#having lot of settings and characters but always the same people

[radishaur]

༄ kind words ༄

Warnings: mentions of unwelcome advances in Law's part Genre: fluff Characters: Luffy, Zoro, & Law Summary: How they realize they have feelings for you (words of affirmation edition) Author's Note: It's finally here! These keep getting longer and longer as I get more familiar with each character and the dynamic, especially Law's, but I don't think that's too much of an issue. I also kind of hate Luffy's but couldn't keep redoing it, so maybe I'll edit it later. Happy reading as I begin working on the next part!

masterlist

Luffy is great at giving compliments because he just says whatever he's thinking.

He gets complimented a lot as well. He's always running around and saving people, intentionally or not, so he's probably heard his fair share of compliments. I think hearing a compliment that's more deep and genuine, that comes from someone who knows him deeply, would be more meaningful than anything and would make him recognize his feelings.

~

Not every day on the Sunny was a fun adventure.

Setting out to sail across the whole world and strive for their individual goals there was bound to be hardship. Sometimes it came in the form of grueling battles with their latest enemy. Other times it was internal conflicts or disputes, simple disagreements or heated arguments.

This time, it was grief.

After so many months traveling together, the crew had learned how to tell when one of them was upset about something and needed space. Today, it had been Nami. For the past few days, her mood had been off. She'd been more quick to anger and had spent more time than was strictly necessary tending to her orange trees. Then today, she'd been even worse, snapping at Sanji's normal overbearing lovey behavior and brooding to herself under the shade of her grove.

It didn't take him long to realize what was bothering her.

Nami only ever got like this when she was thinking about Bellemere, which meant today must be the anniversary of when everything happened. The crew had spent most of the day giving her her space, allowing her to process what she was very clearly feeling. After a while, he took it upon himself to cheer her up. He made silly faces and played some of her favorite games on the deck, goading her into joining them by making bets he knew he would lose. He'd even secretly asked Sanji to incorporate oranges into their dinner. By the end of the night, Nami was laughing and she seemed a lot lighter, like whatever was weighing her down had lessened some.

Now, it was late at night, and the only sounds that could be heard on the Sunny were the lapping of waves against the ship and the snores of his crew as they slept. All except for him.

Sleep was avoiding him, so he decided that he would be much better off just joining whoever was on watch and maybe having some fun. He made his way up to the crow's nest and was happy to find you sitting on the bench, looking out across the sea.

"Oh, hi Luffy," you said, your voice quiet.

"Hi!" he said, sitting excitedly next to you on the bench as you looked out across the sea once more. "I couldn't sleep so I decided to come out and have some fun!"

You smiled, always amused by his antics.

"Well, unfortunately, there's no fun here. I'm on watch, remember?"

He pouted, knowing you were right but still disappointed anyways. You laughed at him as he whined and complained, but he didn't actually intend on distracting you, so after a while, he quieted down and let you focus.

"I hope Nami is feeling better," you said, resting your head on the arm you propped up on the window. You were frowning slightly, your eyes unfocused as your worry made itself visible on your face.

"She'll be ok, she's Nami! She's strong," he replied, no doubt in his mind that tomorrow she would be the same old Nami she had always been. "She might be sad now, but it's not forever. She has us to help her."

You hummed in agreement, a small smile on your face. He smiled himself, happy to see you smiling instead of with a frown on your face. He felt so lucky to have found a group who cared so deeply about each other.

"All that stuff you did today. It was to cheer her up, wasn't it."

You said it like a statement more than a question and he found himself smiling at how observant you were. "You figured it out. You're so smart!"

You laughed at him once again, his own laughter joining you as you said, "Of course I did. I know you wouldn't have made those bets under normal circumstances."

They had been stupidly dumb bets that left no chance for him to win and he found himself giggling as he remembered how Nami had perked up upon hearing him agree to them. He loved his crew more than anything, so what was a few beri down the drain? Your laughter subsided as you got lost in thought once more. You seemed like you were debating saying something and when you seemed to have made up your mind, he found himself sitting up straighter as you turned to look at him.

"You're a lot smarter than people give you credit for," you said, a small smile on your face and a playful admiration in your eyes.

He's not quite sure what to say to that. He's always been called stupid and to everyone's credit, he is. He doesn't think very often, preferring to act on instinct and figure out the rest of the plan later. He's been known to not read the room, to zone out during important world lessons, and to shout out the first thing that comes to mind. He doesn't think anyone has ever called him smart and for the first time in maybe his whole life, he's speechless.

"I guess that's probably not what you were expecting me to say, huh?" you teased, a light smile making its way onto your face.

He collects himself and asks, slightly incredulously, the question that's first in his mind. "Why do you think that?"

"Well, you just told me you did all that stuff to cheer Nami up, right? Someone stupid wouldn't be able to put together why she was upset and what would make her feel better. You pay attention when it counts and you're a lot more emotionally intelligent than people realize," you explain, relaxing slightly as you look out at the ocean once more. "Today it was Nami, but I've watched you help lots of people like that. Vivi, Robin, Sanji, even me. Maybe you don't say it out loud, but you pick up on people's emotions and what they need the most in that moment."

He listens as you talk and slowly realizes that you're right. He's always had a way of reading people and knowing what they really want or need, but he's never really connected it to intelligence. He always thought it was just his own special kind of stupid.

"I guess that makes me a genius!" he exclaimed, laughing heartily as your eyes widened in shock before laughing along with him.

"Maybe you are stupid after all," you say, but there's no malice in the words as you keep laughing at him.

Finally, your watch shift is over and the sun peeks up over the horizon. He'd stayed with you the entire time, just talking and goofing around until he realized how much time had passed and how tired he was. His dreams that night are filled with you and when he wakes up, your words are still floating around in his mind. Knowing that you think he's smart makes him feel funny and he thinks that maybe he should finally turn his ability to recognize people's feelings inward.

Zoro doesn't throw out compliments or encouragement left and right, he only says something if he really means it.

I think he's received his fair share of compliments, although I doubt he puts much stock in them unless they come from someone he respects. If he doesn't think there's any stock in the compliment, or on that same token an insult, why bother giving it attention? For this reason, I think getting a compliment or reassurance from you would rattle him a little and cause him to have an aha moment.

~

The town that the Sunny docked in isn't too interesting to Zoro, aside from the bar he's nestled into for the past few hours. He has a few empty glasses in front of him and he's almost done with his current one when he sees the door open.

He's not surprised when he sees multiple of the crew walk in, quickly noticing him in the corner and making their way to him. You're among them, talking to Robin about something that elicits a small laugh out of her. Begrudgingly, he scoots over and makes room for everyone in his booth as they smoosh in.

"I knew we'd find you here!" you say, the last to slide in so you're right across from him. "Already deep into your drinks, as expected."

"Shut it, woman," he grumbles, his brows furrowing as he finishes his drink and sets the cup down on the table. You laugh, looking at Robin as Usopp reluctantly hands Nami some beri. He feels his eye twitch in irritation as he notices the exchange. "Are you betting on me?"

Usopp gulps at the glare he sends his way and Nami simply smiles, dollar signs practically lighting up in her eyes as she answers, "Yep! I bet that you were already 3 drinks deep and I was right."

"We've barely even arrived! I thought-" Usopp protests, attempting to explain himself.

"You both are insufferable!"

His exclamation elicits another laugh out of you as Robin simply lifts a hand to her mouth to hide the amusement that is no doubt there. He wants to be annoyed, and he is, but he's been traveling with the lot of you for long enough that he can't really be upset, at least that genuinely. He simply huffs, waving down a server to ask for another glass.

The rest leap over each other to order their own drinks, some alcoholic, some not, and fall into easy chatter with each other. Periodically, he catches your eyes and you send him a smile, but he doesn't insert himself in the conversations, much preferring to listen. Eventually, Nami gets tired of just sitting in the bar and decides to go shopping. Usopp and Robin decide to accompany her, but you decide to stay behind. You wave, watching them go as he takes his previous spot in the booth back.

"Not in the shopping mood?" he asks, glancing at you out of the corner of his eye.

"No, I'd much rather stay here with my favorite swordsman," you tease. He bristles, knowing that you're just poking him for fun, but he can't stop himself from blushing, taking a long sip from his glass to hide the blush he can feel on his cheeks.

"You're worse than that damn cook," he mumbles, his glass now sufficiently empty.

You laugh at that.

"Now that's just a lie."

He can't deny that, the corner of his lips twisting up into a smile. He's spent enough time traveling with you to know that you don't act like that with everyone, just him. The notion that you reserve this behavior for just him is both agitating and yet satisfying. He feels something possessive lick at his heart but ignores it, waving at the server for yet another drink.

He asks you about what you've been up to on the island since they docked and you happily tell him all about it. It hasn't been long so you don't have much to say and it isn't long before the two of you fall into a comfortable silence. After a while, you finally talk again and it's not what he's expecting.

"I know you'll become the greatest swordsman, Zoro."

He sputters, the sip he was taking spilling all over himself as he coughs, trying to catch his breath. He can feel his ears heating up with embarrassment and sputters, "Where the hell did that come from?"

When you look at him, your face is set in firm determination, but your eyes are soft, filled with a fondness he wishes you would direct at him more often.

"Those pirates we fought yesterday," you explain.

He thinks for a moment before he's reminded of what you're referring to. On their way to this island, they had run into a rival ship following the same course. While they hadn't intended to battle them, the ship fired at them as soon as they were in range, so they had no other choice. He remembers the fight being fairly easy, each member of the crew handling their fair share of pirates.

He also remembers one of their crew having some rather nasty words to say to him.

"You're delusional if you think you can become the greatest swordsman," he had spat, struggling to breathe. "You'll see it eventually. Even if you won this battle, you'll never achieve your dream."

He hadn't paid much attention to the words. He was confident in his own abilities and his opponent had been defeated easily, so there wasn't any point in taking his words to heart. He hadn't thought anyone was close enough to hear it and he certainly hadn't brought it up, quickly forgetting about it.

He smirked then, letting the full force of his pride show in the grin as he said, "That loser wouldn't know what it takes to be the greatest swordsman even if it smacked him in the face."

"That doesn't make any sense," you say, your face wrinkling as you giggle at his statement.

He takes another sip as your laughter dies out.

"I'm not worried about what a crap swordsman has to say about me and my dream," he says, his voice a lot more serious now as he thinks about the promise he made all those years ago. "I will become the world's greatest swordsman or die trying."

"You'll do it. I know you will."

You don't say anything after that, seemingly having said everything you intended to, but your words linger with him. The thought that you had heard the man's words and felt it was important enough to dispute them made his heart feel weird. He had never doubted himself, even when he maybe should have. He'd always been sure that his will, determination, and hard work would take him to exactly where he was supposed to be. Still, hearing your words of encouragement, hearing your genuine belief in his ability, it affected him in a way he wasn't expecting.

"You will too," he says, his voice barely above a murmur.

A few seconds go by where you don't say anything and he wonders if you'd even heard him, but one glance at you tells him that you had. You're not looking at him, your eyes averted as if you're embarrassed and your lips are curved into a small, satisfied smile. The sight makes his heart stop and he almost goes to clutch his chest before the feeling quickly passes.

Before the moment can linger, you're shooting back into conversation with him. Despite his best efforts to pay attention, he finds that his attention is drawn back again and again to your words. He knows that the crew believes in his dreams just as much as he believes in theirs. It's part of why he's so willing to protect their dreams just as fiercely as his own, but for some reason knowing that you believe in him so much really sticks with him.

He thinks about it for the rest of the day as well as late into the night when they're all back on the Sunny and setting off for the next island. He doesn't like being distracted, so he mulls over why your compliment holds so much weight for him. He values your opinion, but you're also not a swordsman, so theoretically there shouldn't be that much weight to your words. When he finally realizes, it feels like everything clicks into place and so many things start to make sense.

He acts like nothing has changed, wanting time to sit with the feelings before he decides what to do about them, but he finds it hard now that he understands the full weight of his regard for you.

Law rarely ever gives out compliments, rather preferring to show how he feels with his actions.

I think he receives a few compliments here and there, but he's built an intimidating presence and image, so I think they're far and few between. However, I think if you took him off guard with a meaningful compliment, especially if its one that he hasn't heard before, it would make him start to think about his feelings towards you.

~

"Captain, we have a problem."

Law sighs, all of the worst-case scenarios running through his mind as he turns to face Sachi. They're docked at a port town so that they can restock the Polar Tang, preparing for another few weeks underwater. It's familiar and something that the crew should be familiar with by this point. They have a routine, a schedule that rarely changes, that details who goes with who to go get what. In theory, it should go perfectly smoothly.

It never does.

"What is it, Sachi?" he asks, his grip on Kikoku tightening slightly as Sachi walks up to him with the list of crewmates and jobs in hand.

