#g: peter parker

[alexxuun]

My spiderverse collage zine (scan ver) :)

Original post about it.

[irndad]

TULIP WITH THE GUY EVER

this is for peter!! im feral for this man my god this is long for nothing happening- guys i am SO fucking rusty prompt: an act of affection so blatant everyone notices roommate!peter <;3 flower prompts

It’s hard not to look at her. 

There’s so much to observe, so much to place his attention on- how she smiles, the way she taps the sides of her mugs before she sips her tea. She’s a vision in red lipstick and he’s the kind of person that’s blessed to be in her presence. 

It’s a Friday night, and there’s a sweet sort way that she curls into herself. She’s been his friend for just about a minute longer than he’s been in love with her, and he’d like to think he does a decent job at hiding this fact.

He landed on his hip today, from a height far enough off the ground that it still hurts, pain radiating from every step as he walks home. The commute is actually quite far from his internship at the newspaper, but he likes the area he lives, and the woman whose company he keeps while he lives there. He makes concessions. 

Still, he’d been looking forward to the sight of her since the ache began. Her presence had a way of soothing. 

She’s curled up onto an inherited recliner in their shared apartment, and when he bursts their creaky door open in a fluid motion, he’s greeted with this sight. She’s not alone- some friends from her graduate program on their Ikea couch. 

It’s girls night, and it’s his dutiful role to say a quick quip and head back to his room. Her two best friends are over, legs splayed over each other in an open display of affection that he adores witnessing. He could hear the laughter and yelling from outside the apartment itself. He likes how they make her laugh, how they seem to make her heart lighter when he can tell she’s not able to carry the weight of everything by herself. 

“Peter!” She’s the first to even notice he’s around, and he tries not to let the stubborn firework in his chest keep exploding at the thought of it. At the thought, she sees me. Her voice is warm and kind and weightless, and he drinks in  the sight of her. Their floor lamp illuminates her in warm golden light, a coupe glass with red wine held in delicate fingers. 

“Hey, you,” he replies, an unmistakable warmth he can’t seem to rid himself of in his tone. He tries not to seem disappointed, like he’d not been imagining watching an irrelevant TV show, a little too close together until they’d fallen asleep just that way.

As he’s hanging his withered coat, he asks, “What are you guys up to tonight?”

Her friend explains that they are watching the Spy Kids trilogy in order, and she nods dutifully along. 

“That sounds wonderful,” he can’t help but laugh. “I’ll leave you guys be-“ 

And it’s no surprise, when they send a him a chorus of please join, and you’re welcome to be here! 

She stands up to give him a hug goodnight (because she wants to kill him), and he envelops her before he can stop himself. She smells like a mixture of lavender and rose and sweet red wine, and he’s grateful for his heightened senses for a moment; it doesn’t take long to memorize it all. 

It occurs to him that he won’t see her until morning, and he takes in the sight of her again, eyes raking over her. She really is beautiful- lovely in a way that radiates her smile, follows her in action. His hands rest on the curve of her waist, and something and things being made to fit one another cross his mind, against his better judgement. God, he could spend forever looking at her, longer touching her. 

He only pulls away when he hears a muffled pair of laughs, failed attempts at not interrupting a moment. Which is absurd, because there is no moment. None. 

She beams at him despite the laughter of those she holds dear, and it aches saying goodbye to her. She's just down the hall and it hurts to leave.

He slinks off to his bedroom smelling like her perfume, blushing bright red and maybe, just maybe, the tiniest bit hopeful. And he thinks he might of heard the faint whisper of two other people, whispering questions he mulls over every day.

"Just roommates, huh?"

[punkeropercyjackson]

Spiderverse meme dumps since i never posted these

[milesmorales99]

Peter and Miles (by @rxzarx on Twitter)

[emotional-moss]

banging pots and pans WAKE UP EVERYONE its spiderverse textposts time

[sciderman]

ever kissed in zero-g?

day 2 of @spideytorchweek - space!

