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#fell lord
river-mort · 3 months
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ah yes. Famous omen twins
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eaissilyy · 2 months
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A kinder mother would sure seek her sons, even if it was her who abandoned them.
(Just a Thought of Marika in ragged clothes and covered in veil, unfortunately didn’t hide her grace, descending down to the shunning ground she made to cage her rage and grief from the time long past, just to see her sons who she refused to hold and look at their births. SADLY THAT’S NOT WHAT HAPPENED AHUGHGAHHHHH)
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boromirswife · 6 months
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Boromir + concern for the Hobbits
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motgarel · 3 months
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My sad men.
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mac-tirs · 9 days
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the usage of different types of english in elden ring
most human/tarnished NPCs we meet, like rogier, ansbach, and nepheli, use late modern english:
"a sorcerer, as you might have guessed. i'm looking for a little something, here in the castle. when i'm not hotfooting it from the troops, that is." - rogier, first meeting "general radahn. a pleasure to see you, after all this time. but those remains do not belong to you." - ansbach, upon summon for PCR
but older demigods like messmer, ranni, and morgott use early modern english:
"thou'rt tarnished, it seemeth. mother, wouldst thou truly lordship sanction, in one so bereft of light? yet… my purpose standeth unchanged." - messmer, pre-battle cutscene "thou needst not indulge them unduly, but they too wish to appraise thy worth. it hath been a passing long time since a newcomer entered my service, after all." - ranni, after agreeing to serve her
then there are the younger demigods, like miquella, malenia, and potentially melina, who use a later variant of modern english, similar to the tarnished NPCs we speak to:
"if we honour our part of the vow, promise me you'll be my consort. i'll make the world a gentler place." - miquella, post-PCR cutscene "the scarlet bloom flowers once more. you will witness true horror. now, rot!" - malenia, phase 2 transition cutscene
finally, the hornsent NPCs like the hornsent, hornsent grandam, and the hornsent spirits such as the one outside the whipping hut, who use late middle english similar to the english found in shakespeare's sonnets:
"fie, another? ... then, as that woman would surely say, we are in our purposes well aligned. but understand. your kind are not forgiven. the erdtree is my people's enemy. by marika long betray'd, set aflame." - hornsent, first meeting "all your resentment lingers yet... the raw stuff from which i shall surely forge a curse. upon the dastard messmer's head. upon marika's children each and all." - scorched ruins hornsent spirit
i find it interesting how different the usage of english is in the game, and i feel that it can be a hint on how to properly date an individual's occupation in the lands between/land of shadow. the hornsent, being a people much older than many in the lands between, use the most archaic version of english, while the tarnished and younger demigods use a form of english more closely related to our own in the current period. older demigods (and marika herself, as heard from melina's recounts of marika's spoken echoes) use a form of english more closely related to the period of transition from middle english to early modern english.
additionally, another interesting thing to me: mohg is almost certainly nearly the same age as morgott (since they're referred to as twins), yet he speaks a little differently compared to morgott:
"tarnished, thou'rt but a fool." - morgott, post-battle dialogue "dearest miquella. you must abide alone a while." - mohg, pre-battle cutscene
this makes me wonder if it's possible that, assuming that miquella's verbiage is indicative of his younger age in comparison to the older demigods (aka the demigods born before the marika/radagon union), miquella's charm altered mohg's perception enough to also alter his manner of speaking and carrying himself in some way. if his pursuit of finery (dressing in embroidered robes and handling himself with poise, juxtaposing his bestial growls and strength) was mainly done in an effort to fit into miquella's ideal of a consort. of course, mohg could just be as vain as he seems to be all on his own accord, but i find that it's interesting to entertain the idea that even his current state of being was due to miquella's charm.
i'd love to hear what others think about this. i'm not very learned when it comes to english (it's not really my first language), but i find this all very cool to think about.
