#death tournament arc

[byghostface]

"Hm. Nice move."

[fictional-god-poll]

scythe art

[darnianwayne]

would not be so against what’s happening with damian in canon now if dc didn’t also execute his “solos” in the most boring, derivative way possible

[bonescribes]

[belphieslilcow]

the theatre of blood is literally so sexy btw even the name itself is like ouuuu....

[hotvintagepoll]

Propaganda

Ava Gardner (The Killers, The Barefoot Contessa)— She's so goddamn hot. Her and Frank Sinatra could've sandwiched me and I would've thanked them for the privilege

Jean Seberg (Breathless, Saint Joan)— Some of us watched À bout de souffle as a lil French undergrad and had the trajectory of our lives changed by Jean Seberg. She IS French new wave!! She is the moment!! She sadly had to work with a lot of shitty directors in her career but even so, she has this magnetic energy whenever she’s on screen. In her personal life, she was also very supportive of civil rights causes, and was even targeted/harassed by the FBI for financially supporting the Black Panther Party.

This is round 2 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Ava Gardner:

Ava Gardner is one of my favorite actresses of all time. Although a lot of her roles in movies are about her being beautiful and nothing else, there are some films where her acting truly shines.

Gifset: https://www.tumblr.com/pelopides/721438308726603776/ava-gardner-as-pandora-reynolds-pandora-and-the

Gifset 2: https://www.tumblr.com/portraitoflestatonfire/731899355804598272/if-the-loustat-reunion-doesnt-look-like-this-then

HER FACE. LOOK AT IT. Also was a life long supporter of civil rights and a member of the NAACP, had lots of fun love affairs with other stars, bullfighters, married several times but was also happy in between to just have lovers and was unapologetically herself.

I literally gasp every time I see her.

Between 1942 and 1964, Ava Gardner was credited in no less 50 films, and is still considered by some to be the most beautiful actresses that ever graced the silver screen. Despite life-long insecurities regarding her talent as an actress, she weathered public scandal, industry hostility, and outright condemnation by the Catholic Church with fearless grace. She would later in life talk candidly about the reality and pain of living through two (studio approved!!) abortions during her short marriage to Frank Sinatra, and while the two of them could not make their relationship work, they remained in each other’s lives for nearly 30 years. She would forever describe herself as a small-town girl who just got lucky, but always felt like a beautiful outsider.

Really genuinely one of the most beautiful human beings I have ever seen. An autodidact. Had amazing chemistry with Gregory Peck to the point where I do think about watching On The Beach again sometimes because they're so good together even though that movie did destroy me. Was a great femme fatale in many movies.

Jean Seberg:

anyone who plays Joan of Arc is kind of hot by default tbh

she's gorgeous, she's cool, she has the original blond pixie cut

She donated a lot of her money to civil rights organizations such as the NAACP and the black panther party as well as Native American school groups, as a result of this the fbi ran a smear campaign against her and a surveillance campaign which is thought to have led to her suicide tragically.

idk if this is propaganda but the COINTELPRO and the FBI are widely blamed for her death. If the FBI was after her for supporting the Black Panther Party you know she was good

[trashmouththeorist]

severus snape fic recs

my personal favs

Young Snape:

a life of smoke and silvered glass: Slight AU in which Severus apologizes, tries harder, and stays friends with Lily. Severus doesn't become a Death Eater because he believes in it, Jily get married. Sweet, slightly sad ending. (So cute).

Falling Apart: Time travel fic, no pairings, Severus goes back to when James levicorpused him. (I loved this, I loved how Mary was included and Avery had a redemption arc. Severus never calls Lily mudblood.)

in glory and in ruin: Mulciber/Snape but it's not a main part of it. Basically, a Triwizard Tournament in between the school houses, and Severus gets chosen even though he's only 16. The Marauders and Lily aren't really in it, focuses on Snape's Gang, Charity and Aurora. WIP, and I LOVE it!

The Gryffindor Sort: WIP. Long. In which Severus is a Gryffindor, Lupin is hiding something, Potter and Black are the worst, and there's a Wizarding War about to erupt.

Severus and the Marauders: Long. What if instead of being insulted and excluded from the group, Severus was embraced instead. After all, it was the actions of the group that shaped history from the sidelines. So what if they shaped history a little differently?

That Awful Snape Boy: It had all happened on Wednesday 3rd of September 1973; Minerva committed the date to memory. She would always be amazed that this discussion could happen in the first place. If the boy hadn’t been unconscious, would they even have learnt anything before it was too late?

The Unwanted Boy From Spinner's End: Severus Snape’s existence is a mistake. His mother hints at it often enough with her regretful, drawn-out sighs, while his father prefers to get the message across with a good strapping and a lecture on his worthlessness. Needless to say, the twelve-year-old is not particularly inclined to trust adults, no matter how concerned or caring they claim to be. His life changes abruptly, however, one late evening in September when an illicit brewing session results in a forced trip to the Hogwarts infirmary. Not only is the truth about Severus' home life discovered, but an investigation reveals that shortly prior to his mother’s unexpected death, a single piece of parchment was deposited into her Gringotts vault—a Last Will and Testament in which Eileen Snape née Prince grants guardianship of her son to none other than Albus Dumbledore himself.

To Recollect the Future: Hindsight is 20/20, but when Harry's last steps into the forest set him back further than he'd ever thought, he never realised how grateful he'd be to have Snape there to help too.

Severus' choice: How one choice changed history's course, or the life of Severus Snape from Hogwarts to adulthood if characters were less caricatural, and Voldemort and the Death Eaters were more than bogeymen. This is an AU, events before and after may differ from the books.

the lost generation: The Marauders era at Hogwarts, Voldemort's rise to power and the subsequent war, family loyalties and dishonour, and the struggles of friendship in a difficult time.

Snily:

Come Once Again and Love Me: My favourite Snily fic ever. Snape and Lily time travel back from their individual deaths to when they were still at Hogwarts. Realistic-Lily misses James and Harry and their falling in love is slow burn too. Made me want to cry. I almost liked James!

The Fields of Summer: Short and sad. His past was bleeding into the present, just as his future was bleeding out of the gaping wound in his neck. And since memories were useless to a dead man, Snape plucked them out of his mind and gave them to The Boy Who Lived. He didn’t realize that in so doing, he’d forget her.

seventeen moons: After the werewolf prank. Severus was bitten and Lily figures it out. I hated Sirius so much and he was barely in it but he wasn't villainised-it's just the consequences of his own actions.. Loved the Snily! Short.

Surprising Lessons: Tensions run high between the students of Hogwarts in the time when Severus Snape, Lily Evans, and the Marauders are teenagers. New spells are invented, insults are traded, new bonds form, and unexpected support blooms. Short and sweet.

Vox Severus: SO cute. When Severus Snape's voice changes in fourth year, everyone notices.

Ambiguous: Order member Lily did not have a baby. Death Eater Severus did not hear a prophecy. Consequently, the Dark Lord did not fall. ...but what happens when a long forgotten prophecy suddenly shakes, and flashes through the colours of the spectrum..?

Switching Wands: Severus and Lily acted as best friends should and talked about the Whomping Willow incident. Lily is less than impressed with Potter’s behaviour from that point onward.

Her Slytherin, His Gryffindor: Lily has had enough of James' bullying ways, so she decides to finally take advantage of her Prefect status. Or, in another universe, Lily helps Severus, and they become even closer.

Sweet Root: Lily decides to get Severus drunk one summer night. Angst thereby incurred happily resolves itself into, uh, happiness.

You Don't Bug Me: “Is there any reason you’re half naked in my room?”

Snape/Sirius:

Two Sides: A time travel fic where Severus and Sirius find themselves back on the evening before they graduated Hogwarts. With no idea how and why that happened, they set out to get back to their respective timelines. After all, Sirius has to save Harry at the Minstry of Magic, and Severus needs to tell Potter about the final Horcrux. Right? Too bad that they find themselves back on that evening over and over again. (Personal thoughts: I loved this one, very in character and I loved how they 'fixed' their regrets of the past).

