#getting her character arc at ~40 good for her good for her

[ai-higurashi]

It's so funny how I created Bela exclusively to be Webby's dead mum but, now that she's developed on her own, her turning out NOT to be is the route that makes the most sense for her.

[oflorelei]

My Problem is:

That it's a let down. Listen I am not mad or horrible dissapointed over that Radahn is there (although sigh i wished we would have gotten that Age of Abundance/Compassion man). I am not mad that he is apparently a puppets and that miquella is apparently the villain from the shadows. I'm mad that they hyped this DLC up so hard, using Miquella's character, which they know to be shrouded in mystery and HYPE, made it appear that we may have the chance to join him/get betrayed by him, made people belief he SPECIFALLY seeks out the tarnished or multiple tarnished at once (to help him?)- that he is the central figure of this DLC when he is not. And thats not an underestimation.

Miquella, most fearsome of the Empyreans, the 'father' of the Halligtree, beloved by near all, who "[...]wields love to shrive clean the hearts of men. (There is nothing more terrifying.)" - does not even have his own bossfight.

No, he is basically just a cape for a boss we already fought to a DLC that costs 40€. He is in the promotion arc, he is said to be a central figure, he is said to be the fearsome empyrean of all. One thing he isnt? Apparently worth the time of day.

I am ok with Miquella being turned into a villain, I am not ok with Miquella being turned into a joke.

There were so so many roads they could have taken with him, he was PROMISING in every regard.

Want to make him a Villain? Fine the reason can be:

=> Manipulation/Enchanting for people to love him (to ensure someone will always look out for him)

-not absolutely evil per say- and it makes sense that someone who is stuck in the body of a child might want to count on many people rather then one person to protect them = it is his weapon to wield affection

- still takes away free will, even consent to some degree

=> Formless mothers influence

- do i even need to explain this one lmao

- already thousands of theories before this DLC thought that miquella might have been negatively influenced by her- especially when so many things in this Game revolve around blood and the power of it

=> "for the greater good" ahh ending

- 'the means justify the end' mentality (maybe even allign with the manipulation and enchanting)

-would be a similar situation to ranni and could mirror it- not the best but also not horrible

=> St. Trina is Miquella's Radagon

- Miquella splitting slowly with the golden order & turning his back to the easier path & planning behind the shadows to change how Things have been? Yeah maybe St. Trina could have been to Miquella what Radagon was to Marika (a guard dog, keeping her checked (sry but i genuinely believe Radagon returned bc Marika started to stray)).

-could also have explored how marika had to deal with it & her relationship to her other self => player could maybe decide who they wished to serve

=> the curse drives mad

- being stuck in the body of a child when you are a grown adult mentally is pure eldritch horror imo, it is not only physically but chances are high it could cause deeper psychological issues

- when grief drove marika mad it can drive miquella mad to that despite everything he does, being so prodigal, does not help and helplessness of it all too

- bc no one can help and no one can understand him

- he is stuck in a body that is his, and yet its the body of a past him, something he should have outgrown, something that belongs to the past- and (IMO) he can not fight truly in his body, not even to defend himself- having to constantly rely on people for your protection when you are an incredible independent creature? Horrible

- while not the most climatic- would it be truly unthinkable that miquella maybe just..gave up? That it drove him mad with grief to realize he spends his life searching for a cure that might not even exist?

- again thats more then a 'what if' then realistic like the rest of the list but i just love the horror adult mind child body

Want to make him a good guy? Fine the reason can be:

=> He is described so. He knew that he would be the next god & took responsibility.

- Miquella created the Haligtree, feed by his OWN blood (which takes far longer and more energy then just using bodies) or all that are rejected by the golden order, he is compassionate & kind. He is protective and by gods above he does want to help, he does break away from the golden order when he realizes they are not what they seem

-With ranni not wanting to become the successor and Malenia cursed with the rot it only leaves Miquella open, he would have been aware of it

- He is already a 'big' brother, caring for malenia, caring for all who were considered Misfits such as the Albinauric & Misbegotten, providing a sanctuary and hope

- Miquella is described as kind, as compassionate someone who basically does wish to bring a change and is ready to self sacrifice for the better

There are many more but guys im so so tired and need to nap. In short: its incredible to me how you can make a Character that had potential for all possible sides (good, evil, inbetween) so bland, his arc and journey feel like white toastbread, his relationship to his beloved sister malenia seems fake, he doesnt appear to be an adult trapped in a body of a child but as simply put an idiot who is all about "me me me me" & then doesnt even get a bossfight.

Im not mad it was written, i am made there was zero thought or reasoning put behind it, when there were so so many options to make it good. Its sorta fascinating that somehow no one likes this ending, not the Radahn Fans, Nor the Miquella or Malenia Fans..idk man. Having feelings about this.

Also im really bummed we didnt get a cutscene were the tarnished touches Miquella's arm to travel like- man.

Also sorry for the grammar/spelling or maybe even logic errors i just needed to vent ngl

[mothellie]

I think the Duffer Brothers' history with racism in their show goes a lot deeper than a lot of people realize.

Lucas as a character has three distinct B plot stories that get assigned to him: being a minor antagonist to Eleven in season one, being a good friend to the rest of the Party, and being in love with his girlfriend. While Mike's plot is directly centered around two of the most pivotal characters of the show, Dustin is given two different role model characters that shape his arc and is overall the genius that helps the rest of the cast get out of several difficult situations, Will still being connected to the Upside Down after his disappearance in 1983 and that playing into several major plots, Max having a multitude of centric storylines especially in season four and Eleven literally being THE main character- Lucas is only ever given plots that help serve and uplift the other (white) characters. Unless you count him... playing basketball and being friends with Jason. I guess?

Erica is similar to Lucas, but to a much larger degree. I'd like you reading this to think of any single Erica standalone plot in the show that has nothing to do with/does not predominantly or solely benefit the white characters around her. I'll wait.

The Sinclair parents are only touched on in brief sections for the sake of filling the episodes, only ever playing a more major role in Season Four. If you could call it that. I'm sure most of you couldn't even tell me their names off of the top of your heads. (It's Charles and Sue, by the way.)

Argyle was the first somewhat major character of color to be introduced to the show after Erica played her part in season three. I could say similar things about his role in the season overall that I can about Lucas and Erica. Except they set him up to play a bigger role in the next season at the end of season four, going as far as to show him in Hawkins and have Jancy verbally allude to him sticking around, only for the show heads to ghost Eduardo Franco and let him find out he wasn't being brought back through an official social media cast photo.

Kali was a former subject from the same lab El came from, having escaped and subsequently began to lead a vigilante life of enacting revenge on those who played a hand in her suffering. She was the first subject El ever met after leaving the lab, shown to be incredibly powerful and strong-willed. Her and El had an immediate connection, calling themselves sisters right after meeting. But after El was finished with her self-discovery period on the S.S. Kali Gang for one (1) often-forgotten and poorly-written episode, Kali was quite literally abandoned both in spirit and on screen, never to be seen or even mentioned again.

All other characters of color are either killed violently (Patrick), have like ten minutes of screentime total (Jeff and Calvin Powell), or are just straight up background only and may not even have names.

They can dedicate an entire section of season four's plot to Suzie's family, but not to genuine character development for Erica or for Kali to return. They can make room for a whole pointless predatory plot between Billy and Karen, but not to give a more important role to the Sinclair parents. They have room to include a whole plot about El getting bullied in school, but not for Lucas to have a more meaningful story outside of his white friends and girlfriend. They can platform three known white zionists while Palestine currently undergoes a gruesome genocide even as I type this, but they don't have room for Argyle in season five (or even the decency to give Eduardo a fucking phone call).

Not only do the Duffers constantly write themselves into holes because they keep adding unnecessary fodder to the plot, and refuse to kill ANY of their main characters in favor of just creating new characters for the sake of killing them off in mediocre ways despite the fact that they're trying to fit 20+ B plots into 8-9 40-50 minute episodes per season and wondering why half their show doesn't make sense- The time they DO dedicate to character-specific B plots and character arc progression visibly favor the white characters.

If I watch S5, and that's a huge if, I will be sailing the high seas. Between all of this, the fact that they filmed part of season four in an old Nazi prison and tried to turn it into a fucking AirBNB, and the fact that at least four people who play major roles in the show actively support the current genocide of Palestine- I won't be giving them (or Netflix for that matter) another cent of my money.

While you're here, please do your completely free daily click to send aid to Palestine, and here's a list of other resources for how to help more directly.

[medakakurokami]

I finished over 100 visual novels, here’s a long post with some recommendations

Last month I hit 100 Finished VN’s over on the VNDB and I thought I’d shoot out some recommendations while the Steam Summer Sale is going on (even though some of these aren’t going to be on Steam)

I already have finished up some stragglers and caught some shorter titles so it’s up to 104 Finished, but all the better. I have been reading some VN’s since 2015, but it really became a hobby and a genre I was invested in during Covid lockdown in 2020. I had trouble getting into some of the popular titles, but a couple of games that were lesser known at that time really blew me away that year and I started digging more into the medium. I still have a lot to try out and other classics I’m still interested in trying, but here’s a top 10 I’m confident in recommending to most people, at least the kinda people that would follow this blog. A few of these recommendations are actually multi-part series, but hopefully accessible all around.

Planetarian ($10 on Steam and Switch, ~$5 on sale)

This is a very late entry onto this list but I think it’s an easy recommendation. This is a very short 2-4 hour visual novel that got a well received 2 hour movie adaptation in 2016, but it was strong enough that even while knowing the plot everything still hit hard. It is a story set 30 years after an apocalyptic event destroys most of the world, as a human junk-trader comes across a planetarium with a somehow-still-functional robot named Hoshino still performing her daily duties after 30 years without customers or coworkers. It can come across as a bit saccharine, but it is a quick, well made, and effective tearjerker.

Narcissu 1st & 2nd (Free on Steam)

Narcissu’s first two parts are pretty compelling stories to do with suicidal ideation within the scope of the terminally ill. Which is to say they’re also real tear jerkers, and pretty open about some harsh self-reflective emotions. They both have stellar endings, and can be quite immersive despite the very limited artwork (if the screencap looks weird, the game’s art exists within a narrow strip on the screen, with a sentence or two reading out the story underneath it). Maybe the least accessible on this list, but a $0 price tag makes it easier in some sense to get into.