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3bagshotrow · 2 years
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electracution · 8 months
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I was telling myself I wasn't going to be posting my art anywhere ever again, but you all are so sweet I have to. It will not, however, be just my art. I'll post about my writing too. And all other shit that happens in my head :)) enjoy ;))
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as-kind-as-summer · 1 month
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After learning how unhinged Mirkwood used to be do you think Legolas ever just drops the most wild childhood trauma on the Fellowship trying to be relatable and they just look at him like...no. No we did not all go through that.
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3twindragons · 2 months
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demaparbat-hp · 1 month
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Zutara makes a statement.
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art-from-within · 2 months
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Sanguine noble Morgott and Night’s Cavalry man Mohg
Add:
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river-mort · 2 months
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King Morgott the Grace Giving and his quite suspicios advisor that tend to appear out of nowhere surrounded by some blood cultists. We only hope he doesn`t have any bad impact on our lord
Not realy a "human au" but a disguise versions for different occasions. I like to think Morgott sometimes have to appear in front of people as, well, Morgott the King and Mohg simply likes to be part of Morgott`s ruling because A) he doesnt see a king but this messy homeless looking brother that trying his best to pretend he`s a king which includes to look good and wear proper king clothes and he hates every second of it B) anything interesting can happen and who knows how he can use it I have a very bad time with human-Mohg because every time i color he looks weird with that beard, some random pirate that has nothing to do with mohg lol
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eaissilyy · 2 months
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My contribution to the omen twins now I am going to sleep.
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motgarel · 4 months
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I had to paint it.
(Ink version)
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mac-tirs · 1 month
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the not-insignificant differences between the omen twins
so, i saw this picture posted by @amanaci which inspired me to write this rather lengthy piece on the contrasts between morgott and mohg. i decided that, instead of dumping this whole think-piece on their post, i'd make my own separate post and ramble here.
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this difference in their height really tracks for how their fighting styles and personalities are like, i feel. i always found it peculiar how different they are despite being twins; i feel like there's a rather stark resemblance between miquella and malenia in their soft-faced features, pale skin, and long flowing hair, and a close resemblance between the carian siblings with their red hair, but morgott and mohg are rather different from each other, only bearing similarities due to their omen nature. i looked a little bit into that and found that there's pretty good reasons behind why.
firstly, morgott is severely malnourished and unhealthy in comparison to mohg. you can see it in his body and how his skin sags, how his ribs and bones show, and how dry it looks. below is a comparison between his hands and mohg's hands.
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morgott's hands are dry, almost rubbed red and raw around the knuckles and fingers. it reminds me a little of psoriasis, or some kind of skin discolouration caused by his poor health. it's likely he isn't eating well, or at the very least, he isn't eating as well as mohg. his twin, on the other hand (ha!), has shiny, veiny skin with a healthy colour and gleam to them. it's like he wants to call to attention how well moisturised he is (which, in this case, compared to morgott, he is).
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above is a comparison between the twins' horns. the difference is extremely evident to me; morgott's horns are dry, almost seeming brittle, like sun-dried bone that hasn't seen rain or moisture in years. it reminds me of the horns of a very neglected ram, almost, but despite that, the horn growths seem more controlled, less like the wild growths all over the royal omens of the shunning grounds and more controlled as a sort of jutting crown from mainly one side of his head. meanwhile, mohg's horns are shiny, curling wildly to the point of injury, taking his eye in its path of growth. they grew wildly enough to replace his hair altogether, if he ever had any, and give him an even more imposing silhouette with a literal crown of horns (and a beard to boot). beyond this, his horns look healthy, with clearly defined rings to each growth that shine under the light, much like the rest of him. he's oiled leather to morgott's dry hide.
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another somewhat interesting detail of morgott is his tail. i know a lot of people see it as soft, and it certainly looks the part, but what i find interesting are two things: the first being that his fur looks quite matted in some lightings and angles but overall looks soft to the touch, and the second being that his tail's horns look much healthier than his own horns on his head. this is in clear contrast to the rest of his body, which looks dry and unassuming with smatterings of coarse white hair up and down his body, and i believe its a matter of the limits to his own self-care. he utilises his tail as another weapon in his arsenal, so he cares for it that it might serve him well in battle, unlike his head of horns, which only serve as a detriment to him with how they must obscure some of his vision, if not most of it. additionally, he likely could bear to look at his tail and care for it, but for an omen that hates his nature more than the average, he probably doesn't enjoy looking at his own face in the mirror enough to properly care for himself.
