#edited for comedic purposes

[jimmyhoffathecat]

[knbposting]

Perspective: older siblings often act adult and grow up too fast bc responsibility. Kagami thought Himuro was cool, which put pressure on Himuro to show no weakness. Alex remarks that Himuro hiding his feelings from Kagami will come back to bite him later. He has an inferiority complex as a teenager, but who is fully mature at 17? Having insecurities/lashing out doesn’t make a person evil (see: the GOM). Kagami was oblivious and confused, but if he was traumatized he wouldn’t have forgiven him.

i'm an oldest child no need to remind me about that one lol

i find the dynamic really interesting from himuro's perspective because he clearly puts a lot into feeling responsible over kagz. actually come to think of it i think i wrote that in one of my fics aaaages ago, where they have this conversation as adults and himuro explains that he had all this pressure as the oldest kid and didn't want to lead him astray or whatever.

i also never said he was evil i just said i don't like him 😭 i also never said i expected him to be fully mature, they're all kids after all

but i disagree with "if he was traumatized he wouldn’t have forgiven him" because i don't think kagami is self-aware or self-reflective enough to realise when he's traumatised and when he isn't

[riacte]

"It's rotten work," Ren says. His tail swishes nervously. He has the demeanor of a sad scolded puppy even though no one's scolding him.

False looks up from where she's placing down mud blocks in accordance to the roads that Ren lined out. Ren's theatre kid behaviour must be kicking in now, because to call her work rotten is dramatic and almost insulting.

"It's not rotten to me. There's stuff I would call rotten work, but this is no where near it."

False places down another block. Ren obediently shuffles out of the way.

"Rotten work is when I'm at a tourney and no one's listening to my strategy so I'm left all alone, but then they use my strategy and we actually win while everyone ignores me. Rotten work is when someone sabotages me and I'm the one left to sweep away the pieces. Rotten work is when someone attacks me on purpose and I'm the one who has to apologise for being mad and pacify everyone else. This?" False pulls out another mud block, "is building. And building is not rotten work."

Ren cautiously observes what False is doing, then also pulls out his mud blocks. He moves a few steps forward so he's placing blocks, but out of her way. "It's still work," he admits. "A lot of work, in fact."

False is nonplussed. "But that's what builders do, don't they? And I am the Minister of Transport."

Ren laughs, but it's a quiet laugh. He pauses like he's hesitating, then he mumbles,

"I'm a lot of work."

Now it's False's turn to pause. Her hands continue with placing the blocks, because that's what she does. Building. Grinding. Helping friends out. So on and so forth.

"It's peculiar work for sure," False says, her tone light. "Picking up your stuff when you spontaneously explode. Bugging you about MCC. Teaching you basic colour theory. You can't get orange from blue, Ren. It sadly doesn't work that way."

Ren chuckles at the jab. "Worth a shot, eh?"

False coughs. "Yeah, like I said, peculiar work. But it's fine. I like doing peculiar work because I'm a peculiar person and you're a peculiar person. But together we are normal. Very normal indeed."

Ren considers it. "What if I don't want to be normal?"

"Then we won't be normal."

"What if I want to be normal?"

"Then we'll be normal. Or at least pretend to be."

Ren laughs. "That doesn't make any sense."

False smiles wryly. "Come on now, Ren, when have I ever made any sense?"

He shoots her a grin. "But you're like the most sensible person in the Neighbourhood!"

False lets the silence hang between them for comedic effect. "... No."

"No?"

"If I were sensible, I would've left the Neighourhood long ago."

"Hey!"

"Just kidding. That's why I'm not sensible. That's why I like not being sensible. Besides, I'm not the one who organised the ministry or planned the roads. You did. You're the one with the vision. I'm just following it."

Ren looks around the paths and his tail wags in excitement. "But you're contributing to the vision! I saw the bits and pieces you added! It looks great, by the way!"

False nonchalantly continues placing. "Yeah, you see, that's part of the peculiar work. You draw up the canvas and I edit in the details. It's like how we did the raceway last time."

"Yeah, but I haven't grinded as hard this time around. Too busy with my permit, my dude."

False giggles. "Would you call getting the beacon permit drawing a short straw?"

"I mean, I was the second to die in Demise, but you won and everything worked out in the end, so I don't mind." A pause. "Also gives me a chance to kill those dastardly withers as revenge for all the times they defeated me."

"Right, it's a lot of work to kill them, never mind farm them."

Ren sighs deeply. "There's definitely a lot going on. Especially those buttons, man."

False glances up. They're both still doing the roads. She watches Ren shift up a step and place down a mud brick slab.

"Yeah, but it'll be worth it. I'll buy your beacons. Actually, you can go do your buttons. You can kill some withers. I'll take care of this."

She can almost hear his apologies— sorry that she's doing the roads that he was supposed to do, sorry that he didn't reply to her messages, sorry that he's the way he is.

(And maybe he picks it up too— the way she actually means "I'll take care of you". He always seems to instinctively know what she means under her contradictory and confusing words. In the same way she instinctively knows what he means.)

Ren softly chuckles. "It's peculiar work."

"It's peculiar work especially if it's me, and especially if it's you—"

False sets down a mud brick slab right next to the one Ren placed. Just one slight push, and the pattern of the bricks align like they'd been inseparable from the get go. The corner of her lips quirk up.

"— but that's why I do it."

[kitkat-the-muffin]

Tis a niche of its own

Sorry there is only two female characters, I kinda pulled these off the top of my head and probably missed a ton of other candidates. Reblog with an addition if you have one!

Edit: I forgot to make this poll a week long! Once this poll ends I'll remake it with new additions depending on the results (the characters with the fewest results will be replaced with suggested characters from the notes so be sure to suggest some!) in the meantime tho plz reblog to increase sample size

This follows my own definition of what "Comic Relief" means: A character that is used as a conduit for comedy in a piece of media

Through character studies I have determined that there are 5 types of comic relief: the Character Relief, the Audience Relief, the Tone Shifter, the Butt of the Joke, and the Slapstick. Characters that identify as "Comic Relief" usually fall into one or more of these categories

Further explanation under the cut

The Character Relief refers to a character who actively makes jokes to be funny in-universe through conscious humor. Examples from this poll would be Sans and Rayla, who go out of their way to make their friends laugh

The Audience Relief refers to a character who makes the audience laugh regardless of their impact on the story. Examples from this poll would be Lapis and Gus, who are often involved in comedic bits meant for audience entertainment that aren't acknowledged by the narrative as anything unprecedented

The Tone Shifter refers to a character who makes jokes to relieve tension and shift the tone of a scene, either consciously or unconsciously. Examples from this poll would be Jay and Leo, as they both consciously make jokes about grim situations to help their friends or family feel better. Additionally, Jay would do this unconsciously before his trauma made him start doing it on purpose

The Butt of the Joke refers to a character who is made fun of by other characters in-universe, whether endearingly or not. Examples from this poll would be Dewey and Lance, who are often met with insults whenever they do something wrong or silly. The insults are usually meant to be endearing and comedic, but they can still feed into the character's possible inferiority complex. This also applies whenever a villain hits them with a sick burn*

The Slapstick refers to a character who is made fun of by the narrative and the audience like a punching bag. Examples from this poll would be Sokka and Yusuke, who are sometimes put in troubling and awkward situations as a gag for the audience's entertainment alone. These gags are not fun for the characters yet delightful to watch

Most comic relief characters can be characterized as multiples of these. For example, Jar-Jar from Star Wars is both Slapstick and Audience Relief, and even if you don't find his jokes funny that doesn't change the fact that they were written with your entertainment in mind

If you're curious how a "The Narrative's Favorite (derogatory)" character would fit into this chart, they're likely both a Butt of the Joke and a Slapstick character, making their life absolute hell. To be honest, MK from Monkie Kid is an example of a character who fits all 5 categories, but he isn't blue so he isn't in this poll

*Ok if you've ever seen Phineas and Ferb Mission Marvel let me just say MODOK is a total Butt of the Joke and my favorite line in that special is when a TV announcer calls him a "Giant Chicken Egg with a Face" and I just had to mention that omg

[pawthorn]

So, Ratfish was very very good.

