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#even if i do end up doing the lyrics one i will likely still add tiny pieces of animation anyway for certain frames
orbmanson7 · 9 months
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Got a question for y'all
So I'm working on this little flashcard project, and I know I've barely explained it - essentially I've made a playlist full of songs that remind me of logan angst, and I'm going to create a few simple frames to animate based on some lyrics from each song, like a tiny sampler for each one
However, I'm a little stuck on deciding whether to do a couple frames animatic-style or to just do stylized lyrics within the drawing
So, let me use this for an example:
This one is a simple 2-frame, animatic-style, very minimal animation work at all, nothing complex
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And this one is a simple frame with stylized lyrics added into the frame, also very easy because the lyrics are the only part that's really going to be animated
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I have to keep it simple regardless because there's a lot of songs on the playlist (so much so that I had to make a second, extended version of the playlist to keep myself in check) but I'm curious what you all might prefer to see...
Just let me know what you think!
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totallyblooktacular · 2 years
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lost your head
#before i complain for the rest of these tags i should clarify this isnt vent art or anything lol we're cool#the fuckin. entire creative process behind the initial idea for this to what it is now is. 📱💥#the idea came at first on account of connecting the dots between two song lyrics#but when i came up w designs that would properly call back to said songs i was like ...#well this would just kind of look like me n saltwater wouldnt it. so i said fuck it its them#or would be. bc ive also been sitting on this for months i didnt start it until like 2 days ago -_-#also i had to bust out 3d models for this and ohhh my god tryign to figure out how to a) pose them and#b) translate that into a sketch that would reasonably fit my normal art style took. foreever#i ended up sketching the pose out like 3 dif times before landing on the one that i went over for these lines O(-<#and then i Fucked Up the head tilt anyways its hardly even tilted its just kind of awkwardly offset from the neck#oh well. theres other compositions...#n honestly like i think aside from the head (the actual point of the piece ...) i honestly didnt do too bad#definitely most limbs and hands are all a bit janky but like definitely not as janky as they couldve been yknow? which is cool#also enjoy the faces those did turn out particularly well i think. so like that is swag too. but god this is underwhelming#im just sitting here like wow this one rules (still disappointed anyways)#one last tag ijust realized i forgot the hair curl. exploding myslef immediately now#anyways i have to add categorizations now..#my characters#myself#underneath the dock
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ham1lton · 2 months
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i’m with the band.
pairing(s): lando norris x singer!reader
warnings: v slightly angsty? but happy ending.
summary: pop band CHANGE! has just released their anticipated third album; however, fans notice that the songs seem to tell an unsavory story….
author's note: i didn’t know whether u wanted me to do a happy song or sad but i like drama. i refer to y/n’s bandmates by their roles. so guitarist, bassist and drummer so you can add their names in! also this album is loosely based on SAWAYAMA and 5sos’s album youngblood. listen to them both if u haven’t!! incredible albums. if you can name all these songs that have been mentioned then MWAH!!! 😍
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liked by harrystyles, landonorris and 3,388,728 others.
changeband: thank you so much to the best, coolest and awesomest fans in the fucking planet. shoutout to everyone who showed up to our listening party in philly last week! you were metal as hell and we loved meeting everyone of you. no more fomo for the rest of you all now that our newest album is now out! please stream and buy and recommend to your friends and family and colleagues and even that annoying neighbour that everyone hates. we love you and we love this album!! here are some behind the scenes pics of us making and brainstorming this baby!
user1: this album is sooo good!
user2: ooh y/n got her masters in cuntology with a concentration in motherlogical studies from the university of servington… that NOTE in dynasty??? oh goddddd.
-> user4: DYNAAAASSSSTTTTYYYY 🗣️🔊
user3: the casual photo dump like they haven’t released the album of the CENTURY?
user8: you guys have come such a far way from working minimum wage and having to pool money for a recording booth omg. i’m so proud of you guys 🥺
*liked by changeband.*
user5: the way guitarist is eating this album. whoever greenlit her guitar solos i want to kiss them on the mouth.
user28: bad friend is my fav! both the acoustic vers and the normal vers!! PUT UR HANDS UP IF UR NOT GOOD AT THIS STUFF!!!! 😍😍
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liked by messyass1, messyass2 and 278,727 others.
ham1ltonshaderoom: girl band CHANGE! have released their new album ‘babylon’ and it has sent twitter in flames after the first tweet (pictured above) went viral. especially after the songs ‘lie to me’ and ‘want u back’ both contain lyrics that have sent fans of the power couple lando norris and y/n l/n spiralling. what do you all think of the drama ham1ltons?
user1: i do think it’s slightly suspicious… not necessarily a break up confirmation but it’s interesting. especially as she didn’t even bother to confirm or deny whether or not they’re still together on jimmy fallon….
user2: why do we speculate into these celebs lives? if they broke up, who cares and if they’re together… who cares?
hater1: who gives a fuck. she can’t even sing.
-> user3: you clearly gaf if you’re commenting under y/n related posts???
loveislanduk: don’t worry y/n! if need be, you can always find a new man on the island!
-> user98: messy asf 😭
user6: is tkl supposed to be y/n talking about how lando was super adored and that although he could have any girl, she’d be the only one who really loved him?
-> user4: tokyo love hotel is a homage to drummer’s japanese heritage not a lando worship song?? also it’s a metaphor for their heritages as three of them are women of colour who grew up in the west and saw their cultures exoticised.
-> user6: ‘yeah your fascination is my world’. that could be interpreted as her saying ‘your obsession is my boyfriend’.
-> user4: girl yeah but that’d be a lazy one would it not? lando ain’t that special 😭 i think that it’s reductionist to make everything she writes about a man and not her.
user44: calling the album babylon after the bible story? maybe they started with the idea of creating this amazing relationship and then grew apart? they stopped speaking each other’s language?
-> user56: maybe you need to put this energy into analysing your resume and figuring out why you’re still unemployed….
user65: idc if she broke up with that troll because that’d mean drummery/n will thrive!!
-> user9: um… u mean guitaristy/n??
-> user34: both wrong. bassisty/n is the best version!!!
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CHANGE’S INTERVIEW W/ JIMMY FALLON (transcript)
JIMMY FALLON: welcome, everyone! we have a special treat for you tonight. please give it up for the current leaders of the world charts, the incredible band CHANGE!"
(audience applause as the girls take their seats)
FALLON: alright, alright! now, there have been some rumours swirling around about your latest album and its connection to some personal matters. especially in regards to y/n. care to shed some light on that?
Y/N: well, jimmy, first of all, thank you for having us. i’m aware that there have been some rumours, but you know how it is. people love to speculate. our music is definitely personal, and yeah, it does reflect some of what's been going on in my life but i want to set the record straight. the songs on our album are inspired by a variety of our experiences, including relationships, but they're not always directly about any specific individuals. sometimes i’m inspired by other forms of media or my loved ones’ experiences. that’s the joy of making art, it can be whatever you want.
DRUMMER: yeah, and y/n is such a talented songwriter. she has this incredible ability to channel her emotions into our music and make you feel whatever she wants.
BASSIST: exactly. we're just here to make music that connects with people, and if our songs happen to resonate with someone going through a breakup? then we've done our job.
FALLON: is it true that you’re performing two songs for us tonight? can you confirm which ones?
GUITARIST: yes! we’re performing ‘want u back’ and ‘frankenstein’. both of our newest singles from babylon.
FALLON: well, you heard them, folks! get ready for an amazing performance from CHANGE!
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liked by bassist, guitarist and 1,272,973 others.
yourusername: we’re fine y’all perfectly fine please don’t call paw patrol.
user1: OH THANK GOD.
landonorris: she’s lying. i’m in my lemonade era…🍋
-> user23: you wish you could be that iconic. you’re in your dogwater era.
-> landonorris: UNPROVOKED???
user3: we needed this confirmation.
user8: PARENTS AREN’T DIVORCED WE WON 🙌
landonorris: now can you release the bonus tracks please please please 🙏🏼 ‼️😩
-> bassist: no :)
-> guitarist: yes :)
-> drummer: one of them is lying… guess who and i’ll send the whole album plus excluded tracks.
-> landonorris: … um 😅 guitarist?
-> drummer: WRONG ‼️ but i’m scared you’re gonna complain to y/n so i’ll send them over to you 🙄
user27: at least we’re back to having lando being CHANGE!’s biggest fans. what did he think of ‘exile’?
-> yourusername: he cried so hard he threw up.
-> user27: real shit.
—————————————————��——————
taglist: @cuteskz @molten-m122 @dangeroustacoalienbiscuit @booksandflowrs @mxdi0 @k1arsworld @alexmarie29 @luckyladycreator2 @23victoria (let me know via ask if you’d like to be removed).
wanna get tagged in any future works? sign up for my taglist!
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moviecritc · 28 days
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Hi I don't know if you write about Charles and Alexandra, but what about something based in obsessed by olivia rodrigo, in a more sapphic way, maybe reader and alex can make out or something. also if you can mix it with smau would be super cool 💕
obsessed ⋆ charles leclerc, alexandra saint mleux
pairing: charles leclerc x singer!reader (various fc) x alexandra saint mleux
warnings: some bad words for the three of them (it was for the sake of the plot, nothing to harsh)
a/n: i made her a singer to add more drama. also i loooved this idea, i've been wanting to write something like this so much, thanks for requesting it <33
Remember that requests are open 💕💕
masterlist | wattpad | letterboxd
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yourusername just posted!
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liked by sabrinacarpenter, charlesleclerc and 145,824 others
yourusername some visuals from the Paris music video 💜🩷💙
view all comments
user1 i felt so seen in the first verses of the song, i'm also a sucker for gossip
charlesleclerc 💜😍
user2 so dry
user3 what is someone so cool like yn dating someone so boring and simple like charles
user4 graduated in cuntology with a master in slayfication and cum laude in mother is mothering 101
sabrinacarpenter princess of glittery gel pen songs 💜💜💜💜
user5 IM SO IN LOVE
user5 that i might stop breathing
user6 yn using paris as a joke bc charles is monegasque is beyond cuteness
user7 GOALS.
user8 imagine having YN LN as a gf and NOT POSTING HER leclerc you better watch out
user9 it's giving taylor and joe
user10 THE HEARTSSS never beating bi allegations
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When Y/N saw the Instagram notification, curiosity got the better of her. Just curiosity. She and Charles had been dating for almost six months, and this was the girl he had been with before her, so she simply wanted to know who she was. She scrolled through her posts, seeing the life she had after breaking up with Charles; she worked at a museum in Monaco and at the same time was an influencer.
Looking at her photos, she realized she was very beautiful. Very, very beautiful. Her hair was healthy, long, and a gorgeous dark brown, her body was perfect, the clothes fit her great, and she had a very sweet voice. She wondered why Charles had ended things with Alexandra.
Then, as she scrolled through her highlighted stories, she accidentally liked one. Y/N immediately threw her phone down. "Shit," she said, grimacing. "Shit, shit, shit." She picked up the phone again and saw the red heart on a photo of Alexandra in a bikini with a beautiful sunset in the background. Y/N stared at the photo for a moment and then removed the like.
She ran her hands over her face, feeling like an idiot. Alexandra would still see the notification, then she would see that Y/N had removed the like, and she would probably think she was weird. Or worse, she could message Charles, asking what his girlfriend was doing stalking her profile.
Charles was at the Grand Prix of Canada at that moment, she was in Monaco. The time difference was huge, and she wasn't going to bother him with this nonsense. So she decided to message Alexandra directly.
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Y/N couldn't stop thinking about Alexandra for the rest of the day. She found herself a couple of times staring at her pictures, she knew that Alex lived in Monaco and that they could bump into each other anytime. That idea felt amazing. She seemed like a gorgeous person, and the little chit chat they had felt really comfortable, even when Alex was her boyfriend's ex.
Y/N didn't mention any of this to Charles, he probably just make a big deal of it and they would have a discussion. And she was too lazy to think about arguments.
So she wrote a song. For the nexts days she focused on the lyrics and when Y/N handed the papers to her producer, they loved it. As soon as they could they recorded the song.
When Charles came back from the race, he found Y/N staying after midnight in the studio so she could finish the song. And he didn't complaint, because he really thought the song was about him.
yousername just posted!
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liked by yournamehq, alexandrasaintmleux and 583,981 others
yourusername 'obsessed' is now yours, with the mv starring @alexademie 🍒🍸💎
the comments have been restricted
alexademie so proud of this project 🤧💙
sabrinacarpenter MISS? i was not expecting this at all and it was so so good 😩😩
gracieabrams QUEEN. in capitals and screaming.
chappelroan so cunty, so hot, so sapphic.
laufey ok now IM obsessed with YOU.
