#he doesnt even have to write the script

[dareduffie]

when will christopher nolan write the sequel to inception but it's just arthur and eames being in love

[bunnieswithknives]

OH MY GOD??? HAS IT SERIOUSLY BEEN A MONTH????? I am so sorry guys

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[skrunksthatwunk]

post-forced-extension of that assignment i was losing my mind about tuesday/wednesday i experienced a very familiar "ah.... it's as if the deadline no longer exists....." feeling that has now been replaced with "wait i still can't find the resources i need. and i don't know how to organize this. and i don't know what im presenting on (<- super broad topic and i can't fucking find the information i actually need bc our university doesn't?? give us jstor subscriptions or whatever anymore??? so it's all scholarly stuff i can't read or ppl's blogs which im not fucking using for this and half of them just copy entire paragraphs from encyclopedia britannica. who is saving my ass but whatever)" mixed with "I'll figure it out later 🙂‍↕️" IM PRESENTING IT IN 11 HOURS 💀💀💀

[randomalistic]

hey! i'm concidering writing an autism-fueled video essay about a blorbo , and i think your similar in concept video on that little white man is very well put together ! i was wondering if you had any tips on how to structure or write something like that?.. also if you answered it allready you can just link the post no worries!!

SLAY hold on Ok so I actually havent made a post for script writing... or if i did i forgor. But here's a post for what programs I use and PNGtuber stuff in particular. I'll probably end up making a masterpost at SOME POINT but I am still learning and have made a total of 3 video essays in my life </3

ANYWAYS THIS IS JUST ME RAMBLING FOR MULTIPLE PARAGRAPHS👍

Umm okay so for script writing... It really depends on the scope of the project. If its about a character or topic you have a TON of preconceived knowledge on, just dump every bit of information out from your brain onto a google doc. make multiple docs even. it doesnt matter how messy it gets. Then just start structuring it however you want, like make an outline, explore ideas and how they could flow into eachother, scrap them, keep bits you like, etc. Expect to scrap a LOT of rambling, which is normal. Don't delete anything you write though, just keep it in a separate place just in case you want to revisit any ideas later.

I think the most important guideline for me personally was to structure it in a way that is "slow and steady." Don't explode all the information you have all at once, you kinda just want to trickle-feed it to the audience. The flow of one concept to another is also important, just do bare minimum for the audience to understand, don't distract them with extra info that doesn't connect to your main point for that section.

Basically, think of the YouTube essays that had you really engaged, or that you really enjoyed, study what you REALLY liked about them - What are the main points? how does it portray new information? Think about their structure as a baseline

Now something related ( definitely not a necessity ) but personally one of my FAVORITE things great video essays do is strategically withholding information from the audience right up until that info is relevant, or until it would have the MOST impact. Storytelling mediums do this too

One of my fav example of this is from a video by LasersZ "How Bolt is a critique of Disney" If you want it slightly spoiled, keep reading. Otherwise just watch it first lol

The narrator argues how Penny's character is a struggling child actor, and he lays out all the information for this argument through media analysis / evidence from the movie itself, he gets you invested in her character struggle.. and then he reveals something: That this whole time, Penny is actually voiced by Miley Cyrus - an at the time child actor who was being used by the TV industry in the exact same way they were using Penny in Bolt. This argument just TRANSCENDED the source material. When he could've just mentioned that information offhandedly at the start, he actually USED that information to strengthen his argument and make the video more meaningful and engaging. Even if you aren't making an argument, this sentiment is probably still useful. You really don't have to pull a "twist" in your video to make it fun, but i just like them hehe

Another example is the goddamn MAGNUM OPUS that is DefunctLand's Disney Channel theme song investigation. At the very end, a HUGE piece of information is revealed that makes the whole video absolutely outstanding, and so appreciative of what its trying to do. I'm not even going to SAY it you need to watch it yourself. If you know you KNOW. AAAGHH. You also see this in Summoning Salt speedrunning history videos. It's always like "it seems this was the new world record... UNTIL... (BOOM. NEW SPEEDRUNNER / STRATEGY DISCOVERED AT JUST THE RIGHT TIME)

ok now I'm just rambling about my favorite videos LOL but you know what I mean. It's internet storytelling. If you want to make it more exciting / meaningful / funny, be very select with the information you're delivering. again, a strategic 'bare minimum' for the audience to understand, don't distract them.

Ooh another thing- specifically something I've taken from Patricia Taxxon's DHMIS video : Tell the audience - how did this thing make you FEEL. In an era where lazy content and Ai is everywhere, people want humanity and authenticity more than ANYTHING. So don't be afraid to go a little off script, be unprofessional, be vulnerable, just be yourself! :']

Anyways I think thats the best advice I can offer rn cuz this post has been in my drafts for months and i forgot about it oops. Thank you so much for asking ❤️

[bdsmrist]

gonna get a bit personal here, but as an actor it hurts me to see how ppl misinterpret a character as layered and nuanced as kim

now u might be wondering: girl wtf does being an actor have to do w lieutenant kitsuragi. well, i believe it to be the case that actors are storytellers. its our job to write in our characters studies what isnt in the script, to fill in the gaps, and portray that to the best of our abilities.

while in school, my professor’s always emphasized that as an actor, 100% of the time its more interesting when your characters motivations are rooted in love, rather than resentment. and i feel like too often i see ppl understand kim’s motivations be fueled by a desire to reject, protect himself, and detach himself from a world he resents.

now; thats not to say that isn’t entirely true. after all it is what the canon tells us explicitly: that he gave up on moralism, religion, etc, because he again and again was disappointed by the reality of elysium. therefore, that must mean that from there on out kim was a lost soul, that when coming to contact with harry’s spark, it lit his ambitions once more

and yes, to an extent, thats true, but its not the whole truth. to imply otherwise is very derivative. one of the things that makes kim such a compelling character is how he never stopped loving the world around him, *before* meeting harry. and even tho he limits how much he allows himself to indulge in it, it still bleeds through the cracks. hence, when he meets harry, he pours his devotion into the case, and in turn, into harry, without even knowing the guy

would a detached character have the patience and compassion he has for harry on day one? absolutely not. the man is borderline coddling to harry despite it all. and you can hear it in the performance!

