#for the last paragraph specifically

[greenerteacups]

Oooh can you talk more about fashion in Lionheart? I love love Narcissa’s letters to Draco in the beginning, loving him more than tea and champagne and silk pillowcases—the glamour and indulgence of it all!

[rubs hands together] Well. I'm going to take advantage of these asks and go full-indulgence, then.

Since you mentioned Narcissa, I'll run with it: Cissa is always wearing black. Always. Usually she's wearing a gown or elaborate dress, modeled after the Edwardian style; sometimes, a nightgown; and sometimes it's "leathers," which I interpret as some kind of corseted fighting habit with a knee-length skirt and light armoring — in fact, heavily modeled after the outfit that Bellatrix wears in the films, only she'd wear a blouse underneath it (she's not indecent).

The color does a couple of things for her. First, it's obviously a nod to her family. (Sirius, incidentally, also wears black all the time. In fairness, black leather was having kind of a moment in the 90's, and he's a bit of a punk himself, but there's still a parallel there if you want to see it.) Black is also a color of mourning, and Narcissa is someone who lives heavily in the shadow of the past; in her prologue to Book 4, we see that she wakes up in the morning thinking about Andy and Bellatrix, and then has an imaginary conversation with one of her hallucinations while she gets dressed. None of this seems unusual to her. She's quite literally haunted — she's a woman trapped in an old English country estate with only servants and ghosts for company, slowly going mad, while the social order around her crumbles; it's all very Jane Eyre, very Turn of the Screw, very Gothic. It's like if Rochester had died and left the house and Adele to Bertha. And she dresses for the part! When her son rocks up with an unwanted houseguest, she swans down to dinner in white tie! She's saying, yeah, I am that bitch, and you should be intimidated by me, and this is not like the houses you're used to. Say what you want about Narcissa, you can't say she doesn't have panache.

Then you have her hair. I made a conscious decision to tweak the Black sisters' hair from the books, where they all have radically different hair colors and textures, because I wanted to underscore their similarities, not their differences. They're sisters; they grew up together; it's not realistic that some of them Just Are better/sweeter/nicer people, and I don't like what it suggests about the morality of the HP universe if that's how it works. Anyway, so I gave Andy and Bella basically identical hair, and I cribbed Narcissa's hair from the movies, where she has this cool two-tone black-and-white bouffant going on. The thematic reasons for this are (1) it looks sick as fuck, (2) it looks sick as FUCK, and (3) I think there's something really interesting about the idea that Narcissa either chooses to dye her hair to resemble her sisters or dyes it to differentiate herself. Whatever her natural hair color is, she's changed it to try and take control of her relationship to her family/past, and the reasons for that are intriguing.

[i-am-not-a-who-i-am-a-what]

so about the header that proceeded today's statement:

Viability as agent: Low

Viability as subject: None

Viability as catalyst: Medium

i didn't know what to think of this part of the entry at first, but the longer the statement went on... was the institute in this universe trying to manufacture avatars?

the dice can't do anything without someone to use them, they can't be an "agent" by themselves, but might be capable of manipulation, so in that aspect their viability is "low."

the dice could be a "subject" in the sense that they could use further studying, but the statement itself was a very thorough investigation of their workings, so in that aspect their viability is "none."

the dice seem to influence their holder to roll them, or at least find more victims to roll them, and could therefore be described as a "catalyst" for someone's becoming. but, as seen in the statement, their owner can give the dice to someone else (albeit not without consequences), so in that aspect their viability is only "medium."

so what about the line following all this, what does "Recommend referral to Catalytics for Enrichment applicability assessment" mean? if we go by this interpretation, i'd say it could mean the institute wanted to find a way to make the dice even more potent as an artifact, maybe even remove that pesky ability for their owner to reject them.

imho all of this this brings a whole new level of context to the events of episode seven, of unknown violent agents going after an influx of objects that seemed straight out of artifact storage. was that the nature of the titular "magnus protocol" first mentioned in episode four, the one that involved the starkwall group? containing or destroying potential artifacts before the institute could get their hands on them?