[dragonshoardofworks]

DP x DC x Marvel

This is an idea I had yesterday, but I didn't want it to be swept away from the Dannypocalypse, so let's gooooo!

The Lazarus Pits are just more than just leaked ectoplasm into the material world, they're unstable rifts that could potentially tear apart the whole Infinite Realms! (The Fenton Portal doesn't count because technology keeps it stable.)

While one or two could be somehow manageable, the League of Assassins found a way to recreate them and the new model was definitely more unstable than the old ones...

SO this clearly needed an intervention.

Luckily, Clockwork has two apprentices heroes that own them some favors...

This is how Danny Fenton/Phantom, Peter Parker/Spider-man and the ghost of one (1) Tony Stark (as an emotional support ghost) found themselves being loaned to the DC Universe to close every single one of these Pits.

(Danny became CW's unofficial apprentice after they helped him with TUE.)

(@stealingyourbones @ashoutinthedarkness @the-sprog if y'all are interested... >:3c)

(Spoilers from Spider-man: No Way Home under the cut.)

(Peter is the one from the MCU after No Way Home, but he gets his happy ending thanks to CW who fixed Strange's Spell and so MJ and Ned still remember him... in exchange for a future favor, AKA being transferred to the DCU to fix things.)

[elrahuffle]

Details in Spiderman ATSV Part 17

Earth 42' Prowler:

The Spot arriving earth 1610:

The band:

And that's all! I tried to catch as many details as I could, but I'm sure there are a lot more. The amount of detail in this movie is GIGANTIC and needs as much appreciation as posible.

[milimeters-morales]

(The comments under a selfie Miles posted)

Ganke: hey gorgeous it’s kind of insane how we’ve been married for like 5 years and have 2 kids a cat and a nice house in the hills ❤️ if i see gwen in these comments i’m doxxing her ass

Gwen: 𝕴 𝖆𝖒 𝖞𝖔𝖚𝖗 𝖆𝖑𝖕𝖍𝖆 🐺⛓🥀

Hobie: (identifies the car model in the background and rants about hating it)

Pavitr: hop on fortnite

Margo: 🏳️‍🌈 ?

Miles G: don’t ever do this again i almost called animal control

Peter B: CLICK >>>HERE<<< FOR A FREE MASERATI | 100% FREE | BILLIONAIRE SECRET

[ghstflwraep]

more character alignment charts!!

[valentine-writes]

their "i love you"s and other drabbles...

「 tws + notes: no tws, HEAVILY unedited, a little angst in sum partz but f it we ball (THERE'S SUMN WRONG W/ ME I NEVER DO THIS MUCH?), fluff, tried to add a lil bit of everyone, little thoughtz abt the characters,,, 」

↳ ft. ben reilly/scarlet spider, gwen stacy, hobie brown/spider-punk, jessica drew, lyla, margo kess, miles morales (1610 and 42), miguel o'hara/spider-man 2099, pavitr prabhakar, peter b parker, spider-man noir, and the spot/johnathan ohnn

「 gn!reader, romantic relationships <3 」

author's note: not my usual content but thought it wud b fun to whip up a few drabbles,, (´。＿。｀) diff format than usual too! all separate and stuff, w/ the characterz at the bottom being the ones the drabble applies to the most (ALL CAPZ MEANS I THOUGHT IT FIT THEM SUPER WELL!!!!) thought it wud b fun,,, altered lyrics are italicized, itz jus a pronoun change 2 make it gender neutral (❁´◡`❁) edit: my tags. do not fit. so i had to redo them. reblogz r super appreciated ^_^ i jus wanna make sure all fans of these characterz are being fed content <33

[ please don't forget about me - pompey ]

"and if you see me everyday / will I lose my shine?"

↳ always terrified of not being exciting and new to you– like one day, their appeal will fade. not like they understand what drew you to them in the first place, but they never asked. maybe you're just hanging around for the hell of it. maybe one day, they'll watch you leave and they'll have nothing to convince you to stay

"how many bad jokes will it take? / or awkward quiet times?"