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She didn't even think it was a bad idea until she saw her. They had decided to meet at a private club in Monaco; Alex wore a black satin dress that fit her extremely well, with her hair loose as she had seen so often in photos and a sparkling gaze. Y/N felt stupid for only wearing a white top and jeans.
"You showed up," Alexandra said with a smirk.
"You thought I wouldn't come?" she asked, matching her expression. Alexandra lowered her head, saying nothing and tucking her hair behind her ear. Y/N went to the bar and ordered a round of shots, although she didn't need to get drunk to do what she was about to do.
She drank one and then watched as Alexandra imitated her.
"Where did you leave Charles?" Alexandra asked, pulling her to a sofa area. The club wasn't very crowded, but more people would start arriving soon.
Y/N clicked her tongue. "Charles is the last person I want to talk about right now, honestly."
"You're right," Alexandra agreed as she nodded. "Let's talk about the song, then."
Y/N looked at her with a silly smile, trying very hard not to feel embarrassed. Although she knew she had nothing to be embarrassed about, she could see from Alex's expression that she had liked the song.
"What did you think?" she asked, sipping her cocktail.
"I loved it. I never thought someone would write songs about me," she lowered her gaze a little and then Y/N noticed how she had the tip of her heel circling around her foot.
"Did Charles ever dedicate any of his piano songs to you?" Y/N asked, furrowing her brow a little.
"Charles never even dedicated time to me," Alexandra looked away a bit.
Y/N nodded, perfectly understanding what Alexandra was talking about. Charles was too focused on his career, and unless you asked him, he could completely ignore you for weeks or change plans you had been planning for months because he had to train. That was the kind of person Charles was. At first, it had been a dream, accompanying him to his races and spending time with him, but when you scheduled a tour to be able to attend most of his races and he didn't show up at almost any of your concerts… It affected you.
"Men," Y/N said simply, rolling her eyes.
"Exactly! They're unbelievable, in the worst sense of the word," Alex spoke, slightly laughing.
They fell silent for a few moments, not breaking eye contact. The music had been turned up, and they were bathed in purple and green lights, moving around the room. Alexandra almost glowed for Y/N's eyes; under that lighting, everything seemed unreal. She leaned toward her, but didn't make the final move, wanting Alex to take that step.
Alexandra smiled mischievously and pressed their lips together. It was a calm kiss, not too long but their lips touched enough to explore them calmly, and for Y/N to remember the slight scent of red licorice from Alex's cologne.
As they separated, Alexandra got as close as possible to Y/N, resting her head on her shoulder. "Are you drunk?" Y/N questioned, fearing for a moment that it was all an act of alcohol.
"No," she denied vehemently.
Y/N didn't think much more about it, discreetly grabbed her phone to text Charles that it was best for them to end their relationship. She and Alexandra kissed a couple more times that night.
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Five months later
alexandrasaintmleux just posted a story!
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[caption 1: opening night 🍒 @yourusername] [caption 2: best view 💖]
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genderkoolaid · 3 months
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Like many of us, discovering our escape is often how we uncover our true selves, as untouched and genuine as we could possibly be. For Silveira, it was no different. “In those worlds, I would always be a boy,” he says. “And I remember that being part of my story right from the get-go. I didn’t have friends when I was a kid, and if I did, I always played by myself. And my presentation was male. I was being a boy.” For some reason, this reminds me of one of the lyrics to ‘Not Your Boy’ as Silveira, with vocals as sultry and heartbreaking as ever, sings: “Everything’s profound / When you are on a cloud / Riddled by this crowd / That just can’t feel me / When the darkness disappears / The only thing inside that can see / Is in the lie that tells me / I’ve been dreaming / Am I dreaming?” [...] Finding your way through the maze of identity is challenging enough, but doing it in the public eye adds another level of complexity. This was particularly true for Silveira, who already had a well-established audience with fixed ideas about who he was at the time. “When I started transitioning physically, I lost a very diehard and loyal audience of mainly cis-gendered females, and it was this double impact that it had on me, which was, ‘Oh, I knew that nobody was seeing me as being a real man. Because even though I was identifying as Lucas, and as he/him, my presentation to them was still seen as being a cis-gendered female.'” Continuing, Silveira adds: “I even had lesbians call me ‘she’, and I’d be like, ‘it’s actually ‘he”. So, it was really not ever taken seriously. So, what ended up happening was not only the fallout of me, but it was the understanding that I’d never been very validated in that aspect. It was the loss of my family. And it was pretty heartbreaking.” However, despite finding facets of supporters in certain places, even the most seemingly accepting parts of the music industry didn’t feel very safe. “I went from being out very privately to all of a sudden being a signed band and being on tours with Cyndi Lauper, The B-52’s, and Joan Jett, and people were talking about my trans-ness and asking me all these questions, and I was just getting to know myself.” “That didn’t go so well with a lot of trans folks,” he continues. “At the time, there was no non-binary movement, so what ended up happening was I also got flack from the trans community for not being a real man. And I wasn’t a real trans person because if I was, I would have chosen hormones and my presentation and my transition physically over my music career.”
Also, here's an article where he interviews Laura Jane Grace
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lunaefall · 1 year
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The Red Flags of Ruby's Suicidality Throughout The Volume
It should be obvious, but this short essay will cover heavy subjects of suicide, so if you're uncomfortable with this subject matter please don't read this.
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The first red flag was in episode 4, where Ruby contemplated erasing her current self due to her failures, after talking to her 'past self'.
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This gets reinforced by the lyrics of Trapdoor, which is about how worthless and unneeded Ruby feels.
One common mindset among suicidal people is this: what if I'm useless? What if my friends don't need me anymore? What if they don't care about me? What if I'll keep ruining everything? Would the world be better without me?
Suicidal people are usually full of self-loathing and blame.
Even in the episode 7 fight Ruby felt useless after seeing C-PTSD red flags (they're not Neo hallucinations because she didn't see the Schnee manor grounds struggle with hacked Penny). In her eyes, the others are fighting well without her, so she's useless.
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Another set of red flags is snapping at your loved ones, pushing them away and driving yourself into isolation. We see ALL these in episodes 7 and 8, with Ruby snapping at her friends and running away, and even pushing Little away.
And on top of it she feels like her friends don't care, the world is against her, etc. which is YET another red flag.
(Massive disclaimer that this is NOT anti WBY and they, especially Yang, tried to reach out to her throughout the volume.)
I'd like to mention that if your loved one attempts and you tried to help but couldn't do it, it is NOT your fault. We're not all experts and we try our best, so do not ever blame yourself for these things.
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It's not uncommon for suicidal people to refuse help, and on top of it Ruby has always been selfless to self destructive levels.
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And the last thing, her self blame over her loved ones dying. While Penny and Pyrrha were apparitions, they still reflected her self blame. And Little dying? The final straw.
So her suicide attempt in the end was being built up all volume.
All I can say is that I hope Ruby somehow gets rescued and also recovers from her mental health problems because JESUS CHRIST.
This was a bit hard for me to write, especially as someone with BPD and frequent suicidal tendencies. This topic hits hard for me. However, I'm not an expert and this post shouldn't be taken as gospel. There may be details even I missed, so feel free to add your own observations.
And remember that if you are suicidal as well, you're not alone. You'll always have people who care about you, and resources to help out.
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accirax · 5 months
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Chessgram Theory: Who is Kotoko Breaking?
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While the object Kotoko is breaking in Deep Cover’s thumbnail is still certainly up for debate, many people (including myself) are of the belief that she’s snapped a white bishop from the game of chess. Given where Kotoko’s mental state is right now and what’s implied by the lyrics of Deep Cover, I think it’s likely that this MV’s theme will depict all of the prisoners as different chess pieces. Therefore, it’s worth asking: who is that? And, in a larger sense, which prisoners could be represented by which chess pieces?
Kotoko pretty clearly sees her situation as her and Es against the rest of the prison. So, I think that the characters would be divided as Kotoko and Es on one team, and everyone from 01-09 on the other. Kotoko is wearing black and appears to be breaking a white piece, so it’s pretty safe to assume that she and Es would be represented by the black pieces. It’s an interesting choice, given that, even to a non-Western audience, black can be considered a color of evil, and white a color of purity and truth. However, if the Es/Kotoko team is “mystery and anger” and the 01-09 team is “cold demeanors and death,” it fits well enough.
And that’s ignoring the most important part: in chess, the white team always moves first. This would fit with Kotoko’s vigilante worldview that everything she does is just a retaliation against others’ wrongdoing. The other characters attack first by sinning, and Kotoko is only picking them off before they can do any real damage to Team Warden.
Anyways, as for the pieces themselves, different websites seem to have slightly different opinions on what each piece can represent, with some obvious throughlines. I’ll be pulling quotes from these three articles, color coded according to which one is being used, which you can read more of if you wish. I’m also not a chess expert, so if I’m missing anything or got something wrong, I encourage you to add any of your own thoughts!
We’ll start with the Black Team, because there are fewer characters and I think it’s pretty obvious who’s who.
Kotoko Yuzuriha
Kotoko herself will probably be the black Queen. As anyone who’s played chess should know, your Queen is the most powerful piece in your arsenal because it can move on straights or diagonals for any distance.
The queen is our impulse to fight and possibly our id. It can argue based on beliefs. It can let loose and fight like a rook. It has no reason to hold back as a knight does and will often attack to the other side of the board just because it wants to.
This hyper-violent description of the Queen reminds me a lot of Kotoko. She attacks the other prisoners because, according to her beliefs, they’re criminals who deserve to be punished. Not to mention, the “id” is actually the same thing as the “es” in psychology. After we voted her innocent in the first trial, Kotoko became our teammate. She thinks that she’s the same as Es, so seeing herself as the “id” would fit perfectly with that self-assessment. Speaking of Es…
Es (and Jackalope?)
Es is most likely going to be the black King.
The king is not as powerful as the queen, but he is considered the most important piece that needs the most protection.
Even if Kotoko has more power than Es inside the prison, Es is still the one ultimately calling the shots. They’re the important piece who actually casts the votes that Kotoko can use to exact justice. The way that Es falls asleep between trials (or, at least, they did the first time) also reminds me of how the king can only move one space per turn, and often remains in the same square until closer to the end of the game.
The meaning of the Queen in the game of chess is she is plainly the closest support to the King and is often the second biggest (tallest) piece on the board, signifying her power and importance.
Es and Kotoko being the King and Queen together also opens them up to being assessed as a pair. They start the game next to each other, far across the board from the white pieces. If Es is the tallest, most notable piece in the prison, Kotoko isn’t far behind, acting as the King’s loyal fang.
I don’t know if any of the other pieces on the black team would have any sort of particular association. Maybe Jackalope could be the pawn that starts in front of the King (I think that’s the E pawn), so that he could hop out of the way on black’s first move to allow Kotoko to escape on a diagonal?
If I’m right about this theming, I also believe it’s possible that the black team would start only with the King and Queen. This would 1) make Kotoko and Es appear as rootable underdogs by having fewer pieces, 2) show how Kotoko is doing all of the work to defend justice, and 3) give Kotoko a lot of space to move around in from the start.
Now that we’re done with the black team, it’s time for the 01-09 White Team! Given that this side has many more main characters, there are several more possibilities to discuss here. I’ve settled on an answer for each of the prisoners, but there’s certainly room to be flexible with any of them.
Haruka Sakurai
Starting with Haruka… sorry, buddy, but I think you’re a Pawn.
Look, there are only eight pieces (not pawns) for each team on the board. If there are nine prisoners on the white team, at least one of them has to be a Pawn. And, especially through Kotoko’s account of the first Trial, Haruka wasn’t doing a whole lot. He didn’t get voted guilty, so she didn’t attack him, and he didn’t try to save any of the attacked prisoners, either. All he really did was get a new fit and align himself with Mu, someone who barely avoided being voted guilty in the first place.
There is a debate about whether the pawns are the peasants who live outside of the castle walls or are the soldiers protecting the royal court behind them.
Specifically, though, I think that Haruka would be the pawn that stands in front of Mu. Depending on which piece Mu is, it doesn’t have to work like this, but if you say that Pawn Haruka’s placement is basically a “if you want to attack her, you’ll have to get through me first,” that’s quite reminiscent of the threat he presented in his second audio drama.
Haruka also makes sense as a Pawn because he has a lot of potential. For anyone who doesn’t know, in chess, if a Pawn manages to make it to the other side of the board, they can transform into any other piece. Haruka’s quiet demeanor might let him slip under the radar, but if Kotoko takes her eye off of him for too long, he could wind up becoming a threat to the King (Es).
Haruka (VD2): “If you don’t forgive Mu-san, I’m going to kill you.”