The DropOut cast was incredible, the game concept was fantastic, the set dressing was so fun, and the editing was frankly brilliant— to provide narration, cohesion and commentary simultaneously in such a complex episode is such a steep feat and they really couldn’t have done better.

Rehka and Katie both knocked it out of the park in terms of gameplay and being so damn funny, Jess and Zac both show why they’re fantastic comedy writers, Brennan and Ally brought the calculated disruption we love in any DropOut game, and Grant lent his patented blend of self-aware buffoonery I’ve come to truly treasure.

And then there was Steven.

I kinda feel bad for mind-blown-gif-guy.jpeg because he did serve his purpose of contrasting the humor of the main DropOut cast.

Sort of.

But that contrast just highlighted how creative and collaborative and sparky the DropOut crew are with each other, contrasted with the relatively dead-air and confusion that followed many of Steven’s contributions.

It was really obvious that he wasn’t one of them. He just didn’t fit. At all. So I’m not sure he threw anybody off in the way he was meant to.

And at the end of the day I’m just left wondering why this guy with so little comedic DNA in common with the cast got to choose the winners.

I love that Ally and Katie got billboards. I do.

But come on.

Rehka owned that game and we all know it.

[stellari-s]

🥀﹐some ikevil matching pfps and edits ③．﹗﹑

—— ( matching pfps for each char! matching pfps for roger’s past records! )

PLEASE READ: all images used here belong to cybird; i have only edited them and cropped them into icons. please be aware the images used here have not been released to en yet (though they are cropped for icon purposes). a like or reblog is heavily appreciated if you save or use any of them!

𓆩ᥫ᭡𓆪 a record about a most comedic and amusing tragedy ˚ · . 壱。

ELBERT GREETIA 𖦹₊ ⊹ 🍎

ALFONS SYLVATICA 𖦹₊ ⊹ 🪞

𓆩ᥫ᭡𓆪 a record about a ‘happy’ relationship, bound by a contract ˚ · . 弍。

ELLIS TWILIGHT 𖦹₊ ⊹ ⛓️

JUDE JAZZA 𖦹₊ ⊹ ⌛️

[traineecryptid]

NPSS Weibo Q&A (20240831) Part 1

This is a Q&A session held on Weibo. People will tag their questions with the hashtag #南派三叔藏海花在线答疑# (#NPSS Zang Hai Hua Online Q&A#) and NPSS will look through the tag to pick some to answer. The event started at 1500 hours on 2024 August 31st. For comedic purposes, this translation will include the timestamps for the answers. And for efficiency purposes, I have left out all usernames. The usernames of the question-askers can be found via the screenshots in this folder if anyone is inclined to do that.

1422 Come ask questions at #NPSS Zang Hai Hua Online Q&A#. I will stay online and pick questions to answer without limits from 3pm onward. 1500 Q: Sanshu, what was the thing that Zhang Qiling wanted Pangzi to tell Wu Xie that Pangzi mentioned when he was fixing Wu Xie’s dislocated shoulder? My friends and I would love to know. 

A: Eat well, sleep well, wear socks even in the summer. 1500 Q: Lei, do you like this pic I made? [It’s an edit of NPSS’s face on a pink dressed magical girl body]

A: I feel like this pic is affecting the fengshui in my house.

1502 Q: Shu, it is confirmed that Ten Years is included in the ZHH drama. Then, will the drama show the changes between ZHH Wu Xie and Ten Years Wu Xie? In yesterday’s livestream you said that there are four turning points in the drama. Is it that Wu Xie will become Xie Di after being tricked four times? A: Every character and their fate all have big turning points. Whether he’s a good person or an evil person, whether his answers are real or fake, you must watch till the end [only then you’ll know].

1502 Q: Sanshu, what was Wu Xie thinking in the split second when he saw Menyouping’s portrait in Tibet? A: “What the fuck!” (T/N: swears are not very translatable in meaning. I tried.) 1503

Q: Pumpkin Sect (T/N: this might be an intentional typo punning of nanpai which means southern sect), what would the scene be like if Xiaoge’s mom met Wu Xie? Would Bai Ma be happy that her child had gained some humanity because of Wu Xie? A: Bai Ma would probably teach Wu Xie to sing. Something like The Night of Ulaanbaatar.

1505 Q: Shu, why have you been answering so many questions lately? Has there been some big thing happening?

A: They said that I’m a liuliang celebrity so I should shoulder the publicity mission. (T/N: Liuliang celebrity refers to celebrities who are popular (or controversial) and are able to generate a lot of social media traffic. For example: when a celeb would get on the trending searches whenever they post selfies/ attend events/ do just about anything.)

1513 Q: What would Mo Yungao from Southern Archives do if he had really found Xiaoge? A: He would eat Zhang Qiling.

1523 Q: Is the audience viewing experience taken into deep consideration when making drama and movie adaptations? For example, allowing those who haven't read the novels to understand the plot. I saw some people saying that they couldn’t follow the plot [from the drama].

A: For Reboot, in order to help the audience get into it, we introduced the characters and their occupation in the first episode. But for ZHH,  according to the number of votes, we all chose to do a cold open based on the novel. 

1524 Q: Sanshu, Sanshu, I want to know, based on Zhang Qiling’s arm strength, how many Wu Xies can he carry?

A: If he uses the strength from his waist to assist, he can throw Wu Xie up to the third floor.

1526 Q: What is the ending for Boss Jiao in the Reboot novel?

A: Became Jiao. (T/N: The character for Jiao means burnt).

1527 Q: Will Xu Zhenxuan play Wu Xie in the Heavenly Palace re-shoot?

A: Yes.

1528

Q: Shu, did Zhang Haike recommend Xiaoge’s drink to Wu Xie because he wants to show off that he understands Xiaoge? A: Hahahahaha

1532 Q: ZHH drama and novel will have two separate endings. Now that the drama has an ending, have you decided on the ending of the novel? When will you experience Tianshou? A: I always understood the dramas as the dreams of the characters from the books. That means that the changes in details in the dramas, to me, I would always explain it as the intentional and unintentional amendment to the details as they tell this story to someone else. Or that these are part of their dream and after-the-fact fears. I will explain it again after [you] see the end.

1533

Q: I would like to know the mental state of the company. It seems like it’s taking big steps towards a beautiful direction.

A: It’s rare to be able to legally go crazy. Everyone’s very happy.

Here's the first 15. There are more answers and I will chip at them at a pace that will hopefully be able to keep up with NPSS. The folder also contains a google doc that has all the complied Q&As if anyone prefers to read on that.

[lazuliquetzal]

Comedy Is A Lie: I’m Going To Explain The Joke And It’s Going To Make Everything Worse

A buddy asked me why I cut a good joke from one of my fics and my immediate answer was “it killed the tension,” which, upon reflection, is a pathetic answer that is mostly inaccurate and does not even come CLOSE to how much thought I put into comedy in my writing. So I guess I’m going to write this out and excise the demon of over-explanation. 

Part The First: What Is Funny

The biggest thing I try and keep in mind when writing editing comedy (and anything, really, but especially for comedy) is rhythm. Lots of parts to rhythm! Most obvious is the word-to-word/sentence-to-sentence flow. Timing is a really important aspect of verbal comedy, which is why performance is a good medium to use. You get to control the delivery of every sentence and the spaces in between. But when you’re writing, you have significantly less control over how a reader will interpret the rhythm: all you can do is word your sentences as best as you can and give them rhythm cues via punctuation. (This is why I use so many em dashes and commas… I'm working on that…)

The other part to rhythm is on a more macro scale. There are jokes that will roll along with the flow of a story. For me, these are jokes that don't deviate from the context of the scene too much. They connect one subject to the next, or they build off of each other (a ‘yes, and’ sequence, for example). Alternatively, the joke is delivered in a really understated way. Like passing off something objectively batshit as status quo. Either way, they flow!

