Eldritchrune - The Sacrifice
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Story Setup
Eldritchrune Masterpost
Perhaps the most frightening part for Kris is the realization that whatever is happening, has happened before.
And yay, this comic's all done! A full setup for just how Kris ended up in the Dark World!
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Had a wonderfully ...interesting dream the other night that I'm a little annoyed I don't remember more of the fine details of.
A friend of mine was marrying her girlfriend, in an indescribably beautiful dimension-warping lesbian cathedral with the most [non-translatable emotion] vibes to it.
And there was a human sacrifice (well, human as we weird creatures get.) on the altar, with both brides' hands on the ritual knife, as commitment to their vows. (Don't worry, the sacrifice was into it; and they were back in time for the wedding dinner after the ceremony, so it was all cool.)
And plenty of both brides' families, good friends (Silverstar and her worshippers very prominent), and the like were there.
It was all round an amazing time, frankly!
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Ina Performs a Ritual
Wherein the Priestess of the Ancient Ones sacrifices a volunteer tentacult member to her eldritch god. They'll get a glass of milk and a cookie after she brings them back to life the next day.
Tried a more painterly style with this one. It looks great, but it was so time-consuming to make!
Commissions open.
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Gralla had always found the old sea monster traditions outdated; sink a few human ships and terrorize the coastlines. When the humans are scared enough, they'll give them a sacrifice to be left alone.
After some relentless nagging from their peers, Gralla had caved.
All respectable sea monsters recieves human sacrifices, something about offering their purest or whatever. Human or not, Gralla just needed a sacrifice for the other sea monsters to get off their back and didn't care for what it was. Or so they thought.
At the day of the collection, Gralla was not prepared for what was tied to the other end of the rope. And it was happily wagging its tail at their arrival.
A dog.
Gralla destroyed the human port in a fit of rage, but ultimately accepted the purest sacrifice and took it with them.
Gralla is now trying to figure out how to care for it.
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(TW: Attempted human sacrifice, death, burning alive, drowning)
Musharna Malice! Someone else's nightmare. Or, rather, memory.
You feel yourself let out a scream as your fathers, or so they called themselves, carve into your back. You were small and frail, just 8 years old, and about to be used to summon the Warring Beasts of Hoenn. Both of them, at the same time.
"Ophelia. Stop struggling," the more stubborn of your fathers commanded as the knife slowly carved a sigil.
Once it was done, you heard a roar. And then another. You braced yourself for your incoming death...
...But it never came.
Instead, the Warring Beasts were doing what they did best--warring. The Warring Beast of the Sea was drowning your dad's grunts in an attempt to best the Warring Beast of the Land, and the Warring Beast of the Land was burning your father's grunts alive from the sheer heat.
You and your fathers were caught in the middle, the safe ground, the only area that wasn't instant death.
The screams were unbearable, and, mixed with the searing pain in your back, you start to sob.
There's no end to it until you jolt awake.
whatthefuckwhatthefuckwhatthefuck-
ohshitsaint-
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By Randy Bolerjack, WSU Everett
When a five-person submersible descends to the floor of the North Atlantic this summer, part of a historic series of private excursions to map the famed RMS Titanic’s wreckage in 3-D imagery, it will be WSU Everett students that helped make it possible.
“The whole electrical system – that was our design, we implemented it and it works,” said Mark Walsh, a 2017 WSU Everett graduate in electrical engineering from the WSU Voiland College of Engineering and Architecture. “We are on the precipice of making history and all of our systems are going down to the Titanic. It is an awesome feeling!”
[...] The links between OceanGate and WSU Everett began as part of a group tour of the company’s facilities by students in the University’s Institute of Electrical and Electronics Engineers club. Walsh was the club’s treasurer at the time and explained that when OceanGate’s director of engineering, Tony Nissen, described during the tour some of the challenges the company faced, Walsh and fellow student Nick Nelson volunteered solutions. “Tony said, ‘OK, you’re hired.’”
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Yandere! Devotee, who has resorted to human sacrifices to get their deity's attention: Just know that what I am doing is part of a plan~ I will connect with as many souls as I can, and the soul that controls me, the one I should know must see my work here, which means you have to go~ Surely you could understand~! Haven't you been in ♡love♡ on the edge where there's no turning back~? Just the thought of it can take you to some new dimension, so you do what you can just to get their attention~!
