#happy aro week!

[inhonoredglory]

Happy Aromantic Week!! 💚🤍🖤 Go check out the aro goodness at @goaroweek woohoo!

[wacky-nameless-inventor-24]

wise words

[risingshards]

Happy WBW! 💚 In honor of Aro Week: how does your world view anti-amanormative ideas or practices? In other words, how does the world at large view people or ideas that don't prioritize romance or romantic relationships?

Happy WBW!!

In the RS universe, on the homeland side at least I think anti-aro sentiments are derided as . Cani cultures are particularly queer so I feel like aro folks are very supported and loved there. 💚 There are worlds in the void that are more dangerous to queer folks but in the stable mainland it's a good place for everyone. My main aro character Kai spends most of her time either playing sports or trying to get her twin sister out of trouble.

There is a lack of good queer rep in media though as many of the characters complain about rep (it feels similar to how rep is in media here) but I'm picturing some movie or sitcom like 60 years before the main series time called like "Philbert: The Fella that Isn't in Love" that's somehow very very progressive and Philbert ends up an aro icon in the present day.

[maxhpart]

Izel, the Dwarven Desert Druid

A history teacher-turned-local guide, Izel is an expert on San Citlán and its surrounding areas. Wracked with survivor's guilt after losing both their family (as a youngster) and their longtime queerplatonic partner (not even a year ago), Izel looked to the druidic arts, vowing to do all they can to protect the defenseless and prevent such tragedies as best they can.

[chemicalarospec]

Idk who needs to hear this, but there's nothing wrong with wanting a purely platonic-sexual relationship with no romance. Yes, even if the person who wants it is a straight man.

edit: reblogs are off because radblr/TERFs/excursionists are passing around a pathetic retort like it's gold. [okay it's been a bit they're back on. all aspec people are queer <2]

[mspaint-flower]

we can now exist for a week

[anistarrose]

The thing about the Heart Attack segment in Wonderland is that they put so much aromantic subtext in it. They accidentally put SO much aromantic subtext in it, on behalf of multiple characters, and I'm thinking about it constantly. Let me tell you all about it.

Magnus is dropped into a dating game and literally leads with "I cannot stress enough how uninterested I am in this." Now, it's perfectly valid to read this as due to him waiting for Julia, or just him being plain old uncomfortable with having his love life put in the spotlight. However! I cannot stress enough the exchange that happens just a minute or two after that line:

Magnus (describing his ideal date): ... and we don't see each other again, ‘cause I'm really not interested in dating. Audience: [exaggerated] Oooooh! (cheers) Griffin: The silhouette is like, fanning itself. Lydia: Playing hard to get, huh? It seems like our contestant is into that.

And I just have to say: unfortunately, this is one of the most aromantic fucking experiences I've seen represented in fiction in my life. I mean — saying you're not interested in romance, then having those words twisted on you, like they're some secret coded way of saying that you are interested in romance? Not having a single way to express your disinterest that'll actually be believed? That's some aro shit right there. God. Fuck.

As an aside, it's enough to really tell that Heart Attack is not designed to be a reprieve from the pain, even though it's the "good outcome" of Trust or Forsake. It's designed to be uncomfortable. To funnel suffering to Edward and Lydia, just like all the other games do. (More on that later, in fact.) But in summary:

Magnus is a character who can be read as uncomfortable with romance for either aro-spec reasons or unrelated reasons. But in either case, his discomfort attracts reactions that reek of amatonormativity — and therefore, resonate with aromantic experiences. (Psst, I did recently write a gray-aro Magnus fic!)

Two more analyses below the cut (and only one of them is for another Horny Boy):

Obviously the next character I need to talk about is Merle. I've found aroallo readings of his character to be compelling for a long time (having sex with plants so you don't have to worry about romantic commitment, am I right?), but the way he describes his "ideal date" is another factor:

Merle: I volunteer to drive her vehicle, and tell her it's filthy, and so we go through the uh- drive through vehicle wash and she pays for that too. Um, and then I take her to have dinner with my family, and- Magnus: Wait, like your wife and stuff? Merle: She meets my ex-wife.

Merle's probably exaggerating as a joke, continuing on about both him and his partner being miserable, but I think the fact that Merle's mind goes here is genuinely drawing from a lot of poor romantic experiences in the past. He didn't get a choice about being on Heart Attack, and his marriage with Hecuba was similarly "arranged".

