How is he in the watch fixing a damn watch?...So this is a choice that you make, because I remember making this choice. And I'm not saying that this was a genius choice. It was just a choice because they always tell you in acting school the genius is in the choice, right, And that's the mark of you know, an actor or an actress. What choices are you making? Now I I could have been without that watch. I could have been with many other diner like things. A watch is not a diner like item at all. And I said to myself, and here's here's a perfect example of somebody overthinks. Here's a but here's a perfect example somebody overthinking something trying to make a point that nobody got. And I don't know if they got it or not. But Props came to me and says, what do you want to be doing in this scene? Because if you know, it's a big kind of important scene. I said, And I should have said you know, there are any number of things I could have done that would have maybe been a better choice than trying to fix an intricate piece of jewelry that happened to be a watch. Um, I could have been doing nothing. I could have been wiping. I could have been doing the Ketchup bottles. I could have been, you know, with my receipts...I thought to myself, in my actor brain, it's either the best or the worst choice I think I ever made, uh was Luke doesn't know what time it is because his watch is broken. Luke doesn't know what time it is with Lorelai. He doesn't know what time it is in his life with her, and he wants to fix the watch because she if she's running around with young guys and not having deep experiences, then what the hell is wrong with me? I need to fix my watch and be so I can know what time it is. That was the thought process. So I thought of it symbolically and I thought, you know, get me a watch. I'll fix a watch because he doesn't know what time and I didn't tell them in the prop department because Luke didn't know what time it is and they decided to keep it in...It's not bad on a certain level. It's kind of genius right?...Anyway, there you go, that's just a fun...Well, you know, I he became very relaxed, and he's smiling and looking down and being a little bit shy. He was in love again because he fell out of love. I don't know if he fully fell out of love. But it was like, is this girl just ridiculous and like, am I just know what? Like he was confused for that episode. Yeah, I think I think his ego took a hit and he sort of came back. You know, guys, guys can be delicate creatures. -Scott
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innytoes · 2 months
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Random character asks: for Sunset Curve: 1, 23, and 35 please :D
Canon I outright reject:
The fact that Alex is a dog person. That boy is a cat person. Though to be fair most of his friends are dog-coded so...
If they were a scented candle, what would they smell like?
Realistically, stale take-out and teen boy sweat.
If they got to pick their own: Alex: Something fresh and minty and grounding. Luke: Some kind of baked good Reggie: Something woodsy and smokey Bobby: One of those candles that has a weird-ass name that means nothing scent-wise like Black Midnight and it just smells herby Their idea of a perfect day
Together, it'd be like 'wake up as rockstars at noon and have rock star breakfast and then make music and be cool'.
For Alex it would probably entail dancing. As a ghost, it's 100% 'hanging out with Willie'.
For Luke it's just making music and feeling connected. Maybe also in his perfect day he's made up with his parents and they tell him they're proud of him. (Post-death it's also 'make music with Julie and share a mic'.)
For Reggie it involves pizza and puppies and being together with his (found) family. Pre-death that's the guys, post-death that includes the Molinas.
For Bobby it would be like, doing weird Rich People Shit and impressing pretty girls. Post the guy's death... well, Trevor Wilson is out there doing weird Rich People Shit. 100% that man has done goat yoga.
Character ask game
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dime-a-time11916 · 26 days
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“It’s the hockey team from hell!! 🤓👆”
“bAT BomB!?! 🤔😨🤯 ”
“CowABUNGAAAAAA 🏄‍♂️🏙️”
“Drats! I failed to get the venom on from the poisonous northern rattlesnake aGAIN… but I still have hope😔🤩”
You won’t even get a job teaching high. school. chemistry, DO YOU HEAR ME?!? YOU… psycho!!! 👆😡👎
*sees girl in skirt* “Please be looking for me😍🥺”
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nanowrimo · 2 years
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Step Up Your Character Game: Character Building Through Repeated Actions
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There are many ways to establish character building in your writing. NaNo Participant Kathryn A. Patterson talks about how you can use repetition of certain actions to show off your characters’ personalities! I find inspiration for my writing in the usual places: podcasts, the dog park, alien encounters. This year I found a nugget in, of all places, a book about how to build habits.