Then there are jokes that will halt a scene in its tracks. These are jokes that recontextualize a situation, or make a particularly large leap from the current topic. Or, you've been setting up for this punchline for a while and this joke is payoff. Or the joke is just really, really funny. These are the kind of jokes where you need to give the characters (or the reader) a beat to process them. Sometimes. We’ll get back to that.

Part the Second: How Is Funny

So the point of all that rhythm stuff is that comedy has a flow! If every line is a witty one-liner, none of the lines are witty one-liners! If every joke is a one-hit-KO, you have left your reader unconscious. Basically, if you are constantly being #Funny, you become repetitive and predictable, and that is the death of tension (and humor is a tension-driven element). 

One way to think of comedic pacing is setup (AKA building tension) and punchline (AKA payoff). It’s a balancing act: the more you build up tension, the more satisfying the payoff is going to be, but if you spend too long building up, you start dragging. You want the reader to think, “I can’t wait for the punchline!” and not, “oh my god, PLEASE get to the punchline already.” 

Fun way to make the tension last longer is to put all those flow-y connector jokes along the way. The reader’s anticipating the Joke, so by giving them little jokes, it meets their expectations in little ways so that they don’t get too antsy.

Hey, what’s tension, you ask?

Part The Third: Why Is Funny

When I read a book, there are two emotions that get me to turn the page:

I don’t know what’s going to happen next, and I’m curious!

I know X is going to happen, and I’m anticipating it!

That’s tension. (Something something semantics—I’ve never taken a creative writing class, I don’t have a vocabulary) 

You can have the calmest, low-stakes fluffiest fic in the world but as long as your readers are experiencing either curiosity or anticipation, Congrats! You have tension! I, however, like putting readers on fast-paced rollercoasters, so that’s the lens through which I’m tackling this section, which is: how do I use jokes in a story structure context? What purpose does a clown serve?

I mentioned earlier that some jokes are bricks to the face: they demand to be processed. Most of the time, I put high-impact jokes in places where I need the story to “reset” in a way: force a beat so the reader can process both the joke and the plot. That’s using humor to release tension. Literally. Laughter relieves stress.

But! You can also use those jokes to make the tension even worse! If you drop a bomb and immediately press forward, no processing allowed, you get stressful comedy. You want to laugh, but also a bunch of other stuff is happening and it feels kind of rude to laugh, so you get stressed. Sometimes humor can undermine a climactic moment, but if you use the right joke in the right spot you create shrimp emotions. If you’ve read DotF ch8 you know what I’m talking about.

Jokes also just make for good plot points? A lot of jokes are built on recontextualization. Everybody loves a good twist/reversal/surprise in a plot. Just make a joke and re-frame it, and bam! You’ve plotted! (Everything I’ve ever written started off as a joke.)

Wait, What Was The Question?

Why did I cut the joke? It was a waste of a brick to the face. It was too referential, it required the audience to know/agree with something completely unrelated to the story, it didn’t build upon what I already established. It ruined the rhythm.

I need to emphasize that, despite all my Thoughts on this, the way I appraise my jokes is 80% vibe-based. I probably could have kept the joke, and it would have been totally fine. But I would know. I would know that my intended rhythm is broken… it would haunt me until the end of time…

[major-comet]

The Best Red vs Blue Watch Order Guide Ever. Of All Time.

So. You want to watch Red vs Blue, huh? Maybe you read my long post about how it's so weirdly incredible yet impossible to recommend and now you want to give it a shot. Or maybe you have seen the show before, but it's been a long time and/or you didn't watch any of the mini-series or anything and want to give it another go. Either way, looking at a show with a 21 year history is kind of daunting, and you have no idea where to start.

Well luckily for you, I've done the work for you.

This watch guide will cover all 19 seasons of the main show, most of the mini-series, and some of the PSA's and other such bonus content. There will be links provided for where you can watch everything I talk about. This Google Drive (from reddit u/Exitity, unsure if they also have a tumblr) has all of the individual episode uploads, and most of the stuff I'm going to be talking about, although I'm trying to use YouTube links wherever I can. Any links will be colored in light blue for additional visibility.

Couple of quick things before we begin.

When possible, watch the individual episode uploads rather than the "complete" editions. The "Completes", while they may provide a more streamlined viewing experience by cutting out all of the bumpers and outros and such, accomplish this by cutting out a lot of jokes. RvB has a lot of jokes that happen during the fade to black at the end of an episode, and a lot of those get lost in the edits. There's also some things that just straight up get cut for seemingly no reason. Side note, the DvD/Blu-Ray versions seem perfectly fine, and honestly are even better to watch than the individual episodes if you have them. They're like a best of both worlds - adding some extra music and such (ESPECIALLY in the first 5 seasons) that really helps make a nice presentation of the show. If that's an option available to you, I recommend it. Otherwise, stick with the individual episodes.

At the end of each entry in the list, I may present a Side Quest section. This will include anything I feel you should watch that isn't necessarily canon, but helps add some extra life to the series. This may include some behind the scenes stuff or a selection of the PSA's and the non-canon mini-series. This stuff can be really great for building out the characters in a way that doesn't necessarily affect the greater story, and can especially be good for interactions between characters that maybe don't interact much in the main show. Anything I put in a Side Quest is strictly optional, but will add to your viewing experience. Obviously, there's a lot more bonus material than what I'm putting here. I'm just putting down some of the highlights. And if you end up liking the PSAs and such then just know: there's so much more for you to explore.

Early RvB is very much a product of it's time, and sometimes you'll get hit with a line that stops you dead in your tracks. Adult-oriented comedies can always be a minefield, and RVB's roots as a show made for Halo fans in 2003 definitely don't help. However, while this is the most common in the first five seasons, it never really stops being an issue. The purpose of this guide is simply for watch order, but if you have any specific trigger-related questions about any season of rvb please feel free to shoot me an ask or even a DM - i'm more than happy to help.

Okay, let's begin, breaking it down by arc.

The Blood Gulch Chronicles

You may hear people telling you to skip the first five seasons of the show and just pick up with Season 6. Those people are lying to you and do not have your best interests at heart. The first five seasons are pretty much strictly comedy, and from Season 6 onward the show starts to explore deeper themes and stories while still falling back on that comedic foundation. Skipping straight to the deeper stuff doesn't work very well IMO, because those five seasons are spent getting to know the characters we're going to be following for the rest of the show. The stuff that happens in Blood Gulch never stops being important - whether it's side characters showing back up again later on, or laying the foundation for a lot of the moments and story lines that make some of the later seasons so special.

Anyways, the watch order.

Season 1

Season 2

Season 3

Season 4

Out of Mind - Mini-series

Season 5

Blood Gulch Side Quests

Tattoo Point/Counterpoint - Season 1 PSA

A Message to the Science Community - Season 2 PSA

Real Life VS. The Internet - Season 2 PSA

All of the deleted scenes, honestly, but This One in particular because asphodel and I quote it all the time.

The Outtakes/Bloopers - I'm not gonna put the link for these and the deleted scenes for every arc, but just know that you should watch them after every season/arc. There's some great stuff in there.

The Season 5 Alternate Endings

Either watch it Now, or after you watch the finale, but I highly recommend the 2003 Season 1 DVD Commentary. It's just Burnie (Church/Lopez/Vic) and Geoff (Grif), and it's really nice.

If you've ever watched any behind the scenes stuff for RvB or even rooster teeth as a whole, you have almost certainly seen This Clip, which is a behind the scenes of the voice recording for Grif and Simmons' lines in episode 1.