In the audio drama, Es counters this plan by pointing out that, as a prisoner, Haruka cannot attack them. However, the sentiment is still there. Even if a Pawn doesn’t really stand a chance of attacking the King when Queen Kotoko is on the loose, there’s always the possibility that he could get too close and throw a wrench into Kotoko’s plans.
Yuno Kashiki
As for Yuno… well, we all know that she’s a Queen in general, but in chess, I don’t think that argument really holds up. Yuno really just isn’t… relevant? enough? to the conflicts of the prison as a whole (at least where Kotoko is involved) to be represented by such an important piece. But, if Yuno isn’t the Queen, what would she be…?
Personally, I think she would be a Rook.
The rook is brute force. It is a disregard to beliefs.
Simply put, Yuno is a Rook because she’s a pretty straightforward person. That’s not to say that she doesn’t lie, of course– her whole t1 attitude seems to have been a bit of an act, and that one section in the middle of Tear Drop makes it pretty obvious that Yuno conceals her true feelings on order to better please her customers sometimes– but that, in the end, Yuno always does what she wants. If she wants to barge forward or cut across the entire board sideways, she’ll do it. She often keeps to herself, just like how enemy pieces wouldn’t want to get directly in front of the Rook for fear of being curb stomped.
Back to her t1 attitude, though…
The rook is the castle, the walls, the protectorate of the city, and in being so, is the only piece not representative of a living thing.
While most sources attribute the Rook’s walls to protecting the other important pieces, Yuno’s walls protect herself. Yuno’s Castle keeps her true self locked behind cold and stony walls, giving her freedom from making any attachments.
Futa Kajiyama
Futa is a Knight because… he’s, uh, literally a knight.
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The knight pieces are the protective knights in the castle. The pieces are shaped like a horse because it is symbolic of what knights rode during battle.
It doesn’t always have to be that deep. (/j)
Actually, though, there are other reasons to call Futa the Knight– possibly some of the same reasons why the Milgram creative team decided to make one of his MVs themed after fantasy RPGs in the first place.
The knight represents the pure inner-warrior. If a knight starts out passive, it will always end up aggressive and vice versa. It can't move very far, but it never moves in a straight line, always preferring to be tactical and thoughtful.
Futa definitely seems to cycle between aggressive and passive. He passively lived his life as a regular guy until he unleashed his aggression and became a cyberbully. That aggression fueled him until he learned of his victim’s death, at which point he shut down and seemed to become more passive and introspective again. Arriving in Milgram triggered his aggressive tendencies, but getting voted guilty and losing an eye for it triggered his passive terror. At the time of his second audio drama, it seems like he’s returned to aggressively questioning Es again, and it remains to be seen whether he keeps that attitude into t3 or if something happens that once again makes him lose his footing (or die).
Mu Kusunoki
Much like Yuno, Mu also has an argument for being called the Queen– more so than Yuno, considering her strong Queen Bee coding in It’s Not My Fault and the titles of both of her audio dramas– but also falls short in the “being opposed to Kotoko” department. Although Haruka certainly looks to her for leadership, I can’t imagine Kotoko actually considering Mu a serious enough threat to put Mu on the same level as herself.
So again, like Yuno, I think Mu might be the other Rook. Mu also displayed a very “whatever I say goes” attitude in INMF, so she can share the same rhetoric behind Yuno being represented by that piece. The logic behind the castle aspect is slightly different, though.
Every country or medieval estate would have its royalty who were protected within the walled city or castle.
Mu is a rich, half-European girl whose dad sells real estate. Of course she would be represented by the Castle! Mu’s tactics involve consolidating her power in order to lead from a place above it all, exactly like how a castle looks over the rest of the village. Additionally, I can’t find the source of whoever pointed it out first, but I’ve seen it mentioned that the dress Mu wears in her birthday art is a reference to the one that Belle wears in Disney’s interpretation of Beauty and the Beast. It’s a fairytale with a princess (and perhaps someday, a queen), yes, but it’s specifically one where the heroine is trapped within a castle. Making Mu into a Rook would be a great way to keep up her royal theming, while leaving the Queen for a character a bit more powerful and relevant to Kotoko.
(Going back to Haruka for a moment, this would make him specifically the A or H pawn.)
Shidou Kirisaki
I really thought that Shidou might have more competition for the role of King, but the more I thought about it, the more I realized that nobody fit the role quite as well as he did.
Shidou is the perfect balance of a piece who’s very problematic for Kotoko’s win condition, while also not being much of an active threat himself. There are very low odds that Shidou would ever actually try to harm Kotoko directly or get in her way to divert an attack. However, as long as he’s alive, Kotoko can’t win, because Shidou can keep attempting to heal all of the pieces Kotoko tries to eliminate. That’s not something that the King piece can actually do in a chess game, but hopefully you get my point.
Additionally, Triage let us know that Shidou is a family man. While the white Queen will obviously not be representative of Shidou’s deceased wife, and not every other prisoner would enjoy living under his reign (cough cough Amane), the optics of him being the “head of the family” are obviously there. It’s a pretty bad look if the white King starts the game by pleading with the black King to give him the death penalty, but… Well, at least Shidou changed his mind.
Mahiru Shiina
Not to answer the theory’s main question so early into the post, but… I think Mahiru is a white Bishop. Specifically, the one that Kotoko could be snapping in half in the thumbnail.
As far as I can remember, barring Undercover, Milgram’s MVs have only shown us things that have happened in the past. There are some things that could kind of hint at the future (like Shidou’s “So hey, prolong my life / I’m indispensable” in Triage) or depict prisoner’s fears of the future (like Futa potentially being afraid that Es could declare him guilty again at the end of Backdraft). But, I think that every instance of something like that happening could be explained as something that the character did or thought about in the past as well. That might be wrong, as I don’t want to take the time to write out how everything that appears like it could be in the future is actually in the past, but it sounds right to my memory.
My point being, while the snapped bishop could be indicative of Kotoko’s plans to crush someone in the future, if the chess pieces do represent characters, it makes far more sense if her smashing the white bishop is something that already happened in the past. Thus, it would probably be one of the three characters that Kotoko attacked in the past: Futa, Mahiru, or Mikoto.
Of the three options, I think Mahiru fits the role of bishop best.
The bishop is your belief structure. This is why a bishop that starts on white, will always be on white and vice versa for the black bishop.
While not a particularly religious person, Mahiru is someone who lives and dies based on her beliefs about the value of love. No matter what happens to her, she always keeps her same perspective, believing that love is the entirety of who she is and the only thing that’s worth living for. It’s how firmly she clung to those beliefs that sent her to Milgram, and her lack of awareness regarding her actions that got her voted guilty. AKA, Mahiru’s Bishop-like beliefs are exactly what sent her to be crushed in Kotoko’s palm.
To the extent that the blood in the thumbnail is the Bishop’s and not Kotoko’s, Mahiru was also the most grievously injured of the prisoners in between trials. I saw people joking that the thing Kotoko was crushing was “Mahiru’s bones,” and, like… maybe you’re not entirely wrong? 
I hope that you continue reading the post to hear my thoughts on the last three prisoners. But, if you are tapping out here… uhhhh, 0610 enjoyers, go crazy with this one.
Kazui Mukuhara
When I started theorizing for this post, I really thought that I was going to make Kazui the Queen to Shidou’s King. The two of them are pretty close, so the idea of Kazui being Shidou’s guardian makes total sense. And, most importantly, Kazui was the one to actually intercept and divert Kotoko’s attack on Futa. He’s been established as the most muscular prisoner in Milgram, on par with someone like Kotoko, which is perfect for him being the Queen!
Wellllll… I changed my mind and decided to make Kazui a Knight anyway.
There are a lot of good arguments for Kazui being a knight too, okay? After Cat, it’s pretty clear that Kazui was once a police officer. Thus, being a member of the castle guard would be a good match for his choice of career. They’re also probably the most traditionally “manly” piece, representative of an armed man on a horse, and Kazui tries very hard to be manly.
Knights can also hop over other pieces, much like how Kazui jumped into the fight between Kotoko and Futa. In fact…
Never underestimate [the Knight] for its limited range. It’s known as the "Queen Killer" for a reason!
Knights are often a good piece to use to attack Queens because of their unique L-shaped movement pattern. Unlike every other piece, they can attack the Queen from a position that can’t be immediately reversed upon them. Thus, Kazui’s ability to beat Kotoko could be an indicator of this “Queen Killer” quality, instead of the innate power of being a Queen himself. (This logic applies to Futa as well: he can attack Kotoko from the unique angle of appealing to Es’ morals and own sense of justice. Kotoko can’t do the same because, unlike Futa, she has yet to outwardly acknowledge that her murder could have been anything less than righteous.)
Also… the Knight is the only piece that doesn’t move in a straight line. Get it? The Knight doesn’t move straight? And that represents Kazui? Because Kazui is–
Amane Momose
Amane is the other Bishop because… religion.
The bishop stands close to the king and queen because it represents the church which many royal courts held near and dear to their hearts.
The Bishop represents the church, an important and very powerful entity throughout history and even today if you think about it.
Again, not everything has to be a reach. (/j)
So… yeah, Amane’s beliefs– specifically religious beliefs, this time– are also a huge part of her life. Even if she’s changed what the cult’s doctrine means to her, she still confesses that she carried out her murders for the sake of what her religion considers right and wrong.
This is also considered the third most powerful piece on the chessboard because back in the day religion could influence many people, even without the help of the royal family.
Not so much for Mahiru, but this sentiment also fits Amane pretty well! Between the threats of potential conversions and potential assassinations, Amane was definitely one of the prisoners to watch heading into t2. From what I’ve heard, the main reason why her vote was so down to the wire was mostly because people were afraid of the power that Amane held.
Interestingly, this would put another prisoner who was voted guilty in contention for the piece that Kotoko is crushing. However, I still think it’s more likely that that piece would be Mahiru, because Kotoko didn’t physically attack Amane. If it were Amane, it would more likely be that her beliefs were crushed as opposed to her bones, but… I don’t really think that really happened, either. Amane would almost certainly be a bishop, though, so there’s certainly a possibility that that broken piece could be her.
Mikoto/John Kayano
With only one prisoner left to go, you may have already come to the conclusion that Mikoto is the white Queen. And… yeah, I can’t really deny that at this point. Like I said, I wanted to make Kazui the Queen, but I couldn’t otherwise figure out what Mikoto would be.
Because, there’s one main thing that makes me think that Mikoto has to be the Queen… John’s lack of restraints.
She is allowed to move in any direction and in as many squares as she wants.
Due to the whole situation with John not technically being a prisoner, when John is the alter in charge, John cannot be restrained, even when voted guilty. That makes him very powerful; no matter what he does, we can’t use a guilty vote to try to stop him, much like many people hoped to do with Haruka when voting him guilty in t2. The Queen can visit any square, no matter whether it’s black or white, upright or reversed, Mikoto or John. Choosing any other piece that was constrained to a much more limited set of movement rules just felt off for him.
Next, while Kazui was able to defeat Kotoko and save Futa, the fight between John and Kotoko was a draw. That means that they are also evenly matched– perfect for both being the same kind of piece. Mikoto isn’t as close to Shidou as Kazui is (anymore, I think?), but they were at least smoking club buddies, so calling Mikoto the Queen to Shidou’s King isn’t the most ridiculous proposition.
Finally, making Mikoto the Queen, a very feminine piece, is super interesting in the context of people discussing how Mikoto is often associated with stereotypically feminine roles and the girl prisoners (oboetemasuka | candckirby | purgemarchlockdown). I don’t have a whole lot else to say on this matter considering these weren’t points of Mikoto’s characterization I originally noticed myself, but I encourage you to read these posts to get a taste of what I’m talking about. I’m sure there were other posts discussing it too, but… it’s so hard to find things on Tumblr ;-;
Conclusion
Finally, we’ve been through every prisoner! Here’s a summary of what I decided on (left or right side doesn’t matter):
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The funny thing about this theory is that it could be fully disproven wrong in, like, a week, if either 1) that wasn’t a chess piece at all, or 2) the chess pieces obviously represent something else. For instance, the chess board could fully relate to, you know, Kotoko’s actual murder and not what she got up to in between trials. We are supposed to get more actual evidence regarding that too, aren’t we…?
Still, if it turns out that the chess board does represent Milgram, I will get the full satisfaction of having called it ahead of time, even if my assignments aren’t 100% correct. No matter what, I had fun thinking about it, which is (in my opinion) the highlight of theorizing! If you have anything else to add, I encourage you to communicate your thoughts in comments, tags, or reblogs. If you don’t, then I simply thank you for reading this far!
Deep Cover… soon.
