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#commercial talent agency
bbreaddog · 1 year
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andymagro · 2 years
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ON SET and ON LOCATION - I got booked for a major international VW tv commercial and we just finished shooting! 🤗🥰🎬 The commercial will air globally on tv probably starting from November 2022!! 😉 I’m so happy and grateful to everyone who made this possible!! I’ll never finish to say thank you.. So thanks a bunch to the whole casting team @deebeephunky.int.casting for the booking!! 🙏❤️ Thanks also to the client @vw @volkswagen @volkswagenitalia @volkswagen_de for your trust in my talent!! ❤️ DANKE also to the amazing production company @markenfilm.official @markenfilmberlin for the beautiful time! Thanks to the director Arne Feldhusen for the great collaboration! ❤️ Thanks to my entire agency and management team @panachetalent @iamjennifermilner #SpecialArtistsAgency @agenziapatriziadesantis @patriziadesantis.actingcoach @nardesmedia_marco_nardi @siewertundknittel #BritishTalentAgency @theamylord @eristalentagency for your amazing work and inspiration!! Thanks also to all my wonderful colleagues.. 👍 And a big shoutout also to my fans as I wouldn’t be where I am now without all of you!! ❤️🙏😘 Hard work and passionate dedication for the work you love always pays off! 🤗🎬😉 #talent #bookedit #itsawrap #car #adv #advertising #commercial #tv #tvc #vw #volkswagen #management #agency #casting #castingdirector #onset #director #actor #international #hollywood #netflix #cesd #cesdtalent #cesdtalentagency #talentagency #buchwald #caa #wme https://www.instagram.com/p/CjC1rByMO6f/?igshid=NGJjMDIxMWI=
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myslatemodels01 · 2 years
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Affordable Talent Agencies in South Florida
Slate Model and Talent has established itself as a leading professional Talent Agencies in South Florida https://slatemodels.com/  We selectively represent women, men, and children who are models, actors, and brand ambassadors for a host of events and productions.
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kirimoochi · 21 days
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apollo.
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₊˚ ᗢ synopsis; your childhood friend and bandmate moved away from your hometown to pursue music, leaving you behind. you break away from the punk rock scene, slowly building up your idol persona until you eventually move to tokyo, not to find love, but to find yourself.
⤷ genres/warnings; smau, band/idol au, slow burn, pining, fluff, angst, implied sexual intercourse, social media drama, scandals, toxic relationships, fem!reader.
⤷masterlist; here.
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LEADER - (name)
inspired by nana osaki, she’s the leader of her girl group: Apollo which debuted one year ago with a foreign agency called Star Throne Records
having dropped out of high school from a rumor, she chose to pursue music. she was in a punk-rock band called SVNSTRS as their vocalist with lumine and two others. they disbanded after her ex-boyfriend left for tokyo. she dropped her punk aesthetic and turned to japanese pop with lumine.
her favorite vivienne westwood accessories and clothes are gifted to her by a fan.
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RAPPER - lumine
inspired vaguely by nana komatsu, she’s the rapper of Apollo, and joined at the same time as (name) while also moving in with their boyfriend childe.
she finished high school without (name) while being in the same band, she was the guitarist and played for several years before moving. she was hesitant about the disbandment and felt betrayed by (name)’s ex-boyfriend and her choice to stay behind. she also dropped the punk aesthetic and changed her appearance.
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LEAD DANCER - hu tao
she never expected to be an idol. she thought she would work at a convenience store for the next 30 years, so when Star Throne Records showed an interest in her dance tutorials on YouTube, they quickly contacted her. she blew up overnight with her impressive dance choreographies, and her connections manager zhongli only helped her rise to stardom.
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SUB DANCER - ayaka
unlike hu tao, she wanted to be an idol from the start. she was from a small, rural town before moving to tokyo. she's popular with her old girl group, HYDR0 back home. she likes to ramble about recent shows that she watched. 
her older brother is an actor for several commercials and the two of them get compared a lot. she wants to make a name for herself. other than kokomi, no one else in the band knows about her complicated relationship with her older brother. she doesn’t want to be seen as just “ayato’s little sister” but an idol first and foremost.
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VISUALS - kokomi
started out as a small time photographer for weddings and models. she met ayaka two years ago and they've been close friends ever since, sharing a love for photography and idols. 
her boyfriend, gorou, stays back in their hometown to help out his family. she visits him whenever work is slow or when she can.
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NOTES & RELATIONSHIPS:
lumine worries about (name) more than anyone and finds it frustrating seeing her and a former friend be separated, yet so intertwined at the same time. she wants the two of them to suck up their pride and get together officially but understands that (name) won’t lose herself in the relationship
hu tao & (name) weren’t on very good terms at first. the latter was too standoffish during their first meeting and that impression left a bitter taste in her mouth. they only started to get along after (name) dropped a cd featuring popular rock artist, xinyan. the two of them would exchange words of praise for the artist and while (name) can be reserved, hu tao ultimately respects her privacy
ayaka & kokomi don’t have many thoughts on (name), only that she’s a talented singer from a town they’ve never heard of. they understand that something is going on between her and the guitarist, kazuha, from blank rounds but along with hu tao, they don’t want to assume anything, and choose to support her and lumine
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tameodesza · 10 days
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꒰ modus operandi ₊ ⠀᱖⠀⠀꒱
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⋆⭒˚。⋆ Pornstar!Shawn x Director!Bret ⋆⭒˚。⋆
♡ Summary: Bret had worked a lot of odd jobs throughout his career, but he never thought his film degree would lead him to the set of a porno.
♡ a/n: This ended up being way longer than I expected, as always. AO3 link.
NSFW 🗣️🗣️🗣️
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Bret was a seasoned film director in Hollywood. He’d worked numerous gigs throughout his career – commercials, sitcoms, low-budget indie films, and a short stint as a cameraman for some obscure wrestling federation in his younger years.
He’d done it all – or so he thought.
When an industry friend called one day asking him to direct a project on short notice, he wished he hadn’t broken his rule of not answering his landline on his day off.
He’d barely gotten the phone off the hook when he heard the distressed voice over the line. “Bret! Buddy! Need a huge favor. My director backed out last minute. Can you fill in?”
 “What happened to your guy?”
“Fucked off to Aruba. Something about his ex trying to serve him with child support papers. Now I’m out a director! Please, Bret. I promise it’ll be worth your while.”
“When?”
“Tomorrow.”
Bret leaned a shoulder against his cheap wallpaper, pinching the bridge of his nose. He should’ve hung up right then. But work had been a little slow for him lately, and with his bills piling up, it was unwise to turn down any work.
Bret hid his sigh as he asked, “What’s it for?”
-
Bret almost backed out of the project himself once he learned the details. But he couldn’t turn down the money. It was almost three times the amount he made on his last project. So after a day of briefing and understanding his requirements, Bret pulled up to a discreet film lot second-guessing his life choices.
Now, Bret had worked a lot of odd jobs throughout his career, but he never thought his film degree would lead him to the set of a porno.
Red leather couches, neon lights, and a lingering smell of sex greeted him as soon as he walked through the doors. He looked like a deer in headlights as his eyes scanned the room. He was far from modest, but he wasn’t sure what to expect working in such a lewd environment.
Then his eyes landed on the star of this project – Shawn Michaels.
Shawn was one of the most popular adult film stars on the scene. Many dubbed him as porn’s ‘Golden Boy,’ a name he earned due to his beauty, charm, and onscreen performance that left his viewers lusting for more. He was a hot commodity, but his success hadn’t come without sacrifice.
Despite his profession, Shawn, in fact, did not bareback his way to the top. The rumor spread like wildfire early in his career when people speculated on his quick rise in the business. With the amount of people Shawn came across promising him roles for a quick fuck, the idea wasn’t farfetched. But Shawn liked to believe he still had a sprinkle of morals left and turned down every offer.
Instead, it took working on a handful of crappy deals, unsafe work environments, and sketchy underground projects that probably never saw the light of day for him to catch the eye of some important people. Through rounds of networking, he managed to get signed to one of the top agencies in adult entertainment, Heartbreak Talent.
With his agency behind him, Shawn rose from the underground and began working on high profile projects with some of the most popular porn stars in the business. No longer was he meeting up in some dude’s moldy basement, but rather an actual set with regulations. He began pumping out quality content and selling his own merch on the side to make more money. When he began getting invitations to attend events put together for the top stars in the business, he knew he’d reached the upper echelon of adult entertainment.
