#cinematic ramblings

[smudged-red-ink]

Yo I just saw princess mononoke for the first time last night and man:

The little white forest creatures with holes in their faces

Lady Eboshi's perfect non-villany.

The way you can viscerally feel Ashitaka's fear as he braces himself for inevitable death after the forest spirit doesn't heal the demon's wound.

The fact that the women of the Iron City are able to be utterly ridiculous but also extremely competent at the same time

Ashitaka's quiet: "Don't make me kill you" when he's trying to get the forest spirit's head back from Jibo

The messages about blind hate and rivalry.

Just ahtrfyguhijokplasdgfgfqdwdefdsbv c

Forget blockbusters, let's go back to the good stuff

[daisy-mooon]

Behind the jokes and badassness, Captain Marvel is a fascinating character to me, because of how death follows her.

She causes an explosion. That explosion, which gives her powers and her immortality, canonically kills her. The Kree Empire resurrects her and makes her as Kree as they can. She shares Yon-Rogg's blood and his life, she's his creation, she's his victim, she's the one who causes his downfall, she's the one that destroys the system, the society, the planet that allowed her to be abused.

It's the Kree that see her as a killer and Annihilator. She's a monster of their own making, but it influences every species and planet she touches. Her victories cause death and her mistakes cause more death. Carol's triumph, the death of the Supreme Intelligence, results in the death of probably millions of Kree, and by consequence, almost causes the death of Hala's star.

"I'm only human" Carol says, before killing the Empire that is the reason that she can't ever be human again.

"We'll be back for the weapon," Ronan says, but that weapon will kill everything he stands for.

"Your life began the day it nearly ended," The Supreme Intelligence says, coldly, calculatingly. It's an AI. It doesn't have a good concept of death. It doesn't fully grasp that Carol had genuinely been killed that day, because she's still in front of it. Carol kills it.

"Death seems to follow you," Dar-Benn says, before she causes an explosion with the bangles, trying to defeat Carol. The explosion kills Dar-Benn.

Death follows Carol. Death follows Carol! Mar-Vell is dead. Maria is dead. Talos is dead. Soren is dead. Ronan is dead. Minn-Erva is dead. Korath is dead. Dar-Benn is dead. Yon-Rogg is, probably, dead. The Supreme Intelligence is dead. Natasha is dead. Tony is dead.

The only people in Carol's life who aren't dead are Kamala, Monica, Yan, Valkyrie, and Fury.

She watches helplessly as Dar-Benn almost murders Kamala after Kamala tries to save Dar-Benn's life, tries to find a way to solve the violence without death.

She watches helplessly as Monica gets torn into another reality, which for all she knows, she could die in. The tear in reality that was caused by Dar-Benn's death.

She tries to hide Yan's existence from her friends and tries to warn him and his people. The Kree soldiers aren't fighting to maim, they're fighting to kill. He escapes death by his own fighting skills and the fact that the Kree would rather focus on killing Carol than him.

Valkyrie and Carol interact once, and she only calls when she needs help after a fight, not during. Think about it. Valkyrie and the Bifrost could have helped the trio enormously. But Carol doesn't call until the fights are over. It would be very easy for a regular Asgardian warrior to die compared to superhumans.

And Fury... have you seen how often Fury comes close to dying? He's alive from skill and luck. He is lucky that he isn't dead.

Captain Marvel is so, so fascinating. Her story begins with her own death, and the more it goes on, the more death happens around her. Nobody is safe. She causes almost all of them, even the ones of her friends - not directly, but through the consequences of her actions. The consequences of her victories and mistakes. The consequences of her anger and revenge, her power and powerlessness. It is caused by both the Human and Kree sides of her, by both Carol and Vers, Captain Marvel and the Annihilator.

Carol is immortal. She can't die. And death follows her anyway.

[a-little-ray-of-fantasy]

Cinematic parallels!