↳ they wonder if they're already losing you slowly. everytime they speak to you, it's like they're trying to compensate for something. begging you to look at them– but not too close,,, just in case you notice how brutally flawed they are, beyond just the quirks you find endearing. maybe one day you'll look too deep into their eyes and you won't like what you see

▸ JOHNATHAN OHNN/THE SPOT, peter b parker

[ soft sounds from another planet - japanese breakfast ]

"i'll show you the way to hurt me"

↳ loving again is the biggest risk anyone who's been hurt like them could take. you make it worth the danger– the possibility of the pain they've grown all too familiar with. maybe for today, caution can be set aside. when it comes to you, they wouldn't mind letting their guard down.

"in search of a soft sound from another planet / in search of a quiet place to lay this to rest."

↳ they have to admit their past has burdened them in ways they can't even begin to communicate. they know you can't fix everything that has been broken in their lives. still, the comfort you provide is never taken for granted. you are their safe space– the soft sound from another planet. their quiet place to finally lay it all to rest. and suddenly, the aching in their chest doesn't eat them up inside as much as it used to.

you make it easy to love again.

▸ GWEN STACY, MIGUEL O'HARA/SPIDER-MAN 2099

[ our lullabye - miracle musical ]

"i was made for you / you were made for me"

↳ it's hard to believe that you're more than just a distant fantasy sometimes. they can't deny how much they've yearned for a love like the one you two share. something so sweet, so real. it's nothing like the movies or the fairytales, but is anything ever? even when things are messy and complicated, it's undeniable how perfect it all feels. how everything about the two of you just fits. they're inclined to thank every shooting star they've ever wished on, every birthday candle they've ever held their deepest desires in as they blew the flame out for the day you two met. by any manner of higher power or forces unseen to the human eye, they're certain fate was on their side to give them such a blessing.

"i'll love you 'till you're gone / our song goes on and on"

↳ they're determined to hold on as long as possible. all good things cannot last– but they try not to dwell on that thought. they hold onto the hope that you're the one thing that will stay. your love feels divine. radiant, in the way it overtakes them fully. they almost feel undeserving. so, no matter how small or how grand the action, they try to remind you every day, "i love you"s woven into their every being whenever you're around.

▸ lyla, SPIDER-MAN NOIR, johnathan ohnn/the spot

[ i will - mitski ]

"everything you feel is good / if you would only let you"

↳ sometimes they feel you holding back. they can't help but notice the tension in the room as you suppress the things you want to say, silence the thoughts in your head. they know it's not easy to be earnest all the time. but they love you– they care for you. and all they've ever wanted is for you to be authentic. if it's pure, how could it ever be wrong? maybe in your own time, you'll be able to unravel in front of them. they're by your side every step of the way. to finally have you open up to them– to be real, to be honest– it would mean the world to them. they want to show you they love every single part of you. they love you when you're upset, when you're crying, when you're angry– because it's you.

"so stay with me / hold my hand / there's no need / to be brave"

↳ they offer every reassurance they can give you. you no longer have to fend for yourself. those days of being alone are over. you can crumble apart if you need– there's no need for constant bravery anymore. you did such a good job picking yourself up, time and time again. now, they outstretch a hand to you, a silent way of saying, "let me help you this time."

▸ ben reilly/scarlet spider, gwen stacy, HOBIE BROWN/SPIDER-PUNK, JESSICA DREW, lyla, MILES MORALES (1610), PAVITR PRABHAKAR, PETER B PARKER tbh all of them but shhh

[ right side of my neck - faye webster ]

"you looked back at me once / but i looked back two times"

↳ absolutely smitten with you. it doesn't matter how hard you fell. they. fell. harder. and maybe it's not obvious to you. but they've never had someone who made them care so much. some part of them feels immature for feeling so in love,, like a school kid with a puppy crush. they find it ridiculous, how absolutely lovesick and enamoured they are with everything about you. whatever you feel and express towards them, they feel towards you three times as much. they try everyday to show it.