Umineko no Naku Koro ni / When The Seagulls Cry (~$50 on Steam, $30 on sale)

Umineko you’ve probably already heard of, and here’s me recommending it. Umineko comes in two parts, on Steam referred to as the Questions Arc and the Answers Arc. Despite the split, the overall story follows the events of a certain day on Rokkenjima Island in 1986 as a family meets to discuss their inheritance and their family’s mysteries. Unbeknownst to them they are soon haunted, over and over again, by the revenant of the Golden Witch said to live in the woods of their family’s island.

I’m in the minority of preferring the Questions Arc, where well written and deeply human characters find themselves in deeply inhumane and nonsensical scenarios. The Answers Arc back seats some of that to start delving into an esoteric explosion of clues and backstories, and was still very entertaining even if I was more invested in the episodic stories than the overarching mystery. This may also be seen as inaccessible, $30-50 for a slightly older title and over 140 hours long on average playthroughs, but it is deeply absorbing.

Witch on the Holy Night a.k.a. Mahoyo ($40 on PS4 and Switch)

Mahoyo is me and Nasu’s marriage counselor, it really made me see the good in him. It follows a young witch co-habitating with her magic colleague and the puppy-like boy that unwittingly steps into their world at risk to his own life, just as unexplained apparent murders are witnessed in their town.

This could possibly be a higher level recommendation, though it was apparently intended to have sequels and you can somewhat feel that in the isolated feeling of its main conflict. Despite this, the game is definitely worth experiencing for its classy charm and extremely well made action sequences that at times make you forget you’re not watching a full anime film. It’s also a showcase of Nasu’s strengths in writing character interactions and comedy, and he finally lets Show take over and stops Telling you piles of mage society worldbuilding quite so often. It is also has some of the highest quality production value I’ve ever seen, second maybe to...

Marco and the Galaxy Dragon ($20 on Steam/Switch, less than $10 on sale)

Marco and the Galaxy Dragon is an explosive opera of art, energy, color, and of course music. It follows the orphaned Marco and her dragon compatriot Arco as they hunt for treasure across the cosmos, finding their way to Earth on the hunt for Marco’s mother.

If Umineko’s 140 hours seems steep, Marco has you covered with a quick 6 hour rundown of a rebellious orphan fighting back against her space alien menace to find her own sense of place and identity in the universe, along with ALL the friends she made along the way. If Mahoyo feels like an anime film sometimes, Marco actually just has fully animated FMV cutscenes that are fun as hell and have their own unique artstyle to the VN itself. Thousands of pieces of artwork and a 52-track OST fill the game’s short runtime with no cut corners and and overflow of passion from the devs. Honestly even if you don’t want to read it go buy it, it’s cheap and they earned it.

White Album 2 (You’ll have to be creative to find this one)

This is the only recommendation that’s currently only available in an adults only 18+ Rating for the English translation. That being said, it’s one of the few erotic VN’s that felt justified in its pornographic scenes. The story is split into two releases: Opening Chapter and Closing Chapter.

Opening is a short and powerfully delivered love triangle narrative following Haruki, Setsuna, and Touma as their hastily formed 3-man light music band falls into itself with feelings. It’s charming but gut wrenching and sweeps you into its drama very effectively before kicking you on your ass in the end.

Closing Chapter is a long and drawn out disassembling of their lives as they fail to heal from the wounds of the relationships seen in Opening. It, to great effect, takes the readers own experience with how fun and passionate the Opening Chapter was, and shows how trying to cling to halcyon days can make us so dispassionate about our present lives. Painful stuff! Good music, too.

The Princess, The Stray Cat, and Matters of the Heart 1 & 2

a.k.a. Noratoto ($40 on Steam for both, ~$15 for both on sale)

This is a very personal recommendation, and maybe one more easy to make on this blog where many of my followers might be receptive to sincere but slapstick ecchi comedy as art. Every route is highly different however and to me, some are pretty average for galge, while others stand out as amazing. The comedy writing as well feels like it was written by someone with actual comic writing experience, and not just regurgitating the usual ecchi manga jokes.

The general premise of Noratoto is the protagonist Nora, being transformed into a cat by Patricia the princess of the Netherworld, and he must reverse this curse via a kiss before it becomes permanent. A benign fairy tale premise, but one that somehow gives way to underlying stories about existence and finding purpose in families and where that leaves those without families or with abusive or divided families (it is from the same developers as Marco and the Galaxy Dragon, and the themes of finding identity without family match up very closely). Uniquely it is a visual novel written somewhat in 3rd person, narrated by a motherly voice as if the VN was being read to you as a bedtime story.

Like I said, it is dependent on route and some come across as your usual ecchi gal-game schtick, but some stick out, and if every route was as high quality as Nobuchina’s in the 2nd game, it would probably be my favorite visual novel.

The Original Ace Attorney Trilogy ($30 on most platforms, $10 on sale)

You’ve almost certainly heard of Ace Attorney already and have most likely played it. This is me telling any Ace Attorney fans reading that the original trilogy still reigns supreme (regardless of Turnabout Big Top). This is also me telling anyone who has held out on trying Ace Attorney to try it, and to start with the original trilogy.

Obviously this trilogy follows the Meme Man Himself, Phoenix Wright, as he defends the innocent and brings the guilty to justice acting as both lawyer and his own main investigator. While each case presents a unique mystery, the original trilogy has an underlying arc that reaches from beginning to end with a massive conspiracy that Phoenix has to breach to bring justice to the perpetrators and resolve the memory and regrets of his beloved mentor.

These games have some speedbumps as you may be banging your head against the wall trying to find the right evidence, but the experience that breaks through does so with gusto, succeeding on what it sets out to be: games that make you feel like you’ve brought justice to the world.

Utawarerumono Trilogy ($40/60 each on Steam, trilogy bundle $62 on sale)

Utawarerumono was my first proper visual novel, and it set the standards pretty high. I’ve posted about it several times in the last few years, and it remains one of my favorites. It is a labor of love on the part of the developers (the same developers as White Album 2), who developed the latter two games over the course of several years and have made this the spearhead of their company for the time being. Which makes sense, since it is about war.

The first game follows a masked man who is given the name Hakuoro waking up in a rural village with amnesia, confused about the strange population of beast-men living there. Despite not understanding his situation, his ingenuity brings the village prosperity. When the local lords try to put the village under their thumb, Hakuoro and the villagers are able to turn the tides against them. Their village grows into a kingdom as Hakuoro seeks the mysteries of himself and the world around him.

The latter two games pick up some twenty years after the conclusion of the first, and follow a man who is given the name Haku, waking up in the woods with amnesia confused about the... you get it. He is met by Kuon, a young girl on her way traveling to the capital of their nation of Yamato. Haku graciously accepts her help getting out of the cold woods, and decides to join her to the capital. As events play out, Haku finds himself under the direct command of the nation’s leader the Mikado, and carries out missions on his behalf as the nation continues to drag itself into war and conflict and Haku also seeks the truth of his identity.

These games are expansive in scope while still putting a large focus on the day-to-day lives of its characters. Around 100 hours across all three games it is impressive how much story it manages to fit in, but the pacing does bounce around between sweeping conflict and sleepy conversations. It is also in part, a strategy RPG game with the battles in the war being controlled by the player. These are decently made, especially well in the third game, but don’t ask too much of the player and the story remains the main focus and biggest portion of the runtime.

The House In Fata Morgana a.k.a. Fatamoru

($40 complete version on PS4/Switch, ~$40 main game + expansion on Steam)

I’ve gushed about this enough on this tumblr, I’ll keep it brief.

You are a formless soul who is led by the hand of a mysterious maid through the doors of a mansion on an unknown plane of existence. Through each door lies a story of the house in a different era, all following people bound together in ways that leave them cruelly and violently undone by the end of their stories. The connection between these stories, the mystery of the house and the supposed witch that resides within, and the mystery of You the wandering soul all slowly unravel in a bloody show of catharsis and soul. The game is dripping with traumatic poetic text, grating beautiful music, and all of its atmosphere geared toward being oppressive yet enticing. One of the best things I’ve read.

Honorable mentions:

Va-11 Hall-A and Endless Mondays get shout outs as some of the best Original English Language VN’s I’ve read, with cool artstyles and a mature cast they manage to be fun and relatable. Va-11 Hall-A delivers a great arc for its protagonist and Endless Mondays has great dialogue on the threat of automation of creative industries.

Grisaia Trilogy and Hatsumira are both absolutely raucous trilogies that are a lot of fun. Not wholly recommendable to all, Grisaia has some strong moments and a hilarious unique cast but is a mess overall (but we love Michiru). Hatsumira is a bit more consistent, a more stable and fantasy-oriented Grisaia.

A.I. The Somnium Files duology are detective games with highly divisive endings, but great comedy and characters that make them very easy to get through and enjoy the whole way to the end. It’s just a toss-up whether you’ll like that ending.

Sakura Wars games are finally being translated, and they are a great showing for anyone who wants to try some classic dating sim stuff but with some pizazz thrown in with the setting and mecha combat.

The Tears to Tiara duology by the same developers of Utawarerumono and White Album is also one to keep an eye out for. The first game's definitive version isn't available in English and the second game is stuck on the PS3 and no longer available digitally, but if they ever come out on Steam they are worth your time.

Nanairo Reincarnation and Kinkoi: Golden Loveriche are also two solid ecchi comedy galge. Both have surprisingly deep and genuinely heartbreaking underlying mysteries and conclusions.

I still have a lot I wanna read, Planetarian is the only Key novel I’ve read. On the docket are Labyrinth of Galleria, Little Busters, the 9 -nine- series, and Kara no Shoujo and White Album 1 releasing on Steam this year. Some classics I didn’t mention are Fate/Stay Night, Muv Luv, Steins Gate. Muv Luv I read Extra and enjoyed it, but never pulled the trigger on reading the rest, I may at some point on a whim. Steins;Gate I played through half of on PS3 and now my PS3 is in the closet, the VN is really good and has a unique atmosphere to the anime, buuuuuuut knowing the plot has made it hard to want to restart on PC or another console. Steins;Gate is good, if anyone is reading this far and hasn’t seen the anime or read the VN, do it.