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hyunluvbug · 11 months
Text
i need you - one
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pairing: bang chan x afab reader
content: 🔞NSFW, MDNI!! established relationship, hint of corruption kink, virgin!reader, hickeys, dry humping, oral (f receiving)
word count: 1.6k
a/n: this is my first series and i hope you guys enjoy what more is to come. it is only going to be three or four parts so fairly short ish.
dating chan is nothing but pure comfort. he is yours and you are his. everything about being with him made you feel giddy inside. your relationship is nothing more than pure love. he is someone you trust completely and never question. someone you can hold to a high standard and know he will always follow it.
you both are still learning new things about each other. you learn all the time how dedicated he is to his job. he enjoys making music and you love being there when he does. you visit him all the time at the studio, just to watch him in his element. he always lets you listen to what he is working on and it always is a hit in your eyes. he is so talented and you remind him anytime he struggles. sometimes while he's working, he'll get frustrated. his face will go into a pout and his eyebrows will scrunch up. a tell tale sign he is struggling with lyrics or even the composition of the song.
when you notice this, you try your best to help him and reassure him that he is capable of anything. he has already made so many great songs so why be afraid to try something new. this is why he loves having you there, being able to hear the input from someone he loves is amazing. days like this are where you really realize how in love you are with him. he's sitting with his back towards you, clicking away on his computer. you're sitting on the sofa behind him, reading a book, or just scrolling through your phone. finding comfort in just having his presence with you.
the studio is where both of you end up hanging out a lot together. the studio being his hotspot, he barely leaves it and only does to get food, use the bathroom or go to bed. today, is just like any other day. you are sitting on the couch, your feet curled up under you. you're scrolling through your tiktok for you page. making sure the volume isn't too loud to disturb the boy at the computer. the many clicks of his mouse fill the room as well as the squeak of his desk chair.
you can feel his frustration from where you're sitting. many sighs leaving his lips as you watch him delete and add new lines of lyrics. his shoulders hunched over onto the desk, clearly showing his stress. you place your phone onto the couch and stand up. you make your way over to him and you feel his body relax when your hand touches his shoulder.
"hey, you okay?" you peck his cheek.
"yeah, just having some troubles with lyrics." he sighs below you. you place your hand onto his cheek and he nuzzles into it.
"need a break?"
"please."
you see this as an invitation to sit in his lap. his hands rest on your waist and he looks up into your eyes. you begin to place kisses all over his face, causing his face to scrunch up. giggles falling from his lips.
"is this a good distraction?"
"yes." he chuckles, his hands run up your back soothingly as you continue placing kisses on his face. then you move to his neck and he lets out a tiny moan.
"oh, i think i hit a sweet spot." you tease and continue kissing there. he lets out heavy sighs as you begin to suck on his skin, hoping to leave a hickey behind.
"you're going to drive me crazy."
"what if i want to?" you mumble against his skin. then chan, pulls your face away. he places a hand on your cheek, his thumb rubbing the soft skin.
"then you'll be in trouble."
you stare at him in shock of his reply but it excites you. you and chan have never had sex. most of it having to do with you being a virgin and not knowing when the correct time was. chan didn't ever want to make you feel rushed to have sex with him. he never insinuated anything sexual and stopped make outs before they ever got too heated. but, you always wish he would make a step towards that direction and right now, your heart is pounding. you can feel tingles in places that you never felt for someone else before.
"what if i wanna be in trouble?"
now chan looks at you surprised, "oh yeah?"
you begin to feel a dull ache in your core. starting to imagine what it would be like to be with chan sexually. it excites you. so much that you don't even notice that you're grinding into his lap. he lets out a groan beneath you.
"fuck baby, we can't do this in here. i will be damned if we start anything in this studio."
"then maybe we should go home." you plead, looking up at him with puppy eyes. of course he can't say no to you.
"i guess the song can wait until tomorrow."
you leap up from his lap, excited to head home. you don't even notice that chan has an erection.
----
when you get back home, it gets semi awkward. for many reasons really. you aren't quite sure what to even do as you have never done any of it. of course you're not completely innocent to sexual activities. but you just have no experience what so ever. frankly, chan finds it adorable and is secretly getting off to the fact he will be the only to take your virginity. that you will always be his and no one else's.
"i say we start by kissing and see where it goes from there." chan says, you both sitting together on the bed. you nod happily with a smile and he smiles back, his dimples showing.
"come here." he whispers and presses his lips to yours. the feeling is just as amazing as it was the first time. his lips fitting to yours and sending flutters throughout your heart.
the kisses soon turn needy and sloppy. little whimpers falling from your lips. he place you into his lap and retss his hands on your waist. he moves your hips over him, the friction making your eyes droop. your hips roll down into him quicker.
"fuck chan."
he smirks as he watches your face contort in pleasure. loving how pretty you look just for him. he begins to place some kisses down your neck as you continue to move in his lap. he sucks on a section of your neck, returning the favor you gave him earlier.
"baby, can i eat you out?" chan suddenly asks and your face gets hot. you nod and he begins to unbutton your jeans. he slides them down your legs and lays you down onto the bed.
he sees a wet spot on your underwear that has already developed. he places his finger on the spot and begins to rub. the feeling of someone else's touch drives you crazy. and he's not even touching it bare. he rubs onto your clit, the feeling driving you insane.
"chan, please."
"please what?"
"s-shit, i want your tongue."
"ask and you shall receive."
he pulls down your underwear and tosses them to the side. he scoots down until his face is near your pussy. he blows air on it and it makes you twitch. a soft giggle falls from his lips, that also making you twitch.
"channn."
"okay okay."
he places his hands onto your thighs and then dives in. his tongue licks up your core and your slit. the feeling makes your eyes begin to roll, his tongue feels like heaven. it feels like something you have never felt before. you can feel his nose nudge at your clit while his tongue delves deeper into your cunt. your wetness growing even more and mixing with his saliva.
"fuck fuck." you moan and he hums. his tongue presses against your clit and you squirm above him.
"feels so good holy fuck."
chan continues licking, letting your wetness coat his tongue. the taste is divine and he is already addicted to it.
"i want you to cum for me." he says and he stares up into your eyes. his eyes on you are what sends you closer to your high. his eyes stay on you as he licks quicker and quicker. his tongue going inside and out of your cunt, delving into your walls.
you feel your eyes roll as you begin to reach your peak. "im go-gonna cum." you sigh and then you let it go.
chan licks up every drop, loving how much pleasure he is able to give you. he pulls away and sits up. his dimples are showing as he stares down at you, your laying down onto the bed. your arms splayed out in tiredness, it all felt so good. he felt so good. chan scoots up further to lay with you, his arms wrapping around your waist.
"how was that baby?" he presses a kiss to the side of your neck. right over the spot he left a hickey.
"amazing." you reply feeling breathless. your chest moves up and down as you let out heavy breaths until it slows down. chan cuddles up into you as you finally come off the feeling.
"i didn't get to do anything for you though." you realize and turn towards him.
"don't worry, we have all the time in the world to do other things. i just wanted to please you, i'll let you do something for me next time." he reassures and buries his face into your neck.
you feel satisfied with his answer as you know there is more time to make love with him. you couldn't wait.
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rubyreduji · 1 year
Text
Music to My Ears — ljh
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summary: the walls in jihoon’s apartment are a little too thin, but maybe that’s not a bad thing
tags: smut (minors dni!), neighbors au warnings: masturbation, auditory voyeurism, sexual fantasies, mentions of oral and fingering (f. receiving), ngl kinda creep jihoon but things get resolved at the end wc: 1.7k an: disclaimer: i don’t think mingyu is a bad singer, i actually think he’s an amazing singer, but for the plot let’s just pretend okay
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Jihoon hates living in his apartment. The landlord sucks, the utilities are too high, and the walls are way too thin. It doesn’t help that he has one of the most annoying neighbors ever. Kim Mingyu, a tall buffoon who sings a little too loud and is so clumsy Jihoon can hear him every time he runs into a door frame or drops another glass.
That’s why it surprises Jihoon when one day he hears the shower start, he hears singing as well. That’s not that strange, Mingyu loves to sing in the shower, that shocker is that the singing actually sounds good. It’s a light voice, feminine, singing a soft tune.
Jihoon’s shower wall shares a wall with Mingyu’s apartment shower and he’s a bit ashamed to admit he did step into his shower to hear the singing better. He didn’t know anyone moved into Mingyu’s apartment. Maybe nobody did. Maybe it’s just a girlfriend, or a hookup or something.
Jihoon is starting to feel creepy, but he can’t bring himself to leave his bathroom, too tranced by the beautiful voice. He doesn't recognize the song and he wonders if it’s an original, or just something he hasn’t heard before.
The voice is unique, he’s never heard anyone sing like that before, but he loves it. His mind races thinking about how he could add it to one of his songs and how he can utilize the liquidness of the notes. 
To his dismay, the shower soon stops, along with the voice. Jihoon finally climbs out of his shower and hopes he’ll get the chance to hear the voice sing again.
The mysterious voice has taken over Jihoon’s mind, but he does have some knowledge about who it belongs to. The voice is yours. You’ve recently moved in next door with Mingyu. You two are related in some way (Jihoon hasn’t figured out how yet). Your name is Y/N. You like to sing in the shower. From what Jihoon has looked up from the lyrics you sing, the songs are original to you.
It’s not like he was trying to eavesdrop on you and Mingyu, the walls are just really thin.
Despite hearing your voice daily, he still has yet to see your face. It disappoints Jihoon a bit but leaves him room to imagine what he thinks you look like.
Jihoon does have to admit, he’s nothing short of obsessed with your voice. A few times he’s gotten close to just walking over to your apartment and knocking on the door to ask you to be on one of his songs, but he’s not sure how weird that is.
For now he will just stick to listening to you through the wall. It’s not like he’s doing anything wrong, he’s in his own apartment. It’s not his fault that he just happens to be in the bathroom when you’re taking a shower.
He’s a musician, he can’t help that you have a pretty voice. He’s just doing research as a musician on other’s voices. Yeah, that’s it.
It’s going on two weeks of Jihoon listening to you in the shower every day, and it’s gotten to the point where he’s constantly thinking about your voice. Everytime he works on a song he thinks about you and your voice. Every time he’s taking his own shower he wonders if you’ll take a shower as well and he’ll get to listen to you.
Jihoon even starts to write songs with you in mind. He’s been inspired by your voice and the songs you sing. It all started as just a break from Mingyu’s loud voice floating through the walls, but now he can’t get enough of you. 
It’s just your voice that has him interested though, it’s all of you. He finds himself wondering what kind of person you are. Jihoon gets some information just from conversations floating through the walls, but he wants more.
It may be weird, but as soon as Jihoon hears your shower start, he races into his bathroom. He can’t help himself anymore, he’s become addicted to your voice. He sits and waits to hear you start singing, only this time it’s not a melody he hears coming through the walls.
His face flushes when he hears the first moan released by your lips. It isn’t until a second one comes that he confirms that you’re doing what he thinks you are. He’s about to leave his bathroom and pretend this never happened when you let out a high pitched whine that goes straight to his cock. He tries to will his cock to stop stirring but it doesn’t do much when you sound like a porn star on the just a few feet away on the other side of the wall.
Jihoon can’t help it, he shoves his hand into his pants and tugs his dick out. It’s already semi-hard just from listening to your sounds and it doesn’t take but a few pumps to get it up all the way.
He lets his mind wander, conjuring up an image of what he thinks you look like (which might just happen to be someone who’s his exact type). He imagines you on the other side of the wall, your hands all over your body, touching and feeling in all the right places.
Images of your naked body flood Jihoon’s mind. He wants to think you have a hand between your thighs, while the other kneads at your own tits. Your body is slumped against the wall, breathless from the pleasure you feel.
Jihoon can’t help but note that even your moans sound perfect. He wants to drown in you and every angelic sound that comes out of your mouth.
Jihoon can imagine it now, his mouth on your neck as his hands caress all over you, doing everything in his power to continue those sweet noises from your lips. He works at his cock more and more as he imagines himself being the one to make you sound so pretty.
If you were here right now, Jihoon would get on his knees and throw one of your soft, perfect legs over his shoulder and dive right into your cunt. He’d lap at you for hours if he got the chance. He’d suck at your clit and flick his tongue over it, while his fingers would run over your slit, collecting your arousal and spreading it around. He'd slip a finger into you easily from how wet you are. He’d work you open more and more until he could slip two more fingers into you, filling you up. He’d finger fuck you, curling his digits into your g-spot, until you’d finally cum, getting his fingers and face all messy.
It doesn’t take long for Jihoon to feel himself approaching his orgasm. His thighs tense up and he thrusts into his fist once, twice, and then he’s spilling his seed all over his hand. Without meaning to, Jihoon lets out a moan of his own as he cums, before quickly realizing what he did.
Jihoon quickly wipes his hand off on his shirt and exits his shower, ashamed and embarrassed of what he just did. He just hopes that you didn’t hear him over your own moans and the sound of the shower.