it also makes their "gifted kids program," and sam's link to it as one of the kids being studied, all the more horrifying to think about. was it not just avatars in general they were after, but child avatars specifically? no wonder gertrude got so defensive over the possibility of sam and celia dragging gerry back into the institute's business last episode, we all picked up on her clearly knowing more than she's letting on but now we might know the shape of that information a bit better.

and one final bit of food for thought... this statement had a lot of familiar themes, didn't it? free will or the illusion of it, gambling and not-so-random chance, the statement giver being done in by one final hit from what feels like a bit of an addition... all hallmarks of a certain mother of puppets. doesn't it seem fitting that "chester" would use this kind of statement to warn sam about what harm pursuing the magnus institute could bring to him, considering the one his voice might draw from? and doesn't it seem so painfully ironic that his warning seems to have only driven sam further into that web?

[hella1975]

would you like to talk about how bad the mha ending was hella

as much as i would love to give like. a comprehensive response i genuinely dont think i can get my words together just yet without it being a constant unintelligble stream of 'AND ANOTHER THING-' and bc it's become quite torn in the fandom on if the chapter was good or bad i want like. an actual coherent response here. so i will reblog this if/when i can word it but know IM NOT FUCKING HAPPY

[tipped-rigby]

I'm still not completely onboard with the term (and the little existing theory around) "transandrophobia" and I'm hesitant about discourse surrounding it. I've spent a while now just combing through discourse about it, and specifically I never see people engage with the actual points he (the coiner) makes about what transandrophobia is and isn't. Or at least that one specific post I come back to, I dunno. I've searched "transandrodorks" even for it and I've never seen a comprehensive rebuttal that these things don't specifically impact trans men and transmasculine people.

But one thing I see a lot about is how people don't like the term because it implies "androphobia." But doesn't that indisputably exist? Like the term in of itself, the literal meaning you could take out of it. Fear of men/masculinity.

Granted, I believe the literal definition is that a phobia is irrational, but I don't necessarily believe that of "androphobia." I think someone could be completely justified in their fear. But having that fear even in a completely rational and reasonable way doesn't change the fact that it can manifest in ways that harm people.

Also, even if "androphobia" implies that men are/masculinity is oppressed (i.e. how homophobia relates to homosexuality, homophobia not always being caused by literal fear), would cisgender men really adopt a term used by transgender men and transmasculine people like this? Am I not conceptualizing the doom that would be upon us if "transandrophobia" were even a little bit known? I don't know.

I'm still reading about transmisogyny and just the idea of transmasculinity at all, so this is not my #1 concern right now. But everytime I see a post about trans male and transmasculine specific oppression, I often feel it's written in bad faith. Could this be my own transmisogyny and unwillingness to give transfeminists the benefit of the doubt? Am I tone policing in my head? I don't know.

I'm not incredibly knowledgeable about theory at all. This topic has only been on my radar since I started following twitter discourse but I think it started on Tumblr.

[my-cabbages-gorl]

What is your favorite hcs about adult zukaang??

OOOOh I adore this question! A favorite of mine that I've written into fic an alarming number of times (and I'll never stop until someone pries it out of my cold dead fingers lmao) is that Zuko is obsessed with Aang's pulse point on his neck and he can't stop himself from running his eyes, his fingers, his lips over it. I love this hc so much because shame, grief, repentance, and forgiveness dynamics are SO central to adult Zukaang. For Zuko, he internalizes all this grief over everything his family (and he himself) took from Aang. He knows how easily Aang could have been wiped out by his father or by the war or not brought back to life when Zuko's betrayal ended in his death. He also knows how easily Aang could have not forgiven him for everything he did. And not only forgiven him, but loved him and seen him- really, truly. And the FACT that Zuko is the one who gets to press his lips to the proof of Aang's heart still beating after everything?!? That he's the one Aang willfully gives that universal symbol of submission that is exposing your throat to another person?? There is just something about it that feels so full circle, so intimate, so forgiving, so tender. It makes me want to jump out a window