Broken Me Found Broken You: It’s determined that Severus Snape and Sirius Black are immune to punishment after years of near-fatal pranks, bullying, and homemade curses. The only person who thinks them capable of ending the feud and finishing their education is Professor McGonagall. For the summer of ‘77, she gives them a pair of charmed hand mirrors and an ultimatum: communicate. That’s it, a mere ten minutes every Saturday. Back at Hogwarts, when their animosity proves insurmountable, Sirius and Severus are relegated to a small, Eighth Year dormitory. The tight quarters—wandless—are intended to force them to make a peaceful reconciliation, but peace is impossible with a bloody war ramping up inside and outside the castle.

Sorry: Sirius Black decides to make amends for the horrid way he treated Snape when they were teenages. Snape is less than amenable to the idea. (Written around the time of book three/four). Basically, Sirius apologises a lot. And then some fucking.

The Sin in Your Grin (And the Shape of Your Mouth): The Order needed Sirius, but he doubted they'd mourn him very long when he finally disappeared. The first Wizarding war, Snape and Sirius are fucking. Sirius thinks Remus is the spy, Severus tells him otherwise. Canon-compliant: James and Lily die, Peter is the spy. The last line. Shaking.

Dead Reckoning: Severus Snape delivers a potion to Number Twelve, Grimmauld Place, holding a twenty-year-old grudge in his heart. He has yearned for revenge for so long—and he will have it. Along with something else he did not ask for.

Beyond The Veil: In one world, Sirius Black ignored Severus Snape's warning and went to the Department of Mysteries to save his godson's life. He died and went beyond the veil. In another world, Sirius Black stayed back. This made all the difference. An AU where Sirius Black survived and now knew Severus Snape's deepest secret.

Rings And Ringing Bells: A bastardisation of a traditional love story. Two men both broken by the world are at wit’s end trying not to kill each other. There’s Severus, a bitter insult who does not take fools lightly, and Sirius, a drunkard who has a habit of pressing his buttons. It involves a curse which forces them to get married, an immaculate conception, and the blurring of the line between hate and love. They fear that they have no control over their lives and are doomed to make the mistakes their parents had done before them. They’re not good for each other, but the fiasco that is their romance may be enough to teach them how to hate each other and themselves a little less.

Always (Come For Me): Snape might have been lying when he said Sirius Black wasn't punished for the prank he had pulled on him. It all started with Sirius having to live with the Snapes for the remainder of his summer...

An Interlude: Set during Order of the Phoenix. Snape comes across Black looking through some of his old school things. Memories are stirred up, grudges are held, old conflicts refuse to be resolved, and new ground might be (dis)covered. A series of conversations in the year before a death.

bite your tongue, go to the funeral: A funeral, a departure, a chance encounter, a war, a funeral (again), a snide remark, and a revival.

Two Boys Kissing: Sirius goes to a gay bar and meets the last person he expects. Under cloudy skies, two boys kiss and that one moment comes to define generations of want, need and hope.

An Occlument Heart: Snape knows that, usually, keeping a secret is the bravest thing you can do. But sometimes the bravest thing is to tell one. Complete. Canon (more or less) up to the start of Book 5, when this story begins.

Found in the Moments Between the Search: When Sirius returns from beyond the Veil with knowledge of Voldemort's Horcruxes, he takes on the task of finding and destroying them. Somewhere along the way he finds an unexpected ally and perhaps something more. (AU from the end of OotP, takes place during HBP period)

Walking the Monochrome: That’s what being a dog is like – it's like you’re walking the very edge of the world, where almost all colour has run out, and you know that should you miss a step, you’ll fall off that edge... Then again, you already know all about it. The edge and the falling.” AU of the first war.

Second Life: What happens when two men are given a second chance.

The Welcoming Feast: Severus opened his eyes and he was suddenly inside Grimmauld Place. His hand flew to his neck. He remembered Nagini biting him, Potter coming to him and then he closed his eyes, expecting death, but instead he was back here.

The Devil-and-All to Pay: Albus Dumbledore is mad. Severus is sure of it, when the old man sends him to persuade Sirius Black to come back to England and let the Order use his family home as headquarters. The problem, as always, is that Severus cannot say no.

Black Out: Snape and Black try something they have never done before. Talking.

eighty-twenty: In seventh year James left Severus for Lily. Best choice he could have ever made. It never would have worked out. Besides, he and Lily are married now, she's pregnant with his soon to be child and Severus...Severus is with Sirius.

First and Last and Always: Severus had his wand. He swallowed hard. His wand. Magic. His only defense, because Black outweighed him by at least three stone. But magic was more than enough. Severus had never needed physical prowess. His magical strength, and the keenness of his mind, gave him the advantage. Except when it didn’t.

Visions of Doom: Severus gets injured in the shrieking shack (his fifth year). While unconscious he witnesses some scenes from his future and realizes becoming a death eater wouldn’t bring him power and glory but pain and servitude. He spends the rest of his schooling trying to shape a different future for himself.

Anything by FabulaRasa on AO3.

Remus/Snape:

Fuel the Pyre of Your Enemies: A paired class assignment for Astronomy incites a mutually beneficial agreement between Remus Lupin and Severus Snape. An exploration of sexuality and friendships. (One of my favourite Snupin fics, really realistic. Also no evil!peter).

where the wolfsbane blooms: Remus and Severus friendship, and then more. 7000 words-short but sweet. Severus tries to cure the lycanthropy. James is constantly befuddled.

Have Your Cake and Eat It: Remus POV. Long. Incredible. Changed my world view. I cried with Remus at the end. Still kind of happy! Time travel fic. Remus lives. Realistic for the characters and especially for the seventies (although lowkey Remus is too woke for the nineties why does he know the word heteronormative). I loved Sirius in this one. Lying in hospital after the Battle of Hogwarts, Remus Lupin has a lovely lucid dream that he's gone back to his school days at Hogwarts. Only the day passes, then another, and another, and soon he must face the terrifying possibility that it isn't a dream — that he has irreparably altered the events of the past. Cunegonde is SO good!

DELOCAPONUM: 𝐈𝐭'𝐬 𝐭𝐡𝐞 𝐲𝐞𝐚𝐫 𝟏𝟗𝟖𝟏. A new acquaintance to the territory of teaching, an old friend to grief and misfortune, and entirely off on the wrong foot, twenty-one-year-old Professor Severus Snape reverts to an old charm of his — a charm for things that are lost — in attempt to find the one book in which he wrote it. But when the spell starts working against him and mysterious things start happening to his own students, it seems he has no choice but to form an alliance with an old schoolyard enemy in order to find a culprit, a book, and his own identity. And one thing is for certain: the irritating charm of Remus Lupin is nearly impossible to refuse.

Creature Comforts: A classic! Remus and Severus are paired to work together in Care of Magical Creatures in 6th year. Neither one is too happy with the arrangement at first.

That Awful Boy: CLASSIC! Severitus. Petunia lets slip a twenty-year-old secret, and Harry is sent to Spinner's End to study Occlumency early. Severus Snape can see no way in which this could end in catastrophe.

Not Really Here: After the werewolf prank, Severus disappears. He’s still at Hogwarts—at least, he thinks he is—and he’s probably still alive, but no one can see or hear him. Except for Lupin. Remus, meanwhile, is avoiding the other Marauders—as well as everyone else—and Snape becomes the sole exception to his self-appointed isolation. As they work together to look for answers about Severus’ condition, the unlikely pair drift toward friendship. But building a relationship of any kind presents a challenge when neither of them is sure Severus exists at all. I've only read this once but I love it. No Marauders bashing, but no pretending they're saints either. And they have a pretty big part but obvs Snupin is at the forefront.

The Heir to the House of Prince: Harry is the main character and the main ship is Harry and Theo. While Snupin is secondary it's pretty central. Summer of 4th year and Harry's all alone, dealing with his grief and the sudden revelation that James Potter is not his father. Support comes in a strange form. The form of Theo Nott, son of a death Eater. A strange friend who says he'll help him find his true father, whoever this Lord Prince might be. Technically Snily ig? But not really.

Sight Unseen: After losing his sight during the Battle of Hogwarts, Remus struggles to adjust to his new circumstances; when depression threatens to overwhelm him, he receives unexpected assistance from an unknown source.