🔪 Circus - Lindsay Mendez
[Lyrics and song belong to Lindsay Mendez]
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You know, when you study pre-Christian northern Europe, periodically human sacrifice will come up. They did it; there’s no real question they did it. I’ve never studied it deliberately but I do know that. The only reason it’s controversial is because a lot of people react with horror to the idea of human sacrifice. Me, I react with scholarly interest, so I don’t really get it anyway. But at some point, I think when someone made a snippy reply on my post about Vikings, it occurred to me that as modern USAmericans, our government routinely engages in highly ritualized killings of select individuals, i.e. the death penalty, so probably we should like, do a little perspective-taking exercise.
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🍁🕯️🎃 Happy Halfoween! 🎃🕯️🍁
To celebrate it being both halfway to my favorite day of the year AND National Poetry Month, here is my last poetry post: Horror Edition!
(Please mind the content warning tags! Also there are more collages below the cut to really get you in the mood)
The Harvest
When the night falls
and the harvest comes
we huddle in our beds,
covers pulled tight
to our trembling chins,
and wait. Every creak
or moan of wood
catches our breath.
A struggle for silence. A hope
our blood-soaked offerings
and fires were enough
to satiate their endless
ancient hunger.
Our rituals used to be joyous
occasions of mead and meat
and congregation,
before the things came
and then by morning light
we found splintered doors,
gore splattered beds,
and trails of ichor
winding into the forest.
In those first few years
we dared not look out
our curtains for fear
of catching their eye,
but some saw upright shadows
pass their windows
with a shambling gait
and spindly limbs.
Not beasts, but worse
than men. No weapons,
no charm or barricade,
no prayers to God
could save our souls,
and we dreaded the dying
light—their coming.
We left the pigs out first,
tied to posts in the town square,
huddled and confused.
It helped. Lessened the hunt,
but didn't end it.
Not by half.
Then we tried the cows
as well, and still we heard
the screams and pleas
and grinding growls.
We had no choice
except to choose.
The harvesters were coming
and it was better to prepare,
to know how the night
would go than to leave
our loved to slaughter. A mercy
to die by the blade
before the tearing started.
Our rituals now are solemn,
lotteries and funerals,
towering pyres, sacrifice
and chanting to appease
these old gods of the long dark
and death. We are our own
shepherds and farmers,
our own flock and crops,
and so we must tend our own.
Every night I awaken—
before dawn with the notion
that I am not alone.
There is a shadow with me.
Its eyes peek from
a dark corner crack,
beckoning with a wispy
curl of a finger.
Yet it is not temptation
I feel, but terror,
bone itching
and bile roiling
with a ringing in my ears
like the scream
of a tea kettle
This blackness creeps
ever closer.
Yesterday it brushed
the fringe of my rug.
Tonight it's reached
my curtains.
I know it hunts me,
ever patient,
to blanket me in nothing.
I would run,
you see,
If I didn't know
this shroud is a distraction.
A dare to rouse me
to my feet.
For in my full length mirror
by the hall door,
fading in the moonlight,
I see the face under my bed
and how it smiles.
Not a Tree
There is a branch outside
my window where no tree
grows. Yet its twig fingers
scrape and probe the screen
for a weakness,
an opening
to pry ajar
like an oyster.
Inside I am meat.
I am prey
to this ash, this bark
crusted limb
that covets skin—
seeks to know
my bare limbed flesh
and crush my bones.
It creaks. It yearns, aches,
to slip its muddied roots
throughout my ribcage,
twine its way between
my fingers and toes.
To feel how I writhe
beneath it as my
sinews decompose.
It cannot help
but consume me
to feel alive and grow
from my absence.
It must be a tree
that knocks, that sways
palm shaped shadows
upon my bedroom wall.
What else can reach
a second story window?
That is not the question
that lashes through my mind,
but rather: did I remember
to turn the lock?
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'we're better than you because we have better taste in human sacrifice' stellar logic from medieval iceland (from kristni saga, source here, give it a read, it's good fun)
alt text:
The heathens then held a well-attended meeting and made a decision to sacrifice two people from each Quarter, and called on the heathen gods not to let Christianity spread throughout the country.
Gizurr and Hjalti held another meeting with the Christians, and they said that they also wished to hold a sacrifice of as many people as the heathens. They said this:
'Heathens sacrifice the worst people, and push them over cliffs and crags, but we shall make our selection on the basis of people’s virtues and call it a victory offering to our Lord Jesus Christ. We must therefore live better lives and be more careful to avoid sin than before, and Gizurr and I will come forward as the victory offering for our Quarter.'
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