[pencildragons]

hyping myself up writing chapter 7 of glory be (codywan timetravel but sideways and back) by posting a snippet for you all :] have 500 words of cody being very autistic in his consideration of language <333 (i didnt even write him as autistic on purpose i just had a Realisation that he super super is. because i am projecting how i am autistic in my consideration of language)

“Hey, Cody,” Jon says. Cody, seated upright in his bed, turns towards her. Face white-and-gold and blank as ever, she holds one of the glowing things, a little slimmer than what he reads his holobooks on. The pain in his head is sharp and ugly, and it makes him feel sharp and ugly in places that there is no logical reason for such feelings to be. “Yes,” he acknowledges. Jon bobs her head to the side, flesh appendages flicking in brief amusement. No—they have a name. He read somewhere that they have a name. It is a thin word, fitting like a block of real-wood under the hands of his mind, tucking in beneath his chin and sitting comfortably around his glands. He knows the shape of it, the feel, but the word itself—escapes him. This makes him feel the sharp-ugly feeling in different ways, ways that are not pain. The name of them fits the same shape as cherry blossoms do—he read a holonovel about a cherry blossom gardener, and had found the idea so interesting that he borrowed an encyclopaedia all about the genus as soon as he had finished the series—but it does not reside in quite the same place. Still it evades him. (Stubbornly, the only thing that remains undeveloped is his command of speech. The alt-comm augment is difficult to use, and the amount of language it contains is overwhelming. Cody does not know where to start. And even though they are nearly healed and unburdened by bandages, his hands are clumsy and uncoordinated in a way that fills him with—an emotion. Anger, maybe. He is not certain. He is not certain. In his holobooks, hot, tense feelings are ascribed to anger. (He does not know yet if he likes ascribed. Master Vergu said it once, and it was a thin and papery word between his lips. He does not know. It is not as hideous as alright, but—it is still a disdainful word.) Cody does not feel hot and tense; instead, there is terrible pressure beneath his eyes and in the hollows beneath his cheekbones, curling down to swell resentfully in the soft pouches of the glands beneath his chin. He thinks it is anger. He does not know what else it could be.) Jon is silent in the way he has learnt means that it is his turn to speak, which means he did not hear what she said. The terrible pressure mixes with the sharp-ugliness, intensifies, takes a bitter edge. Xahx. (He thinks this word is something like fuck in his holobooks, but he has only ever heard Jon say it, and only twice at that, sharp and harsh and not meant for him to hear. Fuck is—boring, a character in a holobook would say, and he finds it a dull-round, thin-flat and shallow word, like a machine-pressed circle of metal. Xahx, punchy like the sharp, thick needle in the back of his hand that drip-feeds him analgesics, is much better.) He shifts, flicks the glowing thing containing his holobooks on and off again, bright, dark, bright, dark, and looks at Jon in a way that he hopes will convey his ignorance. The silence continues. It feels—thick. Awkward, if he was a holobook character.

(reblogs appreciated!)

[ink-the-squid-gremlin]

Endouma is a terrible ship, and here is why.

‼️WARNING‼️: Post not only contains semi spoilers for KNY, but it also contains mentions of things like suicide, depression and noncon/sexual assault. If you are uncomfortable with those topics, please refrain from reading.

TLDR: Enmu and Douma are not compatible with each other because that ship is mostly built up on fetished MLM tropes, overly sexualized versions of the characters and the romanticization of SA.

(God, I feel like I have been posting nothing but hot takes on this account as of late. I promise I will go back to posting art, cosplays, and more just chill stuff after this.)

Enmu and Douma are not characters that should not be shipped together, for multiple reasons. Starting off, THEY ARE NOTHING ALIKE!!!! I don’t know where or how it was decided that they were alike, or that Enmu is “Douma 2.0”, but it makes no sense. While both are meant to be irredeemable monsters, Enmu was an irredeemable monster from the get go. From what we know about his backstory, he knew he was scamming people and targeting the weak and vulnerable for it. Douma’s backstory goes a bit more in depth and explains that he was put into the role of “all mighty god” as a child, which lead to the power of it going to his head as he grew up. Douma was still an impressionable child who was failed by the adults around him, and as he grew up he took on some of those same traits as the adults he was surrounded by. The bottom line is this: Douma, while a shitty person, still has some way to sympathize with him, Enmu does not, and thats just on the story side of things.