[overleftdown]

this is going to be my somewhat-brief analysis (buckle in, it's not brief at all) of preluding scenes to farleigh and olivers... scene, lmao. because i can't read micro-expressions and social cues IRL, but i can for movies! also, i want to give my understanding of farleigh's character using the most substantial part of his arc. i disagree so much with a lot of people's takes on farleigh. i needed to talk extensively about it.

[0:58:46] farleigh makes eye contact with a footman. this is one of the footmen that farleigh mentions to felix in a later scene, which i'll also go into. what's interesting about this subtle interaction is how wildly differently you could consider it, depending on how you choose to view farleigh as a character. if you go the "mirror of oliver," route, then this eye contact could be the moment farleigh decides the route he's going to take to confront felix.

on the other hand, the hand that i believe makes more sense, farleigh is genuine in his confrontation with felix. the eye contact he shares with the footman is reciprocated; the footman holds it, even as his body pulls back and his head turns. this gives the idea that they are making a connection. the expression farleigh makes afterwards is also an indication that farleigh isn't plotting or scheming to earn pity points; he feels a connection and comradery with the only other black people at saltburn. when the footman turns away, unneeded anymore (this can be a parallel to farleigh), farleigh glances down, back up, then purses his lips. he looks dejected, in my opinion. this is immediately followed by farleigh's dig at oliver; "i think oliver looks like he'd rather throw himself out of a window.

food for thought.

[0:59:9] elsbeth: you can invite all your friends. farleigh: what friends?

this can obviously be a petty dig. and it is, in some ways. but i think a lot of these petty digs are because farleigh has been here before. he has watched his cousin drag home mediocre and tragic (presumably) white boys for perceived self-benefit. whether felix wants entertainment, wants to quell his guilty conscious (both of which are motivations for his mother), felix seems to have these fleeting possessive relationships with the friends he brings back to saltburn. he could also be queer and deeply repressed, lmfao.

i digress; farleigh is sick and tired. the first thing he says to oliver, before oliver even got to felix, was bitchy as all hell. after that, farleigh had more incentive to belittle oliver; yes, his comments about mannerisms, class, and overall character were petty. they were also all of the qualities that farleigh couldn't afford to have. farleigh is pointing out that oliver has no social life, yet still gets a 200-person party full of people that don't even know his name. this is tragically unfair, at least in farleigh's mind.

[1:01:25] felix: and fucking farleigh, what a little shit stirrer. oliver: well, someone has to entertain us all. felix: ...right. oliver: that's why we love him.

there's a clear disregard of humanity and depth, when felix concedes that farleigh is "entertainment." the sheer fact that felix would immediately believe oliver, a "stranger (as venetia so eloquently puts)" over a close family member, is odd on it's own. there are probably more reasons for distrust; everyone in saltburn is a shit stirrer, and farleigh does put on a particularly good show.

that's intentional, though. farleigh is very intentionally entertainment. otherwise, why would the cattons keep him around? they're welcoming people to their house as family, because they want a break from the reality of soul sucking wealth. because they want entertainment. elsbeth with her friend, who's only real personality traits are being pitiful and visibly different. felix, with his summer pet projects like oliver. farleigh can't be a temporary show; he needs to keep coming back. he needs sir james to support his mother.

[1:02:40] farleigh: i'm not saying my mother isn't completely idiotic when it comes to money. felix: you just have to be firm with her. farleigh: well i can't call her and tell her no! felix: i know, i know, you've said that. i know, i understand. farleigh: no, you don't know! you don't, it's humiliating. felix: it's very hard.

felix's approach to discussing other people's issues--that he does not relate to--makes me giggle sometimes. not that he's malicious or a fumbling idiot, but because of this scene specifically. in just this chunk of dialogue, you have the "i understand" and "you don't understand" conflict. an age old one. a common representation of someone who has never lived a specific struggle yet frames themselves as knowledgeable. felix seems to enjoy the "it's very hard" verbiage. the manner in which he speaks to oliver about his supposed impoverishment and struggles is very similar to the way he speaks to farleigh, in this scene.

i don't know what else to say about this. you can make your own inferences on felix's dialogue, i suppose.

[1:02:50] farleigh: i'm sorry, but it's a bit fucking shitty. you're all throwing oliver a party for 200 people while my mother lives in squalor. felix: well, she's hardly living in squalor, mate. farleigh: well she can't pay her bills so she will be! okay? at the rate she's going, she will be.

GAH. again, this dialogue can be considered in two different ways. farleigh could be hyperbolizing in order to play into the catton savior complex. or he could be completely genuine in his anxiety surrounding his mother's finances. it's very important that you recognize the fact that farleigh isn't arguing about himself, in this situation. he's talking about his mother. later in the conversation, he recenters himself as a person of color. but the original conflict is about whether or not his mom is living comfortably. this arguably affects him, but not entirely. he could continue to maintain his oxford-student-and-saltburn-resident character and continue to frolic around while his mom struggles to make responsible decisions.

[1:03:02] felix: right, well that's exactly why dads concerned about helping her. he doesn't want to enable her. he wants her to learn how to stand on her own two feet. farleigh: yeah, like he does?

and farleigh ate.

[1:03:09] farleigh: i mean, you know how this looks, right? making me come to you with a begging bowl. felix: what are you implying? farleigh: i think you know what i'm implying, felix. why don't you ask liam and joshua? felix: who... who the fuck are liam and joshua!? farleigh: ...your footmen.

farleigh's mannerisms in this portion of the scene GAG me. the easy confidence, the self-assured and confrontational attitude. the cocky wave of his shoulders and tilt of his head. he smirks, scoffs, makes and holds eye contact as emphasis to what he is accusing. the way he says "i think you know what i'm implying" even though i'm not quite sure if felix did. this really hammers in the implicit nature of the cattons' treatment of farleigh.

[1:03:33] felix: oh, oh. that is... that is low, farleigh. farleigh: okay. felix: jesus christ, mate! seriously, is that where you wanna take this!? farleigh: right. felix: make it a race thing!? what the fuck! i mean, we're your family, we hardly even notice that you're... different, or anything like that! farleigh: mmm. felix: i never know our footmen's names!

GAGGED. i eat up this scene and lick my fingers. "wohohoho, i don't see color! i can't believe you'd make it a race thing!" i know i should cut felix some slack, but this is just a little too real. although i've cut farleigh some slack for his classism.

the complete change in farleigh's mannerisms from the previous timestamp to this one is EDIBLE. i can't cope with it. his smile as felix says "that is low" is so painfully real. it says "i've been here before and maybe i was expecting this." for a second, felix is almost entertainingly cliche. then the exasperation hits. farleigh just looks tired. he blinks rapidly, smooths over his eyebrow with his hand, vocalizes his disbelief in felix's denial. "we hardly even notice you're different," to which farleigh crosses his arms (defensive), raises his eyebrows, nods along.

i won't include the final few lines of this conversation cuz i'm blabbing FAR too much, but farleigh's expressions of absolutely exhaustion and disappointment as felix says they've "been more generous then most"... i'm so sick. it doesn't matter what other families would do, because this family passes out charity like it's their favorite pastime. farleigh is your best american girl.

oliver, overhearing this conversation, immediately knows what his next plan of action is. compare himself to farleigh. and really, it's funny, because oliver misses the obvious differences between him and farleigh. just like everyone else. he will never feel different, not in the same way farleigh does. not with farleigh's relationship to the cattons, the legacy of his parents, and his blackness.

[1:06:32] (godfather's karaoke scene, AKA apple bottom jeans. he's a disgusting manchild and he throws his jacket at his wife.) is it odd to point out that another one of the only visible black characters is being degraded/mistreated/disregarded? not crazy, right? especially following the conversation about bias two scenes ago.

[1:07:02] farleigh: y'know, i think i'd fuck richard the III. he's so insecure, so you'd know he'd put in the work, right? oliver: or you could just fuck me, right?

here, i think there's a level of projection that farleigh is using in his line about insecurity. not only is it made known that farleigh uses sex as a tool (with teachers, specifically), but it's also made known that farleigh believes/knows that he is treated differently due to his race and/or family history. oliver seems to have clocked this, considering he relates himself to richard the III, then tells farleigh they have similar experiences.

[1:07:34] oliver: y'know, if you ever wanna talk to anyone, you can talk to me, farleigh. farleigh: ...what do you mean? oliver: well, i know you're going through a hard time at home. i know how that feels, when things are so precarious. it's terrifying... and lonely. and it must be so fucking weird, having to ask them for everything. and i know you fucking hate me. farleigh: i... i don't hate you. oliver: but... if you ever wanted me to talk to them, to see if there's... if i can help in any way... just ask. farleigh: ...okay.

i love this movie. have i said that yet? i bet you definitely couldn't tell by this post. this conversation is so... there's so much to talk about.

i'll start with some of my favorite of farleigh's mannerisms/expressions. when oliver first cuts their... tensions with "you can talk to me," farleigh pulls back slightly, sits up slightly, looks across oliver's face. there's a level of shock to it, but. farleigh was comfortable with oliver, his sworn enemy, flirting with him. yet, he pulled back at a genuine offer of support. some see this as farleigh always wanting oliver sexually, but i think it's more nuanced than that. when oliver says "terrifying... and lonely" that's when the camera cuts back to farleigh. he previously wore a half-smile that is now dropping; "lonely" was the hardest word to swallow. his lip is quivering. he looks up in an almost-eye roll when he says, "i don't hate you." he's laughing when oliver finishes, like he finds it all funny, yet the way he says "okay" makes him seem genuine. however... clearly not, considering the next portion of this scene!

even though oliver is lying out of his ass, everything he's saying is a description of farleigh. people grossly misunderstand farleigh's character, even when it's laid onto a banquette sized table through this portion of the movie. he's insecure, desperate, terrified, unsure, and lonely. farleigh, with so many friends and so many scandalous choices, is so fucking lonely. he knows he doesn't belong here, so he jams his ill-fitting puzzle piece into the saltburn jigsaw and crosses his fingers.

he tells oliver he doesn't hate him, and he looks like he's struggling to spit it out. he looks up towards the ceiling, closes his eyes like he's gathering himself. again, people take this as a bonding moment. the next portion of the scene contradicts this. honestly, i'm not completely sure, either. i think he's honest when he says he doesn't hate oliver. so, what? he's jealous, definitely. he wants to hold the same power as oliver, a foreign entity with somehow so much more privilege than farleigh. maybe that bred a certain kind of infatuation; the need to emulate what you'll never be. of course, he sees himself in the boys felix brings home; they, just like farleigh, need or want something from the cattons (although i object to the idea that farleigh is somehow "a mirror" of oliver). do what you will with this word vomit, i don't know where i'm going here.

and OH MY GOD "if you ever wanted me to talk to them, to see if there's... if i can help in any way," is diabolical. so terribly diabolical. the sheer idea that oliver knows, is pummeling it into farleigh's face, that he has authority over farleigh's life like that? that he knew felix for six months and he can somehow "talk to" farleigh's family about treating farleigh better... vomit inducing. farleigh is actually your best american girl.

