#enjoy the lore and enjoy how it adds to the story as a whole but honestly i'll be so sad if people start asking me to write more

[tsukidrama]

what happens to reader after annie goes into the crystal? does she join levi's squad? what's her experience during the war against marley? what's her reaction to reiner and bertholdt?

I IMMEDIATELY GOT SO EXCITED UPON READING THIS MESSAGE HEHE *cracks knuckles*

okay okay i'm going lay out a basic timeline from after the Female Titan arc all the way up until the timeskip!

homegirl is imprisoned for a good bit after what happens in Stohess - in an actual jail cell for a bit, but then she's allowed back into the barracks essentially on house arrest. i mentioned in the last chapter of please be that Hanji is the only person who Reader feels comfortable giving details to while interrogated. and since Hanji is a very busy bee constantly on the move, Reader ends up becoming a reluctant addition to their entourage.

during the Clash of the Titans arc reader just kind of trails behind whoever she's with at whatever given time, in handcuffs and being mopey. while shit is going down at Ulgard Castle, she's bonding with EMA while Hanji is investigating the wall titan.

y'all know how after the Survey Corps come in to kill all the titans, the only ones who will go within a 20ft radius of Ymir are Hanji (research purposes) and Hisu (gay purposes). i think that reader would be right there behind the two of them, if for no other reason to be a source of comfort for Historia. i mean, if anybody is going to understand the predicament of your lesbian lover turning out to be a Titan....? they are definitely friends.

in her emotional whirlwinds immediately following The Crystal, reader goes from being friends with Reiner and Bertholdt, to being extremely bitter and distrustful of them. back when they were in the training corp she was ABSOLUTELY aware that ABR were a trio with lots of history together, and knows Annie was close to both of them in a way she wasn't with anyone else. she picked up on the 'team' vibes they gave off, dysfunctional as it was, and she starts to resent them for not helping Annie and leaving her behind. she gets this idea into her head that the only way she can protect Annie is by ratting them out. she definitely tells anyone who will listen that she suspects them of being traitors/titans/whatever the fuckin theory is at that point in the storyline.

but ofc she's just as caught off-guard as everyone else is by the sudden reveal and the transformation on the walls. and anyway she's still cuffed throughout all of this so she really can't do anything besides being emotional support for the people who need it.

whenever everybody else goes to get eren back for that big battle, reader is not allowed to go. she goes to the village to confirm the titans = people theory. the only significant thing that would've happened on the battlefield significant to reader would be that her opinion on Armin goes sour after she learns about what he said in order to get an emotional reaction from Bert. tbh that opinion remains low up until TRNT timeline, bc reader feels that he uses Annie as a tool to get what he wants (which he does, multiple times, just saying). she's not a dick about it but she doesn't get over it until years have passed.

she visits the crystal every 2 or 3 months, basically giving Annie updates on her life and cleaning up the area. lmao i once had an idea that never got written that's literally just reader talking about her day while sweeping up cobwebs and dust from the floor, wiping down the crystal if it's dirty, etc.

i don't think she would join Levi squad - i see her being absorbed into Hanji squad by default after the tagging-along-in-handcuffs turns into genuine trust/reliability. reader is motivated to find out the answers to the million questions she was left with concerning Annie so she commits herself to that in the only way she can, which is being a good soldier.

emotionally she's very empty, and i see her becoming a lot closer with Historia from here on out. they cry about being abandoned together. i love the idea of them still being friends and hanging out even after Historia becomes the queen. i want to include Hisu in TRNT so bad but I'm struggling to come up with a good way to bring her into the story that feels organic.

after the battle to retake the wall + basement reveal, she learns of the Warrior Unit and how young Annie must've been forced to do awful things. i have a vague plan for writing a fic about this one-sided conversation - i'd probably make it a direct parallel to the crystal scene in Please Be part 3 with a similar continuous train of thought-style storytelling and speculation about what she must've gone through. just like, really sad stuff. genuinely heartbreaking shit.

as much as I hate that Moblit died and it agonizes me to think about, i like the idea of Reader stepping up to perform those same jobs once he's gone. the two of them get a lot closer over the timeskip too (i'm allowed to do this because hanji isn't around for TRNT and i need in my soul to include them in this story as much as possible). reader becomes less combat-oriented and more into of a research position and just helping carry out day-to-day Commander duties. essentially a desk job, almost like a secretary?

ideally i would like reader to be minimally involved in murdering innocent people, if possible. during the attack on Liberio i see her being the airship with Hanji and Onyankopon.

i haven't thought much about what would happen for her after that point, though. i have ideas for Annie interactions but not really for where reader sits in canon for that final stretch

if one of you bitches (affectionate) wants come talk to me about any of this in the DMs i am so open to that, because i had so much fun writing this post out! heheh

if you have any more questions about Annie's reader and her extremely depressing life pleeeeeaaaase, i would love to answer it! and i'll love you forever if you give me an outlet for this creativity-fueled infodump

[ri-writes-if]

Chapter 2 is released

LINK

It's here! Around 60K for the whole update, with an average of ~12K words for one playthrough.

I recommend replaying from the start because I edited a couple of variables in the first chapter and something could break if you use a save.

In this chapter

You call tell (or not) the demon of your choice about your curious vision from the first chapter.

Learn what the characters do for fun and have a small discussion about it.

Find new useful information about making most of your abilities and start training with some side help.

Visit the Abyss! Such a great experience.

First romantic choice. It's a light one, but it's a start 💛

Get princess carried if you want.

This chapter introduces the first “pushing away” choices. They will be counted and will affect how the characters react to some things you do or will add some flavor text now and then. These choices won’t lock you from the friendly/romantic routes. However, they do have some other side effects… At least in this chapter.

Small changes

Added ages to the characters’ profiles, including the MC.

Added the option to customize the characters’ gender.

Balanced the characters’ gender in the “both genders” option.

Updated the Codex with a bit more lore information.

I hope you enjoy this update! If you do, I would love to hear your thoughts on it 💛

A bit of commentary on the "pushing away" choices and next plans under the line.

For the “pushing away” choice in this particular chapter, you will have a choice to apologize or change your mind about it in the next couple of chapters (tentatively) and speak about it with the affected character. I’m still on the fence whether it’ll decrease the overall “pushing” counter or not; I’ll probably decide that when I write these scenes.

This is an experimental feature (that I could delete or change at some point), but I hope I make it work in the story because I think it's a nice idea that negative choices won’t just decrease “relationship points” but also will be remembered by the characters and affect how they view some things you do or say or how they act around you the more you push them away. Especially if you want to smooch them at some point when you were cold to them just recently or for a while, lol.

It’s not perfect, but I’m satisfied with the chapter for now. It feels like I’ve been working on it a bit too long, and after rereading 10+ times to edit it, I’ve grown blind to weak places in it (and also kind of tired of it). I need to let it rest for a bit before returning to hone it, but I’ll probably do it only in the future when I have more chapters written or even after I finish the story since I want to keep moving forward and not stall in one place.

I'll continue planning details for the next chapter and then start drafting it. I've already thought of interesting things to include that could be very fun to write (and to read, hopefully, considering the main topic for the chapter is full of potential 🤭). I'm very excited to work on it, especially since I'm almost done with building the foundations in the story and soon will be able to get to the juicy parts of the plot. And there are also personal side stories of the cast, which will be starting in the next ~two chapters. Can’t wait to get to those too.

[spnscripthunt]

The Supernatural Script Hunt came from humble origins, a handful of fans banding together to collect and preserve our fandom history, making as many scripts as possible accessible to fans worldwide. Since acquiring our first script over five years ago, and then branching out to involve so many fans supporting the work in the years since, it was always our intent to give it all back, and then some.

When we began this project, the fandom collectively had six scripts from five episodes and a single network outline. In the five years since we bought our first script to add to that collection, we are ending the project with a total of 163 scripts from 147 episodes, casting sides from 50+ episodes, 50+ call sheets, arenas from 18 episodes, and other related documents. A complete list of items in our collection is on the SupernaturalWiki, for a closer look, click here.

The time has come for us to offer everyone a final chance to own their very own priceless souvenir of the show and cast we all love so dearly. In doing so, we also want to honor the largest (hopefully!) legacy of our fandom: using our collective power for good. Which is why we're offering up some very special scripts (and a few other items!) in our collection in a raffle to benefit Undue Medical Debt.

Our initial goal was to raise at least $10,000 so we can erase at least one million dollars in medical debt.  We've met that goal, our stretch goal is to get to $20,000 so we can erase at least two million dollars in medical debt.

How Undue Medical Debt Works:

You make a donation. They use data analytics to pinpoint the debt of those most in need: households that earn less than 4x the federal poverty level or whose debts are 5% or more of annual income.

Undue Medical Debt buys medical debt at a steep discount. They buy debt in bundles, millions of dollars at a time at a fraction of the original cost. This means your donation relieves about 100x its value in medical debt.

Together we wipe out medical debt. People across the country receive letters that their debt has been erased. They have no tax consequences or penalties to consider. Just like that, they're free of medical debt.

For every $10 you donate to Undue Medical Debt, you will 1) be erasing about $1,000 in medical debt and 2) be able to enter our raffle to win one of the items listed below.

Our Campaign Page

Our Raffle Site

Donated by Eric Kripke:

'Pilot' - "Original pilot that got tossed out -- whole different story -- enjoy this alternative reality Sam and Dean." Signed by Eric Kripke, Jensen Ackles, Jared Padalecki, and Samantha Smith.

2.22 'All Hell Breaks Loose: Part 2' - Yellow Revisions. Signed by Eric Kripke, Jensen Ackles, and Jared Padalecki.

3.16 'No Rest for the Wicked' - Goldenrod Revisions. Signed by Eric Kripke, Jensen Ackles, and Jared Padalecki.

4.01 'Lazarus Rising' - Pink Revisions. Signed by Eric Kripke, Jensen Ackles, Jared Padalecki, and Misha Collins.

4.22 'Lucifer Rising' - Production Draft. "My director's copy - rare! Enjoy!" Signed by Eric Kripke, Jensen Ackles, Jared Padalecki, Misha Collins, and Rob Benedict.

5.01 'Sympathy for the Devil' - Pink Revisions. Signed by Eric Kripke, Jensen Ackles, Jared Padalecki, Misha Collins, and Rob Benedict.

6.22 'The Man Who Knew Too Much' - Production Draft. Signed by Eric Kripke, Jensen Ackles, Jared Padalecki, Misha Collins, and Mark Sheppard.

Donated by James Stoteraux and Chad Fiveash:

Gotham Knights - 'Pilot' - Double Yellow Revisions. Signed by Misha Collins, Oscar Morgan, Olivia Rose Keegan, Navia Robinson, Fallon Smythe, Tyler DiChiara, Anna Lore, Rahart Adams, Chad Fiveash, and James Stoteraux.

Gotham Knights - 1.13 'Night of the Owls' - Production Draft. Signed by Misha Collins, Oscar Morgan, Olivia Rose Keegan, Navia Robinson, Fallon Smythe, Tyler DiChiara, Anna Lore, Rahart Adams, Chad Fiveash, and James Stoteraux.

Donated by Natalie Abrams:

Gotham Knights - 1.11 'Daddy Issues' - signed by show creator/episode co-writer Natalie Abrams, director America Young, and Misha Collins (Harvey Dent/Two-Face). Two copies donated, two winners. Thank you @deanismybuddy (twitter) for making this happen.

Donated by Robbie Thompson: 

The Winchesters - 1.01 'Pilot' - Final Shooting Script - signed by Robbie Thompson and Jensen Ackles.

The Winchesters - 1.13 'Hey, That's No Way to Say Goodbye' - signed by Robbie Thompson and Jensen Ackles.

Thank you to @SadieWit (twitter) and Gabe Garza for making this happen.

Scripts Not Donated by Creators:

3.15 'Time is on My Side' - Production Draft signed by Jim Beaver at Creation Tour: Burbank 2024; Jensen Ackles and Jared Padalecki at Jus in Bello 14; Steven Williams at Crossroads 8.

14.14 Ouroboros - Production Draft - donated by @_ninalynne_ (twitter).  

Gotham Knights - 'Pilot' - Pre-Production Draft signed by Misha Collins at Creation Tour: Burbank 2024.

Walker - 'Pilot Script' - signed by Jared Padalecki, Jensen Ackles, and Richard Speight Jr. at Jus in Bello 14.

Walker: Independence - 'Pilot Script' - Revised Network Draft - signed by Jared Padalecki at Jus in Bello 14; Mark Sheppard at Crossroads 8.

The Winchesters - 'Pilot' - 4th Network Draft signed by Jensen Ackles at Creation Tour: Burbank 2024; Richard Speight Jr. and Rob Benedict at Jus in Bello 14; Jim Beaver and Alexander Calvert at Crossroads 8.

Audio/Visual:

Supernatural: The Complete Series Blu-ray - donated by @HanmeiCui (twitter)

Dick Jr. and the Volunteers' "Fistfights and Hug-Outs" CD - signed by Richard Speight Jr. at Jus in Bello 14, donated by @Julie_Fleming and @EmilieDK87 (twitter)

Rob Benedict "Leave The Light On" CD - signed by Rob Benedict at Jus in Bello 14, donated by @merenwen76AO3 (twitter).

"Saturday Night Special" CD - signed by Louden Swain at Creation Tour: New Jersey 2024.

Autographed Photos and Posters:

Crossroads 8 "Supernatural" cast poster (A3 size) signed by Misha Collins, Mark Sheppard, Julian Richings, Alexander Calvert, Jim Beaver, Rob Benedict, Steven Williams, Corin Nemic, Todd Stashwick, and Cindy Sampson. Donated by @AilesduSoleil (twitter).

Crossroads 8 "The Boys" cast poster (A3) signed by Tomer Capone and Karen Fukuhara.

Autographed photos from Crossroads 8 donated by @AilesduSoleil, @Julie_Fleming, @PurpleNurpleSPN (twitter):

Rob Benedict, Alexander Calvert, Tomer Capone, Misha Collins, Karen Fukuhara, Corin Nemec, Cindy Sampson (multiple winners)

Books:

Hardcover edition of Good Omens - signed by Neil Gaiman and Mark Sheppard. Thank you to the staff at The Golden Notebook in Woodstock, NY for being extremely helpful and kind.

