#has so much death in the plot

[signalnext]

"What are you doing New Year's Eve?"

"I'm watching one of my all-time favorite episodes of a TV show!"

"Oh that's nice. I know you love shows with lovely locations - where is this one set?"

"Manchester."

"Ah, so there's wintry snow? Idyllic river locations?"

"Er it's Manchester, England, not New Hampshire. No snow in this one. No river shown. I don't think? I don't know, it was pretty dark in the outdoor night shots."

"Does it takes place at a traditional New Year's setting? Restaurant? Cozy home? Fireplace? Families and friends?"

"Er...well it takes place in a self-storage building."

"..."

"And...there are parties going on, outside, but people are trapped inside."

"Inside the self-storage building."

"Yeah."

"Is it a festive self-storage building?"

"Well, there are still Christmas decorations in the lobby. Otherwise, just...your typical warehouse spaces? An old elevator? Flight of stairs? Loading dock? Long hallways to the self-storage units?"

"Is it...about them having their own renegade party on their own, then?"

"Er, well they're being hunted by killer robots before it's midnight."

"Inside the self-storage building."

"Yeah."

"I thought you didn't like violent shows?"

"Er, well normally I don't, but...this is a special case. The killer robot violence isn't like, graphic or anything, it's more like family-friendly sci-fi."

"Family-friendly where they're being hunted down by killer robots."

"Yeah. And there's also a Groundhog Day parallel where they're in a time loop. So er, they actually keep getting killed over and over."

"Inside the self-storage building."

"Yeah. But, er, I'm making it sound so bleak, but it's more fun than it sounds. It's funny. Sometimes it's self-consciously funny. There are expected moments, but there's also a few unexpected ones. There's a lovely scene that's lovelier in the setup of the time loop effect. The music soundtrack is done well too. And...there's a major reveal for my favorite character. That's really the main thing for me. Every time I watch it, I sort of have to pinch myself that it's happening. There's a happy ending. Mostly. And there're fireworks."

"So, it makes you happy?"

"Yeah. It does."

"Ah well, there you go. That's the important thing, then. I hope you enjoy it and I hope it makes you happy again."

"I hope so, too."

[trappednyourheart]

The wrong DNA test

( what if, Sheila wasn't really Jason's mother? The system is already corrupted, then what about the test?).

A huge brawl containing every rogue had started at the time of Halloween, causing the people from downtown to fled there home's as joker had clownized the whole neighborhood with his goon's.

Every bats had taken to groups to take out the three parts of Gotham's as the rogue's had started to make alliances, some had lasted quite long while had conflicts, and causing a big damage to Arkham asylum,

It didn't take long before they captured all of them, none of the bats questions as they observed Jason glowing green eyes starting to flick, they thought it was the pit again, growing wary of the cooperation, but Crime alley was involved and that mean business to Red hood's turf.

Catherine todd love her son as her own even if not biological, Jason knew that. But her thing with drugs couldn't make her stop.

Sometimes after that, they could hear Jason humming a tune,a nice melody from Damian's statement saying that Jason muttered to him “ lullaby” as Jason continued to read his book, maybe it could be from Catherine,

they knew how Jason's past with Catherine todd, his mom even if not related, Catherine loves her son like her own kid but her doing drugs and... overdosing couldn't be stop.

Maybe Jason just remembered his mother maybe reminiscing atleast something familiar...even if it was a bad time.

Jason had constantly have been hearing a woman's? Man's? Voice, singing him a lullaby...it soothing, like as if he known and loved this melody...and that's where the dreams kept coming, there was a person, giving him kisses, Talkin to him stories, singing him lullabies and soothing him, he could dream that he was actually a baby, a baby from a normal couple, well don't count the luxurious baby room.

Jason had took out a conspiracies why he was getting this dreams, ( he swears he's not becoming Tim) and voices, maybe like a misshapen memories from the pits of victims? No it's to peaceful for that, maybe magic? He already contacted Constantine but surely hang up after knowing who it was-

Just how is he getting this dreams? Unless it wasn't.... So he proved again his point, he started a DNA test, again but none had records...of Sheila being his biological mother...that was weird, last time he had a test was from the time as robin..and before his-

So he went to that hospital who had said where Sheila had given birth to him, and most of shock is that no one knows a mother giving birth named Sheila haywood but had a document of a baby, of one Jason jay nightingale, the most believing part was that it's the same day he was born in.

His mother, Daniel F. Nightingale was said to be trans as the doctor who help his mother safely delivered him, And saying that his mother loved him,

one Sheila Haywood had the constant trick to get him and taken him as his own, because his mother's family was a wealthy one they practically sold him to her.