"Well, you said that nobody is allowed to go alone into town right? For safety?" he asks, only resuming once Law has hummed in agreement. "Right, well uh, unfortunately, Penguin is sick today which means his partner doesn't have anyone to go with, which wouldn't be an issue since usually we have at least one group of three but, well, they're also sick so-"

Law grumbles under his breath about getting to the damn point, grabbing the sheet from Sachi's hands to just look at the issue himself. Sachi gulps, sensing his irritation, and nervously rubs the back of his neck. The problem becomes clear very easily. His beloved crew had partied a little too hard the last few nights and now two of them were sick, leaving no group of three to split up and someone unaccompanied. He looks for Penguin's name to see who's alone and feels his heart flutter slightly when he sees your name scrawled out next to it.

"Our only two options are to either make one group get two things, which would set us back at least an hour, or...," Sachi says, trailing off slightly. The unspoken second option is clear. Law always spend their restock days on the ship. The higher his bounty gets, the higher the chance that he gets recognized, so he always finds it easier and safer for him to stay behind.

"I'll go," he relents, watching as the tension in Sachi's shoulders dissipates.

"Great. Thanks, Captain!"

Sachi disappears before he can change his mind. He sighs, looking around the collection of his crew until he finally finds you in the mix. He makes his way over, watching as you converse with Bepo, catching the very end of your sentence.

"-seems like I'll be alone today. Sachi said he would look into it, but everyone already has their pairs so I don't know who could take his place."

"That would be me," he answers, watching as both Bepo and you finally notice his approach.

"Oh! Uh, are you sure? Don't you usually spend the day on the Tang doing research?" you ask.

He ignores your improper name for the Polar Tang as he explains the situation to you. You nod, smiling as you say, "I see. Well, I'm glad to have your company then, Captain!"

He's taken aback by your words but decides to just move forward instead of dwelling on them, so he turns around and shouts, "Let's go."

"Shouldn't you probably change?"

He stops, looking down at his attire as you add, "As much as it suits you, it doesn't really hide the fact that you're a pirate, let alone our Captain."

He can't really argue with that. The Heart Pirates logo is front and center on his shirt and Kikaku is certainly not doing him any favors either. He tells you to wait and then quickly shambles himself into his room to change. He has to dig really deep in his closet before he finds a shirt that doesn't have his symbol front and center, but once he does he leaves Kikaku leaning against his wall and shambles back up to you.

By the time he's changed and came back, most of his crew is gone. You're quicker to notice him this time as a result and the two of you finally head into town.

"What are we in charge of?" he asks, stuffing his hands into his pockets now that they're not holding his sword.

"We're in charge of the medicinal herbs, Captain," you answer.

"Just Law is fine," he says, his hand fidgeting slightly as he adds, "No use in me changing if you're just going to use my title."

He sees you smile softly out of the corner of his eyes. "Right. Law it is, then."

His ears burn slightly as you say his name so effortlessly, but he brushes it off quickly and continues into town. It's not hard to find the store you're looking for and he lets you take the lead as you begin listing off the various herbs you need. It's not long before the two of you are walking through town once more, heading towards the submarine.

"Oh, look! That art is gorgeous."

He stops walking as he turns to look at what you're pointing at. There's a small stall in the marketplace's square that's selling paintings of all different sizes and mediums. He sees your eyes light up as you look at them and isn't surprised when you say, "Wait here, I'm going to go buy one."

He huffs, leaning against the wall of a nearby building where he can see the stall. He'd like to pretend that today had purely been an inconvenience, but he can't find it in himself to be that upset. While it was inconvenient that he wasn't able to spend the time studying the most recent medical book he had been interested in, the day had been pleasant. You'd made pleasant conversation with him while walking in town and your bright demeanor always seems to calm him down.

He looks back over to the stall, curious about what painting had caught your eyes, but feels his heart jolt when he doesn't see any sign of you. He stands up to his full height, hoping to catch any glimpse of you, but he still doesn't see anything. He curses to himself for letting his guard down and allowing you to somehow slip away and starts searching for you with his observation haki.

He picks up your signature in an alleyway and feels his gut churning. Not wanting to draw attention to himself by using his devil fruit powers, he quickly makes his way to where you are. As he gets closer, he hears you pleading with someone.

"Look, I'm really not interested and I have someone waiting for me, so-"

"Surely I can show you a better time than them, hm?"

He doesn't recognize the second voice but he doesn't need to to know what's going on. He feels anger burn in him as he finally turns a corner and sees a guy caging your body against the wall with both of his arms.

"I already told you, I'm not looking for that. Please let me go," you say, your hands clutching the bag of herbs you'd bought earlier as well as what looks to be whatever painting you had bought at the stall. He also sees the man take a step closer and open his mouth to talk, so he takes the opportunity to interrupt.

"You heard them," he says, his voice like venom as he enunciates, "Let them go."

The man looks at him, sizing him up as he takes a step back and lets his arms drop. "What are you, a good samaritan? Buzz off," he scoffs, turning his head back to you, clearly intending to ignore him.

He doesn't know what comes over him as he finds himself stepping closer and punching the man square on the side of his face. The man, clearly caught off guard, stumbles slightly. He doesn't give him any time to recover as he steps forward, putting himself in between you and the man whose face was now swelling up.

"What the hell?" he shouts, cradling his face as he finally catches his balance.

He can see the punch coming but knows that you're standing right behind him, so he only shifts slightly so that the punch only hits him in the shoulder. A moment afterward, it dawns on him that he can just get rid of the man, so he does.

"You're lucky I don't have my sword, or you'd be getting much worse than this," he seethes, holding his hand out as he says his classic phrase and sends the man shambling into the ocean. In his place, a mossy stone drops to the ground, echoing in the now almost empty alleyway.

When he turns around, you're staring at him speechless. He frowns slightly as he gives you a once over, checking for any visible signs of harm.

"I'm ok," you finally say, your voice shaky before you cough slightly and repeat, voice calm, "I'm ok. Just unnerved."

He doesn't take his chances and calls another room, switching you both closer to the Polar Tang. His guilt at letting you out of his sight and allowing this guy to drag you off eats at him as the two of you approach the ship. Once inside, he shambles the two of you to his examination room, pointing to the table and saying, "Sit. I want to check for injuries with the proper equipment."

You don't fight him as you make your way towards the table. You're still holding the bag and the painting until he gently takes them from you, placing them next to you on the table.

"I'm really ok La- I mean Captain," you begin, correcting yourself back to his title now that it's just the two of you.

He finds himself missing his name from you but keeps the comment to himself. He's supposed to be checking you for injuries. He's supposed to be assessing your well-being, which is only in question because of his own negligence. He frowns to himself and continues to check you for injuries without answering.

You let him, still assuring him that you're fine, that he only grabbed your arm for a moment at the stall, but he doesn't stop until he's sure that there's nothing wrong.

He sighs, finally stepping back from the table. His guilt still eats at him regardless as he goes over everything he did wrong. "I'm sorry, I should have been watching more carefully. No, I should have just come with you."

You simply smile at him in response and say, "It's my fault. I was the one who stepped away."

He doesn't have anything to say to that. He knows it's true, you did step away despite it being an explicit rule not to, but he can't deny his part in it as well. He curls his fists as the silence continues.

"Why didn't you dodge his punch?" you ask, your voice quiet.

He's surprised by the question, but also by how quickly his cheeks warm up at his answer. He looks off to the side, hiding behind his hat as he says, "You were right behind me. If I moved, he would have just punched you."

You have the audacity to laugh, loud and full as if he had just told you the funniest joke you'd ever heard and he can't help but scowl.

"You know," you start, laughter still floating in your voice, "For someone with such a cold exterior, you sure are kind."

The compliment catches him off guard. His face whips towards you as his eyes open in shock, the faint blush now burning bright red across his whole face. He meets your eyes and he doesn't see any hint of a joke.

He's heard himself called a lot of things. Scary, cold, bitter, even downright malicious, but never kind. It sends shivers up his spine as the word settles somewhere under his skin. You think he's kind. Kind.

"You're my subordinate. I'm not being kind, I'm just doing my job as your Captain," he corrects, not wanting you to misunderstand his intentions.

Your laugh this time is softer, more full of fondness, but it rustles him all the same. "You really are kind though," you insist. He's not ready for you to continue, barely able to handle the few words you've said, but that's never stopped you before. "I think you care a lot more than you want us to think. You wouldn't worry so much otherwise. Besides, you're always going out of your way to protect us. I think that makes you kind."

He doesn't know what to say, so he tries to navigate back into familiar territory. He takes a deep breath and calms his nerves, grabbing the bag of medical herbs from your side and turning around to begin putting them away. "Well, since I've checked and you don't have any injuries, there's no reason for you to stay."

He hears you shuffling around as he begins unpacking the herbs from the bag and chances a glance over at you one more time. He regrets it immediately.

You're looking at him like you can see right through him. You have your painting tucked under your arm as you look over your shoulder at him in the doorway and you're still smiling at him as if he didn't just ignore your comment and dismiss you rather rudely. It makes his heart ache, wanting to prove you right. To prove that he is kind, that he's worthy of your opinion of him, that he's worthy of your praise.

"Thank you, Captain. I enjoyed your company today."

With that, you disappear down the hallway, presumably back to your shared room to hang up your new picture. He stares at the spot you left long after you've gone, your words echoing in his mind. They rattle around in his heart until they finally settle, leaving a warm comfort he didn't know he craved.

You think he's kind.

That thought plagues his mind for the rest of the day. His guilt is completely forgotten, his mind too consumed by your compliment to make any room for it. He finds himself unable to even focus on reading the medical book that night that he missed out on reading earlier. Your words and the simple fact that you truly believed them chip away at his resolve until he finally has to come to terms with why it affects him so much. He mumbles your name, his hand clutching his heart as it beats, solidifying what he'd been ignoring for a long, long time now.

ღ radishaur — i do not own any of these characters. do not plagiarize. please enjoy and remember to be respectful! 

[absolutely-not-my-main-blog]

Every time one of the Sunny cast is in something else that's marginally successful, you always see articles like "This proves it's time for It's Always Sunny in Philadelphia to end" and I need to be dragged out of the room kicking, biting, maiming because yes, while it's great the actors are branching out and I want them to be able to do so and get the recognition and respect they deserve for their skills, that doesn't mean there's not still worth in their other work, and what it all boils down to in the end is: people don't respect Sunny or all their skills already on display in Sunny, they never have and never will. To them, Sunny running so long is a 'blemish' on the record of their career, a growing mold they can't scrub clean, a shackle on the arms of ambition that's been dying a slow death and refusing to set them free, and not the incredible feat, work of passion, and still very much alive (and important to so many people) thing it really is.

And these people don't even have stake in the situation! Many aren't even fans, never understood what they were doing to begin with, admit to having only seen a few clips or episodes here and there, or, even worse, have been saying the same thing every single year even when Sunny WAS in its prime because they see something (especially of a certain genre and presumed quality) on that long, they only look at it on the very surface and default to expecting it to have continually gotten worse regardless of whether or not it has, and I won't argue Sunny hasn't had its share of speed bumps and slumps, but by god at every turn they have also worked to get over them—especially succeeding in their latest season balancing old Sunny with the new —and keep delivering new plots and new ways to work with these characters that they have put so much thought and love and work into over the years, and even though it's a comedy show, they deserve to be seen as more than just a bad punchline to an overused joke. Their life's work deserves to be seen as more than just a joke. Because it may not mean anything to the people writing the headlines, but it means something to a lot of people. And the love for creating it is still there. The love is still there. Anyway, woe, wall of text be upon ye, I hope Sunny lasts forever.

[tealvenetianmask]

Check out these visual parallels between Blitz and Loona during their fight in Spring Broken. Even early in season 1, the team behind this show wanted us to know that these two characters are very alike- and maybe that's part of why they fight so much but also why they work so well as a family.

I set out to write a much deeper meta about their father-daughter relationship, but I noticed this when I was looking for screenshots and just couldn't let it pass by.

Take this moment where the conflict between Loona and Blitz escalates way beyond the current situation ("Because I adopted you!" ". . . you're not my real dad!").

Their body language is the same when they're yelling at each other. Leaning forward, eyes glaring and strained with sharply angled brows, mouth wide open, teeth showing. A little feral and out of control. Giving the yelling their all, words as weapons and all of that . . . and you know, not in a way where they're wielding power. Unmistakably upset, frustrated, at a loss as to what to do.

And then when they turn away, we see them mirroring each other's body language in real time.

People have said it a lot, but these two are the same. They lash out, but they're not truly mean- they're hurt and afraid of getting even more hurt.

We're also shown here that despite all of this, Loona understands on some fundamental level that, even after they've fought and both behaved badly, Blitz will continue to be the dad she needs.

And I'll explore in a future post at some point how this understanding they have (partly because they're alike, and partly because Blitz is always showing Loona how much he cares) is very powerful in both of their lives.