In Atomic Habits, James Clear discusses the word identity. He traces the origins of the word back to two Latin words:
   • essentitas: which means the essential of something, being    • identitum: which means repeatedly
Identity translates literally into “repeatedly being”.
How does this affect my writing? Two words: character building.
A character is more than a physical description and clothes. A character needs personality, affectations, mannerisms, and other less tangible attributes. However, writing something like “Sam is a kind and warm-hearted person” falls squarely into the tell-not-show category.
Using the idea of “repeatedly being”, an author can show who a character is through their actions and habits as well as their dialogue. A character who habitually hosts dinners for their friends comes across as social and nice. Someone who texts while driving is thoughtless and selfish. By having your characters repeat specific actions, you show the audience who that character is.
For example, Patricia Briggs has written a series of books around her protagonist, Mercy Thompson. Mercy doesn’t take attitude or crap from anyone, but she also is kind-hearted and smart. The readers learn this from how Mercy gets revenge on people who have done something wrong to her. The revenge is never physically damaging, but also completely memorable. On one occasion, Mercy puts blue dye into someone’s shampoo. Even though she knows the dye wear off eventually, the person is very vain, so it works fabulously as revenge.
Readers also learn about Mercy through her baking. Mercy loves baking with chocolate, and she makes cookies and brownies for her people on a regular basis. The author never outright says: “Mercy shows people that she cares about them through her baking.” Instead, the act of baking speaks for itself.
When I start a new writing project, I use a character template for each of my main characters. There, I record all the details about that character. I started this to help with consistency within a story and within a story universe. But I also use the templates to help me define my characters.
After reading Atomic Habits, I changed my character template to include three new fields:
   • Habits: a record of important repeated behaviors    • Quirks: a catalog of the character’s peculiarities    • Behavior Patterns: a description of how the character acts or reacts in specific situations
Not every character gets an entry in every field, but I list the fields so I have a place to put the relevant information.
In preparation for NaNoWriMo, I fill out character templates for all the major people in my story. I use the template to construct the character’s personality, tone of voice, and expected behaviors. That makes it much, much easier to write when November 1 rolls around.
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Kathryn A. Patterson lives in a crooked house on a crooked road. Alas, she is allergic to cats so she does not own a crooked cat. She lives in a marvelous world, filled with vampires, werewolves, and magic - oh, my! But she pretends to live in a dull, boring world filled with post offices, taxes, and calculators. It makes her family happier when she pretends. You will find her writing like a fiend during November on every day that ends in a "y".
Her template can be found here. This template is flexible. For example, her templates for her vampire universe includes fields for characters' vampire house affiliation. For her sci-fi novels, she adds fields for home planet and other related info. Photo by Marissa Grootes on Unsplash
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blue123bubble · 19 days
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Dave Thorne, Ken Madison and Sandy Winfield II from Surfside 6
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Maximum Ride AU?
[This has elements of When the Wind Blows as well as Maximum Ride, because I know the original book a little better.]
• They look like six kids right now.  Six fun-loving kids out for a good time in the California fall, enjoying loaded fries and hot wings while crammed around a table at the sidewalk café.  They stand out, to be sure — they all have multicolored dye in their hair, Marco’s sporting a mohawk, Ax wears those wraparound sunglasses despite the cloudy day, and of course there are the bulky windbreakers slung over all their shoulders.  But they only stand out enough to get a second glance, not a third.
Don’t give them a third look.  They’ll notice, and you’ll be the one who regrets it.
Still, though, they look... If not normal, then normal enough.  Normal-adjacent.
• Of all the workers in the Sharing Institute, Dr. Aftran was always kind to them.  She was the one who let them into the outdoor enclosure even when they hadn’t earned yard privileges, the one who snuck candy bars into their cell, who “forgot” to turn off the television when their TV hour was over more often than not.  She was kind, and that was all she was... until Ax’s bidirectional vision implants didn’t take, until he came out as a null result.