[1:09:39] (karaoke scene) elsbeth, so uncomfortable with the idea that oliver is using them. i suppose that's the manner of wealthy people; they don't want to believe that they're only good for their money. but... they did that to themselves, in a way. they enjoy the pet projects, the charity work, the ego boost that comes with inviting the "lesser" to saltburn. hanjob on a haybale, golden big boy summer, right? everyone in the room is scandalized. farleigh is having the time of his fucking life. yet, here's the kicker,

[1:10:10] oliver: this is your song too, farleigh. come finish it. farleigh: only if you insist!

and then farleigh gives the performance of his life, by the way. people died. but... nobody is uncomfortable. literally no one. no one shudders or gasps at the scandal of oliver saying "this is your song, too" over the karaoke microphone; everyone heard. nobody cares. they all know. they start clapping farleigh on, cheering. elsbeth relaxes back onto her bed of cushions, because farleigh is entertaining. the change in mood is soooo... interesting.

[1:10:45] curse this scene, i don't even want to talk about it. it was hot, oliver and farleigh are so homoerotic, whatever yadayada. just like every other sexual scene in this movie, it is riddled with a suffocating kind of uncomfortable tension. we are made intimate third-party witnesses to carnal, sinful, emotionally ambiguous scenes. when i pointed out farleigh seemed more comfortable with flirting then comfort, when i said farleigh uses sex as a tool, when i said farleigh was projecting with "he's so insecure, so you know he'd put in the work." i just overthink. but any person that has sexual relationships with teachers needs intensive therapy and that cannot be denied. however, it's oliver, that uses sex as a tool throughout this movie. another uncomfortable parallel between the two characters.

something about farleigh's expression throughout this scene is... kind of hurtful. the way the moonlight just barely illuminates the light in his eyes, whereas any detail of oliver's face is shrouded in darkness. it make's farleigh look young, innocent, real. (sidenote, as i'm watching, i have to mention this. the way farleigh says that second "no" is so funny. "...no...?" LMFAO). man, i don't even know what to say, past this. the whole dominant dynamic, farleigh saying "i'm going to behave" is a little too painful considering the context leading up to this scene. it's freaky. it's so very oliver.

this is way too long but i could make so many more connections with their final confrontation at oliver's birthday party. i'm drowning in thoughts. what i really wanted to highlight was how ambiguous farleigh's character is, and how differently a lot of his scenes can be perceived. i've decided that farleigh is a sympathetic character, similar to oliver but so much less powerful. some people hate farleigh! so. there's that. the end! thanks to anyone who read this whole thing!

[lakesbian]

twig faq to answer all of the asks i got regarding my liveblog

Q: holy shit twig turned out bad huh A: yeah

Q: should i read twig? A: no. it's bad

Q: what about the parts of twig that were good though? i noticed that there were parts of twig that seemed awesome before everything suddenly exploded A: okay let me elaborate. the first ~13 arcs of twig are really really endearing when they're focusing on the lambs. when they're being about the lambs, they range anywhere from "cute" to "extremely fun" to "genuinely super compelling" to "shit that made me cry (positive)." we have high points such as:

12yo sylvester lambsbridge fumbles 3 people with crushes on him harder than anyone's ever fumbled in their life in the span of like 7 hours maximum

sylvester lambsbridge does transhet biopunk brokeback mountain

wildbow writes rose thorburn but if she were a hardass trans girl (she's the one doing transhet biopunk brokeback mountain with sy)

gordon dies and lillian copes by taking some of sy's drug that gives him turbo-adhd

helen is there

sylvester lambsbridge experiences what i earnestly believe to be one of the cruelest things wildbow has ever done to any of his protagonists

lots of other stuff, i'm abbreviating here

but the reason i say the first ~13 arcs of twig are good when they're focusing on the lambs is that twig is prone to slogging, strikingly mediocre fight scenes--sy can't fight for Shit, but wildbow still insists on describing, like, sylvester trying & failing to hit someone with a wooden plank with the same gratuitous, lengthy detail as taylor inventing a spider-based saw trap for someone. and unlike the spider-based saw trap, it's not interesting to read about. the arcs take an episodic format, and what this means is that virtually every arc goes on way too long, contains at minimum 40% more tediously detailed fight scenes than are actually necessary, and then leaves you feeling jarred when wildbow inevitably timeskips to the next arc just as the prior one was really getting into the emotional swing of things. i also have a (quite possibly subjective?) sense that twig wasn't as well-developed and thought-out as, e.g., pact, and oftentimes the setting conceit (1900s biopunk frankenstein-y british empire) doesn't feel like it's hitting quite as hard as it should.

for all of these reasons, i wouldn't have rated the first ~13 arcs of twig any more generously than in the 3.5-4 star range while i was reading them, but that's still an overall rating of good. i wouldn't still be thinking about some of the things from the first ~13 arcs of twig if they weren't overall good. if all of twig was the same quality as the first ~13 arcs, i would recommend it to people who i feel like could tolerate the pacing issues & would feel reading about the lambs was worth it.

but. BUT. BUT-

Q: so, twig turns out really bad, huh? what went wrong? A:

it is not all the same quality as the first 13 arcs. it turns out really bad the last 7 arcs are actually atrocious

the first thing that comes to mind if you ask me "what went wrong with twig" is that wildbow tries to write a trans woman as one of the main characters, and he does it badly. miss jessie ewesmont, my new favorite girl whom we need to get the fuck out of a wildbow novel. i think she was written extremely well--and in fact one of the top 2 characters in the book--prior to wildbow trying to handle her coming out. i'd even say the foreshadowing for it was perfectly well done and enjoyable. but after she comes out, during the last 7 arcs of the book?

you know how trans women are often victims of being treated as undervalued, disposable girlfriends, who are expected to coddle & cater to their partner's every whim while receiving effectively nothing in return? and you know how trans women are often treated as if they should be grateful for receiving (what is often less than) the literal bare minimum? and you know how trans women are frequently treated as if it's completely implausible for anyone to find them genuinely attracted or desirable, let alone worth pursuing or putting effort into?

yeah, the last 7 arcs of twig contain untold tens of thousands of words of wildbow reinventing all of that from first principles. this is a subjective experience, but it genuinely felt worse to read than amy dallon. at one point, the Disposable Trans Girlfriend in question literally says "i appreciate you not killing me" after she gets stabbed in her sleep by her boyfriend, sylvester. it's beyond parody. i've never said "WE HAVE TO HIT WILDBOW WITH HAMMERS" more in my goddamned life than while reading the last 7 arcs of twig. Transmisogyny Fucking City. it's a completely unforgivable and miserable reading experience.

and speaking of unforgivable and miserable reading experiences involving bigoted handling of a main character...onto Item No. 2 on the list of writing decisions that ruin twig! the ableism.

wildbow wants all of the lambs to--due to being ill-fated human experiments--have set expiration dates. one of the Main Points hanging over the entire narrative of twig is that every single lamb is, in all likelihood, going to die of complications from the way they've been experimented on before they're even twenty. two of them do die from those complications before the story is even halfway over: jamie's entire mind & sense of being is regularly taken out of his body, and one day, the doctors can't get it back in. gordon is a ~15yo with the heart problems of an elderly man, and they kill him while he's still young enough to make one of his last acts begging to see his dog one last time. it's good. it's tragic, it's interesting.

the problem is that wildbow's decision for how to depict sylvester starting to experience end-stage complications is to...turn sy into an ableist horror movie trope villain. sy hears The Devil telling him to kill his friends, and he just fuckin' blacks out and then comes to like "oh no...what's all this blood on my hands." i'm talking "mental illness is a Demon that can Possess You and make you an Evil Serial Killer" levels of ableist writing. like wildbow straight up turns sy into the joker from the movie joker. it's like that one "insaaaaynenene....assyyylum..... cray-ay-zeee...Insaayne" tiktok, you know the one. it's why he stabs his disposable trans girlfriend.

and it's baffling because: 1. wildbow wrote worm. you'd expect better from him when it comes to writing mental illness. but his skills apparently stop short of being able to depict a character with psychosis without making it cartoonishly ableist. but also, 2., sy doesn't only start becoming mentally ill at the end of arc 13! the previous arcs do very clearly establish that he's extremely codependent with the other lambs and needs continuous support to avoid experiencing life-threatening mental health episodes. he experiences dissociation, he struggles with severe memory loss, he acts erratically, he has self-injurious tendencies, he hallucinates, he talks to himself in public. prior to the start of arc 14, all of that is written with perfectly amenable levels of nuance and empathy towards sy. i wouldn't describe it as glowing representation, or anything, but it's by no means egregious.

but after arc 13? change of plans. now he's the joker from the movie joker, and we have to watch while his friends chain him to an armchair so he doesn't go around randomly cutting peoples hands off in a murderous fugue state.

it's bad. it's extremely bad to read.

the third item regarding how/why twig becomes terrible is a lot more simple to summarize: it becomes almost entirely about the previously mentioned sloggy fight scenes as opposed to about the lambs. and when it is about the lambs, it's often terrible to read anyway, due to the aforementioned issues with the handling of protagonist sylvester lambsbridge and his disposable trans gf. the plot becomes incoherent and uninteresting to the point where it's not even worth the effort of attempting to summarize how or why. everything that made twig good more or less entirely disappears from the story, and things that make it fucking awful are added.