"the right side of my neck / still smells like you"

↳ you just seem to leave a part of you with them always. they can't ignore it– can't seem to escape your presence, even when you're not physically there. it felt like spiralling to insanity at first. but they've learned to appreciate it– find comfort in it, even. the way the smell of your shampoo lingers on the pillow they leant you when you stayed over, the way that the mug of tea (made just the way you like it) is still on the kitchen table from the morning after– you left your t-shirt once and you had to ask them directly for it back. they like keeping pieces of you near. it reminds them of how loved they are.

▸ BEN REILLY/SCARLET SPIDER, gwen stacy, HOBIE BROWN/SPIDER-PUNK, MARGO KESS, miles morales (1610 and 42), pavitr prabhakar, the spot/johnathan ohnn

[ you love me - kimya dawson ]

"but when i met you, right away, i knew / you would never, ever, ever hurt me"

↳ you're used to pulling away. leave before they can leave you, before they even try to make you miss them– but the second you met them? they were insistent on proving that they were harmless. they could never dream of hurting you. and they see as you pull away, scared to get too close– and yet, every single time, they open their arms back to you.

"and the road's still long but you come along / and you hold my hand, and you understand"

↳ "when you're ready" has become second place in their favourite three word sentences. they remind you of these words constantly.

"when you're ready" means they don't mind that it's not now. ""when you're ready" means it doesn't matter how long they have to wait for you, they will. when you're ready" is another form of "i love you"

▸ MARGO KESS, MILES MORALES (1610), pavitr prabhakar, PETER B PARKER, spider-man noir

[ (you) on my arm - leith ross ]

"i wanna buy you pretty little things / and never ever lie to you"

↳ wants something simple with you. craves a form of sweet, normalcy. the mundane tasks and events of life seem far more appealing to them when you're in the picture. no, they never really imagined ever having a quiet life, yet the hope for one with you lingered. to buy you little gifts, to be the best they could possibly be to you, to drive around with you for the hell of it. they're certain anything could be heaven if you were there to accompany them.

a quiet life sounds nice.

"i'd be better armed if you agreed to take it"

↳ having you on their arm just makes them feel secure. keeping you close while showing you off to the world– showing you've got each other. they're a bit sappy for little things like this. everywhere you go, they never fail to extend an arm out to you. something about you makes them feel safer than ever.

▸ jessica drew, miles morales (1610), MILES MORALES (42), peter b parker, SPIDER-MAN NOIR

[ peach scone - hobo johnson ]

"so I fall to ground, collect myself and get ready to take over your heart / or at least your spare time"

↳ they try so incredibly hard to be the one for you. no matter what they try, they just seem to fumble and mess it up. they stumble over their words when they try to compliment you, they get weak in the knees when they try to make a move, and no matter how much they spend deliberating, and deliberating– they've got no clue how to win you over. hopefully you find their clumsy attempts endearing. they're making a fool of themself. and maybe, they haven't really said anything yet– but they're happy to at least hang around you in the meantime

▸ BEN REILLY/SCARLET SPIDER, gwen stacy, MILES MORALES (1610), spider-man noir, the spot/johnathan ohnn

[ dan the dancer - mitski ]

" he liked them more than life itself / i'm sure "

↳ he was quiet in the way he expressed his adoration. still, he did everything he could to ensure you would never go unloved. the way he looks into your eyes, taking you in like you are the loveliest thing on earth... it's only fitting. you're his world. maybe in the silent moments, when his fingers gently brush your cheek, admiring you– you'd begin to understand this.

