#he reveals who he is. and also this is the art i mentioned i went a bit too insane on and i’m setting expectations way too high for the res

[crazyw3irdo]

6 and Batman!

he’s always right, you’re never right / (get me out of here) / ‘cause you’re just scared / you’re just scared of the future - model buses by lovejoy

[frogchiro]

HII HII ur writing is perf 4 this idea but you don’t hav 2 do it !! i js thought of u <3 little red riding hood reader & big bad wolf (ko, ghost, price) any cod guy & i think it’s js soo cute !!!

[art by doujinpearl]

ARE YOU KIDDING ME THIS IS SO CUTE??? YOU NEVER MISS LOVE!!! And thank you it really means a lot to me that you like my silly writing <33

tw// horror elements and this has like one mention of a 'off-screen' death but no one major

I think I'm gonna go with König for this one?? Bc something about him just screams big bad wolf to me y'know? Also for the sake of this story, König is described like on the pics above, so his lower half is life a literal werewolf.

okay also i'm putting this under the cut because this somehow grew into a whole fic?? My dear @9irly9irl if you see this know that I love you and this was so. freaking. enjoyable to write??? I love this so much??? Also I'm sorry for the horror themes but I'm getting ready for October and the gloomy weather outside made me do this. I hope you still enjoy and PLEASE send me more for this au!!

Big bad wolf König who is on the prowl for some time now, he's on a hunt for you, the sweet girl who lives alone with her mother on the edge of the dark forest your good old momma always tells you to stay away from and for good reason. The townsfolk from the villages around whisper in fear and dread about a monster lurking in the woods, half man-half wolf with an insatiable taste for blood; they call the beast König, the undisputed King.

And honestly? König likes that rep. It means less annoying pests wandering around his territory safe for a groups of young guys from time to time who think they have the balls to try and 'kill the beast' but they are dealt with...pretty quickly.

But no, König has his glowing eyes set on something more...Exquisite. On something soft and pliable, sweet smelling and so so pretty. Namely on you. The werewolf guesses he has to be thanking his lucky starts or whatever bullshit that while sniffing around your cottage he overheard your mother talking about going out into the forest to bring her sickly mother, your grandma, a basket full of food and some other supplies and being the sweet little thing that you are, you of course cried and volunteered to go yourself, that your mother is already older and that you will make quick work of it.

König swears that day that his blood never rushed downward to his dick so fast. You, soft little you, all alone in his forest? His territory?? It's like you're begging to get taken and mated! The trek from your cottage to your grandma's home would take you about 2-3 days as she lives deep in the woods, the perfect timing for him to reveal himself and take you away for himself into his den in the darkest parts of the forest where you will have the perfect life with him! No more worrying about food or warmth during the cold, dreary winter months, he is more than a capable provider for his future mate, not to mention your future litter of happy yipping pups you will birth for him! It's a perfect plan!

And so he waits. And waits. And waits until the day you finally leave with your cute basket in tow and a tearful goodbye with your mommy dear that you will return as soon as possible. Yea, sure sweetheart.

I think he'd reveal himself by the time it's getting nighttime, when the sun sets, the air is getting cold and a ominous darkness sets over the forest where your trembling body sits in a makeshift nest made of a blanket and a thick animal pelt under a old, big tree. Everything seems so loud, the cries of nocturnal animals sound much more bleak and unnerving, not to mention the weird, chilling feeling of...something following you. Like there were a pair of eyes trained on you since a few weeks ago but you never mentioned this to your poor mother as you didn't want to worry her, but the feeling only amplified ever since you left your home and went on a trip to your grandmother.

You couldn't help the loud yelp you let out when suddenly a pair of glowing golden eyes appeared in the small clearing around the tree; a pair of glowing, unblinking orbs that seemed to be suspended in the air in the surrounding darkness, the weak fireplace you managed to make doing basically nothing to light up the area and your poor little heart started to beat like crazy when you noticed the eyes moving forward, closer and closer to you until the light finally caught what was moving towards you...or more like who.

It was an enormous man, easily over 7ft tall, his broad, bulky shoulders moving as he stood from the position he was in to his full height and those ominous glowing eyes still were unblinking as they stared at you like you were just some lamb and...you probably were.

The one thing that somehow stood out the most, even amidst literally everything else unnatural about this man, were a pair of ear on top of his head, which only now you noticed was covered in some sort of tattered old hood with holes for the eyes and ears, and a huge fluffy tail which was wagging faster anytime you seemed to look the man over, but what really brought it all together was his lower half...it-it was all fur. His legs were that of some bipedal wolf and in that moment a silent scream tried to make its way out of your throat; it was König, the brutal and unforgiving beast that resided in the surrounding forests, the one that people tell horror stories about around campfire and...he was here. He was here before you to tear you apart and leave nothing behind, not even bones.