Q: okay but lets say i have something unfixably wrong with me and i want to read twig anyway. wheres the best stopping point? arc 13? A: yeah it's arc 13. it's not a satisfying stopping point at all though. nor is the rest of twig prior to it really worth it. just don't waste your time. go read a good book, like pact, instead

Q: what the fuck is up with helen? A: :)

[yall-hate-kids-tourney]

Loser Round 4: Damian Wayne (DC) vs. Jason Todd (DC)

A rematch? It's so funny how the bracket turned out this way.

Propaganda under the cut.

Damian Wayne (9-14):

Damian is a kid who was raised as an assassin and because of that when he first appears he has some really messed up ideas of how to prove himself to his father by being aggressive with the criminals they capture and attacking his brother. Because of this people act like he is the most evil character ever and refuse to give him any grace. They make him out to be this awful irredeemable monster who just wants to kill his brother and hurt people. If the fandom isn’t making his out to be The Worst(tm) then they are ignoring his existence all-together. He is a really interesting character who has done some not so great things but he’s grown and learned a lot through various character arcs (as much of an arc as a comic book character can have) and he deserves to be acknowledged for himself and not just as a villain so that people can woobify his brother.

——

HES JUST A LITTLE BABY GUY!!!!! Little baby man raised as an assassin and learning how to be a real person <3. But because he was kind of a dick and also a little stabby early-on, especially to the fandom's main "so sad uwu depressed baby" blorbo (and also he's not white), people treat him like he's satan incarnate

Jason Todd (~12):

Most of the Tumblr fandom likes this guy but if you step outside this website then wham so many people say he got what he deserved as a kid and Batman can't be cool if he's a dad so it's important for Batman to trash-talk his dead child constantly so we can all agree what a bad idea it was. Also wanna highlight that a lot of the records we have from fans at the time were clear they disliked Robin for BEING a child. Like a lot of the little dude characters in this tournament are treated too harshly for making an ugly choice and the fans aren't being understanding or sympathetic that the choice is made by a child character who is immature and not developed and strong enough to make a good choice and stuff. But THIS little dude was specifically hated FOR being a child. People wanted tough loner guy Batman not Batdad and his little buddy. The first Robin would drive back from college and guest star sometimes and be advertised as the Teen Wonder and people were like yeah okay but then Batman actually starts being a single parent for a child with needs and people were like UGH not the BOY Wonder. Today pretty much everywhere you see Batman fans saying Batman is better solo, no kid, it's not realistic to have a kid, a kid shouldn't be in the movies blah. Even if the comics they always find a way to send away the new kid so that Batman never has to parent. So all the Robins are being excluded from the narrative but I think this one is THE symbol of Batman fans hating a child character just for being a child.

-

Robin, Jason Todd, THE hated child character. In the 1980s, Batman comics had become increasingly dark and gritty. According to editor O'Neil himself, the courted audience wasn't kids but 19-40 year old men with disposable income. Batman's child sidekick, Robin, was offensively campy and childish. Fans called him wimpy, annoying, dumb, bratty, etc. Also people complained that Batman acting like an affectionate dad was unmanly and gay. Robin acts violent and emotional and people are like "ew he's so childish and emotional"—and then Batman literally acts just as murderously and emotionally within literally the same exact story and people are like "wow he's so dark and tortured". So in 1988 (after brutalizing Batgirl to get rid of her for being too bright and nice and kid-friendly), DC held a paid poll for fans to vote for Robin to live or die. O'Neil claims he heard a fan (a grown man with a dayjob as a lawyer) programmed a phone to spam kill votes. One fanguy claimed that he sold his Mercedes to buy kill votes (probably an exaggeration but still). By less than 1% margin, the vote decided to kill Robin in a spectacularly violent way. Anyway the 1989 Batman movie brought in a huge wave of new child comicbook fans who liked the new Robin (a very cool teenage high school Robin with a driver's license and a girlfriend), and DC started a separate Robin-less Batman series called Legends of the Dark Knight to make the anti-Robin writers and fans happy. But to this day, many fans agree it was a good idea to kill off the other Robin so that his foolish death reminds other characters to never be childish and stupid again. Bonus: the current Robin (usually a traumatized 10-year-old) has also been facing some pretty loud hatred for over 15 years.

[karenandhenwillson]

I've seen so much discourse about Bucktommy and especially Tommy and it is so wild. I just want to write down some of my thoughts over all of it because that tends to help me to stop thinking about it.

"Oh, how can anyone just abandon Buddie for Bucktommy?"

Has anyone really abandoned Buddie, though? Or are they just for the moment very excited about a new and so very carefully portrait queer story line? Just because some people talk more (or for the moment only) about Bucktommy, doesn't mean they don't like Buddie anymore. They just have something shiny and most importantly canon to fawn over for the moment.

Also, I'd like to give that question back: Why aren't you all excited for a carefully and softly portrait new queer storyline about a character a huge part of the fandom—including the actor himself—hoped for years would get a queer story line?

And it's a pretty unique queer story. Of course, we had Michael figuring out his sexualtiy and growing comfortable in it right at the beginning of the series. But there are some huge differences between Michael's story and Buck's story.

For one, we ended up in the middle of that story. Michael had already done a huge part of the work of getting to know himself. He was ready to live as a gay man. And second, nothing of what we saw until season 3 was from Michael's point of view. It was all from Athena's point of view. 

So it was a "coming-out late in life" story line, sure. But it was a queer storyline from a straight perspective. And in some instances, from a very hurt perspective about it all (which are, of course, very valid emotions for Athena, May, and Harry, but it still gave the queer side of the story line a certain taint). And they did that beautifully, too, no doubt. I especially liked that the family didn't break over it, that they grew with that experience, and that Michael and Athena became great friends over the years.

But now we also have a "coming-out late in life" story line from the queer perspective! 9-1-1 is pretty much the only series I'm following right now, so I have no idea if we had something similar recently. But from all the talk I've seen, it's pretty damn unique, especially for a male bi character. So, of course a lot of people are super excited about it. Because it's honest and good representation that the writers and the actors are handling with a lot of care.

"Oh, if it were a female love interest, you'd all hate her again!"

First of all, go back read that paragraph about many people being excited about getting a queer story line again! I think that's about 40% of the answer for everyone wondering about it.

And then, of course, Tommy has now already more depth and character and background than we ever saw about Ali or Natalia. And despite some people claiming he didn't have any kind of redemption arc, he truly had a lot more of a redemption arc than Taylor ever got even if only glimpses of it were ever shown on screen. (Maybe I'll get into my thoughts about that in another post.) Not gonna talk about Abby, because I think most of the dislike for her came long after that relationship was over after she ghosted Buck (and after Eddie had shown up).

One huge difference between every love interest of Buck or Eddie we have seen in the past to Tommy is also, that Tommy gets along really well with Eddie. We've already seen a friendship develop there. That never happened with any of the women either Eddie or Buck dated before. We saw that one dinner Buck and Taylor had with Eddie and Chris, but it was very clear it was the first time, and that was over half a year into Buck and Taylor dating, probably more like nine months.

If you wear slash googles around Buck and Eddie or not, their deep friendship is undeniable. It's very much canon that they both have a hand in raising Chris. Any love interest coming in has to deal with that, and has to somehow fit into that friendship. Tommy is the very first love interest in canon we have ever been shown to have that potential at all.

I'm personally part of the fandom that thinks that Buck and Eddie have great potential in a romantic way, BUT that they are first and foremost soulmates, no matter if platonic or romantic. And at least the Bucktommy fics I've read so far have all acknowledge the friendship of buck and Eddie and Chris' role in Buck's life. With Tommy being very accepting and supportive of it. (Though, I admit I’m very careful in my selection process.)

"Oh, Bucktommy is only a steppingstone for Buddie anyway! Don't get so invested in it!"

Who are you tell anyone what they should get invested in? I also think, with the excitement right now, even if Bucktommy break up, the ship itself will live on in fandom.

And also, didn't any of you learn out of the cheating story line they settled Hen and Karen with?

There is barely any content for Henren*. And I've been looking! Most stories they are tagged in don't really focus on their relationship. And those who do focus on their relationship get barely any attention. And you know why that is? Because a lot of people can't or don't want to deal with the cheating. (I deal with it by trying to ignore it or seeking out content where it's fixed!) Do you all really want to have a second queer story line that centers around cheating?

And even if none of you care for Henren (which... I know many don't *shrugs sadly*), have you all already forgotten the real pain over Buck kissing Lucy and then not fessing up to Taylor about it right away? (Once again, I deal by either ignoring it or seeking out content that fixes that bullshit.)

I'm honestly pretty disgusted by all the speculation about 7x06 that has anything to do with Buck and Eddie cheating on Tommy and Marisol during the bachelor party. And even more so about all the fics one can find about that, or that use Tommy as a device for Buck and Eddie realizing they are in love. (Honestly, even filtering out the other relationship tag while looking for stories in one relationship tag doesn't prevent one from stumbling over those stories right now, no matter if one is currently looking for Buck/Tommy or Buck/Eddie stories. It's so fucking annoying. I've turned to only reading old Buddie fics for the moment.)

Aside from the whole cheating of it all, why do any of you think the next episode will focus on anyone else but Maddie and Chim?

"Bucktommy is so racist! But really, no surprise in this fandom!"

What's no surprise is that "racist" is once more used as a buzzword in this fandom. To the point that BiPOC fans of Bucktommy are being told they are racist for the ship they like. (Nothing new about that in this fandom either.) Honestly, half the arguments about why the ship is oh so racist either make my head hurt while I try to follow the many, many, many mental loops people are making to get there, or they just make me laugh outright.

Do some of you really believe it when you say "Buck got together with a White man instead of his Latino best friend, so of course that's racist!"??? I'm just... Are you okay? Do you maybe need something warm to drink, a snack, and a nice place somewhere in the sun far away from the internet to just enjoy nature for a little while?

As I said, I'll probably make another post about Tommy's redemption arc over the whole "He is an unrepentant racist and misogynist". That redemption arc exists and has been baked in since season 2 (even if some of people clearly lack the media literacy to see it). Though, other people already put together great meta posts about this. But maybe if there are enough of it, some people will for once acutally read and start to think instead of continuing to spew their hate.

*PS: If anyone has good Henren contant, especially fanfiction, feel free to drop me a DM. I'm always looking!