The Recollection

Recovery One - Mini-series

Season 6 - Reconstruction

Relocated - Mini-series

Season 7 - Recreation

Season 8 - Revelation

Recollection Side Quests

First! - Season 6 PSA

Small Rewards - Season 6 PSA

Rock the Vote and Rock the Veto - PSAs made to encourage RvB viewers to register to vote. Which at the time you could do on your xbox 360. These are here mostly as a "wtf" historical piece.

Halo-Ween - Season 7 PSA

Valentine's Day - Season 7 PSA

Fire Safety: Where There's Smoke... - Season 7 PSA. genuinely one of the best.

Holiday Plans - Mini-series

The Reach PSA series - Three parts total, only part one is linked.

Project Freelancer Saga

Season 9

Technically there's two mini-series that take place during Season 9 - being M.I.A. and Where There's a Will, There's a Wall. I really love them, and would recommend watching them after S9, but if you really want to roll into S10 you won't miss much. Weirdly there's a place later on that would be a great spot to circle back to these, but I'll save that for later.

Season 10

Project Freelancer Side Quests

This is a great spot to circle back to older side quests you may have skipped, btw.

The Season 10 Table Read BTS - Season 10 was the first time they ever did a full cast table read for the show, and it's cool to see a few snippets from it and hear the crew talk about it.

Matt Hullum Talks to Himself - watch this after M.I.A. it's a live table read of part of the script, with a focus on a conversation between Sarge and Doc (who have the same voice actor)

This 10 Year Retrospective that was put out around Season 10. Watching it now, knowing that they were about halfway through the lifespan of the show / company gives it a whole new perspective.

RT Oz - PSA

Remember Not to Forget and Voting Fever - PSAs made to promote the launch of Halo 4. Voting Fever is one of the Best Ever (and listen to the full version of That's How Voting Works afterwards!)

This Interview between Burnie and Trocadero talking about the music the band has done for the show. This playlist also has a bunch of other behind the scenes and other such bonus stuff from the DVDs and Blu-Rays, it's great to keep around.

The Chorus Trilogy

Season 11

The Chorus Journal Entries - Only three have fully machinimated versions, the last one is just the log entry. Bridges the gap between 11 and 12

Season 12

Season 13

Chorus Trilogy Side Quests

#1 Movie in the Galaxy - PSA

Getting Away From it All - PSA

#1 Movie in the Galaxy: 2 - PSA

Uh. I think the RvB Holiday Special goes here

Matt Hullum (Sarge) reading an excerpt from 50 Shades of Gray at a book signing.

Season 14 - Anthology

I get it: not everyone loves the Anthology format. I truly do recommend watching all of it at least once - or if you haven't in a long time. My only Side Quests are to say that this is the perfect time to go back to M.I.A. and WTAWTAW if you skipped them after season 9, and that if you skipped the #1 Movie In the Galaxy PSAs during Chorus, watch them now before the third one, which is in this season.

The Shisno Trilogy (seasons 15, 16, and 17)

Season 15

Season 16 - The Shisno Paradox

Season 17 - Singularity

Shisno Side Quests (this is taken from our survey data because it's been so long since I've watched much of any shisno-related stuff)

Hard Truths - PSA

Diversity - PSA

Cultural Appreciation - PSA

Lopez's Technical Guide to Empathy - PSA

Unreal Estate - PSA

Caboose's Guide to Finding Your Home - sequel to the Guide to Making Friends from season 14

RvB: Zero + Family Shatters

okay so here's the deal. If by this point, you're really just interested in the characters you've been watching for the past 17 seasons and not so much the story or anything - you may not get much from watching Zero. I do think it's interesting to watch, if only because I think it's got a lot of missed potential. Zero is not served well by being a season of RvB, I think I would have liked it a lot more if it were stand-alone, though that doesn't fix all of my issues with it. If you wanna jump straight to the series finale, you absolutely can. It's a pretty short watch, though, and I've heard that Family Shatters was better. I'll watch that one at some point.

Zero

Family Shatters - spinoff

Restoration

This is it! The series finale.

I'm not doing this with an other season (though I do recommend going back and watching all the teasers and trailers at some point), but before you watch the finale you should watch The First Trailer For It. I think it sets up the season really well, and helps make some of the rushed set-up exposition in Restoration make a little bit more sense. honestly this should just be considered the first scene of the finale. Then watch the finale, and then you are done with all of the main show of Red VS Blue. Go forth, and be free.

Final Side Quest

I'm putting anything that came out in the nebulous time between Zero and the finale in here. I'll come back and edit this once we find out what on earth is going to be on the Blu-Ray.

Offensive Driving

First Person Tutor

Moving Out

The Video RT Made to Announce Master Chief and Blood Gulch Were Coming To Fortnite. This played at the game awards and my soul almost left my body

This is also where I'll put QvsA, which is the Grimmons mini-series, though I haven't actually watched it myself yet. They're all on youtube.

My all-time favorite RvB fan edit - doesn't actually have any clips post-anthology, but I think the end is a great time to watch it.

If none of this makes sense, or you just have any questions at all - I am More than happy to help answer your queries. I hope this helps :) Also if any of the links are broken please let me know.

[graceshouldwrite]

4 Ways to Get Back Into Your WIP

You know when you might have taken a long break, worked on other projects, talked to other people about it, and basically did EVERYTHING to get yourself back into it, but it’s not working?

Even though you still want to LIKE your WIP and work on it? 

These tips are based on my own experience dealing with that feeling. I went through something like that for around a year, but now, I’m getting past it and returning to my main WIP more excited than I’ve been for a long time! 

1. List out WHAT you don’t like and fix it

COMMON CORE ISSUES:

Plot + Subplots? 

They might seem too (among other things):

lackluster

complex

unnecessary

confusing

You might not know how to:

develop the plots

make them believable

add the scenes you want without giving the book 800+ pages

choose scenes to cut to fit the word count goal...

Characters?

A BIG ONE: some writers try to force themselves to like X character for whatever reason (e.g. based them on a specific aesthetic, felt forced to add specific rep, etc), but they just DON’T. 

Or, maybe:

you don’t know how to develop your characters

their group dynamic is too difficult to write/doesn’t make a lot of sense

your character voices, personalities, or appearances might not be distinct enough

Prose?

You might:

want to add more humour (prose is too depressing and atmospherically dark)

want to add more gravity (prose is too comedic and romantic)

want to shift from past to present tense, want to tell story from another POV, etc. 

Organization?

OFTEN, the book’s just TOO COMPLEX with all the characters, subplots, etc. and it’s too intimidating to try to sort out all the mess that’s your WIP 

SO…

The lists I gave you are most of the big, common issues. Once they’re sorted into SPECIFIC types of problems, don’t they get less intimidating to look at? 

I know you might think, gee, Grace, these problems will take [insert comically large time frame] to solve. 

Well, if you genuinely want to like your project again and work on it, DO IT.

Slowing down your WIP finish date is worth it if it helps you get back into it. If you never get back into the project, you’ll NEVER FINISH IT. Late > never.

Heck, you might not even be too late—you might find yourself back in the passionate fever you were when you started it, and be in the headspace to write furiously :) 

I think you know how to solve these broken-down problems. Some require more sheer line-editing, while others require big executive decisions (e.g. getting rid of a character or rewriting an entire subplot/the plot). But, it will be worth it when you start to love your project again.

2. Remember why you started it 

Before each project, write a STATEMENT OF PURPOSE at the beginning of your doc to remind you why you’re writing this story in the first place. If you didn’t do this, it’s not too late to start one now! 

It could be something as close to heart as “I want to express how unrequited love feels,” or something as grand as like “I want to write a tragic allegory of the political and economic state of the world that explores human nature” (I am projecting in both of these examples, but you get it). 

Something SPECIFIC is a lot better for this than things like: “I told X this story idea and they liked it,” or “I promised to write this for X,” or “I want to tell this story just cuz.” These latter examples probably won’t fill you with passion. 