Jason had thought that maybe his mother's family never wanted him to have a son with a man from Gotham's crime alley.

Meanwhile Danny had just been YEETED to the DC universe before the start of Batman's justice thing and had been adopted by a very wealthy fruit loops couple as there kid, so he stayed as the couples daughter even pretending, because he owed ghost writer a favor for the last time, and as DC universe exist so it's story, and one thing for sure the child he had to give birth in this universe has a very complicated fate,

he did the one night stand from his supposed friend Willis Todd? He had to befriend him as Dalia F. nightingale the supposed Wealthy daughter who fell in love with a peasant trope, and gotten pregnant making it a scandal, and reaching to his ‘parents’ circle and getting that drama.

But he never thought he would care for his child, his little jay, his ghost side would purr in delight when they held Jason, he was a very hard sucker especially from his pacifier or his breast, it's so weird being in a women body,

but the way his ‘parents’ sold his son to the women who was supposed to get his son killed and being revived by cheap parody ass of ectoplasm.

He went feral, he had an argument to his ‘parents’ but all fell deaf ears, he couldn't find his son in one of the hotels nearby where that BXtch was.

And that time was where his part of the script was fulfilled, ghost writer already took him, both sides of his, were angry.

He. will. get. his. baby. back.

[natelia-aldelliz]

1 : Soap never had any idea that woman wanted him carnally, he's not the most observant on that front (he never noticed Ghost flirting with him and thought his love was one-sided for the longest time, but tbf Ghost was also very discreet about it)

2 : He sewed the hat, eyepatch and hook himself, because he's the best uncle and then got distracted as he was wrapping it up, so now he's watching a tutorial on youtube about how to build a voice box. Honestly how hard could it be, he builds explosive devices as a hobby (listen, Price doesn't have to know)

3 : He is out to his family, but doesn't want his mum to know he has a boyfriend because he knows she'll insist on meeting him and welcoming him to the family and making a big deal out of this, and he knows that Ghost isn't ready for that.

4 : Christmas is obviously a very hard time for Ghost, but he is very very in love with Soap and some days still can't believe that it's mutual, but then his Johnny does something like that and his head gets quieter while he's melting a bit.

5 : For the people that didn't see my other post : the bird is a Caique parrot, and they're supposedly very energetic, a bit loud, medium sized, unintelligible, very friendly to what they consider their family, adventurous and danger prone, with an explosive personality and a hate of boredom, so basically the adhd bird.

[aroanthy]

i love how fraught and complicated discourse around various utena characters ‘dying’ is when anthy is literally stabbed to death eternally by a million swords imbued with human hatred. and then utena gets stabbed to death by them also. like. ‘death’ is incredibly interesting in rgu because most of the time it’s this ambiguous figurative thing that has interesting implications re: ohtori as a closed-off world one can escape. we are all trapped in our coffins. mamiya is the only named character with a grave. nemuro memorial hall functions as one all the same. ruka is implied to have died in the hospital— was he dead all along? who was the boy we saw for these two episodes? is this dead boy the same boy, or is this just another coincidence from the shadow girls, cutting like a knife? it’s heavily implied that akio and anthy murder kanae by poisoning her, adding to the previous implication that they were poisoning mr ohtori too, but there are no perceptible consequences of this. kanae’s absence is not felt. she’s fed an apple slice. what happens to the bodies? we know what happened to the 100 boys, but what about everyone else? and so on and so forth. ‘death’ is a tricky thing in utena, i think it’s constantly functioning on figurative and literal levels in very different ways for very different purposes. dios died. dios was dying. dios didn’t die. he grew up. etc etc

[demadogs]

oh my god guys why the fuck would they kill karen lmao

[riacte]

so hey guys i finished dungeon meshi yesterday and i'm still thinking about it

[cervideity]

jackpot

The Enemy was published 15 years ago today! Wow! You should go and read it! Check out this scene for yourself! Nothing goes wrong!

[botanicallyinclinednerd]

It was through working out the social implications of necromancy in a world where soulmates exist and how it would be even more taboo than canon, and any potential ways to get around that (because I'm trying to keep Lancelot around, dammit) when I remembered that Merlin fully dies a couple times throughout the show. And in a world where you can feel your soulmate die? The angst is unfolding and it's glorious

[sharkieboi]

Metatron: *dies by a carefully crafted murder/suicide with Lyra’s parents sacrificing themselves for the sake of humanity*

Meanwhile

Will: Hey what’s in this glittery box, there’s something alive in there

Lyra: idk cut it open

*the shriveled body of GOD is hit by sunlight and shrieking in horror dissolves into dust and dies*

Will: …

Lyra: …

Both of them: …damn that was weird. anyway. where are our daemons?