jullian champenois’ voice is characterized by its mellow, soothing quality. hes gentle about it! and the actor made that choice for a reason! kim is a gentle person! he stands his ground, he sets boundaries, keeps u in course, and is nothing of a pushover. but regardless, his temperament is calm and reassuring. thats his function as a literary device! to contrast harry’s self-hatred and self-loathing with compassion and understanding!

think about it: would a character thats insistent on being a cold wall, sit on the swing-sets with harry for the pure purpose of just being there so harry doesnt have to confront that alone? if kim only wanted to keep people at an arms length, would he insist you two to be the ones to break the news to working class woman about her husband when ur at her doorstep? he said it himself; the precinct couldve handled it fine.

if kims actions were rooted in resentment towards an unfair world, would he be an instrument of justice for the rcm in the first place? kim, who verbatim despises the cops who become cops so they can use policing as an ego outlet?

kim kitsuragi cares. he cares very deeply, and i believe that the walls around him are a result of kim attempting to keep himself *in*, rather than keep others *out*. kim keeps HIMSELF on a short leash, because he knows that otherwise he’d go all in, just like harry.

harry and kim are at the opposite ends of the same spectrum of people that are too passionate for a world that does not reward such earnestness. therefore, harry copes with addiction, and kim copes with restrictions. regardless. its all comes back to love.

[f1nalboys]

hi! may i request headcannons of enemies to lovers with bo sinclair? 💖

LOVEDDDD writing this!!!! i missed writing for bo :(((( (me when al i do is write for this guy) anyways i hope you enjoy and thank you for the request!!!!

Bo Sinclair x GN!Reader

WORD COUNT: 869

WARNINGS: brief mention of stockholm syndrome, brief mentions throughout about bo being an evil evil guy, mentions of the basement/chair/being duct taped to said chair, canon typical stuff. me pushing my bo praising agenda.... also not proofread sorry guys

so this is absolutely how any relationship with bo starts 

youre a victim babe CONGRATULATIONS <3333

so in my own personal (and correct opinion) bo likes someone with some fight in them

i mean, we saw how excited he was when he had to chase after carly

and ive read the script and bo is extra into carly in that script 

anyways, he loves having to Work to break you in

and trust and believe, he will break you in

you would come into town with a group and bo would be drawn to you immediately

not in a love at first sight kinda way (or at least, not like how it is typically LMFAO) but in a ‘interesting…’ way, you know?

anyways, he’d prefer you coming with a group because hes gonna seriously enjoying killing them all off and showing you that youre alone

youre getting strapped to that chair too

(again, congratulations <333)

he will take his time

bo doesnt have the best patience until it comes to you

your fighting or begging would get old but he cant kill you

he doesnt know WHY he cant, but he just cant

which pisses him off to no end.

youd stay in the basment for minimum a month, longer if you hold out that long

now, your time there is not fun by any means, but i dont think it would be the worst

because once Bo decides that for some reason youre different than the others he brought down here, and that he wants to keep you, hes going to break you down by being sweet

it would fuck you up, 100%

one day he’s carving into you and making you wish you were dead and the next hes carefully feeding you some (burnt) breakfast food and cooing at you

he’s also complimenting you whenever you listen to him, firing off those dopamine receptors in the only way he knows how

you dont scream when he walks down into the basement? he’s patting your cheek with that big toothy grin of his telling you how sweet you are.

you dont fight him when he wraps the duct tape around your wrists and ankles? he’s telling you how well youre doing, how hes gonna try and be gentle with you, shushing you gently when you wince, maybe even hinting that if you keep being good for him that he might stop duct taping you to the chair…

he fucks with your head

and he KNOWS hes fucking with your head

he can see the way you stop yourself from smiling when hes kind to you, how you get a flash of confusion or even anger when you and he are getting along

it gets him off fear to say

anyways, im saying all this to say a true enemies to lovers with bo is stockholm syndrome but he makes it sexy so…

you know youre pretty much in the clear when he takes you up to the house

first few times is only to feed you and then back to the garage you go

its just to get a feel for how youre feeling towards bo

ANY whiff of you trying to run or trick him and youre dead

sorry to say

but if you are a little scared and just want to stay on his good side, youre totally good AND hes gonna be soooo proud of you

sorry im feeling faint thinking about bo praising me….. ok sorry back to what i was saying

the first night you stay in the house with him hes on high alert

he might pretend to sleep in the bed, but hes not

hes holding his breath and waiting for you to try and kill him in his sleep 

once youre at the point where youre living in the house with him and hes giving you some responsibilities, you have that man hook line and sinker

he is obsessed with you, had been from the start, but he is showing it way more now

and hes CLINGYYYYYY ugh im giggling

hes standing in the doorway watching you do the dishes he got dirty and hes like ok….im heading to the garage…………if you finish you can join me………or you can finish the dishes later….maybe……whatever i dont care…

like ok liar ill come watch you be a slut bent over a car

he doesnt ever really ask you to be his partner but its kind of obvious with how he acts? like idk how to describe it, he just treats you like hed treat a partner without asking you

because lets be fr what would you do? say no?

anyways once youre his partner he has eyes for no one else

hes not gonna stop the killing or the nefarious shit he gets up to in the garage with victims, but like… he doesn't like them the way he loves you <33 

yeah maybe its me being insane but i dont think bo would be the worst slasher to date

weird circumstances get you to that point but once youre past that then youre kinda set

hes whipped like idk what to tell you and you cant prove me wrong

[goomyloid]

YOMIEL AND THE PLAYER SWAP PLACES. WHAT HAPPENS

!?!?!??!? LMAOOOO???????