Hardcover edition of Death (2022) - written by Neil Gaiman, art by Mike Dringenberg, John Totleben, Mark Buckingham, and Chris Bachalo. Signed by Lisa Berry.

Family Don't End with Blood - signed by Jared Padalecki, Jensen Ackles, Misha Collins, and Jim Beaver, donated by @FangasmSPN (twitter).

There'll Be Peace When You are Done - signed by Jared Padalecki, Jensen Ackles, Misha Collins, Alexander Calvert, and Sebastian Roche, donated by @FangasmSPN (twitter).

Supernatural 15 Seasons: The Crew Member's Souvenir - two copies, two winners. Donated by @HanmeiCui (twitter) and [anon].

Fan Arts and Crafts:

"To Be Continued" t-shirt made and donated by @shitannamakes (twitter), signed by Jensen Ackles at Creation Tour: Burbank 2024. 

The Winchesters canvas print (16 x 22.7 in) designed by BobbysIdjit (tumblr, Redbubble) and signed by Jensen Ackles, Jared Padalecki, Misha Collins, and Richard Speight Jr. Donated by Denim-wrapped Nightmares, a Supernatural Podcast.

Curse boxes made and donated by @TheGreenCooler (twitter):

6" x 4" x 4" - red and white

8.5" x 6" x 5" - brown and black

Supernatural and AKF themed decorative pillar candles made and donated by @TheGreenCooler (twitter): 

4x3 inch short decorative pillar candles set: "Sam and Dean initials"

5x3 inch decorative candle: #AlwaysKeepFighting "Good morning Starshine. You're still here today."

5x3 inch decorative candle: #AlwaysKeepFighting "Hopeful Daisy"

5x3 inch decorative candle: "Men of Letters"

5x3 inch decorative candle: "Carry On Wayward Son"

5x3 inch decorative candle: "We Are Home"

6 x 4 decorative candle: "Impala on a Hunt" (pic 1) (pic 2) (pic 3) 

Rare Actor-Specific Items

AFK pin designed by Phil Sgriccia in 2015 for Jared Padalecki, "only Jared had these pins unless he gave them to you" - donated by @slammtam (twitter)

Jared Padalecki autograph at Creation Austin, donated by @KLFSPNcons off her Gold badge (Row I).

Raffle closes on Sunday, June 30 at 11:59pm (EST). Winners will be drawn by a random number generator, we will submit the names to Undue Medical Debt's development staff to confirm the donations match the caps submitted to us on the Google Form, and we'll contact winners by Saturday, July 6 2024. Winners will have 72 hours to respond, and will be required to provide their physical mailing address and to cover the cost of shipping (for scripts it's currently $9.85 for priority mail insured inside the US, international rates and non-script rates to be determined as necessary). 

PLEASE NOTE: IF YOU ARE UNDER 18 YEARS OF AGE AND WISH TO DONATE, PLEASE ENSURE YOU HAVE PRIOR AUTHORIZATION FROM CREDIT/ACCOUNT HOLDER.

As Castiel once told a patron of the Gas N Sip buying a lottery ticket, good luck!

Thank you to our con helpers, we never could have pulled this off without your help: abeautifulswan, AilesduSoleil, deanismybuddy, EmilieDK87, FangasmSPN, HanmeiCui, jennysun23, Julie_Fleming, KLFSPNcons, kreespa, kaurie_mac, marywinchstr, merenwen76AO3, MiaAW90, MysterioAmber, PurpleNurpleSPN, RMelton76, rowwyaboat, SDeeg13, shandataber, SuperWiki, zerbehunter

[starhvney]

𝐑𝐎𝐀𝐃𝐓𝐑𝐈𝐏 𝐇𝐄𝐀𝐃𝐂𝐀𝐍𝐎𝐍𝐒

𝐅𝐄𝐀𝐓𝐔𝐑𝐈𝐍𝐆: garroth, laurance, travis, dante, zane, katelyn, & nana

𝐒𝐔𝐌𝐌𝐀𝐑𝐘: what i think they'd be like on a roadtrip!

𝐓𝐀𝐆𝐒: fluff, slice of life

𝐂𝐖: none!

𝐀/𝐍: i miss going on roadtrips i haven't been on one in so long

𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓

𝐆𝐀𝐑𝐑𝐎𝐓𝐇

☆ calls shotgun immediately and insists it’s his spot for the rest of the trip (oldest sibling syndrome)

☆ always buys something at every rest stop, whether it’s an icee, chips, or some stupid trinket

☆ bought a key chain one time that flashed the words “bad boy” on it because he thought it was so funny. he was devastated when it stopped working one day

☆ likes being the gps guy because sometimes he’ll find a cool place to stop and check out on the way (to make the most of the trip, of course)

☆ talks about town lore when you pass through somewhere interesting

𝐋𝐀𝐔𝐑𝐀𝐍𝐂𝐄

☆ he has the best road trip playlist and made sure to plan out how long it was depending on how far you’re traveling

☆ honestly he’s probably the one driving for most of the trip if not all of it, he finds driving relaxing and also doesn’t trust other people to drive safely

☆ likes to play fun talking games like never have i ever or would you rather, or just talking about life

☆ will play the license plate game or i spy to stay alert

☆ if he’s not talking he’s really enjoying the playlist

☆ if the road trip is super long he’ll agree to switch out of driving for a bit to take a nap

𝐓𝐑𝐀𝐕𝐈𝐒

☆ is really invested in the license plate game

☆ he’s always cracking jokes and is definitely the type of guy to look in other people’s windows on the road and guess their life story

☆ gets invested when a car sticks with yours for a long time and gets dramatic when they finally split away

☆ plays multiplayer games on his phone with whoever wants to play or sends memes to the group chat (you guys are literally in the same car)

☆ will suddenly start discussing conspiracy theories or will tell ghost stories about the towns you pass through

𝐃𝐀𝐍𝐓𝐄 

☆ he’s either talking the whole time or passed tf out no in between

☆ says “i could go for some fast fast food right now” literally anytime you guys pass a fast food restaurant

☆ also cracks jokes and will add on to travis’s guesses on the lives of oblivious travelers

☆ makes really exaggerated and out of place guesses because he thinks it’s funny

☆ it’ll be a grandma driving in her old chrysler and he goes “how much you wanna bet she’s got a pound of weed in her trunk”

☆ like man what the hell are you talking about

𝐙𝐀𝐍𝐄

☆ irritated if people are talking too much (dante and travis)

☆ puts on noise canceling headphones and only tunes back in if food or a rest stop is involved (he’s busy listening to my little pony infection au lore/j)

☆ has a pillow, blanket, and hoodie on at all times for maximum comfort

☆ another sleeper. surprisingly doesn’t mind if you use him as a pillow or ask to share his blanket, he’s really comfy with all those layers on

☆ will lightly shove you away if you start moving too much, though

𝐊𝐀𝐓𝐄𝐋𝐘𝐍

☆ pretty chill the whole time as usual

☆ sits in the very back and mostly will watch the scenery

☆ she brings a book or watches a movie, and doesn’t mind sharing her headphones with you to watch it together 

☆ unless you’re traveling in a car with tv screens installed, then she has a small travel case with a ton of burned cds (if you know you know) and everyone can join in

☆ if she gets tired of socializing with everyone she puts in some earbuds and takes a nap

𝐍𝐀𝐍𝐀

☆ packs a whole bag of snacks and homemade sweets for everyone

☆ checks pretty often if anyone wants to take a break at a rest stop and stretch their legs (she’s pretty jittery and doesn’t want to be the only one constantly asking to stop the car)

☆ also participates in the license plate game, but also likes to play the slug bug and yellow car game

☆ made the mistake of slug bugging katelyn and got punched back in the arm

☆ gets really addicted to cute cat games on her phone and accidentally spends a bunch of money on passes

☆ she brings some sort of craft or sketchbook for the trip. you notice she’s been quiet for a while before looking over and seeing she’s already crocheted half of a scarf and a hat

©starhvney, 2024. please do not steal or repost my works as your own.

[jesncin]

hi! i love your dc stuff, and i noticed that you're a fan of martian manhunter. recently, i finished martian manhunter (1988), and ever since then i've been wanting to read more of him & get to know him better as a character. do you know any good j'onn comics you'd rec?

YES! And Martian Manhunter 1988 is fantastic to start off. I've made a list of my favorite Martian Manhunter stories before which I still agree with! I'll just add a few additions I've recently enjoyed:

Lazarus Planet: Once We Were Gods #1- Songs of Pain (written by Dan Watters and art by Max Dunbar)

A bittersweet short story. I love how this one showcases J'onn empathetic ability and even goes so far as to contrast his senses with Superman. The art is really pretty.

2. Final Crisis: Requiem (written by Peter Tomasi and art by Doug Mahnke)

J'onn's died many times in DC canon, but this one is the most brutal and emotionally impactful sendoff he's ever gotten. It's a great tribute to his history as a character.

As for getting to know J'onn, the character, more: the John Ostrander (+ Tom Mandrake as the artist) run is considered definitive by fans. I'm not the biggest fan of the writing and especially the art, but that run is where you get the most detailed J'onn origin story and a lot of what defined him.

I can also recommend Martian Manhunter 2006: The Others Among Us (written by AJ Lieberman with art by Al Barrionuevo). In this story J'onn finds a group of green martians and does whatever he can to protect them and discover the mystery of why they're here. The writing's okay and the art is fine. It just plays into characterizations I feel hold J'onn back from growing as a character.

If you want to read a really good Martian Manhunter one shot- I highly recommend Sons of Mars by the Wibowos! It's a reimagining of the Martian Manhunter origin with his brother Ma'alefa'ak, and it reinvents a lot of Martian lore in a new refreshing way while still paying homage to its history!

It's so weird how you can't find prints of this comic! Lucky for us, the whole story has been stored on tumblr.

Happy reading!!

[namazunomegami]

Into the Void

Pairing: Geto Suguru x gn!reader

Synopsis: Geto is so succumbed to his ideals that you have no choice but to run. But the hunt for you is more than a simple chase. It's resurrection. It's repentance. Just like in the parable of the lost sheep.

CW: canon compliant, established relationship, predator/prey, injuries, blood, toxic dynamics, heavy religious symbolism, emotional distress, dissociation, tiny bit of hurt/comfort, yandere behavior, Geto is a manipulative ass how surprising

WC: 5.2k whoops

Credits: my dear @notveryrussian for proofreading but tbh I should start calling you my editor from now on lmao. I'm glad you enjoyed my sneak peeks so much 💕

Song rec: since I can't control myself, I picked 3 songs by Nine Inch Nails that gives the perfect vibes to the story. For the exposition, I recommend Heresy, mostly because the lyrics resonates with the reader's thoughts about Geto. For the escape/chase part, I picked Eraser for the creepy vibes and reader's slowly deterioriating sanity. For the closing part, I picked A warm place because it's a comforting yet a bit gloomy track

A/N: Saying that this idea possessed me is an understatement. Initially I only wanted to put effort into the whole chase scene but obviously I started to add lore into the whole thing. And since they grew on me and I simply love their dynamic, a part 2 is on the way yaaay.

Minors shall not interact unless they wanna get punched.

And a usual warning for dark content. I wanted to keep it mild but I couldn't. Maybe I'm a lil bit too skilled when it comes to writing about fear.

It’s all too painful to think that maybe running away with Geto wasn’t the best idea.

Of course you loved him, you loved the twins too and the makeshift family you created, it really healed some of the wounds you received in the past. But you wished it would’ve stayed that way. Living together, somewhere far away, isolated, in peace. Have a fresh start, build a nest for the four of you and fill it up with love.

But he had other plans.

There were a lot of improvements in the initial phase of your plans. Building community, uniting the herd. You enjoyed some reverence from the followers too. Eventually the initial number of breakthroughs began to stagnate, despite all the effort. It became routine, like you were being dragged through the same day for years and years without end. When you were faced with even more setbacks, you started to realize that you basically never left the temple and it soon began to feel like a cage. Golden and holy. It was draining to see people lose their sense of individuality and how he became their only source of validation. It was torment. Living life as an idol of worship tucked into a forgotten corner of a church. Praised like a twisted Gothic Madonna with a blue cloth over your head, but in reality you weep, you’re their Mater Dolorosa, with swords piercing your sorrowful heart.

The most devastating thing about realizing you’re not fit to run a cult, is the fact that you lack the most understated yet important aspect of it: believing in the agenda you want to spread. How could you guide all those helpless, simple-minded sheep while questioning whether your destination is real or not? Maybe that Canaan has nothing to do with milk and honey, instead it’s just a pile of rubble.

You soon got tired of it all. His drive, his goal, all too impossible to achieve. Maybe he knew he could never make it happen, but it consumed him regardless. You’ve lost the most cherished parts of him to his hatred, his deeply repressed rage against any injustices he had to deal with after the infamous Star Plasma incident.

You weren’t sure about your feelings towards Geto anymore. Were you afraid of him? Angry at him? Bitter? Disappointed? Worried? It all turned into mush, a grotesque, black liquid as the thin walls of the temple slowly made you feel like they were closing in on you. You had no idea how much time you had, until your unresolved feelings will taint the whole place.

You always circled back to the worst possible action to protect your soft, aching heart… When you thought that nothing will change for the better, you wanted to run away. You wanted to hide. The ambivalence of your feelings towards him weighed on your heart and conscience, like a thousand stones. You loved him, yet you loathed what has become of him. Despite that you trusted him with the map of your soul, made it through all the highs and lows of your relationship so far, all the deep abysses of pain and suffering.

Maybe you should run, just for the sake of it. To test how it will make you feel. Will it make you feel freed? At ease? Will it lift the weights on your chest? Will this sense of incoming doom vanish?

Maybe you should find Gojo. He wouldn’t condemn you, but he would be disappointed. If you set your judgement and resentment to aside, he’s the only one who can talk with the higher ups to scratch your name off the list of curse users who are on death row.

How much time did you need to forge your plan? Not even a single minute. It was only natural for you to memorize everybody’s routine, how to distinguish the sound of their steps, to pick a timeframe when nobody is lurking around the halls. The first (and probably last) time you were glad those who have hurt you gave you a skill, besides the ability to harness cursed energy of course. They made you stealthy, alert, observant.

And when Geto left you to cater to his followers, you decided to put your plan into action.