But for now, enjoy a screenshot where, sure enough, Blitz comes through on "getting over it," and all is forgiven:

"fat fucking car in our fat fucking space"

<3 <3 <3

[puppyeared]

learning abt friendship decay and "not reaching out to your friends for months at a time unprompted is not neurotypical behaviour" has me feeling a certain way

[poorly-drawn-mdzs]

More silly MXTX polls to mull over for the week:

[thefrogdalorian]

I think on this fine Saturday afternoon it's a good opportunity to take a breather and remember that there are really no ethical paparazzi pictures. Every single one is inherently exploitative.

Just because photos were taken on a movie set, when someone is 'working,' does not make the practice any less invasive and creepy. Imagine just going about your day, doing your job and having some weirdo snapping pictures of you to sell without your consent for others to endlessly repost online.

There are thousands of pictures of your favourite actor online already. Plenty taken with his knowledge and consent. I'd really like to see more of them on my dash, rather than the creeper shots.

And don't get me started how disseminating these pictures directly leads to people going to said sets. What starts off as admiring how good someone looks has real world implications.

No, hanging around a movie set and disrupting people doing their jobs is not harmless fun or a way to show your appreciation.

If you hang around a movie set, you are a stalker.

Don't tell me that it's okay to take your online admiration for someone offline. You may admire him but he does not, and will never, personally know you. He will never be your friend/boyfriend/daddy. He is a stranger.

The only way meeting your favourite actor is going to happen is at a convention or maaaaaybe a movie premiere if you're incredibly fortunate. You know, places they appear specifically to meet fans (or not in the case of premieres, where the purpose is to promote a movie. Which is also completely understandable if actors don't stop. You are not owed an interaction).

Of course, you cannot help it if you randomly run into someone you admire in the wild. Even then, consider that they probably won't be all too thrilled to be approached in public by a complete stranger. It's up to you to gauge the situation, but remember there is a person at the heart of all of this.

Boundaries and respect are a kindness which deserves to be extended to each and every human being regardless of their looks/talent/fame/wealth.

Fandoms blur those lines a little too often for my liking and I think just scrutinising what you're interacting with, or what behaviour you could be possibly falling down that slippery slope towards is nice to do every once in a while.

I mean no malice with this post and it is not directed at anyone in particular. It's something I cannot help but feel strongly about because I've seen this destructive cycle time and again in fandoms over the years. It's not healthy and it makes us all a little bit more disconnected from our humanity for it...

[optiwashere]

I liked doing this last week, but it will get kinda repetitive in the coming weeks. So I'm not sure if I'll do it often while I'm posting the modern/band AU, but oh well!

It's another Saturday morning in a blanket with new music. Truly all I could ever need to write.

Here's what I've been working on...

Modern/band AU is fit and ready to start posting this upcoming week. Chapter [redacted] is complete, and I'm now far enough ahead that even a few weeks of busy life won't stop a regular posting schedule. And if I keep up writing then I'll be able to post around Xmas without needing a break!

Chapter [redacted+1] has an opening sentence, which is often the hardest part.

The outline for the AU has been modified a little. Combined three chapters into one, split out another chapter into two. Probably lots of consolidation to be done otherwise. There's a weird bit in the outline that's kinda fuzzy, but I'm sure I'll knuckle my way through it since it's not thematically deep. Might even be another chapter consolidation. This fic is definitely going to be longer than the 40k I was hoping it would top out at...

Editing the previous chapters has been a fun exercise in trimming the fat! I still want there to be scenes that are just ~vibes~ but I axed 1k words and the whole thing is cleaner for it.

More Minthara/Lae'zel is in the works, but it's mostly only the skeleton of an idea as I've had to rework it multiple times. I've a little under 1k actually written, and I'm not too convinced of what it is at the moment either. Quite frustrating.

Another seedling of an idea for non-smutty Asheera/Shadowheart fics. But it's really just "Shadowheart meets Asheera's parents" and boy I'm not ready for the mixed emotions Shadowheart's going to feel in that one. You know it's not just going to be fluff.

The Gauntlet/Nightsong segment for my core Shadowheart/Asheera series has a skeleton of an outline now. The POVs have been picked, the core beats are there, and I know it's going to hurt like a motherfucker to write some of this.

[infizero]

you guys dont understand how much splatoon means to me. you will never understand

[fmhobeus]

jjk men and their red flags

a/n: i'm feeling problematic :> tell me what u think (agree/disagree/add more?) this is all for shits n giggles !! non sorcerer au kinda

kento nanami — (over)protective

but like... to the point where it feels like he's treating you like a child! he doesnt like to see you sweat or even work at all for that matter. he loves it when you cook but has bought covers for all the knifes. if he sees a burn on your hand get ready for a 10 minute long lecture. if you accidentally fall he wont let you get up for atleast 3 days to help you ""heal."" it's almost like he doesnt trust you to take care of yourself :') he probably has like 3 separate first-aid kits everywhere.

suguru geto — emotionally unavailable

i feel like this is explainable to his character (sort of.) i dont think that he'd make you feel isolated at all, he's be an amazing listener and probably memorizes every word you say. he listens to you rant and even trauma dump with insane patience. but at some point it feels as though you hardly know him. he's talk to you a lot but very little of it is personal and you hardly know what he's thinking because his ass is not tell you. he also unintentionally distances himself from people from time to time. this applies to you too and you can feel him getting emotionally distant sometimes. it isnt something he does knowingly but it sure ass hell bothers you.

satoru gojo — very clingy and needy

this nigga. he is so utterly clingy. and at first it's perfectly fine, even appreciated by you. you still love him like crazy of course but it is just overwhelming. he is like a child most of the time, he need you around him and is always accompanying you wherever you go, and he expects you to do the same. he also doesn't believe in "me time" because why would you feel better when you're away from him: (? want to hang out with your friends? what do you need them for: (? he's right there. he is also physically incapable of listening but boy is he good at making up.

toji fushiguro — controlling

he is so controlling omfg. it's usually subtle but sometimes he will outright just say no to things he doesnt like, not caring if you like them. it gets to the point where he actually starts to change your personality. he is very caring and that's his justification for this typa stuff. it is usually harmless stuff but he gets paranoid often. he doesnt let you wear miniskirts out if you're not with him. he doesn't let you befriend people he thinks are into you. he barely lets you buy stuff on your own, he usually gifts you whatever it is youre into at that moment. borderline turned on by fear and you being dependent on him.

choso kamo — has no social life outside you

pretty self explanatory. he doesnt have many friends outside you and isn't interesting in making them either. total loser. so taking him out to events, he probably doesnt interact much and chooses to look at you the entire time, which annoys your friends. he answers their questions pretty bluntly. he's never down to have people over and lowkey hates when you are.

hiromi higuruma — workaholic

also self explanatory. he leaves early, comes home late. you barely see him on the weekdays. sometimes he goes as far as ignoring your calls when in between cases. he calls you periodically but has to have an alarm set to remind him. he loves you very very deeply but is just used to working non stop T_T

[dykepuffs]

How Do I Make My Fictional Gypsies Not Racist?

(Or, "You can't, sorry, but…")

You want to include some Gypsies in your fantasy setting. Or, you need someone for your main characters to meet, who is an outsider in the eyes of the locals, but who already lives here. Or you need a culture in conflict with your settled people, or who have just arrived out of nowhere. Or, you just like the idea of campfires in the forest and voices raised in song. And you’re about to step straight into a muckpile of cliches and, accidentally, write something racist.

(In this, I am mostly using Gypsy as an endonym of Romany people, who are a subset of the Romani people, alongside Roma, Sinti, Gitano, Romanisael, Kale, etc, but also in the theory of "Gypsying" as proposed by Lex and Percy H, where Romani people are treated with a particular mix of orientalism, criminalisation, racialisation, and othering, that creates "The Gypsy" out of both nomadic peoples as a whole and people with Romani heritage and racialised physical features, languages, and cultural markers)

Enough of my friends play TTRPGs or write fantasy stories that this question comes up a lot - They mention Dungeons and Dragons’ Curse Of Strahd, World Of Darkness’s Gypsies, World Of Darkness’s Ravnos, World of Darkness’s Silent Striders… And they roll their eyes and say “These are all terrible! But how can I do it, you know, without it being racist?”

And their eyes are big and sad and ever so hopeful that I will tell them the secret of how to take the Roma of the real world and place them in a fictional one, whilst both appealing to gorjer stereotypes of Gypsies and not adding to the weight of stereotyping that already crushes us. So, disappointingly, there is no secret.

Gypsies, like every other real-world culture, exist as we do today because of interactions with cultures and geography around us: The living waggon, probably the archetypal thing which gorjer writers want to include in their portrayals of nomads, is a relatively modern invention - Most likely French, and adopted from French Showmen by Romanies, who brought it to Britain. So already, that’s a tradition that only spans a small amount of the time that Gypsies have existed, and only a small number of the full breadth of Romani ways of living. But the reasons that the waggon is what it is are based on the real world - The wheels are tall and iron-rimmed, because although you expect to travel on cobbled, tarmac, or packed-earth roads and for comparatively short distances, it wasn’t rare to have to ford a river in Britain in the late nineteenth century, on country roads. They were drawn by a single horse, and the shape of that horse was determined by a mixture of local breeds - Welsh cobs, fell ponies, various draft breeds - as well as by the aesthetic tastes of the breeders. The stove inside is on the left, so that as you move down a British road, the chimney sticks up into the part where there will be the least overhanging branches, to reduce the chance of hitting it.

So taking a fictional setting that looks like (for example) thirteenth century China (with dragons), and placing a nineteenth century Romanichal family in it will inevitably result in some racist assumptions being made, as the answer to “Why does this culture do this?” becomes “They just do it because I want them to” rather than having a consistent internal logic.

Some stereotypes will always follow nomads - They appear in different forms in different cultures, but they always arise from the settled people's same fears: That the nomads don't share their values, and are fundamentally strangers. Common ones are that we have a secret language to fool outsiders with, that we steal children and disguise them as our own, that our sexual morals are shocking (This one has flipped in the last half century - From the Gypsy Lore Society's talk of the lascivious Romni seductress who will lie with a strange man for a night after a 'gypsy wedding', to today's frenzied talk of 'grabbing' and sexually-conservative early marriages to ensure virginity), that we are supernatural in some way, and that we are more like animals than humans. These are tropes where if you want to address them, you will have to address them as libels - there is no way to casually write a baby-stealing, magical succubus nomad without it backfiring onto real life Roma. (The kind of person who has the skills to write these tropes well, is not the kind of person who is reading this guide.)

It’s too easy to say a list of prescriptive “Do nots”, which might stop you from making the most common pitfalls, but which can end up with your nomads being slightly flat as you dance around the topics that you’re trying to avoid, rather than being a rich culture that feels real in your world.

So, here are some questions to ask, to create your nomadic people, so that they will have a distinctive culture of their own that may (or may not) look anything like real-world Romani people: These aren't the only questions, but they're good starting points to think about before you make anything concrete, and they will hopefully inspire you to ask MORE questions.

First - Why are they nomadic? Nobody moves just to feel the wind in their hair and see a new horizon every morning, no matter what the inspirational poster says. Are they transhumant herders who pay a small rent to graze their flock on the local lord’s land? Are they following migratory herds across common land, being moved on by the cycle of the seasons and the movement of their animals? Are they seasonal workers who follow man-made cycles of labour: Harvests, fairs, religious festivals? Are they refugees fleeing a recent conflict, who will pass through this area and never return? Are they on a regular pilgrimage? Do they travel within the same area predictably, or is their movement governed by something that is hard to predict? How do they see their own movements - Do they think of themselves as being pushed along by some external force, or as choosing to travel? Will they work for and with outsiders, either as employees or as partners, or do they aim to be fully self-sufficient? What other jobs do they do - Their whole society won’t all be involved in one industry, what do their children, elderly, disabled people do with their time, and is it “work”?

If they are totally isolationist - How do they produce the things which need a complex supply chain or large facilities to make? How do they view artefacts from outsiders which come into their possession - Things which have been made with technology that they can’t produce for themselves? (This doesn’t need to be anything about quality of goods, only about complexity - A violin can be made by one artisan working with hand tools, wood, gut and shellac, but an accordion needs presses to make reeds, metal lathes to make screws, complex organic chemistry to make celluloid lacquer, vulcanised rubber, and a thousand other components)

How do they feel about outsiders? How do they buy and sell to outsiders? If it’s seen as taboo, do they do it anyway? Do they speak the same language as the nearby settled people (With what kind of fluency, or bilingualism, or dialect)? Do they intermarry, and how is that viewed when it happens? What stories does this culture tell about why they are a separate people to the nearby settled people? Are those stories true? Do they have a notional “homeland” and do they intend to go there? If so, is it a real place?