ok (GHOST TRICK SPOILERS) i have actually thought about how kris would react to yomiel... in that they would be disturbed by him and his ability to manipulate people LOL. but in yomiel's case its Almost always out of malice which is USUALLY not the player's intention (i.e. i think very few people playing the game actually really truly want the characters to suffer aside from maybe berdly and theyre instead just curious to see what will happen if they chose Bad Option)

it would actually be a REALLY interesting ghost trick au to flip the script where the player is the manipulator..? or we just essentially play as yomiel lol. mission: SHOOT YOUR OWN LIFELESS BODY. the player is like ok yeah whatever sure

uhhh... yomiel as the Deltarune Player though... im choosing to summon his more docile post-game counterpart rather than Stewing-In-Anger-For-A-Decade mid-game yomiel simply because, even if i tried to make angry yomiel control kris or something, he wouldnt find it in him to be malicious about it, because he doesnt really have any connections or reasons to go and make this kid's life miserable. he's angry, not heartless. he took care of sissel, after all

alsooo tying back to the first point, kris would be Especially not fond of yomiel controlling them/taking over the player's role BECAUSE, instead of it being a small red object representing a being on an entirely different plane of existence, it's a guy wearing a red suit with banana hair that has just killed like 4 people in a different timeline. (and he has a real discernable existence and personality so it would be easier to project blame onto someone like him maybe idk.) so idk if kris would fw this. id love to draw it sometime

um im very tired so ive been writing this all rather feverishly but this is a very Crack Cocaina premise anyway so whatevers. Everyone play ghost trick

[sweetrollbakery292]

Daredevil Born Again (spoilers)

FUCK THIS SHOW. FUCK THIS COMPANY. FUCK THE WRITERS. FUCK EVERYTHING ABOUT THIS ABOMINATION OF A SERIES. This isn’t Daredevil man This isn’t a continuation. This isn’t even THE SAME fucking show. It’s an insult, a spit in the face and a goddamn fucking fuck wax museum animatronic of what once was peak fiction and now it’s reduced to whatever this fucking mutilated corpse of a series is supposed to be Muse was the only fucking thing I was looking forward to, and they actually had the AUDACITY to cast him properly and get the costume right. But instead of actually adapting his character properly, they mutilate him beyond recognition, turn him into an afterthought, a footnote and a COMPLETE disgrace. I have waited YEARS LITERAL. FUCKING. YEARS for this character to finally get his due, and instead, they make him into a fucking joke because apparently, NOBODY in the writer’s room has ever actually READ A FUCKING COMIC. Oh but it doesnt stop there, because the entire show is a fucking trainwreck from start to finish (SO FAR) The tracks aren’t even laid out properly so it just derails at every possible moment The pacing is so fucking atrocious, it feels like an AI tried to stitch together completely different drafts of scripts written by people who don’t even speak the same fucking language. The plotlines are either introduced and immediately abandoned or completely bungled in ways that make no goddamn sense.

They completely butcher Matt as a character. And I don’t mean in the way a tragic hero suffers BECAUSE I mean they write him as if they genuinely don’t even understand who he is. Like they’ve never even SEEN the original show, let alone read the comics. He makes decisions so monumentally stupid, so catastrophically out of character, that I would genuinely believe this is some kind of cruel parody if it wasn’t so clear that Disney actually thought this was a good idea The courtroom scene is one of the worst things I have EVER seen on television. I cannot stress enough how much of a fucking travesty it is. Nothing about it works. It is NOT SUSPENSEFUL OR INTENSE LIKE FRANK'S SCENE IN SEASON 2 It actively makes Matt look like a complete idiot who has no idea what the fuck he’s doing They frame the previous episode as if he accidentally kills a corrupt cop while protecting a witness (AND WE EVEN HEAR HIS NECK CRACK THE MOMENT HE GETS SLAMMED HEADFIRST INTO THE FLOOR), only for that to be completely retconned in the dumbest way possible. So why the fuck was that even included? Did they forget to edit it out? Did they rewrite the first four episodes and forget to remove the scraps of an abandoned plotline? And then, to top it off, Matt in his infinite wisdom outs Hector Ayala in the courtroom and THEN CONVINCES HIM TO GO BACK OUT AS WHITE TIGER, KNOWING DAMN WELL HE JUST FUCKING LEAKED HIS IDENTITY TO EVERYONE. AND THEN HE ICED IN THE STREET, AND MATT BARELY FUCKING CARES

Like, what the actual fuck am I watching? What is this writing? How do you fumble the bag this hard? How do you take one of the most interesting side characters and just fucking kill him off for nothing, without any emotional weight or consequence? Oh right, so his daughter can take up the mantle and immediately get captured in episode 6. Great storytelling. Amazing writing. Peak FICTION AMIRIGHT? js pull the fucking trigger already i cant handle this shit no mo bro Like i get it, Hector doesn't last long in the comics either and Ava is arguably the definitive White Tiger and is the most recognized. Shit she is supposed to take on the mantle. But that doesn’t mean you just throw Hector aside like some disposable character You can't just kill him off in the most meaningless, underwhelming way and then pretend like it's all fine. There was potential for a real arc here, and they just pissed it all away Other than that, RIP Kamar de los Reyes, gone too soon. FUCK don’t even get me started on the way they fucking sidelined Foggy and Karen, the two most important supporting characters in the original series, for absolutely NO FUCKING REASON No no, the reason was so they could focus on a bunch of new characters who add absolutely nothing to the show, because the writers think they can just strip out all the things people actually liked about the original and replace them with literal nothingness call it a day and somehow expect fans to be on board

AND FRANK. THEY ARE GOING TO FUCK UP FRANK SO BAD. I ALREADY KNOW IT. IT IS INEVITABLE. EVEN WITH HOW HIS SCENE WITH MATT IN EPISODE 4 HAS ADMITTEDLY THE BEST DIALOGUE IN THE ENTIRE SHOW SO FAR (LIKE THAT IS EVEN A HIGH BAR)