[slickfordain]

Heyy! I love your works and I just got into SAGAU. I was planning on making a second acct for genshin and it got me thinking how the charas would react in the second acct where their creator basically speed runs the quest XD, how do you think they will react? Keep up the good work and have a great day ahead <3

Wish to relate,, but I think my twin can relate to you AKDBSKBS - also forgive me for the delay, I had so much work

Yandere-themed, male MC (Aether), Abyss princess (Lumine), platonic children

Consider this as… Creating a second universe, a second world. So everything and everyone would be the exact same, having the same thoughts and same dialogues that would take many minutes to finish. So your first instincts?

It was leveling Aether up to 40 along with the characters that the Mondstadt quest ended so quickly. The battle with Dvalin wasn’t even that badly… And how do these characters react?

Mondstadt arc, Amber felt the light of her God before her speech was being somehow interrupted so quickly. Aether couldn’t quite catch on with what she said, before feeling his body movement speeding up somehow… His eyes were widening every time, and many, MANY characters didn’t understand how and why were their speeches going shorter.

Jean tried finding a solution, she did, really. But while everyone was so confused— this made Aether incredibly happy. Don’t get him wrong, he would like to know more about the world of Teyvat- but just feeling someone guiding him the right path… He couldn’t help but feel so— powerful. The way he defeated Dvalin under just a mere minute.. He was in euphoria. Oh, whoever controlled him, please marry him.

Then there was the Liyue arc. Zhongli has tried stopping the nonsense of the dialogues being skipped, but even his own ability rejected him and now he can’t even speak properly. So many complaints.. So many questions— Liyue and Mondstadt were at this point having a conversation and deals with one another to figure why the hell is Aether getting so strong these past few days.

Until, Xingqiu and a person from Inazuma named “Ayato”, have been doing secret deals with Inazuma, to encounter many characters with a suspicious book shipped from Sumeru. Yes, Kaveh and Alhaitham have visited Mondstadt before the festival— To greet their old witch friend, Lisa. So thanks to Lisa, she has tried giving Diluc and Jean some clues but…

Considering how competitive the blonde and the red haired man is;; you can tell they didn’t really listen to Lisa, so the woman gave up on lending a hand to them and kept talking to Xingqiu about the secret of Sumeru to ship it off to Inazuma. Ayato was the first one to reach it, so now, everyone is ecstatic to hear the theory Xingqiu and Ayato has for now.

You.

It was you all along who controlled the traveler, leveling him and making sure he stayed in shape. The book is scarily detailed about your features and shape, and how you are just a human Godly being speeding everything up. Was everything slow? Why were you speeding up?

Just… Who were you, and why do they feel like they’ve seen you before?

The first account you made, or well, the first “world” of Teyvat— would become anxious. Where have you been? They haven’t seen you since “one week ago”. (Remember, one minute in-game = one second irl) Zhongli was impatiently sitting by his chair, biting his tip of the pen aggressively because he missed you so.

Why did you leave?

Why aren’t you coming back?

Did the Acolytes and him… Scare you?

No. All warmth came back when the sun shone brighter, revealing your name up in the sky again, mentioning you’ve logged back on.

You were back. As you should be.

You got so many mails from the Acolytes. The desperate cries, the gifts of primogems and wishes, the salted tears being soaked into a bottle- To say the least, you were pretty shocked of what just happened. There were detailed apology letters, the “last” confession letters;; thinking it was all over therefore they’re confessing to you.

You could even notice when you went to check on your party, that, Lumine’s skin / arm was completely slightly literally peeled. You were horrified. Was this a new update? Did you miss anything? Was this Lumine’s new skin? Can you change it???

“Man what the fuck I just started another Teyvat story by using Aether this time— is mans gonna have peeled skin too?”

Your voice was very quiet, very soft and gentle;; but the Acolytes heard your voice clear enough because you were near the screen. Their eyes would widen, the Shogun would stop her little “festival” of the visions— and stare at the sky with everyone else. Another story of Teyvat?

The Raiden Ei wouldn’t think it would be possible to go across a dimensional world… But clearly you’ve proven yourself YOU could do that. Only you. The Archons are… Confused…. But so excited… Another story? Did you enjoy them that much, that you’ve created another world? Oh… Oh sweet sweet divine.

Venti’s on his knees, hands clapped together and gazed upon the sky with a massive blush crossing his face. Praying, yelling, being in euphoria. “Your grace! We love you so much! We will try our best to keep you more happy!” Was all that left Venti’s lips, before the Acolytes decided to let you have your fun, and tell them about your story of using another twin that technically was related to the female traveler, Lumine.

Lumine glances at you once in a while in complete awe. You… You can control her other twin too… You knew where he was— and you decided to make a world where he isn’t with the Abyss… But question is, who is in the Abyss then?

Curious Acolytes… They couldn’t help themselves but to also feel jealous. They wanted to keep you for themselves but… Now there’s a different version of them. And it’s not wrong to say the second account felt the same way despite not even knowing who you are and what they were doing… They just felt like they suddenly knew their backstories and knew they just existed.

The Abyss princess Lumine, in your second account, was able to even understand who you were immediately, quicker than the others as her hands were nothing but spilled with cherry red. Her sword drawn with a small glow, blood leaking down, her eyes darting up in the sky with a massive blush;; her pupils being replaced with hearts. And her soul? Corrupted. This was her reason of staying in Teyvat. This was her reason of choosing the Abyss over her brother. It’s because of you.

The second account’s world with the Acolytes soon starts to grow on understanding the situation. Their minds and feelings have gone completely out of hand, and they don’t know why. The story of the God, you, being read about… Just twisted their minds and hearts. Shaky breaths, scratching their skins, it was a mere second they could see you up in the sky too.

Oh good gracious…

You were…

Beautiful / handsome.

And Aether could’ve sworn he feels himself getting distracted over and over again, accidentally killing the Mitachurls and destroying ruin guards out of love.

Yae Miko has insisted herself, from now on, the Inazuma civilians will now only write the story of how the God looks like. Something the other Yae Miko wouldn’t do. Oh, did you think this was over? Haha. I blame you for making a second account, dear.

You see, if the accounts— worlds— knew they were created by you, then it’s obvious they’re trying to show off which world is better.

They will always find a way to outshine the other— which lead them having the same goal. They want to be with you. Gifts, more gifts, and gifts again. You were gifted with primogems. You at this point, didn’t even say anything else as you had to be very grateful of what you were gifted with. For Hoyoverse, clearly has favorites.

Ayaka challenging the other Ayaka by dancing is something you could notice by. The other Ayaka would seem stiff while the other would be more smooth and elegant- not that you gave a shit by… Or, perhaps noticing Venti’s small mistake on a song while the other Venti did it with no mistakes. Not one bit.

Perhaps Diluc and Kaeya getting along more better than the other Diluc and Kaeya. Such immature boys, who would ever want to fight by such little things? Totally not them.

Or, again, maybe you could notice the quality of the two worlds. The high intelligence, Alhaitham suddenly knowing more about the Archons and Khaenri’ah, Dainsleif flooding you and the traveler with so many lore and informations, Nahida dumping you a whole fucking book about the war, the other children damaging more and more.

You were…

Interested, to say the least… But being tired, you never really cared about stuff like these. You still thought this was part of the lore of the characters doing such things, and somehow, you ended up getting Snezhnaya, Fontaine, and even Natlan into your map that had you going: 🗿⁉️

Since when did you even have that much storage?

Now there’s more characters— and the Hydro Archon was there too? Oh… Oh shit. If the Hydro Archon is there, that means clearly the other world of that said account you’re in right now has to do better. Cute, they got Snezhnaya and other nations? Baby shit.

Feast your eyes on Celestia.

“Ayo what why is Celestia here I— Are we really gonna fight it? Hell no—”

You were now just peacefully collecting papers and things to defeat Celestia;; feeding your characters and pampering them. Doesn’t matter which account, because why in the ever loving Archons is Celestia even released? You’re going to die like this without a spoiler alert from Hoyoverse.

You’ve got whatever you needed, didn’t you? If that wasn’t enough, then the Acolytes will do more. Xiao and Hu Tao will erase every ruin guards. You hated them so much didn’t you? It’s only right they eliminate those bastards.

The Fatuis, are no better either in condition. The Tsaritsa has sent many and many workers to kill off innocence, and some people who are never good enough for you.

Say for example the perfume lady and her crafting boyfriend who were making and crafting potions for a way of letting those two into your place, and take you in for the care… Yeah they absolutely died too. They weren’t safe to begin with.

Oh, would you look at that? You logged off.

I should make a second account

[shakespearean-dream]

last of the big five yall!!!!

happy late fourth of july! remember to keep boycotting, speak out and listen to palestinians, the people of congo, native americans, queer/trans people and women currently being oppressed this independence day because america fucking sucks!!! 🇺🇸🇺🇸🦅🦅🦅🔥🔥🔥

here are a couple good places to donate! please remember to do your own research and take care of each other, it’s getting scary out here.

ohhhh nimdok, where to start with you….

i have been dreading doing him because he pisses me off so bad but i actually had some decent fun with him :D. designing him and branching out farther away from his canon self was nice, but im not touching his backstory or personality really, that stays about the same for me in my head.

speaking of whichhh! like benny, i understand how the game makers had a short amount of time to fit an entire character arc of an old man undoing his deeply internalized racism/xenophobia/ableism in a singular short scenario, but unlike benny i actually somehow like his better?? nimdok had a lot more to get over (well not saying being a dickhead murderer isn’t a lot but 😭) and i enjoyed seeing him actually help out the people he would’ve previously turned in. it still feels a little hollow/unrealistic because again, he’s been like this his whole life, but considering how much AM takes him away from the group to (most likely) psychologically torture him for his actions he’s probably had a bit of a revelation.

doing his scenario was unfortunately funny at times because of the strange way we had to go about redeeming him with the golem guy😭giving him a smooch caught me off guard but ykw? i’ll take it for being able to kill mengele like immediately afterward. also speaking of whichhhh…

i would go into more detail about nimdok and mengeles relationship to give it some depth because god i love me some queers, but that is??? a real fucking guy???? a real life monster???? im less than comfortable picturing the fucker in my mind, much less giving him depth with a character who i also don’t like. like why ship ur essentially OC with a REAL LIFE N/AZI??? just another one of the reasons harlan elision creeps me out. (if that just pissed you off google search him s/a-ing 2 people, marrying a 19 year old when he was in his 40s and defending a child r/apist i really don’t feel like arguing with you. the guy was a horrible fucking person and he makes me sick, i just like this franchise.)