Ever since the Shower Incident, Jihoon has tried his best to avoid being in the bathroom at the same time as you. That doesn’t mean he still doesn’t hear you singing or doing…other things while you’re showering, but he tries to ignore it to the best of his abilities now. He isn’t always successful at it though.
Things don’t come to a head until one day he’s getting back to his apartment after a day in the studio. He boards the elevator, which is already occupied by one other person Jihoon doesn’t recognize at a glance.
“Floor three please.” Jihoon looks over to see the button already pressed. “Oh. Are you new? I haven’t seen you around.”
“Yeah, I moved in a couple weeks ago. I live in 316.”
316. The apartment right next to his.
You’re the girl. 
The girl he’s been listening to sing, and masturbate, ever since you moved in. He’s heard you orgasm before he’s seen your face. Which, by the way, is very pretty. You’re nearly exactly how he imagined, which seems insane considering he just imagined someone who’s his ideal type.
“That’s crazy,” Jihoon tries to play it off. How does he even tell you what he’s heard? Do you know how thin the walls are? Is that embarrassing? “I live in the unit next door. I’ve uh, heard you singing. You’re really good.” Why did he tell you that?
“Oh really?” You flush a bit. “Thank you. I didn’t know you could hear me, which I don’t know why I didn’t think that because I can hear you singing sometimes and you’re also an amazing singing by the way, like phenomenal. I hope that’s not weird to say. I’m sorry, I’m rambling. Thank you for the compliment but honestly don’t hesitate to tell me to be quiet if-”
“No! I mean, don’t worry about it. If you have to deal with me singing, then it’s only fair to let you sing freely as well. I think your voice is lovely anyway.” Jihoon doesn’t care that you’ve heard him sing before, it’s bound to happen with a job like his and walls as thin as they live in. He just hopes singing is all you’ve heard from him.
“Gosh, you do know how to flatter a girl, huh.” Your cheeks are red now and Jihoon traitorously thinks that you’d look gorgeous under him flushed that color.
The elevator dings and opens its doors for you two to get off. You two walk to your separate doors silently and it isn’t until you’re about to go into your apartment that you turn to Jihoon.
“I’m Y/N, by the way.” He knows.
“Jihoon.”
“It was nice to meet you Jihoon. See you around.” You shoot him a kind smile and disappear through the doorway.
It’s only a few minutes after Jihoon walks into his own apartment that he hears your shower start. There’s no way you don’t know now. That doesn’t stop your moans from starting up as usual.
“Jihoon.” His name floats through the wall mixed with a moan and he stops in his steps. He’s so screwed.
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whorediaries-09 · 4 months
Text
shameless;
pairing- rockstar!sirius black x reader warning(s)- substances, 18+ content, hurt/comfort. (let me know if i should add more) a/n- absolutely hate this one ❗
masterlist of 'the seven lives;' series
the slut club
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now that you have me, do you want me still?
your throat was raw from shouting the lyrics of the songs you’d penned on a drunk night. but as the line between pretence and reality ended, his kisses became history, hidden behind cigarettes or the occasional puff of weed that painted your skin backstage. his fingers wrapped around your throat, you turned putty into his hold, craving him carnally. the weariness engulfed both of your bodies; the feelings consumed the both of you. his touch was like electricity shooting through every inch of your body as he delicately stripped away every piece of clothing on your skin that restricted him to touch your skin. it always began like this, in the cold echo substances and weariness.
his hands wrapped around your throat, pushing his tongue deeper into your mouth as he ravaged you. he swallowed your moans and whimpers, wrapping your legs around his waist. the beads on his jeans which resembled a star poked the skin of your bare thighs. his fingers dug into your waist as he cradled you, pushing you against the cold metal of your vanity trailer. your fingers numb and shaky, the buttons on his sheer black vest popped open. his lips attached onto your neck, his sharp canine finding home onto the warmth of the blood that ran through your veins.
the pants fell on the floor, the metal of his ridiculous thick belt falling with a muffled clank on the soft carpet. his fingers gathered your arousal against his rough padded fingers, causing a soft moan from your lips. he pushed his fingers into your mouth, letting your taste melt into your taste buds.
‘you’re so pretty stargirl, with my fingers down your throat like that,’ he gasped, pushing himself into you. you pulled him closer at the nickname, as he slowly thrusted into you.
*-
you hated it. you hated the fact that even though it was supposed to be just a public stunt, to prevent his fangirls or groupies, to jump on his bones every time he took a step outside. you hated the fact the public stunt continued into the haze of privacy, leaving you breathless with lip bruising kisses and marks on your neck you had to feed the paparazzi. you hated the fact your heart echoed into deep faltering emotions every second when he was with you, every time he kissed you, every time he felt you. you hated the fact that you were nothing but a pawn in the game for his security.
you had to step out to buy groceries in his jacket. again, a ploy, for flashes or clicks of cameras. it was as if you could feel his hands on your body. the leather jacket around your body smelled like worn leather and parchment, infused with the scent of his musk cologne and cigarettes. you could hear the nicknames that elicited out his throat as he rammed into you, pinning you down to the hard mattress in your trailer. and even though you were drunk, high and hot, the image of his melting eye makeup and his touches melted into you.
sure enough, it ended up on a celeb gossip instagram page. it wasn’t a rumour, it was true- an eye candy for people to feed on. the self-made artist dating a nepo baby who ran away from the clutches of his abusive parents. a classic cliched move that worked every time.
curious, you scrolled through the comments. while most of them were positive, beaming or gushing about the relationship, and how the playboy rockstar had finally settled down for somebody who’d control him, some were…rather rude. none of them about sirius, but you. calling you unimaginable slurs, pathetic inhumane words. it was disgusting, how they narrowed you down to someone based on who you dated, and not your talent. when he was the one with successful parents in the industry, the one who had his name signed with any record in the book even before he was born.
it was vile, cruel, and pathetic. walking into the room of your hotel. you threw the packet of groceries on the floor. you could feel a lump form in your throat, tears threatening to spill from your waterline. a few fruits rolled on the cold ceramic, but you couldn’t bring yourself to care. your heart thumped against your ribcage.
a seemingly indistinguishable heat spread in your chest as you broke down, sliding down on the cold wall. you clutched your knees to your chest, resting your head on them as you cried, letting out the fury and melancholy.
did it matter to him? the name calling, the slurs you got called by random people on the internet who didn’t know how much hard work you put into your career? did he care? or were you truly just a pawn in the game?
*-
sirius could feel it. that something was wrong. he could feel it when you shuddered under his touch. he could feel it when you skin was unusually cold under his lips. he could feel it when your heart thumped irregularly fast as his touch wandered over your waist. he knew something was wrong.
but you had your strong suite on as you continued to sing, arching your hips against his crotch as you did so. he turned you around, dipping you then curling an arm on your back. he tried to meet your eyes as he sang his part of the song, but you were determined to not meet his gaze. it made him worry. had he done something?
he turned you around again, carefully missing the step where you had to kiss his neck while he sang. he didn’t want you to do anything you weren’t comfortable with. he wrapped his arms around your chest, just below your breasts, breathing onto your neck as you ended the song with the final lyrics. it was last song, that got the crowd clapping and cheering.
bidding them goodbye, the band went off stage with a sirius reeling into his thoughts. he wondered whether the things between the both of you got complicated because of the fake dating agreement. he knew it was an asshole move, just because he couldn’t get the words out of his mouth, just because he couldn’t admit his feelings about you, he held you hostage, telling you he was tired of his random fangirls that jumped on his bones every time he let him have a piece of himself. he held you for himself, just so you he could love you silently. it wasn’t fair to you, because you deserved the love without thinking it was feigned or a ploy. but was troubled.
he hated to hurt you and tell you he was yours. but he did it anyway.
*-
he found you in the vanity van, wiping off your makeup. it wasn’t a part of your usual routine. usually, you’d smoke rolls of weed or take pictures yourself post-concert. sometimes his lips and touch carried you backstage. but never this. for the first time in the night, you locked your eyes with his. through your mirror.
he was wearing the costume he wore on the stage. several earrings hanging of his ears, silver chains intertwined with each other which peeked through the half buttoned up sheer shirt. the tattoos were inked all over his body. the boot flared jeans hung low on his narrow waist. his combat boots hid beneath the denim.
‘hi stargirl,’ he said. his voice was heavy and raw.
‘drink some fucking water,’ you ordered. even though you hated how he made you feel at the moment, you couldn’t help but care for him. you watched as he took the water bottle from your dresser, gulping it down.
‘hi, stargirl,’ he said again, now much closer to you. his eyes were unusually dark and you wondered whether that was the play of the lights.
‘what are you here for? speak up, black,’
‘i can’t come and check up on my girlfriend?’ he countered. while you tried to keep your voice playful and chill, he caught up on the bitterness of your voice. neither did he miss the way you furiously tightened the hold on the tissue in your hand.
‘right. listen black, you’re not getting another fuck play from me. the pda we do is for the public eye only,’ you said, a sternness in your voice.
‘i’m not here for another fuck- what the heck do you mean?’ he asked, nearing you. you tore your eyes away from him as his hot breath fanned over your neck. he turned your chair around, sitting on his knees. he took your hands into his.
‘have I done something?’ he asked, trying to meet your eyes. your gaze burned through the metal wall of the van. he could feel the heat radiate off you as he watched your expression soften, your stony barrier melt. in a cruel haze, you elicited out a cry that made his heart bruise. but it was good, he thought. it meant you were letting him in, communicating your thoughts and feelings with him.
‘yes, you fucking have! you’ve bound me to something i- i- never wanted to do. i just agreed to it because i fucking love you. because you fucking mean so much to me, but you- you’re just using me as a pawn to protect yourself. the world isn’t as easy for me as it is for you! all people have done is now burden me into a slut that has no other personality than her playboy rockstar boyfriend. all of this just to fucking protect you. all of this because i’m stupid, because i love you. fuck you sirius!’  you sobbed.
‘i- i’m sorry.’ he whispered as you sobbed, letting the tears soak into his pale skin.
‘a sorry? a fucking sorry fixes shit up?’
‘i didn’t want this for you. i- i love you. i did this just to bind you to me. it was an asshole, selfish move, but i cannot string words to express my love for you.’
you sniffled, setting your forehead on his. your stomach churned as the realization crept onto you. the tension grew thicker and thicker, the inches between you grew smaller and smaller and the heart beats palpitated faster and faster. neither of you said anything, but it was as if your souls spoke to each other.
‘you can’t love me,’ you finally spoke. he squeezed your hand.
‘i do. you can’t decide or judge how i feel about you,’ you took in a long breath.
‘you’re not playing with me right now, are you?’
‘no.’ he confirmed, his voice strong and confident. breathing heavy, you lowered your nose to touch with is.
‘then show me. show me that you’ll want me when you’ll have me. show me you’ll me screaming out your lungs for me. show me you’ll need me more than you want to.’
‘anything for you, my stargirl,’
the emotions were naked. in a shameless haze when you spread apart you legs for him, he ripped apart your tights. in the raw spiral of love and lust, he trailed his fingers on your bare thighs. the cold metal of his rings contrasted against your warm skin. you felt yourself getting needy by every second, and for the first time, you weren’t afraid to face his need more than you wanted to. for the first time, you weren’t afraid to live your dreams.
for the first time, you were loving someone that was yours.
he pressed his tongue onto your clit, his tongue piercing cold on your warm folds. delving two fingers into you, he sucked on your clit. he drew out an unholy moan, raw from the depths of your throat, as you convulsed around his fingers. rubbing his calloused, rough fingers on your clit, you felt him ravage into you like a starved man. his stubble rubbed against your inner thighs, scratching them raw. you wrapped your legs around his head, bringing your fingers into his hair, pulling him closer. he lapped up on you like a dog. your lungs screamed out for him as you felt yourself clench around his curling fingers, your orgasm coiling in your stomach. you felt it explode out of your body and paint his tongue when his voice melted into your eardrums.
‘cum for me, stargirl,’
the stars were white behind your irises, the kisses on your thighs hot and naked. he trailed his lips onto your shaking thighs, promising you his kisses won’t be history ever again.
***************************************
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itshermocrates · 3 months
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POISON- Ep. 4 Analysis
I have no idea if someone has already done something like this but these two unfortunate souls have been in my mind since I watched the show TWO WEEKS AGO. So I'm gonna share with you this personal analysis of what we saw during the Poison scene in Ep. 4 of Hazbin Hotel.
Again, I don’t know if anyone has already talked about this (I’m not very active on tumblr), but I think that what we see as Angel sings Poison is made not only to tell us how the relationship Angel has with Valentino is but ALSO how it came to be thanks to everything that's happening on screen while he's singing.