The Other Side of The Mirror: In sixth year, Remus Lupin nearly killed Severus Snape in wolf form. Miraculously, Severus escaped unharmed. But what if he hadn't?

The Meaning of Mistletoe: What was going on was that Severus Snape had no trouble tracking down one Petunia Evans, now Dursley, to a little town in Surrey where he saw how exactly she was treating her nephew. Which somehow led to last night and Severus knocking on Lupin’s door with a toddler half-asleep in his arms.

Spymaster: Former spymaster and one time headmaster of Hogwarts School of Witchcraft and Wizardry Severus Snape left the house just once a week on a Tuesday. Wherein Snape wears tracksuit pants and smokes too many cigarettes and Lupin is into it.

Well They're No Friends Of Mine: Whenever his friends pull a prank on Snape, Remus always looks the other way. But what if there's another option?

The Other Side of the Mirror: I haven't read this, but it's a 'what if Remus bit Snape.' 60000 words.

Artemisa Absinthium: The Rat and the Snake: AU set during the First Wizarding War. Severus has defected from the Dark Lord, and become a double agent for Dumbledore. When he learns of an informant it sends the Order into disaray. Can he uncover the identity of the traitor before his own true loyalty is revealed? What price is he willing to pay for his redemption? And can a man like Severus Snape ever be worthy of love?

Capnolagnia: Three times Remus caught Severus Snape smoking.

About Wolves and Snakes: Unfinished. Remus Lupin woke up being fifteen years old again, having no idea how or why. Upon learning that he could not return, he decided that he would try to change the way things happened.

One Thousand Galleons: It's been six years since Remus Lupin, age 25, left England after the death of his father and the slow dissolving of his friendship with the Marauders. A letter from James finds him in Canada at an opportune time, asking him to come home to meet his soon-to-be-born son. Remus never expected that his time away would give him the perfect resume for teaching at Hogwarts, nor did he expect that his return would spark both conflict and resolution. If only he could get the Potion's Professor to understand how sorry he is for the way things turned out. “What is the price for your forgiveness?” --- “One Thousand Galleons.”

Living Legend: Marauders-era fic, Snape decides he needs some "hands-on" experience and chooses Remus as his very special study partner. But there's more to these extracurricular activities than meets the eye.

Lily's Boy: With help from unexpected places, Harry starts on a journey to end the war, and reshape the wizarding world. With how much he looks like James Potter, people have forgotten one important thing about him - he is Lily Evans' son, and she was one hell of a witch. Side Snupin.

It's Not Over Til It's Done: Unfinished. Severus did not expect to survive the Second Wizarding War, but survive he did. Remus didn't either, yet due to unforeseen circumstances, Remus finds himself taking care of Severus in the wake of surviving Nagini's venom.

Ten Aprils: Severus must find a way for Harry to defeat Voldemort. Remus must find a way for Severus to free himself from the past. The Dark Lord is about to attack Hogwarts, and Harry needs to get over his rage, hate and despair in order to learn to summon the phoenix needed to defeat Voldemort. Snape must find the answers, then teach Harry how. In the next thirty minutes. Like it would ever happen.

A Cauldron Full of Hot, Strong Love: A story in which Severus Snape is unable to sleep; a certain werewolf is impersonating Celestina Warbek and cauldrons are used as prevention, sort of.

the week that changed it all: It’s Christmas break in Remus’ 6th year of Hogwarts. Sadly, his parents aren’t home so he has to stay over at Lily’s house for the week. He makes a discovery he didn’t know was possible. The first one was that apparently, Severus lived not far away, the second one was that he started to like the boy.

A Prince By Early Frost: While preparing his chamber for the Philosopher’s Stone, Severus encounters the dark fae borne by a black glass mirror, buried deep beneath the castle. He is chosen, but unsure by what, until over a year later, when a figure from his dreams takes the Defense position, asking for a favor.

Chocolate Cake and Other Intimacies: Remus Lupin is spending his birthday alone in the hospital wing. Severus brings him his homework to cheer him up.

That Awful Snape Boy: It had all happened on Wednesday 3rd of September 1973; Minerva committed the date to memory. She would always be amazed that this discussion could happen in the first place. If the boy hadn’t been unconscious, would they even have learnt anything before it was too late? Guardian fic but Snape is the ward in this one. AU set in the Marauders Era. Rated T to be safe.

Basically anything by McKay on AO3.

Snape/James:

Knowledge of the Gods: Severus was either in a coma and dying, already dead and trapped in some purgatory, completely and utterly insane, or living in the body of his past self. And, perhaps most suspiciously, why did James Potter keep looking at him like that?!

A Touch, A Kiss, A Whisper of Love: After Severus Snape and James Potter find themselves stuck in an awkward detention together, an unlikely friendship forms. As their newfound friendship develops, James discovers something new about himself while Severus tries to fight his growing attraction to the Gryffindor boy.

Cake, Please!: Slight SA gives me the ick, but vaguely fun to read. A story of blackmail, the wonderful world of sexuality, and lots of cake.

Revenge is Sweet: A teenage Snape plots his revenge on James Potter for making his life hell, but little does he know that James has plans of his own that will send both their lives spiraling irrevocably out of control.

Ninety-Three: James promises Severus that if Severus has sex with him 93 times, he will break up with Lilly and advocate that she date Severus.

Absolution: What is it that draws James to Severus? A disease? A curse? A secret wish... a need? Try as he might to ignore the Slytherin, in the end, to Severus is where James always finds himself. **SLOW BUILD** Rated M for... certain kinds of scenes later on.

The Dreamer in the Well: James got the girl....finally. She even stopped being friends with Severus, whom he absolutely hated. But one day, his curiosity changes everything.

Love Is Strange: At the start of his sixth year, James Potter decides to finally stop ruining Severus' life. His friends agree to stop the bullying but what they do not know is the reason why James decided to put an end to it. They think he just matured or grew tired of it but the truth is a little more complicated than that.

A Fickle Thing: James Potter's marriage is failing- What a perfect time to disguise himself as a muggle, follow Severus Snape to what is either a makeshift dance club or a party for gay muggles, and then do a series of things he really should not do.

Rise: Severus Snape was tired of his fate, to be a lowly snake. Luckily, fate was kind to him this time and the arrival of a tournament had come. It was a spur of the moment kind of thing, a moment of weakness and strength that led Severus to put his name in the Goblet of Fire. But he was chosen now, and he had no choice but to play in the game, maybe he will live or die, but either way he wasn't going to become what everyone said he would be.

Apocrypha: Two can keep a secret, if one of the two is dead.

Norwegian Wood (This Bird Has Flown): Long, loved it, well written. James Potter starts his seventh year with a secret. He has amazing friends, Sirius is always right by his side, Lily is finally starting to warm up to him. His life is an endless cycle of partying and drinking. So what if the Wizarding World is on the precipice of war? So what if Severus Snape has disappeared from Hogwarts? That's not James's problem. Life is beautiful, and even if it's all an illusion he wants to hold on to that dream for just a little bit longer.

Colours of Redemption: Severus Snape was meant to die. Instead he was placed into hell. Trapped in timeloops, Severus tries to make sense of the future knowledge he suddenly had. If he made one bad move, everything is reset for him to try again. Being placed into a new house and everyone being nice to him, Severus is doing his best but it is hard. Especially when James Potter is noticing him in a different way.

Goeey Melting Hearts: In their 5th year James, Sirius and Remus over hear a conversation that makes them reconsider their opinions of the ‘future Death Eaters’. The Marauders stop bullying, but guilt eats at James until he decides to apologize. That summer James tracks down Severus, but sees something that crushes him.

Regulus/Snape:

Burning Doves: The first Snape/Regulus I ever read. Regulus needs help with potions and Snape tutors him. Not much Marauders, they're just offscreen assholes. Narcissa and Severus friendship which I always enjoy. It's done, but I haven't finished it yet. Whoops.

Severus and Snape: Severus Snape finds Lily dead in Godric's Hollow, her son's screams echoing in his ears, and decides to end his life with hers. Fate has other ideas. Next thing he knows, he's facing an 11-year-old Lily Evans, on their way to their first year at Hogwarts.