i cannot cough up anymore thoughts about this fella pls forgive me; these past couple days have been rough on my 3 brain cells. AM will for sure be next and after that fully rendered/decked out full bodies are in order!! so look out for that:]]]] i may also start posting some art fight things since i was just complaining about the lag a post or so ago☺️ jk ily artfight. team seafoam lets goo

ok i love u guys!!! if u have any requests for me drop a comment or an ask, and thank you so much for the continued support on my art❤️❤️❤️❤️❤️ lots of links on this post but one more quick reminder to take a look at my commission page if you’d like!!! yolanda is still in the shop because they cannot figure out what’s wrong with her :(

have a good night friends 🫶

[universitysunflowers]

Ok I've had some time to process heres my detailed thoughts (TBB spoilers)

First I want to get my biggest issue with the finale out of the way - Tech and CX-2. I have been delusional about him but not to the point that I wouldn't accept his death or other clones as CX-2, and I was staying open. But then they went and did exactly what I hoped they wouldn't: they gave us no confirmation of his identity at all and left him thumbtacked to a wall with no face reveal. Not only is this exactly what they did in Ahsoka, but I also feel like it left a huge gap in the finale storyline. They put so much emphasis on him throughout season 3, including the last episode, and we got nothing out of it. I also felt like this made Tech's death kind of meaningless?? Which I absolutely hate saying because of what he sacrificed in season 2, but why kill him when the rest of the batch gets to live happily on Pabu and grow old with Omega? Maybe the writers had a good reason and I just didn't pick up on it?

I also felt like we were gaslit into thinking it was Tech, only for the ending to imply he's been gone the whole time. Domicile? Phee? CX-2's fight with Crosshair and the waterfall? the way he got the most screen time out of a group that was so clearly meant to be an imperial reflection of the original squad? Idk guys I feel like we got cheated there.

I also wish we got some idea of what happened to Wolffe and Cody, but maybe that is an opening for another show? perhaps?

Ok now that that is out of the way I can talk about how much I absolutely loved the rest of the finale.

Emerie's character development was amazing I've been routing for her since the season 2 finale and you know those Jango Fett genes are coming in strong she will take such good care of those kids for as long as they need. I also think it would be cool to see her again in future productions, her character definitely has potential.

Echo survived!! All the parallels between him and CW season 6 Fives had me terrified that he was about to die but that arc trooper experience paid off. His reaction to Omega freeing the zillo is by far one of my favorite parts of the episode he was so proud of her and I was glad to see him work so well with Emerie. I am also fully ready to enjoy Echo and Rex leading a clone rebellion whenever they deem us deserving of it (looking at you Filoni). I know we don't have proof of anything but there are still to many unanswered questions surrounding the clones, I hope they finish those storylines.

The last Domino is still standing, they would be so proud of him (and his dad jokes).

Hemlock finally got what he deserved and oh I was so happy that Hunter was the one who did it, especially after all the batch went through because of him. And what came after that? Even better. We finally got a Crosshair and Omega hug (plus Hunter) and they all made it off Tantiss alive I mean what more could we ask for?

I have so many feelings on the ending and the epilogue and I'm not really sure how to put them into words but my first instinct when I finished the episode was to spend 40 minutes c r y i n g

they got a happy ending? they have peace and happiness on Pabu and got to see Omega grow up? Omega is going to fly with the rebellion and fight back against the empire?

and Tech will be with her the whole time???

I am unwell. This has left me emotionally unstable. Not only is that the best ending I could have hoped for given the past seasons but it is also such an amazing last look at their family. No matter how you think of them you have to admit Hunter was right, she is their kid and that will never change. That line alone will be living in my head rent free from here on out. Her last talk with Hunter was so well done and is one of the best moments in the whole show, but honestly Tech's goggles on her ship's dash is what broke me; he would be so proud of her I need at least 3-5 business days to process this.

Yes I have my issues with the unfinished storylines but wow that finale was something I don't think I will ever recover from. It may be one of the best endings we have ever seen in star wars. Like I said, I have a lot feelings and if I tried to put them all in a post it would have to be a multi-volume novel.

If you made it this far thank you! Feel free to add your own thoughts I like hearing what other people have to say. I'm just going to go burrow straight into the ground now and pretend I don't have finals next week because honestly who can be productive after something like that?

Oddly enough this is making me want to go back and watch the Clone Wars again, maybe Rebels too? Definitely making me nostalgic.

[punkeropercyjackson]

Children's media can absolutely and does radicalize kids when written correctly,it's just that shitty bigoted adults in fandoms deliberately misenterpret their messages and trick them into believing they're canon and that's how we got here.Bleach had Ichigo be a goth punk dude who's a fantastic older brother and choose his female love interest because she's his best friend and he finds her weirdgirlness to be enchanting which is good rep for us because being punk is about nonconformity and so is the fact that he never joined the military system his species was largely a part of because he didn't give two shits about them but over half the fandom is convinced the mangaka is a 'sellout' and 'pandering' for not making him essentially a paranormal cop for the sake of pairing him up with the fem mc that he has a familial and queerplatonic relathionship with as confirmed by the aformentioned mangaka

Pjo had Percy hate the gods as much as Luke does and act on it too but directly TO them instead of grooming younger halfbloods to work for him as soldiers and in fact he basically adopted every one of them he came across as his siblings and pseudo-kids and this is explicitly framed as why he's a hero and Luke's evil but you see nonstop erasure of his anti-corruption and anti-authority mentality and direct action despite being his core character traits to make him more palpable as an 'average fantasy protagonist' when the point of him is that he's not normal in any way

The Owl House had 3/5 of it's mcs be poc with the two white ones being an autistic and ocd lesbian and the other a disabled boy with zero conventionally physical traits that're never made out to be ugly and the protag is an inmigrant afrolatina girl while the big villain is a puritan colonizer and every single ship on the show is queer including the m/f one and the token white boy has almost all the important characters to his arc being black and the only one who isn't is a fat asian girl who's also disabled but the HUGE amount of positive rep in the show is deliberately taken out of context for bad faith critisism by a bunch of 20/30/even 40 year olds who've never written actual good stories themselves and this includes them adoring and gushing over the colonizer guy while dismissing the poc and women in the cast as irrelevant

Across the Spiderverse had an EXTREMELY black in every way character literally named SpiderPUNK who makes his beliefs clear in every single one of his lines and isn't all talk for a single second but he's reduced down to 'annoying edgy older brother figure' and made to listen to Taylor Swift and go to Hot Topic and called 'obviously a skater boy' and every other poser punk trope in the books

Atla had Aang and Katara be a gnc boy of a lesser known type of asian race and Katara a brownskin native girl that reclaims femininity for herself with their character drives being to save the world with Zuko's arc hammering it in again and again that while he always had good in him,he WAS evil,he DOES have a lot of bad traits and that made him do a lot of bad things and THAT'S why he needed a redemption arc to be a hero but Aang gets called racist for following the buddhist belief that in-universe he was sole remaining follower of that killing humans is bad,Katara gets adultified and stripped of her actual personality to make her just 'hashtag relatable teen gurl' and Zuko gets infantalized and upholded as the least problematic character in the whole show

And my last and not quite like the rest example is Harry Potter,including the spinoffs and fanon.Everything in it is neoliberal bs and the fandom just made it worse-Oh,the house that's a metaphor for fascism and white supremacy legacies?They're just misunderstood little babies and every minority-coded🥺The lower class family who canonically were Jkr's best attempt at good people that still flopped?Awful homophobic bastards😡All the female characters?Perfect slay 'You can't sit with us' girlboss,precious little baby angel who can't tie her shoes without her reverse harem's help or manipulative self-obsessed hyperfemme pick me,those are the only three categories they can ever fall in.Marauder's Era not only existing but being very,VERY popular is nothing but whiteness-What is there for you to be attached to there exactly?With the canon cast i can least see why you'd have nostalgia but M Era is literally nothing.You just CHOOSE to pick a franchise that's violently bigoted towards basically everyone and who's creator actively influences and helps caused that hurt irl oppressed groups instead of making ocs since you're already building them from scratch anyway

It's not the fault of actual good creators and especially not kids in fandom that grown ass bootlickers couldn't accept that their precious 'escapist comfort media' isn't apolitical at all instead of absorving it's messages like they should have since they have no care for other people despite insisting how kind and unproblematic they are

[ccoffii]

Things that I think Might Give Nuance to Eleceed aka I complain

how the fuck has Jiwoo not shown more attachment issues with other characters, like I know he does has at one point with Kayden but it's so infrequent that you forget this kid has basically been neglected his entire life

Can I get a chapter on just his eating habits? Like we don't know much about him other than that he's an overpowered bean. Like can he cook or does he even do it? Does he just live off of takeout and shin ramyun for the majority of his life?? I WANT ANSWERS!!

+ to point 2, failed chance of environmental storytelling but hey if u gotta pump out a new chapter every week that's at least 40 panels I would skip it too.

LET THE BESTIE FUCKING HANGOUT OMFG! never in my life have I seen a friend group as underdeveloped as Subin, Wooin, Jisuk, and Jiwoo... Before u come for my ass I know I'm right because do u remember ANY chapters where their dynamics were explored... and I mean just them I'm srs

Shakes u aggressively The fucking entirety of the payoff of the Jiwoo gets kidnapped and core fucking obliterated arc? Like how the hell is he fine and dandy after that shit? NO, I DO NOT CARE HOW GOOD OF A HEALER KARTEIN IS I WANT TO SEE SOME ANGST!!!

slams papers THEY INTRODUCE CHARACTERS AND SUDDENLY THEY'RE FUCKING DEAD. The fact that some arguably pivotal characters to the plot and world-building cough Sucheon, Arthur, Iseul, etc, etc. cough have not appeared in over like 150 ch tells me WAY too much about the current development and I DO NOT LIKE IT!! Let's explore Sucheon and HIS REACTION TO THE KIDNAPPING THING? Iseul can talk to animals, cool but kayden is a human who basically transfigured into a cat... maybe there is more to those awakened animals... OR FUCKING ARTHUR?? MY GUY HAS NO HARM AND WITNESSED FRAME KILL HIS CLASSMATES AND WAS BETRAYED HOW TF DID THAT FLY UNDER THE BUS

u know what pisses me off is that they aren't actively developing Amyeong (dark) and Jiwoo's relationship and Amyeong's ties to Jiwoo's mother. Also, PERSONALY, I think Jiwoo and his mother should be more awkward around each other considering her job and I've seen videos that the lack of time spent with a parent can rlly just make them a stranger to a child. Plus Kayden knows more about Jiwoo than his mother anyways let me SEE it.