Null results get put to sleep.
Dr. Aftran injected him, exactly on schedule, and his unseeing eyes fluttered shut even as he fought hard against the drugs.  But when he woke up, it was outside underneath an open sky.  And the rest of his flock was around.
They never do find out what happened to Dr. Aftran.  Maybe it’s better that way.
• The sidewalk café fills, empties, fills again around them as the afternoon passes, but no one kicks them out.  Their waitress initially shows interest in Ax — everyone always does.  But it’s Marco who finally catches her attention on purpose, whispering back and forth, scribbling something on a napkin that causes her to blush and lean in close.
Jake watches.  He glances at Cassie.  She glances back.
Ax doesn’t see their glance, of course, but he can pick up on the currents of the conversation just fine.  His knee bumps Cassie’s, a silent question, and she taps his arm once in confirmation.  Ax sighs.
It’s been like this, more and more lately.  Marco spending time with outsiders, turning away from the rest of his team.  Chafing at the need to go everywhere with five other kids his age in tow.
Too freakin bad. They go together. For Ax. For themselves. They go together, or not at all.
• Evening creeps up on them, and by now the café chairs are being flipped up onto fresh-wiped tabletops.  This is as long as they ever stay anywhere, so they’re full and content when they stretch to go.  Without discussion, they’re assembled at the lip of the canyon.  It’s nice to use this kind of natural formation — the dropoff makes it easy to get up speed — and Jake is just thinking how nice it will be to get going again, when...
“Where’s Marco?” Tobias’s voice is tight.
Rachel groans.  “This time, I really am going to kill him.”
They’re all modified: Rachel for strength, Tobias for skill, Jake for speed.  Marco for his lightning-fast calculation, Cassie for her ability to move underwater.  Ax’s modification didn’t take, but he’s scary smart all on his own.
So really, there’s no question of who will be chasing Marco down.  Especially not in that narrow canyon.
“Be back in a minute,” Jake says, and jumps off the cliff.
• Black-and-white wings, ten feet from primary to primary, unfurl from Jake’s back.  He’s not as beautiful as Ax, his pinstriped underwing and blue-gray back no match for that angel-white black-tipped plumage.  He’s nowhere near as large as Rachel, who once knocked a grown man clear through a wall with a sweep of her enormous brown wings.  But he can do this: rocket through a canyon at over 150 miles an hour, banking into turns so tight they’d kill any of the others who tried, trusting he can adjust in time even as the walls brush within inches of his feathers.  Luke Skywalker in the trench of the Death Star, Tobias often jokes while watching him.
Catching up to Marco is easy.
Getting him to talk is a whole other ball game.
They’ve been sitting there for a good fifteen minutes — fifteen minutes they can’t afford, not with half the Sharing Institute hunting them across the state — before Marco finally swipes a hand across his face, clears his throat, and finds something to say.
“Warren Worthington the Third,” Marco confesses at last, staring not at Jake but at the vireos hunting the canyon far below.  “That’s the name I gave her, when she asked.  Warren Worthington, and the phone number of a Domino’s pizzeria.  Only my name’s not Warren Worthington, is it.”
“Marco,” Jake says, trying to forestall the inevitable.  “Your name is Marco.”
“Marco,” he spits, “is something you call me.  My identity is Subject 1273-MRO, and my code name, the name my mother put on my birth certificate, is Icarus.  Fucking Icarus.  Because she knew I’d never, ever be able to eat at a café or flirt with a girl or have a life at all.  So it didn’t matter if she gave me the stupid fucking name of a guy legendary for how much he sucks at flying.”
“I know,” Jake says heavily.  “I know.”
“You don’t.”  Marco’s voice cracks.  “If you ever feel like giving up on the rest of us, you can always go find your normal-ass mom and dad and brother in their normal-ass house and...”  He spreads out his arms.  “Surprise, guys!  I didn’t kick it at birth.  Thanks for naming me Jake, and not Uriel or Vajrakila or Tinkerbell.”