Snape & or / Narcissa:

Seven Days: Severus knows a lot can happen in seven days. Slash.

Living A Lie:  All of her life, Narcissa Black has had to live as the perfect lady, and witch; to never reveal one's inner heart, nor ever go against the wishes of one's family. After being forced into an engagement she does not want during her sixth year at Hogwarts, Narcissa has kept the desires of her heart on ice; particularly, for a wizard her family would never in a million years have approved of: Severus Snape. Even after the birth of her son Draco, she has harbored these desires deep in her heart for the enigmatic Potions Master. But when she comes to Spinners End to ask Severus to watch over Draco at the start of the school term of 1997, she finds that she cannot keep her heart on ice for the wizard of her dreams any longer...

What Lies Beneath: "Please, Professor, I saw him-I saw Snape," Harry said, struggling to breathe, "he's hurt...we've got to find him-we've got to find him right now or he's going to die!" Severus Snape's redemption story told in the span of three books from multiple perspectives.

Snape/Others:

Redemption: Severus died that night at the hands of the Dark Lord, the man he "worked" for and was "loyal", at least that's what the Lord believed him to be, an impeccable servant.  Even so, he ended up dying for his master's snake.  He knew it would happen, he was sure his time was coming, just like the manipulative old goat's plan. However, what would he do when he found out that he wasn't the only one who had the memories of his past life?  How would his life turn out?  Better or worse?

Breaking the Mould: Everyone knew Severus' future. Everyone knew he'd become a death eater, maybe get his mastery in potions and eventually die at his master's hand. But what if they didn't know Severus as well as they thought they did? Rather than conform to the role people expected him to play, Severus takes action. During 6th year he leaves Hogwarts, joining an apprenticeship overseas that guarantees not only a future but his own happiness. Meanwhile the Marauders (minus Peter) are left regretting what can never be. They each had a secret, something none of them were willing to admit. Only now it's too late. But what happens when Severus re-emerges during the war? Not a death eater, not a teacher even. But a strong, independent and most importantly a free man. How will the marauders react?

Dinner and a Show: James takes Lily out to dinner, an unhappy evening made more difficult by the arrival of Severus and Lucius Malfoy at a nearby table.

Snape & Others: 

O Mine Enemy: Severitus, long. When Harry finds an injured Snape on his doorstep and must hide him from the Dursleys, he has no idea that this very, very bad day will be the start of something good. Alternate 6th summer (and part of the school year): post-OotP; ignores HBP and DH. No slash, no romance. NOW COMPLETE!

I Know Not, and I Cannot Know; Yet I Live and I Love: Severus Snape has his emotions in check. He knows that he experiences anger and self-loathing and a bitter yearning, and that he rarely deviates from that spectrum… Until the first-year Luna Lovegood arrives to his class wearing a wreath of baby’s breath. Over the next six years, an odd friendship grows between the two, and Snape is not sure how he feels about any of it.

Second Life: What happens when two men are given a second chance. Snape & Sirius. 

Not Entirely Tedious: Young Professor Severus Snape shows up for a meeting, but the only other person there is the Deputy Headmistress. He wants to leave and return later, after the other participants will have arrived, but Professor McGonagall explains why that is impossible. Cross about having his plans for the day disrupted for a meeting that’s not taking place, Snape resents having to spend the afternoon with McGonagall. She doesn’t seem very pleased, either, but is content to relax and wait. Snape isn’t so patient, and soon manages to annoy his companion.

The Young Potions Professor: The staff avoided him like the plague, ignored him, or straight up left when he went into the staff room. And the worst thing was that they didn't even try to hide their collective disgust for him. If he got into the staff room in the morning and any of them were there, they would immediately get up and go sit on the furthest side of the room, as far from him as possible.

Slytherin Career Day: The student of Slytherin House were born with everything: wealth, prestige and pure wizarding blood. Now it's Severus Snape's job to help them find the one thing they don't have: careers.

In Another Lifetime: HP AU. In a world where Tom Riddle was slaughtered, the wizarding wars did not occur, and Albus Dumbledore promoted peace in Hogwarts, Lily Evans and Severus Snape did the impossible: they remained lifelong friends. Snape meets his potential, and has a shot at happiness along the way.

immortalists with points to prove: The Snape kid is hardly a hero. Then again, neither is Alastor.

[catsvrsdogscatswin]

I've had this thought swirling in the back of my head for a while, but it's finally congealed enough that I think I can make a coherent pitch, which is: I think RWBY's problems with the more vitriolic part of its fanbase partially stems from the fact that RWBY is a deconstruction that doesn't advertise it's a deconstruction.

RWBY's status as a deconstruction is pretty textbook. It takes apart standard fantasy, shounen, and anime tropes in order to analyze them and their deeper meaning and then reassembles them in new and interesting ways for the plot/characters/series. Thing is, it never says that outright in promotional material, which can lead to later outrage in fans.

See, unless their way of discovering new shows is to close their eyes and stab their finger at random, most people tend to choose series to watch/read based on expectations. Maybe a friend said they'll like it because it has [insert thing], maybe they read the summary and were intrigued, maybe they thought the poster/cover art was cool, whatever. These small pieces of information are generally enough for people to make a snap-judgment of the style and genre of the series, which they can then gauge against their personal tastes and decide whether or not they want to try.

Most of the time, this works just fine. Well-written deconstructions also generally give the viewers some warning/buildup before they take a hard swerve. See Madoka Magica: the magical girl paradigm is shaded by the possibility of death as soon as we're introduced to it, then there's an onscreen death with blood, and then a few episodes later we eventually realize the Faustian bargain of it all. Even innocent viewers who stumbled into watching it, unaware of the show's reputation, would go "Oh, wait, this is not going in the direction magical girl shows usually go" by a third of the way through.

The thing is, with RWBY, this does not happen unless you're paying a lot of attention and/or looking for it. And neither the cover art nor the summary nor, I believe, the fanbase gives a lot of warning about the swerves ahead.

In fact, RWBY initially bills itself as a pretty standard shounen anime. The main protagonist is hinted to have Special Powers and gets into the Magic Monster-Hunting School in the first episode, and the first two-and-a-half seasons are taken up by her and her friends' superhero-esque slice-of-life shenanigans as they thwart robberies and terrorist attacks and gear up for a tournament arc against the looming background of a larger conspiracy.

Then in the last half of the third season the villains' entire Rube Goldberg machine of a scheme snaps into completion and the plot twists so hard the entire genre takes a hard right. If you're used to character analysis and common anime tropes, this is not completely a surprise -up until this point, RWBY's character arcs and plot have been subtly traveling in non-traditional directions that hint of greater flexibility in genre treatment ahead- but if you're not... well.

Thing is, people watching RWBY up until this point have signed up for pretty standard shounen and they've been getting it, but the third season's ending smashes that all to bits. From then on out in RWBY, it's like they ordered fries and suddenly got a hamburger. It might be delicious; but it's not what they asked for, what they wanted, or what they paid for, and they are, justifiably, displeased.

So when the reasonable people either adjusted their expectations or sighed, shook their heads, and clicked back out (perhaps with a grumble and a scowl), the unreasonable people dug their heels in and began insisting that everybody was Getting The Show/Character Wrong and that CRWBY is ruining it, because the fact that RWBY's method of deconstruction is to put standard tropes in a blender and then arrange what's left in deceptive patterns means that said unreasonable viewers can scan the bare surface and argue that all the stereotypical stuff is clearly still under there, somewhere.

So they're continually trying to drag RWBY back to the tracks of a typical shounen anime series (it's closest relative), which creates a dissonance between the show they're watching and the show they think they're watching. They're trying to turn the hamburger back into fries, basically, except that doesn't work and just frustrates everyone involved, because you're trying to make RWBY into something that it's not. Hence, this attitude probably starting/fueling some of the more contentious statements in the fandom, i.e.:

"Ironwood was right the whole time" (in most action movies and shounen anime, allied military leaders are trustworthy beyond reproach)

"Adam's character was wasted" (we all know how much shounen loves their powerful warrior antiheroes)

"Ruby and the others are in the wrong about [insert thing]/or for doing [insert thing], and this is bad writing!" (shounen protagonists don't usually make more than One Very Big Mistake over the course of their entire careers, which is usually fixed/overcome/redeemed via an appropriately rigorous training arc)

And to be clear, there's nothing wrong with shounen tropes or shounen anime. They're wonderful storytelling devices in their own way and their own time: but if you want standard by-the-book shounen without any new and interesting concoctions, then RWBY is definitely not the show for you. And most people don't find that out until it's too late.