What gorjers think of as classic "Gipsy music" is a product of our real-world situation. Guitar from Spain, accordions from the Soviet Union (Which needed modern machining and factories to produce and make accessible to people who weren't rich- and which were in turn encouraged by Soviet authorities preferring the standardised and modern accordion to the folk traditions of the indigenous peoples within the bloc), brass from Western classical traditions, via Balkan folk music, influences from klezmer and jazz and bhangra and polka and our own music traditions (And we influence them too). What are your people's musical influences? Do they make their own instruments or buy them from settled people? How many musical traditions do they have, and what are they all for (Weddings, funerals, storytelling, campfire songs, entertainment...)? Do they have professional musicians, and if so, how do those musicians earn money? Are instrument makers professionals, or do they use improvised and easy-to-make instruments like willow whistles, spoons, washtubs, etc? (Of course the answer can be "A bit of both")

If you're thinking about jobs - How do they work? Are they employed by settled people (How do they feel about them?) Are they self employed but providing services/goods to the settled people? Are they mostly avoidant of settled people other than to buy things that they can't produce themselves? Are they totally isolationist? Is their work mostly subsistence, or do they create a surplus to sell to outsiders? How do they interact with other workers nearby? Who works, and how- Are there 'family businesses', apprentices, children with part time work? Is it considered 'a job' or just part of their way of life? How do they educate their children, and is that considered 'work'? How old are children when they are considered adult, and what markers confer adulthood? What is considered a rite of passage?

When they travel, how do they do it? Do they share ownership of beasts of burden, or each individually have "their horse"? Do families stick together or try to spread out? How does a child begin to live apart from their family, or start their own family? Are their dwellings something that they take with them, or do they find places to stay or build temporary shelter with disposable material? Who shares a dwelling and why? What do they do for privacy, and what do they think privacy is for?

If you're thinking about food - Do they hunt? Herd? Forage? Buy or trade from settled people? Do they travel between places where they've sown crops or managed wildstock in previous years, so that when they arrive there is food already seeded in the landscape? How do they feel about buying food from settled people, and is that common? If it's frowned upon - How much do people do it anyway? How do they preserve food for winter? How much food do they carry with them, compared to how much they plan to buy or forage at their destinations? How is food shared- Communal stores, personal ownership?

Why are they a "separate people" to the settled people? What is their creation myth? Why do they believe that they are nomadic and the other people are settled, and is it correct? Do they look different? Are there legal restrictions on them settling? Are there legal restrictions on them intermixing? Are there cultural reasons why they are a separate people? Where did those reasons come from? How long have they been travelling? How long do they think they've been travelling? Where did they come from? Do they travel mostly within one area and return to the same sites predictably, or are they going to move on again soon and never come back?

And then within that - What about the members of their society who are "unusual" in some way: How does their society treat disabled people? (are they considered disabled, do they have that distinction and how is it applied?) How does their society treat LGBT+ people? What happens to someone who doesn't get married and has no children? What happens to someone who 'leaves'? What happens to young widows and widowers? What happens if someone just 'can't fit in'? What happens to someone who is adopted or married in? What happens to people who are mixed race, and in a fantasy setting to people who are mixed species? What is taboo to them and what will they find shocking if they leave? What is society's attitude to 'difference' of various kinds?

Basically, if you build your nomads from the ground-up, rather than starting from the idea of "I want Gypsies/Buryats/Berbers/Minceiri but with the numbers filed off and not offensive" you can end up with a rich, unique nomadic culture who make sense in your world and don't end up making a rod for the back of real-world cultures.

[violenteconomics]

twst first-years that unconsciously pick up their upperclassmen's toxic character traits.

ace starts to act more temperamental and confrontational whenever something happens outside of his control. he's more anxious than anything, but it comes out in the form of sharp words.

(after so many overblots and life-threatening situations, he feels as if he could maybe put a stop to it if he had just a bit more control over other people.)

deuce lets other people mistreat him and order him around without putting up a fuss. he hates conflict and arguments more than anything, and is willing to do anything to keep things calm for a few more minutes. on the flip-side, he's not afraid to beat someone into submission if he has to, even if they're not wronging him on purpose.

(that's how trey and cater did it. riddle didn't overblot back when it was just the three of them, so clearly, things would've continued to be just fine if ace and deuce hadn't set them off, if they'd just been more like their juniors--)

whenever jack helps someone out, he starts expecting things in return, and the same logic applies whenever someone helps him out. it can never be a genuine thing. he's always standing with bated breath, waiting until the moment somebody tries to get leverage over him, or until he needs to cash in a favor.

(leona and ruggie are never genuine-- with themselves, with each other, or with him. with them, there's always, always a catch.)

epel starts getting really snide and sarcastic whenever someone doesn't meet up to his standards or says anything he disagrees with. but vil doesn't believe anybody who complains about it to him, because epel acts perfectly normal otherwise.

(why should epel be the only one targeted? why shouldn't other people feel that shame? why does he have to cater to other people? why can't people ever try to please him?)

ortho, who begins to think the worst of people all the time, even before ever meeting them. you have to do quite a lot to convince him that you mean well, and you better do it fast, or he might actually laser you for saying the wrong thing.

(people in this school are so mean sometimes. they don't try to understand idia. they don't try to understand him. even idia doesn't understand him, sometimes. awful, awful, it's all so awful.)

sebek becomes intensely vengeful over anybody who wrongs him, with his payback ranging from harmless things, like putting a frog in someone's bag, to dangerous endeavors, like setting someone's broom on fire mid-air.

(lilia lied. silver cried in his arms. if even malleus can do his most loyal companions wrong, anyone can. it's only fair that he gets a bit even every now and then. they deserve it, all of them.)

yuu is so disinterested in anything that's going on. they'll pretend to help, only to leave or disassociate or make excuses after excuses or just flat-out turn out to be completely unhelpful, with almost no attempt to prove the contrary.

(so many pretenders in this school. nobody's ever helped them out, so why shouldn't they return the favor?)

it's generational trauma that continues to be perpetuated throughout the years at night raven college, that's what i'm getting at.

[nikibogwater]

Actually while I'm thinking about it, I just wanna say that the more live-action remakes Disney shlups out like shoveled manure, the more amazed I am that Cinderella (2015) exists. It breaks literally every standard of Disney's LA remakes.

It's not a shot-for-shot remake of the original 1950 animated film, though it does include small references and homages to it, but only when such things can be incorporated organically into the story.

The creators understood and respected the cross-cultural significance of the Cinderella story. They didn't want to "fix" it, or add some wacky twist to it, they just wanted to make the best possible version of the Quintessential Cinderella that they could.

Everything that could be done practically was done practically. The carriage was a real, the horses pulling it were real, and all of the other animals (with the exception of the mice and lizards, since their performance was a lot more involved than the others') were real living animals, the lizard footman and goose carriage driver were wearing prosthetics instead of just having their animal features added in post, the Fairy Godmother's dress had little LED lights sewn into it so that it would actually glow for real, the ballroom set was built by hand and included real chandeliers with more than 2000 total candles that were all actually lit for the scene, and I could go on but you get the point.

There's a ton of attention paid to little details that make the world feel real and lived in. Ella's shoes are always a little scuffed and dirty. Her farm dress is faded and wrinkled. When she breaks down and runs away to the woods, she rides her horse bareback (which, once again, was a thing Lily James actually did, no stunt-double or editing in post), because not only is that something a country girl like her would know how to do, but it also makes sense that with as upset as she is, she wouldn't want to waste time with saddling the horse. When she's dancing with the prince, it's visually obvious that he is leading her and giving her cues because of course Ella wouldn't know the latest ballroom dances, and would need him to guide her through it.

Hey speaking of dancing, y'know what else this movie does that no other LA remake has been allowed to do (at least not to this extent)? ROMANCE. Land sakes alive, this is one of the most unabashedly and yet still tastefully romantic movies I've ever seen. Ella and Kit are just oozing romantic chemistry from the moment they lock eyes for the first time. It all comes down to the fact that these two characters both have the same core values of courage and kindness, which makes their admiration for each other feel grounded and believable. Richard Madden also really sells Kit's feelings for Ella with the way his eyes go all big and soft whenever he looks at her. And don't even get me started on Lily's performance as Ella. Her quiet awe that someone as powerful as the prince loves her. The timidity and fear that she's not really worthy of that. The selfless determination to protect him from her family's cruelty, even if it means she'll never see him again, I'm just-- *banging my fist against the table and screaming into a pillow*

Absolutely god-tier costume design. No notes, I think Sandy Powell's work speaks for itself. Btw, in case you were somehow still wondering, yes, Ella's ballgown is fully practical--those layers upon layers of dreamy silk skirts are real. CG was only used to brighten up the blue color to make her stand out from the crowd more.

Wicked stepmother was allowed to actually be wicked. The movie never tries to make you sympathize with Lady Tremaine, or shift the blame off to someone else. And her villainy is given an extra layer of depth with the reveal that she is a dark reflection of Ella. They've both lost people they loved, but where Ella refused to let her grief get in the way of kindness, Lady Tremaine became utterly consumed by it. She views the death of her first husband as a sort of twisted justification for pursuing all her worst impulses. She despises Ella for her ability to flourish even while enduring terrible suffering, for being everything Lady Tremaine was either unable or flat-out refused to be.

Also Cate Blanchet absolutely SLAYS in this role. Hands-down my favorite portrayal of the wicked stepmother character.

Anyways, TLDR: Cinderella (2015) is the only Disney live-action remake that can justify its own existence and that's because it actively defies everything the LA remakes are today.

[rhaenyratargcryen]

you're my shotgun lover and i want it all | tyler owens (twisters)

masterlist ❈

summary: Every once in a while, the two of you will get a little too drunk, stay until last call, sneak back to your motel room, and fuck. Nobody knows – at least you don’t think they do – and you never talk about it when you’re sober. Tyler will generally stay until you fall asleep, but he’s always gone when you get up the next day. Only once has he woken up in bed with you the next morning, and you’ve never made that mistake again. There isn’t a name for what you feel for him, you don’t think, and you can’t tell what he thinks of the arrangement. Clearly he likes it, or he wouldn’t be making eyes at you from across three people’s laps as you pull these peanuts from their shells. author's note: i...wrote this...in one.......single......afternoon. my fingers hurt anyway he's so hot i have had a crush on glen powell since 2018 (set it up supremacy) but this movie reawakened something in me. i should probably watch top gun now

pairing: tyler owens x f!reader word count: 9,123 (...oopsie) warnings/tags: pWp (with, y'all!), alternate universe: canon divergence, friends to lovers, friends with benefits

also cross-posted to ao3 okay love you bye xoxo your comments and reblogs are appreciated but not required i will love you all the same i hope u like !!!! <3

all characters are 18+ these are 18+ activities minors pls do not interact my eye is twitching as i write this 

It has been one hell of a week.

The tornadic activity has been off the charts – more storms built up under ideal conditions for weather hell-bent on destruction in a multiple-day stretch than you can remember ever tracking before. Your team had obviously been up for the chase, but now that the storms have passed, and the sun shines on the cleanup efforts, you can’t help but wish you’d chosen a different life path. You love what you do, but God, were you tired. Blisters have formed on the palms of your hands despite the gloves you’d donned. You could practically feel the knots forming in your neck. You shovel one more load of leaf litter before heaving the blade into the ground and leaning against it. Across from you, a backhoe is demolishing and excavating the remains of a house.

You close your eyes and try to just let the sun warm your face, thinking about how fast it can all just be gone. Mother Nature’s a beautiful force, but she can be cruel.

“Hey, don’t be slowin’ down on me,” Tyler jokes, clapping a hand between your shoulder blades. You hadn’t heard him approach, and his voice has startled you, pulling you from your thoughts. “We’re ‘bout halfway done with our part, I think.”

“No,” you reply, swiping the back of your arm across your forehead, trying in vain to clear your bangs from your eyes, but they won’t budge. Tyler reaches up and, almost as if he isn’t even thinking about it, takes the unruly pieces of hair between his thumb and forefinger and tucks it behind your ear, underneath the temple of your sunglasses, to make sure it stays this time. The action is so intimate it sends a flush crawling up your neck. You chance a look around to make sure no one else has seen. “Not slowin’ down, I promise. Just thinking about how lucky we are to be alive. How sad it is that all these people just lost everything.”

You’ve known Tyler since the two of you were in college together, fast friends who’d stuck together through a lot that could've put a strain on any other relationship, although you hadn’t studied meteorology – you’d been in school to be a librarian. 

One night, he’d asked you to stay up and help him with a lab he’d missed for one of his classes, and he loves to say he knew it then – that you were hooked – but you were too far along in your degree to do anything about it now. Switching from an arts degree to one in STEM? You’d have had to start over from scratch. 

Tyler had formed his team while you were in grad school and he was working as a cowboy for the rodeo back home, and you’d dropped out without a second thought when he asked you to be a founding member, to travel the country with him every tornado season. Said he wouldn’t – couldn’t – think about doing it without you. You’ve been riding with him ever since.

The two of you share everything, always have, and sometimes you wonder if it might be too much for the professional relationship you’re supposed to have.