Tears were streaming down your face, a look of utter defeat on it because after all, what more could you do? You can't possibly fight him, you can't outrun him, hiding is out of the picture too...You were ready to feel the unimaginable pain of those jaws locking themselves on your throat and draining you of your life but the you felt...warmth? A slick, warm feeling on your cheek and when you opened your eyes a bit you saw what it was. It was König, or more like his long tongue licking away at your cheek in an almost comforting matter, his wide unblinking eyes still trained on you though his pupils seemed to grow in size, now taking over most of the glowing yellow and when he deemed you to be clean of your tears, a large crooked nose with a scar running across it nudged into your cheek and took a deep sniff to get your scent. A stray thought ran through your mind when you took a closer look at his uncovered face and noticed another huge scar across his face and a few smaller ones, who or what in their right mind got close enough to inflict such wounds on someone like König?

When you stayed still and just stared at him wide eyed and out of breath König let out a deep growl like purr of content; he could hear your small aborted breaths still coming out quick and your heart fluttering in your chest like a small erratic bird but he could see that you were a tiny bit calmer now and not on the brink of hysterics like a few seconds before. He couldn't help but grin in delight, a nasty, wide thing that revealed rows of sharp teeth. He finally had you. He had you exactly where he wanted and now you were his. Well not completely yet, you two would need to mate first but still, everyone had to start somewhere right? For now he had you calmed down even for a bit, showed you that he wasn't a threat to you and wasn't going to hurt you. It was still only the night of the first day of your travels and he will offer to guide you, he couldn't possibly allow such a cute young lady to just wander around the deep dark forest all alone, right?

Of course he won't mention it that he will be herding you away from the path and instead guide you deeper and deeper into the heart of the woods where his den in. He won't mention it that he will be making very obvious and insistent advances at you, insisting on staying close at all times and wrapping his huge body around you at night for warmth, nosing and nudging at you to cover you in his scent and maybe make you a little bit hot under that deliciously low neckline of the dress that you're wearing, the cape in a lovely shade of red acting like a blanket to shield you away when König is nosing at your neck and bosom, greedy for all the tiny, shy, flustered noises you make, greedy for making you all hot and ready for him.

And of course he certainly won't mention to you about your poor old granny's corpse, rotting for weeks already in her old, decaying house where she died of some illness or old age. No, no, your new life is here, with him. Forever.

[aticklishpercivalwriter]

My Honey ♡ My Bee (fic)

Link to Art (credits go to @munchr00m (elaine !) on Twitter!): Sethos/Scaramouche

—

Summary: Wanderer and Sethos hang out, but Scara’s thoughts and uncertainty about their dynamic in the future end up eating at him. Sethos reassures him through convincing means.

A/N: SethoScara!! These two have me in a chokehold and the art and fanfics for these two are amazing. And here is my contribution :) Inspiration for this fic comes from this post. I did my best to retain Scara’s bratty attitude, but I also wanted to show a softer and vulnerable side to him. So, I’m sorry if Scaramouche seems OOC to you all. With that being said, I hope you enjoy reading it as much as I enjoyed writing it!

P.S. There is a small scene that might be slightly NSFW to some, you’ll see it when you get to it, so you can skip the section until you don’t see any of the stuff you don’t want to see. Can’t reveal too much for spoilers. If anyone’s interested in me writing a smut fic (would be my first!) for these two, let me know! I’ll leave a poll :)

Word Count: 1965 Also on AO3!

—

The sky was a mix of red and orange hues as the sun set over the horizon. At the base of a tree outside of Sumeru City sat Wanderer and Sethos. The two of them have grown to like each other’s presence and made the tree their special spot to be with one another.

“Beautiful, isn’t it?” Sethos spoke.

“You have poor taste in beauty,” Scaramouche answered, making Sethos chuckle. “That wasn’t supposed to be funny.”

“Hehe, I know. I never get tired of your responses.”

“Hmph, weirdo.”

A comforting silence settled afterward before Scaramouche spoke again.

“Why…Why do you keep putting up with me?”

The seriousness in his tone made Sethos look at him with concern.

“What do you mean?”

“I’m a nobody. Someone who tried to become a god. A puppet that was thrown away because they were useless. One that makes mean and snarky comments. Why? Why do you want to be with someone like me?”

A surprised look crossed Sethos’s face.

“Isn’t it obvious? It’s because I like being with you.”

Scara’s eyes widened as Sethos continued.

“I was curious about your mysterious past and kept pestering you until you told me. When you did, I didn’t turn away disgusted or begin to hate you. All it did was make me want to be with you even more.”