[hubristicassholefight]

Swordswoman Showdown Round 4/Quarterfinal

Kikunojo (One Piece) vs Brienne of Tarth (A Song Of Ice and Fire)

(Better here in a "preferred character" sense, not "who would win in a fight")

Propaganda below cut

Kikunojo

She is a samurai and a retainer for the Kozuki Family, serving as one of the Nine Red Scabbards, a group of samurai that protect the Kozuki family and their country. She's a very skillful samurai, and she and her group managed to delay and hold off the main villain of the arc, (which was an almost insurmountable task for even the main character) and survived the experience despite her horrible injuries; She's canonically and openly trans! And she's gorgeous. And huge... She's 287 cm tall, which for the USAmericans in the audience is 9' 5". She's simply the coolest.

She’s a samurai and fights with a sword; tall trans woman <3

Legendary devoted samurai!; She's 2.87m tall, a time traveler, and not even losing an arm in the middle of the fight stopped her- she had it imediately cauterized and went back to the fight.

She's a lady samurai! Pretty and very skillful with her katana!

She is a samurai who was sent 20 years into the future to avenge the death of her lord; She’s so tall and canonically trans and I love her

She’s a badass samurai who fights for what she believes in and to help people. She is known as Kiku of lingering snow. She’s also canonically trans

She's a time traveling trans samurai, the only woman in a group of 9 legendary samurais; Her arm was chopped off by the biggest baddie so far and she continued fighting, isn't that badass?

One of the strongest samurai in her country; She's a trans icon

#kiku the greatest of all time#🐐#tall and gorgeous samurai lady#who is a trans icon#love that she is so tall that she doesn't fit in the image display#gets recognized as strong by the main character multiple times and proves it by being the most resilient badass of the entire arc#stands up to tyrants and abusers of class privilege#also helps break said main character out of the enemies prison and takes part in a rebellion against the corrupt prison staff#one piece#okiku#kiku

#kiku is canonically trans

Brienne

gets gifted a sword made with the rarest metal ever because she’s THAT good; she’s simply the best

Brienne is one of the top sword users alive in her day. She's descended from a man who's catchphrase was "I'm better with a sword." Better than what? You. Jaime Lannister. Loras Tyrell. Any five given guys at once. She has a fantastic sword that might be magic or cursed and is named Oathkeeper because that's what she does; I love her

Beat like 20 guys in a tournament when she was 19. Was given a magic sword. Won a sword fight against the premier swordsman in the realm. Very swordly; Very tall and strong. Holds her sword in high esteem. Accomplished with other weapons as well!

She's defeated multiple of the top knights in the series in duels. One such knight gifts her the fabergé egg of swords and she uses it to defend orphans and stuff. Got out of a bad betrothal by dueling him and beating his ass so bad she broke multiple bones. Honestly there's so much more she is the swordswoman of all time. to me; She's buff and ugly and 6' 5" and so honorable and kind that she inspires the guy who fucks his sister to yknow. stop doing that. literally gets mauled for the sake of protecting a bunch of orphans (with her sword). also she's 20 she should be at the club ‼️

One of the best sword wielders in Westeros, the author says he would pick her to defend him. Has a cool sword called Oathkeeper. Manages to go up against 7 fighters and take out most of them,. The only true knight; First off, talking about book brienne, they massacred show brienne, the show runners simply didn’t understand what she’s about.“ She had no chance against seven, she knew. No chance, and no choice” brienne had plenty of choice but she couldn’t leave people to die. The chivalric paradigm is rotten and corrupted, but here is Brienne, the one true knight, who isn’t even a actual knight! “knights are for killing”, but here is a knight who risks her life again and again to protect innocents! Bri IS hope, she is the light in the dark that shows that things can be better, things must be better. Fundamentally an idealist: “Winter will never come for the likes of us. Should we die in battle, they will surely sing of us, and it's always summer in the songs. In the songs all knights are gallant, all maids are beautiful, and the sun is always shining”

[physalian]

How to Subvert Expectations Without Compromising The Story

Whoo boy, is this a contentious topic with the last few blockbuster franchises. To “subvert expectations” is to do the opposite of whatever your audience expects to happen. Your audience expects the story to go a certain way based on the archetypes and tropes your characters follow, the tone you’ve set for your story, and the level of mature themes that tone allows.

It might mean your long-lost princess doesn’t actually reclaim the throne she’s been fighting for. Or the presumed hero (or any of their straight friends) of the story dies halfway through their arcs. The mentor pegged for death actually survives to the end credits. The villain’s plan actually succeeds, or the heroes fail to deactivate the bomb before it explodes. The “will they/won’t they” is never fulfilled.

Supporters of SE argue the following:

It’s refreshing, novel, new, a fun twist on a classic tale

They like that it’s unpredictable and bold

They’re tired of stories fitting within the same wheel ruts of every other story that came before and like to see creativity thrive

It gives audiences something they didn’t even know they wanted

Haters of SE argue this:

It’s only done for drama at the cost of fulfilling character arcs

It’s a cheap gag that only works once and has zero rewatchability with the same impact

Tropes and archetypes have stood the test of time for a reason - to entertain

Plot holes ensue

When expectations are subverted and the story changes in a more positive light (like a beloved character who doesn’t die when we all think they will), the reaction is not nearly as emotionally charged as when the story changes negatively. Thus, the haters have plenty of evidence of bad examples, but minimize the good ones. Good SE is novel, or a pleasant surprise, or a quaint relief. Bad SE trashes the story and spits on the fans and destroys the legacy of the fandom.

What makes a bad subversion?

Like killing any character for shock value, bad SE takes all of the potential of a good story and gambles it for a string of gasps in the movie theater. It exists only to keep the audience on their toes, or because the writer went out of their way to change the direction of their work when fans figured out the mystery too quickly and now *must* prove all the clever sleuths wrong.

So, say your subversion is making the hero lose a tournament arc when they made it all the way to the final round and the entire story is riding on this victory. They may have stumbled along the way and had some near-misses, but they must win. Not just so the audience cheers, but because this is the direction their arc must take to be at all entertaining and fulfilling.

Then they lose, because it’s *novel* and irreparable consequences are reaped in the aftermath. They lose when, by rights, they were either stronger or smarter or faster than their opponent. They lose when the hand of the author rigs the fight against them and everyone notices.

Sure, it’s not at all what audiences expect, but you, writer, your first responsibility to the people consuming your content is to entertain them. So what purpose does this loss serve this character? How does it impact their arc, the themes that surround them, the message of your story?

Even if mainstream audiences don’t care on the surface about themes and motifs, they still know when a story fumbles. It’s not entertaining anymore, it’s not satisfying. Yes, crap happens in reality, but this is fiction. If I wanted to read about some tragic hero’s bitter and unsatisfying demise, I’d read about any losing side in any war ever in a history book. I picked up a fiction book for catharsis.

On the topic of “gritty fantasy/sci-fi anyone can die and no one is safe” – no author has the guts to roll the dice and kill whoever it lands on. Some characters will always have plot armor. Why? Because you wouldn’t have a story otherwise, you’d just have a bloody, gory, depressing reality TV show with hidden cameras.

What makes a good subversion?

Now. What if this character loses the final round of their tournament, but it’s their own fault? Maybe they get too cocky. Maybe it’s perfectly, tragically in character for them to fall on their own sword. Maybe the audience is already primed with the knowledge that this fight will be close, that there might be foul play involved, but still deny that it will happen because that’s the hero, they won’t lose. Until they do.

Then, it’s not the hand of the author, it’s this character’s flaws finally biting them in the ass. It’s still disappointing, no doubt, but then the audience is less mad at the author and more mad at the dumbass character for letting their ego get to their head.