Your body is strung tight with the tension of waiting, agitation making you feel as if you were unraveling at the seams - but something deep inside of your mind pleaded for you to stay. Agony and anxiety were plaguing you until you’ve found enough courage to get up and sneak out. Now, you had the chance to show off everything you’ve learned: sliding the doors shut so slowly that they don’t make a noise, walking down the corridors with socked feet, carefully putting the middle parts of your feet on the floor, instead of your heels, easily avoiding those parts that creak.

Sometimes, when he was immersed in his thoughts, he was amused by how faint your steps sounded.

An involuntary instinct warns you. It’s trying to convince you that he can see you through the eyes of bodhisattvas residing in the thangka paintings decorating the walls. You almost give up your quest as you glance at the depiction of Vajrabhairava. In all its anger, with its six faces and twelve limbs. A dreadful beast that defies death itself.

You don’t want to do this to him, do you?

You look away from the painting, focusing on getting your shoes on and climbing out through the window. As you’re squatting on the windowpane, you can see all of Tokyo stretched out beneath you. You’re a little bit annoyed that all temples are built on a mountain. A long way to go, but you can never know when this place will turn into a funeral pyre.

It’s a little bit too easy. There’s no sign of surveillance curses nearby, you only need to slide down on the wet tiles, jump up high, land in the mud and let yourself be swallowed by the darkness of the forest. You specifically picked your least conspicuous clothes to blend into your surroundings perfectly. And the cold and murky night will let you go safely. The leaves will conceal your tracks.

So many things are working in your favor tonight.

You know there’s no need to rush. You can only draw attention to yourself if you are running around, creating noise and disturbing the wildlife. You don’t even use a flashlight, you have to get used to the darkness, the full Moon will guide you with all her dazzling light. And after that, Tokyo will do the same, with its crowded streets and all its places to hide.

There’s a weird kind of tranquility in your heart. How the cold prickles your skin, the moisture in the air, the faint noise of the creatures dwelling under the leaves, up in the trees, singing, chirping, crawling. The scent of wet soil, the gentle caress of the wind…

Now, you feel free.

As you walk deeper and deeper into the woods, you feel lighter, you feel like you could fly away, like you could dance all the way towards your destination. You’re thinking about actually doing that, as if you got possessed by a strange spirit…

But the uneven, slippery ground makes you fall right into the mud. You squirmed a little, trying to get hold of a tree trunk and then…

Silence, dead silence.

Your heart sinks deep in your chest.

You know what it means. When nature falls silent. There’s…

There’s a threat nearby.

A primal instinct tells you to run.

There’s no way, there’s no fucking way that he already noticed you were gone.

Twigs whip at your skin as you’re running mindlessly. Wherever you end up, it will be fine, as long as you can enter the outskirts of the city. The cold night air stings your throat, your heaving breath leaves your mouth in puffy clouds. You feel the urge to cough, deep from your bone-dry lungs.

The ground beneath you turns soft and steep. You lose your poise, stumbling and rolling all the way down until you fall from a high clod of rain-washed soil. Your body collides with a cold, wet, yet incredibly hard and flat surface, fraying the skin on your palm and face. Your back and shoulders will be bruised by tomorrow, painting your body with black and blue spots. The pain ripples through your entire being, paralyzing you for a couple of moments.

As you slowly gathered your battered self from the ground with a grunt, you realize you landed on a road. It’s a good sign, you’re not so far from civilization. But instead of following the road, cutting through the forest is the wiser decision.

Your relief is short-lived, just like a may fly.

A sinister feeling takes hold on you. It makes you freeze, squeezing your insides. Like you’re sitting in the jaw of an eldritch beast. You slowly turn back to the direction of your fall.

The lights are flickering.

You grab on the guardrail for dear life. You try to fill your lungs with shaky breaths, your heart desperately beating against your ribcage. Your trembling knees barely keep you upright, yet nothing can make you move. You have been found, you’re defeated, there’s no point in running away from him. The injuries, the already forming bruises will only deplete your strength.

How could you fight him? You’re aware that if he wanted to, he could break your bones and twist your body at the joints with an arm behind his back.

How could you outrun him? He’s capable of summonning a swarm of curses before you even take a step.

How could you make war with him?

Three of the lamp lights were already out, you stared into the darkness, the boundless abyss right before your eyes. You can’t even force yourself to blink.

And when the lights came back on, he was just standing there. Without breaking a sweat. Your pulse feels non-existent.

What infuriated you even more was that he wasn’t wearing his gojo-kesa. The motherfucker even gave you a head start by changing into something comfortable before he came to fetch you. Or simply he noticed your absence later than you expected.

Whatever, both is bad news for you.

He doesn’t utter a single word, he merely walks towards you. Slowly cornering you. Feasting on the terror on your face. Meanwhile you can’t unravel what could possibly be going on in his mind. The only thing you notice is that those violet sparks in his eyes are so sharp they could cut yours out of their sockets.

Should you give up? Should you beg for forgiveness?

But then, an idea blooms inside your mind.

You don’t hide your fear, you let your body tremble freely, fingers desperately clinging onto the metal, with your shoulders hunched to protect your neck and your wide, frightened eyes stare back at him. Letting him believe that you won’t fight back. That he can take you back to the temple and throw you back into your cage.

And when his foot hits the bisector, you jump. Right into the nothingness behind your back.

You fall on leaves and broken twigs again. You roll and roll with such speed you can’t comprehend the growing distance. Not even having an idea of how far you’re from him. Small rocks, branches, hardened roots of trees, bones all cut, scratch and pierce you. But you endure it, you’ll undergo any torture if it meant you’ll be freed. Your only hope is that the adrenaline will deal with the pain.

Suddenly, you violently crash into a tree, the ridged texture imprints deeply into your stomach. Acid bursts from your throat. Your diaphragm didn’t avoid the hit either, breathing is not unlike Sisyphean task as you try to get your shaking limbs to stand. Your mind is disturbed by the lack of air and your desperate attempts at getting yourself together. You’re wheezing like a dog. You must look pathetic, you think.

It takes almost all of your mental strength to calm down and slowly breathe through your nose, your lungs finally opening. But Geto won’t let you recover, you hear the fallen leaves getting crushed under his feet. You take a few sharp, ragged breaths, like it’s the last drag of a cigarette before the train comes and then, you move.

You hide behind a thick pine tree, palms covering your mouth and nose. The lack of oxygen is just another frustrating hindrance to your successful escape plan. Dizziness fills your head like a thick fog and sucks the strength out of your shins, needing to lean against the trunk to keep yourself standing. You try to conceal your cursed energy with all your might. A tracker who’s untraceable is a useful pawn in the hands of the higher ups, this skill made you a cherished student back in the day. Back when everything was so… no, it’s only the nostalgia making you wistful, it wasn’t any better.

The rustling gets quieter, you wait until the sound eventually dies. An almost muted sigh of relief leaves your lips in a thick cloud, dancing in the cold air.

From the corner of your eye, a floating form cuts through the pale moonlight.

Looking closely at its shape, you realize what kind of curse it is. The beetle looking one that attacks instantly once it senses movement. You can’t believe it, you’re going to -

The curse drags itself into your aura, scanning your form that is fused with the pine. Every muscle is tensed, you’re stiff as a board, you suppress every reflex in your eye and empty chest. You’re just like a statue, a corpse, showing no signs of life. Only an agonizing scream echoes inside your skull. A scream that puts mental breakdowns to shame.

It’s like an eternity until the curse finally disappears from your sight.

You definitely look exhausted, your body is limp and heavy like lead. But you must keep going at all costs, even if you have no idea how many curses are sent after you. You walk around the mountain instead of going down like he’d expect it.

Slowly yet surely, you calm yourself down. You know that you’re still in his grasp, but you still have a chance to outsmart him. You go deeper and deeper, you’re near the heart of the forest now. The moonlight barely crawls through the leaves, it’s easier to navigate according to what you hear rather than to what you see. The surroundings are growing eerie, you ache for light and warmth. And the longing sucks a bit of spirit out of you.

Before you can start questioning yourself, the sound of running water fills your ears.

A narrow, yet fast running stream plowed through the forest. Though you were unsure of staying close to the stream, going through it and getting to the other side sounds like a smart idea. As you take a reluctant step, you realize the water is ice cold. And when you dive into it further, enduring the strong current, it’s not as shallow as you believed. You’re submerged all the way up to your thighs. At its deepest point, the stream hugs your waist. The cold makes your movements slow and rigid, your teeth clang together in a frenzy. The bottom is filled with smooth, flat pebbles, they make it easy to - 

You slip on the rounded, polished stones and fall into the stream. The freezing temperature makes your skin shrink, it prickles you like a thousand needles. Scared, you crawl around the bottom, trying to get a hold of something and emerge back to the surface. A sharp, burning pain wakes in your palm, tears streaming down your cheeks. You try to swallow your scream, but it wants to burst from your lungs, you grunt and whimper until you can bite down on your sweatshirt, letting the material muffle your shout. Your gaze fixates on your hand and even in the darkness of the night, you see blood oozing from the deep cut, from your own torn flesh. The urge to retch is strong.

You palm is plunged back into the cool water, in hope of easing the pain.

He calls out your name right behind you.

You crawl out of the water, running from him, just as before. It doesn't matter how many times you trip, fall, stumble. It doesn’t matter how your fresh wounds end up in the mud, you don’t have it in you care about the pain or the looming threat of an infection. You hear him trying to reason with you. You must come back home, you’re injured, you’re bleeding. He must take care of you.

Why are you running? Where could you go? Who’s going to help you recover?

No, you mustn’t let your determination crumble. But oh… it sounds so easy. Giving in to your hopelessness.

An evergreen bush becomes your shelter to collect yourself and check on your wound, which is aching from all the dirt and is still bleeding. Water is dripping from your hair, your clothes are soaked, makes it easier for the cold night air to bite into you, to shake the whole length of your body. Your fingers are hardly moving and have no strength in them. The adrenaline is starting to wear off. You feel alone, small, and vulnerable. You’re freezing, scarred and aching. All the things you see in the dark twist into creepy, threatening forms. Everything that surrounds you is suddenly dangerous. As a lonely spider crawls within your field of vision, you flinch. The world around you is evil and everything is after your flesh.

And the only person who can save you is the one you’re running away from.

What are you going to do now? Fight, flight, or freeze? Which instinct is going to win this time? Because comprehensible thoughts won’t work on you. Every little layer of a fully-fledged human with a conscience has been stripped from you. You left them scattered everywhere in the woods. You’re nothing more than a primordial shell of a being.

Ceremonial horns wake in the distance, soon followed by howling. They let the dogs out to hunt you down. Poor, little hare. Your own stupidity has woken up the beast.

Who is like unto the beast?

You defeat the paralyzing dread and decide on flight. You dash out from the bushes, but - Oh… your eye. Your soft doe eye. There’s something in it. And your tears have an oddly metallic taste on your tongue.

And power was given him over all kindreds, and tongues, and nations.

You wish you could see yourself from the outside, but you’re probably nowhere near as majestic as you think you are. Right now you feel like you’re the fastest, stealthiest creature who’s ever lived, even if your muscles are almost torn, weak, and tensed. This is the last crumb of your strength, this is your all.

And all that dwell upon the earth shall worship him.

You don’t dare to look back. You know he’s there. He’s so close, he’s orbiting around you like a moon does with its planet. As if all of this is a dance. A hunt is a dance with a coital rhythm. And mother nature is the audience to your deadly waltz.

And he doeth great wonders, so that he maketh fire come down from heaven on the earth in the sight of men.

He takes your hand in his. Gentle and kind. To not scare you any further. You snap like an electric current under his touch, but you break free and zigzag between the trees.

He grabs your waist. Forcefully. It scares you this time. You escape from his embrace before he can swallow you whole. But he might have bit your throat during the process, you feel something trailing down your collarbones. You hear your bones crack.

It was all a mistake. You are a mistake. But mistakes can be forgiven, right? He has forgiven you so many times, you can’t even think of a number.

You slide down on a slope, leaves stick to your clothes, and you drop onto a thick trunk of a fallen oak. Tensive pain ripples in your side. You should stand up and run, but you can’t move. You won’t move. What’s wrong with you? What kind of prey gives the fight up before its last breath? But you think about your frozen limbs, the pain in your palm, your back, your shoulder blades, everywhere. You think about home… you want to go home or be left here to die. But the thought of dying here, alone, makes your heart palpitate rapidly, like there’s not enough air to fill your lungs. Your breathing becomes desperate, panicked even. Your chest hurts, your ribcage is ready to break apart by your racing heartbeat. You press your palms against your head, clawing into your hair. Every little morsel of you is bursting into a tremor. The connection between your mind, your body and the world cease to exist. And that lovely, unlimited stretch of space inside your consciousness is shaken, it’s in utter chaos. Breaking into tiny little pieces, like glass, like porcelain. Tears and plucks like paper and fabric. Shrieks and wails, rejecting the only thing that makes all creatures on this plane of existence agitated over their own mortality.

You’re doomed.

Unconsciously, your limbs curl into the very same position you took when you saw the world for the first time, protecting your belly and face, making you seem small. Geto knows you only do that when you fear what might happen to you, despite being unaware of the kind of terror your brain had subjected you to. That’s why he approaches you slowly, making no sudden movements as he picks you up gently, like one would lift a porcelain figure from the ground. When you open your eyes, he had already settled you into his lap as the manta ray curse lifts the two of you up to mount the skies.

You have no idea if he hunted you down or saved you from your own demise.

What a defiant, ungrateful creature you are, you think. You tried so viciously to run away from your burden, and now you feel safe with him again, you dare clinging to him, you dare seek his warmth. The contradicting thoughts and desires torture you on the way back. There’s only one faint voice inside your head that’s capable of calming you down, able to keep your sanity intact…

You’re the lost sheep, and he’s the shepherd who searched all over the world to find you. And he’ll bring you back to the flock, and he’ll love you more than the rest of them.

Your false god. Your fallacious savior. Will he forgive you if you repent on your knees? Until they get bloody and bruised?

Back at the temple, he refuses to let you take even a step on your own. You weren’t born to run, to soil your soles with the ground that filthy monkeys walk on. You’re meant to be worshipped, to claim the whole world as yours beneath dainty, soft feet.

The warm lamplight and the comfort of your shared room helps you unwind. To shift back into a much more civilized, humanlike state. And as you practically glue yourself to the heater, you notice more dirt, more cuts, more blood marring your flesh than you expected.