Jake doesn’t answer, because Marco’s not wrong.  They know from the Sharing Institute files that Marco and Ax stole that Jake’s parents were all told they’d be signing up for an experimental drug trial during pregnancy.  That they’d agreed to be impregnated with genetically modified embryos.  That on the day of delivery, the doctor had been heartbroken to say newborn Jake had died in the incubator.  That the Sharing would very much like to keep the remains for study, and was terribly sorry for their loss.
“Marco,” Jake says.  An affirmation.  “Marco.  I know you guys decided I should be the leader or whatever, but I’m just a dumb scared kid like you.  I don’t know what’s going to happen, and I don’t know if we’re ever going to find someone we can trust.”
“Yeah,” he whispers.  “No kidding.”
“But Marco... I know I’m sticking with you guys no matter what.”  Jake shifts around, forcing eye contact.  “I know that.  Those people, they’re not my family.  That’s you guys.  We fly together, and I know that.”
Marco stands.  They haven’t solved any of it, not really.  This is all going to happen again.  They’re still freaks, still hunted.  But he nods, resolute.  “We fly together.”
And they leap as one.
• They find Tobias’s birth mom, from the stolen records.  She claims she doesn’t remember any of it.  Doesn’t remember being pregnant, doesn’t remember giving birth, doesn’t remember who might have knocked her up or when.  She says this all to their faces, not hesitating, not looking away.  There are scars on her forehead, scars on her scalp.  She doesn’t remember having a son, she says, she’s terribly sorry but she doesn’t remember.
• Jake dreams.  The voice doesn’t give itself a name, but it always tells him the same thing: he’s meant to save the world.
• David was their tagalong, their unwanted but tolerated kid sibling, their friend.  He could be annoying, and he never seemed to realize just how different his life was from theirs — he went home every night to a warm bed, he had a mom and dad, he had food that wasn’t protein mush.  But he went through the tests, the endurance exercises and the injections, right alongside them.  And his insider knowledge of the Sharing Institute saved their lives, on more than one occasion.
So when the creature — every bit as freakish as them, but with none of their grace and with joints that move hampered by pain — steps from the shadows and into the light, Cassie gasps sharply against the threat of tears.
David was supposed to be an entirely separate project.  He’s programmed with regenerative cells, has a life expectancy of over 400 years... and yet here he is, creeping forward on swollen knees that are powered by straining lungs.
“We have to go,” Jake says, when Tobias takes an involuntary step toward their former friend.  “We have to go now.  If he found us, then the Sharing’s not far behind—”
David lunges, mouth open, unnaturally long teeth aimed at Tobias’s throat.  Rachel body-slams him on intercept, the two of them rolling in a mess of feathers and blood across the filthy ground.
“Go!” Jake points to the sky.  Tobias takes off, whistling to guide Ax, and a second later Marco follows.
Jake grabs a fur-covered arm.  David’s wrist twists the way no human’s would, and he sinks claws into Jake’s skin.  Jake cries out in pain, but he slams his head forward into David’s face.  Jagged teeth tear open Jake’s cheek, his forehead, but David recoils from the blow.
Rachel rolls loose.  With overhuman strength she stomps down onto his stomach, until David jackknifes around her with an oof of pain.  She raises her foot again, but Jake catches her arm.
“We go!” he shouts.  “Together.  NOW.”
Whether it’s the sight of his bloodied face, or the sounds of the others hovering and desperately whistling for them to join, Rachel shakes the bloodlust.  She beats hard against the air, helping Jake to rise with her much larger wings.
Down below, Sharing agents are streaming across the ground.  Most of them are armed with rifles and tranq guns, but the man who dives forward to pull David into his arms has no weapons at all.  The flock takes off, and for now they get away.
• They find Cassie’s parents.  Michelle and Walter are gentle and kind.  They stitch the cuts on Jake’s face and Rachel’s arms.  They ask questions, like are you okay and how long have you been on your own.  They give the flock hot food, and soft beds, and something infinitely more precious that the kids all drink up like lizards in the sunshine.  But Cassie looks out the window one night, and she sees a girl who is not a girl standing at the edge of the woods.  They don’t stick around to find out if it is the Sharing, if David and his fellow trackers would settle for killing the horses or would murder the veterinarians too.