3. Listen BEYOND your WIP playlists. Look at images BEYOND your WIP aesthetics 

Many people think revisiting your old playlists / boards help, but that often contributes to the staleness!!!! 

Instead, by purposefully expanding your scope of consumed media, you open yourself up to more inspiration and ideas of where you want to take your project.  New images and new songs will give you new ideas on atmosphere, mood, scenes, and so much more. 

4. Compare your WIP to a similar book you like

You know THAT BOOK that comes to mind whenever someone asks you which book is your favourite/impacted you deeply? Think of how your book will impact readers in the same way. All the emotional turmoil and mental enlightenment That Book gave you is what YOU will give to the readers who resonate with YOUR book one day!

The author of the book you’re thinking about went through drafts, edits, and maybe even wanted to give up at some point, (LIKE YOU!) but pushed through it. Now, their book is on the bestseller list/on a bookshelf/a classic (whatever appeals to you)!  Don’t stop before YOUR book is there, too. 

∘₊✧────── ☾☼☽ ──────✧₊∘

instagram: @ grace_should_write

A LOT of this comes from personal experience; I had this mental tussle with my main WIP a while back, so I hope this helps anyone else dealing with the same problem :)

Hope this was helpful, and let me know if you have any questions by commenting, re-blogging, or DMing me on IG. Any and all engagement is appreciated <3333

Happy writing, and have a great day!

- grace <3

[dayscapism]

My Thoughts on the Percy Jackson TV Show (was not a fan):

Months have passed but, I guess I like to throw wood to embers to make fires again. Honestly, I would have abandoned it after episode 3 if it weren't one of my favourite book series ever and I wanted so bad to be hopeful and pleasantly surprised.

I don't think it's a terrible adaptation, but I think it's boring, badly edited, with character inconsistencies, has first-draft-level writing and just missed potential. I'm happy it's been working for so many others, but I've also seen a lot of people being so reluctant to negatively criticise anything about it. Which is weird, it makes me feel like we're watching two different shows and I'm the problem (am I the drama? perhaps. I don't care.)

It's not been an easy time to watch for me; it's a sustained, painful, physical effort to pay attention to this show, especially during dialogue scenes. Like how do you make a show about a bunch of ADHD kids and make it so NOT ADHD-friendly to watch?? (The writers and editors should watch EEAAO, that's how an ADHD brain approaches visual media). The pacing, the terrible exposition, it's the static and uninteresting camera work, the lack of a campy hyping music/soundtrack, the lack of stylization, the lazy editing, the actors stopping to chat in a static shot every other minute, no running during urgent situations, etc. Nothing is engaging! It's such a boring show! There's always exactly 1 thing happening on screen and nothing else around it, no hidden meanings, no mystery, nothing that could be layered storytelling, which is such an important thing in a TV show where you only have 8 episodes to tell your story! Spekaing of, ADHD and dyslexia don't seem to be shown or discussed again after it's mentioned that Percy has has it in episodes 1-2. I was hoping for bolder representation with that. (Why didn't they include the little dialogue where neither Percy of Annabeth can't figure out the sign at the emporium because of dyslexia, and Grover has to tell them! These little moments count so much for representation of this kind.)

The dialogue paired with the pacing/humour is not landing. It truly feels unpolished, like a first draft. Like technically it serves its purpose, but it's an ineffective, unengaging manner to write a tv script. They should have done more flashbacks too, to give context and exposition. But instead, everything is given to us like you would in a book. (And this is coming from someone who read the books years ago so I NEED this exposition because I don't remember a lot of details, but the exposition isn't even helpful and the writing doesn't keep me engaged enough for me to even pay attention to the exposition!) The actors are doing the best with the material they have, they're all really precious, but this writing and directing is hurting their acting so bad. The dialogue and scenes are so awkward, which hurts the chemistry between the characters too (I expand on my issues with the characters later).

A lot of the tone and pacing issues could just be a book-to-tv adaptation thing because we're no longer in Percy's head with his funny sarcastic remarks and long paragraphs that can give us context. But then why didn't they include narration? Why didn't they keep it up after the intro in episode 1?? Why did they even include that bit if they weren't going to keep it up?? We have 4th-wall narration in lots of things these days (from the top of my head, Fleabag and Deadpool), usually done for comedic and style effect. This would help so much with the pacing and tone! the lost potential is so frustrating. Many movies/shows don't need narration; this one could have benefitted so much from it.

The show is not funny whatsoever when the books are hilarious. At no point did I laugh out loud here. Such a crime. I hate to be one of THOSE but the movies at least got the unserious and funny beats right. Like why is the music in this show just an epic forgettable MCU-like soundtrack but with a serious tone? Why didn't they include modern or campy songs? They should have taken clues from the Umbrella Academy's first seasons. And they could have included Greek music in it too! How could would that have been? It's not a bad soundtrack by any means, but if nothing else is used in a very strange manner in some scenes because it sometimes cuts the action or doesn't match the energy or vibe of the scenes. The visuals and settings are pretty good, I admit, but these are underserviced by the entire production's lack of style and music and tone are a big part of that.

Some people have said the action scenes are bad, but I feel the problem is there's no sense of urgency, of danger (no layered storytelling here either). The fights with the monsters are okay, great even, the problem is this lack of excitement. The problem is the setups to the action: the lack of tension and then rushed resolutions. For example, they dragged the scenes with Medusa and Equidna talking that it lost all suspense. Equidna literally says instead of just jumping to it, showing what she would do to them kids. (Ok the chimera is cool tho, looks really cool. I want it as a pet 😊 And the editing when Percy falls from the arch is pretty cool too, rare exception.)

But most feels so underwhelming. These kids should also be running everywhere, not calmy walking (bad directing!) This makes the monsters not feel as menacing, because they always have time for a calm exposition break long conversations in the middle of what are supposed to be life-or-death encounters with ancient Greek monsters. And mind you, these pauses for conversation aren't even layered, they're often shot with a static camera, with dull dialogue no 12 yo would speak. They could be having these conversations while running, while hiding, while doing something else! Mix dialogue and action! Layered storytelling, it's about themes and characters but also about how you present the scenes themselves.

An adjacent problem is also the actualization of the myths for a modern audience is a bit surface-level (like with Medusa). They could have done so much more here.

Now, issues with characterization:

Characters can really make or break a story. Here we have a lot of character inconsistencies, or rather, a lack of definition of the characters. It's not about the show being exactly accurate to the book here, it's the show wasting perfectly good character and plot moments from the show, while not being true to tone and to the core of the characters. Change in adaptations can be good, to consolidate or make things clearer and work for the new medium, but they character work here was very ineffective and inefficient.

Percy is supposed to be cunning, smart but not knowledgeable about the Greek world. The show has this being reversed many times. Grover is perceptive and has more life experience but he is reduced to nothing. Like I'm wondering why is he even here? Also, Annabeth and Percy get sincere with each other really quickly after like 1 day of knowing each other, no layered storytelling or emotional reactions to them baring their deepest fears and darkest backstories either. (Poor kids are doing their best with mediocre adaptation, though Walker is carrying the show at this point, tbh.)

And Annabeth... Oh. Annabeth is a hard character to portray and write, tbh, it's easy to make her unlikable and straightforward, can very easily come off as annoying, pedantic perhaps, though I am all for unlikeable female heroines. But this is such a baffling iteration of her character. She comes off as a stalker in the first episodes, then she's bossy yet she doesn't seem to actually plan or have good strategies (all is deferred to Percy really), then she sort of uses "the power of friendship" to resolve things but never her growing wisdom in too. Yes, she could be weird and caring and smart but they didn't nailed any of those traits. But my biggest gripe is that they didn't make Annabeth nerdy enough! Annabeth recalls a lot of facts during the show to look smart I suppose, but she rarely gets to problem solve or truly nerd out neurodivergent kid style, which I think is a huge missed opportunity.