▸ MILES MORALES (42), MIGUEL O'HARA/SPIDER-MAN 2099

[ lover // over the moon - alice phoebe lou ]

"i'm a lover / i feel it now / i'm a lover / just never knew how"

↳ they don't even try to hide how much they enjoy your company. you're special to them– why would they try to hide that? at this point, whenever you feel arms wrap around you from behind, you've learned to see their grinning face when you glance over your shoulder. maybe they've never been particularly shy about most things,, but now they're just twice as loud. it's inexplicable, the things you do to them. they hadn't anticipated being so utterly soft,,, not like they're complaining

▸ hobie brown/spider-punk, PAVITR PRABHAKAR

[irndad]

* Gardenia - the love of a friend who doesn’t want to just be friends

This screams both tasm!peter to me. Also Remus. Both. Both is good.

a/n: he's my husband officer i love him / prompts are open bb!!! tasm!peter parker x reader

The realization sweeps over him like the invention of technicolor- slow, warm bursts of an entirely new perspective. Her company has been present more often, and he’s slowly becoming addicted to the sight of her. 

Harry introduced the both of them. Peter’s been in kind of an odd space since graduating college, and so sometimes when he meets Harry’s grad student friends he can be a little intimidating. She was no exception. 

Except she was, wasn’t she?

Peter recalls the first time he ever met her, warm twinkling fairy lights of Harry’s apartment illuminating her features. She’d smiled at him, a gentle thing, all warm disposition and kind eyes, and Peter had almost felt his knees buckle under her gaze. 

He’s somehow managed to be charming enough to get her to enjoy his company for almost two months. They’re friends, or whatever you call being the first person the other hears from in the morning. Peter keeps a picture of her in his wallet for luck. He’s not very good at hiding the things he wants, but she’s not the kind of woman who dates guys like him, at least in his perception. 

Still, tonight, this is easy to forget. She’s in his apartment, soda poured into wine glasses, his head on her shoulder, drunk on the way she laughs and the fact she chose to spend her night with him. She’s got a finite amount of time, and she’s chosen to spend it with her legs on top of his. She’s so, so warm. The show he’s put on is the least of his worries, the least captivating thing he can imagine. 

He’s made them dinner, called Harry in a panic about three times even though if you’d have asked Peter before tonight if this was a date, he’d be sure you were insane. There’s a somatic sense of urgency, now, heightened senses attuned to her every movement. There’s a lot of curses to the spider-bite but this- the way that she feels in his arms, how her perfume lingers in his senses, how her so-soft skin feels on his own, her fingers carding through his hair lazily- 

“What’s on your mind?” She says, a giggle in her voice. 

“This is nice,” he replies, turning to look up at her. She’s just so nice to look at.

“Stop looking at me that way,” she says, warmth creeping up her cheeks, delicate hands covering her face in embarrassment. He turns to face her, and she smells like vanilla perfume and everything he wants.

“What way?” There’s an uncontrollable flirt in his tone, and it’s hard to admit how much he’s proud of the fact it’s him that made her feel that way. It’s a lot of restraint he’s used to not call her baby. 

“Like that,” she murmurs. He thinks he might see her eyes flicker to his lips, and his chest roars with want. He’s drunk on all of it, the feeling of her so close, the kindest person he’s had the good fortune to meet. 

“I can’t help it,” he says back, unashamedly staring back at her adorable pout, “I just wanna…”

It’s months of pining, of waiting and watching and listening to the sound of her heart when he leans over and kisses her. He’s not sure if he’s fucked it, but then- then she leans into him, kisses him back, warm and soft and isn’t this the point of being a person? Getting to be held like this? 

She actually ends up staying the night, in an incredibly mundane way. Harry finds them just that way in the morning, wrapped around each other like knots on a cherry stem. Peter doesn’t even have it in him to be embarrassed. 