If you write a character who’s entire goal in life is to win that trophy, or reclaim their throne, or get the girl, and they *don’t* do those things, then the “trophy” had better be the friends they made along the way, that they learned it wasn’t the trophy, it was something *better* and even though they lost, they still won. Even when expectations are shredded, the story still has to say something, otherwise the audience just feels like they wasted their time.

A good subversion does not compromise the soul of the narrative. You might kill a fan favorite character or even the hero of the story, but their impact on the characters they leave behind is felt until the very end. The hero might lose her tournament, but she still walks away with wisdom, maturity, and new friends. Heck, sports movies leave the winner of the big game a toss-up more often than not. Audiences know the game is important, but they know the character they’re following is even more important. Doesn’t matter if the *team* loses the battle, so long as the protagonist wins the Character Development war.

Good SE that should be more popular:

The “Trial of threes” – your hero faces three obstacles and usually botches the first two and succeeds on the third attempt. Subvert it by having them win on the first or second, lose all three, or have a secret fourth

Not killing your gays. Just. Don’t do it. That’ll subvert expectations just fine, won’t it?

Let the villain win

Have your hero’s love interest not actually interested in them because they realize they deserve better / Have the hero realize they don’t want the romantic subplot they thought they did

Have the love triangle become a polycule / have the two warring love interests get with each other instead, or both find someone they don’t have to compete for

Mid-redemption villain backslides at the Worst Moment Possible

Hero doesn’t actually have all the MacGuffins necessary at the Worst Moment Possible

Hero is simply wrong, about anything, about important things, about themselves

The character who knows too much still can’t warn their friends in time, but lives instead with the guilt of their failure

The mentor lives and becomes a bitter rival out to maintain their spot at the top of the charts

Kill the hero, and make the villain Regret Everything

More deadbeat missing parents, not just dead parents

Let the hero live long enough to become the villain

—

Why write a crown prince that never becomes king? What’s the point of his story if all he does is remain exactly who he was on page 1 and learns nothing for his efforts? Why write a rookie racer if he spins out in the infield in the big race and ends his story broken and demoralized in a hospital bed? Why should we, the audience, spend time and emotional investment on a story that goes nowhere and says nothing?

Cinderella always gets a happy ending no matter how many iterations her story gets, because she wouldn’t be Cinerella if she remained an abused orphan with no friends. We like predictability, we like puzzling out where we think the story will go based on the crumbs of evidence we pick up along the way, we like interacting with our fiction and patting ourselves on the back when we’re proven right.

Tragedies exist. There’s seven types of stories and the fall from grace is one of them… but audiences can see a tragedy coming from a mile away. Audiences sign up for a tragedy when they pay for the movie ticket. We know, no matter how much we root for that character to make better choices, that their future is doomed. Tragedy is still cathartic.

What’s not cathartic is being bait-and-switched by a writer who laughs and snaps pictures of our horrified faces just so they can say they proved us wrong. Congratulations? Go ahead and write the rookie broken in the hospital bed. I can’t stop you. Just don’t be shocked when no one wants to watch your misery parade march on by.

[partycatty]

i had a vision and drew it - and even better, i got a fic idea from it!

johnny cage > discovery

johnny discovers his new powers unexpectedly. maybe he wasn't as ordinary as others thought.

warnings: johnny thinks he's dying and gets all crisis-y, established relationship

notes: imagine instead of activating his powers in a life or death situation, it randomly bodyslams him like a heart attack - and it scares the hell out of him. also i hope u like my silly sketch :3

masterlist <3

• johnny's life was crumbling. his movies were flopping hard, and people were starting to forget his name. his spending habits were out of control, and you two were arguing about it so much that you grew tired of hearing your own voice. most days were the cold shoulder or shouting matches. things weren't looking great.

• it was during one of these matches when the shouting on his end abruptly paused, and he doubled over. your anger was shoved aside as you dashed forward to inspect his current state. but, just as soon as it started, it was over in a flash. johnny was startled, to say the least. his eyes were wide and he was panting.

• you guys assumed the stress was taking a toll on him, a physical toll. out of respect for his well-being, you held your tongue from that point on. or at least, you tried to. everything was relatively quiet until a mysterious yakuza member demanded the sword on your shared mantle. you would've thrown it at him if given the opportunity since the damn thing sent you back millions. johnny, however, wasn't as willing. fortunately for your safety's concern, he was the ultimate home security system, tying up the man after knocking him unconscious.

• we all know the rest. "what in the actual-" "i am the god of fire" "get your damn hands off him" "that's no special effect" "change the arc of your lives." blah blah blah. it was all a weird blur. apparently, you, johnny, and this new "friend" of yours were all chosen to fight for something bigger than a malibu disagreement. you were a fighter alongside your husband, but you did it competitively. johnny did it for the cameras, which isn't to say he's worse naturally. he could kick ass, and so could you, just in different directions.

• liu kang warned everyone that training would take months, as the tournament was far down the line. johnny grew impatient, and you grew tense with his lack of eagerness to actually train. regardless, you sparred and took the monk's advices to heart.

• johnny wouldn't tell you at first, since he didn't want to distract your own progress, but he would oftentimes catch himself feeling... funny, for lack of a better phrase. during meals, his eyes would unfocus and his hearing sounded underwater. at night, he'd toss and turn for hours in the cot beside yours. something felt wrong, really wrong. his chest felt fluttery and cold, like a sprite weaving between his ribs. it scared the holy hell out of him, considering how prone is family is to heart attacks.

• "great session! whaddya say to a well-deserved break?" he'd announce out of concealed desperation to the other earthrealmers, hoping that someone would agree and he'd be able to excuse himself to loosen his collar and sit down for a moment. it was after the fifth time asking in a day that you approached him with genuine concern.

• "honey, are you alright?" you asked gently, putting a hand on his shoulder. his eyes followed your touch and he sighed, moving your hand to his chest.

• "i-i'm afraid," he'll confess quietly, glancing behind you to make sure nobody was overhearing his moment of worry. "i haven't been feeling well, but i can't just drop everything and leave. not when my career's in the shithole. we've got nothing to return to. this fire god guy needs me, needs us, and i know damn well you'd follow me out if i stepped back from all of this."

• johnny's tragic worry struck a chord in your heart and you couldn't help but agree with his words. you advised him to ask a monk about decongestant tea, or some other simple remedy that would keep you at the academy.

• things died down, or at least, johnny's pain wouldn't be verbalized for a while. you and the boys were actually gaining significant strength and conditioning with the brutal training regime liu kang assigned. when he felt everyone was finally prepared to choose a champion, he assembled a king of the hill type of tournament on campus grounds.

• you stood between johnny and kenshi, a palpable tension on your husband's shoulders. his jaw was clenched tight, as were his fists. he looked... terrified. this wasn't a normal expression for the star.

• "johnny?" you whisper to him, reaching down to intertwine your fingers with his. before you could fully articulate your concerns, he speaks up.

• "i don't feel well," he murmurs in return, eyes fixated at the platform in front of you all. he visibly pales.

• liu kang calls you to the platform as the first contestant, and you obediently oblige with a bow, waiting for further instruction. your eyes danced across your potential competitors — raiden and kung lao, the humble farmers. kenshi, the enigmatic swordsman... and your husband, who looked as if he was shitting himself and moments away from puking.

• "you will face (reader), johnny cage."

• "a-are you sure? because that's my spouse, and i'd hate to—"

• liu kang frowns. johnny puts his hands up in a surrender motion, a pathetic attempt at remaining playful, and hoists himself to the platform across from you. his position readies, as does yours.

• though he may be visibly under the weather, the technique is still there. johnny's fighting style is unique and calculate, effortlessly playful and charismatic, just like him. even so, the match becomes quite even as you're familiar with his style. you parry many blows, mirroring others. the crowd is pleased and excited by the potential outcomes.

• you land a good kick to johnny's face, sending him spiraling in the air and landing on his back with a deep thud. the color in his face returns (due to the bruising) as he stares up at you, licking his lips before flourishing his way back up.

• but then, he lets out a strained cry.

• johnny clutches his chest, clawing at the layers of fabric across his body as if they're an anvil sitting atop his torso. his face twists as he doubled over in complete agony.