Enmu and Douma also share nothing in common personality wise. On face value, they may kinda act similar (i.e how they talk (sorta)) but it really just stops there. Enmu ultimately had a goal to kill Tanjiro and gain more blood from Muzan so he could climb the ranks of the demon hierarchy. He wanted to gain more power and to overthrow one of the upper moons for the sake of power. He doesn’t care how many people he has to torment, hurt or kill, as long as he has spot in power, he is happy, hell, he literally has vulnerable and even sick children do his dirty work! Enmu is a sick and twisted individual and he prides himself on that. Douma on the other hand put on the happy and up beat facade to hide that he knows he was failed. Douma is aware he was failed as a human, and so he decided to fail his followers by being the embodiment of false hope. He plays into the false icon lifestyle by pretending to be hopeful and happy around his followers and even the other demons to an extent. He doesn’t care so much about power, rather he cares more about control. Douma keeps up his false religion persona to keep control over his followers. He knows he’s failing them, but he doesn’t want to lose the control he has over them.

Now onto the elephant in the room: the mischaracterization I’ve seen of both of them in the Endouma ship. In both fanart and fanfics I’ve seen and read (well more so forced down my throat since thats all I’ve seen with Enmu in recent times) both Enmu and Douma are mischaracterized to high hell just so we as the reader/viewer will feel pity for them. I’ve seen more of this with Enmu, in that all the stuff that made him unique from the other KNY demons is stripped away so his “savior boyfriend” Douma can comfort him and coddle him. Now, writing an AU is one thing, but if you’re just going to make content of the ship with the characters as they are in the series, then their actual personalities should be honored or at the very least acknowledged.

Going more in depth about the mischaracterizing I’ve been seeing with Enmu, almost all (ALMOST all, not all in general) Endouma content I’ve seen have made him either a depressed and anxious baby that Douma is meant to coddle, or an overly fetishized hyper feminine man thats there simply for sexual reasons. It just goes against their roles in the story of KNY.

Going off of the hyper feminine man mischaracterization of Enmu I’ve seen in regards to the Endouma ship, having him be pretty much a “femboy” not only contradicts him as a character, but it also is pushing toxic heteronormativity on a queer relationship. Making Enmu essentially the “woman”, while putting toxic heteronormativity in a very much MLM ship, it also just boils him down to a sex object and nothing else. Now, I will not say that portraying Enmu as a very sexual and even gross character is wrong, because there were plenty of scenes in KNY of him that had very sexual and perverted undertones, but that is what they were, undertones. There is more to his character than just the sexual undertones he has (as I stated earlier when describing him), and by boiling him down to a “sex doll” for Douma just kind of shows that there wasn’t much of an understanding of his character while making the ship art or a fic. He is much more than a sex object.

Moving onto the mischaracterization I’ve seen of Douma, while not nearly as bad as Enmu, it still feels very off from his character. Making Douma someone who GENUINELY cares for another person is also very contradictory to how he acts in the series. He is someone who cares very little for anyone he comes to meet, whether it be his followers or other demons. Now you may be asking “but, Ink! Douma saw Daki and Gyutaro when they were on the verge of death and decided to save them!” Which is exactly what I am talking about. The only reason he “saved” them was to keep up his facade of a savior and to get himself “brownie points” (for lac of a better term) so his public appearance would look good. Because he cared very little for Daki and Gyutaro, it shows that he only cares about looking like a good person and nothing else. Portraying him as essentially “Enmu’s therapist” that coddles him and such just feels weird. Douma has no emotional connections to anyone, so why would he have an enmotional connection to a demon that is considered lower than him?