Shawn sat in his makeup chair dressed in nothing but a white robe. He never understood the need to powder his face when all he was going to do was sweat it off. But he’d long given up on trying to understand the things they did.
He trailed his fingers through his styled hair to fluff it up a bit but came to a stop when he spotted Bret’s unfamiliar face in the mirror. Fit, tan, pretty eyes, and curly brown hair? The man was gorgeous, Shawn mentally declared as his eyes tracked Bret’s movement across the room.
Shawn almost mistook him for an actor with those looks, but soon realized the attractive man was the director. Shawn was accustomed to working with the same few directors, so it was a rarity to see someone new. And luckily for him, the beautiful man was directing the final scene of his project – a three-part series centered on Shawn banging the pizza guy.
“Delivery!”
Shawn smiled as his eyes shifted to the deep voiced man walking up behind him wearing a cheap shirt with a pizza logo in the center. It was his favorite co-star, Big Dick Diesel. Favorite because working with him always felt easy and they made a lot of money together with their onscreen chemistry.
Shawn snickered, tilting his head back to peer at the man. “Glad to see you got your lines memorized.”
“It’s easy when it’s my only line along with ‘You ordered an extra large?’”
They laughed quietly between themselves. “Yeah, I’m not expecting to win any Oscars with these cheesy lines. No pun intended.”
-
The sound of skin slapping, leather squeaking, and exaggerated moans filled the air as Diesel jackhammered his dick into Shawn’s ass. Shawn rested against Diesel’s chest, allowing his body to be used like a toy while his eyes flirted with the camera. He gave another loud moan and threw his head back when Diesel wrapped a hand around his cock.
“Yes, big daddy. Fuck me, fuck me! Don’t stop. Fuck!”
Shawn was in his element, and though much of his onscreen performance was an act, Diesel was one of few co-stars able to squeeze a real moan out of him. But as seamlessly as the shoot was going, something had been bothering the blond. And the source was the man behind the camera.
Shawn was used to directors praising him throughout scenes, commenting on how hot he was, how great his ass looked, or how good he took dick. It was a huge boost to his ego and encouraged him to pull out more tricks for the camera. But between sucking off Diesel and riding the man’s dick into oblivion, Shawn couldn’t help but notice how quiet the new director was.
Instead of ogling over Shawn, Bret kept a straight face, only speaking when directing Shawn and Diesel to change angles. It was strictly professional, something that Shawn wasn’t used to. It had him second-guessing his performance, wondering if Bret was too nice to tell him if he was ruining the shot.
After a final hard thrust, Diesel abruptly stilled, filling his condom with cum as Shawn continued to ride him through his climax. The blond came soon after, and Bret never felt more like a perv as held the shot on the cum oozing down Shawn’s dick.
Shawn ended the scene with his last line, “How’s that for a tip,” a dopey smile plastered on his face as he gave Diesel a kiss.
Bret was gone as soon as he yelled ‘cut’, robbing Shawn of seeing his beautiful face once more. Shawn sank back into Diesel, letting out a slow breath as the man lazily wrapped his arms around him. He squinted when Diesel pulled out, never getting used to dismounting the larger man.  
An assistant brought over a pair of robes, and after getting dressed they made plans to meet up at the bar later that night. Diesel was one of few people Shawn could fuck and go out drinking like nothing happened, something he cherish about their friendship.
Shawn was late to leave, choosing to freshen up at the studio since it was closer to the bar. Upon leaving the building, he was pleasantly surprised to find Bret standing on the curb waiting for his ride. Something told him to keep walking, especially because Bret seemed to be of few words. But that only made the blond that much more curious.
“Hey.” Shawn approached with a dazzling smile.
Bret was barely able to make eye contact. It felt odd having a normal conversation with the blond after seeing so much of him exposed. “Hey.”
There was a long pause that Bret didn’t seem likely to fill. Shawn shifted his feet in the awkward silence, pulling out a cigarette as a distraction. Before he could light it, he noticed Bret eyeing the stick. “You smoke?”
Bret averted his eyes. “Trying to kick the habit.”
“Oh.” Shawn swiftly put the cigarette back in the cartridge.
The conversation was drier than the Sahara desert, but that didn’t stop Shawn from shooting his shot. He moved closer to Bret, examining him with inquisitive eyes. He was cute, even cuter up close. “Have you acted before?”
Bret crinkled a brow. “No…why?”
“Oh, nothing. Just wondering why a pretty face like yours stays hidden behind the camera.”
Bret’s cheeks heated up, taken aback by the unexpected compliment. Shawn smirked, knowing he had Bret right where he wanted him.
But just then, Bret spotted his ride cruising up the street. He found his words, answering curtly, “I’m not interested in the spotlight.” Then he grabbed his camera bag, entering his brother’s brown Cadillac before it could come to a complete stop.
Shawn watched longingly as the car pulled off with even more interest in the mysterious director.
Bret eyed Shawn’s image in the rearview mirror with conflicting thoughts of his own. But his thoughts were interrupted when Owen asked blatantly, “So how’s the porn gig?”
Bret shifted his eyes from the mirror to Owen with a look of annoyance. “I really wish you wouldn’t call it that.”
“Pardon me. How’s the ‘adult entertainment’ gig?” Owen said with a shit-eating grin.
Bret sighed into his palm, wishing he hadn’t told Owen. He wanted to keep it under wraps, but with his car being in the shop, he had no choice but to let his nosy brother know why he suddenly needed a ride to an obscure location across town. The only comfort he had was knowing Owen would keep it to himself. Bret didn’t want to give his family another reason to clown him on his career choice. Though his parents were supportive, his siblings never believed he’d make it in Hollywood despite the success he’d had.
He answered flatly. “It’s a job.”
“Oh, it’s more than just a job-”
“Owen. Please. I don’t want to talk about it right now.”
“…You’re no fun.”
-
“Think he’s straight?” Shawn seriously asked after slamming his shot glass on the counter.
Diesel smiled into his drink, knowing the director had caught Shawn’s eye. He shrugged. “Don’t know. Makes it a whole lot more awkward he’s shooting gay porn if so.”
“He’s so cute,” Shawn blurted. Subtlety had never been his expertise. “It wouldn’t be fair if he’s straight.”
“Talk to him and find out then.”
“I tried. Getting a conversation out of him is like trying to squeeze water out of bread. It ain’t gonna happen.”
Diesel snorted. “Well, maybe that’s a good thing. You know the number one rule in the business. Never fall for y-”
“Your co-star, yes I know.” He’d learned that the hard way with Marty. “But no one ever said anything about the director, Dies.” Shawn gave a mischievous grin and Diesel could only shake his head as he ordered another drink.
-
Bret was asked (begged) to work on a few more projects, many of which starred Shawn. Apparently, the previous director was still on the run, and Bret’s impressive camerawork made him the top choice for a replacement.
When Shawn realized that Bret was directing more of his films, that began his mission to find any stupid excuse to talk to Bret. He likened the man to an old car’s engine. He just needed to be warmed up before running properly. They needed to get on speaking terms and he’d woo the man in no time.
He pulled out all the stops - asking Bret which angle he looked better in, asking Bret to roll the footage back after finishing a scene, and asking Bret of his opinion on outfits he should wear, even though there were stylists on set with more qualified opinions. 
The process was slow and steady. Bret remained standoffish for a while, finding Shawn’s chatty nature annoying at first. But with each attempt, it seemed that Shawn was able to get a bit more conversation out of the quiet director.
Shawn draped a robe around himself as he huddled closely to the monitor. He’d just finished up a scene with another top star, Hunter Helmsley, before making his way over to Bret. “Wow. My ass looks great.”
Bret glanced sideways at the blond, rolling his eyes with the shake of his head. He hadn’t known Shawn for long, but he was quick to learn of the blond’s self-obsession. Then he noticed Shawn’s sudden frown, his eyes laser focused on the screen. “What’s wrong?”
“Can you cut that in post?”
Bret scrunched his brows, looking back at the screen that showed Shawn on his knees blowing Hunter. “Why?”
“You don’t see that? The way my stomach folds there?” He pointed towards the bottom of the screen. “It’s unflattering.”
Bret looked closely, rewinding and pausing the video to make sure he hadn’t missed anything. Honestly, Shawn looked fine. But the look in Shawn’s eyes told Bret the blond didn’t feel the same. It was an eye-opening moment for him as he realized the confident blond struggled with the image of himself.
“Shawn, I promise you it looks fine.”
Shawn gave a doe-eyed look. “Really?”
“Yes. I wouldn’t lie to you.”