In the end, I just complain out of a slight love for the series, these are things I just personally want to see out of the webcomic that's all. Also, I might have more, I kinda stopped reading it in order after ch 200 something.

[raayllum]

was thinking about why the fandom focuses on callum's devotion to rayla more so than the other way around - even if they're equally nuts in a lot of ways and i do think the focus is 60/40 - and i think a lot if is really comes down to callum just being 'easier' to love than rayla like, objectively, especially in arc 1.

he's sweet and goofy and emotionally open, he can be insecure and get stuck in his head but that's very internal, he makes mistakes but never anything too major, at most interpersonal relationship wise he can be a bit pushy or momentarily cruel, he's a prince and wanted peace with the elves from the start, he never really causes massive disasters and when he does there was a 50-50 chance it was going to work out anyway or if he is taking a massive risk, thus far it's really only involved risking himself.

he's cute and caring and has never really broken her heart (as she maintains hope even throughout his bouts of cold shoulder in s4). of course she loves him. of course she'd risk everything and anything for him. and even in arc 2 when he's being cold, he's still caring and still knows when to step in and support her

rayla is like... a much more 'difficult' character and person from the start. she lies repeatedly, especially to cover up her failures, she can swagger without actual substance, she's snarky and stand offish and can be snappish. she breaks at the worst of times and often leads to other people being put at risk. she abandons him and breaks his heart. she showed up threatening to kill him. she blew up their lives together and repeats the same mistakes over and over again.

on a surface level and on an interpersonal level, she's far more of an overt piece of work, whereas callum's nastiness comes out more sparingly and is more hidden under the surface; it's not always so apparent. but rayla's typically is, she is a moonshadow elf who fundamentally cannot hide her flaws even when she's trying to so hard

and callum loves her anyway.

he's endeared by the snark, he persists past the standoffish, she pushes him away and he keeps coming back to try and help her, he gets angry but he ultimately (and always rather quickly) forgives her, he's had multiple people telling him that she's bad and cannot/should not be trusted and just flat out doesn't listen to them, because he believes so fundamentally in her goodness, even or especially when she doesn't believe in it because of all the reasons above. he knows she can be difficult and he either doesn't care or loves her not in spite of those things but because of those things. and that's what's so appealing about that aspect of their dynamic.

callum is a wonderful walk in the park when it comes to catching feelings with only a few hiccups, and so often rayla is a ditch with spikes, and callum just goes "challenge accepted" every time (and succeeds) because he knows/believes that she's worth it (and he's right)

[sophieabigail2021]

I am in a good mood so let's salt on this interview because why not

"Sébastien explains that they always plan the scenarios well in advance. For example, what happens in season 6 was already planned when season 3 was written. They've already written two pages of ideas for the Season 7 finale."

Considering these are the same people that admitted that the whole "Adrien doesn't confront his dad or know anything about his villain persona" was planned since the beginning of the goddamn show..........yeah expect the worst from them

"Thomas says they have ideas to go to a season 12 but it will all depend on the success of the series."

And then decades later when season 68 is in the work they will be like "Oh well we really need 40 more seasons to expand our ideas because they're just so many"

"Miraculous will never evolve into an adult series, it will remain a children's series. But they will always try to satisfy the fans who have been following the series for years."

Oh yes the same fans that Thomas complained for years about how they don't get his "amazing" and "masterpiece" of a show and kids understand it better (Sure Jan) to the point of having an episode about that, which wow really meta of you Asstruck /s

"Sébastian teased us that there will be a song in season 6"

If Cristina Vee isn't the one singing it y'all will hear from my lawyers

"Thomas sincerely believes that season 6 is better than season 5, which was off to a bad start because he wondered how they were going to do better than season 5."

"Buckle up because Season 3 is going to be better than Season 2" and then Season 3 turns out to be underwhelming

"Be excited for Season 4 because it will be more amazing than Season 3" and then Season 4 turns out to be a giant waste of time and potentials

"Y'all taught Season 4 was amazing, well prepare yourself for Season 5 because it's going to be a rollercoaster of emotions" and then Season 5 turns out to be the most painfully unwatchable season of a show known to man

Stuff like this doesn't make me hyped for the upcoming season, it's instead making me scared for what bullshit these writers are going to do next

Also it will be really funny and embarrassing for the writers if Season 6 turns to be worst than Season 5

"As season 6 begins a new arc, they consider it a season 1."

So more pointless and boring filler episodes got it 👍

"Sebastien says we'll appreciate season 6 even more when season 7 comes out."

Stop just........STOP!!!!

"Thomas hints that he didn't write the Shadybug and Claw noir universe to exploit it in a single special. But he remains very vague."

Bet you 10$ they will only show up in the Season 6 finally just like Lady dragon and the American heroes

"Thomas explains that there are many details in previous seasons that fans didn't understand, but which will make sense in later seasons."

Making sense has never been this show's strongest suit so why even bother

"There's a reason why Lila is a mythomaniac, and they'll tell it one day in the series. Thomas even says they've already told it in the series, but we haven't figured it out yet."

You mean her being born evil yeah we already knew that

"Thomas says that Chloe will remain an important character in the coming seasons, as she has always been in the series."

BITCH WHERE???!!!, Chloe is the biggest waste of time so what even is the point in bringing her back?????, Thomas we all know you have a deep hatred for this girl but for the love of god stop, you're just beating a dead horse that has already been dead for years just let this shit go

"They will soon be meeting to decide whether Miraculous will be made into a live-action series or not. It will be different from the series. Thomas mentions kwamis in particular, which are complicated to integrate into live action. Thomas has already written the concept. For the series to see the light of day, it will mainly be a question of budget."

OH GOD NO, I will be nice to you Hawkdaddy just please don't make a Miraculous live action series

Also raise your hand if you think Thomas made that decision to rival Zag's Miraculous Awakening movie ✋✋✋

[bumblingbabooshka]

I’m fascinated by the previous ask’s mention of anime “or the Vulcan equivalent” since anime is literally just Japanese animation would Vulcan animation have a distinctive enough style to warrant a distinct name? What is the Vulcan cultures’ views on animation as an art form (in your opinion).

I don't know enough about animation or art as like an evolving discipline as it relates to society/culture to say much about it in an intelligent way but the newest Dungeon Meshi Extra makes me think about it in a purely 'what would be fun' way

Vulcans also have an incredibly long lifespan so it'd be funny if Vulcans were used to listening to stories that are much longer than other species. [See: Tuvok singing his children a 348 verse story as a lullaby and his children loving it]

You know those soap operas that go on for like decades? Vulcan soap operas are going on for CENTURIES.

I think a lot of the most popular stories on Vulcan center around enlightment or war. In fact I think a lot of Vulcan is probably dedicated to those topics - I headcanon that there are multiple museums and monuments about the many wars Vulcan fought with a heavy emphasis on the great toll it took on their people and how awful these actions were. They almost blew up everything with nukes! But then logic saved them...I believe this is also a common thread in stories that aren't about war - being saved by logic. A woman almost falls for charlatan...but logic saves her. A man almost kills his brother...but logic stills his hand. Etc Etc. A Vulcan author could probably write thousands of books in their lifetime, depending on the age they started. I think having an author with hundreds of books is fairly common and Vulcans are often a bit anxious about reading very good authors of other species...what if they die before they finish writing?? Television shows having like 40 seasons isn't that rare and I think their method of storytelling would probably have to differ from ours in order to facilitate that. That's interesting, isn't it?? I wonder about Vulcan media that isn't Surak's teachings. Like, Tuvok says he likes to read - what's he read about? In 'Riddles' Neelix mentions a "Proto-Vulcan Drama" called 'Clash on the Fire Plains' which has 23 parts. Tuvok apparently has this in book form in his quarters but he's often reading things off his PADD which I assume are also Vulcan literature. It seems that a lot of Vulcan stories we hear about are meant to teach some sort of lesson even if they are also entertaining. When it comes to ongoing media (EX: Television show) I think they'd probably follow a series of arcs and situations with the same characters learning and growing. If you start watching season 82 of a Vulcan program then go back to season 7 it's like a whole new set of characters but they just changed because of their experiences. (As your Vulcan friend will rant to you). It gets a bit ridiculous but it's a bit fun too~ I headcanon that Vulcans in Starfleet will often get together to watch popular Vulcan tv shows' new episodes...alleviates some missing home. Others join in and soon we're seeing tv shows from all over the universe! Surprisingly, Vulcan and Klingon programs are fairly similar in the aspect of 'a lot of battle focused shows which teach lessons' but the exact lessons differ, of course. Oh I bet Vulcan tv shows would also have so much intrigue and drama about clans and marriage and propriety etc which Klingons would love. Klingon: So T'Eyanra is going off with Sarun? Even though she was made aware that Sertik is ill and might be plagued with fever? Vulcan: Yes. And do not forget - Sarun's clan changed the water rights of her own, though she does not know this yet. Klingon: -settling in- Sarun's clan is without honor! That knave... -gasp- and the Ektinslahrah ritual is tonight! Vulcan: -also settling in- Indeed. Oh god this was about anime wasn't it? Well just apply all that stuff I said to anime somehow...Vulcan anime is like one piece's length and death note's complexity but with a shocking amount of painstaking slice of life. I think animation would be taken as seriously on Vulcan as it is on Earth - I can't think of anything that'd make them take it more or less seriously? I picture Betazoid animation would have a heavy emphasis on showing feeling though - like visibly as an ever present cloud behind the characters' heads and you have to know what all the colors mean.