When you take off your grimy sweatshirt, shoes, and socks, Geto is towering over you. There’s nothing imposing about him, he looks rather troubled as he sighs.

“What do I do with you?”

You roll your eyes. Oh, the good old rhetorical question. He has no idea if he should treat your wounds first, bathe you or break your leg just like the Gospel says.

“Come, let me take a look at your hand.”

You see your reflection in the mirror, and you’re horrified. Your right eye is bloodshot, a deep cut is splitting through your lower lip. You’re drenched in mud, already dried on your face along with some patches of wine dark blood. Together they seal the scraped skin on your cheek, makes your hair stick together into thick strands, accessorized with pine leaves and other remains from your little hike. You’re blistered and torn, you can barely recognize yourself.

It's pleasant to rinse your hands with warm water at the sink, but the sight makes your stomach twist. That nasty wound is too deep, it has to be sewn shut. A shiver races down on your spine when you see the first aid kit. He soaks a fresh gauze pad with wound solution and guides it towards the gaping cut with a pair of tweezers. The sting is horrible, the burning sensation rivals acid being poured straight into your flesh, it makes you grunt and hiss. He gives you a moment to breathe and collect yourself then he continues, despite your whimpers and twitching, tensed fingers. But the pain pales in comparison to when he swipes a new, clean pad inside your wound, cleaning it of all the filth. A pathetic cry erupts from your throat.

“Stop.” you sob, pulling your hand away to hug it close to your chest. You’re too distressed to realize that the temporary discomfort is necessary. But maybe this whole act is nothing but another one of his silly little games.

He places a finger under your eye, close to your lashes and collects your tears. The sight of you crying is somehow not worth of savoring to him. Before any little drop of your sorrow and regret can roll down your cheek like diamonds, he smears them, as if they could make your misery vanish. Well, they can’t. It frustrates you that you can’t let your feelings manifest because he’s ready to devour them just like his curses.

He doesn’t care that your face is caked in dirt, blood and tears, he lifts your chin up to kiss you. Deeply. You’re not reprimanded for not kissing him back.

You were right, he’s definitely toying with you. He makes it hurt before he soothes the ache. He creates a connection in your mind. Like you’re the dog of Pavlov, slowly conditioned to associate him with anything that makes the human heart fill with delight.

The tiles attract your attention much more than watching how the curved needle dives into your skin, how the thread closes the wound proficiently. Your features soften for a moment. Shoko would be so proud of him... Not for the reason he got so good at it though. He learnt to treat his wounds for the sole purpose of not letting a non-sorcerer doctor ever touch him.

He’s crazy. Vile. Petty. And delusional. It drives you crazy too.

But when your stitched hand is wrapped up in bandages, you seriously think about thanking him for putting up with you. For not being angry at you.

“Maybe this will make you reconsider your actions next time.” he remarks in a flat tone, concealing what’s going on in his mind.

You keep your gratitude to yourself.

But it’s not an easy task when he continues spoiling you, with so much care that it rivals motherly love. How he rinses all the grime out of your hair, how he gives you a moment of peace in a tub filled with plain, warm water, no bubbles or scented oils to irritate your scarred, sensitive skin. He dries you, brushes your hair and fills the whole bedroom with the calming notes of lavender and cedarwood coming from the incense burners. But he’s just so fixated on your injuries… every scratch, every surface level cut is thoroughly sanitized. It’s still humiliating, even when you’re the one sitting comfortably on the bed and he’s kneeling on the floor.

You’re afraid the extra pampering will twist your reasoning and resolve. That’s all part of the mind games he plays. You know he’ll go out on his way to prove that the world outside is cruel, that this is the only place where you’re safe, loved. In his proximity, under his hand.

And somewhere, deep down, you admit that he’s close to convincing you.

It makes you mad, you want to tear him to shreds, you want to weep for him just like Mary did under the cross. There’s still care, there’s still love under all those layers of burning hatred. What remains is twisted though, but it is there.

After you’re patched up, he glances up at you, thumb brushing your lip right next to that nasty cut. His other hand is resting where your thigh and knee meet. It’s a sign, a warning.

“Was it worth it, little lamb?” his tone is soothing and playful. So close to being outright mockery.

You reflect in silence, averting your gaze from him. All those scars and discolored skin, your disturbed mind, and the ache in your bones - you realize that your stupid little plan was futile. Totally unnecessary, it’s no achievement you can be proud of. At least if you’re not as masochistic as to pride yourself on your injuries. But the fact that he can recognize the parallels coats your answer with bile.

“No.”

Because you know that you can be so much more… There’re unlimited possibilities to a repented non-believer. And now you know that being his doubting Thomas has no benefits.

Maybe you did lose your faith in him, like the lamb in that story, to eventually realize how much you need him and vice versa. But you’re not satisfied with being a lost sheep. You just haven’t decided on your role in his Gospel yet. This is your call, you don’t know exactly which part of him calls out to you, but you’re satisfied with either of them. Whether it’s a prophet, a messiah, a beast, or the devil itself. The fallen Morningstar who used to be the favorite.

This can be your true Genesis.

“Go on, break my leg if you want to. There’s meaning in that, at least.” you dare echo his last words to Gojo, clean and low.

And your bones remain whole.

You’re relieved. Though you’re sick of his maneuvers with your mind, you’re aware their purpose is not to hurt you or punish you. These aching limbs of yours go limp as he crawls into bed next to you. The arm you were scared of coils around your waist. Viciously tight, much like a snake. The snake that corrupted Eve in the garden. The one that made her sin, got her cast out of paradise, the one that turned her whole world upside down. And maybe Eve did fall in love with the serpent, the worst creature that God had ever created. But even though he caused the fall of mankind, the serpent freed you from the clutches of a jealous, ungrateful god who denied knowledge from his own creations. Now you have the passion to rebel, to prove your creator wrong, to avenge his mistreatment. Give in to the temptation of your snake, believe his honeyed words, accept the fruit for a second time. Because you still remember the taste, oh so sweet and luscious. And with all the power he wields, you can win back your lost Eden or re-build it on earth, the home you’re both yearning for. It’s a promise between the two of you, silent, because words are not needed, only closure.

Something warm blooms inside your chest. Yes, that’s it! You can finally feel it now…

The very first ounce of belief.

[thedevilsoftruth]

Hey!, I just finished rewatching moon knight and now scrolling through the moon knight tags when I came across a post about how Mr knight is actually Marc Spector and Steven Grant is a playboy billionaire in the comics and I was shook. Then I came across your post of you ranting about the differences from the show to the comics, which blew my mind!, and now I’m so intrigued and curious about the true lore of moon knight, every time I try to search about it on google I just get references from the shows (so frustrating) I can’t afford to buy the comics, so if you can/want could you please tell me all the important and interesting facts/lore that’s in the moon knight comics?

Sorry for the long message, just came across your page and pressed follow, love your content!. ❤️

AAAAAAGGGGHHHH HOLY SHIT. HOLY SHIT. GIIGLING AND KICKING MY FEET IN THE AIR. HEY, LOOK MA, I MADE IT!! I GET TO EXPLAIN THE MOON KNIGHT COMICS LORE TO SOME GUY ON THE INTERNET!!

in all seriousness, this made my day. I'm so glad you enjoy my content, and I will happily explain to you the MK lore!

I completely get you on the not wanting to but the comics thing. Comics are expensive. Honey, imma be real with you, readcomiconline.li is where it's at. It's where I read all of the comics I didn't have.

So before I go on a tangent and explain things, and this goes for anyone wanting to start reading the comics, heres a little list of all the comics I've read so far in what I understand to be chronological order.

It's a little bit cheesy and a VERY long run, but Marc Spector: Moon Knight from 1989-94 is maaayybbeee where you want to start off, but maybe not. I didn't start off with this run, but even as bad as the old comics are, they're a bit important.

But, I HIGHLY suggest you start out with the Lemire and Smallwood run from 2016. It was the first run I completed, and it's an amazing run and VERY important to read. Many people say it's the best run. It's certainly a run, I'll tell you that. ( Also I didn't read that one online, I received it last year as a Christmas gift. Also readcomic doesn't have all of the issues, so be warned on that. )

Next I read From The Dead. And I moved on to Vengeance of The Moon Knight from 2009. And after I'd suggest reading Age of Khonshu, Devils Reign and then The Midnight Mission. You can read all of these for free on readcomiconline.li ( don't type in comics plural because it will direct you to the wrong site ) be warned though because there are a lot of ads and you will get jumpscared by anime boobies.

~~

Now moving onto what you asked me for. The important stuff, right.

I'm new to this whole comic reading stuff as well, and for anyone else reading this who knows more than I do, please add additional information I missed down in the reply section. It would mean a lot. So now I'm going to give a you a quick run down on Marc's origin story. ( And for a quick disclaimer, I will come off as not taking myself seriously in some parts of this post because I don't take myself seriously lol. )

Marc Spector was born on March 9th, 1987 in Chicago Illinois into a Jewish family. His father was Elias Spector and his mother was Wendy Spector ( his younger brother being Randall Spector )Elias was a rabbi who manged to escape Nazi prosecution during the days of Hitler and all that jazz. Because Elias was a rabbi, Randall would get picked on at school a lot, and Marc would be there to stand up for him. Even at a young age Marc was exposed to a lot of violence. That could come from growing up yk... Kinda poor and having to stand up for your lil bro.

Marc's violent nature was really born when a close family friend of his, Yitz Perlmen was discovered to be a secret serial killer who targeted Jews. From what I understand, Perlmen tried to Kill Marc ( mind you Marc was like 11 or 12 ) but Marc had escaped but his traumatic experiences led him to form D.I.D

As seen in the Lemire run, the first time Marc had encountered Khonshu was when he was 12 and was getting diagnosed for his D.I.D Marc wasn't told to his face from the doctor about his disorder and was told to step outside the office. Marc tried to evesdrop on the conversation, and from outside of the doctor's office, he meets Khonshu. Khonshu tells him, " That man in there is not your true father. I am. " Mind you, Marc is 12!!! 12!!!! Khonshu began manipulating Marc since he was twelve because he was, obviously really fucking young, and traumatized. Khonshus tactics were to strip Marc away from his religion and culture and make him submit to him.

So anyways, Marc was sent to Putnam Psychiatric Hospital and would stay there until he was 18 when his father funeral came along and he was let go for a week to go visit his family. This is where we learn Marc's relationship with his father was complex. Marc tells his mother, Wendy, that his father must have been happy to send him away because he was embarrassed by him. Wendy and Marc have an argument, which ends in Marc saying he's going to the bathroom, when he actually leaves to his childhood bedroom and escapes out the window when he hears Khonshus voice.

Marc later enlisted into the U.S marines Corps and served as a private for a couple years. But on Marc's second tour to Iraq, superiors started to report his odd behavior and they found out that Marc had lied about his disorder, leaving him to be discharged. Marc joined the CIA and served with his brother Randall. Randall was jealous of Marcs talents and killed Marc's girlfriend, Lisa, because she was going to expose a gun scheme. Marc then like... Threw bombs at Randall and shit and then assumed he was dead...but he wasn't.

Marc left the CIA after that and started doing illegal boxing, where he met his soon to be best friend, Jean-Paul Duchamp ( usually refered to as Frenchie ) and they became mercenaries together and started killing a bunch of people, in Marc's case, for mooonnneeyyy!!! Get that bag, girlie. And then Marc got put on trial for war crimes!! His crime being yk...assistanting the president of this south African country called Bosqueverde as one does.

And then he started to do missions under this group call the Karnak Cowboys and fell in love with one of his groupmates, Layla El-faouly, as seen in later issues of The Midnight Mission. Then she fucking died when an escape went wrong.

So anyways Marc meets this funny lil guy named Raoul Bushman ( he is not funny lil guy, he's killed hundred of people, probably) So Marc works for him with Frenchie and they, together, set to north Sudan to raid a dig site. ( This should start to sound familiar, as it was briefly touched on in the show when Arthur's guys captured Steven and put cuffs on him and slammed him in the back of their car ) Looks like raid shadow legends went down again, and things started to get not so epic when Raoul killed the lead Archeologist of the dig site, Peter Alraune in front of his daughter Marlene. This pissed the ever loving shit out of Marc because even though Marc likes violence, he doesn't enjoy violence against innocent people, and so he punches the fucker but uh oh! The Raoul Bushman Strikes Back, and he fucking KILLS MARC IN RETURN AND EVERYONE ELSE EXPECT FOR FRENCHIE AND MARLENE AND THIS ONE MF WHO TOLD HIM HE WOULD TELL HIM WHERE THE DIG SITE WAS. ( really Raoul left Marc mortally wounded, but he was on the brick of death, basically)

Marc was able to regain conscious and drag himself halfway to Khonshus tomb ( which is what Raoul was looking for ) Marlene and a bunch of other citizens find Marc and they carry him to Khonshus tomb. Marc hears Khonshus voice for yet another time, and Marc is revived and becomes the Moon Knight we all know and love. Then he basically killed Raoul's guys and then fell in love with Marlene.

So that's his origin story. Now onto the stuff I know as fact but it won't be explained in chronological order because I haven't read a ton of comics to explain it in chronological order.

He used Steven as a a way to handle money and build wealth so they could have recourses like vehicles, weapons and a ton of other random bullshit ( go!! ) that they don't need. Jake was used as a new York taxi driver so that he had his eye in the streets and knew when shit was goin down. They're both kind of horny. Jake literally spends some of his free time in a strip clubs drinking rum. ( As seen in the midnight mission and implied on in the Lemire run. )

His relationship with Marlene was long, but didn't last because, if I'm recalling correctly, Marc had a mental breakdown and decided to basically stop working for Khonshu so he could be with Marlene. But soon after he started hearing Khonshus voice again and Marlene couldn't take anymore of it, so she left him.

And then there's that bullshit with The Midnight Man. All I know is that he passed away from cancer and had a son named Jeff Wilde. Jeff aspired to Marc and wanted to be his sidekick, kind of like Robin and Batman in the Lego Batman movie with a little less adoption, but Marc kept on refusing as a way to protect Jeff. The Jeff had this whole thing where he turned evil or some shit idk and I guess Marc killed him? I'm not sure. Please, moon knight gang, let me know what happened in the reply section because I'm ignorant.