[alisoncooper]

i think benoit blanc is daniel craig’s compensation for not being able to be overtly fruity or kiss ben whishaw in any of the james bond films. and as such, i also think ben whishaw should get to be in knives out 3

[riverthebooknerd]

i feel like all the mcu fans who haven't watched the daredevil show seem to think that he's just. a fucking mentally stable dude? a badass vigilante who is definitely not fucked up in the head? and i cannot stress how incorrect that is /aff

you. yes, you, the mcu fanfic writer who thinks that matthew micheal murdock has his shit together. i am grabbing you by the shoulders. you see that smile of his? that cocky little lawyer smirk that says, "i am so put together and sexy and my life is great"?

this one? it's a fucking lie (minus the sexy part)

underneath that suit he has 12 fractured ribs 7 punctured lungs 18 ruptured spleens, he's mentally straining under the weight of his enormous catholic guilt, he's ghosting 15 nurses who genuinely just don't want him to fucking die, he's in love with his best friend, he has 9 court cases the next day, he hasn't slept in 378 hours, he's running on 26 solid cups of coffee and cheap chinese takeout, he's hallucinating his dead dad, and he's probably debating murder and/or sewerslide.

this man may be an absolute slut, manboss manwhore murdock if you will, but do NOT mistake him for someone with his shit together. please, for the love of god. if he has his shit together in the new daredevil show coming out this year, i will genuinely be shocked.

this post has been brought to you by Dear God, Give My Favorite Blorbo His Fucking Horrors

[queerofthedagger]

hey besties is it gay to be worried that you'll be separated from your "good mate" in the afterlife and him vehemently assuring you that he won't let that happen or

[kelconfetti]

tony would say this to peter and peter would actually stop talking.

[kyuyua]

I still love the fact that the entire Ironstrange community decided that Stephen fell in love with Tony after viewing 14000605 possible timelines bc he watched him die for everyone on Titan, watched him sacrifice himself for people he just met and essentially for the entire universe, watched him fall over and over and over again just to stand up and keep fighting because he had to. He’s seen every decision Tony could ever make, has seen every sacrifice-play he’s made, every victory and defeat, and decided ‘this one.’

Like, Stephen’s seen this man at his worst and at his best, probably knows him better than anyone else ever could, and he fell so in love with him. I will go down with this ship.

[ifisawyoueverydayforeverwill]

Y'ALL NEED TO SEE THIS PANEL

[moltengoldveins]

so we can all agree that the newest 2WEI song (take the crown) is the trailer song for an Antarctic Empires Emerald Duo pg14 movie where Techno is a gladiator who earned his freedom and has vowed to destroy the government that enslaved him and Philza is an old demigod banished to a solitary plane of existence for five decades after attempting to run a coup against the ruling class.

They meet on a battlefield, Techno having joined up as brute muscle and Phil having used some minor illusions to pass as a quirky avian and join the bombardment team. Combining some similar plot beats as Oceans 11 and Atlantis: The Lost Empire, they gather a specialized team of insurrectionists, anarchists, battle mages, and warriors to take down the imperium from the inside, eventually planning on restoring the nation to the democracy it was in Phil’s earliest memories. But will they manage it, or will their bloody pasts and violent present seat Technoblade on the throne as the Antarctic Emperor, with Philza as his right hand, the Angel of Death? (Spoiler, the second option. It’s the most controversial film finale decision of the decade.)

The movie is filmed in a style somewhere between Dune 1, the Prince of Egypt, and Topgun. (denis villeneuve is too busy and too expensive, but it’s clear they’re taking inspiration. Bold colors and lighting and a lot of shots of the sky, wildlife, architecture, or of characters’ hands.) It’s scored by an up and coming indie musician, working under the consultation of Ludwig Gorannson in his spare time as a pet project, though his association with the film doesn’t really come out until it Smashes the expected theatre income in the first two days of release and critics start Raving about it. Techno’s actor is nominated for an Oscar for one of the most compelling intricate portrayals of ptsd and platonic devotion in modern cinema, but doesn’t actually get the Oscar.