Shawn looked back at the screen, finding it hard to believe. But he believed Bret was being honest. He was too blunt not to be. “Ok. I trust your opinion. Thanks, Bret.”
-
Shawn’s a genius. He was sure of it when he thought of a plan to get Bret alone. His agency had asked for him to submit some updated promotional photos to use on their website, and Shawn knew just who to ask for help.
Bret grew suspicious when he pulled up to the ‘set location,’ which was nothing more than Shawn’s high-rise condo. His mind raced on the elevator ride up, clashing against the slow classical music that played around him, as he speculated over the real reason Shawn invited him to his home.
Bret first toyed with the idea of it being a setup. Maybe he was going to get robbed of his expensive camera equipment. But, no. Shawn didn’t seem like the type of person to do that. Then he wondered if he had the wrong address. But that couldn’t be when the concierge had expected his arrival and pointed him to the direction of Shawn’s suite.
Once the elevator dinged, he settled on Shawn’s request being legit. He was due for new pictures, and Bret was great with cameras. Of course the blond would ask for his help. He was psyching himself out for nothing.
But when Shawn answered the door with his signature smile and messy hair, scantily clad in a see-through white silk robe with his lingerie slightly visible beneath, Bret was unsure of the blond’s intentions.
“Don’t be shy. Come in.” Shawn opened the door wider and Bret’s nose was hit with the inviting smell of his expensive cologne.
Bret entered hesitantly, but his nerves settled upon seeing the white backdrop in Shawn’s living room. When Shawn rounded him after closing the door, Bret pointed to his attire and asked, “Is this for the photoshoot?”
Shawn smirked as he walked backwards, opening his robe to reveal the white lace thong underneath. “Of course. What else would it be for?” Bret chose not to answer.
It started out innocently enough with Bret directing Shawn to flattering poses before taking a picture. But Shawn was a natural and didn’t need much direction. He knew just what his viewers would want to see.
Things took a turn when Shawn began flirting with Bret in his not-so-subtle manner. “Hey, can you pull this down a bit?”
Bret was busy looking through the photos when he glanced up to see Shawn on his knees with backside facing him. Shawn had rid himself of his robe, leaving ass cheeks exposed in his thong. He threw his head over his shoulder, waiting for Bret to take the bait.
Bret’s breath hitched before swallowing spit down his dry throat. It was funny, really. He’d seen the blond naked so many times, and in more compromising positions than the one he was currently in. But it was something about being alone in Shawn’s home that seemed so…intimate? Inappropriate? Yeah, that was it.
Or maybe Bret was thinking on it too much. The photoshoot was for porn promotional photos. It’s nothing out of the norm given the circumstances.
Bret cleared his throat. “Sure.” He set down his camera then walked over and kneeled behind the blond, unaware of Shawn’s growing smile. He hooked his fingers in the waistband of the thin fabric. “How low?”
Shawn turned his head inches from Bret’s face. “Just below the crack. Gotta leave them wanting more, you know?”
Bret gulped audibly in their close proximity, his eyes flitting between Shawn’s eyes and his lips. He was toeing a dangerous line and needed to stop himself before crossing it. “Right.” He looked away and turned his attention back to Shawn’s thong, tugging it down to Shawn’s liking.
It was hard for Shawn to hide his disappointment when Bret walked back to his camera.
-
Diesel knew Shawn was down bad when the blond called him over to drink at his condo that night.
Shawn nursed a bottle of Hennessy as he moped, “I don’t think he’s gay!” You’d think someone cut off Shawn’s hair the way he was in hysterics.
Diesel chuckled, “Because he didn’t fuck you as soon as he walked in?”
“Exactly!”
“Maybe he’s a gentleman.”
“Or straight, like I said.” He took another swig.
Diesel should have been more compassionate, but he thought this was hilarious. Shawn always got whatever and whoever he wanted. Always. This was the first time Shawn was so verklempt over a man not fawning over him, and frankly, Diesel thought it was a humbling experience.
“Well, I don’t think you throwing yourself at him’s the answer. Look at how long it took for him to say more than a few words to you. You’ve gotta take it slow.”
“I’ll lose a race to a turtle if I go any slower.” He flopped on the side of his couch, whining in the cushion.
Diesel rolled his eyes at the dramatic blond.
-
Bret sat at his desk looking through the photos he’d taken. Shawn made it seem like he needed the photos urgently, so Bret wanted to make sure he had some good ones picked out of the batch. His finger hovered on the ‘next’ button when he came across a photo that brought a tender smile to his face. It was an off-guard photo he’d taken of Shawn as the blond pulled a piece of lint out of his hair. It was a softer image of Shawn, one that wasn’t full of the lust his company wanted, but one that spoke of an innocence behind those lustful eyes. Bret thought Shawn looked prettiest this way when he wasn’t trying to put on for the camera.
Though it wasn’t obvious to Shawn, Bret was dealing with his own conflicted feelings towards him. Bret met many beautiful people in his line of work, and none of them compared to Shawn. But he knew better than to dip his toe in the water when it came to talent. He’d seen many men and women get blackballed in Hollywood as a result of onset relationships that went wrong. Bret took his career too seriously to risk it.
But he’d be lying if he said his mood didn’t lift when Shawn spoke to him. Or that he didn’t miss Shawn’s presence when he worked on projects the blond wasn’t a part of. Even if Bret didn’t have much to say, he just liked listening to Shawn talk, the blond always having an interesting story to tell.
He’d smile whenever Shawn complimented him, even more so when Shawn would shout triumphantly at the fact that he was able to will away Bret’s signature frown. There were also the few times when Shawn brushed past him and sent a wave of butterflies in his stomach that he tried to ignore. But the butterflies would soon dissipate after yelling ‘action’ and filming Shawn fucking or getting fucked by other men.
Shawn was at the top of their business for a reason. He was a showman, putting on a performance that would leave anyone watching with envy. Bret knew himself well enough to know that a fling between them wouldn’t work. He was a jealous man, something he wasn’t proud of. And with Shawn’s line of work, it would be a tough pill to swallow watching the blond share his body with someone else.
Filming Shawn with his well-endowed screen partners, like Diesel and Hunter, didn’t make Bret feel any better when he wondered if he’d be able to please Shawn all the same.
Bret set down his camera, coming to the conclusion that he needed to keep the blond an arm’s length away for both of their sakes. But that was easier said than done.
-
As Bret predicted, working on set with Shawn became much more difficult once feelings got involved. No matter how much he told himself to ignore it, seeing Shawn being taken by a man, sometimes multiple men at once, was hard for Bret to stomach.
It became even tougher filming rough scenes where Bret couldn’t discern if Shawn’s pain was real or part of the act. It took a mental toll on Bret because he actually cared for the guy.
There came a point where it was too much and Bret had to intervene.
“Cut! Let’s reset, guys. The lighting’s off.” Truth was Bret needed an excuse to give Shawn a break from the abuse his body endured.
His skin raised in nasty welts across his chest from the whip his screen partner, Undertaker, had been using.
“You ok?” he asked Shawn who laid on a table, breathing heavily. He seemed out of it but gave a shaky smile.
“Nothing I can’t handle.”
But that wasn’t nearly as bad as the time Shawn struggled for air as his co-star, Razor Ramon, forced his mouth down on his cock as he came, ignoring Shawn’s frantic taps on his thigh.
Bret was close to stopping filming, but just as he moved, Razor pulled Shawn’s back head, causing the blond to cough up spit and cum that hadn’t made it down his throat. What was even more bizarre was the fact that those around him seemed unphased as if they were desensitized to the brutality of what happened to Shawn.
Bret called for someone to bring over a towel and he helped clean up Shawn’s face. “I’m fine, Bret.” His voice was rough with misuse.
“Are you sure?”
“Yeah.” He didn’t sound like it. But before Bret could further question him, Shawn grabbed a robe and left the room without another word. Bret was concerned but gave Shawn the space he clearly needed.
Bret waited for the room to clear out to address Razor. The man had just zipped up his duffle bag when Bret approached. “You nearly killed him, you know that?”
Razor turned around with a lifted brow. His accent was thick, toothpick hanging out of his mouth as he said, “Listen here, chico. I don’t tell you how to direct. So don’t tell me how to fuck. If you got a problem with it, go back to directing insurance commercials.”
He flicked his toothpick in Bret’s face before stalking out of the room.