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which brings me back to the sheer differences between these two. morgott, unhealthy and self-loathing, neglects many visual aspects of himself likely because he sees vanity as a luxury not afforded to someone like him. mohg, healthy and self-obsessed, cares and grooms himself to appear very much so like the lord he claims to be, loving himself to a heretical extreme (in the eyes of the golden order). their statures reflect this too; morgott hunches low to the ground, ready to pounce at any given moment but also due to his own shame and humility, while mohg stands tall and proud, though not as tall as he could possibly be due to his upbringing being one of likely having to hunch low to fit beneath the ceilings of the smaller parts of the shunning grounds.
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above is a picture of an omen from stormveil, which bears resemblance to all the omen you see in the game. in terms of clothing, one of the big ways people set the omen twins apart, morgott is completely naked save for the ragged cloak of animal hides he wears, signifying he is not fit to even dress himself in a shirt or trousers as befits a king, much like the omen pictured. he wears even less than that, actually, since he lacks even the slightest adornment save for the rope that clasps his cloak together. on the other hand, mohg is entirely adorned in finery, wearing a beautifully embroidered, fashionable priest's robe with matching vestments, and beneath that (as seen in the first image) some underclothes, a plain black button up and some pants. mohg's entire silhouette changes with the removal of his robe, while morgott's barely makes an impact once you realise he has only taken off the one article of clothing he had.
then, of course, there are their fighting styles. there's this fantastic video on youtube that i recommend watching of the twins fighting every major boss in the game, and you can clearly tell them apart from their fighting styles alone. morgott is fast, his size making him look deceptively slow only for him to dart out and do sick flips and somersaults and pirouettes that rival even the most flexible dancers, and he fights with speed and almost animalistic ferocity, save for when he conjures his weapon incantations. mohg is slow but strong, capable of swinging that large trident around like it weighs nothing while hitting with the force to knock down most enemies in a few hits, and most tarnished in just one, but he fights with a steady gracefulness in his every move, walking slowly and carefully while casting spells that hurt a lot.
even their phase 2 transitions are markedly different, with morgott's being one where he drops to his knees, vomits, and releases his cursed blood(?) all over the battlefield, causing his weapon to become alight with his curse and for him to fight with more in-your-face aggression, and with mohg's being one where he simply ignores your attacks and begins stabbing his spear into the formless mother for power at your expense, gaining a majestic set of wings that put distance between you and him so he can cast more of his spells at safer distances. where morgott is pushed to his limit and forced to confront his nature, mohg has long since embraced it and enjoys the fruits of his bloody labour with the mother of truth's blessing.
speaking of the mother of truth, even their patron orders are at odds with each other. the golden order was built upon the foundation of a very carefully-guarded lie: that marika is the one true god, which she can't be, with the existence of radagon (as per goldmask, perhaps the number 1 fundamentalist we meet in game). the formless mother is known also as the mother of truth, existing in direct opposition of the golden order's lies and craving the honesty of one of the purest expressions of life: blood. these two ideals would war against each other, with one being dedicated to the upholding of a beautiful, corrupt lie and the other being dedicated to the instillation of a dynasty of raw, pure truths. as such, even morgott and mohg's own great runes reflect these contrasts in faith, though, remarkably, these two great runes are ones that fit perfectly over each other, with mohg's slightly elevated (seen below, taken from the fextralife wiki).
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so, where does this leave us? i don't know, exactly. i wasn't really writing this with any sort of ultimate conclusion. i just found it really interesting how different they were, and i wanted to talk about all the noticeable, significant differences between them here. thanks for coming to my ted talk.
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knifearo · 9 months
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"asexual discourse" is so funny cause dude that's not discourse and it's never been discourse. it's not an argument and it's not a conversation bitches are just yelling at us unprompted and then making up people to get mad at 😭
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