Tumblr is flooded with gif sets of Techno in the Obligatory No Armor After Gladiator Fight Scene and the Late Night Vibing With Phil In A Loose Poet Shirt scene (firelit, lots of closeups of his eyes, the film is obviously attempting to express his complex emotional state and his deep relationship with Phil, and is failing miserably at doing Anything but making him hot. The internet is ✨gay✨ about it, because when is the internet not?) Also most of the simps are calling Phil a dilf.

Fit MC is the fan-favorite side character, his four scenes and nine lines of dialogue are clipped and edited and giffed and memed into the dirt. (His armor and prosthetic, the makeup and costuming department say, were the hardest thing to do in the entire film, which is why he isn’t in too many shots.) Though, a close second is Niki, who is played by a woman built like a brick house who doesn’t wear sleeves, so…. Yeah. We all know what the response is there. The effects, including Phil’s wings, are almost entirely practical and the only real places it gets iffy is Steve, the giant war polar bear that’s pretty clearly clipping through a few snowbanks here and there. Nobody can agree on which characters are morally reprehensible.

Within a few years, very few people outside a dedicated fan base have seen it and a few assume it’s made up like Goncharov. It’s also, for some ungodly reason, been labeled a Christmas film. (most of the plot happens in the ice and snow, hence ‘Antarctic Empire.’) I guess nothing says ‘Christmas spirit’ quite like ‘unmitigated violence, platonic yearning, and overthrowing oppressors.’

[lazylittledragon]

overview of my playlist for bg3 animations i probably won't actually make

[smudged-red-ink]

i think we all agree that we wanted the original human Star design for Wish, so can we just pretend that happened please, tumblr?

Wish was never a mid-tier disney money grab, it was an adorable love story between Asha and Star, got it?

[embracedfire]

SCU Council designs pt 1!

The god of Crafting, Smelting, Food and Enchantment

Some headcanons!

He chirps like a slime :)

He’s got the vibes of a Greek/Roman god

Holy symbols: sickles and wheat (farming go brrr)

He looks mostly humanoid, but his arms are slime and can stretch like a sticky hand

His cape thingy can morph into a moth wing shape to fly (maybe? Idk I like the idea of Slime with moth wings/elements but I also kinda like him without wings)

Feel free to ask for any more headcanons in my ask box if you’d like ^-^

ALSO feel free to look at my other designs so far for scu characters! The tag is #embraces scu designs

[retrobr]

WHO THE HELL STOLE OCTAVIUS D:

[comradekatara]

Can you go a bit more in depth about your post about Sokka in the Burning Rock episode? You said that it was basically his suicide mission, which I agree with. I'd really like to hear more of your thoughts on it.

okay yeah i mean i'm sure i've covered all these points before extensively because i love weaving a tapestry of sokka's fucked up psychological landscape more than anything in the world, but every so often someone will comment on one of my posts and be like "i think you're reaching i think sokka is the paragon of mental health actually" and i'm just like um. did we not all watch the boiling rock. did we just ignore the apotheosis of sokka's entire character arc. like katara's apotheosis in "the southern raiders" is both very overt and impactful and also, arguably, subtler than sokka's, because they don't explicitly spell out the themes every five seconds, but like. if you didn't watch the boiling rock then you cannot understand sokka. and weirdly enough i also believe that zuka shippers are the biggest culprit of this despite this episode being thee zucchini episode because they somehow still have the audacity to characterize sokka as "goofy sunshine who exists to comfort zuko" when like. the entire point is that sokka is legitimately suicidal here and zuko is doing everything in his power to support him thru what is quite literally a mental breakdown. like their relationship is legitimately interesting i don't understand how people have taken that and made it deeply boring.....but i digress.