-
Bret realized there was something more between him and Shawn when they began hanging out outside of work. It started as Shawn asking Bret to spot him at the gym the one time Diesel couldn’t come. Bret should’ve said no, especially with how complicated things were with Shawn. And with how left the photoshoot went, there was no telling what Shawn would pull out from his hat of tricks. But how could he turn Shawn down when begged him with those baby blues.
Surprisingly, they’d done just as Shawn asked – spotted him. Nothing more. So when Shawn began asking Bret to join him on other outings, he didn’t see any problems with it. If anything, Bret looked forward to it. It gave him a reason to get out the house and experience new things he probably wouldn’t have had it not been for Shawn, such as wine tastings and apple picking. It was something so pure about seeing Shawn get excited about finding the juiciest apple in the orchard.
Through these outings, Bret got to see a different side of Shawn that only those closest to him saw. He got to know him not as the Heartbreak agency’s sex symbol, but as Shawn the person.
Having Bret’s company meant more to Shawn than Bret could ever know. As much of a socialite as Shawn was, he had very few real friends. It could get lonely sometimes when everyone was too busy to hang out with him. But Bret always seemed to make time.
It was during a morning hike that Bret learned the most about Shawn.
They sat down at a picnic table, needing a break from their hike. Shawn chuckled as Bret tried to hide his exhaustion. He handed over his water bottle since Bret hadn’t brought his own. “Here. Drink up.” Bret cautiously eyed the bottle and Shawn said, “I promise I don’t have cooties. Scouts honor.”
Bret snorted and grabbed the bottle. He took a few sips and handed it back. “Thanks. I should’ve brought my own. Wasn’t expecting it to be so hot today.”
“Oh, please. This is nothing compared to Texas.”
“Texas?”
“The accent didn’t give it away?” Shawn snickered and took a sip of water. “I’m from Texas. Born and raised.”
“How’d you end up out here?”
“The same as most of us – the age old tale of dreaming to make it as an actor in Hollywood.” He turned his head, looking at the Hollywood sign in the distance. “Except it didn’t work out for me. Or maybe it did, depending on how you look at it. It takes a bit of acting skills to do porn, right?”
Bret had never given much thought to what Shawn did before porn, but he hadn’t expected to hear he was a struggling actor. “How’d you get into adult entertainment?”
“I was desperate for money. I’d managed to score a few commercials, but the pay didn’t even cover half of my bills. One day, I saw this ad asking for a nude male performer. I wasn’t entirely sure what the gig was for. Something about taking candid photos, but I didn’t care. I needed the 300 bucks.”
Bret’s eyes widened. “Only $300?!”
“Hey, I told you I was desperate!” Shawn laughed loudly. “If it makes it any better, they upped the pay to $500 when I agreed to have sex on camera.”
It didn’t make it any better. “And showing up to a random location for sex didn’t scare you?”
Shawn waved a flippant hand. “It was fine. The ladies were nice.”
“Ladies?”
Shawn curled a brow, entertained by Bret’s reaction. “Is that so shocking?”
“Kind of. I mean, I just thought you only did gay porn.”
“I did whatever paid the bills. It’s a shame, really.”
“There’s no shame in that.”
“You don’t think so?”
“No. You did what you needed to survive and have been fortunate enough to make a living out of it. You should be proud, Shawn.”
Bret expected that to put a smile on the blond’s face. But a somber mood came over Shawn as he looked away with a faraway look.
Shawn whispered, “If only my family thought the same.” The words left him quicker than he realized. “Sorry. Didn’t mean to get personal. Forget I said anything.”
“No, no, it’s ok.” Bret reached out a hand, breaking his arms-length rule as he placed his hand on Shawn’s shoulder. “Your family. Do they…are they not supportive?” He could relate with that.
Shawn gave a laugh that didn’t reach his eyes. “Nope…They disowned me. Dad wasn’t particularly happy to learn we had a porn star in the family.” He looked down at his hands, not wanting to see Bret’s pity.
“Oh, Shawn.” Bret rubbed his hand gently on Shawn’s shoulder in comfort. “How did they find out?”
Shawn sighed. “It’s embarrassing really. My dad’s neighbor called him over after finding a gay porn magazine under his son’s bed. I was on the cover, wearing nothing but a Christmas-themed G-string.”
Shawn had fond memories of that photoshoot. It was the first time he’d met Hunter, kickstarting their decade-long friendship. It just sucked that the memory was overshadowed by the events that followed.
“Once the secret was out, he cut off all ties with me. Said I was a cancer and needed to repent for my sins. Everyone else in the family followed suit and I haven’t spoken to them in nearly ten years.”
That was a hit to Bret’s chest. He couldn’t imagine the hurt Shawn had gone through. He had his battles with his own family, and he knew they’d have a lot of questions if they ever found out he directed porn. But he also knew his parents would never even consider disowning him. It bothered him that someone as bright as Shawn went through something so dark.
Bret scooted closer and said, “I’m so sorry you went through that, Shawn. You didn’t deserve that.”
Shawn struggled to believe that. He’d spent many years wondering why he couldn’t have gone for a normal job like his siblings. Wondering why he gave up so easily on acting when the going got tough. He brought his family so much embarrassment and shame, it was hard not to believe he deserved to get thrown out of the family. But Bret’s words brought him some comfort.
“Thanks, Bret.” He let out a breath, contemplating what he’d say next. “Since I’m being so honest, can I tell you something I haven’t told anybody else?”
“Of course.”
Shawn stalled. “I’m…I’ve been thinking about leaving the industry.” Bret’s eyes bulged at the announcement. “I know it’s crazy. Porn has done me a lot of good. It’s gotten me out of a rough place in my life and I’ll always be grateful. But,” Shawn sighed heavily.
Bret could practically feel the stress radiating off Shawn. “It’s taken its toll on you,” Bret finished for him.
Shawn looked relieved. “Exactly. I feel a little guilty saying it because I’m so lucky to be as successful as I am. But time is finite. Looks fade. And I don’t know how much longer I can depend on my appearance for money.”
Bret nodded. “That’s valid. What’s stopping you from making the jump?”
“I’m scared, Bret. I tried going the traditional route, working an honest job, but this is where it landed me. This lifestyle is all I’ve ever known. What if it’s the only thing I’m good for?”
Shawn’s eyes began to water, and Bret quickly soothed, “Hey. Hey listen to me. You’re worth so much more than this, Shawn. So much more. You’re the only one holding yourself back from making that leap. No one else is, but you. If you decide to stay in the industry, that’s fine. It doesn’t lower your worth as a person. But if you really want to leave, I will be here to support you 100%. I mean it.”
Shawn was touched, his eyes watering again from Bret’s kind words. He’d never had anyone put so much faith in him. He’d been afraid to tell his industry friends about his thoughts on leaving, knowing they’d selfishly want him to stay. And part of him thought Bret would feel the same way.
But the sincerity behind Bret’s words moved Shawn so much that he couldn’t help but kiss him in gratitude. The kiss was short, and Shawn was quick to pull away realizing what he’d done. “Shit. I’m sor-”
Bret placed a hand on the back of Shawn’s neck, pulling him into another kiss before he could finish. Bret shouldn’t be doing this. He really shouldn’t. It went against every rule of caution he set for himself. But he didn’t care that he was breaking the rules of professionalism. He didn’t care if Shawn would never be his. All he cared about was sharing this moment with a guy he’d grown to care about.
They were both breathless, eyes half-lidded when he pulled away. “I’ve been wanting to do that for some time.”
Shawn gave a bright smile as he internally celebrated. He couldn’t wait to rub it in Diesel’s face. “Me too.”
-
They hooked up as soon as they made it back to Shawn’s condo. The door had barely closed when Bret pinned Shawn against the door, liplocking with him until they both couldn’t breathe.
A trail of clothes was left on the way to Shawn’s bedroom, and they fell onto Shawn’s California king bed in a naked heap. If Bret was nervous about his performance, it didn’t show that night.
Shawn allowed Bret to take control, the blond responding positively to every intimate touch. Bret was so tender with him, something Shawn rarely experienced in his sex life. Every part of him was sensitive and for the first time in a while, sex didn’t feel like a job. He didn’t feel the need to perform or be over the top. He wasn’t having sex for millions of people to see, but for him and Bret only.
Every kiss, every moan, every plea for Bret to fuck him harder were all genuine. It was an intense moment for both of them, and they felt even more connected to each other when they came.
“I want to be with you.”
They both uttered those words at different times in the night – Shawn when Bret pinned him against the door, and Bret when Shawn laid on his chest dozing off in post-nut clarity.