“That’s what we’re here for,” Tyler grins, the hand still glued to your back rubbing gently, sending goosebumps across your skin under your shirt. “To help ‘em feel like their luck is turnin’.”

Always the optimist, Tyler Owens. He clears his throat, the hand on your back pulling away, and steps slightly closer to you.

“One of the folks over there gave these to me,” he says, gesturing to a group of people gathering in front of a house that looks like something had tried to suck it into the ground from dead center. “I saved their cat from their screened-in porch, poor thing had been yowling all night apparently. Know these’re your favorite, so, here you go. I think you earned it.”

You take the tin from him and open it, your mouth instantly watering at the sight of the small, round butter cookies inside. “God,” you groan, picking one up and taking a bite, savoring it over your tongue. You can feel Tyler watching you carefully. “Thank you. You get me.”

“Do we get cookies, Tyler?”

Lily’s voice sounds from your left, and you glance over at her. The shit-eating look on her face tells you she did see Tyler fix your hair for you. Your stomach somersaults.

“If you’re good,” Tyler says, smirking, “after the sun sets, we can head back to the motel, find some shitty bar, and drinks’ll be on me, okay? How’s that sound?”

Lily whoops, turning to Dani, who’d since appeared beside her, and the two snicker and fist bump. 

“You need any help over here?”

You look back at Tyler, cupping one hand above your eyes to shield them from the sunlight. Despite your glasses, it shines bright from directly behind him, and you can hardly stand to look at him. 

“Yeah, I’m good,” you murmur in reply, bending down to toss some siding that had been blown off one of the houses on this street into the wheelbarrow you’ve been using. “You should go see what Boone’s up to – I don’t think anyone has seen him in a minute.”

No doubt Boone was hiding somewhere with one of the breakfast burritos Lily and Dani have been rolling since early that morning, seeing how long he can get away with not doing his part. He’s a good guy, but the manual labor side of the job isn’t really his thing.

“Eh, he’s better off wherever he is,” Tyler laughs, and a small smile takes over your face, too. “Hey, you sure you’re okay? You don’t need a break? You can take a minute to yourself, no one’ll judge. I know how this can all get to you a little more than it gets to everyone else.”

You know him well enough to know he’s not calling you weak-stomached, that he’s genuinely concerned for how you feel, but he’s right. It does all get to you. Settling in to help survivors of these natural disasters is just something that comes with the chasing – there isn’t one without the other for you and the rest of the crew. You nod, glancing back up at him. 

“I’m okay, Tyler. Go off and be the face of the operation – you don’t have to worry about me.”

Tyler’s eyes narrow, his gaze shifting between your eyes, trying to find evidence you’re withholding the truth from him, but he seems to find nothing. With a minute tip of his head, he turns to resume working through a long-term plan for rebuilding the town with the mayor and some other members of the local government. 

This is something else you know he loves to do – shmooze with higher-ups, show off his people skills. Not only are they higher-ups, they’re small-town folk. His kind of people. He knows how to get through to them, how to get them to trust him. You love that about Tyler. He’s never condescending – he always has a genuine desire to help. He’s been through this hundreds of times, and these people may only have been through it this one time. You look around at them, at the people of all ages picking up the pieces that remain of their community, then cross your fingers and send a thought out to anyone listening:

Please let it be the only time.

After a few more hours of genuinely back-breaking work, you hear Tyler’s sharp whistle and know it’s time, meandering over to his truck where it’s been parked for almost eighteen hours. Using your teeth, you pull your gloves from your hands and hiss. They’ve been rubbed raw, the skin blistering where each finger meets the palm. You try to ignore the throbbing sensation, leaning against the passenger side door and closing your eyes. The rest of the crew sidle up to you, taking long drags from water bottles and cigarettes and trying to make peace with how you’re leaving this place tonight.

“Does anyone else want to break off to shower first?”

It seems Dani’s the only one, and they shrug, putting their hand out, palm up, to Dexter, who hands them the keys to the RV.

“Meet y’all there,” they say, stifling a yawn, and you know it’ll be a bit before you see them. The rest of you will have to pile into Tyler’s truck, and before you can object, the other three crawl into the back seat and leave you on the front bench with Tyler. You let yourself in and close the door behind you, buckling and watching as Tyler shakes someone’s hand and hustles to meet the rest of you. His Texans cap hits the bench before he does, between the two of you, and he turns his keys in the ignition, buckling his own seatbelt.

“Where we headin’?”

“There’s a place with a mechanical bull nearby. I vote there.”

“How nearby is ‘nearby,’ Boone?”

“Uh,” he pulls his phone from his pocket, does a quick Google to double-check. “Forty-five minutes?”

Dexter leans over and grips Boone’s phone, reading the screen. “In the opposite direction of the motel, Boone.”

Everyone groans, objecting, and you press your hand against your temple to alleviate the pressure there. The noise, God, the noise.

“Could we go somewhere closer to the motel, maybe?”

“It’s got a mechanical bull,” Boone stresses, and everyone rolls their eyes.

“Boone, you know damn well we’re not making it back to the motel if we go that far away.”

He groans, and you pull your own phone out, checking Maps to see what’s around the motel.

“This one’s three minutes from where we’re stayin’,” you say, showing Tyler your screen, and he nods, shifting into reverse, backing out, and starting down the one lane of the street that’s been cleared of debris. 

“Hey Boone,” you toss over your shoulder as Tyler shifts into second gear. “By the way. Long time no see.”

Lily snorts, smacking you on the shoulder to let you know she thought that was a good one. Boone shakes his head. 

“Hey, just because you didn’t see me all day doesn’t mean I wasn’t out there, too. How do I know you were workin’, weren’t sitting on your ass in the shade somewhere, hm?”

You hold your raw, red palms out for him to inspect and that shuts Boone up quick. Tyler whistles as he gets an eyeful of your skin.

“God damn, girl,” Lily murmurs. “That looks like it hurts. I think I might have Aquaphor in my bag back at the motel if you want some.”

“I’ll be alright,” you reply, knocking your elbow against her knee behind you in thanks. “Appreciate you.”

The rest of the drive is taken mostly in silence, everyone in the backseat trying to rest their eyes, but you stay up, your eyes on the road, so Tyler isn’t the only one making the thirty-ish minute drive back to where you’re staying, where you checked in only after it’d been decided which towns had been hit the worst, so you could reach all of them easily by truck.

“What’s goin’ on in your head? Hm?”

You turn to look at Tyler and he glances at you from out of the corner of his eye, then at your lap, at the fingernails you’ve picked down to the quick. “Real quiet over there.”

“Nothing,” you reply, your voice barely above a whisper.

“Don’t let Boone get to you,” Tyler says, tapping his right fist on your thigh once, twice, then letting it rest there. You brush your knuckles against his and he opens the fist immediately, taking your hand in his but not squeezing, careful not to put pressure on the blisters on your palms.

“It’s not that,” you start, then realize your mistake, your admission. “I really – I think I’m just tired. It’s been a long week.”

You’re acutely aware of your hand in Tyler’s. It’s not like you’ve ever been shy around him – your cheeks flush at the thought – but this is…different. Sweet. More.

“Yeah, that it has,” he sighs, adjusting his left hand on the steering wheel so he can drive a little more comfortably, but his right hand stays in yours. 

You settle back into silence, Tyler seemingly having dropped the subject, and your eyes return to the road, but you feel him looking over at you, checking on you, every once in a while. You try your hardest not to meet his gaze. 

Soon enough, Tyler is putting the truck in park, then shutting the thing off. The noise – or lack thereof, you guess – wakes Dexter in the back, then Lily, who snorts when she sees your hand in Tyler’s. You pull away and unbuckle your seatbelt, watching as Tyler, with a hurt look on his face, wipes his hand on his jeans and swings himself down and out of the truck.

“C’mon, Boone,” he shouts, slapping a hand on the door that Boone has his head resting against, and the man sits up straight, wiping sleep from his eyes. “The sun hasn’t even gone down yet. Drinks on me, pal!”

The motel really is that close to the bar, so you all decide you’ll leave the truck parked there and walk home at the end of the night. The unspoken verdict is that you will all be getting shitfaced tonight.

The lingering smell of cigarettes in the air seems to rejuvenate everyone and Lily pumps a fist when she spots the old-fashioned jukebox across the room, then claps a hand over her mouth when she realizes there’s a TouchTunes sitting right next to it.

“Oh, I am so forcing you fuckers to listen to Chappell Roan all night,” she says gleefully, and you laugh along with her, looping your arm in hers and letting her pull you across the room while the boys settle in at the bar.

“So what was that all about?”

“What was what all about?” You play dumb, shrugging when Lily gives you a hard look and unhooks her arm from yours.

“Girl, seriously,” Lily scoffs, bumping your hip with hers and slipping a twenty dollar bill into the TouchTunes. Evidently she wasn’t joking when she meant you’d be listening to Chappell Roan all night. “I saw that thing earlier, the hair thing, don’t think I didn’t. And y’all holding hands in the truck. What’s going on there?”

You shake your head but she grabs your wrist. “I’m serious, Lil. Nothing’s going on. We’re friends – good friends. He noticed I was having a hard time today, and wanted to make sure I was alright. That’s all.”

You can tell she doesn’t fully believe you, and when she opens her mouth to object, you cut her off.

“I’m gonna run to the bathroom, okay?”

Lily watches you, trying to read the small line between your eyebrows, but eventually she nods and lets go of you, letting you turn away from her. You push through the door to the women’s restroom, your nose wrinkling at the smell, but you ignore it. Standing in front of the sink, you watch yourself, hands shaking. This isn’t you. You’re better than this at shoving these feelings for Tyler down, way down – or, rather, you had been, up until this week broke you, apparently. Turning the knob for the cold water to the left, you let it run over your sore hands, hissing at the feeling. Carefully, you cup your palms and watch them fill, then splash the water onto your face, soothing the flush. There. That should help.

There’s a cold bottle of Coors in front of the seat next to Dexter when you arrive back to the group, “Red Wine Supernova” playing from the speakers. You almost snort at all the old men – regulars, no doubt – groaning out their distaste for whoever chose the music all across the room.

“Thanks,” you toss over your shoulder at Tyler, sitting on the other side of Dexter and Boone. He nods and nurses his own. You frown and settle onto the stool, leaning an elbow on the bartop so you can turn and face your friends. The cold beer against the palms of your hands feels so nice.

What’s wrong with him? He won’t make eye contact with you, and you notice his jaw clicking as he grits his teeth. What’s got his panties in a twist?

As the night unfolds, you find yourself laughing more and more, loosening up, letting the stress of the last week fade into memory. Someone has produced a deck of cards from God knows where and Dani – who did join the group eventually – is showing off card tricks you didn’t even know they knew. You feel a warmth spreading through your body, and you can’t stop thinking about how much you love all of these people. Your friends. Your family. Empty bottles are swiftly replaced with full, cold ones without notice, and everyone is languid, relaxed, unburdened by the work that you’re all doing.

You take a pull from your drink, using the cover of the bottle to risk a glance to Tyler three seats down from you to find that he’s already watching you, and the look in his eye tells you exactly what he’s thinking. That somersault-y feeling is lower than your stomach now. You’re only three beers deep, but the air in your head reminds you that you’ve barely eaten all day, so you’re a little more affected by the alcohol than you’d usually be. Impolitely, you reach across Dexter next to you to grab a handful of peanuts from the basket to his left.

Glancing back up at Tyler, you meet his heady gaze again, and he smirks around the lip of the bottle against his mouth. He knows he’s got you right where he wants you. You swallow nervously around another sip of beer.

Every once in a while, the two of you will get a little too drunk, stay until last call, sneak back to your motel room, and fuck. Nobody knows – at least you don’t think they do – and you never talk about it when you’re sober. Tyler will generally stay until you fall asleep, but he’s always gone when you get up the next day. Only once has he woken up in bed with you the next morning, and you’ve never made that mistake again. There isn’t a name for what you feel for him, you don’t think, and you can’t tell what he thinks of the arrangement. Clearly he likes it, or he wouldn’t be making eyes at you from across three people’s laps as you pull these peanuts from their shells.

“Alright, y’all,” Lily says, slapping a hand on the bar, startling you out of your thoughts. You watch her, popping a nut into your mouth. “Think I’m gonna head out. I suggest you all do, too, fuckers, it’s late.”

Everyone starts to protest, but one glance at the clock tells you you’ve all stayed much longer than you thought – it’s a quarter past midnight, and you’ve got to be up with the daylight. You balk, but if you want to talk to Tyler tonight, you know you’ve got to shoulder your exhaustion and stick it out a little longer.

“I think I might stay for a bit,” you murmur, watching everyone stand and gather their things. You glance over at Tyler, who you can see clearly now that everyone’s out of their seats, and he’s watching you, too. The look on his face reads plain, now – he wants you.