• "by the elder gods!" liu kang shouts, standing from his spectator chair. others let out their own concerns and shouts, but you're the first one rocketing to his side. you get to his level to inspect his face. you make a desperate attempt to push his damp hair from his face, but his neck snaps the other way as his body tries to expel this sudden onslaught of pain.

• as the fear that a heart attack is imminent, a sudden glow of green burns bright even past johnny's robes. it spills out like an angry cloud, seeping through johnny's fingers as he cries out in the worst pain he'd ever experienced. it is here that liu kang tenses up, then relaxes. he steps to the side, and does nothing but watch blankly. you come closer and part his clothing, giving yourself access to his bare chest to inspect the source.

• shockingly, the problem is... internal. his veins are glowing a bright green shade and when his eyes aren't deeply clenched, you sense a faint trace of emerald in his irises. right where his heart is, is a rhythmic flashing pattern.

• "make it stop!" johnny begs helplessly, and you reply on the verge of tears that you don't know how to help. however, almost as if on cue, he takes a deep breath inward and sits upright, eyes wide and jaw slack. and, just like that, everything seems normal again.

• you run your hand frantically across his bare skin, trying to feel for abnormalities as he catches his breath. you're crying now from the fear, and you catch a glimpse at his watery eyes.

• "are you okay?!" kung lao asks, putting a hand on his back to help him stabilize. "what was that?!"

• "i don't know..." johnny breathlessly replies, reaching a hand up to fix his hair nervously. however, as his hand traveled upward, he noticed the same emerald aura clouding around his hands, and he shouts out and scurries as if he's trying to run away from his own arm. as it's outstretched, it shoots a ball of energy outward, frying a mannequin that sat innocently off to the side. the crowd's eyes go from the mannequin and back to the celebrity. your fists ball up on his back, fistfuls of fabric keeping you upright otherwise you'd fall back from shock.

• "that is not how i anticipated that happening this time," liu kang muttered, coming closer to inspect johnny's palms. johnny stares at his hands like they grew overnight. his eyes shoot to the fire god, incredulous.

• "what the hell do you mean, 'this time?!'"

[fictional-god-poll]

scythe art

[kirbybecomesastarwarrior]

Once again I thank you all so much for supporting me during the Kirby OC Tournament. Especially all my followers & mutual who humored me with all the poll reblog stuff.

As promised the lore. (And I've been cooking this turkey for a while and it's ready to come out of the oven.)

Fair Warning contains spoilers... I will not be explaining all the details of what happening. This is incredibly vague & via musical... so I won't spoil that much (since this does take place during the final arc... Void Termina Saga). The events that are being shown do not happen exactly how they are portrayed, however the essence of what's happening is the same.

Morgan shall be singing "Last Midnight from Into the Woods,"

Spoiler warning, (More drawn content is contained below)

(OH NO WHAT'S HAPPENING TO KIRBY...Sorry, I can't explain it just yet... Nor why Meta Knight's mask is broken in half... maybe he got into a fight or something, hold the phone I thought Galacta was trapped in insanity... what happened... Sorry if I tell anything of that it'll spoil the good stuff)

Dame Morgan: It's the Last Midnight

So in summary: After they refuse to hand Kirby over, Morgan reveals there's a traitor in their midst... Fumu is the reason why Kirby is in the state he is in (Fumu is currently regretting her life choices). Leaving Meta & Gala shocked, and scared to death at Kirby's current state, while Kirby is sad, and betrayed again...~

And Morgan just having herself a time, living her best life~

In the KBASW series, she tricks three major characters:

Namely: Queen Ripple, Hyness, and Fumu/Tiff. (the most devastating one she tricks)

Dame Morgan is basically a mixture of: "The Witch" from Into the Woods, Morgan from (Merlin's 2008 TV series), Eris from Sinbad (she has the voice of Eris), and the Joker from Batman.

Morgan represents the opposite of Celestine... (via Morgan vs. Merlyn wizard rivalry) The Anti-Celestine so to speak~

The one person she hates more than Arthur is Merlyn/Celestine.

Celestine sees magic as a tool, not a solution or the answer to your problem... promoting true self-improvement comes from within. For there will always be...: another bridge to cross, another monster to slay, another woods to go into. The only way to ever truly be prepared in this world is to learn from each other... and to be kind to one another & share the experience. If you cheat your way throw life will just get harder and move with you... Being better and leading a good example will inspire others to be better along with you.

The change starts within, with us...

While Dame Morgan:

Life is unfair, you play by their rules, you follow the system, sacrifice everything to fit the mold, and yet you can still be cheated out of what you deserve...

And you're telling me I should just "hang in there," "hold on", "it's gonna be okay eventually keep smiling".... nah? Let's stop "pretending to be good", everybody is just in it for themselves so... if you do that you're just a fool waiting to be tricked.

Why not live just for yourself... why not cheat back... why not be the bad guy? That's why her theme is "Stella Jang(스텔라장) _ Villain(빌런)

Morgan represents the easy way out, a quick fix... to blame someone else...an escape. How did she obtain this dark magic... The Jamba Heart...Granting everyone's selfish desires... the reason why everyone falls for it is because she has the charisma to make the offer far too tempting and to pass it up, no.

And guess who was her first customer... Hyness~

The biggest change I probably did the to mix anime & game lore. (Kirby Star Allies) In KBASW AU... Morgan the one who convinced Hyness the Jamba Heart was what he needed to restore his clan. It's the reason she's able to stay hidden for a long while...Allowing the negative to naturally corrupt him and use him as a figurehead...

Despite giving him the Jamaba Heart... she did not tell him exactly how to break the seal on Termina... (Whoops she must have forgotten, how clumsy of her...) Purposely having him fail~

However, the secret to this lies with... FUMU!? Due to the reincarnation of the first ruler of Dreamland... she holds the key to unsealing & controlling Void Termina... She throws them to the wrong person. She's very much tricked into thinking she's helping "Kirby," but... yeah this happens instead.

And of course, there's always a price... though once you do realize you've been bamboozled, she'll remind you that she gave you a choice... Ultimately making you realize it's your own fault at the end of the day. Very much rubbing your head in the mess you've made for yourself. (which is exactly what she's doing to Tiff/Fumu right now.)

In summary, she pretty much invites you to be your worst self; she's the villain but deliciously so! :3

[hotvintagepoll]

Propaganda

Audrey Hepburn (My Fair Lady, Sabrina, Roman Holiday)—Growing up, Audrey Hepburn desperately wanting to be a professional ballerina, but she was starved during WWII and couldn't pursue her dream due to the effects of malnourishment. After she was cast in Roman Holiday, she skyrocketed to fame, and appeared in classics like My Fair Lady and Breakfast at Tiffany's. She's gorgeous, and mixes humor and class in all of her performances. After the majority of her acting career came to close, she became a UNICEF ambassador.

Jean Seberg (Breathless, Saint Joan)— Some of us watched À bout de souffle as a lil French undergrad and had the trajectory of our lives changed by Jean Seberg. She IS French new wave!! She is the moment!! She sadly had to work with a lot of shitty directors in her career but even so, she has this magnetic energy whenever she’s on screen. In her personal life, she was also very supportive of civil rights causes, and was even targeted/harassed by the FBI for financially supporting the Black Panther Party.

This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Jean Seberg:

anyone who plays Joan of Arc is kind of hot by default tbh

she's gorgeous, she's cool, she has the original blond pixie cut

She donated a lot of her money to civil rights organizations such as the NAACP and the black panther party as well as Native American school groups, as a result of this the fbi ran a smear campaign against her and a surveillance campaign which is thought to have led to her suicide tragically.

idk if this is propaganda but the COINTELPRO and the FBI are widely blamed for her death. If the FBI was after her for supporting the Black Panther Party you know she was good

Audrey Hepburn:

"She may be a wispy, thin little thing, but when you see that girl, you know you're really in the presence of something. In that league there's only ever been Garbo, and the other Hepburn, and maybe Bergman. It's a rare quality, but boy, do you know when you've found it." - Billy Wilder

Raised money for the resistance in nazi occupied Hungary. Became a humanitarian after retiring. Two very sexy things to do!

where to begin......... i wont her so bad. i literally dont know what to say.