-
Bonus (because idk when to stop writing lol):
🥀 Shawn doesn’t leave adult entertainment 100%. After getting with Bret, he cut out pornos entirely, but still participated in some semi-nude risqué photoshoots. He’d even posed in Playgirl one time. The crew tried so hard to get him naked, but Shawn wasn’t showing his dick to anyone but Bret. It was a good compromise. He could still show off his body but wasn’t getting fucked by other men. The money wasn’t as quick as Shawn was used to, but he still made a decent living.
🥀 The adjustment was harder for his peers more than it was for Shawn. They threw a big going away party and his friend Goldust pleaded for Shawn not to rob the world of ever seeing his perfect ass.
🥀 Shawn still got asked to make random appearances in videos, mainly by Goldust. They’d filmed many threesomes together, and the payday was always worth it. But he shut down every request as he didn’t want to risk anything with Bret.
🥀 Bret still directed porn here and there whenever his industry friend asked. But he eventually stopped when he received a short call from the man: “Hey. Our guy’s back. Turns out the kid wasn’t his. So he’ll be taking over the next project. Thanks for your help, Bret!”
🥀 Bret entertains the idea of him and Shawn making their own sextape. Surprisingly, Shawn was the hesitant one as he was no longer interested in having his intimate moments caught on camera. They tried it once, and watching the tape back made Shawn realize how hot they looked together
🥀 Out of all of Shawn’s filming partners, Bret thought Hunter was the oddest by far. Their scenes usually consisted of a mix between dad jokes and comedic sketches before blowing each other.
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reality-detective · 1 year
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💥💰 Revealed: The Secret Empire of the Rothschilds, Rockefellers, and Morgans 💰💥
Prepare to uncover the shocking truth about the world's most influential families and their iron grip on the global economy. The Federal Reserve Cartel, comprised of the Rothschilds, Rockefellers, and Morgans, holds unparalleled power that extends far beyond the realm of oil.
Picture this: The Four Horsemen of Banking, including Bank of America, JP Morgan Chase, Citigroup, and Wells Fargo, join forces with the Four Horsemen of Oil, such as Exxon Mobil, Royal Dutch/Shell, BP, and Chevron Texaco. But their domination doesn't stop there. They have extended their reach to encompass the music industry through an intricate network of private banks. These behemoths, along with Deutsche Bank, BNP, Barclays, and other European old money giants, control the strings of the music industry, enabling them to dictate its direction and influence.
The nefarious deeds of the Rockefeller dynasty are far-reaching, starting with their military-commercialization of music in the early 1900s. They orchestrated a diabolical plan to shift the world's standard tuning of music to 440 pitch. This insidious frequency was known to provoke greater aggression, psychosocial agitation, emotional distress, and even physical illnesses. Behind the scenes, this manipulation led to financial gains for those complicit in the monopoly, including agents, agencies, and companies connected to the North American Rockefeller crime cartel and elite organizations.
Fast forward to the late 1980s, when the Rockefellers summoned the top music executives and talent to a highly secretive meeting in Los Angeles. Their sinister agenda? To usher in the era of Controlled Rap Music, tightly linked to the privatization of U.S. prisons. These privately owned prisons, operated by the Rockefellers, Rothschilds, Bush family, and other influential figures, served as money laundering operations, tax exemption schemes, and pyramid scheme operations.
The Rockefellers devised a cunning plan to control the rap industry and target black communities by promoting violent music that fueled oppression and civil unrest. They brought together top executives and leading black artists, binding them with confidentiality agreements. Their objective was clear: coordinate the violence within the rap music movement, while major record labels gained exclusive rights for production and distribution across the United States. As a reward, they would receive shares and points within the private prison systems.
The Masonic plan unfolded with precision, resulting in over 1,500 private prison systems housing more than 1 million black teenagers by 1990. These vulnerable youths, expressing the generational trauma imposed upon them, unknowingly contributed to the Rockefellers' malevolent scheme. The private prison systems reaped billions annually from the government, creating a vast money laundering network through inflated products, such as ramen noodles priced 8 times higher than their actual value. The flow of hundreds of billions from government funding, pyramid schemes, and insurance companies transformed the privatization of prisons into a multi-trillion-dollar venture.
Local courts and judges mercilessly sentenced petty criminals and first-time offenders, filling the ever-expanding private prisons. As a result, the United States now holds the dubious record for the highest number of incarcerated individuals in the world, with an unprecedented number of prisons. This was not an accident—it was a meticulously orchestrated plan by the Rockefellers.
But their influence doesn't end there. These silent thieves also manipulate elections, ensuring their grip on power remains unbroken.
Unmasking the true face of those who control the world, the Rothschilds and Rockefellers find themselves in the crosshairs of military alliance operations aimed at dismantling the Rothschilds' deep state power in Europe, the UK, Russia, and China.
Are you connecting the DOTS? 🤔
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The Overlord Power Couple— this is probably a billboard or magazine cover
This was just supposed to be a sketch but yeah
• They co-own a talent agency— Vox handles TV, commercials and film, Alastor specialises in voiceover, music production and obviously radio
• Alastor is the harsher critic when it comes to talent— very much has an ‘either you have it or you don’t’ attitude
• They have two towers and actor’s village at the bottom and it’s like its own high end neighbourhood, think like a classy mashup of old and modern New York architecture
• The Agency is located on Vox’s tower, along with the meeting rooms and the sets of Vox’s programs that he hosts. Vox’s office is the top floor.
• Alastor’s tower is more a place of entertainment and indulgences— exclusive to the talent within the agency except for major events where it’s invite only. Ground floor is a restaurant, next floor is a jazz club/theatre, recording studio is on the third floor, Al’s office and radio station is the top floor.
• Events at the jazz club/theatre are the social events of the season
• Alastor writes and directs radio plays and Vox is super invested— so this has absolutely happened post episode:
Vox: *teleports to Alastor’s office and grabs his shoulders, violently shaking him* *distraught beyond belief* WHAT IS WRONG WITH YOU?! WHY WOULD YOU LEAVE IT LIKE THAT?! YOU FUCKING SADIST! I COULD KILL YOU! HOW’D YOU LIKE TO DIE AGAIN, YOU HORRIBLE PRICK?!
• There is a cork-board at home for Vox’s theories about what happens next episode— it’s on the side of the fridge so Vox remembers to eat.
• Alastor loves leaving his thoughts on post-its on what he thinks of certain theories.
• Vox has tried to sneak peaks at the script before the episode airs. He has failed miserably each attempt. Alastor is very pleased.
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I’m so unwell about them actually… obsessed in the sickest most twisted way
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honeytonedhottie · 4 months
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https://www.tumblr.com/honeytonedhottie/739988623053799424/hi-honey-do-you-have-any-tips-for-embodying-a?source=share
Hi!! this was my ask, so sorry for not elaborating LMAO, I want to be an actress by manifesting it ( while working for it ofc) and I was wondering if you had any tips for embodying someone successful like any confidence tips or scenarios to help me really feel like a successful actress!!! tysm Honey!!
ohhhh okay ofc anonie 🫶🏽 i'll give affirmations, tips on embodiment, and scenarios that u can script if u want.
AFFIRMATIONS ;
i wake up to SO many notifications from agencies asking to work with me
i wake up to SO many emails telling me news that i got the roles i auditioned for
isnt it wonderful that opportunities fall into my lap
im so incredibly talented and confident in my manifesting abilities
TIPS ;
if acting as if is a little difficult or unnatural for u to do i recommend using the concept of alter egos which i've explained before in this post. this is something that lots of successful actors and musicians and people in similar industries practice and i think it could totally help you 🫶🏽
SCENARIOS TO SCRIPT ;
finding ur emails flooded with agencies wanting to book you for commercials, auditions, and opportunities in general
watching yourself on television or watching edits of urself on tiktok that ur supporters make for u
receiving awards for movies and television shows that YOU'VE starred in
working with some of ur favorite actors in the industry
i know u can do it anonie, you're LIMITLESS ✨
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twnstr · 3 months
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THE RISE OF TEENSTAR : TWINSTAR’S GIRL GROUP SUPERNOVA
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ALTHOUGH ANNOUNCED TO THE WORLD IN 2018, TEENSTAR had been in the works for years prior. hwayeon and hwayoung had always been interested in the music industry, watching the rise and fall of idol groups since the humble beginnings of their own company. avid fans of GIRL’S GENERATION and BROWN EYED GIRLS, it wasn’t long until they expressed their wishes to their aging father—who was never one to disappoint his daughters.