“I’ll stay with her,” he says, eyes on yours. The green in them has disappeared almost completely, you notice, his pupils blown wide. “Walk her back. Y’all head back if you want.”

“I might stay, too –” Boone’s voice cuts off, coughing as Lily elbows him in the stomach, maybe a little too hard. “What the fuck was that for?”

“You’re going to bed, too, Boone,” Dani interrupts, a hand on his shoulder, guiding him towards the door. They poke him once when he starts to protest. “C’mon, now.”

Everyone shuffles out the front, Dexter calling good night, and all of the sudden, it’s just you and Tyler. You don’t know why, but your palms begin to sweat at the thought of being alone with him again. He stands, palming his drink, and slides onto the seat next to you, his body angled towards yours.

He’s never made you nervous like this. You don’t know what the fuck is wrong with you.

“So,” Tyler starts, grinning at you. “You come here often?”

You snort, emboldened by the booze, and he chuckles in response. “Idiot.”

“God, but I do love making you laugh.”

You blush under his scrutinous gaze, and take a quick swig of the dregs of your drink, unsure what to say to that. He mirrors you, taking a sip of his own while his eyes bore into yours. Accusatory.

“You don’t do it much anymore, you know that?”

“Do what?”

“Laugh.”

You press your fingertips to your mouth and Tyler’s eyes follow your hand. “I guess I just haven’t had much to laugh about lately,” you start, sighing deeply. “Tornado season’s been hard this year, and you know how much that – it gets to me. As much as I love what we do. You know. Remember that family a couple weeks back whose daughter was stuck under her bunk bed when it pressed on her too long, lost her leg below the knee? That got to me, Tyler. It did.”

“It gets to me, too,” he murmurs, knocking his knee against yours. “I guess I’m just better at hiding how bad it affects me. You can talk to me about it, though. You can talk to any of us.”

“I know I can,” you breathe, trying to keep your hands from shaking. “I know. Sometimes I don’t know what to say, though, you know, what is there to say? It’s not fair to complain about how sad it makes me to watch these people lose everything.”

“You’re allowed to feel sad. And to feel frustrated. It’s not fair, you’re right, but we’re doing good work, yeah? Fighting the good fight. Figuring out what makes these things tick, how to warn people when they’re in the path, get them outta the way and safe. Maybe they lose their house, their car, but they won’t lose themselves, or each other. That’s what matters most. Just remember that.”

You look up at him, set your elbow on the bartop, and prop your chin on your open palm. Your hands don’t hurt so bad anymore, you notice. “Thanks, Tyler.”

“Anytime,” he smiles, but you shake your head. 

“Seriously. You always know what to say.”

A look crosses his face then, too quick for you to read, and he sets his drink down, flagging the bartender over to close out the team’s tab. You frown, wondering if you’d, ironically, said the wrong thing.

“What’s up?”

Tyler looks back to you, and this time, the look in his eyes is unmistakable. It burns. “Taking you home, sweetheart.”

The walk back to your motel is done in silence. Tyler’s hand swings next to yours, and you feel it searching for yours more than once, but you don’t take it. You climb the stairs together, slowly, and he walks you to your door. His room is one more floor up.

You can tell he thinks you won’t invite him in, that you’ve changed your mind – or maybe that you never made it up. He hadn’t, after all, told you plainly that that was why he’d stayed with you at the bar. You unlock the room with your key card and step inside, opening the door only far enough for you to fit through it. You turn back to look at him, his face awash in the street lights shining into the hallway. You flip the lightswitch on next to you, illuminating the room behind you, too.

“Well,” he murmurs, making to head back down the stairs. “Good night.”

“Tyler?”

His head turns back to look at you, watching as you hold out one hand and he takes it, letting you pull him closer to you. You press yourself into him, push your whole face against his chest, your hip keeping the door from closing on the two of you. You inhale deeply, the smell of him overtaking your senses. His cologne, yes, but underneath that, the smell of dirt, earth. Home.

You feel his arms wrap around your back and you turn your head to the side, press your ear to his heartbeat. Your hands come up to scratch down his back and you feel it when he shudders.

“Stay?”

You hear his breath hitch in his chest, then the deep rumble of his voice as he says, “Alright, baby.”

With a short inhale, your eyes flutter, nearly closing at the term of endearment. You step back, pulling him with you, and as you close the door behind you, he pushes one hand up into your hair and pulls your head toward his.

“I, uh,” you whisper against his lips when they get close enough to yours, “I think I might shower first, if that’s okay with you?”

“Alright,” he murmurs, unlacing his hand from the strands of your hair before toeing his boots off and carefully setting them under the chair next to the front door. “You want company?”

You swallow. You’ve never done anything like that before. It’s always been quick. When you do this with him, you hardly ever have time for a chat before he’s got your shirt over your head and his mouth on your skin.

“Sure,” you reply. You feel him watch as you turn around and pull your shirt off, reaching back to unclasp your bra. The modesty feels redundant, but you can’t help it.

“Not gettin’ shy on me now, are you? S’not like I haven’t seen you naked before,” he chuckles, and you throw a look at him over your shoulder just as he’s pulling his own shirt over his head. He left his hat at the bar, you think. You’ll have to go back in for it when you pick up the truck.

“Tyler,” you scold, and he laughs at you, steps across the room to wrap an arm around your torso and press a kiss to where your neck meets your shoulder. The place he knows makes you melt. You sigh and push back against him, the feeling of his hard chest against your bare back a welcome one. This feels more like what you know, what you’re used to.

“Shower,” you remind him, and he nods, his forehead pressed into that spot now, and he pushes his fingers underneath the waistband of your jeans, running them along the bit of skin there around to the front, where the fabric splits at the button. He pops it undone, then uses his thumb and forefinger to grip the zipper and slowly – so slowly – pulls that down. He can’t help himself, you know that, and so you hold your breath and wait for him to push his hand into your panties. Ever a predictable man, he does just that, and you gasp at the feeling of his warm hand against you.

“Are you sure?” Tyler’s breath against your neck makes you shiver, and you press your ear to the side of his chin. He runs his fingers along the seam of you, finding first your clit, your legs twitching at the sudden rush of pleasure when he brushes his hand against it, then pushing down to find you wet and wanting. You cry out softly. “You don’t sound sure. You don’t feel sure.”

You hum, your neck stretching back until your head is pressed to his chest, and he pulls his hand back up to start working small circles on your clit, your wetness on his fingers allowing for smooth movement, with just enough friction to have you panting for more. 

“Sounds more to me like you kinda want me to fuck you with my fingers.”

“Tyler,” you whimper, telling him with just his name that you are getting close. He smiles against the side of your neck, pulling his hand away and shoving your jeans and underwear down just enough that his hand has room to smack your clit lightly. You squeal, right leg kicking out at the feeling, and he continues moving his hand in circles to soothe the hurt.

Your breath is coming out of you in short huffs, and before you can come, Tyler takes his hand off of you and wraps it around your stomach to join the other. You pant and whine, rubbing your thighs together to chase the feeling he’d had you practically pressed up against, now ebbing with the loss of his fingers.

“You said you wanted to shower,” he whispers in your ear, pulling your panties back up, and you scowl, pushing away from him. He laughs and holds his hands up in defense as you pick your t-shirt up off your bed and crack it at him like a whip. “Let’s shower, baby.”

“I might kick you out right now, Owens,” you snark, but the small smile on your face gives you away, and Tyler unbuttons his own jeans, leaving them in a pile on the floor at the end of the bed. Your jeans join his, and you’re both left in your underwear.

“You wouldn’t,” he replies, pulling his briefs off slowly, biting his bottom lip as you watch him. “You like this cock too much.”

You can’t help laughing at him, but the sight of him bare in front of you does have you biting your lip. You step forward to cup his growing length in your hand. Before you can move it, Tyler puts a hand on your wrist.

“How’s your hand?” He makes to pull it away, presumably to turn it over and appraise your blisters, but you shake your head.

“S’fine,” you whisper, tightening your grip. You tug once, twice, and press a kiss to his bare chest, then tip your head back to search out his lips. He leans down to oblige you, his lips parting against your mouth as you twist your fist. You love these moments you share with him, when you’re both bare, physically, emotionally, away from the real world, and you can pretend this is an everyday thing. When you’re not trying to tell yourself you feel nothing for him. Like this is just how it is between you.

Tyler groans when you pull your hand away from him and you click your tongue, press that same hand against his bicep.

“Doesn’t feel so good, now does it?”

Before you even know what’s happening, Tyler is picking you up, one arm underneath your back and the other around the backs of your knees. You look up at his face and laugh. “Put me down, Owens!”

He grins and carries you the few paces into the bathroom, placing you on your feet in front of the tub. Tyler leans down and pushes his thumbs underneath the waistband of your panties, waiting for you to put your hands on his shoulders and step out of them.

He lets you pull away from him to turn the hot water on, adjusting the cold side until the temperature is perfect, before pulling you against his chest once again. This time, you can feel his hard cock pressed against your backside, and you hum appraisingly. You reach behind you to fist him again, but he shakes his head – you feel his chin brush against the top of your head – and he groans out, “Mm-mm.”

“What?”

“We’re gonna shower, baby, c’mon.”

You glance back towards him and watch as he flicks the overhead light on. “So we don’t slip and die,” he says, and you laugh, pushing the shower curtain to the side. Holding Tyler’s hand, you step over the lip of the tub and under the steady stream of warm water, inhaling deeply when it hits the sore muscles in your shoulders and back. Tyler groans at the feeling, too, when he steps in behind you.

“Here, switch with me,” he murmurs, guiding you by your waist until you’re the one underneath the water. You let it fall onto the top of your head, over your face and down the back of your hair, for a moment, eyes closed, relishing the feeling. Tyler reaches both hands up and brushes the water out of your eyes, runs his hand over the top of your head. 

“Shampoo?”

You open one eye, the other shut against the water, and nod. You gaze up at him, heart squeezing at the way he’s watching you. His smile widens and he takes the tiny bottle in his hand – it looks even more comically small now – and dumps the product into his other palm, setting the bottle down onto the edge of the tub and rubbing his hands together.

“Turn around.”

You do as he asks, inhaling sharply through your nose when you feel his hands run through the hair at the crown of your head. Your stomach aches with longing as you register how unnaturally intimate this is. His fingers feel so good against your scalp, which is slightly sunburnt, you’re now realizing. He massages the shampoo further into your hair, running his fingers down the back of your neck and across the tops of your shoulders. When he’s satisfied with his shampoo job, he steers you by your arms to face him again, then carefully helps you tilt your head back and rinses it all from your hair.

You watch him pick up the other small bottle from the shelf, warm water still running down the back of your head. 

“I’ll do my conditioner,” you murmur, taking the bottle gently from his hands. “It’s a – it’s a science.”

“I am very good at science, if you can recall.”

You laugh, shaking your head. “It’s something I’ve gotten perfectly right. It’ll take just a sec.”

So you work the conditioner through the ends of your hair, avoiding his gaze as he watches your hands first coat your hair in the product, then rinse it out. He reaches forward to run his own fingers across it, as gently as he can.

“Hm,” he makes the noise in the back of his throat, pulling his hand away. “Soft.”

You can hardly look at him, the twisting feeling in your stomach shifting to something warmer, something further from apprehension, something that feels a lot like want. “You?”

Tyler shakes his head. “I’m good. Here,” he says, rubbing his hands across the plane of your upper back. “You’re tense. You worked hard today. Let me help.”

You weren’t going to protest, but before you can, Tyler guides you forward and out of the direct spray of the shower, then presses his thumbs into your muscle. You groan, your head falling forward onto his chest at the feeling, and he chuckles at you, continuing with his hands. “Feel good?”

“So good,” you whimper, and you feel his cock twitch against your stomach.

“You fucking dog,” you joke, and Tyler laughs against you, pushing your hair off the back of your neck and pressing his thumbs in there, too.

“Hey, what can I say? I like making my girl feel good.”

You freeze. His girl? His girl. He hasn’t noticed your reaction, and he keeps pressing his fingers into your sore muscles, pulling one hand away briefly to push the showerhead down and away from the two of you. You glance up, already missing its warmth, but you find that the steam rising around you is doing a good enough job at that.

“Here, baby,” he murmurs, pressing a kiss to your forehead and guiding you to press your hands against the tiled wall to your left, running his hands down your back.

“What are you –”

Before you can finish the thought, you feel Tyler’s fingers parting the seam of your cunt from – from behind, and you groan at the feeling of his middle finger slipping inside of you.

“That’s it, sweetheart,” he groans, his knees hitting the floor behind you. You toss a glance at him over your shoulder and your own knees nearly buckle at the way he’s looking up at you – with hunger, and with reverence, and with something else entirely unrecognizable. He looks wild. He looks in love.

One of Tyler’s hands clamps down around your hips and he leans forward, pressing a kiss to the back of your thigh as his finger starts to shift in and out of you. You shiver and push your face into the cool tile, groaning softly when he finds that rough bit of flesh inside of you, the one that makes you come undone if he works it long enough.