Now similar to what I said about Enmu earlier, Douma is also much more than a sex obsessed pervert. Douma being portrayed as basically a male nymphomaniac in the Endouma ship is a very strange way to portray his character. Yes, he may have been fine with letting women seek refuge in his temple, but again, it was to make him seem and look like a good person. We should all know, or at least have the understanding that Douma is literally a woman eater. The women he houses in his temple ultimately have the fate of being nothing more than food. Viewing his reason for taking in women as something sexually driven is a complete misunderstanding of his actions. This misunderstanding of Douma paired with the sexual misunderstanding of Enmu not only creates a toxic relationship, but it also fetishizes and sexualizes MLM pairings. This is something I’ve noticed more in Endouma art, but a lot of it that I have seen feels very fetish-y. I can’t go too in-depth about this aspect, as I am a queer woman, but the way the ship is portrayed in a lot of the art I have seen of it feels as though it is pandering to the appeal of yaoi obsessed straight girls. While yaoi has been a term used for decades to refer to MLM based pairings in media like anime and manga, over the past couple of years, its meaning has become more based around fetishizing MLM pairings rather than just being about MLM pairings.

I now want to bring up something that I’ve seen associated with Endouma (and also the Enmuzan ship, but that is a topic for another time) that really makes me uncomfortable, and that is noncon and the romanization sexual assault. I don’t want to talk too much about this topic, as it is not only triggering for me, but it should also be common sense that fetishizing sexual assault is wrong. Again, this is more so something I have seen in artwork, but it seems almost normalized for Douma to be portrayed forcing himself onto Enmu. Now, I know you are all probably saying “Ink, if you don’t like it/are triggered by it, then don’t interact with it”, but when its all that has been made in regards to newer Enmu content as of late, and how people are hyping it up, its kind of hard to avoid. It makes me truly question just how many people really missed the point of their characters, and only focused on things like Enmu being more androgynous, and Douma being tall and muscular. In a general sense, if a ship is built on, or is popular from fetishized and romanticized sexual assault, it shouldn’t be a ship.

Finally, I just want to mention that these characters have NEVER once interacted in canon. I know that hasn’t stopped people from shipping characters before, but it’s just something I want bring up. (As well as the fact that the Upper Moon’s hate the Lower Moons)

I want to end off this post by saying that all of this is by no means targeted at a specific person, nor am I trying to say that my opinion is correct. I am just stating my own opinions and just stating observations I have made after being in the KNY/Enmu fanbase for nearly 4 years now. People are allowed to ship characters together (within reason) however they like, but just be aware of how it will look on your own part, and what views it may look like you have.

[steelycunt]

everyone get up and make some noise for sirius' vivienne westwood two cowboys with their cocks out shirt!! we're losing our minds over here for sirius' vivienne westwood two cowboys with their cocks out shirt!!

[angeart]

I’m still very upset over what Juni did, but reading what happened to him hurt so much. He definitely deserves some kind of comeuppance but everything that happened to him? It’s just so horrible.

Him keeping the wings also hurt, because it’s putting him in danger but it only seems fair to him. To put himself fully into the fate he befell Grian (or the fate he thinks Grian befell, anyways). I do love the solidarity of it, in a way. He’s not taking the easy way out, putting himself in this situation because it’s unfair if he doesn’t. It’s still very sad though :(

I do hope he has a chance to recover at some point and maybe repay what he’s done and help some hybrids out. Maybe even see Scar and Grian again to know they’re okay… from a distance. Meeting probably wouldn’t go well for them, but Juni knowing that they’re alive would be nice, that he didn’t get them killed.

dw juni's also still upset over what he did too! :D

... ok, on a serious note now though. it is perfectly fair to be upset about what he did. 'coz what he did was awful! objectively awful. and he screwed up so hard. and it'd be great if he never did that, but... he did, and so here we are <3 just because he realised how shitty it was doesn't automatically make it forgivable. sadly. so yep!

he kept the wings 🥺 even after getting attacked so horribly. he could've taken the easy way out, but... i don't think he'd know how to live with himself anymore. this is the only way he can cope. the only way to keep on going, even if it's so fear-heavy. (grian didn't have a choice, and so he doesn't deserve one either.)

mmm... juni getting to see that grian and scar are alive... it'd be nice if he got that chance, yeah.

i think you're right in saying that if they met again, it probably wouldn't go well for them. but i also feel like we're forgetting something important here... :3c

[never-looked-so-good]

📷 @/ch_leclerc16

[feluka]

my total play time is always so much longer than it should be because the game doesn't subtract the amount of hours i'm just staring blankly at my screen in a fugue before coming back and realizing oh shit i need to press a dialogue option to progress the scene

[redcallisto]

💕

[the-eclectic-wonderer]

5, 18 & 19 for the fanfic ask!