Of course the lyrics are also important so I’ll make some reference to those as well, but I’ll focus mainly on what we see. Since I can only add 30 pics in this post this will be a bit difficult but I will try my best.
SOME CONTENT WARNINGS! I'm not sure if this is even necessary but anyways,,, Pychological abuse, abuse, violence, domestic violence, drugs, addiction, sex work, dubius consent, sexual violence, abusive relationship, unhealthy power dynamics, angst, suicidal ideas (hinted), etc.
Now, without further ado, let's begin!
Before the song, Valentino and Angel have a fight in his dressing room. I want to start here because during that fight Angel gets a black eye and we get to see how the walls of his room are filled, not only by security cameras, but also by a lot of eyes that follow Angel wherever he goes inside the room. We will see more of these eyes soon enough.
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After that fight Angel sends Charlie back home and we see a bit more of what we could expect from Valentino with his manipulation tactics. The sweet tone and the praise as he embraces Angel from behind, too close and too intimate considering he will be soon forcing him to go back to work.
These are the tricks every abuser uses to manipulate and control the people around them, and it’s what Valentino uses all the time with Angel.
This is the behavior of an abusive boyfriend, a dynamic they have in the present, but once Poison starts, we are presented with their backstory. Now we will get to see how that dynamic is even possible, how these two ended up together and how their relationship started and evolved.
Valentino sits next to the movie director and everyone starts moving to prepare the scene they are about to film. He is the one in control here, the one calling for action again and deciding who does what and when. And just like that we see how Angel's black eye is concealed by makeup, erasing the marks of what had just happened and metaphorically erasing the violence of the relationship he is in now.
Angel closes his eyes in displeasure, focusing on what Valentino wants from him. When he opens his eyes again, his expression is completely different, this Angel without bruises, is not only a version of him from minutes ago, before the fight with Val, or even prior to the abuse… This is the Angel before Valentino.
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He walks backwards, as if he was going back in time, moving easily with the playful shamelessness that characterized him back then. When he sings “I’m not above a love to cash in” he was most likely referring to his past as a sex worker or at least, as someone who didn’t mind to sell his affections to get what he needed/wanted. During this time, he would most likely go clubbing every night, since it offered a good way to earn easy money while he had a great time, partying, drinking, consuming…
Angel probably was the type of person who used those who desired him to get whatever he wanted, a game he knew how to play. Even if it could get risky or inconvenient, he was a free soul, he was still in control of what he did or didn't do with all those people, so at the end of the day, he always won. That’s what he believes as he playfully lays back on the setting’s bed again.
That had always been true after all, or at least it was until he came across someone that beated him at his own game. Someone who would take that freedom and control over his own body away from him.
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His expression changes again to one of terror when a shadow looms over his body from outside the frame. That’s the silhouette of the men he was previously filming with, but we can also imagine that this figure suddenly changing the way he moves, reacts and feels, was meant to represent Valentino.
After the other actors surround him, and the scene fades to black, we are shown what could have been Angel's previous workplace. A stripclub where he danced for money and probably engaged in sex work in a somewhat safe and controlled environment. Back then he had become popular enough to be "the star" of his own show, and a performer good enough to get a reputation that would eventually reach the ears of one of the most powerful overlords in that district.
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Valentino discovered him maybe by chance, or maybe not. Maybe he had heard of Angel Dust and wanted to see for himself if this dancer was as good and pretty as all those people said. And after watching him perform Valentino was the furthest from disappointed, he had enjoyed the show so much that he decided to take a closer look at this Angel Dust’s skills.
He approaches him, maybe as a client, or maybe just as a guy interested in what he had to offer, and although Angel doesn't trust him at first, he ends up entering his game.
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He was just another man who wanted to fuck him, one that had enough money to spoil him all he had ever wanted and more. It was quite the opportunity for someone as low in the food chain as him, and Angel had already played with rich men like Valentino before, he knew what he was doing.
So Angel took the bait, and had sex with Valentino. Probably a blowjob in that same club he danced at that served as a test for Valentino.
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Now we have a scene with two Valentinos, one that is about to get head from Angel with a video camera on his hand, and another Val standing behind the cameras and lights of what we now know to be another movie set. The first Val we saw, extending his hand before Angel when he finished his performance, was the Val of his past, the one he sucked off the night they met. That was someone Angel thought to be somewhat honest, or, at the very least a man he heavily underestimated.
It's the playful man that winks seductively at him in the set from afar with those red hot eyes he fell for, the same that quickly turns into a different guy with similar clothes (red jacket and white fur) now recording him on set. Someone who quickly became a stranger to Angel, just as he is for us, since we can’t even see his face.
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The second Val it's the real one, the one standing next to the movie director watching everything with calculating eyes and a dangerous smile. That's the man who told Angel all those red hot lies he believed to be true, and the one judging with this first meeting if the spider was a worthy investment or not.
Angel proves to be good enough. Valentino likes him, and after that night he starts to actively pursue Angel but he didn’t do that as a simple client. He can tell Angel isn't a common whore, he has talent, charisma and he's been playing this game for long enough to know all the tricks. One can only become so successful in this world knowing how to play their cards well.
It’s obvious then what he has to do to turn Angel into his next movie star. Valentino needs to make him fall in love with him and make him believe that Valentino can love him just as much. This is exactly what he is going to do.
On screen we see how Valentino's sex pollen (he's a moth guys, it has to be sex pollen) starts to fill the scene, and as it expands it engulfs Angel, making us know just how captivated, how absorbed he will end up being.
Note: I know there’s a theory that says that Valentino’s power comes from his saliva or something like that and I haven’t read it or anything, but I do believe the smoke/fog that surrounds him has the same effect as the “sex pollen” trope. Or at least it’s similar.
The red fog expands all over the frame, emphasizing Valentino’s overpowering skills and charisma. When it clears, we see Angel in a different place while he sings the second line of the lyrics “What’s the worst part of this hell, I can only blame myself”.
His expression is one of pure anguish and regret, and he’s saying this while standing in front of Valentino in his apartment. He's talking about how naive he was for believing all of Valentino's lies, to truly believe that what he felt for Angel was love. He blames himself for buying this love story and falling for him so hard it made him very easy to manipulate. He regrets not having seen it before it was too late.
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Because when Valentino’s back appears at the left corner of the frame, with an extended hand and smoke-made chains, it’s Angel the one who finally cuts the distance and accepts the chains Val is offering him.
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Angel was too blinded by Valentino’s courting, by his sweet words and lovely gestures, but also by the constant push and pull of their dynamic, the flirting, the teases, the seduction. He loved the attention and he loved the sense of control, of power, he could feel when he was with Valentino, an overlord no less, a demon so rich and powerful he could have anyone he could have ever wanted. But Val had chosen him, him of all people.
This brief initial moment represents the regret he feels when he remembers how it all started, when Angel thinks about the beginning of their relationship, a time when everything seemed fine and their sexual chemistry made him lose all sense of reason. Because with Val everything ended up leading him to his bed.
After this short display of regret, we are presented a sequence made to represent the fantasy Angel indulged himself in, an illusion tinted in pink colors and fun costumes. This is the story Valentino had carefully created for him to make him fall in love with him, a story that made the spider feel so good when he was by his side, he could easily excuse any warning sign in his sight.
Because Angel would obviously want to be with Valentino when all he knew about him was his lover persona, a facade that portrayed him as a passionate lover and playful partner, his (soon to be) poison.
They had fun and even when Valentino showed little fragments of his true intentions and personality, Angel was too blinded to notice that he was starting to lose the very game he had considered himself a master of. Valentino and the relationship Angel had with him was addictive, so it didn't matter what happened, Angel always came back. You can think of this as the result of Valentino’s sex pollen, his charisma or a combination of both, depending on what flavor of angst is your favorite.
What we can know for sure, is that they were both performers in their own ways, both players in the game of love, so Angel could have excused and normalized a lot of things he shouldn't have. Knowing their line of work, of course that they could get a bit too intense every now and then, of course things could get a bit out of hand between them, they were just sooo dramatic.
It was that rollercoaster of emotions, the raw intensity of it all what ended up hooking Angel so much. The playfulness that could get a bit dangerous really fast, even if the Valentino he thought he knew would never really hurt him. Right?
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A few little details I like about this sequence are the way we get to see Valentino’s home in the background and how the colors of his clothes and body are darker than usual but still lighter in comparison to what we will see in the following scenes, indicating how this was still the “nice” version of Valentino.
In the same way, Angel is playing with the chains bounding his wrists together, not his neck (yet), telling us that he’s playing with fire, quite literally dancing with the idea of being owned by Val, but he is still a free soul. In this moment he was falling hard and quick for Valentino’s lies, but he wasn’t his captive yet.
He’s having fun while being manhandled by Valentino, both physically and emotionally, but he still thinks of it as a game, another part of their sex life and how they naturally work as a couple. It’s exciting, it’s new and Angel loves it.
Not knowing that the longer he stays the more power is giving Val over him. Valentino is starting to show his true colors, in these last frames we can see that his figure is getting darker as Angel is slowly discovering the manipulative side of Val, the controlling and abusive nature he had been hiding from the spider since the beginning.
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The push and pull continues as we see their silhouettes dancing, even if in reality this is Valentino pulling from his side of the chain to keep Angel close, to keep him with him.
After the shadows sequence, we get back to the playfulness Angel had shown when he took the chains for himself and started to tease Valentino. Only that this time, Val’s colors are darker and his touch more possessive, more aggressive. He’s groping him and even choking him while Angel sings “I made my choice and every night I’m living like there’s no tomorrow” with a grin, showing us how this was still a game for him.
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He made his choice staying with Val because he loved him and he thought he was loved in return, when the moth had been only toying with him from the moment they first saw each other. This is Angel’s greatest regret, the fact that he truly believed Val’s lies, that despite all the warning signs he kept choosing him over and over again.
Choosing to stay, to kneel before Val, to obey him with the promise of a new wave of pleasure, a new high. Just as Valentino wanted him to do as we can see the vicious smile he wears during this entire sequence.
I think the next couple of seconds tells us how, for a while, they were together and Angel was still able to keep his job at the club. He was still allowed to see his friends (his coworkers most likely) and spend time with them, while Valentino made sure to feed all his previous bad habits and addictions, giving him gifts (we know Fat Nuggets was a gift from Val), a lot of money he could spend on a whim and eventually, probably the substances to use as well.
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The smile on his face, the smugness of it, makes me think he’s telling his friends about this rich guy that pampers him in every way and treats him like a prince. He has found the ultimate Sugar Daddy, a man that has changed his life forever in the best way possible. Now he can have whatever he wants, party for days without having to worry about not having enough money to eat at the end of the month or a place to stay.
Angel would have used drugs before, maybe occasionally, maybe only at parties, maybe to get the worst bits of his job done, maybe he was already a bit of an addict, but it’s now, when he has the means to consume every night that he definitely becomes one.
Valentino made sure of it.
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During this time, Valentino would secure the control he had over Angel, weakening his mind and will by worsening his addiction problem while continuing convincing him of how much he loved him. The parties were incredible, the sex was amazing, and Angel felt on top of the world at every moment. He was “living like there’s no tomorrow” without realizing the higher he raised above the ground, the hardest would be his fall.
And maybe this is just me over analyzing a kinky moment, but after this, after Valentino bites Angel causing him a wince of pain and maybe even making him bleed, everything changes.
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They are having sex, far from the flashing lights, they are together as Anthony and Val, as the real person who oftenly hides behind his stage persona. The person who is deeply in love with Valentino, who is vulnerable and allows his lover to hurt him however he wants because he trusts that the pleasure that follows will be worth it.
But after that bite, he’s no longer in bed with Val, he's in the same bed from the very beginning of this music video, surrounded by lights, disoriented and confused… As if he was expecting Valentino to be between his legs and not this stranger.
When he finally comes to his senses and sits, we hear for the first time the line “My story’s gonna end with me dead from your poison”. This was the beginning of the end of their honeymoon phase and the point of no return. Valentino had considered Angel weakened enough to take a step further, and a new part of him is finally uncovered when he carefully introduces Angel to the porn industry. He would do so (probably) while Angel was too intoxicated and definitely too blindly in love to know what he was doing.
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Valentino becomes this overwhelming shadow that covers Angel’s body, a silhouette he can’t escape from, and when we are shown what Angel sees, we can no longer see the color of Valentino’s clothes. His colorful persona, his facade of playful lover it’s no longer in place, he has stopped pretending and acting as the good boyfriend the spider had always wanted. Now before Angel there’s only the demon that owns thousands of souls, a vicious drooling smile and sharp red eyes. An overlord to fear and be intimidated by.