• Jake dreams.  The voice tells him again to save the world.  He replies, just as he always does: the voice can go fuck itself, because he’s only here for saving his friends.
• “Look,” Tobias says.  “Look.”
There are hawks hunting along the cliffs below.  They dive with sickening speed, pulling up short with crabs and trout in their claws. 
They swoop and spin around each other, wheeling and screaming.
“We’ll scare them away if we get any closer,” Rachel points out.
“So don’t get closer.”  Tobias perches so close to the edge of the cliff he threatens to tip over, relaxed and unafraid.  Happy, or as close as he ever gets.  “Just watch, and learn.”
• He scares the hell out of them, when he drops out of the sky the following evening.  Cassie screams in shock, but he’s back before any of them can get too scared.  He’s holding an ice cream cone he just stole clear out of some guy’s hand, seagull-style.
“What?” Tobias says, laughing, making a mess.  “I was just hunting.  It’s what birds do, right?  We hunt!”
Later Tobias shows Rachel what do to: wheeling close, wheeling far.  For a time they rocket along toward the ground, synchronous and breathless, wings half-tucked.  Then they split, and shoot apart, and wheel around again.  Courtship, the ornithologists call it, and there’s an ecstasy in the dance that no human can touch.
• They find Jake’s family.  It’s a temporary measure, they tell each other, they tell themselves.  It’s temporary.  But it’s better than a cave above a sea cliff, better than a tent in the woods.  It beats nesting in an unused clocktower or a moldy steeple.
Jake’s parents and brother are nice.  They’re conventional.  They’re upright and intelligent and suburban.  They sit the flock down in the living room, and they sip tea and make concerned faces and try to determine just how not normal their newfound son is.
There’s an uncertainty there, a hint of hesitation that Michelle and Walter didn’t show.  But Jake’s family is comfortable, is middle-class and law-abiding.
• So law-abiding, in fact, that Jake wakes up the following morning to a room full of Sharing agents and a rifle in his face.
If he had to guess, it was his brother who called 911.  One the cops who answered thought to contact the FBI.  Some FBI agent knew to call the Sharing, and to tell them to retrieve their lost property from the Berenson residence of suburban Carmel.
“RACHEL!” Jake screams.
She knows what to do.  There’s a crash from below, his parents’ picture window exploding out onto their lawn.  Three figures shoot toward the sky — Rachel’s enormous brown wings, Marco’s brown-and-white striped ones, and Ax’s angelic pinfeathers.  Rachel has blood limning the tops of both wings, Marco’s clutching Ax’s wrist in his hand, and they’re away.  They’re away. 
There’s no sign of Cassie or Tobias, but Rachel and Marco and Ax are clear.
Jake watches them go, hope tugging his heart toward the sky, even as the needle jams into his neck and the black drugs suck him down.
• Jake awakens in a dog crate.  Size medium.  Suited for dogs 90 to 120 pounds.  His wings are pressed against his sides with cramping force, his body twisted in a fetal position he won’t be able to uncurl from.  Ask him how he knows.  Better yet: don’t.
• “Marco?” Cassie says, sucking in a breath and coughing, the instant she’s awake.  “Rachel?  Anyone?”  She rolls, feathers scraping painfully on the sides of the cage, until she’s sitting on her knees with both hands pressed on the ground.  She can’t stay like this forever or her feet will fall asleep, but there’s a fundamental comfort to be had in hugging her own wings around herself.
“Cassie,” Jake says, quiet and dull, from somewhere to her left.  “Cassie.”
“Jake. Who... Who else?”
“I see Tobias across the way,” Jake says.  “I think it’s just us.”
Cassie closes her eyes.  Thank goodness.  They’re probably going to die here, the three of them, and there’s going to be a lot of horribleness in between now and then.  But at least Ax is safe, at least Marco and Rachel are free.
“Ax is okay,” Jake says, thoughts following the same path as her own.