the boiling rock is quite obviously sokka at his lowest. the worst thing that could ever happen to him – fumbling a mission that was squarely his responsibility, from its conception to its execution, due to not being able to sufficiently compartmentalize his emotions, leading to the mass imprisonment of most of his comrades, including the men of his tribe whom he idolized his entire life and felt immense pressure to live up to, including his father who he is deathly afraid of disappointing (for reasons that have nothing to hakoda being malicious or neglectful in any way, fwiw), and thus being directly implicated in the failure and the harm caused by said failure – happened. sokka is someone who is especially bad at dealing with failure, because a) he is exceptionally talented, and thus has less experience dealing with failure in both minor and major ways, and thus lacks the emotional resilience developed through the process of struggle and growth that normal people (such as, incidentally, zuko) go through and b) to sokka, whose primary desire at all times is to protect and provide for others in any way he possibly can, for someone else to sacrifice themselves for him constitutes a fundamental disruption to the order. there is a perverse wrongness to kya or yue or hakoda or suki making sacrifices on their own volition, because it means that sokka has existentially failed to protect them by martyring himself. like, he somehow feels so guilty about suki being imprisoned that when azula reveals this piece of information to him, it literally distracts him from his own mission. and mind you, there's absolutely no way sokka could have known or been responsible for suki's imprisonment. but he still feels guilty nonetheless. and azula knows that, knows exactly how to twist the knife to make him break, because, well, it's honestly pretty obvious.

sokka obviously cannot retroactively save his mother or his first girlfriend, but he can save his father and his current girlfriend. in "the awakening" aang says he has to restore his honor after the guilt and shame of his failure in ba sing se (aang is also an incurable gifted kid perfectionist, btw, as is azula. posts for another time...) and sokka repeats zuko's line again in this episode, after experiencing the guilt and shame of his failure during the eclipse. the driving motivation of zuko's entire character, feeling like he has failed in some ontological way and must therefore redeem himself or die trying, is reinforced through aang and sokka's respective experiences mirroring that drive. aang goes out in a storm and nearly drowns to redeem himself in some vague, nebulous way, because he isn't thinking rationally. and likewise sokka, who usually always has a plan and always thinks things through, feels that caution and foresight is pointless, because he came up with a genuinely brilliant invasion plan and it didn't work, so clearly there's something wrong with him (just as he always suspected) and no amount of planning even matters, because he's a capital F Failure and always will be. and so he vows to save his father, as he promised him he would when they parted on the day of black sun, or die trying, because if he can't even do that then what is he good for; at least he'll die a martyr, which to him, is basically his ideal situation. because to sokka, dying as a martyr is basically the highest form of fulfilling his purpose (being needed, protecting people) and so if he dies a martyr, then maybe his catastrophic failure (that is entirely his fault and rests squarely on his shoulders btw) can be forgiven. so his plan is basically just to sacrifice himself for his father so that he can die "redeemed." very normal, rational, healthy behavior, i would say.

sidenote, i also see people claim that "the boiling rock" makes sokka look stupid because why wouldn't he take any of the insanely talented benders to a prison in a giant volcano surrounded by a boiling lake, and it's like. sokka literally admits that he's not being rational, that he doesn't think he's going to survive this, that this is not a good idea. it would go against sokka's entire modus operandi if he brought the children who he feels a deep, presiding responsibility to protect on a suicide mission that he's lowkey hoping will fail (because he not so secretly loves courting death. it's like she's the moon or something). he only lets zuko come with him because he doesn't actually care whether zuko lives or dies at this point. sokka has absolutely no faith in zuko whatsoever (and frankly, why would he, zuko has yet to actually prove himself to him. he didn't even kill combustion man; sokka did) so he has no idea that zuko is actually going to be helpful and supportive in a meaningful way. and frankly, if he had known that at the beginning, or even remotely liked zuko as a person, he probably wouldn't have caved so easily when zuko invited himself to join. if he didn't think that zuko was objectively worse than him and basically worthless as a human being, i doubt he would have let himself be so vulnerable with zuko in the first place. meanwhile zuko is eating it up bc he's like "omg he's confiding in me he's letting me help him we're basically besties" because he doesn't actually know sokka well enough to realize that sokka doesn't actually do that shit with people he remotely respects. shit like "my first girlfriend turned into the moon" and "i had a feeling this was going to be a one way trip" are simply not things that sokka would say out loud 98% of the time. the fact that he is admitting something real is not a testament to the trust he places in zuko, but rather the opposite. sokka spilling his guts (you know, for him) to his resident collateral damage, sokka bringing his lovingly crafted space sword on this mission, sokka not even confirming whether or not his father is actually there beforehand – he's simply stopped giving a fuck, he doesn't care whether or not he lives to see another day, because to him, he has nothing left to lose.