auditions were held in secret in 2015 as the agency performed as usual, being able to coast under the cover of their models and actors’ fame. the goal was to search far and wide for four girls who fit the twins’ standards—from vocal abilities to performance and presence to even their personalities. the trainees all underwent strenuous singing and dancing exams, all to see who would tap out and who would push on for the chance at stardom. and by the time 2016 rolled around, they had their polished four ready.
debuting with a bang, TEENSTAR hit the idol scene with their hit debut song ‘달라달라 (DALLA DALLA)’. unashamed and loud, members HYEWON, CHAERI, LOUA, and JANELLE were introduced to the world in loud colors and an expressive anthem celebrating their differences and being proud of them. despite the debut’s commercial success, the song received mixed reviews from critics and new listeners. due to their growing popularity, it wasn’t long until TEENSTAR accumulated something akin to a diehard fanbase that gained a split reputation for either being some of the nicest people to rabid fans who would not stand any shred of negativity towards the girls.
it seemed that TEENSTAR had it down to a science when it came to their discography, each song amassing millions of streams by both their dedicated fans and strongest haters. from pop ear worm FANCY YOU to the vocal-led rnb hit WOWOW, you were tuned in to whatever the girls brought out whether you liked it or not.
the group disbanded not too long after the devastating loss of members CHAERI and LOUA, leaving a gaping hole in the hearts of fans and the company alike. after three years of silence, an album of unreleased tracks would be released on the anniversary of their deaths to celebrate the talented lives they had lost in that horrible crash. to this day, fans still block off the street where TWINSTAR is located in memoriam three times a year: on LOUA’s birthday, CHAERI’s birthday, and the anniversary.
★ ──── INFORMATION
⠀( 🜸 ) GROUP NAME : TEENSTAR
⠀( 🜸 ) COMPANY : TWIN STAR TALENT
⠀( 🜸 ) DEBUT DATE : MARCH 03 2018
⠀( 🜸 ) CONCEPT & THEME : a group of girls coming together to not only celebrate their differences but to conquer the world through empowering and fun music and colorful visuals.
⠀( 🜸 ) FANDOM NAME : COMETS
⠀( 🜸 ) GROUP GREETING : four stars with one dream! hello, this is teenstar!
⠀( 🜸 ) CREATIVE DIRECTOR : JANG YOOWON
⠀( 🜸 ) GROUP MANAGER : SHIN SOLMI
⠀( 🜸 ) FANDOM COLOR : DALLADALLA ( #ee0b6e )
★ ──── MEMBERS
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⠀( 🜸 ) OH HYEWON, ‘98. LEADER, LEAD DANCER, SUB RAPPER
⠀( 🜸 ) CHOI ( CHAERI ) SORA, ‘99. MAIN VOCALIST, LEAD RAPPER
⠀( 🜸 ) PARK ( LOUA ) DOYUN, ‘00. MAIN RAPPER, LEAD VOCALIST
⠀( 🜸 ) CHOI ( JANELLE ) HAEUN, ‘01. MAKNAE, MAIN DANCER, SUB RAPPER, FOTG
★ ──── DISCOGRAPHY
⠀( 🜸 ) 달라달라 (DALLA DALLA) : DEBUT SINGLE, 2018
⠀( 🜸 ) WOWOW : SINGLE, 2018
⠀( 🜸 ) XOXO : MINI ALBUM, 2018
⠀( 🜸 ) Q&A : MINI ALBUM, 2019
⠀( 🜸 ) OUR Q&A : COLLAB EP, 2019
⠀( 🜸 ) BOTTLED LOVE : ALBUM, 2019
⠀( 🜸 ) YOU BETTER RUN : SINGLE, 2020
⠀( 🜸 ) REWIND : ALBUM, 2020
⠀( 🜸 ) REWIND ( UNRELEASED ) : ALBUM, 2023
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tobiasdrake · 2 months
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I love Trucy so much. Best sidekick. Yes, I said it. Yes, I know that's Maya blasphemy.
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She is such a Wright it hurts.
Trucy is such a fantastic character. Not to mention a brilliant magician.
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She fucking slipped a commercial into her magic trick. Trucy is destined to be a brilliant con artist some day.
Look at that smug face. She's a fucking pro. She carries this talent agency. I mean, someone has to when the only other employee is a subject of nepotism.
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So smooth. Even when she's aggressively wrong.
Post-timeskip brings a bold new status quo to the franchise and Trucy is basically the face of that new status quo. She's the connective tissue between the new material and the old, simultaneously serving as a brand new major character to help define the new cast while also casting a new shade to Phoenix's character.
While being a confident, self-assured, and capable person with her own layers and story to tell, at that. Trucy is arguably the best thing that happened to this franchise post-AA3. And it was to the detriment of later games that they de-emphasized her.
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somuchyoudontknow · 11 months
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CAA is omnipresent?
A wonderful friend has dug up some interesting information that I am about to share about CAA.
Jan 2023: The move cements the separation of their assets from the pan-European Wild Bunch AG film group, which was created in 2015 out of the merger of their original French company Wild Bunch and Germany’s Senator Film and is now majority-owned by German entrepreneur Lars Windhorst. This means Wild Bunch AG no longer owns its 20% stake in the independent standalone international sales company Maraval and Chioua and their 15-strong team launched in 2019 under the banner of Wild Bunch International (WBI). The company is now been majority owned by Maraval and Chioua and its staff, with CAA also holding a 20% stake. The pair are in the process of securing a new name but the public dropping of the Wild Bunch moniker marks a decisive move for them and their team as they continue to build the new company.
DEADLINE: Wild Bunch International has existed as a standalone company since 2019. Why have you decided only now to split from the iconic brand name you created in 2002 but no longer own? BRAHIM CHIOUA: When we created Wild Bunch International in 2019, Wild Bunch took a 20% stake in exchange for allowing us to use the Wild Bunch brand in our name under a signed three-year agreement. We had a second commercial cooperation deal for the same period under which Wild Bunch International continued to sell and manage Wild Bunch’s international catalogue for a fee, and also had access to the group’s back-office services, for which we paid a fee. This deal came to an end in November 2022 with a get-out clause for both parties. We opted to buyout Wild Bunch’s equity share.
DEADLINE: You have always worked closely with CAA. How does this move impact your relationship with the agency?
MARAVAL: CAA has been an historical partner and they allowed us to start the new company three years ago. Our relationship is probably one we are the most proud of because this goes beyond a simple business relationship. Together with Roeg Sutherland’s team, we built a unique business model of synergies and connection in term of promotion, financing , talent representation that benefit the talent and the producers we are working with such as Alice Diop, Nadine Labaki, Claire Denis, Rebecca Zlotowski, Ladj Ly, Jacques Audiard or Gaspar Noé for example.
DEADLINE: As well as continuing to work on international sales, the new company seems more directly involved in producing... MARAVAL: International sales is no longer our only activity. We’re much more involved as active co-producing partners whether it’s through Le Collectif 64 or Wild West. It’s not like in the past when a company such as Fidelité would come to us with a film, and we would say ‘yes’ or ‘no’. Now, we participate in the development, financing and packaging of projects. Changes in the industry meant we had to reformat ourselves. We don’t have to sell the films produced by Getaway Films, Wild West or Le Collectif 64 because with those companies we’re wearing a co-producer hat with an active role. We need to find the best solution for each film, which won’t necessarily involve us selling it internationally on a territory basis.
Source:
It's interesting that WBI separated from WB AG in November 2022.
In the end of March 2023 they revealed their new name Goodfellas
February 2023: Still WBI has boarded sales on Amelia's children
November 2021: Former NBCUniversal Vice Chairman and CAA Co-Founder Ron Meyer Named CEO of Wild Bunch
So, CAA has 20% stake at Goodfellas (former WBI), their partner WB AG is run by a former CAA co-founder Ron Meyer. Another ex-CAA co-founder Michael Ovitz is one of Jinx partners. Omnipresent CAA
More about WB AG:
It looks like transatlantic cooperation, that's why pairing up an American actor and a European actress makes sense to attract not only domestic but also an international audience. As we know Chris is not well-known in Europe, if he wants more international fame and financing for the Kelly project from a non-US company, this pr rl might be a good chance for him.
Industry people have been informed about WBI and WB AG deal since 2019, Seb and Aly, Chris and Lily, and now Chris and Alba appeared in 2020. Actresses are from Europe.
The industry is changing due to many factors. Chris is trying to survive like many actors. He doesn't have his Marvel role too. It's a new start for him, he needs to build a solid foundation. Industry-wise, he is not RDJ or DJ, he doesn't have a pull to make people go to watch his movies as a lead, he needs pr.