“Yeah?” Tyler sounds fucked out already, his voice breathy against your skin, and you can picture the look on his face, the concentrated expression he gets when he’s trying to make you come. You try to focus on the feeling of the shower’s spray where it hits the edge of your foot rather than how good his finger feels inside you because if you think too closely about how good it feels, you’ll get lightheaded. And nobody wants that.

“Yeah,” you reply weakly, and for a few minutes it’s just like that, the only sound in the bathroom the shower, your panting moans, and the noise your pussy makes as he pulls his finger in and out.

“Sound so good for me, baby,” he says, pressing a kiss to the back of your thigh again, and you whine, trying to protest when he slips his finger from you. He laughs deep in his chest and lightly smacks the swell of your ass.

“Don’t complain when I’m doin’ somethin’ nice for you,” he jok, and you can feel then that he’s shifting himself around. You want to look over your shoulder, want to see for yourself what he’s doing, but freeze when you feel his palms cupping your ass, his nose pressing against the inside of your thighs.

Your mouth forms the word oh, but no sound comes out until you feel his mouth press against your cunt, tongue pushing inside of you, and then you cry out, chest heaving, when he presses a sloppy, wet kiss to your clit. You pull your face from where it’s still resting against the tile and look down at Tyler to find he’s already looking right up at you. His grip on your ass tightens when you make eye contact with him, and he spreads you open wider for him, eyes narrowing as his tongue flicks again, and again, and again.

“That’s it, sweetheart,” he moans against you, the vibrations causing your legs to twitch. You already thought you were going to burst, the steam from the shower, the way he’d washed your hair, the fact that he was in your room at all – it all made you feel slightly insane. To add insult to injury, he’s just pushed two fingers inside of you and immediately found the spot that takes you out, and you start to shake a little.

“Tyler,” you whine, pushing one hand down to grip his hair. He groans when you tighten your hold on it, fucking into you a little faster. “Tyler, fuck, gonna come.”

“So come, baby,” comes his reply, and you do, you come so hard that the toes on your right foot curl until you’re on tiptoe and Tyler has to reach up and grip your waist to steady you. You feel it crest, and peak, then subside, but he keeps working you through it, his mouth moving against you still, and a second, smaller – though still good – orgasm wracks your body right after the first.

You breathe through it, push your foot down so you’re standing flat on the surface of the tub again, and wait for Tyler to pull his fingers out of you. 

“Baby,” Tyler groans, squeezing your hips, his fingernails biting slightly into your skin. “You gotta let go’a me, if you want me to get up.”

His voice, fuck, his voice, you think, releasing your grip on his hair and turning to watch him rise from his knees, the tile cold against your back. You surge forward to kiss him square on the mouth and he catches you, smiles against you when you part your lips to taste yourself on his tongue.

“Was that good?”

“Yeah,” you breathe, pressing one, two, three more quick kisses to his mouth, before he reaches behind you to turn off the water. “So fucking good.”

Neither of you bother with a towel, instead opting to stumble toward the queen bed in the middle of the room and climb right underneath the covers.

“Hi,” you whisper when you’re settled in, the duvet pulled up under your chin. Your eyes rove over his face, then glance over to the alarm clock behind him. 1:56 in the morning. “You still wanna fuck?”

Tyler snorts, reaching over to poke you in the side, gripping the skin there until you start to laugh. “You still wanna fuck?”

“Yeah,” you reply, grinning, when you catch your breath. “Wanna?”

He’s quiet for a second, watching the duvet rise and fall with each breath you take, before he peels it off of you, using his elbow to push himself up until he’s leaning over you. There’s a rosy flush on your chest, your breasts heaving and it’s all he can do not to lean down and take one of your nipples in his mouth, the one closest to him. Instead, he runs the back of his other hand across your chest, catching against the hard peak, and watches your breath stick to the inside of your throat. You feel yourself subconsciously leaning toward him as his face comes toward you. You want him to kiss you, but instead, he angles his mouth to kiss the skin below your chin.

“You’re so beautiful,” he breathes against your neck, pressing his open mouth to you there, and you gasp at the feeling – of his mouth against you, and of his praise. It all feels so nice. He just made you come in the shower, and now he’s going to make you come in this bed, hopefully more than once. 

You wrap your hands around his back and pull him toward you, watch as he settles in between your thighs. You can feel his thick cock, heavy, insistent, where it presses against you, and you want to take him into your hands, but he has other plans. 

With one hand pressed into the pillow on either side of your head, Tyler uses his knees to knock your legs out further, sitting back against his heels when he’s satisfied. He wraps his big hands around your thighs and pulls you closer, smiling down at you. “You’re so beautiful.”

You blush when he repeats himself, suddenly feeling very bare. He’s just as naked as you are, but you can’t help but feel like he’s seen your whole hand, meanwhile you hardly have any idea what cards he might hold. In the dim light from the lamp beside your head, you notice that you can see the green of his irises again. It seems like the shower sobered the two of you up very quickly.

His gaze locked on yours, Tyler takes himself into his hand, groaning at the pressure of his grip after neglecting his own want for so long, but he suddenly curses, pausing just as he’s about to press inside of you.

“What?”

“I don’t have a condom,” he breathes, sitting back again. He runs one hand through his hair, visibly weighing the options.

“It’s okay, Tyler,” you murmur, leaning up onto your elbows. “It’s okay. I have an IUD, and I got screened after the last time I was with someone. I’m good. I’m good if you’re good.”

Tyler heaves a heavy sigh, running his hands up your thighs. “You’re sure? I’m clean, too, cross my heart. But only if you’re sure.”

You nod. “My head is clear. I think I shook off my drunk an orgasm or two ago.”

A grin crosses his face, and you roll your eyes at him before he even opens his mouth. Two? he mouths, then whistles lowly. You smack his stomach, and he grabs your wrist in his hand, lightning quick, pressing a kiss to the pulse point there. Your jaw falls slack, and you go all soft and pliant, letting him pin your hands above your head. His body comes down over yours, and his mouth presses to your cheek, then your forehead, and when your eyes flutter shut, the ghost of a kiss crosses them, too.

“I’m gonna fuck you so good,” he murmurs, and normally if a man were to say that to you, you would immediately regret letting him into your bed. But for some reason, when Tyler says it, it sends that familiar warmth spiraling down into your gut. You know he means it.

Slowly – too slowly – he guides himself back to your entrance, shifting his hips so they’re resting comfortably against yours, and he presses himself inside of you. You hiss; the girth of him, although a welcome stretch, is also a bit of an uncomfortable one. He leans down to kiss you, working you through it with a thumb pressing circles into your clit, sliding himself in bit by bit until he’s fully seated. 

A groan pushes out of him when you clench around him, testing the waters.

“Careful,” he murmurs, easing his hips back. “I’d like it if this lasted longer than ten seconds, please.”

You laugh against the side of his head, pull your hands down from where he’d left them above you and wrap yourself around his shoulders, pulling him flush against you. Tyler grips your thighs and starts to work himself in and out of you, carefully, gently, but you squeeze his waist with your knees. Encouraging him. Asking him to pick it up. You can handle it.

His hips start to pull back and snap against yours quicker and quicker, Tyler panting in your ear, lifting up onto his palms and pushing himself off of you. He sits up onto his knees and tilts your hips up for a different angle, one that sets sparks dancing in front of your eyes. You groan, head tossed back, and dig your nails into his thighs as his pace picks up.

“Fuck, yeah, that it, baby? I can feel you – fuck, feel you squeezin’ me.”

You hardly have a voice with the rate he’s slipping in and out of you, barely enough to squeak out, “Fuck,” before your cunt has him in a vice grip, working through another orgasm.

“Ohhh, that’s it, huh, that’s it.” His mouth is going a mile a minute, neither of you really paying much attention to anything he’s actually saying. You’re both focused on his own mounting orgasm – you don’t feel like your body is capable of much more than that – and you weakly clamp down around him once more. His eyes squeeze shut, his hips stutter, and he grits out, “Fuck, fuck, fuck, fuck fuck,” before he slots against you and you feel him filling you. You run a hand down his back, soothing him as he comes, biting your lip at the feeling, foreign but enjoyable.

Tyler groans and glances down to where his cock is softening inside of you. He eases his hips back, cupping your face and pressing a kiss to your forehead as he does. “Shit, I’m sorry, are you okay?”

You nod meagerly, pressing the back of your hand against your warm cheek. He watches you and, assured that you’re not going to pass out on him or anything, stands and hobbles into the bathroom. The sink turns on out of sight, and you close your eyes, listening to the water run. Tyler returns with a warm, wet towel and wipes the inside of your thighs, swiping gently across your cunt, before folding the towel and letting it fall to the floor at your bedside.

You feel loose, calm. Safe. You hardly notice him turn the light off, but you do feel the bed dip beside you as he rejoins you under the covers and pulls you into his arms. You melt against his sturdy chest, his heartbeat under your face a comfort, the rhythmic tick tick tick of it lulling you to sleep. But there’s still one thing you have to know before you can relax completely.

His breathing has started to even out, but he hasn’t snored yet, so you know he’ll still hear you when you ask, “Are you gonna leave?”

He grunts an acknowledgement of your question, nuzzling down into the top of your head.

“Do you want me to stay?”

You know your answer, but you still bite your lip, considering the question. You hadn’t thought before that maybe he left after every night you spent together because he thought you didn’t want to wake up with him. “Yes.”

“Okay,” he murmurs against your hair, pressing a kiss to your temple. “Then I’ll stay.”

If he’s at all worried about what will happen when you wake up tomorrow, he doesn’t show it, but anxiety courses through you at the thought of anyone finding out. Does he want the others to know? Because that’s what it feels like.

“Stop thinking about it,” he whispers, like he can hear your thoughts racing. “It’ll be fine. Just go to sleep.”

Easy for him to say. He’s out like a light. And you’re left alone with your thoughts until you fall into fitful, dissatisfying sleep sometime around when the world outside starts to turn blue.

A pounding on your door wakes you from deep sleep – the deepest you’d gotten all night, at least – and you try to sit up but find there’s a heavy weight on your chest blocking you. You rub the sleep from your eyes, glancing down at the sleeping body next to you. It takes a second for it to register: Tyler’s here. 

Tyler’s here. Sidled up against you, arm thrown over your stomach like this is where he belongs. He didn’t leave. He stayed, like he said he would. His face looks so peaceful – so beautiful – you almost hate to wake him.

“Come on, sleepyhead! Time to get a move on!”

Almost. You scramble to push Tyler off of you, ignoring his noises of protest, jumping out from under the covers and grabbing various articles of clothing off the floor to pull over your naked form. You plop back down on the bed, this time on his side, right next to where he’s starting to wake.

“Dude, get up, they’re gonna know you’re not in your room. They’re gonna know you’re in here.”

“So what,” he grumbles, rolling over as you push him and settling deeper into the bed. “Let ‘em.”

You sit up straight, one hand on his arm. “You mean that?”

He hums and turns his neck to glance at you over his shoulder. “Yeah, ‘course I do. You’re my girl.”

Your face flushes a deep pink and Tyler grins, reaching over to wrap an arm around you and drag you back down into the bed, pinning you under him and peppering an assault of open-mouthed kisses all over your face. You grin, thinking that you could get used to this – just not right now.

“Seriously, Tyler,” you laugh, pushing a hand against the side of his face. He squeezes your hip. “We have to get up. We gotta get back out there.”

Tyler sighs, loosening his grip on your body and kneeling over you. “Yeah, you’re right. Alright, alright.”

He stands and takes the top sheet with him, wrapped around his waist, and heads to the bathroom. To brush his teeth, you hope. God.

“You know,” he says, head popping back out into the room, mouth full of toothpaste. “Yesterday. I wanted them to see us holding hands.”

You watch as he smiles at you and disappears back into the bathroom, then fall back onto the bed, hands pressed over your eyes. 

Fifteen minutes later, the two of you are dressed, teeth brushed, hair taken care of, day packs slung over your shoulder, and you’re pulling the door closed behind you when you hear a whistle that pulls your attention to the parking lot.

“Damn, Owens!”

The voice makes you jump, and you groan. You thought you were going to get away with the sneaking around, but the rest of your team is watching from next to the RV as the two of you descend the stairs together.

Lily and Dani turn to Boone with smug looks on both their faces, and he rolls his eyes and pulls his wallet from his back pocket. They hold their hands out for him to slap two twenty dollar bills down into.

“What’s that?” You ask when you get close enough to them.

“We had a bet that you and Owens would come out of that room together. Well, that one or his. Didn’t matter which.”

“A bet I just lost,” Boone groans, pressing the heels of his palms into his eyes. “I thought for sure…”

The rest of the crew snickers, including Tyler, who won’t look at you. You poke a finger into his chest.

“Did you know about this?”