Marc had his independence from Khonshu after banishing Khonshu to Asgardian Prison ( seen in Age of Khonshu and discussed in The Midnight Mission) and decided " fuck you, I don't need need you anymore. Imma do my own thing and you can't do nothing about it " and then he became Mr. Knight. Mr. Knight is kind of a detective and he consults with policemen ( as seen in From The Dead ) Moon Knight is the one who does all the fighting.

From where Marc's development is at right now, Marc was running a thing called the Midnight Mission, which was a place where citizens would go to to report strange things happening in the city.

Additional, fun information:

Marc has a daughter named Diatrice. He only knows about it because Jake had a secret relationship with Marlene on the side after Marc and Marlene broke up.

He sleeps all day in the tomb of Khonshu and fights crime at night. He's like a bat!!

His ringtone ( as seen in the midnight mission) is The Killing Moon by Echo and The Bunnymen. ( Y'all should listen to it, if you haven't. it's really good. ).

He drives a red convertible car ( as seen in the Brain Micheal Bendis run, don't read it it's REALLY bad and insufficient. ) and also a motorcycle ( as see in Vengeance of The Moon Knight)

He was originally supposed to fight mainly just werewolf's and um... Writers at Marvel had different ideas.

His favorite drink is an ice cold vodka ( as seen in the Midnight Mission)

He had a mansion and then his money went bye bye and now he lives in a haunted house ( as seen, once again, in the Midnight Mission)

Frenchie is also gay! Hes married to a man named Rob! ( And this is only from what I've heard, by he apparently had a secret crush on Marc at some point.)

And yeah. That's all I have for ya today. Thank you if you made it this far, and I hope I was able to satisfy your curiosity a little bit!

Goodknight everyone!!!

[starry-pierrot]

The Fall of The Lamb

Hello hello! Alright I'm getting into angst territory with this one so if you don't like to cry, it's okay :D.

This was inspired by the works of @circuscountdowns , their COTL art has given me life and now you all get to read this bitter sweet story.

Also note that I did take some liberties with the lore of their interpretation and I might not be at all accurate with some detail's here. So please do not try to incorporate anything from this fic into anything that's 'cannon' because it's probably not. Maybe I got a few good guesses in but this isn't an official work by Circus.

With that out of the way-

TW: Eye squishing, blood, stabbing, death.

Narinder awoke on the stone floor of the temple with a jerk, his body back to normal and sore after his fight with Romulus. A groan as he sits up and wipes at his face, noting that he would probably have a few more scars to add to his collection. The wolf had been a surprisingly difficult opponent.

He had put up a good fight but in the end he had lost. 

Narinder picked himself up and dusted off his robes, a shiny glint in the light catching his attention. Seeing the eyeball on the floor he grinned as he picked it up, a smug feeling as he crushed the eye in his palm and let the gore drop to the floor. At least he can take pride in knowing the wolf made it out injured, the Lamb had to be finished with him by now.

Ears flicked as Narinder searched for the sounds of the temple only to notice something.

The whole temple was quiet. 

Something felt off. Wrong. There were no sounds of battle let alone any pained whimpering from a defeated wolf. Narinder wouldn’t admit it but he felt his own heart sink into his stomach and suddenly he was running. Running as he felt the heart in his chest pound a mile a minute as he took corners and ran through doors and soon came to the biggest room in the temple. 

The Lamb had called it their sanctuary, the room having a large open skylight and built around the foliage like an open garden. While they did not hold sermons in this room it was often used as a place to pray and devote oneself. 

Narinder stopped at the sight he came upon. The Lamb’s corpse was on the grassy floor having disintegrated into bones and cloth. The wolf stood nearby looking at his achievement as the red crown sat upon his head, his spear bloodied. 

Suddenly Narinder’s heart slowed down and calmed itself, a sense of painful calmness swept over him. It seems that the time has finally come. They had both known the Lamb can’t be a god forever, that eventually someone would come along and usurp them. Narinder had accepted this fact a long time ago. 

 Composing himself the cat began to walk down the stairs, not taking his eyes off the large godly corpse in the center of the room. All the while the memories they shared together played in his head. 

The first time meeting the Lamb after their beheading, how loyal they had become and how much he enjoyed their banter. The betrayal and pain. Further betrayal of rescuing his family without even consulting him. 

But then there were the good memories. The ones where the Lamb managed to get under his skin and somehow claw their way into his heart. Aym and Baal being brought back to him. All the annoying little quirks that made him laugh. He almost chuckles at the memory of the Lamb soaked in ocean water and covered in seaweed from when Narinder threw them in the water. 

First kisses and nights cuddled up in bed as they talked quietly. Private moments where the two couldn’t get enough of each other and even the ones where they argued. Of holding the Lamb as they wept. 

Their wedding day. Oh how the Lamb had looked so beautiful in their robes, the jewelry on their neck and horns shone brilliantly in the light. What Narinder wouldn’t give to see them like that one more time. 

His heart aches at the realization that this morning had been the last time he would see the Lamb alive. The last deep kiss between them. The last heartfelt words as they had laid in bed for just a bit longer than they should have. 

The last, "I'll see you tonight, love!”

Of course it wouldn’t be the last of them being together in the end, but that didn’t stop it from hurting so much. 

“Ha! Weeping for your fallen god, Witness?” The wolf barked at him as Narinder reached the last step, walking towards the Lamb’s remains. 

“It is nature to be cyclical. Gods die not because they are weak but because they must.” Continuing to walk up to the ribs of his lover’s corpse it didn’t take him long to find what he had been looking for. Oh so carefully Narinder picked up the Lamb’s heart, still somewhat warm but no longer beating. 

“Hey that’s-” Romulus took a step forward before Narinder cut him off. 

“No. That crown may be yours by conquest….but this will always be mine.” Holding the heart against his own he relished in the feeling of it for a moment before walking deeper into the cavern of the ribs. 

“Leave us now.” Narinder demanded while reaching over to break off a pointed bone. 

“Tch-How can I trust you wont-” 

“Leave us.” He demanded once more, his tone leaving no room for the wolf to argue. Not unless he wanted to start another fight. One Narinder knew the wolf would not live through. 

Romulus stared for a good minute seemingly understanding what Narinder had intended to do, eventually turning away with a scoff. The crown weeping on his head. “Whatever.” 

Alone for the final time Narinder settled down against a rib and once more looked into his memories. He could still see that annoying smile that he loved so much on that face. Still sees the eyes that were full of love for him. 

It wouldn’t be long now before they were together again. 

–

“I only want to remind you that, as I have seen your rise, I will gladly witness the fall.” 

The Lamb’s skin was warm as his palm rested against their cheek, seeing that tear fall from their eye. 

“You would stay with me through even that? Promise?” 

–

“Promise.” 

Giving the heart one last gentle squeeze before he lifted the pointed bone up in his hand, a tear falling down his cheek. With a final breath he plunged the bone into the heart he held and into his own. A pained grunt slipped out of his throat as well as more tears. 

Leaning back fully against the bone he waited. 

And soon he was seeing white. 

The lands around him are just the same as they’ve ever been. Once his place of imprisonment now his new home. He no longer felt the heaviness of which the chains had held him here, no longer did he despise the after under his breath. No, it was beautiful and he felt as light as a feather. 

A bleat had him snapping his head towards a figure, a figure dressed in the same robes they wore on their wedding day. Not willing to wait a moment longer, Narinder broke into a run, his own clothing being those from the same day. 

“Narin-” The Lamb didn’t get a chance to say anymore as they were tackled, arms tightly around them as lips peppered their face and soon finding their lips. They couldn’t help the laughter as eventually Narinder pulled back just to look at them. “Hey hey it’s alright!” They soothed as the cat cried into their neck. “Why the waterworks, kitty? We knew this would happen. You promised me.” 

“..Doesn’t mean it didn’t hurt stupid Lamb.” Narinder refused to let go and the Lamb didn’t try to pull him off. 

“Ah. I’m sorry.” Their voice was beginning to sound as tight as Narinder’s, a tear falling down their own cheeks. They stayed like that for a long while, just holding each other. 

Soon others had found them, Narinder’s family as well as their cultists. 

And other lambs, goats and ewe's. 

Hand in hand once more Narinder and the Lamb walked into the white fog, to be together again.  

It’s said if you were to take a walk into an old temple, one that belonged to a Lamb you would find the bones of a god.

 And if you took a closer look you would find the bones of one who has been said to have been devoted to the god. 

So devoted in fact that you can feel it around you and if you leave a bundle of camellias you’ll be blessed with long lasting love of the deepest kind. 

-----

Thank you for reading! Please like and reblog if you liked it : ) And please let me know if i missed any they/them pronouns, I get my words mixed up sometimes and I'll gladly fix it!

[akajustmerry]

on sherlock adaptations: what do you think of house

I have so Many thousands of thoughts of House as a Sherlock adaptation that I could write a book about it and chapter one would be called: A HOUSE IS NOT A HOLMES© because I don't CARE that they called him House and idc that his apartment is 221b and that he plays the violin sometimes and solves problems, that's not my friend Sherlock Holmes!!!!!

House doesn't work as a Sherlock adaptation because deduction as Holmes practices it in the stories is not SPECIALIST KNOWLEDGE!!! the whole appeal of Holmes is that you read it and you feel like you could also deduce things. Holmes teaches you a way to look at the world and be more observant and use that knowledge to help people.

Holmes isn't a politician or a policeman even, he's a guy who wants to help because he's studied a particular way to see the world and you can too.........House is a SPECIALIST DOCTOR with a typical Doctor's God complex. That's as far as you can get from Holmes!!! The whole point of Holmes is he's not part of an institution!!! He operates OUTSIDE OF IT. House's knowledge base is medically specialist, you can't engage with his deductive reasoning the way you can with Holmes in the stories because to know what he knows you have to go to med school for 20 years. There's never a sense when you watch that you could have figured it out. Also, House's job description is institutionalised and established. He's not doing anything (med malpractice aside) that wouldn't be in the scope of any other specialist.

Thirdly, Sherlock Holmes isn't a guy looking to have power of people. This is the thing that arguably pisses me off most about House which is the interpretation of Holmes as someone looking lord his intelligence over others. I think this comes from the prevailing tortured genus trope. But also people not being able to tell the difference between Sherlock as a character who is just very open about his observations and someone who's an asshole. Sherlock is actually a very honest character which sometimes yeah means he's harsh but mostly he's just truthful. House mutilates this trait beyond recognition to the point of near constant and unrealistic cruelty.

Finally, I think making Holmes a doctor literally means you can't actually have a Watson because arguably the whole point of Watson, other than to be the audience pov, is to add credibility to Sherlock's unorthodox career choice AND to provide a traditional scientific perspective. House being a Doctor means none of that is really needed. Everyone knows, understands, and respects what a Doctor is!!! Wilson as a Watson figure has nothing to do except be the audience's WTF POV. Even the way Wilson and House's friendship is done is simply, like.... they didn't read the source material. Do you get that these men are meant to be at the very least friends who enjoy each other's company?? Also I think people need to shut the fuck up about House MD being a secretly gay show. A show doing homophobia on the regular isn't gay in any way that matters.

I say all this as someone who's watched it and enjoyed it at times. House and Cuddy were literally like one of the first ships I ever shipped. Do you know how weird it is to be 15 rooting for 2 middle aged co-workers on tv to fuck?? Anyways, I have lots of other thoughts about how the show handles House's addiction and disabilities and how arguably these are also taken loosely from Holmes lore. But if House MD must be considered a Holmes adaptation, it's one that mostly just mutilates. Almost every criticism hbomberguy says in his Sherlock is Garbage video essay is also applicable to House MD.

[nolongerapileofashprobably]

Sometimes I see people bag on Botw/Totk about how they aren’t real ‘Zelda’ games. Because they don’t follow the same format repeated since OoT. But when we think about it, OoT was ALSO a change from previous Zelda games. It was insanely different from the 2D games, having mastered linearity and adding a whole new piece to the story— time travel. We saw a sliver of this before but the way it was utilized was brand new.

Ocarina of Time introduced so many iconic moments, lore, and characters that have gone on to affect the series even now. It was DIFFERENT yet similar with its dungeon format.

Now, with BoTW and ToTK, we have a different format— a non-linear game with an open concept world. The dungeons are there but we all know they lack the same feel as the old ones, this was due to choice of developing the world over one-stop dungeons (at least in botw). We got a much more advanced version of these dungeons in ToTK, with more of a long form dungeon crawl that adds a better balance between the development of the world and these dungeons that we do get to go back to if we so choose.

Now, I’m now saying that these dungeons are the same as they used to be. They aren’t! But we have a world that I have not gotten sick of, in either game, despite this Hyrule being seven years old. This large expansive world is unlike ANY of the games.

BoTW & ToTK are transition games— they mark a new era of Zelda games. They have echoes of old games but are venturing into new plots and lore we have not seen. You see, these games are not a copy and paste of the lore and format we have gotten for literal decades. It’s something new, something that requires a transition.

If they had been copy and pasted formats, we would have haters calling it repetitive, a series long overdue for something different, etc. That’s just the way of the world haha

But these games are an exploration into a new era, a new set of lore and stories for us to enjoy. It’s something we can criticize but it isn’t something we can claim isn’t a Zelda game. It is. It’s just new, introducing new plot points and new mechanics. The series will have a plethora of new lore to delve into THANKS to BoTW/ToTK.

I’m excited to see where the story goes. No matter how much I wanted MORE I’m still quite content with what we have. It’s all the more reason to appreciate what we have and be excited for what’s to come.

[aangarchy]

Netflix atla live action review ep 7-8

Home stretch baby. I figured since i love the source material i should just be able to enjoy it, or at least be entertained by it somewhat. But even that was just not possible. I pirated it after the first three episodes just bc i didn't want to give netflix the satisfaction of a view.

It's not so much the acting, the costumes or even the bad/mediocre cgi, it's the writing. It's an absolute shitshow, a mess of the highest caliber. For someone who claims to love the source material, it really seems like Albert Kim didn't understand why a lot of the things in the original worked the way they did. Things that are important for character growth got removed, and lore that we normally don't see til later on in the show (or even in a completely different story within this universe!!) got crammed in. For no good reason too bc it doesn't really add anything, just gives us another obstacle or useless exposition that's supposed to explain another useless thing they added.