but of course, that also isn't true at all. i mean, for one thing, zuko still needs to teach aang firebending, so he does serve a pretty important function to the group, and zuko simply telling him to do hot squats in his absence does not qualify as significant tutelage. but also, even more importantly, sokka is integral to the fabric of the group. when he's gone for a day in "sokka's master" they literally all just shut down and start complaining about how much they miss him (we don't actually see any b-roll of the gaang hanging around the western air temple because the episode is simply too busy for that, so who can say whether the same thing occurs twice). sokka cannot afford to simply die just because his first plan failed, he still has a major responsibility to his friends. fucking idiot. i've said before that sokka has the emotional resilience of like. a pathetic wet newborn kitten caught in the rain. but like, come on man. i mean, as someone who has also suffered from debilitating perfectionist issues and never had to be responsible for a failed military invasion that cost my people their freedom, i do get it, but still. not his best moment. although there is something genuinely admirable about the fact that after he finds suki, he decides that saving suki is enough, and genuinely does want to succeed in his mission going forward. like his love for suki is one of the only things that consistently makes him happy and makes him forget that his greatest dream in life is to be murdered, and that's so beautiful to me.

the entire point of this episode, by the way, is that sokka is wrong. if that isn't obvious. sokka's entire worldview, that he only has value insofar as he exists to provide for others, and if he fails to protect people in any capacity, he has fundamentally failed to uphold the one reason he even exists on this earth, and thus he does not deserve to exist unless he is bearing the weight of everyone's suffering or otherwise proving his worth through sacrificing himself for others, is um. fucking stupid???? and incorrect. and stupid. the thing is, unlike zuko, sokka can't really point to any one person who taught him to see himself this way. he can't just face his father and tell him that his abuse was cruel and wrong, because hakoda is a good father who has never not supported and believed in and encouraged him, done everything in his power to protect him, loved him unconditionally. hakoda has inadvertently damaged sokka's psyche in various ways, of course, but never with any intention to hurt him. like, ozai tried to kill zuko, on multiple occasions. it's a pretty obvious indicator of the primary source of harm in his life. but sokka is equally if not more Unwell, and there's no one single figure he can blame, because his complex lies within a tangled web of what my best friend fanon calls the "massive psychoexistential complex" of the colonized subject. he is being dehumanized not through interpersonal abuse, but through the violent logic of imperialism. sokka's formative traumas inform his psychology as he understands that he only has value insofar as he is protecting the people he loves (namely his sister) from being murdered by imperialists, much like his mother did. and that logic is continually reified through the violence he is being subjected to, until he truly absorbs the belief that his life has no value on its own, that he is genuinely Less than [human] in some fundamental way. which is obviously deeply tragic, but also lowkey kind of comical because he also happens to be the specialest boy in the world, who literally did come up with multiple working escape plans at the world's most secure supermax on the fly, mind you! but whenever anyone tries to point that out, including piandao literally saying "you're the most exceptional and worthy person i've ever met in my life" sokka is just like "um. that is incorrect actually." like NO ONE should depersonalize themselves and feel that their only value lies in their ability to serve and sacrifice themselves for others, but it's especially ironic that sokka literally does not think he has any value as a human being, and yet he is also objectively exceptional. like, do you understand why i adore this character so much. do you.