Chris' case is also different because of Amelia's children and his 2 movies. And we don't know about Jinx marketing plans.
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raincode-archives · 7 months
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Chapter 1 Loading Screen Trivia
Note: Currently, I do not know which of these trivia may be general game trivia or Chapter 1 exclusives (if there is any). And there may be trivia I'm currently missing that I will add later on, if I find any more.
World Detective Organization (WDO) An extra-legal, extra-privileged organization devoted to eradicating the world's unsolved mysteries.
Detective Deed An identification card. These are granted by the World Detective Organization.
Master Detective Among the detectives belonging to the World Detective Organization, this is a detective with a specialized power called Forensic Forte that aids in their investigative activities.
Forensic Forte Those exhibiting innate talent for special powers like clairvoyance or mind-reading are trained by the WDO to develop a supernatural investigative ability called Forensic Forte or simply, Forte.
Amaterasu Corporation Many products are in development, some of which cannot be made public.
Amaterasu Peacekeepers A department of Amaterasu Corporation. They serve as a sort of police force within Kanai Ward.
Kamasaki Underground Passages A number of passages form a grid beneath Kamasaki District. First-timers tend to get lost, but with some acclimating, it's easy to get around quickly.
Riverbank Due to polluted waters, fish are rarely caught.
Kanai Station The only train station in Kanai Ward. It's a magnificent building, but seldom has customers because of the city's isolation.
Ginma District The high-class commercial area of Kanai Ward. There are cafes and restaurants, as well as a large art gallery and clocktower.
Art Gallery The premier art museum in Kanai Ward, located in Ginma District. The space in front of the art gallery is decorated with a giant dinosaur fossil (replica).
Detective in Training A person currently being trained by the World Detective Organization to become a detective.
Nocturnal Detective Agency Inside this detective agency are a kitchen and shower. Yakou lives here.
Kamasaki District The liveliest, most bustling area in Kanai Ward. Many people reside here, and a variety of shops and stalls line the streets.
Kamasaki District Crime generally isn't bad here, unless you venture deeper inside, that is.
Church The priest hears out the residents' worries, offering guidance toward the path of righteousness.
Sun & Moon Hotel A hotel located in Kamasaki District. Since Kanai Ward's isolation from the world three years ago, the number of guests has dramatically decreased.
Secret Club An illegal, members-only casino located in Kamasaki District. One can enjoy slots, roulettes, and card games, but many games have obscene rates and cheating is rampant.
Ginma District Security tends to be pretty tight, likely on account of the frequent patronage by Amaterasu Corporation executives and other wealthy individuals.
Art Gallery There were many visitors prior to the isolation of Kanai Ward, but current attendance is not stellar.
Clocktower A long-beloved landmark among local residents, many of whom are strongly attached to it.
Clocktower The giant clocktower looming over Ginma District. There are clocks set in all four of its sides, so the time of day can be seen from anywhere.
Mansion A mansion located in the high-class residential district on Montclair Street.
Shien The currency used in Kanai Ward. A luxury car can be purchased for five million shien.
Meat Bun A specialty of Kanai Ward and comfort food to the locals. It's loved by children and adults alike.
"Mantou" A popular meat bun shop in Kamasaki District. Operation out of a street stall, the location changes daily. Very reasonably priced at 100 shien apiece.
"Dragon Palace" A popular meat bun shop in Ginma District. They sell at the higher-than-usual price of 500 shien apiece, but the owner insists it's due to superior seasoning.
"29/0" A meat bun shop in Kamasaki District. Relatively new compared to the other shops, they're struggling to attract new customers. The cheese meat buns are most popular, priced at 250 shien apiece.
Metal Fox The religion practiced at the church in Kanai Ward. Its symbol is a spear piercing a crescent moon. Its core doctrine is, "Thou shall not bear old prejudices."
Rumors About the Secret Club Credible rumors suggest there's a behind-the-scenes connection to Amaterasu Corporation.
Kanai Bus System A bus service running throughout Kanai Ward. The bus fee is fixed at 200 shien. Amaterasu Corporation employees ride free.
Kanai Ward Living Condition Perhaps because of the daily rainfall, some people in Kanai Ward don't mind getting wet.
Dronebrella An umbrella developed in the perpetually rainy Kanai Ward. It automatically tracks an authenticated user, shielding them from rain.
TV Programs Nearly all the TV programs broadcasted in Kanai Ward are sponsored by Amaterasu Corporation.
Popular Sports Parkour is popular among the young men of Kamasaki District. New problems have arisen however, what will all the trespassing and running across the top of food stalls.
Crosswalks The crosswalks in Kanai ward detect pedestrians and stop traffic for them. As such, it's fairly uncommon to see people waiting for the signal to change.
Means of Communication Most communications to people outside of Kanai Ward are tapped and monitored by Amaterasu. The phone at the Nocturnal Detective Agency uses a different type of line to prevent eavesdropping.
Treatment of Criminals Criminals captured by the Peacekeepers are sent to detention facilities where they are interrogated until they admit guilt; that is, if they're not disposed of on the spot.
Nail Man The culprit behind the serial murders occurring in Kanai Ward. The Nail Man's crime scenes area always locked rooms filled with nails.
Boy Kei Colan is his name. When his father has time off work, they always play catch together.
Jiel Colan's Apron A work apron made by camera manufacturer WhiteCross. The pockets are durable enough to hold heavy objects without losing shape.
Priest's Eyes Few people have seen the priest's eyes because he's always squinting. As a result, there's a rumor among clergy members that anyone who see his eyes will either become blessed or vanish.
Nun's Stockings All of the nun's red stockings have a thickness of 120 denier or higher. Sh's sensitive to the cold and seeks extra warmth.
Servant's Facial Markings The Metal Fox markings are simply makeup, not tattoos. They're painted on every morning.
Worshipper's Pastime He smokes at least once every hour. Gitan is his preferred brand.
Owner of the Mansion The owner of the mansion made a sizeable amount of money through real estate dealings. A man around the age of 30, an endless sea of rumours surrounds him.
Halara's Coin Halara attacks with a 1-shien coin. Where it lands is carefully calculated for later retrieval.
Flavor of Halara's Candy Depends on the mood. The worse the mood, the sweeter the taste; the better the mood, the lighter the taste.
Desuhiko's Bangs Desuhiko is particular about how his bangs look; it takes about an hour a day to style.
Desuhiko's Beanie Desuhiko's custom-made, designer beanie is waterproof, and cost him several months' pay.
Fubuki's Accessories Fubuki's necklace has a clock motif. The choker is decorated with video playback control symbols.
Vivia's Book Catalog Novels, columns, essays, all sorts of things. There's no particular preference for genre; he reads just to pass time.
Vivia's Garments There are just bandage-like wrappings beneath his coat, so it wouldn't be accurate to call it clothing.
Yakou's Lifestyle A complete night owl, he typically sleeps in until noon, even when there's work to be done. This nocturnal lifestyle was the norm until the Master Detectives arrived.
Seth's Creed The Burroughs family motto is, "Silence is golden." To this day, Seth mumbles in adherence to that creed.
Electrowave Detective A Master Detective with a Forte that can intercept and comprehend radio waves. This detective was not summoned to Kanai Ward.
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myslatemodels01 · 2 years
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Talent Agencies in South Florida
Slate model is #1 talent agency in south Florida provide best models at cheapest prices https://slatemodels.com/ Our goal is to be the best, and our commitment to excellence and to our clients is what sets us apart from others.
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thoraeth · 27 days
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Nevermind the Blorbos Headcanons
[ One Piece Punk Band AU/modern AU] Part 1 , Part 2
Characters: Law, Doffy, Luffy, Strawhats.
Trafalgar Law runs an indie label, the CoraZon Records. He took over after former CEO died in a mysterious accident.
He's always looking for underdogs and artists who stand up to the polished mainstream music world.
Law snatched the Blorbos away from the Mugiwara Agency. Regretted it right after signing the contract.
He owns a white bear cub, Bepo. Employees are strictly forbidden to mention Bepo as it's illegal to own white bears and Law's already got criminal records.
Donquixote Doflamingo is CEO of S.M.I.L.E. records and most eminent personality in the world of commercial pop music.
Signing with his label will grant anyone an outstanding career. Artists line up for days outside his offices begging for an audition.
Doffy was allegedly involved in his brother Cora's mysterious death but he was later acquitted for lack of evidence.
Rumor has it, he exploits his artists and takes complete control over their lives. He'd be the mastermind behind the scandalous Rebecca's conservatorship affair.