It could be better.  Tobias tolerates crating the worst of any of them.  No one planned for Jake to sprout to six-one and over two hundred pounds during puberty when they mass-ordered cages this size.  She’s probably never going to fly again.  Nor are Tobias and Jake.
But it could be worse as well.  Null results get put to sleep.
• They all hear it when Tobias wakes a little later.  There’s silence, and then there’s the sound of thrashing so violent that the whole row of cages shakes.  Tobias is breathing in soft hoarse cries, shoving wings and knees and wrists against the bars with bone-breaking force.
“Tobias!” Cassie calls.  “Tobias, it’s okay, you have to calm down or —”
He’s making small desperate noises between gasps for air.  There’s a sickening thud as his head impacts the ceiling of the cage.  All six of them are claustrophobic — it’s the whole reason the Sharing ordered these cages — but it always hits Tobias worse to be confined.
“You have so many relationships in this life,” Jake says in rhythm.  “Only one or two will last,” and it takes Cassie a second to realize he’s singing.  “You go through all the pain and strife, then you turn your back and they’re gone so fast...”
Tobias has quieted, panting, listening.  Jake’s no great talent, and his voice is too low to do the song justice, but it’s something.
“Oh, so hold on the ones who really care,” Cassie sings now, joining in with Jake.  “In the end they'll be the only ones there.”  It helps her to sing as well, she realizes.  Forces her to breathe in rhythm, gives her something to focus on.  “And when you get old and start losing your hair, can you tell me who will still care?” she and Jake sing together, and it must be working because Jake’s getting louder and Tobias is getting quieter.  “Can you tell me who will still care?”
And then there’s a third voice — not Tobias, not the white coats — that joins them for the chorus.  “Mmmbop, ba duba dop, Ba du bop, ba duba dop...” they harmonize, off-rhythm but singing hard enough not to care.
“David,” Jake says quietly, in the pause before the second verse.
“Hi.”  He speaks just as softly.  He’s in the cage directly above Cassie’s, out of sight through the opaque floor.  He sounds bad, hoarse and wheezing almost as hard as Tobias was a minute ago.
“David?” Cassie asks.
He answers the question she didn’t put words to.  “What do you think?  The new modifications didn’t take.  Obviously.  I’m a null result.”
She thinks back to his swollen joints, his awkward gait, the teeth that didn’t fit into his mouth and the bone claws that split the ends of his hands.  Seeing them with new light now, beyond the horror of what his own family had done to him.
“David,” Cassie whispers helplessly.
“I should have come with you,” David says.
Cassie flinches.  They never asked him.  They figured he was better off here, and so when Aftran got Ax and Ax got Jake and Jake got the rest of them, they’d left David behind.  He’d known they were going to take any chance they could to get out, and he’d always warned them against it when the conversation had turned that way.  They’d thought, they’d thought...
“Your mom and dad were here,” Jake says.  “And anyway it doesn’t matter now.”
“They can’t!” Cassie blurts.  “They can’t, they can’t.”  It’s David.  He’s supposed to live forever; that’s why he was made.
“Plant a seed,” David sings, with desperate force.  “Plant a flower, plant a rose...”
“You can plant any one of those,” and now it’s Tobias joining in, then Jake, “Keep planting to find out which one grows.”
Cassie sucks in a breath through tears.  “It’s a secret no one knows,” she sings, because what else can they do, “It’s a secret no one knooooows.”
• The door slides open, sometime after they enter their second rendition of the song.  Marco’s mom stands on the other side.  Lab coat on.  Syringe in hand.  “I hear you’re awake,” she says.
“Can you tell me who will still care?” they sing, ignoring her.  “Tell me who will still care—”
“Stop it!” she snaps.  “All of you, stop it immediately.”
Jake lifts his head, red grid from the bars imprinted into his cheek.  “If you didn’t want us singing, shouldn’t have made us into birds,” he says flatly.
She draws in a breath, but they launch back in, louder and louder: “Can you tell me? No, no you can’t ‘cause you don’t know.  Can you tell me?  No, no you can’t cause you don’t know.  CAN YOU TELL ME? NO YOU CAN’T CAUSE YOU DON’T—”
Zzzzzztt-BAM!