An example, which might be very niche but it shows mu issue with her characterization and I have to talk about it cause I'm a physics nerd (literally, it's my major), the part in the ST Louis Arch in episode 4 where she tells Percy and Grover stuff about the construction is so... basic. Like she just read it out of a tourist pamphlet or something. She just says how tall and wide the arch is and that it's symmetrical. That's it. Right...

Why didn't she mention what type of arch it is?? (A catenary arch, more specifically one that follows a weighted catenary curve. It isn't just held by "symmetry" it's tension! It's cool math!) Maybe she even mentions that it's a hyperbolic function and Percy and Grover can be like omg what are you even talking about, and she keeps going on and on about calculus and architecture, like a neurodivergent kid would about their interests. I mean, sure she's like 12, but she's supposed to be like a gifted kid, daughter of Athena, right? She probably knows some of the science and engineering behind the arch. Missed opportunity. Or maybe it's just that I see so much of myself in Annabeth and it hits too close when they can't make her justice. Idk. Like having a true nerdy, brilliant, neurodivergent, bossy but caring, black Annabeth would have been amazing. I guess the world wasn't ready for that.

This was episode 4 and the episodes are getting better...

Annabeth and Luke's relationship also suffers a lot from telling and no showing. Why don't we have flashbacks?? Such a missed opportunity for a show. As a rule, showing isn't superior to telling, but these two techniques need to be balanced in the writing, they can be combined too to serve the story during a specific scene or passage. In this case, telling was the wrong way.

For Luke, if they want his arc to have the emotional hit it has in the book, they really needed to build his character more and give him more screen time! Which could have been done with flashbacks. Because with Annabeth's stoic acting, too, we don't really get the emotional reactions appropriate to the events she recounts. So how are we going to feel with the betrayal since the relationship hasn't been built strongly so far? Nothing. We'll feel nothing.

Annabeth's actress is doing her best with what she's given she portrays her like she's in a Disney Channel kids sitcom from the 90s, deadpan but snarky, which is not a flavour of acting that helps this adaptation. This might be a larger directing issue, though, because Percy barely reacts when he sees his mother "die" in front of him.

Anyway, Flashbacks and narration could have saved this series alone, tbh. We don't even know how Thalia looks like! How are we gonna know it's her at the end of the book with the fleece reveal??

Ok, disclaimer, I didn't finish the show. I got distracted and bored and couldn't be bothered. I think I stopped after the Underworld episode (episode 7 I think.) I couldn't be bothered to watch the finale even with Toby Stephens in it. That's how enthusiastic I am about this.

Also a bit of a nitpick but why isn't it explained why are Percy and Sally are stuck with Gabe in the first place? About his scent? Why is the abuse so... sanitized too? Like yeah, we could have a more psychological and verbal form of abuse situation, of course, but we also didn't get that? Gabe was just unpleasant and a bit of a jerk, pathetic, but that was basically all. Also, no explanation for the blue food?? When it's such insight into Percy's relationship with his mom?? So much EXPOSITION in this series yet they missed many of the important parts!

Disney watered down Sally too. They really did. Her makeup is nice though.

So... yeah, they could be doing so much more with all the characters.

Concluding thoughts:

I don't hate the show (the visuals are great and Walker Scobell's acting is amazing, such a young talent!), but every time I finish watching an episode, I'm just bored and underwhelmed and wished I had done something else with my time.

I know it's frustrating that in previous decades usually had 20+ episodes, plus season 1 and 2 being shot side by side so we didn't even have to wait and fear of cancellation after so little; shows really don't have to be perfect from season 1, they need room to grow, but they have to have SOMETHING to pull the viewer in from the beginning, to make them stay. Anything! This show is giving me nothing to work with. I do hope the show gets better in season 2, and I understand that the 8-episode-season model is a constraint for writers, but I still think it could have done much better with the resources it did have.

For example, Black Sails had an infamous first season, but then it grew to be what imo is the best show ever put to TV. And yes, it took a while for it to find its perfect footing, but it was like a delicious cake that maybe has some bad frosting but the foundation is there, it just needs polishing and a few changes. But this PJO show doesn't live up to its potential and it's just so frustrating because I wanted to love this show so much but I'm finding it difficult to think of anything that I truly loved about it other than Walker Scobell's acting and course Toby Stephens (but I already love him from his previous work so it hardly counts).

Honestly, I'm a little bit tired of discourse going around saying that critiquing a show from season 1 is not acceptable because the show hasn't finished growing and we want a second season, we don't want the criticism to affect a season 2. But this is irrelevant and that's not how media criticism works. People can get very on board with good shoes from 1 season alone. That's no excuse. There are genuinely good book adaptations out there that make changes for the better and get a good foothold from the get-go! Look at Lockwood & Co, OPLA or Anne with an E. It can totally be done. The criticisms we have are precisely because we love the books, because we wanted this adaptation to succeed, because we wanted to love it, but it disappointed us. And we are allowed to voice that, as long as is done in good faith.

I'm happy this show got renewed because of the fans who enjoyed it, love the Percy Jackson series, it is truly dear to my heart, but would I be sad if the show was cancelled? Honestly, no. I couldn't care less what happens to this show at this point. Why should I? I was given no reason to care, aside from my already existing love for the books. I'm not intrigued about how they're going to adapt book 2, I didn't connect with the characters, I wasn't having fun. Nothing. And sure, I want young kids to be introduced to Percy Jackson, great if it's through this show, I want younger generations to love this series too, but I don't know any gen alpha who would enjoy such a show. (Hell, I really wanted my audience-age-appropriate niece to love it, but she couldn't care less about it and jeez, I wonder why...) Kids deserve better shows than this.

Will I watch season 2? Idk. Maybe? I can put it in the background while doing something else perhaps. I do hope they improve stuff but I don't have my hopes up. Will I watch episode 8? No. Life's too short. I already read the books so why bother (hehe)

[304blur]

"he'd be the type to.." luxiem edition ♡

-

ike is the type of guy to have you two listen to classical music on cuddle nights and ask you what would you change about a part/what would you add, and then try his best to get help from the other niji members to help him make a version of that classical piece and play the "improved" versions for you on your anniversaries, and naming the remastered pieces, "(name)'s version" after taylor's "taylor's version". the boys would pat ike on the back for how dedicated he is to you, and they'd let you gush about ike and add embarrassing stories about him.

shu is the type of guy that would entertain you before you sleep, (with his sorcery) he whips up a spell that conjures moving, twinkling stars above your bed, and strokes your head as you two slowly fall asleep in eachothers arms, and the next day, he treats you to breakfast in bed, just watching any show you can find on tv, just enjoying eachothers prescence, giggling at comedic moments that happen in the movies, some even turning into an inside joke that you two would crack up about everytime you remember.

luca is the type of guy to text you about where you are when he misses you, if you're out with your friends on a friend date in a café, he'll pull up with the freshest rose bouquets. if you're out doing groceries, he'll hug you from behind and call you his spouse, and grabs all the coupons he saved for you from his wallet to help you, if you're thrifting, he'd help you pick out outfits and lingerie

vox is the type of guy that would take you on a camper van vacation, just driving around, sleeping in the forest, joking about the mosquitos sneaking into the van when you open the van door, you two setting up foldable chairs and a shitty campfire that almost did not want to light up, and a cooler filled with cans of beer, bottles of soju, and a single bottle of wine, saved for the last night of the vacation. he may not know the names of all the stars in the sky, but he'll rename them all, one by one, with and for you.

mysta is the type of guy that would take you on wine tasting dates, and have you two tier rank them on his laptop that he brought for "research purposes". he'll try his best to restrain himself from drinking too much, because he wants you to drink all you want, and he wants to be a responsible boyfriend. then you find out about how he's holding himself back on a date that's supposed to be fun, and now, you two are at home, drinking all you want, and even inviting the boys to play beer pong together.