Hello and thank you for the questions!!

5. first sentence of the fifth paragraph of an unpublished WIP

“I have to say, Blanche,” Rose says, settling back against Blanche’s side, “I know you explained it to me, but I still don’t get it.”

18. if you keep them, share a deleted sentence or paragraph from a published fic

I don't really keep deleted sentences/paragraphs, unless they're full concepts for a scene that I might want to use in another WIP, but I did find a couple of sentences from an early draft of i would have said impossible [...] that got heavily edited by the final cut. I'll bold the parts that got kept in the final work:

"She likes to think she hid it well. She tried to, at least; bit back the most acidic jokes, tried to keep a hold on her sarcasm. It's not her roommates' fault if she's had a bad day, is it? So she tries. She listens, and she's patient, and she's affectionate -- and they seem happy. That must count as a success.

And yet, when she's finally alone in her room and ready to call it a night -- then Rose comes, carrying tea and cookies on a tray.

It's strange. She told Ma earlier that she'd like to be alone tonight, and before the door opened she only wanted to get into bed and forget everything until tomorrow morning. Then Rose came in, and she'd be lying if she said a single hint of her perfume and a single glance at her reassuring smile aren't enough to calm her nerves."

The gist of the passage remained more or less the same, but I hope it counts anyway!

19. the most interesting topic you’ve researched for a fic

I'm not sure I can choose the most interesting one -- I love learning and I've had a lot of fun with every rabbit hole I've found myself in for a fic! The most charming one, though, was definitely the little ornithology detour I went on while I was writing sonata for trio, which was a classic case of 'I only needed to find the right simile to add in this sentence, how the hell did I end up on the Wikipedia page for the American Robin?'. I learned a lot, and birds are so cute -- especially robins!! I had a great time reading about them :)

(I'm not counting my research on karst and sinkholes as a valid answer for this questions, because I already knew the topic well enough, but I did spend a lot of time fact-checking what I wrote. I don't want to spread misinformation!)

[✍️ more fic writer asks!]

[evansbby]

not me going through the steve rogers x reader tag and i find a post that’s like “pov you find a fic with amazing smut but it has daddy kink 👎” LMFAOOOO

i wonder if anyone’s read my fics and just immediately exited out as soon as they see the word “daddy” bc it’s in like EVERY SINGLE ONE of my fics 😂😂

[cartoonrival]

like sasuke is clearly deeply unhappy in boruto which is fine, i honestly think its GOOD that he's not just like suddenly content with his life and himself after the finale of shippuden, its just also sort of insane that the post canon where he is no longer the focus is one where he's so potently miserable. he's clearly still reluctant to really face konoha. he still feels like an outcast or a bad apple, he still thinks he needs to atone for what he did as a teenager, despite the fact that he's been actively atoning for like a decade. but it'll never be enough. the only person he is not afraid to face and does not think he has failed is naruto, but even then he is still eager to isolate himself again, and i KNOW that its isolating and not just "being by himself" (sasuke has never been an outwardly emotional person (except under major duress), and while i believe a lot of this is repression its also just how he is, so no amount of healing would make him as open as, say, naruto, but i digress) because these are not the words of a happy man. "if she hates me its fine, because at least the future will be bright". "this is also a journey of atonement." naruto WANTS him to stay, believes its been long enough, the people of konoha don't hate him anymore (not sure how true this is but it's what naruto believes/wants to be true), but sasuke says they should stick to what they're meant to do, which means naruto as the hokage, because he is well loved and good with people, and sasuke in the shadows, because he is meant to be alone and unrecognized.