[yellowymellon]

Argenti but if he was the real 'Red' mond ( ͡° ͜ʖ ͡°)

[chimerafeathers]

there's an essay jumbled up in my brain about dunmeshi's beginning and how clever and deceptive it is as a sleight-of-hand trick that distracts the audience from the depth and scope of the worldbuilding and foreshadowing that's being set up the entire time by dangling zany characters and wacky dishes and biology fun facts in front of us, and how that serves to catch invested viewers off guard when those elements come to the forefront, but also how it works against it with other viewers wanting "more" and not seeing it because the plot bait isn't laid out up front

how people getting frustrated with the characters "not taking things seriously" is mirrored and refuted in the confrontation between Laios and Shuro. how the characters' attitudes aren't just a result of shallow low-stakes "comedy rules" where nothing matters, but are an extension of their personalities (Laios's nonstandard expression of emotions being offputting even to people he knows) and the world and social environment (adventurers being desensitized to death and injury because resurrection magic is commonplace). the way the party refers to "saving Falin" instead of "retrieving Falin's corpse," indicating that they still see her with full personhood, and how that phrasing leads to some readers/viewers believing that Falin is alive in the dragon's stomach, conscious of being slowly digested while the party carelessly fucks around "wasting time." how the weird tonal dissonance makes sense in-universe and yet is deliberately challenged more and more the deeper the party goes

all the character building and pieces of lore slowly weaving together the shape of the larger world, laying the groundwork for the major themes that will surface later. so much is right there in the "low-stakes" early episodes if you know what you're looking for (or pass the perception checks).

it can be so satisfying to see new viewers/readers pick up on the clues even in the earliest "simple" episodes, or notice new things and make connections yourself....and it can also be frustrating to see people dismiss oddities and dissonance as shallow or bad writing because they don't expect a "cooking anime" to have depth like that. why try to question and understand and peel back the layers when you don't expect there to be any layers?

why can't laios take things seriously for once?

[artblock-tm]

I’ve mentioned in my Ambivalent Souls infodump but I have a crack au that just inserts those OCs into the story of Death Note.

Hare is Light, Zerie is L, Midnight is Misa, Thirio is Ryuk, Attakai is Rem, Maroon is Near, and Feil is Mello.

I’ve drawn… a lot in a short amount of time. Haha. Whoops.

The au follows the main story of Death Note (the show) with some slight characterization changes. If you wanna ask me about it, my inbox is open!

[weregonnabecoolbeans]

The bad batch is an amazing show and here is my proof:

It has accomplished the highly unlikely but let’s be honest it doesn’t take much for me to care about stuff impossible!!

It has made me care about Sheev’s dumbass return in The Rise of Skywalker

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[seaweedstarshine]

RIP Krakoa 🌹 I can’t lie I’ve been kinda behind since midway through Fall of X I’m gonna catch up before my first SDCC this summer but I hear Vulcan didn’t see much action anyway. Anyway my hand slipped and I found myself looking into the eyes of my canonically psychotic son the best Summers brother who’s never done anything wrong in his entire life, (he’s done lotsa wrong things but I love him more for it)

[raytm]

I know I don’t technically owe anyone and explanation but I want to put out there what’s going on and why I may have distanced myself or ended up losing mutuals because of cut contact.

on October eleventh my cat of eighteen years got put to sleep, which, has left me feeling empty and without reason to really do anything ? I was still working for a while and managing things but it progressed to a point where I was pacing any minute I was not doing anything and couldn’t sleep, spent the nights pacing the length of our property sometimes for hours at a time. my mum took me to the ER and they gave me sedatives which while acted to soothe it for a little bit didn’t solve the issue. when I returned home and was still exhibiting the symptoms she confronted me saying my cat was dead and I needed to get over it which ? was the last straw for me, she was screaming I was cowering it wasn’t fun. since then I’ve been staying with a friend who has taken me in and I’ve made progress but sleeping at night is still panic inducing for me and even with medication sometimes the insomnia still wins, I’ve been to the ER a few more times over the past two months and thankfully the pacing has stopped but the sleeping issues haven’t improved to the point where I’m able to sleep normally ? I still don’t know when it’s going to happen. I’m getting my PC from my mums house on the 28th so hopefully I’ll be able to write again but with how exhausted I am it can be difficult to even do the things I need to function day to day. I’ve had to give up my jobs as well so it’s just ? An on going ordeal. It’s been a rough two months but tbh I didn’t think I was going to make it to Christmas and I have so I’m just quietly hoping it improves even if it is slowly.