[riodoesstuff]

HI WELCOME TO MY TUMBLR !! 💥

I'm MARTIN, but I am pretty sure you already knew that; I am a Multifandom artist, and I make OC content as well! Feel free to follow & Thanks for the support! :-)

◇ MY ART • ◇ MY KO-FI! • ◇ ABOUT PAGE • ◇ TAGS & SOCIALS • ◇ THE DOOMED'S VALE

(Mobile Version bellow)

THE ARTIST + THE ART

ABOUT THE ARTIST

> Name: Martin / Rio / Mae

> Pronouns: They / He / Sun / Ender / It / She

> Prefer to be referred with: Masculine / Gender Neutral terms; Is okay with “honey” “dear” “love” and “girl” (but for comedic purposes)

> Username: @viochanchan82  –> @riodoesstuff

> Content: Posts Multifandom and OC stuff; art tag is #martins art

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——————————————–

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☆ Art Tag: martins art

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Ko-fi: RIODOESSTUFF

–> theme is AEIOU by echeladder themes ( https://echeladder.tumblr.com/tagged/theme

[1-800-ye0sangspr1ncess]

MTL to have a breeding kink - (NCT 127 edition)

with motivations because why not author's note: don't mind me just making a subtle comeback after what feels like eons. :)

most

JEFFERY (jaehyun) Haechan Yuta

Johnny Doyoung

Mark Jungwoo Taeyong

Taeil

least

Jaehyun - literally thinks it's the most romantic thing ever. For him the purpose isn't necessarily like, to mark you or anything but def feels like it brings you two closer. I feel like Jeff- sorry... Jaehyun thinks it's somewhat of a bonding thing. It's a really sweet and sentimental act for him.

he's also well aware you're on birth control but part of him hopes you can start a family soon cuz he's down with that shit or whatever🥺

Haechan

Genuinely just because he's freaky as fuck! Like the first time you do it without a condom, he def ends up over-stimming you and himself because of how fucking good it feels. Like when I tell you this man is whipped for your pussy, I mean it.

Kinky ass bitch (smh)

Yuta

As sweet of a partner as he can be, this man is the literal devil in the bedroom. So fucking possessive and it's kinda hot iwl. Like he's territorial to a fault. If you were to go to a friend's party or something with him, he's fine with you living your life but when somebody starts getting a little too comfy while chatting you up and see you entertaining them purely for comedic purposes so you can have a good laugh back home with yuta at how terrible the persons attempt at picking you up was, he's fuming. Politely pulling you aside into the host's guest bathroom and fucking the shit out of you. Takes your panties and gives you a little kiss telling you to keep it all in so that when your little friend chats you up and it starts dripping you'll be a humiliated mess and it's all because of Yuta.

Talk about a sadist...

Johnny

Now he may seem like such a gentleman, heck that's why your parents are so fond of him. If only they knew what really went on in his mind. This guy has an array of freaky shit he's into but his absolute favourite has got to be filling you up. Absolutely loves the face you make when you feel his warmth in you. Thinks you're so cute. He's also a sucker for the absolute mess he makes of you. "C'mon baby, you heard your parents, we can't keep 'em waiting any longer for a grandchild. Now, be a good girl and take it". He knows you're absolutely whipped for him when he hears you babbling on about carrying his kinds and whatnot.

What a menace

Doyoung

Wowwww, he just likes the absolute thrill of it. The thought of him knocking you up turns him on to no end. Can't help but get all giddy at the thought of having a family with you. And he acts like he's a nonchalant mf but can't wait to see the day you become a mommy.

aww he's such a sweetie

Mark

He finds it so hot cumming in you but is shit scared of actually getting you pregnant since you guys are still pretty young. Probably won't fuck you raw as often as any of the guys above him on the ranks but still finds it nice. He thinks it's like cute and when you guys raw dog it (I'm so sorry I realise how goofy that sounds💀) he gets all soft (not literally) but he's all cuddly and likes staying in you for a while and just lays atop of you and wraps you in such a warm embrace after. "M-Mark... baby you can get out now." "Just one more minute, you're so nice and warm"

he's such a big baby... emphasis on big👀

Jungwoo

Now don't get him wrong, he finds it so sexy and definitely gets the hype of fucking raw. but... it really doesn't do anything for him. Like he's not doing it to claim you or knock you up but purely because if it's shit you're into then he'll do it to make you happy.

aww gosh darn it, c'm'ere sweet baby.

Taeyong

He'd rather cum on your boobies. He's such a titties man Like, I know we're moving more into an ass or titties type mtl but he's not about that. Besides, he's already your baby. why would you want another?🥺🥺

damn it now i'm all soft...

Taeil

My man is not about that 24/7 babysitting life. Bitch has it hard as is, babysitting the neos from 9 to 5. When he gets home, he'd rather it just be you and him against the wall- I mean world.🤭

[ishuess]

Since it's pride month. Mentioning a special movie,the first queer movie I ever saw - Shubh Mangal Zyada Saavdhaan. Lot of people thought it was very comedic and didn't introduce homosexuality to mainstream cinema seriously like Badhai Do. But watching it again and again, I realised that was needed. A perfect rom-com to attract audience and then slowly introduce them to this topic. The purpose was to tell people that this community exists and make them weigh their opinions and question. It was not the perfect movie but it was the needed story. Jeetushman or Karman, I remember was the first Indian bl ship I supported. Ayushmann Khurana and Jitendra Kumar, the duo who portrayed their character so perfectly where one was subtle and closeted, other was dramatic out and proud.

Also here's an edit for the movie i found on you tube.

[simplegenius042]

Music Monday and Moodboard of WIP + Phrase/Dialogue

Tagged by @icecutioner @inafieldofdaisies @socially-awkward-skeleton @derelictheretic and @shallow-gravy

Tagging @direwombat @strangefable @rhettsabbott @voidika @josephseedismyfather @josephslittledeputy @imogenkol @cloudofbutterflies92 @skoll-sun-eater @cassietrn @carlosoliveiraa @adelaidedrubman @g0dspeeed @wrathfulrook @afarcryfrommymain @aceghosts @turbo-virgins @shellibisshe @deputy-morgan-malone @softtidesworld @starsandskies @ladyoriza @la-grosse-patate @florbelles @sleepyconfusedpotato @titiagls @minilev @yokobai @thewanderer-000 @omen-speaker @justasmolbard and @alypink + anyone else who wants to join. Taglist here.

(Update: So if you happened to have been pinged again, sorry, I edited/corrected a mistake and suddenly that made the tags inoperable so I had to make them functional again).

One song for A Radioactive Calamity Of Love, Bombs & Gore, The UnTitledverse and The Silver Chronicles each and two moodboards for a WIP in The UnTitledverse and The Silver Chronicles.

A Radioactive Calamity Of Love, Bombs & Gore is a Fallout fic series, and Fallout is mostly set in America, and what better to describe the best parts of America than John Denver's "Take Me Home, Country Roads". While I know there's a Fallout version for this song sung by Spank, I'll save that one when analyzing its role in What Happened To Vault Number 76? As for now, John Denver's version encapsulates Ortega "Ore" Brantley and Marissa "Ress" Bishop's journey, as well as my Fallout protagonist OCs. Narrative-wise, this song describes both Ore and Ress' acknowledgement of their beginning roots (Appalachia and New Reno in New California respectively) and the comfort these homes bring, but also how they'll never lose sight of their true home, and how no matter their father, Arcane Urias, attempts to persuade them otherwise, they'll always trail their roads back home.

"Almost heaven, West Virginia Blue Ridge Mountains, Shenandoah River Life is old there, older than the trees Younger than the mountains, growing like a breeze

Country roads, take me home To the place I belong West Virginia, mountain momma Take me home, country roads."