The background is filled with filming equipment, and even if Valentino’s body language is meant to appear welcoming, Angel feels terrified. This is not the Valentino he knew, and now he is completely trapped. He can’t refuse now, this is a choice he is being forced to make even if his soul still technically belongs to him.
After being pressured, Angel becomes part of this industry, and although he doesn’t really like it, he still trusts Valentino enough to not run away. The overlord can be scary, but he still believes that he’s safe with him, that if Val is by his side nothing wrong could ever happen to him. And after all, he had done sex work before, right? What difference did it make to fuck strangers for money in front of a camera now?
He’s not comfortable, and every day that intimidating side of Valentino that wasn’t really there before grows darker, fiercer and scarier. Angel had seen the ugliness of Valentino before, as a man, as a possessive boyfriend, as a controlling partner, but never as the powerful demon he truly was. So he still obeys Val and features in a few movies of his choice.
We can see these doubts, Angel’s discomfort and even a bit of his trust in Valentino at the beginning of the next sequence, when they appear on the set of a different movie.
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Angel was a performer, he had faked his own pleasure before, he could do it again now, and he could do it while earning way more money. He could do so, because he knew Valentino was there, guiding him, helping him, making sure his lover was safe. He always thought that Val was looking out for him, making sure he was getting the right roles in the right movies, the right contracts, and when he was nervous, Valentino was right by his side to comfort him.
But Valentino had never cared about Angel’s safety. And once Angel started to voice his doubts or show his discomfort, he made sure he couldn’t do it for much longer. The comfort Angel sought for was quickly replaced by something chemical, something that eased his nerves but also left him dazed and disoriented.
It was then that Valentino drugged him, tricked him and made him sign the contract that would leave him with only half a soul inside his chest.
Valentino had fed Angel’s addiction for a long time, adding to the mix not only the illusion of a love story, but also his own drug, his sex pollen, something that numbed the spider’s mind enough to go through all the things Valentino wanted him to do in front of the camera. Oftenly Angel was left too intoxicated to respond, too vulnerable and weak. In his last moments of lucidity he always could see Valentino, his lover, the man he thought would always take care of him, turning his back to him and leave him.
Valentino is the last thing he sees before everything fades to black around him, before he disappears. He’s no longer Anthony or Angel Dust, the stage persona, now the lines between those two different identities blurry beyond repair, and the person he becomes is a little more Angel Dust and a lot less Anthony.
I don’t think that it was just a coincidence that they used a BDSM scene to represent the moment Angel definitely lost control of his actions, his body and most likely also his soul. BDSM is all about power dynamics and the control that’s exchanged between consenting partners, only that, in this case, Angel didn’t really have a choice and there was no consent. This lack of control and safety is emphasized precisely by the type of session Angel is forced into.
He’s restrained in every way possible, he’s tied up, a blindfold covers his eyes and a gag is forced onto his mouth, one that would prevent him from closing it no matter how much he tried. He has no way to end the scene, no way to say a safeword, to complain or to stop what other people do with him or to him.
This is meant to represent the moment he signed the contract, and how he felt every time he entered the set of a new movie after he signed it. He stopped being his own person, he had disappeared, and what had been left of him was nothing but a sex toy for Valentino to control in each of his productions.
Now we see the Angel Dust that survived this state of numbness and dissociation, the one that has consumed Anthony just so he could keep himself alive.
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While Angel Dust dances, seemingly enjoying the show, performing as he has always done, in the background screens we see what’s left of Anthony, of the boy feeling trapped and used with no single way out of it. This is accompanied by more fragments of that BDSM scene that changed it all, since that was a traumatic event that repeats itself in Angel’s mind every time Valentino forces him into a new role, a new movie, a new lie.
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These frames show us not only the stress Angel is feeling, but also how Valentino is always there to exploit his body in the way he deems more profitable. We know this because he appears in between Angel’s anguish, but also because the same eyes that covered his dressing room walls are in the background while someone fucks Angel from behind.
While this happens we hear again “I made my choice”, a reminder of Angel’s regrets, shame and guilt. In addition the line “Every night I’m living like there’s no tomorrow” now has slightly changed, indicating the shift in Angel’s life and condition as no longer a free soul. What we hear now is  “Every night I’m wasted like there’s no tomorrow”.
Where once he was happy, he’s now desperate, begging to get a way out.
We see a bit more of the playful performer, Angel Dust, and the pain of Anthony in the background before Valentino approaches him again like a great imposing figure, putting an end to his show.
The second Angel notices Valentino, distress becomes clear all over his face. He points to the left, outside of what we can see, and when he tries to escape, Valentino grabs him and pulls him closer.
He has finally come face to face with the real Valentino in all his twisted glory and he wants to run away. He knows now that what they had wasn’t love, it had never been, and it’s painful. But he’s afraid of Valentino, he can’t do anything to escape his contract and he now belongs to him (at least while they’re on set).
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That last frame with Valentino embracing him, a vicious smile on his face in contrast with Angel’s terrified expression puts an end to their story, to the narration of how they came to be what they are now. After that, we are presented to the aftermath, the Angel that’s no longer intoxicated by his poison and can only dread the many past choices he would like to change.
He is now fully aware that there’s no way out of his hell, that for as long as he is alive he will be Valentino’s toy. He’s destroyed in every way, his mind is a mess too dependent on the drugs Valentino has been feeding him to properly think, and his body has stopped to feel as his own a long time ago.
How could he consider that pile of bones, fur and chemically loosen up muscles as his own? He’s disgusted, drowning in this feeling of helplessness.
And he’s even more grossed out when he notices the remains of Valentino’s poison, his drug, still lingering on his tongue. He’s so lost, he doesn’t even recognize himself. This is not where he was supposed to be, he shouldn’t be in Valentino’s apartment, he doesn’t want to be there anymore.
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The substance that once had brought him so much joy, such a delicious bliss, now slips past his lips burning his skin like acid. The itch reminds him of the reason why he’s there, and he can only feel pain. The only cause for most of his problems had always been his addiction. To Val, the sex they had, his poison, the drugs he bought for him…
No matter how hard he tries to get used to this life he has with Val now, he simply can’t do it. It doesn’t matter how many movies he appears in, they are never enough, they will never be enough for the overlord. Because he’s nothing but a tool to make Valentino and the other Vs even richer and more powerful.
That’s Valentino’s business and what initially made him get close to Vox. They complimented each other and together they felt capable of ruling Hell like that was their birthright. A power Angel would never get to know firsthand, because for Valentino he was nothing but another whore to use, exploit and eventually discard.
Angel is sick of it, is tired of living a life he hates, a lonely life full of pain and abuse, all caused by the person he loved the most.
He has spent years trapped in the V Tower, watched by the countless cameras placed in every wall and every corner of his prison. Even when he’s not on set, controlled by Valentino and his team, he feels Vox lenses following all of his movements, and despite the luxury he lives in, every day he goes to sleep wishing to never wake up.
That's all, folks. I hope you liked it, or at least got as sad as I felt while analyzing this. Again this is all what I could understand from that segment of the episode I don't know if y'all already knew this but I did wanted to share it. If you liked this check my bird app account bc there is where I spend most of my online time or my Ao3 profile, although I post mostly Skfs content now <3
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eros-vigilante · 2 months
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The Many References in Teniwoha's Samsa
If you haven't read "The Metamorphosis" by Franz Kafka, the one thing you likely know about the short story is that in it a man turns into a bug. And this is enough to recognize the allusion of Samsa being named after the protagonist, Gregor Samsa, as well as the imagery of a dragging tail and onomatopoeia of "zuki". However, there are several deeper layers to Teniwoha's symbolism of themes and references to "The Metamorphosis" that add a great level of cohesion with Immiscible Discord's story. First, I would like to say that "The Metamorphosis" can be found as a free pdf online, and is a very good short story, so if you have the time and energy you should read it. This post will only be summarizing the themes that are referenced in Samsa and Immiscible Discord and will not include some of the other great commentaries Franz Kafka has. And of course, it will spoil the progression of the plot. Also, all quoted lyrics are from Amiaryllis' english cover, which is also very good and worth listening to. The lyrics will not be quoted in order.
The biggest and first theme the surrealist nature of the story expresses is that Gregor Samsa has been led to - and does - believe that his worth is tied to his ability to work. When he discovers he is a bug, he is only concerned because he is going to be late for his job if he cannot figure out how to get out of bed in his new body. He is determined to go to work because his entire family relies on his job to pay for their lives. ("i've grown monstrous down to the very core of my soul") This is comparable to Mafuyu's relationship to academics. Their mother relies on them to fulfill her dream of Mafuyu becoming a doctor, and so teaches them that nothing matters as much as this goal. Even when Mafuyu is stressed or physically ill, they push themselves to attend school, club activities, cram school, and study. Mafuyu's academic performance is their worth to their mother, as Samsa's income is his worth to his family. ("so could the bravest of souls face me and bear the toll?") When Samsa's family discovers he is an insect, they are horrified. Samsa finds this reasonable as he also considers his form monstrous. It is another theme of the story being from his perspective that he has good faith in his family to the point of seeming either naive or to have a low self-esteem. Actions that are most easily justified as disgust and hatred are rationalized by him, despite acknowledging at points that his family was not as affectionate to him after they began relying on him for money, as well as acts of physical violence such as his father shoving him back into his room.
("those painful fights, fearful nights") This is an interesting thing to compare to Mafuyu's experience of being gaslit by their mother. They believe very strongly- because they were told- that everything their mother is doing is for them, their future, and is in their best interests. This prevents them from questioning her actions and sacrificing their own desires in a self-destructive manner, which is also something Samsa does. For instance, he hides himself with a bedsheet so his sister does not have to see him when she brings him food, despite him finding this uncomfortable. ("craving any smile or attention just from you") Samsa's sister is the only one who still shows affection towards him, as she is the one who brings him food, but eventually she too festers fear towards and dehumanizes him. By the end of the story, the entire family blames their despair on him becoming an insect and no longer believe he is Gregor Samsa. The most direct reference to the story in the lyrics is when his father throws apples at him and has to be stopped from killing him by his wife, Gregor's mother. He crawls back into his room and he is locked inside. ("i beg, don’t throw those rotten apples at my chest before they lock up, lock up samsa") This could best reference when Kaito says that Mafuyu's mother is killing their feelings or true identity. Additionally, Mafuyu's mother places all blame for Mafuyu's recent behavior on Kanade's influence. And as the family plans for their life after his death, Mafuyu's mother tells Kanade that she plans to convince Mafuyu to go back to doing what she wants, no matter how extreme she must be about it. ("if it all goes to plan, then, we’ll soon rejoice") In the end, Gregor Samsa stops eating, and dies of starvation. All the while, he still thinks fondly of his family and believes they are in the right for their treatment of him. Gregor Samsa is used to form a strong representation of the extent to which Mafuyu has been gaslit. ("so please don't tell me that you'll be giving up on reality, samsa") The biggest difference (other than the bug transformation) is that Mafuyu has people who still dearly care about them, and not just for what they can provide. While all of Gregor Samsa's family abandons him, the other members of Nightcord do not abandon Mafuyu. Mafuyu has a reason to live, and people to tell them that they do not deserve to be locked away. ("i know that brilliant light will shine as the clock strikes 25")
He could already hardly feel the decayed apple in his back or the inflamed area around it, which was entirely covered in white dust. He thought back of his family with emotion and love. If it was possible, he felt that he must go away even more strongly than his sister. He remained in this state of empty and peaceful rumination until he heard the clock tower strike three in the morning. He watched as it slowly began to get light everywhere outside the window too. Then, without his willing it, his head sank down completely, and his last breath flowed weakly from his nostrils (Franz Kafka).
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How come I managed to get an outline done for once for the sole purpose of getting me to finish a chapter but I just can't get myself to finish that chapter?
Chapter Outlined, Can't Write Chapter
It happens. Outlines go only so far... you still have to flesh out the scenes as you write them... figure out the dialogue and the blocking. It's sort of like you can plot your trip route on Google Maps, but you still have to actually drive from one point to the other.
So... when you have an outline but are still struggling to actually write:
Problem #1 - You Don't Have a Way In
Having a chapter outline usually just means you know what generally (and importantly) needs to happen in the scene, the general order those things need to happen in, and some things like the scene's purpose, your character's goal, etc. But this is sort of like having a set of instructions that say, "Go to building. Go inside." Okay, great... but how are you specifically getting inside? Are you going through the front door? The back door? Climbing through a window? Landing on the roof in a helicopter? Tunneling in through a basement wall? So, before you can actually start writing, you need to figure out the specific way you're getting your character into the scene. A good way to do this is to go to the first important thing that has to happen in the scene, then rewind from there. What is your character doing in the moments before that? What has to happen in order to put them into that place in that moment? Is there anything unique about the circumstances or location you can focus on? Try opening up some of the books on your shelves and look at the ways different chapters begin. It will start to give you ideas for how you can open your chapter.