It's also worth noting that at this point in time, Merle is putting in the work to be part of Mavis and Mookie's lives again, but is not interested in doing the same for Hecuba — he instead just asks Mavis how Hecuba's doing. That said, given that Magnus is the one to put the focus on Merle's ex-wife, I think it's fair to read the "family" comment as Merle actually expressing that he'd rather spend time with his kids than give any special romantic attention to his date. Moving on to the rest of the "joke":

Merle: She's having a miserable time and she's really mad, she can't wait to get outta there. I take her back to her house, and so I lean up against the door jam and say, 'Sure you don't want me to come in for a few minutes?' and she slams the door in my face.

It's possible Merle just has a more roundabout, self-deprecating way of expressing a similar thing to what Magnus did: Merle just isn't interested in dating. To me, the last line implies he might not say no to sex, if offered — but overall, it reads as if Merle is putting minimal effort in because he's looking for an excuse to get out of this relationship anyway.

It's also possible that Merle's "rejection" of a suitor being so disguised as humor could point to him still coming to terms with his disinterest in dating. Particularly, in comparison to Magnus, who is so vocal and unashamed about it, while Merle might still be figuring this all out.

(Honestly, the self-deprecation Merle turns to here is actually kind of sad, when viewed in that light — he already lets himself be the butt of jokes so often, and now he feels like the way romance doesn't click for him has to be a joke, too? Oof. Someone give him a hug and tell him he's not broken this instant!) But regardless:

Merle views dates, and perhaps romance in general, as things that will inevitably turn disastrous for him and any party involved with him, and he would rather spend time with his children than repairing a relationship with an ex, or cultivating a relationship with a new partner. This is not an experience exclusive to the aro-spec umbrella, but you can't say that an aromantic reading of his character doesn't fit him like a gardening glove...

...which he wears while fucking his plants. Because plants don't demand emotional intimacy, nor take too much time away from the platonic relationships that matter more to him. And you know what? He's fucking valid for that! Fly your flag, nasty grandpa!

But moving on: I promised you aromantic analysis of characters outside of our protagonists, and henceforth, that analysis I will provide. And not just because I admittedly see Taako as the token alloromantic (though clearly an aro ally; if he hadn't chosen Forsake we wouldn't have gotten all this incredible characterization!)

I digress. So let's go on to addressing the lich twins in the room: Edward and Lydia.

Remember my argument earlier that Heart Attack serves the purpose of collecting suffering just like the rest of Wonderland does? How it's just a subtler way of making Wonderland's victims fundamentally uncomfortable?

...Using, of all things, romance?

How the vogue twins, for whatever reason, felt inspired to make people uncomfortable with matchmaking and adoration? How, some way or another, they noticed how much potential romance had to induce suffering? Being pressured into a relationship, being told that no matter how firmly you say you're uninterested, you're not really uninterested?

...Relatedly, I have always gotten the sense that Edward and Lydia projected relentlessly onto their victims.

Edward: This resolve, this desire to do whatever it takes no matter the cost to save yourselves — do you know who you three remind me of? Magnus: No? Merle: Who? Edward: Us!

I'm even going to go a step further and say that on top of projection, they want their victims to go through things they went through. Swallowing the guilt of having fucked someone else over to survive, of course — that's basically self-admitted. But possibly also... the feeling of not being able to get back what you lost (Keats). The feeling of being able to heal (Keats).

So, where does that leave Heart Attack?

Lydia: It was the three of us, surviving against all odds. The world against us.

Their family of three was (is) indescribably important to them. I'm not necessarily saying that societal expectations of romance, especially of romance as a priority above that of family, left a bad taste in their mouths — if not downright contributing to their trauma — but, okay, I wrote the rest of this post and now that I'm back, I can no longer deny it. I'm definitely, absolutely saying that.

At the time of the podcast, we know Edward and Lydia's own relationship is heavily strained. Until the end, they are lying to themselves and to each other about the fact that they continue to be emotionally and magically reliant on each other. After all, Lydia wouldn't say "I guess we really needed each other after all" in her dying moments with such surprise otherwise.

This is the second reason that I... well, I wouldn't quite call it a "theory," but I find it most impactful to read Edward and Lydia as characters for whom the concept of Love has baggage. And always has, from their origins as youth in a tough spot in an already amatonormative world.

Maybe the constant societal devaluing of platonic, familial bonds left them with serious emotional scars. Maybe the constant conflation of Love and morality just weighed on them and weighed on them and weighed on them until they decided: well, we don't love the way people expect us to, so we might as well give up on being the good people they expect us to be. We might as well embrace this new fuel of suffering.

...And you know, I hope this gets across what I mean when I always say I headcanon villains as aromantic to make them more sympathetic.

Edward and Lydia, textually, are already tragic villains. As twins and liches, they're also textually foil characters to several of the Seven Birds. But I also like to think that they have a lot in common with Magnus and Merle, and the possibility that tugs at my heartstrings the most is the possibility of them all falling under the aromantic umbrella.