Conflicting emotions and uncertainty ran through Wanderer's eyes before they were stopped by a hand on his cheek.

“You dare-” Scara started, making a move to swat Sethos’s hand away before Sethos started stroking his cheek with his thumb. He went quiet as he made eye contact with Sethos who had an endearing expression on his face.

“I'll take care of you.”

I'll take care of you.

A flicker of light is shown behind Wanderer’s eyes upon hearing those words. But as quick as it came, his eyes darkened with uncertainty.

“It's rotten work.”

“Not to me.”

Surprised, stormy eyes met determined, loving ones.

“Not if it's you.”

Those words were an arrow to his heart as tears from decades of sadness, anger, and hurt threatened to fall. The world seemed to blur around him as his senses were solely focused on the man in front of him.

“The things you mentioned are in the past. It's time for you to move on and not let them plague your mind.”

Sethos leaned closer, accidentally making Scara’s hat fall off his head. The latter could hardly care as he felt Sethos comb his fingers through his hair and his breath on his face. Not to mention the soft lips that were barely a millimeter from his own.

“You aren't useless, Scara.”

Sethos’s warm breath hit him in the face as he spoke.

“You aren't a nobody either. Since our first interaction with one another, I was obsessed with you. Your hat. Your past. Your attitude. But most importantly, what hid behind those stormy eyes of yours. And the more I got to learn about you, I began falling for you. I wanted you. I liked you. I love being with you. Your sassy attitude, you calling me a busy bee, I cherished those moments. In my eyes, you are the perfect being and you have a place in my heart. I will go to the ends of the world to fight with you. To be with you. To…love you.”

Sethos pushed forward, softly planting his lips on Wanderer’s. He melted into the kiss, kissing back with fervor as Sethos took the lead.

“Sethohh- mmm~”

Sethos smiled into Scara’s mouth, taking pride in making him fall apart. Taking it a step further, he licked his lips asking for entrance. When he met no resistance and instead Wanderer parted his lips, he dove right in.

“Se- mmph! Mmhmm~”

“Mmm~”

Sethos sucked his tongue, making him roll his eyes in ecstasy as he tangled his fingers in Sethos's hair. Sethos deepened the kiss, gently pushing his back to the ground.

“S- ahh! Mmm~ Aah! Mmphahh~”

“Mmochi~ Hah! Scaraah~ Mmm~ You have hah~ too many ngh~ na- aah~ names~”

They continued their make-out session, drowning in each other's embrace and letting out their feelings for one another.

They broke for breath after some time. Sethos towering over Wanderer with his arms on both sides of his head and the latter laying his head back on the grass looking up at Sethos. His face was flushed, complimenting the pink and orange hues of the sky and Scara couldn't help but reach out a hand towards his cheek, caressing him.

“Beautiful,” he breathed out.

A red tint started to spread to Sethos's ears and a shy smile started to form.

“M-Me?”

“snort. Yes, you.”

He wrapped his arms around Sethos, bringing him down to his chest.

“I hate how you make me feel so mushy inside."

There's no bite behind those words. Instead, love and affection.

“It's my job now, honey~”

“Argh, Sethos.”

“What? You call me a bee, I call you honey. Plus, you are so sweet-”

“I am not sweet.”

“Yes, you are. Especially your taste. Sweet like honey. No wonder I am a bee that is so attracted to you~”

Scara just groaned, his face flushed red. “Where did you even learn to kiss like that?” he asked, changing the subject.

“Oh, that. Heh,” Sethos rubbed the back of his head, rolling off him and laying beside him.

“You know how they say the quiet ones are the interesting ones? I'm far from being quiet, but since being in the Temple of Silence, I tend to be alone in my thoughts a lot and my imagination runs wild. And when I first laid my eyes on you, I never stopped thinking what it would be like to kiss those lips of yours.”

Wanderer’s heart fluttered in his chest, knowing that Sethos was thinking of him from the first time they met.

“And how did it feel?” he asked, turning to him.

“We both know the answer to that.”

“I want to hear it from you.”

Sethos chuckled, facing him. “Alright, if you really want to hear it. It was the most amazing feeling in the world. The moment just felt right. When our lips touched, a pleasant tingling sensation traveled down my spine. Having your lips locked on mine, it just felt like we were meant to be together. Oh! Your moans. Don’t get me started on your moans. They were sweet as hon-”

“Okay, you are just teasing and trying to make me flustered.”

“Maybe~ Is it working?”

“Not even.”

“You sure about that? What's that reddening on your ears?”

“Oh, shut up.”

“Make me.”

“Is that a challenge?”

“What do you think?”