tbc i don't think that sasuke could be happy "settling down," i don't think he DOESNT like being on the move all the time, but the scene with naruto where he leaves konoha without saying goodbye to anybody is clearly not a scene where sasuke is content with his life in the way naruto is. he isn't doing this because he wants to, its because he thinks that he has to suffer in order to be good, and that the people of konoha wouldn't accept him any other way. it IS TRUE that sasuke has always been a big believer in sacrifice for the greater good and wouldn't consider his own happiness to be important compared to the missions he needed to go on, regardless of how deserving of happiness he considered himself to be, but i absolutely refuse to believe that, if he DID believe he deserved it, there has been NO TIME EVER that he could come home and just be regular. just for a little. there is absolutely something that is pushing him out of konoha, unrelated to "i have a mission to go on." there's still a disconnect.

WHICH. unfortunately. brings me to. end of shippuden. he receives a letter from naruto praising him for protecting the village even without being there, he thinks, "maybe it's time to come home." sometime before he comes home, he catches wind that naruto is getting married. he sends a letter with nothing on it other than "congratulations," and he does not come home. for like 4 more years. next time he's home for an extended period of time it's when sakura has already giving birth to sarada and he's helping raise her until she's juuuust old enough to start retaining memories before he fucks off again.

he doesn't want to be around sarada and sakura. he doesn't want them to worry about him or concern themselves with him. he doesn't want to be affectionate with sakura, who clearly DOES want to be affectionate with him. he considers the fact that he and sakura had a kid together to be the thing that most connects them, which is only significant in this case because anyone with eyes can tell that they are not really connected in basically any other way. it's like the ring he gives her in that dino arc. clearly since you wear a ring now to show we're married it means that we're married even though i'm not doing any of the other things a husband should do, but this ring makes up for that. clearly since we have a kid our hearts are connected and we really do love each other, even though i'm not doing any of the other things someone who really loves you would do. you could argue that his refusal to make any contact with sarada and sakura IS out of love, that he's afraid of hurting them and thinks he's protecting them by staying out of their lives (this is most likely what kishimoto intends), but this claim doesn't have any actual PRECEDENT outside of the fact that i'm being told that sasuke apparently loves her, the evidence for that being well they got married and had a kid. off screen.

i think he feels guilty that sarada even exists, because it's his fault she has no dad and it's his fault she inherited the uchiha's massive capacity for grief and love, it's his fault that sakura is raising her alone, and he's running from this because hopefully he can make up for it by doing good for the whole world since he cannot bring himself to make up for it by being there for his wife and daughter. "she has sakura, she'll be fine" because sakura is more her parent than he will ever/could ever be. he doesnt HATE sakura or sarada, to be very clear. he cares about them both as people, he fully respects sakura's strength, is proud when he sees sarada fighting well, he wants her to be happy and wants her to like him, he wishes he could be a better father and husband to her and sakura. just without having to be their father and husband.

boruto is not good unfortunately but due to the fact that naruto IS good and sasuke's characterization is very lovingly done in the original series it's critical to me (because i am not normal) that i figure out how to connect pieces that kishimoto could not be assed to properly connect. he seems to RECOGNIZE that he's betraying sasuke's characterization by making him have a kid w sakura due to the fact that everything sasuke does after that is p much exactly what i would expect him to do if, through some freak incident, he ended up having a kid with sakura. Anywho

[apocalypse-boogie]

I gotta be honest, I don’t engage with the Criminal Minds fandom (despite having watched all of the original show + Evolution and read up on as much of the spin-offs as I could) because I don’t like how prevalent the racism and sexism and infantilization is in the fandom. There’s just enough of all that shit upfront that I don’t want to dig any deeper than I already have. I’m good, I get enough of that shit in fandoms that I’ve been apart of for years I’m not gonna let this shit sully my love for this show anymore than it already has (especially considering the show’s writing itself is not devoid of these faults).

I’d rather just love the show and dissect it and write analysis and fanfic for it and shit on my own.

My fav characters (just cause & kind of in best to least order): Penelope Garcia (she’s literally me, I love her), Derek Morgan, Emily Prentiss, Jordan Todd, Matt Simmons, David Rossi.