What we do in the shadows beating the witcher, two marvel shows, and a star wars show in costume design. Fucking delicious
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I am so beyond happy that Kristen is messy as hell. I'm glad that jealousy overtakes her after a breakup. I'm glad she is procrastinating and completely lost when it comes to reviving/creating a religion, and that the weight of responsibility is freaking her out so much she is ruining her relationship with her goddess. I'm glad Ally made her fall behind in school simply because needing to do it is overwhelming. I love that she bitterly snaps at people who annoy her.
she's a character that in every step and decision is reminiscent of a teenager you might actually meet. the heart is there, the flaws are there. she feels so tangible. I love her, so so much.
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the biggest power move would be the duffer brothers purposely waiting for the end of pride month to make us sweat only to say ‘fuck you’ and make byler, ronance, and steddie all canon
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People always take the line “Javert was tempted to fling himself upon Jean Valjean, seize him, and devour him: that is, to say arrest him” out of context in order to make it seem gay. But when you read it in context, it’s actually a lot gayer.
My pet peeve is that people often act like this line represents Javert’s “usual” feelings about arresting Jean Valjean—-“See, Javert doesn’t want to arrest Jean Valjean because he’s a bootlicking authoritarian who enforces unjust laws, hes just homoerotically obsessed with him!” But Javert really isn’t obsessed with Jean Valjean in the novel. They reunite mainly by coincidence and chance, and Javert doesn’t think too much about him outside of doing his job…until after Jean Valjean saves his life at the barricades, and Javert suddenly begins to develop Emotions.
The “seize and devour him” line is from the scene where Javert is considering suicide, and reflecting on the new agonized complicated emotions he’s only just started to develop for Jean Valjean.
Here’s the full paragraph it’s from with the pieces people always leave out:
Twenty times, as he sat in that carriage face to face with Jean Valjean, the legal tiger had roared within him. A score of times he had been tempted to fling himself upon Jean Valjean, to seize him and devour him, that is to say, to arrest him. What more simple, in fact? To cry out at the first post that they passed:—“Here is a fugitive from justice, who has broken his ban!” to summon the gendarmes and say to them: “This man is yours!” then to go off, leaving that condemned man there, to ignore the rest and not to meddle further in the matter. This man is forever a prisoner of the law; the law may do with him what it will. What could be more just? Javert had said all this to himself; he had wished to pass beyond, to act, to apprehend the man, and then, as at present, he had not been able to do it; and every time that his arm had been raised convulsively towards Jean Valjean’s collar, his hand had fallen back again, as beneath an enormous weight, and in the depths of his thought he had heard a voice, a strange voice crying to him:—“It is well. Deliver up your savior. Then have the basin of Pontius Pilate brought and wash your claws.”
I feel like it’s important that this line is followed up immediately with the description “he had not been able to do it”— with Javert hesitating as he reaches for Jean Valjean’s collar and letting his hand fall, because he can’t bring himself to hurt him for reasons he doesn’t understand.
The reason this description is so visceral and feral isn’t because “this is how he usually feels about arresting Jean Valjean all the time” but because post-barricades Javert is in a frenzied desperate suicidal state, like an animal backed into a corner.
Javert is frequently compared to animals throughout the novel— he is the “watchdog” of the government, the domesticated wolf who is tolerated because he hunts down the wild wolves like Jean Valjean. But here finally feels shame and disgust at his own animalistic violence. He feels a tiger roar within him, is furiously certain that he is obligated to arrest Jean Valjean— but then he notices how animalistic and monstrous he is, and that his hands are “claws,” and he suddenly feels a deep confused shame.
I think you can also analyze this line through the layer of….Javert doesn’t actually know what he’s feeling, and so he is attempting to describe all of his emotions through the language of prisons and police. The only metaphors he has to explain his feelings to himself are the metaphors of are arrest, violence, and hunting. And I think in that context it’s also possible to read this paragraph as Javert’s confusion over wanting to touch Jean Valjean, but not wanting to hurt him— and not understanding what that means. He wants to seize him, which must mean he wants to arrest him— but he doesn’t actually want to arrest him. He keeps raising his hand to reach out to him and then letting it fall. What does it mean if he has a violent visceral emotional desire to touch someone, to seize and devour someone— but does not actually want to hurt them? Is someone whose hands are “claws” even capable of that?
Idk, I often see this line used to ‘prove’ how Javert’s weird vaguely homoerotic feelings for Jean Valjean are what make him predatory and violent —but to me actually it’s the opposite. Javert’s obsession with authority makes him predatory and violent, and the weird vaguely homoerotic emotions he develops for Jean Valjean are what finally make him hesitate, and ‘let his hand fall’ rather than hurt him.
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