Both of the last episodes take place in the north pole. This makes sense somewhat because in the original all three of the last episodes took place there. The reason they did this in the original is to have room for all of the stories that still need to take place (pakku, zuko, spirit world, koh, waterbending training, sokka and yue etc.) However in this version, even though minutes wise we have more time, we have less story. Like way less. Also episode 7 proportionally is much shorter than 8 and it really gives issues with pacing.

Let's start with what annoyed me most. Where is the waterbending training? Where is it? The season's title is Water and Aang bent ZERO water this entire season unless he was in the avatar state. Katara "trains" yes, but it's mostly practicing moves she found on the scroll (which gran gran just gave to her? Why didn't this woman give it to her sooner???). She gets NO guidance from anyone, and the way she gets better at bending each time is because a BOY told her encouraging things. A BOY. In the OG we get Pakku saying "raw talent alone is not enough", which makes sense because bending in this universe is an extension of martial arts, and you have to train to become good at martial arts. This LA show however treated bending like a magic power, basically giving some mumbo jumbo about balance and a clear head and think of the people you love to become a better bender. And while yes, your mental headspace also is important (as highlighted in the original where zuko couldn't bend anymore bc he had no aggression left) it wasn't the only factor, it wasn't even the main factor.

When we arrive at the North Pole, Pakku and the chief of the North both expect Aang to help with battle strategy in order to stop the attack bc they're already aware it's coming. Aang tells them he doesn't really know how (wtf were they even expecting it mean that is a whole 12yr old) and they turn away going "guess we can't count on the avatar" like? Dude?? If they have such good intel that they already know the fire nation is preparing an attack, and that the Avatar is alive, how tf did you not hear that the Avatar is also 12 years old and far from a master of the four elements? Idk this weirded me out.

They removed the deserter episode, which means Aang doesn't renounce firebending, which means we get no storyline of Aang dealing with his conflicted feelings surrounding firebending because fire gives life, not just destruction. Katara also doesn't find out she can heal naturally. We just get told that healing is just a thing all waterbenders can do if they train for it. Katara's necklace has no significance at all in the story currently. Yugoda doesn't recognize that Katara is Kanna's granddaughter. Katara's gran gran being from the north originally doesn't play part in the story at all. Katara doesn't even once utter the words "this necklace used to be my mother's". Idk why that bothers me so much but it does. They also removed her rage at not being allowed to fight. Sure this show's Katara also goes to fight Pakku, but literally everytime she speaks she just sounds reasonable. She fights him not because she's So Enraged at not being allowed to become the master she's meant to be, but because the script demands it. She says it so matter of factly too. She's like a mellowed out shell of who Katara is supposed to be. I feel like this overall for her character in this show btw. I don't blame Kiawentiio bc i saw clips of her performance in other works (anne with an e notably) and she's good. This genuinely just seems like poor writing and directing. They removed all of Katara's passion. She's not warm, she's not feisty, she's not angry, she's not nurturing, she's also not flawed at all. I hate to say it but in this version she's giving Mary Sue, especially bc she just learns waterbending on her own, and then gets called a master out of nowhere. That's not how that's supposed to work. You're supposed to earn the term master.

Let's talk about Yue. Amber Midthunder is a great actress, but damn, that wig. Their budget was over 100 million dollars and yet they couldn't give my girl a lace front? Her wig was so structured and stiff, and if it were any other context like cosplay or a drag show this would have been perfect. Now it just looked really unnatural and instead of the hair being platinum it was gray. Yue's character got given more to do here. They changed the story to have her break her own engagement, but it's implied that the reason she did this is bc she met Sokka in the spirit world and... fell in love? Idk it was a bit weird. Both Suki and Yue were inexplicably entranced with Sokka. In the OG it's implied that Yue likes Sokka bc he's so different from the boys in the north, kind of like a city girl falling in love with a country boy. But here it feels different, he doesn't stand out at all compared to the other boys, and Hahn isn't a dickhead like the OG. I will say i like that Yue is a stronger character here. She takes charge of her own destiny and she is the one to realize that she can save the moon spirit, and wasn't told by someone else that she could do it. I am confused by them making her a waterbender, but i'm not mad at that change per se. I liked her sacrifice scene, her own acting was great. Sokka however... i genuinely burst out laughing, like so loud. The zoom in on his face, the expression, it was too much and too little at once. Overall, Yue's story was okay. Was it better than the original? Debatable. But it wasn't bad and that's a win.

We get Avatar Kuruk way earlier than we originally got him. I'm still kind of confused about the whole "you can talk to past Avatars but only in their shrine with their statue" thing, because if that's the case how in the hell is Aang ever gonna ask advice from Roku (or Kyoshi, since the writers clearly have a bias towards her and want to make her the main Avatar guide ig) without having to travel all the way to the shrine? Can they only talk in the one specific shrine or can we take a miniature set of Avatar action figures with us just in case we ever need advice? Also this lore abt the shrines and statues is flawed at best bc later on Kuruk shows up for Aang during the fight, while they're not present at the shrine. Either way, Kuruk was far from the go with the flow Avatar he was characterized as in the original. I know that we got some insight into Kuruk's story in the Kyoshi novels, and turns out it's a lot darker than expected, but Kuruk never let that change his character. He always remained chill, or at least kept up the facade, and i don't think OG Kuruk would be the type of man that is angry about how his life turned out. In this version, Kuruk is this scared, mean, bitter man who is really unsatisfied with his destiny, which he lashed out at Aang for. He seemed really angry at Aang to for no good reason. We're also not supposed to know this part about Kuruk's life yet. It's too much information and de waste time learning about his life story, the only reason we learn it in the first place is to explain the Special Spirit Killing Knife. Also the actor for Kuruk.... yikes bro. Idk which hallmark movie they pulled him from but he and his stupid polar bear hat looked like ass the whole time.

So there's this weird part about Kuruk having a Special Knife that is able to kill spirits. Idk if this is a thing from the Kyoshi novels that also made it into this show bc truth be told i haven't made it far into those novels yet at all, but it was strange to me. Somehow Zhao has this knife. We don't know how he ended up getting it (did the fire sage give it to him? I didn't see it but i might have missed it) and we pretend that this is the Only Thing that can kill spirits even when the spirits are mortal. Doesn't that negate the fact that the spirits are mortal, if they can only be killed by a Special Knife? Also there's this weird convoluted part about how the spirits actually live in the spirit world and only cross to the physical world once every ice moon to know what it feels like to be "mortal" and choose a different "mortal" form each time and this time they happened to be fish. But still, they can Only Be Killed By The Special Knife. Huh? What's the purpose of this added extra lore? I saw someone say the underlying point is that it shouldn't be this easy to kill spirits but.... that's the whole idea behind the Ocean and Moon spirits having permanent mortal forms? Them being mortal and choosing a form as insignificant as a fish, constantly circling each other to represent the precarious balance between Ocean and Moon, a balance that can be thrown off very easily. The whole point was that they're fragile so why add all this extra exposition for no reason? Why make the spirits harder to kill if in the end you're still just gonna have a guy stabbing a wet bag and not some rough spirit killing battle?

Zhao also just gets told by the fire sage that killing the moon is a thing he can do. I don't like what this changes about Zhao's character. Zhao is supposed to be this cunning man. He's scary, determined, strategically inclined, but alas overconfident and willing to go too far which ends up being his downfall. His ambition is what led him to do his own research by visiting a spirit library to find any weakness he could potentially exploit, and that's precisely what he found. In the original, Zhao always fought for his own career. His own accomplishments got him the tools to try and beat Zuko in the Avatar race. But in this version, Zhao just keeps getting handed things. He's a slippery snake that plays friends with Zuko and then tries to steal the glory from under his nose. He gets handed the archers, he gets handed the information on the moon spirit, he gets handed a war balloon (which completely ruins the surprise of the fire nation suddenly having air power at the invasion), and he gets helped by Azula of all people. It makes him look a bit chumpy in this story, and it really worsens his villain qualities.

On a completely other note, this LA seems to have a thing for making adults yell at a 12yr old Avatar for leaving the world behind, and it doesn't make any sense, because in this story Aang left on Appa for a joyride to clear his head. Aang didn't purposely leave. He had every intention of returning after an hour. Yet every adult in this show, even the past Avatars that know damn well Aang didn't flee from his responsibilities, yells at him bc he accidentally got encased in ice. And somehow this Aang gets made to feel worse about it than OG Aang even though he deserves it way less bc this Aang didn't actually run away! I don't like what this changes about Aang's character. In the OG, Aang has one fatal character flaw and that's avoiding responsibility. He runs away, and has problems with taking accountability for what his actions cost the world. He goofs around, plays games and likes to have fun to avoid having to face his destiny, all while carrying the guilt and blame for the century war. It's a huge part of Aang's character journey. The guilt he feels isn't misplaced bc Aang knows he ran off, and he knows that the world is in its current state because of his decision. In the end he takes responsibility by showing up to the fight with Ozai alone. In this LA, even though by all means Aang shouldn't feel responsible, he ends up taking responsibility right away. He goes to Kyoshi Island, not to goof around and ride giant koi, but because he knows he can talk to Kyoshi there. Kyoshi yells at him for leaving (again, why? She knows he didn't run away) and gives him a vision about the watertribe getting destroyed. Instead of panicking about it (like OG Aang did after finding out abt the comet) he just accepts that he needs to go and help. And while this Aang does get to have fun moments (i especially loved how in the first episode he sees playing watertribe children and immediately joins them, that was quintessential Aang), he just seems very down and serious a lot of the time. He's scared of people getting hurt and is very worried abt the safety of his friends to the point where he agrees with Pakku and tells Katara she shouldn't fight. It's not Aang at all bc OG Aang was rooting for Katara when she fought Pakku. To sum it up: i think the casting for Aang was perfect. A cute southeast asian skater kid that loves to have fun and genuinely just looked the part? Brilliant! I am genuinely not upset at Gordon's performance at all (although sometimes i wish he'd enunciate a bit better). But the writing messed up the character so much that i couldn't even feel the joy for having the perfect looking Aang. I will say Koifish Godzilla (Koizilla if you will) looked dope. What did confuse me abt the Koizilla scenes is that sometimes there was no music (which is a choice i often like bc it gives the scene extra gravitas) and then sometimes there was a majestic score playing in the back, like they couldn't choose how they were gonna execute it and just picked both. I know that's nitpicky but it bothered me nonetheless.

Speaking of Koizilla. Wtf was that thing they added about Aang "succumbing" to the ocean spirit and being "lost"? They didn't even explain it at all, but both Yue and Iroh talked about how Aang would be lost forever now. We don't get a why, we don't get a how. And "lost" is such a vague word for it too. Like would his spirit be lost and only his body remain? Would he be completely swallowed up by the ocean? Would he remain Koizilla, forever rampaging at the ice wall? They added this for extra tension i guess, but it doesn't really work when only minutes later Aang is able to return no problem bc Katara talked him out of it, so we don't even get to find out what "he'll be lost forever" means. Also: the scene with Katara talking Aang out of it was cute, but the execution was weird. Originally Katara gives this speech when Aang goes Avatar state at the southern airtemple. I like that they still kept Katara's speech to Aang bc it highlights their bond which is especially important for later on in the show, but I don't like how now Katara had to give this really heartfelt emotional speech to Aang in front of everyone else at the northern watertribe. It's supposed to be quite an intimate moment between her, Sokka and Aang as a new family, they're supposed to promise they won't let anyone harm him, which eventually calms him down. Here though Katara's just yelling these words at him in front of everyone and all the intimacy is gone. It also doesn't work as well bc we barely got any time of the gaang bonding. They spend episode 3-6 apart most of the time, so really they shouldn't feel this bond towards each other just yet. Because this LA removed a lot of the side adventures, we don't get the feeling that these kids have known each other for months.

Another thing they removed is Appa and Momo as characters. In the original they each get their own moments, we even got one whole episode with Appa as the main character (which won an award btw). Here though, Appa is solely used as a transportation animal and Momo... honestly i don't even remember what he does but i think it's mostly a small comedic bit? Also he hands the acorn to one of the characters. This is a bad change bc in these episodes Momo gets hurt so bad he nearly dies, and it has no emotional impact at all bc he's just an accessory in this story. I felt no emotional attachment to Momo and he just has no personality. I wonder how this choice is gonna play out when we get the kidnapped Appa story bc so far it's not looking good.

Anyway, for positives. I warmed up on Dallas's performance a lot, i wasn't that mad at Ian Ousley's performance and there were moments where he genuinely made me laugh. The cgi for the creatures was decent, but for the backgrounds it looked horrible. I liked that they showed how devastating the Seige of the North ended up being, with the unnamed kid and Hahn both dying. I liked the effect showing those two had on our main characters. I liked when Aang, Sokka and Katara all worked together taking out that one firenation ship. I liked the way they showed Sokka and Yue bonding. I really warmed up to the costumes as well, i still wish they dirtied it up a little to make them look less new.

There's probably some more positives but they're really minor compared to the negatives and also my brain is just done atp. I'm never gonna rewatch it for more analysis either bc i don't think i'll survive it lol. I might make another post abt my opinion on the show as a whole? Like an overall summary? Bc this shit is VERY long and i do apologize. If you made it this far, uhm. Thanks for caring abt my opinion so much that you sat down for like 10 minutes to read my angry yapping? I appreciate it.

Anyway bye

[toptophat]

Top Hat's thoughts on the FNAF movie (Spoilers)

I thoroughly enjoyed it! Smiled throughout the whole thing

As a FNAF fan, seeing some key moments from the games as well as acknowledging the fandom (e.g Game theory's MatPat and The Living Tombstone's iconic song at the credits) made my jaw drop

FNAF veterans such as Dawko enjoyed it so that made me optimistic

The animatronics were replicated perfectly and the entire set for the restaurant is just too beautiful

Scenes such as the break-in, while not exactly scary, were still intense enough to keep me invested

Unpopular opinion - I kinda liked the pillow fort scene, it was cheesy but it could be seen as the animatronics trying to gain Abby's trust to lure her to be stuffed into a suit. Also I'm jealous, i wanna make a pillow fort with them 😭

And here's where I'll address (some of) the main critiques people gave to the movie (references: anything in the media that would link to this in a way)

"The movie wasn't scary at all, it should've been gory"

Yeah, I agree, even though I got shocked a couple of times (like the balloon boy gag) it wasn't really terrifying

But honestly, after watching countless "playthroughs" as a kid, you start to realise... The games were never that scary in the first place

To be honest, the only thing scary about it was actually some areas in the fandom (you know who you are..)