What better fic from The Silver Chronicles is suited for Vance Joy's one-hit wonder than my Six of Crows fic How Good Is A Heist If It's Improvised? A song that acts like a relatable tune about pop culture but is a cleverly disguised bittersweet tale of love and longing mixing with the emotional turmoil of escapism from reality, and my fic which acts like a comedic modern-ish retelling of the Dreg's heist against one of Ketterdam's richest motherfuckers filled with action, drama and romance but is in fact very depressing in reality only made humorous (dark or light notwithstanding) through the perspective of the fic's only two unreliable narrators, my traumatised criminal OCs Isiah Popov and Gemini Teal. Anyway, enjoy!

"Here's this movie that I think you'll like This guy decides to quit his job and head to New York City This cowboy's running from himself And she's been living on the highest shelf

Ah ooh-ooh-ooh, ah oh And they come unstuck

Lady, running down to the riptide Taken away to the dark side I wanna be your left hand man I love you when you're singing that song And I got a lump in my throat 'Cause you're gonna sing the words wrong

I just wanna, I just wanna know If you're gonna, if you're gonna stay I just gotta, I just gotta know I can't have it, I can't have it any other way

I swear she's destined for the screen Closest thing to Michelle Pfeiffer that you've ever seen."

The Time Guard is an original work set before, around and within the canon events of The UnTitledverse. It follows Timekeeper, a droid who's purpose was to observe the Time stream and properly utilize the Time Watch only when absolutely necessary. Despite using it during dire circumstances in the events of the Jagged Instincts Novelisation, the Time Court, overseen by the Time Bureau Authority's supreme leader, Judge Khronos, and with the prosecution lead by Leviticus, declared Timekeeper had stepped out of line and also lost the Time Watch to a Time Vortex in the process. So Timekeeper is demoted as expendable and decides to found a team that will do Khronos' dirty (and often life-threatening) jobs to get in his good graces again, calling it the "Time Guard". A multitude of characters in the beginning of its foundation (and even after) come and go, though two have never been more linked than a Carmine scout drone designated "J.O.E" and Edward Carmine's most loyal security drone subordinate, designated "K.I.L.L.J.O.Y", not only coming from Jagged Instincts, but also after The Perfect Storm saga, and they're relationship during The Time Guard can be summed up as "cheerful naive optimist and brooding angry pessimist forced into a get-along brother shirt". So here's the closest song I believe emphasizes.

"Ah such a beautiful day, uh Yeah, the sun's shinin' in a beautiful way, uh Gonna take a shower, brush my teeth, and-" "Life is ultimately meaningless."

"Uh, uh, but I'll get out of the house. Get on the road, top down, hands out. Put on my favorite song and nod to the rhythm." "The planet's being destroyed by your carbon emissions."

"Oh! But I, I, I'll head to class Try my best on every test till I pass And my grades are screamin' in my face (Hey!)" "Ninety-eight percent of what you learn is a waste."

"I get to hang out with all my friends My friends are the friendliest friends Can't think of a better way to spend my time." "Your brain is flawed, and all your friends will die."

"Never mind, I'm alive in the greatest nation, so proud of-" "The exploitation of the natives?" "This graceful bird means freedom for all!" "Tell that to the slaves, and bald eagles aren't bald!"

"I can live in the moment, milk every second." "At any time, you could get clinical depression." "But I'll just be happy, no matter what's in store." "It's quite genetic, and we have no cure." "Uh, at least

We are young ("Not for long") Life is fun ("It only goes downhill") We gotta make the most of it, make the most it ("Or you'll regret it") We are young ("For now") Life is fun ("To some people") We gotta make the most of it, make the most of it!" ("Good luck")

And lastly two moodboards + an excerpt phrase/dialogue for WIPs from The UnTitledverse and The Silver Chronicles.

rules: show a moodboard and an important phrase or dialogue from the current fic you are writing!

WIP: The UnTitled Stories - Prologue

If I may... I'd like to ask you a question. One which has plagued me ever since I was introduced to it. What do you think dictates humans: The mind? Or the body? This was a query originally formed by French philosopher Rene Descartes in the 17th century; one that drove him to develop a concept called dualism. A concept that elaborated the distinction between the mind and body as separate entities, whereas the mind procured thought, mental processes and housed consciousness, the body focused on structure, our instincts, the neurons and the brain itself. Descartes had implied the mind could control the body, but the body could also influence the mind when it needed to, though ultimately had no control. However, despite Descartes' famous words, "I think, therefore I am", modern psychologists didn't believe it to be that simple. Humans worked like a machine, our organs merely cogs serving a function in the system. To take out even one has irreparable consequences, a disruption that could lead us to falter and break down and supposedly become useless, or our certain demise, which earns the same results of uselessness. Now, to deprive humans of one of these components leads to total system failure, regardless if its because of disuse or death. In other words, neither the mind nor the body can continue without this system. On that note, if this system is keeping the human body functioning, the question re-contextualizes from whether the mind controls the body, and vice versa, to instead what this system is trying to keep operating; itself, or our consciousness? The complexion of this debate can be hard to wrap your head around, especially if your introduction to it came from a source as dubious as mine had been, but this did not diminish my personal affinity towards it. To be clearer, I had been led to believe that if the system exists to function, then it must be to either support itself or the battery that drives it, not both. It's believed that by determining the dominating source that dictates humanity, a whole slew of concepts and functions will become clearer to understand, easier to deduce an explanation and an answer. To cease the uncertainty in our lives, which is the only thing that makes everyone equal in this meritocracy. By identifying the force that drives us, we can better understand ourselves, making arguments like free will and determinism, instincts and self-control, nature and nurture, our ability to change and adapt in socialization, perception of our identity and sense of individual self, among other things... well, clear cut. Or at least, that's what I had been told to believe. Not so much now. Though if anyone had asked me about my opinion on the matter back then, riding as a passenger on that bus, and if I felt inclined to share, I would have spouted my blind agreement to the belief. That never happened though. I had been lead to believe that to reach the conclusive answer to the dictating source of our actions; whether it was the mind or the body, I had to be placed in an academically social environment that would push my boundaries for the next three years. Determine the dominating victor of either consciousness or reflex, and take satisfaction in the answer to my curious nature. And though I would later discard this goal... the fact remained, it had been my original intention, one I had gone to such costly lengths for as demonstrated in our first year. And the fact remains that, while on that bus, on our way to this very school, I had every intention to follow that pursuit through til the very end. That is, of course, until I had met you…

WIP: Silva's Hope [Content Warning: Descriptive depiction of a violent death]

An ugly croak escaped from the Peggie's lips, his mouth agape like a lake trout. But instead of suffocating from a lack of air, he was choking from the dagger that pierced through his throat. Silva gripped the handle as she dug the blade further into the man's esophagus, blood seeping out of the opening. The red flowed down, staining his shirt and her gloves. The Peggie swung his arms out weakly, one hand managing to futilely claw at her wrist. She paid no mind to it. Is this all I am good for? She twisted the blade, gritting her teeth as she kicked the Peggie's knee down, swiftly sinking her knife down further. His grip went slack, and his eyes began to glaze. But she wasn't done yet, not with the burning fire eating through her veins. Is this all I'll ever be? Her free hand caught the man's blonde hair. She dug out the red-stained silver blade and slashed it across his throat, widening the cut. A source of fear? A beast with bloodied hands? She stabbed the blade against his head, pulling it out, then puncturing again, repeatedly, like a butcher chopping thawed meat. I gave you a chance, didn't I? A chance to turn back, to put the gun down, to turn a blind eye while I made my escape... Pulling the blade out, she tried to breathe, to calm the rage engulfing her heart, cascading over her mind. But it refused; it demanded it's release, to have her take it out on the man who's eyes have glazed. ...And yet, he did not choose to value his life, instead the words of his Profeta. Fraudulent lies that outweighed common sense, self-preservation, and moral understanding. Her teeth gritted, breathing rapidly, ignoring the bullet that inflamed the skin in her thigh. She raised her knife, red dripping down onto her head and shoulder. Looking down at the Peggie, she shouted out the wrath stuck in her voice, and broke through his skull. If this is the path they all will follow, then she won't waste time giving them chances they won't take.