Monkey D Luffy took the spotlight in the show biz after he used his adopted family money to create an angel investing company, the Mugiwara agency.
He's renowned for funding all types of talents: singers, dancers, comedians and a good dose of weird, random people.
His biggest success is a reality doc about life at his agency called "Keeping up with the Mugiwaras".
S10 E4, where star influencers Nami and Usopp lose a 10k Berry earring at the beach, has 20 billion views.
S3, revolving around Zoro and Sanji feud and their fight on the Grammy's red carpet, kept trending for months on social medias.
Luffy also funds younger actors like Chopper, acclaimed protagonist of the medical drama 'Doc enfant prodige'.
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Rachel Zane was written out in 2016
According to Suits Creator Aaron Korsh, in 2016 Rachel Zane, Meghan Markle's character was WRITTEN OUT of the show.
>2015/2016- Patrick J. Adams gave notice of his decision to pursue other interests, including directing.
According to Tom Bower's interview with Gina (agent for product promotion):
>February 2016-Meghan told Gina she wanted to return to LA, but first she needed to become a star. Gina who was only Meghan's agent for commercial contracts, (LA's Lori Sale & others served as agents for PR/talent etc) recommended Freuds PR Agency to help her breakthrough in Britain. Perhaps Britain could become a launching pad for LA stardom
>July 2016 Gina informed MM of her unsuccessful attempts at commercial product promotional ideas (swiss watch manufacturer, a book, etc) but MM didn't care bc she nailed Harry
>In 2017 after Meghan publicly announced she was leaving the show: Aaron Korsh said: "I knew from a year ago (2016) that this relationship was burgeoning and I had a decision to make because I didn't want to intrude and ask her, "hey what's going on and what are you going to do? " So collectively with the writers, we decided to take a gamble that these 2 people were in love and it was going to work out. "
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justforbooks · 4 months
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The director and producer Norman Jewison, who has died aged 97, had a career dedicated for the most part to making films that, while entertaining, included socio-political content. His visual flair, especially in the use of colour, spot-on casting and intelligent use of music, enabled him to raise sometimes thin stories into highly watchable films.
He hit the high spot critically and commercially with In the Heat of the Night (1967), which starred Sidney Poitier as a northern US city police detective temporarily held up in a small southern town and Rod Steiger as the local sheriff confronted with the murder of a wealthy industrialist. The detective mystery plot was perhaps mainly the vehicle for an enactment of racial prejudices and hostilities culminating in a grudging respect on both sides, but it worked well. The final scene, much of it improvised, in which the two men indulge in something approaching a personal conversation, was both moving and revealing.
The film won five Academy awards – for best picture, best adapted screenplay, best editing, best sound and, for Steiger, best actor – and gave Jewison the first of his three best director nominations; the others were for Fiddler on the Roof, his 1971 adaptation of the Broadway musical, and the romantic comedy Moonstruck (1987). In 1999 Jewison was the winner of the Irving G Thalberg memorial award from the academy for “a consistently high quality of motion picture production”.
The son of Dorothy (nee Weaver) and Percy Jewison, he was born and brought up in Toronto, Ontario, where his father ran a shop and post office. Educated at the Malvern Collegiate Institute, a Toronto high school, Jewison studied the piano and music theory at the Royal Conservatory in the city, and served in the Canadian navy during the second world war. On discharge, he went to the University of Toronto, paying his way by working at a variety of jobs, including driving a taxi and occasional acting.
After graduating with a bachelor of arts degree, in 1950 he set off with $140 on a tramp steamer to the UK, where he landed a job with the BBC, acting and writing scripts. On his return to Canada two years later, he joined the rapidly expanding television industry, producing and directing variety shows for the Canadian Broadcasting Corporation.
Jewison was spotted by the William Morris talent agency and invited to New York, where he signed with CBS and was given the unenviable task of rescuing the once successful show Your Hit Parade, which was by then displaying signs of terminal decline. He revamped the entire production and took it back to the top of the ratings. He directed episodes of the variety show Big Party and The Andy Williams Show, and specials for Judy Garland, Frank Sinatra, Harry Belafonte, Jackie Gleason and Danny Kaye.
On the Belafonte special, Jewison had white chains dangling above the stage, an image that displeased many southern TV stations, which refused to screen the show. This was the first indication of his stance on racism.
Success brought him to the notice of Tony Curtis, who had his own production company at Universal, and Jewison began a three-year contract with 40 Pounds of Trouble (1962), starring Curtis. This was followed by the likable but light Doris Day comedies The Thrill of It All (1963), Send Me No Flowers (1964) and The Art of Love (1965).
In 1965 he got out of his contract to make the first film of his choice, MGM’s The Cincinnati Kid, starring Steve McQueen (the Kid) and Edward G Robinson (the Man) and centring on a professional poker game between the old master and the young challenger. He took over the project from Sam Peckinpah, tore up the original script by Paddy Chayefsky and Ring Lardner, and commissioned Terry Southern, the result getting him noticed as a more than competent studio director.
In 1966 he made the beguiling but commercially unsuccessful comedy The Russians Are Coming, The Russians Are Coming, about a Russian submarine stranded off the coast of Cape Cod. This was at the height of the cold war and gained him a reputation for being a “Canadian pinko”, although it was nominated for a best picture Oscar.
In the Heat of the Night was followed by The Thomas Crown Affair (1968) in which McQueen and Faye Dunaway played thief and insurance investigator respectively and engaged in a chess game that evolved into one of the longest onscreen kisses, as the camera swirls around and around above their heads. The theme song, The Windmills of Your Mind, was a hit and the film a success.
Fiddler on the Roof, with a silk stocking placed by Jewison across the camera lens to provide an earth-toned quality, won Oscars for cinematography, music and sound, and a nomination for Chaim Topol in his signature role of Tevye.
Jesus Christ Superstar (1973), his adaptation of Andrew Lloyd Webber’s rock opera, and Rollerball (1975), starring James Caan, were followed by F.I.S.T. (1978), a tale of union corruption starring Sylvester Stallone as an idealistic young organiser who sells out, and And Justice for All (1979), starring Al Pacino, a deeply ironic portrayal of the legal world.
A Soldier’s Story (1985), based on the Pulitzer prize-winning play and including an early performance from Denzel Washington, dealt with black soldiers who risked their lives “in defence of a republic which didn’t even guarantee them their rights”, and some of whom had internalised the white man’s vision of them.
Moonstruck, a somewhat daft love story but a tremendous box office success and for the most part a critical one, won the Silver Bear and best director for Jewison at the Berlin film festival and was nominated for six Oscars, winning for best screenplay, best actress for Cher and best supporting actress for Olympia Dukakis.
Then came Other People’s Money (1991), a caustic and amusing comedy on the new world of corporate finance and takeovers, in which Danny DeVito played a money hungry vulture, made largely in response to Reagan’s era of deregulation, and The Hurricane (1999) in which Jewison again worked with Washington, who played the real life boxer Rubin “Hurricane” Carter, falsely convicted of a triple murder and imprisoned for years before the conviction was quashed. The latter film aroused controversy over its alleged manipulation of some facts and, despite its undoubted qualities, this fracas probably contributed to it being commercially disappointing.
In the early 1990s, Jewison had begun preparations for a film on the life of Malcolm X, and had secured Washington to play the title role, when Spike Lee gave his strongly expressed opinion that only a black film-maker could make this story. The two met, and Jewison handed over the film to Lee.
Jewison’s last film, The Statement (2003), starred Michael Caine as a Nazi war criminal on the run. He was also producer for films including The Landlord (1970), The Dogs of War (1980), Iceman (1984) and The January Man (1989).
He had returned to Canada in 1978, living on a ranch north of Toronto with his wife Dixie, whom he had married in 1953. There he reared Hereford cattle, grew tulips and produced his own-label maple syrup. In 1988 he founded the Canadian Centre for Advanced Film Studies, now known as the Canadian Film Centre, in Toronto.
He was a confirmed liberal, a man of integrity who turned in his coveted green card in protest at the Vietnam war and saw film not only as entertainment but also as a conduit for raising serious issues.
Dixie (Margaret Dixon) died in 2004. In 2010 he married Lynne St David, who survives him, as do two sons, Kevin and Michael, and a daughter, Jennifer, from his first marriage.
🔔 Norman Frederick Jewison, film director, producer and screenwriter, born 21 July 1926; died 20 January 2024
Daily inspiration. Discover more photos at Just for Books…?
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