[siriusly-remu]

be aware.

[feenixmork]

New year, same blorbos

[aroaessidhe]

Aromantic YA contemporary books!

ARO WEEK 2023

OTHER PEOPLE’S BUTTERFLIES / aroace MC discovering her identity

IF IT MAKES YOU HAPPY / MC has an aroace qpr/best friend, and is also starting a new (romantic) relationship

TAKE ME TO YOUR NERDY LEADER / aroallo girl moves to a new town and makes friends and a friends w benefits

LOVELESS /  aroace MC discovering her identity

THE RHYTHM OF MY SOUL / two aroace partners at an intense dance company

IMMORAL CODE / high school heist, one of the 5 MCs is aroace

IT SOUNDS LIKE THIS / high school marching band, grey-aroace major side character (/potential future love interest)

DEAR WENDY / two aroace MCs

SUMMER BIRD BLUE / questioning aroace MC

*as a note, some of these only briefly explore aromanticism, and/or explore the ace part of the aroace character more. If you want more details on how much things are explored, see my database!

[omegalomania]

What are some of your favorite aro-/ace-coded fob lyrics?

oh fuck yes a little bowl of seeds just for me

boycott love from disloyal order of water buffaloes is a personal favorite of mine. its a lyric i really really want tattooed at some point. that's not the only lyric i latch onto from an aro perspective but it's probably the biggest one

basically the entirety of it's hard to say "i do" when i don't but a special mention goes to you are appealing to emotions that i simply do not have as well as the only ring i want buried with me are the ones around my eyes

it's true romance is dead / i shot it in the chest and in the head from the music or the misery is also a favorite of mine, also just that whole song in general

i thought i loved you but it was just how you looked in the light in hum hallelujah resonates with a lot of queer folks i've found, and it's no different for me

same goes for it's a strange way of saying that i know i'm supposed to love you from g.i.n.a.s.f.s.

i'm outside the door, invite me in / so we can go back and play pretend from alone together brings me back to when i was trying to perform heteronormativity/amatonormativity even if it was making me miserable

i also hold to a very similar vibe with she said "i love you 'till i don't" / i am just playing house, no idea what i'm doing now from sunshine riptide and also most of burna boy's verse, frankly. i fell in love but i didn't fall down and feel like i'm bulletproof, baby in particular

american beauty/american psycho, particularly the first verse. i think i fell in love again / maybe i just took too much cough medicine

golden is a big one for queer folks in general i've found. the chorus especially hits hard from an aro and/or ace reading. and i saw god cry in the reflection of my enemies / and all the lovers with no time for me

i've got a dark alley and a bad idea that says you should shut your mouth is a heavy song no matter how you slice it. but that chorus gets to me in particular: we can fake it for the airwaves / force our smiles, baby, half-dead / from comparing myself to everyone else around me

the kids aren't alright reads to me as one big anthem for platonic love above anything romantic, which resonates super hard with me. the second verse has a lot of good lines that i latch onto from an aroace lens too. your love is anemic and i can't believe / that you couldn't see it coming from me

pretty much the whole chorus of HOLD ME TIGHT OR DON'T does it for me, and those verses have got some good aroallo vibes too! i never really feel a thing... confidants but never friends...

the whole of fake out is a gimme. that chorus rings real true. starts with love is in the air, i just gotta find a window to break out and finishing with but it was all a fake-out

i've got all this ringing in my ears and none on my fingers is one that has another highly applicable title but the whole refrain of the truth hurts worse / than anything i could bring myself to do to you paired with the one-two punch of that second verse REALLY gets under my skin

and of course, the culminating one: you are what you love, not who loves you from save rock and roll. obviously there are a LOT of ways to read that line

there are a couple other songs i latch onto - wilson (expensive mistakes); a little less "sixteen candles", a little more "touch me"; the (after) life of the party to name a few - but the ones listed above are the big lyrics that resonate with me on a personal level

just in general i have a shitton of fob over on my aro playlist (which doubles as a general aroace/queer playlist but has a lot of emphasis on aromanticism) in case i forgot to mention anything but like i said those are the big ones

[aueua]

teehee (for cars)

[wokeslenderman]

collect my arospec identities

[lokiiied]

i know people are shipping them & full support and respect for that but im hitting them with the aspec autistic queerplatonic polycule beam look at this dedication they do NOT have time for such things as romantic distraction they are basking in their shared brainpower

[quinn-pop]

mk vs dmk on romance

[jonahmagnus]

Shoutout to the aromantic bisexual Chilchuck cover