This isn’t even just bad bcuz this shit is actively insulting It is the television equivalent of a rotting corpse being paraded around in broad daylight while Disney puppeteers its lifeless limbs pretending everything is fine The soul is gone, the spirit is gone. the heart is gone. It is empty and hollow and fucking infuriating to watch The entire season is just a series of failures stacked on top of each other I’m still going to finish it, and yeah alright ill be optimistic maybe season 2 might be half decent, but I fucking doubt they’re going to do the Shadowland run justice (EVEN WITH HOW ABSOLUTELY DIVISIVE THAT RUN IS) fuck elektra isn’t even coming back, and without her, how the hell are they going to handle that storyline? It feels like they’re just throwing out everything that made it work in the comics. But even with two episodes left this season, I have absolutely no hope for any of it. This show is still awful and they’ve made a mockery of what was once great I’m not holding my breath for them to fix it in season 2 This show gets a 3.4/10. Follow me on bluesky btw. @_rmbk9.bsky.social (without the underscore) I am not using twitter.

[the-s1lly-corner]

HII could i request “L”, “O”, “N” (not quite sure if done already) fluffalphabet for razzle and dazzle ^_^? thanks in advance ( ^ω^ )!!

L O N w/ Razzle and Dazzle (fluff alphabet)

oooo im so sleepy so so so sleepy but i must write and work on wips ooooooough prompts: love language, oddity, no notes: gn toon reader, mostly razzle and dazzle focused, short and sweet, they have separated parts save for N because I feel like theyve have similar boundaries given they share a body- "two yeses on no" situation with them cws: none

RAZZLE:

LOVE LANGUAGE

he loves throwing on shows for you! even just spending some time with you to work on scripts is enough... though hed loooooooove to spice it up with acting to make it more immersive- he makes something as simple as reminding you he loves you by turning into a whole display

and he feels loved when you try to match his energy- emphasis on try! you dont need to be pulling everything out like he does, the mere attempt melts him and makes him feel all gooey inside

ODDITY

has a tendency to get carried away with things- plans become enough to do lists that can steal away all of his (and by extension dazzles) time... sometimes he just cant help but put his entire being into something to make it as good as it can be!

definitely has that "creep" some people get when they create something. he just cant help but to tack on more and more ideas! he swears this is the last part hes going to add... and then he brainstorms a bunch more to do

DAZZLE:

LOVE LANGUAGE

quality time sitting together doing something- or something parallel to one another. hes not as open and bold as his brother... if you need someone who is more subtle and slow, then dazzle will be your provider. as a bonus i like to think he writes poems. he definitely has some about you

similarly spending time with him makes him feel loved- and words of affirmation can go far with him. being closed off and... well himself... is simply how he is..! but youre trying and that makes him feel loved

ODDITY

he really doesnt like eye contact. a lot of the times when hes talking to someone- especially someone new or someone hes not really friends with he will look down. sometimes he'll even turn his head to a different direction just to avoid eye contact

he feels so awkward doing it... and he genuinely doesnt mean to be rude, he just... hates... making contact- it makes him feel exposed and put on the spot even if its for a second

BOTH:

NO

all it takes really is for one of them to say no- one is not going to force the other to be around you especially if you make them uncomfortable. sharing a body is hard and they arent going to make it harder on themselves

that being said there arent many hard no's that arent a basic thing that people tend to avoid- so long as youre not pushy or possessive theyre willing to at least give you a chance

though... if youre EXTRA high energy it may be a no- razzle loves someone whos down with doing anything with him but even he has his limits... and he wants there to be balance for dazzle. on the flip side dazzle needs someone whos at least ready and willing to make plans- balance stuff to accommodate both of their needs!!

though... they give off the type to have little to no tolerance for mind games and hypotheticals and tests- they will tell you outright how much they love you and if you decide to test if theyre being honest they wont deal with that

[archivedblog16]

i stopped giving a shit or having any faith that val and angels dynamic would ever be subtle or well written when the playbill stated that the VERY FIRST porno angel starred in was called.. "my cousin and me." maybe if the writing wasnt so obsessed with making sex jokes that almost always portray sex as a gross thing, we could actually explore the "subtley" vals voice actor claims their relationship has or had, by having it slowly get worse over time, going from having the pornos be something that val and angel bond over at the start of them meeting, due to them both being in hell for awhile and having sexual experience in lots of different ways, on top of it being a point of sexual tension that makes their relationship more, "exciting," THEN eventually devolve into nasty shit angel doesnt want to do, but has no choice but to do, since hes under contract. (even the pilot doesnt really have this problem, at least angel starring in a film called, "well, okay!" doesnt make a joke at the expense of his suffering like the majority of HH's jokes do in the series.) but no. isnt incest in pornos so funny? isnt it so funny that val is making angel pretend to be into incest? isnt it so fucking funny that val wants angel to star in a "donkey show" and has him raped on screen for two hours straight, (which is canon as stated in the "pure boy" script that someone somehow managed to translate from episode 4,) and that val waterboards angel as a kink? isnt that funny, guys? why arent you laughing yet? but also - theyre super duper deep, actually! buy the 300 dollar print first, and then wait for the story to ruin i mean explore their past later! eventually!

They did Angel Dust dirty in the playbill. Imagine being a new Angel Dust fan, wanting to learn more about him and all the information you see is about Valentino’s creepy pornos about incest and nothing else. 💀🏃‍♂️I don’t blame you for not caring anymore about it.

The cool aspect part about Valentino and Angel’s dynamic, you can imagine anything and how they met. Like you mentioned, Anon, the two bonding over their sexual orientation/experience then it gets worse over time. Another example is Valentino potentially meeting Angel Dust at a club where he is wearing drag. Valentino being the first to see Angel Dust’s potential and they hit off smoothly.

But at same time, I wouldn’t be surprised if Vivziepop straight up stole again from a different comic Raph did regarding Valentino and Angel Dust.