[jennsterjay]

No webs, no powers, and no gadgets. Just outside at a park with a start and end goal with the sun on their faces and grass beneath their shoes

[punkeropercyjackson]

I swear fake superhero dudesbros would scream,hurl,cry and then explode if i told them as someone who's read for a wide variety of comic book characters and has specifically read everything Red Hood is in and is working on the same for the Spiderverse comics,that since Superman was made by jewish men to reflect the jewish experience and has jewish-coding as a result and BATMAN is also jewish for the same reason and Wonder Woman was created out of William Mourton Martson's love and respect for his bisexual girlfriends/wives,being a minority is not only not a bad trait in a superhero BUT A REQUIREMENT FOR BEING A REAL ONE BASED OFF COMICS HISTORY.Did you know Green Arrow is a socialist despite being a white cishet blonde guy also.And that Green Lantern is implied to be transfem on at least one occasion.And that there's multiple girl Robins and even more Batgirls of color and a black Robin who's more of a real superhero than Danny F*nton or whoever the fuck could ever be.And-

[theribbonmarkedroom]

11 quick(ish) things I learned from my first read-through of the ATSV art book:

1) Jeff was promoted to police chief because of his “cordial relationship” with Spider-Man (which makes things so much worse)

2) the creative team from the movie were directly inspired by the spidersonas people made when Into the Spider-Verse came out (especially when creating new Spider Heroes)

3) the immediate colors of Gwen’s world are based on her mood “She’s kind of like a mood ring, and whatever she’s experiencing is expressed in the color of that scene” (I say immediate because it’s mentioned that anything she’s not directly focused on gets pushed to the back in terms of colors, so the backgrounds are more muted at times while the main part of the scenes are more vibrant)

4) idk if this was in the comics because I don't follow any of the comics, but Pavitir got his powers “from a mystical shaman” and was not bitten by a radioactive spider

5) the book refers to Earth-42 Miles as Miles G. Morales (like Peter B. Parker) & “We wanted to create a world where it felt like Aaron and Miles G. Morales of Earth-42 [this reality’s counterpart to Miles] are the only heroes”

6) Peter B. is “a stay at home dad” (besides the spider society stuff of course)

7) LYLA is an acronym for “Lyrate Lifeform Approximation” (and she is also “Miguel’s closest friend” and maybe even his only friend)

8) Miguel has a personal journal that LYLA helps record entries for

9) Kemp Powers (the director) describes Hobie as “much older” than Miles. I bring this up since there’s been some debate about his age in the film for a while but the art book doesn't give anything more specific than that

10) Spider-Byte “thinks Miles is kind of cute” (which is obvious from the film but I think it’s funny how it’s brought up in relation to the reasons why she helped Miles escape Miguel)

11) There’s a deleted scene from the film where Spot goes to The Bar With No Name and has some interactions with some familiar villains and the bartender (won’t say too much about it since I’m assuming the scene will show up in the blu ray)

[cucumberteapot]

I feel like people aren't as open to discussing E-42 Prowle because there is so much about the character we don't know or the films haven't explicitly told us yet. However, I'd like to think writers have presented us with enough information that we can make a strong assessment as to not to what kind of role they'll serve (I think it's fair to say Miles G is going to be an antagonist later-turned hero or anti-hero in BSTV), but what kind of character this is and how they challenge Miles as the main character.

I'd like to discuss one crucial aspect of piece of body language and physical characterisation. This right here:

This is our first proper shot of E-42 Prowler and it closely parallels Aaron Davis in then first movie when he's watching Miles run away.

Now I want to pay mind that in deliberately holding off the plot twist of Aaron being the Prowler, the audience is given no key identifiers as to the Prowler's true identity. He doesn't even have any lines of dialogue until Miles is hiding in his apartment and we after we get the reveal. In every sense of the term, Prowler is a gun for hire. Except he doesn't use guns. The point is he is a hitman. He consistently does what he's told by Kingpin - "You can count on me, sir. I don't ever quit." But then when he's confront with the reveal of the kid he's been hunting is his own nephew and he must choose between his identities as Aaron and as Prowler, that loyalty is severed and it costs him his life.

Which leads us to this specific visual of E-42 Prowler dangling from the rafter before dropping down to face Miles. The camera doesn't cut away from how he drops. Instead we're put entirely in Miles' perspective as to this guy's every move. Between us and Miles, the crew don't want us to miss anything. So what are we seeing here?