The cages are electrified.  Would’ve been nice to know sooner, Cassie thinks as she clenches her fists and her jaw until the tremors wear off.
“Enough!” Marco’s mom shouts.  She twists the lock on David’s cage and wrenches open the door.
“No,” David moans, “no, no, please, I want my dad—”
He’s still uncoordinated from the shock; Marco’s mom easily drags him out by the hair and throws him to the floor.
“Don’t do this!” Jake shouts.  “He’s a person.  This is murder.”
Marco’s mom lifts her head, brushing hair out of her face.  “He’s a failed pet project of Mr. Visser’s, and it’s high time we eliminated him.”
“Please,” David screams.  “Please, I want to see my dad, please!”
“This won’t even hurt.”  Her tone suggests she has no idea what David has to complain about.  “You’ll be unconscious long before cardiac arrest sets in.”
David struggles for everything he’s worth, but the needle is large and unforgivingly sharp.  Marco’s mom slams it into his chest, not seeming to care where it lands, and depresses the syringe until it is empty.  She tosses it aside, breathing hard, watching David closely.
“Can you tell me,” Cassie sings, a thready whisper, barely there, “which flower’s going to grow?  No you can’t, ‘cause you don’t know.”
David is crying, already fighting for air with more than just exertion, but his eyes lock on hers.
“Can you tell me,” Tobias sings with her, that same tiny thread of sound, “If it’s going to be a daisy or a rose?  You say you can...”
David’s eyes slide shut.  His lungs empty, and they don’t refill.
• Tobias does his best to lose reality, after the white coats drag David out of the room.  He tries to retreat into the memory of flying through caves with Ax and Marco, their whistles bouncing off the walls to map the space none of them could see.  He should be more like those hawks, who slam the ground when they miss a strike but recover in seconds.  He should be more like the pigeons who get by with two toes and one working wing, still surviving just fine.  He should be like the mallards who never tire or slow, even after months’ worth of twelve-hour days.  Instead, he’s a fucking parakeet: ripping out his own feathers, unable to stop no matter how hard he bites down on his own fingers to punish himself for punishing himself.
“They have to feed us eventually,” Jake says with confidence.  “They have to give us water and space.”
“A bathroom would be nice too,” Cassie mutters.
“Exactly,” Jake says, hearty as a camp counselor.  “Exactly.  They’re going to let us out pretty soon now, you’ll see.”
Tobias would like to punch Jake’s fucking teeth in.
• There’s a scree of metal on metal, somewhere in the depths of the facility.  Jake tries to lift his head to look, but gets no response from his neck muscles.  He lost feeling in his lower legs a while ago. 
There’s a thud, quiet like it’s far away but powerful enough to rattle the room they’re sitting in.  The next thud is closer, louder, and this time the cage bounces off the floor.
WHAM.
That’s directly on the other side of the door.  Another WHAM, and the door visibly dents inward on its frame.
“Guys, be ready,” Jake says.
“To do what?” Tobias asks sourly.  But at least he’s talking.
WHAM.
The door crumples off its hinges.  Rachel stands on the other side, a firefighter-issue battering ram in her hands.  It has to be 200 pounds, but with all their enhancements it’s no real surprise to see her holding it easily.
“Step aside!” an unfamiliar voice calls from behind Rachel.  “Please, step aside.  The more footage we can get —”
Rachel moves out of the way, but goes into the room.  She stops long enough to press her fingertips against Cassie’s through the gaps in the cage door, but only for a second before she focuses on Tobias.  His fingers are bloody, his left wing as well, but he’s coherent enough to whisper her name.
The man who pushes into the room just after Rachel is a lot harder to explain.  He’s middle-aged, but has the kind of blue eyes and tall frame that suggest he used to be beautiful.  The strangest thing about him isn’t the makeup he wears or the way there’s something naggingly familiar about his face; it’s the industrial-size video camera perched on his right shoulder.  He points it around the room, pausing to zoom in first on Tobias and then Cassie.