[calamarispiderart]

hello hello!!! random question before i get started on work haha

how do you come up with dialogue for ur hms comics? the back n forth of them feels so heavy and realistic. especially the casualness paired with the bleeding-brooding (alliteration for fun) violence makes everything just. hit. in a tragic and hopeless way imo. it’s so neat :0

i’ve been trying that kind of writing out a bit lately too. this is what i’ve managed with my iambic pentameter gang (hms but rain world iterator). MiND is being threatened by the rage pent up inside himself. and, strangely enough, it has the voice of HeART.

constructive feedback is welcome ^_^!

once again, hello hello! sending good wishes and all :]. i love ur work ^_^ 💛

oooo hmm... this isnt something ive ever really thought about trying to explain, thank you for the question! big fan of the posing in the piece youve added here btw, i like the alliteration in 'heliocentric heathen' B:•∆

honestly the way i go about writing them isnt something i feel i can put into words with a clear structure of process... often with my comics it starts with me simply having a vague idea of 'i want to make a comic today', and drawing what feels right to lead into it. the words typically link in with the actions as well - i usually draw something, draw the next thing, write a bit of dialogue, draw the next thing, write more dialogue.... not in that exact order but the words always feel to be a reaction to the actions and the actions are a reaction to the words (and/or, words and actions work in tandem). people rarely talk in a vacuum, especially when theyre having the conversation in person, so i find it helpful to see the actions as part of the dialogue and vice versa.

occasionally ive scripted out dialogue beforehand (always with actions included within the script.) but even with a script what actually is said needs to adjust with whats been drawn. when i dont write with a script (which is the norm), its often while im drawing the next frame that im thinking over whats being said. typically i just go over and over a sentence mentally, adjusting bits until it feels right, looking at it once its written on the page and adjusting it more if necessary.

perhaps a bit vague? apologies! i do have certain mental rules i try keep in mind for each of the threes characters while writing. 'how would heart respond, how would he word this? mind? i cant word it this way because i know he doesnt do this...' <subconscious questions and thoughts but they are important to keep in mind. i find it the most helpful to keep the core traits i personally see in them in mind, and let those traits kind of... guide what is said. if i think of how that collection of traits and facets would respond to something, the vague concept that creates can then go through the filters of dialogue traits i have in mind for them. ...ehhh, put more simply... 'what is the general response this character would have to this situation' and then 'how would they structure that response through words and/or actions?'.

i, being who i am, cccc being what it is, am somewhat naturally inclined to writing grim and bleeding-brooding (nice word) things. i also consider myself to be quite a grounded person, which i hope comes through in my work! however, natural inclinations aside, cccc itself is quite a bleeding-brooding album (at least it is to me). its one about depression and self hatred and it really doesnt pull many punches in that respect. or at least, thats my read on it! as a result, that becomes reflected in my interpretation of hms. however, id also note that cccc is silly at times, theres humor in it. all good grim things need a bit of levity to really make it feel Real... people joke in the worst of times, not just the best, and it really helps in writing serious things to have just a little bit of joke to it, even if its not immediately noticable... this is hard to really give examples of honestly but it is relevant i promise. im unsure if youve read much of my writing aside from my comics, but theres just a bit of absurdity and humor in both my cccc pieces that would make the writing feel sorely lacking without in my opinion. notable with how violent and tense both those pieces are.

lots of words now! hopefully helpful ones B:•] or at least interesting! ill try write out some of the core traits and details i keep in mind when writing hms so as to give better reference points to all my prior words:

heart: reactive, not instigative. he doesnt start fights, he finishes them. he also doesnt need an insane amount of prompting to get going... but he does need prompting. apathetic, a bit fanciful. hes depressed, and not in a cute way. he talks casually but he uses serious words. no point in simplifying his language - he wants to be taken seriously, and while he makes himself look small and weak at times he is Not weak and he is Not small. hes just as much of a wordsmith as the other two. he covers his mouth when he speaks sometimes, and he puts his hand over his chest... a bit defensive? muffling his own input, but notably he still speaks. lies by omission or by twisting facts - if full honesty helps his case, thats what he uses. if a white lie works better... i personally see him as a bit of a planner too. sometimes his reaction to things is built up to; it never comes out of nowhere, even if it may seem like it.

mind: instigative, less reactive. he still reacts to things but hes generally the one starting shit and hes honestly very bad at Not talking shit. uses contractions. <this is a small one but mind says 'dont' and 'cant' and i dont think ive ever heard him Not use contractions to any notable degree. kind of weak! hes proud of himself, very proud of himself, and even in the moments of the album where theyre getting along he cant drop his superiority complex. hes bad at making compromises that put him as the lesser one. hes also quick to point blame and to lie (even if hes a bit roundabout abt it). hes also not That smart - or at least, hes not any smarter than the other two. he Thinks hes smart and hes quite confident about that but that doesnt actually mean hes right lol. aggressive verbally, passive physically. hypocritical.

both of them tend to see soul as an afterthought, or as something to benefit from. note the 'something', not 'someone'. imo, they dont really see him as a valid living entity in the same way they see themselves. speaking of soul...

soul: hes difficult. hes a difficult and complicated guy. vague, fanciful, depressed, suicidal, tired... i personally see him as quite passive. both passive and active... hes violent, towards himself and towards the others. just as they dont see him as an individual, i believe hes too apathetic and burnt out to see them as individuals either. when he threatens to hang himself, thats a direct threat to the two if them as well - and it functions as one, seeing as they are all linked in that way! his suicidality isnt purely self destructive in the way it would be in other story contexts which i find important to remember. i see him as someone who sleeps a lot... and as someone who is treated more like a tool than anything else. but he is, simultaneously, idealistic. he hopes for the best and would do anything (Anything.) to try and achieve it. he wants things to Get Better or to Stop. most of the time when i write or draw him its within the 'Stopping is the only option to Get Better' stage of things. hes tired and he doesnt want to deal with things but he has to and he doesnt want to and hes at the end of his rope. honestly within the album he feels a bit like a ghost. hes granted a similar level of personhood as the shadow of what could be, which is both more and less than mind and heart get.... hes confusing! hea a difficult guy. honestly you can take a lot of my notes and thoughts on his character with a grain of salt because hes always been such a puzzle to me haha. i find him easiest to convey in art... OH yes one last thought/trait is hes a bit... arrogant? hes tired and hes careless. listen to me or fuck off and die. arrogant. what a guy.