“No, I swear,” he says, hands up, and you don’t know why, but you believe him. “That doesn’t mean I didn’t drunkenly confess to Lily weeks ago that sometimes we, you know…”

You scoff, almost mad, but then Boone shouts and the scoff turns into a snicker because, hey, you love him, but you can’t help but relish in his defeat.

“So they knew?! That’s cheating!”

He storms off while the rest of you laugh, Dani clutching their side and following him around the side of the building to try to make amends, trailing off, “If it makes you feel any better…”

Lily looks over at you, then at Tyler, a grin swallowing her face. “So, are you guys, like, together now? Or something?”

You look up at Tyler, who’s smiling softly at you, clearly deferring to you to answer that question. You feel a surge of affection for him swell in your chest. Clearing your throat, you turn to Lily.

“Or something.”

[starcurtain]

2.1 Penacony Spoilers!

I know the scene after Ratio's "betrayal" can be read a lot of ways but I am shocked I haven't seen more people interpret it as Ratio being so worried about Aventurine that he couldn't stay away even though he was supposed to.

We know:

1) Ratio absolutely knew Aventurine's plan from start to finish, both his gamble to create "death" in the dream and with the three cornerstones. (Wish people would stop underselling Ratio in their analyses; "Three chips are enough" is a direct enough clue that, genius as he is, Ratio would never miss.)

2) In his own words, Ratio was acting according to Aventurine's instructions while in Dewlight Pavilion and with Sunday and felt that he did a good job not giving them away.

I think most people are on the same page up to there, but then I've seen a lot of people interpreting this scene after Aventurine leaves Sunday's mansion as Aventurine being genuinely angry at Ratio (possibly after having gaslit himself into thinking Ratio was actually betraying him).

But this doesn't make much sense to me because:

1) Ratio actually has nothing to gain by selling Aventurine out to Sunday. They're on the same side in this mission. Information about a Stelleron on Penacony wouldn't be news anyone with a brain like Ratio's and why would he need someone else's research on Stellerons when he already has ties to the Genius Society through Screwllum and Herta, as well as the Astral Express where the Trailblazer is actively housing a Stelleron?

2) One of Aventurine's most notable lines of dialogue is how it's perfectly fine and expected for "friends" to use each other and backstab. This is his default understanding of partners--why would he suddenly be mad about something he expected from the start?

3) If the betrayal wasn't already planned and was just a possibility based on Aventurine's understanding of Ratio, why would he ever have revealed there were "three chips" (aka three cornerstones) in play? If even the betrayal over Topaz's stone wasn't planned, just assumed, why would Aventurine reveal the existence of the third stone? He would gain nothing from doing so.

Instead, I think it makes a lot more sense to interpret Aventurine's frustration with Ratio in this later scene as annoyance over Ratio taking an "unnecessary" risk:

1) As far as Sunday knows, Ratio had just very seriously betrayed Aventurine, completely selling him out and essentially sending him to his execution.

2) In the scene afterward, Aventurine is out in public in the middle of Penacony where The Family's eyes are always watching, yet Ratio walks right up to him to check on him. Why would someone who just sold you out come up to you immediately afterward to check on your health?!

3) It's only natural that Aventurine would pump the brakes and go "Wow, didn't think you'd show yourself after you just betrayed me, remember?" Because that's the act they are supposed to be keeping up! They're still being monitored; it's not safe to break character!

But Ratio is a genius, right, so why would he break character here? From the standpoint of the ploy itself, revealing to the Family that he and Aventurine were still on the same side would only jeopardize the plan, not help it.

The logical explanation, then, is that Ratio went to Aventurine here because he felt like he had to.

He had to check in and make sure the situation was still under Aventurine's control.

(In fact, the entire exchange through the middle of this scene is Aventurine and Ratio confirming the rest of their plot in a veiled manner: Ratio brings up the plan and mentions what's concealed in the gift money bag, Aventurine confirms the cornerstone is good to go; Ratio asks what his next step will be; Aventurine says he's going to do the insane thing of handing out cash while looking pathetic [aka fishing for Sparkle]. Ratio essentially asks if he's crazy enough to take the final gamble with his own life, which Aventurine confirms, and then Ratio sets them up for the finale by gifting him the doctor's note.)

Ratio was willing to risk ruining their entire plan--something Aventurine does seem to be frustrated about at first--just to ensure Aventurine still felt all right about the situation.

He needed to deliver his note demanding Aventurine stay alive.

He needed to tell Aventurine to come to him if the situation got too painful to bear.

In short, Ratio was worried enough that he could not stay away even though, for the sake of their plot, it would have made significantly more sense for him not to appear. The gain of breaking character was worth more to him than the risk of being caught.

You honestly don't even have to take this in a shipping context. The real point here is that Ratio is an incredibly good person who wasn't okay with Aventurine's self-sacrificial plan and who felt morally compelled to check on a person in pain. He's a healer through and through, and ignoring Aventurine in this condition--ignoring someone who was taking so much risk on themselves--simply wasn't possible for him, no matter the danger it posed to the plan.

But for those who do ship Ratio and Aventurine... I hope more people will come to see this scene as another example of Ratio's genuine concern for his mission partner! He did not have to appear here at all; it would have made much more sense for him to leave Aventurine to his own devices to uphold the illusion of their "betrayal." He showed up in this scene--very likely against Aventurine's expectations--because he was concerned for Aventurine's situation and wanted to ensure Aventurine knew he could fall back on Ratio's support at any time if the plan went awry.

tl;dr: I wish people would stop interpreting this scene as the aftermath of a betrayal. Aventurine wasn't ticked off with Ratio in this scene because he felt like he'd genuinely been backstabbed; he was ticked off because Ratio was literally breaking their pre-established "betrayer" character just to be fussy over Aventurine's safety and well-being. (Okay, and to double check on the plan, but let's be real, the first part was definitely more important. 👌)

[workingwhileidream]

Okay Burrow's End had me thinking some thoughts... So here are my favorite Dimension 20 moments that rotate like a rotisserie chicken in my brain (in no particular order other than the order I thought if them).

- Riz goes into the butthole of the Corn Ooze Monster (Fantasy High). The first absolutely insane shenanigans move anyone makes on D20, setting the tone the show will have forever.

- Raphaniel kills Queen Pamelia (Ravening War). I think I saw Brennan's soul leave his body briefly when he got that How Do You Want To Do This from Matt. Time was an absolute flat circle that day.

- Hank convinces Brennan to let him role savvy instead of sneak (Mentopolis). Hank is one of the most famous content creators, having him on the show was phenomenal to begin with. Then right out of the gate, he pulls this move in his first episode. And it just works. Hilarious, instantly iconic.

- Jet Dies (A Crown of Candy). When Lapin dies, it is shocking but I wasn't attached to him as a character. Lapin was a bit antagonistic and his death happens early in the season. On the other hand, Jet is instantly likeable. Emily and Siobhan are amazing as siblings, their performances this campaign are some of my favorites. I have siblings and I am very close to them, so this hit me like a ton of bricks.

- The entire epilogue of Burrow's End. "Are you pitching and Air Bud ending?" is one of the instant hall of fame quotes from this show. I started crying I was laughing so hard.

- Ylfa's bottleneck and the TPK (Neverafter). There are so many close calls for total party kills in Dimension 20 history, but this is where it finally happens and it's only 3 episodes in. I was on edge, expecting another TPK at any turn, for the rest of the campaign.

- 3 nat one initiative rolls for the battle that literally opens the season (A Starstruck Odyssey). The beginning of a new season is always full of excitement. This season was extra special, having everyone back in the dome after the pandemic and the season being based off Brennan's Mom's comics. The zoom energy is still in the air and I still think about this season opener a lot.

- Mother Timothy Goose breaks Snow White's concentration with a cantrip (Neverafter). Only Ally Beardsley could and we all damn well know it. Still didn't stop me from being so far in disbelief that all I could do is laugh.

- Hob's "You will never know another lonely day" speech to Rue (A Court of Fey and Flowers). I will still cry about this if I think about it for too long. Rue and Hob's romance is the heart of this season to me. I won't be over it ever.

- Gertrude convinces Nyruth to give the Questing Queens very powerful boons after the Queens tried to rob them only a few hours earlier (Dungeons and Drag Queens). The fact that this season exists drives a level of serotonin into my brain that is unimaginable. This is the definition of a big swing and when Bob rolls well, Brennan has no other choice than to honor it. This is one of the moments I have made a meme of. I cannot wait for season 2.

- Wuuvy shows up to the duel and she did not come to play (A Court of Fey and Flowers). Aabria has talked about how Wuuvy is one of her favorite NPCs and I feel the same. Wuuvy and Rue's relationship has such a great arc and this moment is so pivotal.

- Fabian's no good very bad day (Fantasy High Sophomore Year). An iconic moment in D20 history that was truly wild to watch live. For everything to go so fantastically bad for Fabian and Lou was unprecedented. There is a reason why people still talk about this moment to this day.

- Amathar survives being pushed off the castle (A Crown of Candy). Brennan tried to kill Lou so many times in this campaign. I really thought Brennan had gotten him with this one, my stomach sunk. But Lou pulls it out and Amathar lives once again.

- Pib plays "Smoke on the Water" (Neverafter). "I stepped out to play 'Smoke on the Water' " is also a hall of fame quote to me. This list could be all Pib moments if I'm being honest, he's my favorite Zac character. And the fact that Zac doesn't roll well makes this moment funnier to me.

- Buddy Bear gets planted with the All Blossom (Dungeons and Drag Queens). Jujubee and Brennan owe me a therapy session for this one. I sobbed. My cat is my baby and I will be ruined the day she leaves me, so I get it. I really do.

- "Eat your dice, Brennan" (Fantasy High Sophomore Year). A great bit made physically possible by Siobhan. I hope Siobhan gives him gummy dice or something like that so that Brennan can continue to eat his dice for Junior Year.

- Orange Top Hat Fairy (Neverafter). It's a horror season and the cast is doing bits about how hot a mini is the entire finale and the Adventuring Party that followed. I felt the stress and off the walls energy through the screen. The Smooth Criminal pin was the first piece of Dimension 20 merch I bought.

- Viola's epic takedown of Phoebe (Burrow's End). Watching Rashawn absolutely crush it her first time in the dome was amazing. I loved Viola from the jump, her arc was so satisfying and fun to watch. Also the idea of a tiny stoat kicking a gun just the right way to get it to fire is hilarious. No notes other than please have Rashawn come back on every season she possibly can.

- Evan Kelmp warns the Rosemont student not to duel him (Misfits and Magic). Brennan's deadpan warning matched with the reactions of the other players and Aabria really make this scene. An underrated Brennan moment for sure.

- Stacey Fakename turns out to be real (Mentopolis). This was such a good reoccurring bit, so to have Stacey be real at the end of the story was too funny. In a season of bits, tropes, and puns - this one has the most payoff to me and is definitely my favorite.

[kestalsblog]

Basic Tips to Improve Your Writing

I used to read a lot of unprofessional writing online, and through that endeavor, I started mentally compiling different qualities that turned me off to people's work right away. I'm sharing some of my thoughts about ways to improve your writing so others don't click off your work right away!

-Change paragraphs when different characters are speaking.

-In that same thread, remember to make new paragraphs and not have one giant block of text. This isn't only discouraging for some readers, but actually physically impossible to read for those who are visually impaired.

-Learn grammar. Sorry, but there is no way around this one. For example, commas aren't just for aesthetic appeal or your personal choice, and it will turn some readers away if your writing is littered with grammatical errors. You can't break the rules for creative purposes if you don't even know them, and the difference is generally apparent.

-Remember the narration style you've chosen. For example, if you're writing in third person limited, you can't think outside the mind of your main character. Don't jump suddenly to the thoughts of other characters or an all-knowing, omniscient voice.

-Slow down. Each word matters, so try not to think of writing as "I must get from Point A to Point B," but "I must get from Point A to Point B beautifully."

-Avoid repeating the same word or phrase too much, especially within the same paragraph. There are exceptions in dialogue, of course. (It's sweet when writers acquire their own personalized phrasings that mark their voice, but I have turned away from works where the exact same line just kept coming up again and again).

-Don't forget about setting. You might be able to imagine where your characters are, but no one else can if you don't let them know.

-Use a consistent verb tense.

-Your characters are not you and generally shouldn't always be mouthpieces for you to share your own values and thoughts.

-Your characters should sound distinctly different from each other, including their talking styles.

-Don't bog the reader down with too much description, and make sure the description you do have is realistic. Think about it. In the morning, do you wake up, go to the mirror, and think to yourself, "I looked at my shaggy dark hair and emerald green eyes"? Nobody thinks that way about their own appearance, and it feels like a forced way to let the reader know what the main character looks like.

-Also, related, there's no need to start tossing out every character trait for each character if it's not relevant to the story.

-Last, show some passion and excitement for your own work. Make sure the language embodies that passion because if you don't even care about your writing, who will?