Well firstly I think it's clear this is something the Prowler we know wouldn't do because this is a merge of personas of Miles as the Prowler and as a 15-year old. This reads to us as something a lanky kid would do on a jungle-gym, and the fact E-42 Prowler doesn't take his eyes off Miles not only demonstrates curiosity but almost an invitation to play. Not literally, but I believe this Prowler is someone who likes to toy with their victims (which he see a bit of towards the end). And in this case, Prowler is definitely testing Miles from the moment he starts talking about ideas counteractive to his reality - That Aaron Davis could be a "good guy" and that the Prowler identity is something detrimental to the E-42 dimensions' existence. Granted, Miles is speaking from the experience of someone who's Prowler didn't provide income for their family and represent a symbol of strength like the Spiderman identity, so it's a no brainer E-42 Prowler views Miles as antithetical to his state of being. Another thing is that this is how Miles hangs from his webs throughout the movie (under the clocktower, before going through the portal to mumbattan, etc.), so it's a nice consistent characterisation between the two.

But that only leads us into what separates them. After keeping their focus directly on the other, they have their first exchange:

Prowler: Your dad is still alive? Miles: What? Prowler: Your father... You said he's still alive. Miles: Yeah. Prowler: Oh.

Okay, let's dissect this. Specifically Miles' confusion at to why Prowler's asking this because the audience is in the same boat but for very different reasons.

Now I don't want to make assumptions but even before Prowler unmasks, Miles already knows it's his counterpart and his question isn't so much as not knowing but a request for confirmation. However the reason why Miles is confused here is because he expected that same curiousity about identity from his counterpart - not about relatives. Prowler doesn't ask who Miles is even though he doesn't really know, and when he gets his answer that, yes, Jefferson is alive in the other universe, his reaction is played off as dismissive, separating his identity and priorities from Miles. Whatever it is, considering it's the first thing he's asks, this is a vital piece of information for Prowler but his reaction removes any possibility he can be negotiated with... which Miles continuously fails at.

Miles: Who are you? Prowler: My name is Miles Morales. But you... You can call me the Prowler. Miles: If I don't get home, our dad is going to die. Prowler: Your dad. Miles: Please... You have to let me go. Prowler: And why would I do that?

That then leads us on to Miles' question because he's not only asking for his kidnapper's name, he's asking for who this person is. And in turn who we see isn't particularly angry or vindictive - we'll get to that. Instead, Prowler's expression is complete desolation.

It's only when Miles further insinuates they are the same by referring to Jefferson as "our dad", does he shoot back with "your dad". It's quick because this Prowler is still separating himself from this version of himself and the idea he could or would've been or had anything like his life. Finally Miles accepts that they are separate and ask Prowler to let him go, but Prowler has another rhetorical question which implies although he considers this Miles separate to himself, he still has use for him somehow. Which honestly if you had this strength-is-all mindset, it might feel rewarding to have captured this part of yourself that you considered weak - which for all Prowler knows, Miles is just this inferior version of himself who got decked in one hit.

And then lastly we have these two shots here where Prowler raises his "claw" beside Miles' head and sizes him up.

If Aaron can scare Miles by punching the sand out of a boxing bag while Prowler only has to put his fist on it, you tell me who's more terrifying?

But truthfully this last non-conversational exchange before Miles stares Prowler back down is evident that not only is Prowler going to beat the shit out of Miles, but that Miles' "flippy, little sassy jokes" as Spot puts it, is not going to help him here. Because if he wants to survive, he's going to have to match Prowler's energy. This film has a bittersweet ending not because Miles is captured but because Miles has internalised what he's been fighting against the whole movie - The emotional desolation of being Spider-man that lets them deal with or appear indifferent to the harm or death of people around them and it's exemplified when he applies Peter's first lesson of being Spider-man:

"Don't watch the mouth. Watch the hands."