ahaaha this kinda became me just rambling about my reads on the three but.. hopefully helpful!! this is all stuff i try keep in mind when im writing and drawing them. theres certainly nuances ive missed and things i havent worded as well as i could, but you get the idea i hope! all of that informs how i write them and... in a way they almost lead me through the piece.

also! this isnt something i often think about because its just a natural part of the process, but sometimes i end up scrapping stuff! entire paragraphs, panels and poses, because it hits a stasis where i cant find any way for one or the other to continue the interaction - theres a distinct difference between this and the interaction hitting its ending point. if ive written one person saying or doing something and none of the parties involved are able to respond in any way at all, thats a sign that ive conveyed their characters wrong and i need to go back. people *always* have a response to something, whether thats continuing the conversation or leaving or anything. if none of them can come up with a response that feels like them, ive messed up somewhere. dont be afraid to go back and rewrite things.

ummm yeah thats all i can think of to say now! thank you for the question, and thank you for the nice words!! B:•∆ im very happy my comics come off the way youve described, and very happy youve enjoyed my work enough to want to ask me about it!! means a lot to me B:•] your rainworld iterator hms concept sounds swag as hell, id just say to keep at it!! from what youve shown here youve already got a great start B:•∆ thank you again! hope you and anyone else reading this has a good week!

[strangegardendelusion]

andres dumb plan hinges too much on the idea of "stolas will come save blitz because he loves him and then hold himself accountable so i can take his legions! obviously!" when theres like. no implication that anyone really knows what blitz and stolas's relationship is, or that they even care about each other, especially not when stella said, "he finally realized that filthy little beast was only using him to gain access to his grimoire", like, what about that implies that stolas would give a shit if anything happened to someone who was "using him"? thats right - it doesnt! if andres plan had been properly executed in the stupid ass way he set it up in the episode, then blitz wouldve been executed, and fuck all wouldve happen to stolas after. if anything, hed be treated like a hero who was used unfairly by some low life, who was then slaughtered on tv to remind the lower citizens of hell not to fuck with the upper crust. imagine if that had happened, forcing stolas to go back to his home by himself; no stella since they divorced, no via since shes turning 18 soon, and no blitzy, ever again. maybe they shouldve just done that tbh, that way he could take over the show completely, since thats obviously what viv wants so damn bad. (also, stolas possible redemption arc when he realizes his actions actually DO have consequences!) or, i dunno, if she had the maturity to let other people look at her 3 year old script without surrounding herself with yesman, she mightve realized that she couldve kept EVERYTHING she wanted and still had the same ending, at the price of having stolas do the bare minimum and say, "he didnt force himself onto me, i.. forced myself onto him." the ending with all the imps hating stolas would make sense (because they know hes a rapist), blitz being able to even acknowledge any care he has for stolas might make more sense if he'd even SAY what he did wrong to blitz in front of EVERYONE important in hell, being a way to make up for his manipulative behavior and him hiding his face at ozzies, especially if stolas said, "i'm so sorry, blitz. for getting you into this mess, for everything ive done to you.." after blitz says thank you when they return home. (thats just the way i'd write it, because i cannot fucking stand that blitz says, "thank you, stolas, for saving my life," when blitz, at minimum, has saved stolas's life 3 TIMES AND HAS NEVER GOTTEN A THANK YOU ONCE BEFORE THIS POINT and was even INSULTED over saving him the best he could, because blitz needed to be there for his DAUGHTER first like a good dad, which is obviously something stolas has never comprehended since his sacrifice and willingness to die for his former forced sex slave in mastermind proves that, but stolas saves blitz twice, the second time being when hes holding himself accountable for his own actions that nearly got his "lover" killed to begin with? oh, heres a gold star, a thank you from the guy you forced to have sex with you to keep food on the table for his family, and a free imp to wash you just like when you were 12 i mean a totally not trauma bonded bf!)

Honestly, anon, interesting points all around! I didn't even think about all you said before you mentioned it.

Now, having blitz died is a very interesting idea

I mean, it would be very cool to see how each character reacts to his death, like having loona experience her sadness by turning it into anger and having millie and moxxie grieving with each other the best they can.

It would also be very interesting to see stolas hitting the deep end as he realized how his life is falling apart

I could see stolas trying to reach out to everyone blitz knew, and nobody wanted to do anything with stolas

From then on, the series would follow stolas as he deals with everything

[by-gray]

what is a dream doccy who/torchwood fic that you would either want to read or write

i want to write fifteen’s last episode and regeneration into sixteen because i have an interesting concept for his “death.”

i think it should start as a weeping angel episode but it’s one of the earliest evolutions of the weeping angel. it’s not made of stone. it’s like a creepy doll and it’s disguising itself as the angel on top of donna’s christmas tree. and when it gets close to you, it looks something like this:

jump scare. sorry. but this minus the satanic symbols

and i know i’ve mentioned the ground-hog day thing in another post before. but if not part of that ninth doctor series concept, it could be used here. perhaps the earliest angels did not have the ability to send people back in time and feed off energy that way? they had to make you live inside a time loop and feed off that energy. so, the doctor keeps waking up on christmas day inside of donna’s house, but a donna’s house with no fourteen and they don’t seem to have any recollection of a bi-generation or that fourteen should be there.

all donna’s family say the same script over and over each time and don’t seem to understand or notice they’re in a time loop, not even when the fifteen tries to snap them out of it. it’s mega eerie hearing them repeat the same thing and sometimes the sentences that don’t even make sense – they sound constructed by an alien force… it’s like they’re hypnotised actors in a play and they don’t know how to go off script even when fifteen tries to make them.