Problem #2 - Not Inspired/Excited
Having your chapter outlined doesn’t mean is a good first step, but if you're not feeling motivated to actually write the chapter, it will harder to write it. Try doing some fun exercises to get yourself excited about the chapter. Do a mood board or playlist for the chapter. Save some character and setting inspiration photos on Pinterest. Do an interview with your character that takes place after the scene/chapter to get their take on what happened and what they feel about it.
Problem #3 - Something Isn’t Working
Stories are like a house of cards in that one misplaced “card” can bring the whole thing crashing down. Sometimes you lose interest because an earlier element or event didn’t quite work. You can feel in your gut that something’s not right, so your brain interprets that as losing motivation. It’s not really that you’ve lost interest in the story… it’s that you’ve lost interest in the dead end path it’s on. Go back to the previous chapter or two and look for something that’s not pulling its weight. It could be an unnecessary character dragging the story down, a subplot that is cluttering up the story or drawing attention away from the main plot, or a scene/scenes that don’t add to the story. It could even be a combination of these things. If you can find it and fix it, your motivation may return.
Problem #4 - You’re Distracted by Other Things
If you sit down to write and you’re busy scrolling through facebook, texting with friends, and singing to the radio, you’re probably not going to get much done. Try blocking out thirty minutes (or whatever amount of time you can afford) and dedicate it entirely to writing. Shut down social media and other tempting apps/sites. Turn off the TV. Put your phone on silent. Tell housemates not to bother you. Put on soft music without lyrics, and focus solely on writing. If you find your mind starting to wander toward other things, yank it back and focus on your story.
Problem #5 - You’re Lacking the Physical/Mental Energy to Write
Whether you’re sick, not getting enough sleep, super busy, depressed, or in a bad mood, not having physical or mental energy can make it hard to write. Do what you can to bring your energy up as much as possible, both physically and mentally, and you may have an easier time writing that chapter.
I hope something here will work for you!
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av1xtg · 5 months
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It's so funny to me that it's so obvious when I get a new hyperfixation because everything everywhere for example tis blog suddenly turns to what ever hyperfixation I have. . .
NOW I WANNA TALK ABOUT HUSK AND MY HEADCANONS FOR HIM BECAUSE THAT SILLY GRUMPY OLD-MAN CAT IS TAKING OVER MY BRAIN (contains a bit of huskerdust and bad grammar because english is not my first language but I have no respect for it so /j)
So I fully headcanon that husk has the most un organised and dirty room for some reason, like he never even bothered decorating it.
He hates baths and oils and stuff like that because it's really hard to take off from his wings and fur.
He refused to wash his hands with water and he cleaned his hands like cats do before eating food or serving drinks so charlie forced him to at least use wet wipes (idk how to write tht but hope you understand it)
He loves old fashioned love songs, usually mumbles some lyrics he still remebers while working and the others like to hear his singing.
The fluffies fluff ever, he doesn't really use any products (only dry shampoo from time to time) AND STILL HIS FUR IS EXTREMLY FLUFFY.
He got extremly bad body dismorfia when he arrived at hell.
The others tease him alot whenever he does any cat sounds.
Instead of a glass of water on his nightstand he had a bottle of whiskey or any other alcohol.
If he's in the mood (and charlie asks nicely + a day off) he might do some magic tricks to entretain the other guests.
Whenever he speaks spanish he always calls evryone pendejo (as a mexican that is also my favorite curse word I gotta add that). Like him and vaggie are fighting and she desn't know he speaks apanish so she starts insuting him in spanish and he goes "CALLATE LA PINCHE BOCA PENDEJA TUERTA" (traduction: SHUT THE FUCK UP YOU FUCKING ONE EYED WOMAN) and she shuts up because she didn't expect that. (Now they speak in spanish together sometimes)
One time Sr. Pentious gave him catnipp because angeldust dared him to and husk went WILD. Like everyone was laughing nd half th hotel was filled with cat scratchs while husk followed Sr.Pentious who was escaping with the catnip in hand from him kind of wild.
He wants hugs and he won't admitt it.
Used to be a bit to proud as an overlord which is also half the reason why he lost to alastor.
Fucker cries a lot and won't admitt it because he already stablished to everyone that "I don' give a shit about anything and fuck y'all" and now he just can't.
He falls asleep a lot during work because he is drunk.
He owns a phone but uses it like a grandma, he puts on the glasses to read and everything
He once had a very bad night and got EXTREMELY DRUNK and ended up doing a karaoke with charlie and Sr Pentious.
Alastor would ocationaly take him to the Overlords meetings as his "body guard" and he would get extrembly embarrased because everyone recognised him and he knew they all thought of him as a failure for being an Overord who lost his own soul to Alastor and was now forced to obey him.
Thanks to loser,baby I think Husk may be a pet names man (affectionatelly both romantic and just with friends)
Husk reminds me a bit of "No surprises" by radiohead (i don't really know how to explain it but yeah)
I think his relationship with angel (romantically speaking) would be really gentle like, cuddles, hugs, little kisses, cause he wants to show that romantic relationships don't always need to have sex included (angel appretiates that)
I feel like they told each other their felling for the other but bth came to the conclution that maybe they are not in the best mental state to get into a relationship at the moment so they asked charlie and vaggie to help a bit.
I have more but this is getting a bit long so I'll make a part two!!!!!!!
(Have some photos of the silly 70 yr old grumpy cat-man)
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accio-victuuri · 2 months
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follow up clowning related to gg’s weibo post from here. a reminder first that i don’t think everything has to mean something and most of the time what they post is just plain and simple. we are clowns, so we will speculate but that doesn’t mean we have to find some candy for every content they post before we can enjoy & appreciate it. for example, we also think that the reason GG is doing these solar terms right now, while he is filming LoZ is in the synopsis of the drama, his character is the son of the “director of the Imperial Observatory of the Great Yong Kingdom” , that’s the english translation. but the key here in the original text is this word: 钦天监 [qīn tiān jiàn].
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what is it? thank you to good old baidu for always having the answer:
Qin Tianjian is the signature of an official whose function is to observe celestial phenomena, calculate solar terms, and formulate calendars.
calculating solar terms. so that could be the connection he is hinting at that is somehow significant to the character he is playing. makes sense right?
this is not me washing anyone’s candy. i’m only laying out alternative explanations cause that’s how i do things. lol. the addition i have seen going around is kadian related and i’m not a kadian girlie so i was blocking it out when i first saw it. 😅😅😅
okay, now let’s go to the cpn. ⬇️⬇️⬇️
the post he made is his 1085th on weibo. oh what a good number, like a mashup between their birthdays. and the kadian that was used 191919. which means still still still. or you can concentrate on the repeated use of the number 999 ( In Chinese, nine is pronounced jiu, which also means “long lasting.” As the highest single digit, it represents the maximum level of mortal happiness, longevity, and good luck. A perfect ten is reserved for the gods. Case in point: in respect to the Heavens, the Forbidden City in Beijing has 9999.5 rooms, just short of a flawless 10,000. )
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who is saying still too? forever with who? wang yibo. based on my first post about it, his use of that word 谷雨 that also came up in LTS lyrics.
another coincidence is that in the song itself, the word comes up in the 0:19 mark. 👀
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commemorating the anniversary of when he followed yibo on weibo, 4/20/2018 so he posted on the eve of that day. maybe he is celebrating something else that only the two of them know and it’s not necessarily something as mundane as following a person on weibo. who knows. however, it’s on the bxg calendar so we are marking that down as a possible reason. 📝
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i love this explanation tho, that goes back to that actual day years ago and what happened. it was the 5th day of filming CQL and they did not have scenes together, so why did he pay attention and followed him? he was filming the scene in the burial mounds, WWX was drunk and reminiscing about when he first met LWJ. WWX misses LWJ cause he is not there. Was XZ also missing WYB that time? to the point that he went to his weibo account and followed him?
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it’s not a secret that XZ prefers it when WYB is there, not only to act with, but just there for him. plus this level of attachment on the 5th day of filming is not surprising when it comes to them.
finally, the imagery of the rain when it comes to them is one that holds some meaning. much like how we fixate on the stars and moon. photos below to show some of those relations to the rain. ☔️
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and that lrlg conversation they had that went:
XZ: "I'm waiting for you"
WYB: "I'll come and have dinner with you when it rains”
XZ: "Tomorrow's meal"
WYB: "Then tomorrow"
before we end, i’ll add this quote that seems to fit the whole subject of rain:
"Because it rains so often, many important things in life seem to have happened in the rain. Those memories are now uncovered and still feel wet. Even if they dry, they are like a book soaked in water, with ripples on the paper that are difficult to calm down."
sources aside from the ones directly linked: one / two / three / four 💛
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Omg a event that has song reqs?!!🤯🤯 I HAVE THE PERFECT SONG THAT HAS BOTH ANGST AND FLUFF POTENTIAL!!
Fandom: Twisted Wonderland
Characters: Silver Kalim Rook
Type: Normal, Romantic fluff. Not established relationship? Yeah idk about that.
Song: Da Capo from Honkai impact 3rd. Its a game.
I may send in another req with the same song for angst. Cause the potential i tell you.
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.·:🎼¨༺ Songs from the heart ༻¨🎼:·. | Da Capo
Characters: Kalim, Rook, Silver
Song: Da Capo from Honkai Impact 3rd
youtube
Warnings: None
A/U: Self aware Twisted Wonderland Au
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KALIM AL ASIM
Kalim was excited while you were using him to finish up the exams for your weekly missions. He was one of your mains, and it brought so much joy to his already joyful heart. This time however, you were choosing the moves and not autoing the battles. Your attention on him made him so happy. While doing the daily exams, Kalims's ears picked up such a beautiful song playing in the background.
“When good old friends are going away, Will you wish them to remember your name?”
You seemed so somber when listening to the song. As if your heart weighed heavy with something but you still chose to smile. Kalim liked it when you smiled, especially when he was the cause of it. There was something off about that one lyric. There was a certain sadness in your eyes.
Did people forget you? His heart swelled with empathy at the notion that you were forgotten amongst peers within your world. How badly Kalim wished to whisk you away and into Scarabia. All of his dorm mates would treat you with such adoration and not a single soul would go on without remembering your name. You were the creator after all.
Kalim made sure that when the last exam ended, he was the one on the victory screen. He said his coded line but when he asked if the opponent was okay, it was more directed towards you. Your gaze lingered on the victory screen. Kalim urgently answered your question. His words didn't reach you but the sentiment was still there.
“Of course I would! And I'll remember yours too, creator!”
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ROOK HUNT
Rook had his usual smile on his face, one that never revealed his true inner feelings. He was the only one in the guest room wandering around. You watched with entertainment while trying to decide what item to craft and add to the concoction of furniture within the room. Rook sat down in one of the plush chairs provided in the guest room humming the tune playing in the background. One lyric caught the hunter's attention, however.
“May you, the beauty of this world always shine.”
Rook's eyes widened at the sudden lyric. Shock flooded through his system but it wasn't evident over the screen. His chibi in the guest room froze on the chair it was sitting on. You recognized his beauty. Shock soon turned into amazement at the notion of what you said.
Rook was often used to being the pervaior of beauty, but having you call out his beauty made him so happy. His lips spread across his face. A smile from cheek to cheek was evident. He hummed in amusement, leaning back in the excellently crafted chair. He wanted to pay you back for the excellent song.
His beauty was mostly for you. He dedicated so much to represent himself the best he could. Even before his transition into Pomefiore. Rook looked at you from the other side with such adoration. His beauty didn't rival yours.
“You're the reason I always shine, creator.”
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SILVER
Silver was dozing off, much to his dismay, while you looked at one of his cards. His chibi form was on display while you were looking at one of his cards' stats. He was very grateful that you were paying so much attention to him. Music played in the background as you decided what to level up on the card. It was calming enough to put Silver right to sleep.
“When good old days are passing away Will you promise your heart remains the same?”
Silver immediately awoke with his drowsiness now gone. He looked at your calming features. That one lyric replayed in his mind as if it were meant for him. The song continued to play, but that one lyric swarmed his thoughts. Does he dare answer you?
He so badly wanted to. Even if the question was just a song. Even if he was reading too much into it. Silver could have been dreaming it for all he knew. He didn't care; he wanted to express that he wouldn't ever change. 
At least he wouldn't change much. Silver was overwhelmed with happiness that you liked him so much that you didn't want him to change. He was sure you still would even if he did. After some thinking, Silver made his mind up. His little chibi made eye contact with you once more.
“With you watching over me, I can promise I won't ever change.”
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Do not repost or translate without my explicit permission! Reblogs are welcome!
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