My dude. The big doe eyes, the cheekbones, the voice. The flawless way she carried herself. She was never in a movie where she wasn't drop dead gorgeous. Oh, also the fact she raised funds against the Nazis doing BALLET and she won the Presidential Medal of Freedom for her humanitarian work.

"It’s as if she dropped out of the sky into the ’50s, half wood-nymph, half princess, and then disappeared in her golden coach, wearing her glass slippers and leaving no footprints." - Molly Haskell

"All I want for Christmas is to make another movie with Audrey Hepburn." - Cary Grant

I know people nowadays are probably sick of seeing her with all the beauty and fashion merch around that depicts her and/or Marilyn Monroe but she is considered a classic Hollywood beauty for a reason. Ironically in her day she was more of the alternative beauty when compared to many of her contemporaries. She always came off with such elegance and grace, and she was so charming. Apparently she was a delight to work with considering how many of her co-stars had wonderful things to say about her. Outside of her beauty and acting ability she was immensely kind. She helped raise funds for the Dutch resistance during WWII by putting on underground dance performances as well as volunteering at hospitals and other small things to help the resistance. During her Hollywood career and later years she worked with UNICEF a lot. Just an all around beautiful person both inside and out.

No one could wear clothes in this era like she could. She was every major designer's favorite star and as such her films are time capsules of high fashion at the time. But beyond that, she had such an elegance in her screen presence that belied a broad range of ability. From a naive princess, to a confused widow, to a loving and mischievous daughter, she could play it all.

Look at that woman's neck. Don't you want to bite it?

[tobiasdrake]

What is Goku's morality?

Goku has a good head on his shoulders usually. He has an innocent and "childlike" approach to morality in the sense that Goku doesn't have a complex or nuanced approach to right and wrong. He's just a compassionate person who likes it when people are happy and safe.

I do specify "usually", however. While Goku's moral compass is wound pretty well, he also has what Toriyama called the "poison" in his character: A deep-seated personal flaw that conflicts with his moral center, making for an interesting and nuanced protagonist rather than a one-dimensional paragon.

Pretty much from the get-go, as early as chapter 3, Goku and Bulma were being set up as moral foils to one another. Goku's purehearted innocence contrasted against Bulma's self-centered callousness.

This is made explicit when Goku receives his Kintoun/Flying Nimbus, a metaphysical test of virtue that only someone who's pure of heart can ride. This serves as a litmus test for how we're meant to read various characters, in terms of their morality.

FAILURE

PASS

FAILURE

PASS

FAILURE

PASS. Uh, this alter, at least.

And so on. In terms of morality, Goku takes a pretty simple position: He doesn't like it when people are being hurt or oppressed. That's it. That's all there is to it. Goku has a strong sense of compassion for others and while he doesn't go actively looking for wrongs to right, he can't look the other way when they land in front of him.

Oh, you're being enslaved by a militant warlord? That's not nice. Goku's gonna go file a complaint. Stapled to the general's face.

He was just here to find a Dragon Ball but, as long as he's in the area, he might as well liberate an oppressed population. Goku loves to help others.

In fact, the RRA arc is a great demonstration of Goku's moral center, because he didn't have to go to war with the Red Ribbon Army. Goku finds what he's looking for about 2/3 of the way through.

That's it. That's all he wanted. He's done. Goku's mission is complete; He can go home now. He has zero investment in any further conflict with Red Ribbon.

...until this happens.

Bora's death sets in motion the events that will carry Goku through the rest of the arc: His rematch with Taopaipai, the siege of Red Ribbon HQ, and the Uranai Baba Tournament are all for the sake of this man, a man Goku's known for like ten minutes, who lost his life because he tried to protect Goku from Taopaipai.

Everything after this point is revenge for Bora and the utility of getting what Goku needs to make Dragon Ball's very first resurrection wish.

Hiring Taopaipai was a mistake that turned Goku from a meddlesome interference into a vengeful nemesis gunning straight for their door.

This more or less remains Goku's relationship with the various ne'er-do-wells of Dragon Ball. He doesn't like when people get hurt, and he relishes opportunities to fuck up their oppressors.

If you hurt people in front of Goku, he's gonna fuck you up.

If you hurt people he likes, may Enma-Daio have mercy on your soul.

But.

This is where Goku's "poison" comes into play. Goku is a moral person but it isn't morality that drives him. If he sees a mugging taking place (and understands what he's seeing) he'll go punch the mugger, to be sure. But he's not looking for muggers to punch.

Goku has heroic inclinations, but he is not a superhero. He's an athlete looking for good sport. A martial artist driven by a desire for self-improvement, always on the lookout for his next rival. This complicates the way he approaches the villains of the story.

What Goku wants, more than anything, is a rival who can keep pace with him. A chance to push his limits and test himself. It's at the end of the 23rd Tenkaichi Budokai where we first see Goku's poison begin to push him into... questionable decision-making.

The reincarnated Piccolo uses the 23rd Tenkaichi Budokai as a chance to get revenge against Goku. This stops being a martial arts tournament once the poorly-aliased "Demon Junior" reveals his true identity.

Or, at least, it probably should have. But Goku is hellbent on taking the title of Strongest Under the Heavens even if the whole goddamn island is about to get leveled. To the bitter end, Goku refuses to let this stop being a sports competition.

There is nothing on Earth more important than this.

The thing about Goku is that he's really good at mixing his morality with his poison.

He gives Piccolo a Senzu to restore him to full strength after the match, then sends him on his way hoping Piccolo will come after him for revenge some day. He wants to use Piccolo as a motivator to keep pushing himself - An incredibly dangerous decision to make given that this man wants to kill him and conquer the world.

Goku makes the moral argument that they can't kill Piccolo without killing God, but as Krillin points out, this isn't a binary choice. They could have sealed Piccolo away with the Mafuba/Evil Containment Wave while he was lying helpless on the ground.

You know. Instead of giving him a Senzu and wishing him tremendous gains. This is Goku's poison in action. We see it again with Vegeta, where Goku even admits that he's being unbelievably self-serving by insisting on sparing Vegeta's life.

We see his poison strike when he agrees with Vegeta to do nothing and allow the Androids to be created. Once again coming up with a moral angle to it, but only after his kneejerk reaction of wanting to fight.

But it's easy to overlook because Goku's questionable decisions tend to work out for the best anyway. This poor man's been searching for years for a sinister archrival that will come after him like a Saturday Morning Cartoon villain, but they keep reforming.

Well, at least he got to have this.

Good times.

Goku is a generally good man compromised by a desire for sportsmanship that sometimes inhibits his perspective of things. When he can, he tries to satisfy both his moral center and his poison.

But sometimes his poison gets the better of him.

Goku makes questionable choices when he gets his blood boiling with the rush of competition, even at times when he probably should be thinking about harm mitigation. Because that is a thing he cares about; He doesn't like it when people get hurt, and he'll go out of his way to help others in crisis.

But he can't help himself. He was born for the stage.

Which makes it fitting that Goku's journey ends with one final compromise between his moral center and his poison. Right at the very end of his journey, Goku finally manages to satisfy both.

By relying on the karmic cycle itself, Goku destroys the monster that Majin Buu is while making a promise to fight each other again one day in a better life. The ultimate evolution of "No, let the bad guy go so I can fight him again."

And a promise well-kept.

[comicaurora]

so Yuyu Hakusho recently got added to the Shonen Jump digital vault & I’ve been reading it on your (dubiously intentional) recommendation and last night I read through the whole Dark Tournament arc and

1: more outdated moments aside, this series is so goddamn funny

2: I’M SORRY, HIS MOM IS THERE??? HIS MOM AND HIS GIRLFRIEND AND THE ENTIRE REST OF THE FEMALE CAST ARE JUST THERE WATCHING THE DEMON DEATH TOURNAMENT????? that’s the funniest thing I’ve ever read in my life

the true power of friendship is taking time off school and work to get a girls' night together and watch your boyfriend/idiot brother/secret twin/work acquaintance/guys you've arrested at least twice kick the shit out of like fifty guys