but anyway, fifteen will find a way in the end. he’ll realise that these people aren’t actually donna’s family. they’re just creations of the weeping angel. fifteen works out that he needs to get out by himself and not worry about donna’s not-real family – which is hard because they look like real people – but fifteen’s priority is to destroy this angel before it gains enough energy to do something horrifically bad to the time line.

what fifteen does is turn his tardis into a timey-timey bomb sort of thing, so that he can explode the time loop open. only thing is, that means destroying him and the tardis.

he chooses to do it and fifteen dies…

but here’s the twist.

fifteen doesn’t regenerate. he’s dead for real. instead, the next scene we see is fourteen shooting up right in bed and he feels weird, he’s rubbing his head, he’s spitting out a bit of regeneration energy. and when he looks beside him, there’s sixteen.

fourteen regenerates again.

and then i thought this could lead into a good sort of existential crisis scenario for sixteen in their first episode, because fourteen realises fifteen is dead. sixteen doesnt recollect anything that happened to fifteen – because he only has fourteen’s memories –and so sixteen’s thinking:

will all regenerations be like this now? will we all regenerate from fourteen, die and become irrelevant? are we just single-lives? are we just copies of fourteen? not actually the doctor, but just shadows of them? am i nothing?

[sporesgalaxy]

updated a little flashback Vladlence script thing that I started writing in like 2020. some of you may remember this comic

Smile :)

•••

[The year is 1990-something-- before Vlad betrayed and temporally displaced Silence that one time. Vlad and Silence (in human disguise) are at some kind of businesspeople shindig. They've stepped outside for some air and are basically alone. Vlad has a glass of wine.]

S: Lord. I'd forgotten how tedious these are.

V: They're really not worth it unless you can drink. It was so much worse when my parents would drag me to these as a child.

S: Hm. I didn't mind my father's business functions, but my ex-husband's were insufferable.

V: [chokes on wine] "Ex-husband?"

S: Well... "Ex" in that my untimely departure left him a widower, yes.

V: ...is he a--

S: [rolling eyes] NO, he is not a ghost.

V: Still! How have you not mentioned him once?

S: [shrugs] It didn't come up.

V: That isn't fair! I've spilled my guts to you for your research. You HAVE to tell me something!

S: You're being ridiculous.

V: ...That's it. I've decided.

S: Decided what?

V: The favor you owe me for bringing you along as my plus-one tonight!

S: Oh, please! All I've learned this evening is that you're still capable of being intoxicated by normal amounts of human alcohol.

S: Now, you've learned that I had a husband once, a very long time ago. I'd say we're already even.

V: [pouts]

S: Why does it even matter to you?

V: .........if I say, will you tell me more about your human life?

S: I--! Oh, fine. Whatever. Yes.

V: Because marriage is--! It's--! Marriage is everything! It changes your whole life! You finally have someone to always be there for you, in sickness and in health and all that.

V: How could you just...[mimes swatting something out of the air with his free hand] move on, after that? It makes no sense!

S: [tuts, rolls her eyes] You're insufferably romantic, you know that?

S: Marriage is not "everything." My marriage had everything to do with finances, and precious little to do with anything else.

V: ...Oh.

S: That's less common these days, I'll admit, but forgive me if I still feel you're overselling it.

V: ...Well...Still, he was there, right? At least you had someone.

S: [annoyed] Sure. Can we talk about something else now?

V: Did you have a family? [leans against the balcony, resting his chin on a hand, smiling expectantly]

S: [frowning] ...Not the change of subject I was hoping for.

V: [just keeps looking expectantly]

S: [sighs heavily] [trying to be annoying on purpose] Well, I had a mother and father, two siblings-- both of which died in infancy-- and on my mother's side, my cousins--

V: [impatiently] I meant with your husband!

S: [twitches] ...No. It was just he and I, and then I died.

V: Oh.

S: [snarky & bitter] ...Then, he remarried a nice young lady who got to keep all of our money. They, I believe, had several children together.

[Silence is quiet in a sort of uncomfortable angry way. Vlad, oblivious, gets lost in his own thoughts.]

both: .......

V: [CLEARLY thinking about Maddie. a bit dreamily] ...do you ever wish that you could do it all over?

[Vlad is looking at the sky, and doesnt see the judgemental, incredulous look Silence immediately shoots him]

V: That you had more time to make it work?

S: [humorless laugh] HAH! No!

V: [snapped out of his reminiscing, looks at her, surprised] No?

S: [like its an uninteresting, obvious fact] My life didn't have anything worth going back to.

V: [disgust directed at the percieved failure of the faceless husband figure] He was that bad?

S: [waves dismissively] No, no. Our marriage wasn't bad. It just wasn't--

S: ......well, it wasn't much of anything, I suppose.

V: [furrows eyebrows] Hm.

S: [after a short pause] I much prefer this.

V: [for some reason, his heart skips a beat] This?

S: [a bit frantically] My research! In the Ghost Realm. The achievement, the influence, you know. Much more fulfilling.

V: [nods, a bit spacey because of a weird inexplicable feeling he's having] Ah. I see.

[st4r-bby]

hi!! this is my first req but i was wondering if you could write something about jack champion having feelings for actress!reader who plays as his love interest on scream? like everyone knows he likes her but her and he doesnt know what to do because they are best friends? just lots of fluff

AMAZING IDEA ANON!

movie : none really but they both play in scream 6 together

character / person : jack champion

pairing : !shy-ish jack x !actress reader

contains : fluff, lots of fluff, fluff that rots your teeth, jack being head over heels for the reader, reader being oblivious.

both y/n and jack were actors in the new scream movie, jack played ethan landry and y/n played (whatever name) as his love interest. one of the scenes in the movie is when y/n has to kiss jack. jack tells mason and now they're yelling at each other in jacks trailer.