Ax shoves into the room after the man, Marco brushing wingtips with him.  “Jake?” he says, lifting his head to listen.  “Tobias?  Cassie?”
“We’re okay,” Cassie says.  “We’re here.”
“Shit,” Marco whispers.  He’s peering through the door of Jake’s cage, lips pressed together.  “Shit, man, you are too damn tall.  Anyone ever tell you that?”
“‘S what I have you for,” Jake says.
Marco fumbles at the lock on the door.  Luckily they’re simple mechanical things, not requiring keys but only the leverage that comes from being outside.  “Okay,” he says.  “Okay, we’re getting out of here, I’m doing a guest appearance on Touched by an Angel, and we’re headlining for Leno.  Yeah?”
The door pops open, and Jake is sliding out from the sheer force of where his body had pressed against it.  Some combination of the shock and the dehydration and all the blood in his body deciding to rearrange itself at once gets to him.  The world goes black.
• Jake wakes up what feels like an eternity later.  He’s propped sitting up, his back against the row of cages, and there are several unfamiliar adults talking over his head.
Before he can go into flight-or-flight mode, Rachel crouches in front of him.  She’s peering close into his eyes, holding out an object that — once he finally figures out how to focus on it — proves to be a juice box with a picture of an apple on the outside.
“Take it,” Rachel says.  “Cassie already had like six and didn’t keel over, so it’s probably fine.”
Jake takes it, sucking gratefully at the tiny straw.  He looks over her shoulder at the guy who came in with them, and the three other people who are now filming that guy as he talks into a microphone.  “Who...?”
“Kept finding parents.”  Rachel jerks a thumb over her shoulder.  “Finally hit on a useful one, go figure.”
“Hello, Jake.”  The man crouches next to Rachel, holding out his hand.  “I’m Dan Berenson.  It’s an honor to meet you, son.  Nephew.”
Jake stares at the hand.  “Who do you work for?”
“NBC,” Dan says.  “National Broadcasting Comp—”
“What are you doing here?”  Jake’s being rude.  He doesn’t care that he’s being rude.
“We’re doing an exposé on the Sharing Institute.”  Dan gestures to the people behind him, presumably coworkers.  “It’s a very important project.”
“I brought helicopters from two other news stations while I was at it,” Rachel says.  “Just to be on the safe side.  One’s technically the Weather Channel, but whatever.”
The thought of her simply flying at the nearest two helicopters with cameras until they followed her is almost enough to make Jake laugh, in spite of it all.  He knows why she didn’t trust NBC alone — far too many companies and government orgs are in the Sharing’s pocket — but it’s a typically Rachel approach.
And here he’d thought Marco was joking about being on TV.
“C’mon.”  Rachel hooks a hand under Jake’s arm, helping to haul him to his feet.  “The others are outside.”
He shifts, tangling his feathers with hers, as they walk together.  She gets a wing around him and yanks him close, a few inches shorter than he is but still with that unmatched wingspan.  He lets her shove their shoulders together, bullying her way into his space, and doesn’t comment on how much her hands are shaking.
“Check this out!”  Marco spreads arms and wings when he sees them, taking in the vans and helicopters and dozens of camera operators on foot.  “That’s what I call a media circus, baby!”
“No,” Tobias is telling a woman with a paramedic’s uniform.  “No, I’m not going anywhere without my flock.  You take us all, or none of us.”
Lab coats are fleeing, Jake knows, taking what they can and running for it.  Ordinary Sharing staff members as well.  Any incriminating experiments the reporters don’t find in time will be put to sleep.
But it’s something.  It’s the whole world watching, from those hovering machines to Rachel’s dad with the handheld camera.
“He said it,” Rachel announces, chin lifted.  “We fly together, or not at all.”  She’s smiling, tears in her eyes.
Jake finds his gaze drifting past her.  There’s still smoke coming from the crematorium, dispersing slowly into the sky.
• Jake dreams.  There’s still work to be done, the voice says, and for the first time Jake thinks yeah, okay.
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luke patterson from julie and the phantoms is asexual, panromantic, and polyamorous (headcanon)
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