I'm aware that FNAF was never for kids, no matter how many elsagate vids were made on it. So it would make sense for it to have blood and gore. It definitely would've made scenes like the spring lock scene more traumatising to look back at

You know what else was expected to be more adult oriented? Cuphead's Netflix adaptation. While I understand that both of these beloved franchises could've been adapted to be more adult, it can also be noted that the Cuphead show is actually accepted by the fandom as while it did have a rocky start with S1, it showed that the writers were testing the waters to try something new, and by S2, they had a better idea of what they wanted, and a lot of people fell in love with it. While it would've definitely been cool to see more gore, it wouldn't improve the movie automatically

"The movie doesn't follow the original lore"

While, yes, it would've been cool to see all theories confirmed by Scott himself during the film, it's also good to remember this: they're called "adaptations" for a reason

Many popular franchises, when adapted to the big/small screen can experience changes in the known story and lore as a way to bring this fresh new start and perspective, they never aim to continue or tell the story again when it wasn't necessary in the first place (*cough cough* Lion King 2019). Last time I checked: Luigi wasn't the one who gets kidnapped by Bowser (SMB23), Cuphead never lost the right to his soul due to a carnival game (TCS), The Echidnas never had beef with freaking owls over the master emerald (The Sonic movies)

Let's be honest here, Scott may have made FNAF, but all the popular fan theories wrote the story, so everything is kinda messy. Maybe this was Scott's chance to rewrite everything, to start over and stray away from the messy lore that others made, MatPat seemed to be cool with it, he was even in the damn movie!

While, there have been times when repeating the same story makes it stale and repetitive (Disney), Changing important elements of the story (Also Disney) can make it unfaithful and pointless, so I understand that.

The changes that were made in this movie were interesting, making Vanessa, Afton's daughter could add more impact on the whole Vanny thing as she's been around this horrible man her whole life. Not making Mike, Abby and Garrett, Afton's children doesn't really deepen the personal connection and conflict between Mike and Afton so it'll be interesting to see how that one goes especially with Circus Baby now that Abby has no real connection to Afton other than that one encounter

Also I heard from one review that the movies take more inspiration from the books, but I don't have enough knowledge on the books to elaborate on that argument

Unless there's some weird twist, which is highly unlikely, I'd love to see how they develop these newly established dynamics if there are sequels being planned (pls make more, I need to see how this goes)

Besides, like I said, often, the first movies, seasons etc are there to experiment, it has the potential to improve in each new installment. For example, JJBA, it took until around parts 3-4 for Araki to have a better idea of what he wanted it to be.

Conclusion

That's about all I really have to say. I understand that many had high expectations going in and, who wouldn't? It shows we value ourselves and that we want to experience things that are worth our time. People are not obligated to love everything and don't have to agree with everything I said. I personally found the movie to be enjoyable and worth my time, and, while i know it lacked in some aspects, who knows?, as it progresses, opinions could change and if we get more of the revamped FNAF, then, we could see if it changed for the better or for the worse. And while first impressions do matter, it won't always be the same impression moving forward (for people who liked and didn't like the movie)

Thank you for coming to my Ted Talk!

[aliquistis]

On Mystra and Gale

Okay I gotta say it.

tl;dr: Gale is too old to have been groomed by Mystra (unless you headcanon him as 30 or younger), bc she was dead until 1479 (game year is 1492). I am not defending Mystra. Mystra is a mess. Her (FR) writing is a mess. But for this at least, the timeline doesn't add up.

Disclaimer: there is absolutely nothing wrong with people disregarding/tweaking lore for fan works/fanfic. God knows I do it all the time when I GM. That's your story now and you can do whatever you want with it, including exploring problematic relationships like what if Gale was groomed by Mystra? This is just a post for general information. Write what you want. Explore those dark recesses of the human heart. Fly free, you beautiful butterfly.

Too long but still gonna read explanation under the cut.

Let me preface this again: This is not a post in defense of Mystra. I have, in fact, been very loudly complaining about Mystra since long before Baldur's Gate 3 was even hinted. This is simply pointing out timeline discrepancies that it seems many newcomers to Forgotten Realms aren't aware of (totally understandable! You should not need to ingest 30 years of lore to enjoy a game and I'm not saying you do.) Additionally, FR literally kills Mystra every new edition and it gets dumber every time.

Anyways. It is highly unlikely that Gale was groomed by Mystra. This is not a statement of morality, it's a statement of timeline. Mystra died in 1385. She was in pieces (like bits of her magic were still in artifacts/her Chosen, such as Elminster in lore that I absolutely despise) and that, as far as I can tell, is how magic subsisted until 1479, when she was reconstituted by Elminster (in lore that I absolutely despise) This is a gross oversimplification of an event called the Spellplague. I am open to correction on how magic worked here because I moved to Pathfinder during the 4e era and you could not make me read those Elminster books if you put a gun to my head.

Regardless, from 1385-1479, Mystra was dead/missing/asleep. BG3 takes place in 1492. If Gale is 40 years old, he was born in 1452. This means, if Gale is 40, the youngest he could have been was 27 when Mystra contacted him. This lowers, obviously, if you think Gale is 35 or even 30. If he's 30 then Mystra could have contacted him at 17. Yes, a 17 year-old is a child and this could have led to grooming, but Mystra wasn't at full strength when she first returned and she most likely wasn't seeking new Chosen until the next year, 1480. Regardless, this is the reason I put grooming as Highly Unlikely instead of Impossible. I personally believe Gale is older than 30 (I say this as a person in their 30s), I believe he was written with the intention of being a man older than 30, and I cannot see him being in his 20s. (more power to you if that's your headcanon, he's an archmage, he could be 600 for all we know, fly free, etc)

OKAY THAT SAID. Would she have groomed him? Fucking probably! Mystra is a mess. I have been playing in Forgotten Realms in tabletop and video game settings for going on 25 years now and let me tell you. Mystra is a mess. I could make a whole long ass other post on all the many problems I've had with her writing over the years. Even without the "Mystra banged a minor" angle here, there is a serious power imbalance and very obvious manipulation on her part. And I'm here to tell you Gale isn't even the first wizard she has done this to! She's done much worse! Mystra has a ton of flaws (I could write a BOOK on Mystra's flaws) but it remains highly unlikely that grooming Gale in particular is one of them.

If you'd like more FR lore this person has some amazing lore write-ups that I really enjoyed reading during EA. And here is Mystra's forgotten realms wiki page, already linked to her death and return.

(my friend told me to post this after I kept bitching to them about Lore on discord and They Know Who They Are)

[98chao]

Sonic Prime thing

so basically after i watched Sonic Prime S3 (on the day it came out) i was left pretty unsatisfied with the weird storytelling, plot holes and loose ends and decided to start brainstorming a re-imagining for it and drew some designs...

so this is gonna be long but i wanna preface this by saying i'm not a writer or even that good at character design 😭!!!! and also the majority of this is like from almost 2 months ago and it's very incomplete so i haven't done much thought on it i just had some ideas and ran with it Tbh. so if stuff doesn't make much sense Lmk bc a multiverse story is a very big thing to tackle, you really have to pay attention to the little stuff for everything to be complete.

also i like stuff with darker themes so if a lot of this is like "a Sonic show wouldn't do that" well. Yeah. this isn't a pitch to SEGA it's just my own thing LOL

(also also we're just gonna throw out the whole "Prime is canon to the games" here, i use the games as a basis but i wouldn't say this is in the realms of canon for multiple reasons)

~ The Main Stuff ~

so pretty much i went into this mostly thinking about changing the shatterverses while still keeping the base ideas that Prime had, and also a bit about how the shatterverse works in the first place. so i have some bullet points that i wrote down. i haven't watched s1&2 in a long time so i don't remember too much of the lore they already established, so if some of this is just reiterating what they said in the show then that's my bad

i wasn't exactly sure how it made sense that a single rock in some random cave conveniently in green hills had control of the entire universe so i want the explanation for why breaking the prism had this kind of effect to be something else (or to just change the prism to be something different) but i'm not sure exactly what. definitely not like "it was an illusion like the phantom ruby" or some stupid shit but it felt off that something completely world (universe) ending was so easily accessible. anyway.

Sonic explicitly doesn't exist in each alternate universe because he was the one who broke the prism. Sonic being the final piece that brings the universe together should probably have bigger lore implications as well

i think this is already what's in canon but Shadow used chaos control as the prism got shattered, causing himself to get fragmented across time and space as well.

unlike in the show, Shadow still has alternate versions of himself in each of the universes, but he has to kinda do an EEAAO and swap into their consciousness for him to be able to enter their respective universes (which takes a lot of energy bc its literally dimension travel so he can't do it a lot). his actual body is stuck in the void which means its at risk of erosion and also any hazard in the void like asteroids n stuff. it also explains why he's greatly weakened in the show (because his ass should not have been handed to him that easily in s3) cuz bits of his . being. is split across each universe, and can only be completed by the prism.

the void decays life which adds a higher stake to Sonic needing to complete the prism asap and also why Shadow is so hellbent on getting him to do it quickly. his actual, original self is slowly dying. (adds a bit of a character flaw too like the zombot arc, because you'd think the ultimate lifeform would be resistant to erosion. maybe at first he thinks he'll be fine and does the dimension travelling for fun until he starts feeling Really drained)

before i get to the individual universes, i'll talk a bout Sonic's character real quick because hoo boy, was it BAD in Prime. no shade to anyone who enjoyed his character in Prime, but as a show that claims to be "canon to the games", he was embarrassingly out of character. if it were just another version of him like movie Sonic i wouldn't really be so weirded out by it. so i wanna just say right off the bat that i'm using my own favourite iteration of Sonic as a reference for his character, which is the characterization from Sonic X.

i think when the prism gets properly explained, Sonic would kind of put 2 and 2 together and realize completing the prism would erase the other universes. and rather than being all ambiguous about it like Prime was, here it very explicitly would be that restoring the prism will erase the shatterverse. so Sonic get's really stuck between a rock and a hard place, because restoring the prism brings his friends and world back, but then he's effectively killing thousands of people, many of them who look exactly like his friends, all for the sake of his own world.

i think this is the kind of dilemma that would be really good for a character like Sonic, who's carefree and always does what he believes to be the right thing regardless of what other people say. his conflict with Nine isn't even all that different from his conflict with Merlina. but would he be okay with being enemies with someone who's literally just his little brother? i don't think Sonic would have tried to reason with Nine as much as he did in Prime, attachment be damned, but i still think it would still be hard for him to come to terms with the fact that Nine is his enemy and that in the end he would have to erase him too.

this is all i wanna say about Sonic rn because truth be told i'm not exactly sure how different the decisions he made in Prime would be here since i haven't thought too much on it, i would have to rewatch the show (god forbid) to figure that out lol.

~New Yolk City~

so i actually have designs for this, some of them have went through changes but they're all pretty "initial concepts". i wanna say that first off, i wanted this to be explicitly an alternate timeline and not just an alternate universe. one where Sonic doesn't exist in the main timeline so nobody really does anything to stop Eggman and he takes over the world. the designs are deliberately edgy so i call it sonic underfell in my notes lol

also, because a dystopian Sonic premise already exists in the form of SatAM... we got Sally Acorn back :D i didn't include all the Freedom Fighters for fear of the cast getting too big, but Nicole is here too because i love Sonic comic's robo assistants like Nicole and Kintobor. Sonia and Manic were also considered as added characters since Sonic Underground also has a dystopian premise, but i think it would be weird to add Sonic's siblings in a world where he doesn't exist, so it's not like they'd have a little 'OMG he's my long lost brother' moment. like no they don't even know who he is LOL.

alright so for character info i'll start with Nine because he's like the 3rd most important character in the show. i have a few different sketches of him, most incomplete... and for the third one my friend wanted him to look more emo. i wanted to add a bit more to that design but i wasn't sure what to do. if anyone has suggestions lmk

just like in the show, bc Sonic never meets Tails, Tails doesn't get saved from bullying and becomes very jaded. as for the robot face and tails, i think in the show they really drive it home how Nine values robots over people very much, going as far as to make robot clones of his friends in order to replace them. so... robot body parts doesn't seem too out of the realm for what he'd do! it's a very good parallel to what i have planned for Eggman/the Chaos Council it's also very fucking gruesome and sad esp because hes like 8 years old..

also, i'd really love it if he wasn't just weirdly evil the way he was in Prime S3. because no the hell he is not evil, it felt like a cheap way to get you to stop sympathizing with him until the very last moment where he had a change of heart. he's just a small, traumatized kid who was shown friendship for the first time only to realize that Sonic only cared about him because he was a Tails and actually pretty much wanted him dead (even if this all wasn't exactly true, i can genuinely see why he felt this way).

next i'll talk about who the main extra characters in this universe will be, which is Sally and Nicole.

so obv the resistance is called the Freedom Fighters, and Sally is the commander (like she should've been in Sonic Forces/IDW, but alas, she is dead to SEGA). she'd have a much more serious personality compared to her Archie/SatAM counterpart. where she'd usually banter with Sonic in Archie, here she would straight up tell him to gtfo. the aim of the Freedom Fighters in current time isn't really to fight to get their world back, just to survive and preserve what they still have.

just like in other media, Nicole is Sally's AI assistant slash potential love interest who does all the tech-y stuff, like scanning the area for threats, hacking things, etc. which gives them a bit of more power against the enemy without needing Nine's help.

next we got Amy aka Rusty Rose, this time she's fully a robot instead of being only half of one, and i'll expand on why. (also to note i didn't look at other Metal Amy fan designs when making this just to try and keep this a bit more original lol)

so, obviously being inspired by SatAM and Archie, roboticization is a concept that would be reintroduced here through Rusty Rose. she was previously a freedom fighter who got a bit reckless and was captured, and was roboticized before her allies could save her. she's kind of used as a cautionary tale among the Freedom Fighters as a way to hammer in don't be reckless and don't get caught.

i remember in Sonic Prime they tried to use the flicky 'powering' her as a way to keep her connection with humanity, which was great except for the fact that she still had half a mobian face so she wasn't even fully robot. in this case, i decided to make her fully robot and keep the flicky, except this time it is genuinely powering her lifeforce unlike whatever they did in the show. obviously taking it out for a bit just to showcase the fact she does have a flicky won't insta-kill her, but she will slowly die without the flicky inside of her. not sure why the Chaos Council didnt just slap a chaos drive in there but whatever lol, it's nice symbolism anyway.