"but mason!" jack squeaks, "i don't wanna hear it. it's just a peck anyways." mason says, "but it's y/n! i'm her best friend, she's mine, i have a crush on her, she doesn't have one on me! it's going to crush me when we kiss!" jack starts whining. mason rolls his eyes, "come on, it's not that big of a deal." jack clears his throat dramatically, "yes it is! and you do not tell jenna about this or i'll stab you in real life too."

mason gives him a confused look. "i read the whole script." mason rolls his eyes again. "jenna already knows you like y/n, everyone does!" jacks eyes widen and he yells, "WHAT?!" mason covers his ears slightly, "yeah!" jacks jaw drops, he looks flabbergasted. "EVEN Y/N??" mason laughs, "everyone expect y/n. somehow." jack lets out a huff of relief. "good, i don't want y/n to know.." they hear the door to jacks trailer open and shut. "you don't want me to know what?" y/n says, confused while carrying a box of dunkin donuts.

"oh and i brought dunkin." she opens the box showing all kinds of donuts. while jack is sitting there shocked at her timing, mason runs to the box and grabs a chocolate one, praising y/n for it. y/n smiles at mason then looks at jack, waiting for an answer she tilts her head. any other person would've moved on, but jack, jack thinks that was one of the cutest things she's ever done.

"oh.. uhm.. well.. you.." jack rambles, not finding the right words to say. y/n laughs, making his heart skip a beat. she grabs his favorite kind of donut, walks up to him, and shoves some into his mouth to shut him up. "okay, okay pretty boy. i get it, you don't want me to know. just eat the donut." after she calls him that, he feels blood rushing up to his face already. he eats the donut she shoved into his mouth and she smiles. "good boy!" she pats his head.

mason looks at them both and smirks, he grabs two more donuts and leaves the trailer silently. y/n sits down on a chair and messes with things in his trailer. "interesting trailer, j." she spins around. "you know why i'm here right?" he shakes his head, not being able to speak after those names she called him. "we have to rehearse the kiss scene remember? the directors changed it up a little and said it shouldn't be a peck and it should just be a longer kiss." he curses at the directors in his head but just nods.

she gets up and walks up to him, "so it goes a bit like this.." she grabs his hands and puts them on her waist then she takes her own hands and puts them on his cheeks. "and then we kiss for like five seconds." she smiles. jacks heart skips a bit and he thought he stopped breathing for a while but they both pulled in and they kiss.

y/n would consider it amazing, jack considered it being on cloud 9. they pull away after five whole seconds and she smiles at him. "wow jack, i didn't expect that to be as great as that was." somehow jack gained the confidence to speak again, "can we.. do it again?" he gets embarrassed and y/n realizes what's going on. "jack.. if you want to kiss me as y/n and not (characters name) you could've just said so." she smiles and they pull in for another kiss, and many more after that.

okay i admit this was kinda good- BUT THE BEST IDEA CONGRATS ANON

[saveahorserideaneddie]

These people will never experience the pain hearing from the causal viewers and THE SR that we who view those characters as queer, are delusional. We were told, it’s in “our heads” and what you see “is your interpretation” NOT what’s on the script. OH CANT FORGET MY FAVORITE, “go write your own SHOW”. Imagine for 6 years viewing buck as queer coded and told you were dumb and “it’s never gonna happen”. For 6 YEARS!!!! It literally took them ONE EPISODE AND MOVING TO A NEW NETWORK for bibuck to happen. And these people think this couple who ONLY HAD 3 dates (1 of them a failed one), and 2 kisses is endgame? 💀💀💀imagine your ship not having any depth to where they stopped caring about them after making buck bi💀💀💀. Where are their scenes? Oh it’s “enjoy it while it lasts”. It’s them having barely 20 minutes of screen while the “non ship” has x2 has much in 10 episodes. Did they forget their fav said this💀💀💀💀

💯no notes agree with everything you said 👏👏👏

and also even that lfj quote pissed me off when it came out bc i was like “how are you gonna stand here and tell me to be grateful for a relationship that came out of left field with no chemistry?” like even if it does lead to buddie i will still hate that whole arc because it could have been handled SO much better and without bringing back a racist character, played by a problematic person, ON TOP of causing the biggest shipping controversy to ever hit this fandom… that man has given me the ick since day one of s7 and when the cameos started and he started encouraging his fans and egging on the bullshit i was done w him.

it pisses me off bc they act like buck has to go through some sort of “queer bootcamp” before he can date eddie and im like…. no he doesn’t?? he doesn’t need some sort of “gay yoda” or whatever they called t-rex in the beginning bc there is no rulebook to being queer… so the whole notion of “working out the kinks” (which is an extra level of icky coming from someone like lfj, and looking back after the daddy joke in 7x10) never sat right with me… and the whole “what if buck got with eddie and didn’t like it?” if he meant that literally as “what if buck didn’t like it” my brother in christ theses are fictional characters, they’re not sims, the writers have full control over literally everything that happens… why would they write them if buck “wasn’t gonna like it” (which is bullshit bc we all know he 1000% fold immediately if eddie kissed him)… if he meant “what if the fandom didn’t like it” (which is an odd way to word that question if this is what he meant) WDYM IF THE FANDOM DOESNT LIKE IT EVEN HALF THE BT SHIPPERS HAVE BEEN SHIPPING BUDDIE FOR ALMOST SIX YEARS????

the whole situation drives me up s wall bc not only have we simultaneously gotten so close yet so far to getting buddie, we also now have to deal with these wack-ass fans policing people, calling queer people homophobic, sending death threats and violent hate speech to people who don’t like their ship, actively talking bad about oliver bc he clearly isn’t a fan of lfj or the way this storyline was handled, on top of having to deal with the show’s retconning of typhoid’s character and trying to brush his shit under a rug using queerness as an “excuse” and thus enabling these people to use the “homophobia” rhetoric when someone doesn’t want a boring ass rewash basic ship.