anyway. the point of this episode isn't that sokka has worth because he's exceptional, either. that's lowkey the point of "sokka's master," but also a) sokka doesn't really internalize it and b) the more important part of the episode lies in how much the gaang just misses his company because they miss their neurotic control freak big brother who makes bad jokes. but even if he couldn't come up with multiple working escape plans on the fly, suki and zuko still stay by his side anyway because they care about him. they are demonstrating that they would risk their safety and possibly even their lives, in the exact way that sokka is always trying to for everyone else, for him. that sokka doesn't need to be the one who always protects everyone else, and that he isn't a failure for letting people who care about him help him and protect him. and sokka has to accept their help, because suki and zuko are simply too stubborn not to force him into letting them support him. they are standing in a literal maximum security prison in the middle of a volcano and they are still choosing to prioritize sokka's mental health and wellbeing, which is honestly crazy, but also exactly what he needs in this moment. suki has known sokka for what, 3 days maximum? yes they're soulmates but like, girl get up. and in zuko's case, "girl get up" is magnified tenfold, because he literally risked his life to go with him to the boiling rock (also largely motivated by the guilt of not being able to stage his own prison break with iroh, but still!) and let himself get imprisoned despite being the fire nation's most wanted criminal, stayed by sokka's side no matter what including getting thrown into a literal torture chamber for him, jumped across a gaping boiling chasm with no guarantee that he'd survive except for the implicit expectation that sokka would catch him on the other side. like zuko is so fucking pussywhipped and sokka didn't even value him as a human being until like halfway through their entire mission. insane.

in conclusion: "the boiling rock" is a beautiful story of the most mentally ill boy on the planet (he took first place ever since jet died rip jet forever in our hearts), and his two ride or die bitches who he met like yesterday, and also his dad, and a casual homophobe named chit sang, all working together to demonstrate to him why killing yourself is a bad idea in most cases, probably. it's also the story of the most insane dyke drama of all time, but that's for another post (of which i have of course made multiple, most recently, here). i said it's the apotheosis of sokka's arc, and by that i mean it's the most overt acknowledgement of what his fundamental issue is, and the first steps one must take in actually resolving it (namely, accepting help and support from your peers and loved ones). do i think that sokka is magically cured after returning from the boiling rock? no, probably not (in fact, because i'm somewhat sick & twisted myself, i like to imagine that once the war ends, he actually gets worse). but he does seem genuinely happier after they return. and maybe that's just bc kyoshi warrior pussy hits different, but like. he was able to rely on others for help (including mai my best friend mai) who supported him unconditionally and prevented him from simply giving up, and that's so incredibly important. that kind of support is always important, to everyone, of course, but as we've established, it's especially important to sokka specifically, at his lowest (quite possibly ever), in this situation. no one has an obligation to risk their life for someone else, but sokka is something who thinks that his purpose is to risk his life for other people (namely katara), and so for people who really have nothing to gain and everything to lose in standing by and promising not to leave without him, to actually show that they support him unconditionally is huge. if sokka has no fans then i am dead and so is suki zuko hakoda toph aang piandao iroh the mechanist etc etc etc. perfect episode <3

[oasisofgalaxies]

I haven’t heard anyone talking abt the Morse code in the cinematic before the egg announcement. It’s at 33:32 in this video.

But this person, Mikado, translated the beginning of it and it’s REALLY interesting!!!

“LOOK FOR A WAY OUT. THIS IS NOT-“

The translation ends there as they couldn’t piece together what was being said over talking and static. I want to continue translating what they started but I’m bad at doing it by ear. If anyone has any idea what the rest of it says please add on to this post!!