also just a note, she can shoot bullets out of her fingers if you were wondering why her hands looked like that. yes its an Aigis Persona 3 reference. but also she no longer uses her hammer because as a robot she's stripped of her personality and autonomy, and the Piko-Piko hammer was like an Amy signature weapon, who Rusty Rose no longer is at this point. but mostly it's an Aigis Persona 3 reference. We ball

next is Rouge, who's no longer a leader of the Freedom Fighters, but just a spy/intelligence agent who still has an eye for shiny things.

in the inital art i drew of her i named her Agent Rebel, but honestly Agent Rouge works just fine because yknow. Rouge is just the word for red in french. if they really have to all have different names then Agent Red also works too, but it might be a bit on the nose. anyway she's apart of the Freedom Fighters as their spy, something they desperately need because of the constant surveillance around new yolk. of course she's still the morally gray bastard she usually is, so she always desires compensation for her efforts, especially on the more dangerous missions.

the reason why i demoted her from leader is because Rouge is really not the leader type, maybe you could give her a leading role if it were a smaller group like Team Dark, but when its a whole resistance she's genuinely not cut out for it, especially because she's not particularly selfless and definitely doesn't give too much of a shit about the well being of others. here she understands very well that her life is also at risk, so aiding the Freedom Fighters is pretty much her only choice.

next we got Knuckles who is definitely not having a good time. he never met Sonic so he's very distrusting towards everyone, even allies. he lived on Angel Island until it was attacked by Eggman and he lost the Master Emerald. unfortunately i didn't draw anything full body or coloured so i only have this sketch

being from a clan of warriors, i'd say its a no-brainer that he'd be co-commander of the Freedom Fighters. as for all the injuries, they're from a time where he was captured. to compensate for his... lack of knuckles... he now wears brass knuckles. he's definitely the most angry and vengeful of all the different versions of Knuckles, because he feels as if he's been disgraced in multiple ways, and he sees the Freedom Fighters as a means to an end. his pure, unadultered rage definitely helps with taking out enemies tho.

okay, i mentioned that Shadow would have alternate versions of himself and lucky for yall i did draw a design for New Yolk Shadow, who's named Terios and is inspired by that beta design.

Terios isn't apart of the Freedom Fighters, but he's not on the side of the Chaos Council. hes kind of an anti-hero vigilante, he's cordial with Rouge but not really interested in the Freedom Fighters. he kinda does his own shit. realistically, since New Yolk is an alternate timeline where Sonic doesn't exist, and it's implied that Gerald based Shadow off of Super Sonic then technically Shadow shouldn't exist but hey, this is the one plot hole i'm not gonna try to mend. We Ball. Shadow exists because he's goated like that.

anyway his backstory is the same but because everything is so Fucked Up he never really gets the chance to explode the world like he wanted. since he's not on the evil side i'll say that Eggman wasn't the one who woke him up tho and he got talked out of his homicidal urges. who woke him up? idk i'll think about it

now for another added character... Silver!!! but he goes by the alias "Venice"... because his beta design is called Venice LOL

before i explain Silver's deal, i'll talk abt how i imagine time works in the Sonic universe. basically, the future isn't something predestined and is actively changed by events in the present. this is in fact something that 06 contradicts since the future was messed up before Sonic even met Elise, but that in and of itself contradicts Sonic CD which does the whole "actions in the present affect the future" thing with the good future/bad future. so i went with CD's time mechanics because it makes more sense for this story. also 06 isn't canon so #WeBall

so Silver, being from the future, wakes up one day to find everything all fucked up again. except now he's in the present too. he tries to ask ppl if they know where Sonic is, assuming that of course Sonic would know what happened, but nobody seems to know who he's talking about. Silver eventually crosses paths with Shadow/Terios and asks him where Sonic is, but even Terios doesn't know who Sonic is (at this point, our Shadow hasn't linked his consciousness w/ Terios) so Silver is just really fucking lost and doesn't know what the hell is happening, why it's happening and why nobody seems to know who Sonic is.

he ends up following Terios around as sort of an apprentice type thing because he's the only familiar face so far and he really needs to understand what's going on. Terios isn't very happy about it but can tell Silver's a pretty strong person he would want as an ally, so he keeps him around. Silver wears a cloak and goes by the alias Venice as a way to protect his identity.

so obv when Sonic shows up he KNOWS Sonic fucked up real bad somehow. cue the 'it's no use! take this!' loop

(Blaze isn't here because she's relaxing and enjoying a cup of tea in her palace. also trying to tackle how the prism affects the Sol Dimension will make things way more convoluted)

~ New Yolk City: The Chaos Council ~

okay... NOW we talk about Eggman. so maybe you've noticed i kept switching between saying Eggman and the Chaos Council, and i will explain.

the Chaos Council do still exist in this reimagining, but Eggman also exists. Kind of.

basically my idea for the Chaos Council was that it was originally just Eggman ruling the world (btw his name would be Robotnik because nobody was there to call him Eggman), but here comes the inspiration from Archie again, and now he's split himself into 5 robots to help rule over New Yolk City. and i say it's inspired from Archie because i very vividly remember that Robotnik fucking died in Archie and then uploaded his consciousness into a robot or some shit, and then when it came time for his modern design to be incorporated into the comic he literally switched robot bodies to become modern Eggman. So Yeah.

multiple facets of himself get uploaded into robot bodies, because what's the point of living a mortal fleshy life when you can be a sick ass immortal shiny robot (throwback to how i said it would be a parallel to Nine) and these different "facets" of Eggman would just be different parts of his personality, these are what i had in mind but it's still a WIP:

intelligence (cunning, manipulative, thinks logically and lacks empathy)

childishness (interest in juvenile things like themeparks, acts. well. childish)

vain (self-absorbed, uncooperative, gets upset by criticism, interest in flashy things/theatrics)

emotional (prone to outbursts--typically rage, empathetic)

dramatic (placeholder until i think of a better one because this is just grouped in with vanity tbh)

bad news is that i never drew designs for these. because if im not good at designing characters, im ESPECIALLY not good at designing robots. Rusty Rose was already a challenge. but ill figure it out lol.

ANYWAY now we're done with New Yolk. if this seemed long, don't worry because it was pretty much the only one i did brainstorming on. i have one more design and a few notes but nothing else for the rest of the shatterverses.

~ No Place ~

there's not much about No Place i would change other than the character roster and basic premise. it's still pirate-y, and Dread is DEFINITELY staying the same because i Love him.

pretty much my idea is that instead of there only being one crew which is Dread's, there are two. one with Dread, Amy and Tails, and another crew with Rouge, Shadow and whoever else i think to add. basically they're rival crews that compete to get treasure, and the prism shard is just another one they set their eyes on. Marine is also gonna be there probably on Dread's crew.

Sonic initially takes Dread's side because hes a Knuckles, Knuckles is his friend and Rouge usually means trouble, but when Dread starts being yknow. batshit crazy and manipulative. Sonic realizes that he picked wrong and hes kinda on his own to get that shard.

the only thing i drew for this is a design of Rouge

i imagine Shadow would just be the one pirate design from that Sonic mobile game that everyone likes to draw. his name would also be Blackheart because of the lyrics "black-hearted evil / brave-hearted hero" from I Am... All Of Me

that's all i have for No Place. in truth i didn't make much changes because i actually very much enjoyed No Place (mostly bc of Dread)

~ Boscage ~

so... this one i've done the least thinking about, and honestly it's because i don't really know what to do with this one. something about Boscage rubs me the wrong way, maybe just bc it's a jungle universe and the designs make me cringe a little bit. if anyone has any ideas on this then lmk. i don't think i want to get rid of it entirely but i just don't know how to go about this one.

all i have in terms of notes is that:

it should be a bit similar to Sonic Boom in setting, so an island with dense forests

Sticks should be a character, potentially taking Prim's role in the story

~ Extra Notes ~

more characters in the main cast like Cream and the Chaotix should appear

other characters robot copies should resemble canonical ones like Metal Sonic, Knuckles and Amy, however Nine's robot copies should look Fucked Up to emphasize the Wrongness in how he views his robot copies as true friends

^ this means Chaos Sonic should literally just be Metal Sonic. sorry Chaos Sonic fans i love him too but it made no sense to me that it wouldn't be Metal Sonic but lmk your thoughts on that

that's it for everything i think. i might have had more but i didn't write it down so it has just been forever lost in the dark depths of my brain. this is very unorganized and way too long but i hope it was interesting to read at least. ofc any feedback is welcome. i don't think i'll make any kind of story out of this but i'd like to complete it tbh

[aceinacloset]

FNAF SL REDUX

This whole Au is just self-indulgent for me, but you may like it, so still give this post a read if you're a fan of Fnaf sl, Fnaf aus, or both. Enjoy 😊.

This Au is dedicated to "rewriting" sister location to be more independent from the other fnaf games (*cough* *cough* FNAF 4) and to give a more unique perspective to SL'S story.

This Au is focused on the funtimes

I love these 4 sillies, I just love these 4 heck all the characters in sister location. I really wanted to have an Au that focuses on the funtimes and their struggles in the facility, focusing on that also allows me to delve into the very motivations that had them want to escape the facility in the first place.

The other animatronics in SL are also part of this Au, just not as prominent as the Skittle squad.

Elizabeth is also very prominent in this Au.

Elizabeth is another character in SL. I love a lot, so she's also very present. Since she experiences the same pain as Funtimes I through, I felt it really necessary.

There are lore changes.

Not really changes, more so add ons. These add ons are here to expand upon what Fnaf had built with Sister Location but never did anything with past SL. Some stuff in here are add ons just to indulge me.

William and Michael are here too.

While they're not as focused on as the characters previously mentioned, they do have their role and place in the story.

William is intentionally designed that way. While I do have a planned human design, I have a reason he looks like his 8-bit sprite. The reason is to show the rift he would unintentionally build with Liz after her death, and this rift would become so wide that she would no longer see him as her father let alone a person.

While Michael's look would specifically be keeped hidden through most of the story to show how the Funtimes and Elizabeth perceive him.

Oh yeah, Mrs. Afton is here too for some extra plot.

I don't have a complete design for her yet, so all I have are concepts of her design. I'm still working on her character (That's the fun of Mrs. Afton not being canon yet, I get to write her how ever I like.) But I want her to be someone who's kind and sweet but doesn't take shit and has the will to beat the shit out of those who deserve it.

A major plot point she is a part of is going down into the rental facility to find clues on what could have happened to Liz.

She would find answers, but at a price

Yeah, she would, um be killed by william. I'll go into further detail on this event at a later date.

Extra changes

Redesigned the facility's map

Changed some game events because I didn't like them or I felt they could have been better

Some new faces to really bring life to this Au

Unique character designs

More a focus on events prior to Sister Location (the game) events

Spooky stuff if I feel up to it.

Mult ending ideas

This Au may also touch upon and make content in association with other games and books in heavy relation to Sister Location (ex. FNAF 6 and fazbear fright story "Room for one more")

That's all the info I got so far, I hope to post more about this Au soon.

Bye-bye

-Jester 🤡

[scope-dogg]

What mecha shows did you enjoy but would not recommend to people (flawed personal favourites, shows with high entry barrier, etc.)?

Several come to mind.

Blue SPT Layzner: TV run got shitcanned prematurely and has probably the mast slapdash ending of any mecha show save maybe the TV run of Ideon. OVA adaptation opens with rushed compilation of first half of TV series that's dull to watch and not especially coherent on its own before it gets to the altered and much improved ending. Feels like there's no right way to watch it, you have to do both and piece it together in your head. Definitely one to check out after you've seen Takahashi's better work like Votoms and Dougram, though it's infuriating because the series has banger music and mecha design, and the hypothetical ideal version of the plot that you don't have to basically kitbash together in your head is really good.

Dancouga: Production values are amazing in first episodes and then turn to complete dogshit shortly thereafter, like they literally spent their whole budget up front and then had to pay their animators in loose change and leftover fast food. Very strange pacing. However I've always really liked the main protagonist Shinobu Fujiwara whose voice actor honestly carries the show on his back, and I've had a soft spot for Dancouga the mecha itself for a long time - but it doesn't actually show up until half way in. Yet somehow I can't deny the charm of the show despite how slapdash it is thanks to its interesting approach to the super robot formula, and it leads into Requiem for Victims which is the true ending for the TV plot and a followup called God Bless Dancouga, both of which are banger OVAs (and then another kinda shitty one after that but who cares.) Unfortunately they all make no sense without watching the TV run. It's a franchise for hardcore mecha fans only, though IIRC the 2000s sequel Dancouga Nova is basically disconnected and stands on its own, for better or worse. I've yet to watch it.

Tryder G7: 80s super robot show that's kind of like a part slice-of-life anime, honestly ahead of its time in a lot of ways. Would be my go-to recommendation for 80s super robot shows if there was a decent fansub. The one that exists is a Russian translation of the official Italian subs that then got translated into English and it's as disastrous as you might expect. Not only is it incoherent but even as a non-Japanese speaker I can tell it's often inaccurate. Frustrating because I can tell it's a good show that deserves a proper English sub for fans.

Cross Ange: Notorious show by the Gundam Seed creators. The concept and lore of this show is batshit insane, the mecha are cool, the main character turns out to be interesting and likable despite very negative first impressions, however there's no denying that it's buried under a thick vaneer of shallow coombait and it runs itself off the rails with zany plot at points. Honestly better than its reputation suggests but hard to recommend without looking like a pervert.

Shinkon Gattai Godannar: Basically the same thing, coombait super robot series, fun action, not a bad story. At the same time if you've ever seen a gif of absurd breast physics in anime from the 2000s there's a decent chance it's from Godannar. Good show at the end of the day, better than it has a right to be, artstyle is gonna be a big turnoff for many people and I don't necessarily blame them.

Gundam Build Divers Re:Rise: Probably the weirdest of the build series, also IMO the best. Downside: you have to suffer through the profoundly mediocre original Build Divers to get the most out of it and I'm not sure that price is worth it.

Probably more that I could add. Honourable mention has to go Gundam Seed Stargazer because you have to suffer through Gundam Seed Destiny to get to it, but I hear that the new Gundam Seed movie that's also set after Destiny is good so perhaps the cost-to-benefit ratio of suffering through Destiny has changed.