“Oh, you are asking for it, annoying bee.”

“I'll like to see you- ack! Ahahaha! T-Tihihickling is cheheating!”

Scaramouche smirked, hearing his giggles as he tased his sides with ease. “Aw. Sucks to be you then~”

“Wahahait! Nohohoho fahahair!”

Scara draped himself over Sethos, lazily tracing random patterns from his shoulder blades to his neck to his chest and back again.

“Doesn't take much for me to make you giggle, little bee.”

“Hahahaha! Mohohochihi! Gehehet off mehehehe!” Sethos tried to roll around to no avail.

“Hmm, let me think about it,” Scara put on a fake thinking face for a few moments before he began to knead Sethos’s hips making him choke on a surprised laugh. “Nah.” A smug look crossed his face. “I want to do this all day~”

“GAhahaha! Nohohoho! You ahahare- NAHAHAHA! Nohot thahat SPOHOHOT!”

Sethos shrieked as his lover dug his fingers into his armpits causing him to clamp them down.

“You are losing, my love~” Wanderer teased, rubbing deep circles into his lover's armpits causing him to howl with laughter.

“AHAHAHA! HOHOHONEY! IHIHIT TIHIHICKLES SOHOHO BAHAHAD!”

“Oh really? Here, let me help. Tickle tickle tickle~”

“THAHAHAT’S NOHOHOT HEHELPING! YOU’RE MAHAHAKING IHIHIT WOHORSE!”

“How about this? Coochie coochie coo~”

“STAHAHAP TEHEHEASING MEHEHEHE! AHAHAHA!”

“I have no idea what you are talking about,” Scara said, playing dumb.

“YOHUHU LIAHAHAR! YOU- GAHAHAHA! NOHOHO!”

Sethos squealed as Scara used his thumb to massage his upper ribs.

“PLEheaSE ScahahARA!”

“Oh, my ticklish, little bee. Begging already? We are barely getting started~”

He decided to have a little mercy on Sethos, slowing down, so he could take a breather.

“Thahank youhuhu,” he giggled out.

“I’ll tell you what,” Scara started. “If you don’t laugh for 5 minutes straight, you win the challenge and get to tickle me to your heart’s content. If you lose, get ready to be tickled without mercy.”

“Pfft, 5 minutes. I can handle that. Challenge accepted!”

Wanderer inwardly grinned, his scheme working as he kissed Sethos with passion. Being caught off guard, Sethos quickly recovered, returning the kiss, unaware of the one hand that was inching closer and closer to his side until-

“MMPHAHAHA!”

Perfect.

“Noho! Youhuhu caught mehe off guahard!”

“I win~” Scara cheekily said. “Seems like that was your best… what a pity.”

“You planned that from the start!” Sethos pouted.

He stuck his tongue out towards Sethos. “Bleh, I win and that is all that matters. Come here and give me my prize.”

He lunged toward Sethos, leaving him no time to escape before he crawled his fingers under his clothes and attacked his tummy.

“I’ll geHEt yOUhu bahACK! AhAHAhAha!”

“Keep on dreaming little bee~”

After what felt like an eternity to Sethos of Wanderer skittering his fingers along his sensitive spots and teasing him to oblivion, his lover let up, lying right beside him.

“Mouchehe, you’re a ruhuthlehess tihickler.”

“Heh, that means that I’m still good at it or you are just too ticklish for your own good, or maybe both.”

“Scaraaa.”

They both fell into a peaceful silence as they stared up at the now starry sky, enjoying each other’s presence.

“Sethos?” Wanderer’s voice was soft when he spoke his name.

“Hmm?”

“Your words from before, I wanted to hear someone say those words to me for so long.”

“Which ones? You being sweet?” Sethos teased.

“Sethos,” Scara groaned. “I’m trying to be vulnerable here.”

“Hehe. Sorry sorry,” he chuckled, turning towards him and hugging him.

“I’m talking about when you told me you’d take care of me,” Scaramouche continued, snuggling into his embrace. “How it’s not rotten work to you and how you love me.”

He took a breath before continuing.

“It's all I ever wanted. Someone to say those words to me.”

A shooting star raced through the sky, lighting up his eyes. Sethos saw hope and a new spark of life in those mesmerizing eyes of his.

“I know I’m a bratty character and that’ll probably never go away, but I love you. I truly love you, even if I don’t show it at times. And…and I’ll go to the ends of the world for you too.”

Sethos could see the tips of his ears reddening and he inwardly grinned at how cute he was before going in for a quick peck on the cheek.

“Mochi, I love you so much. You are so freakin cute right now. But in all seriousness, I’m happy that you are in my life and I can’t wait to spend all of it with you. My sweet, honey love.”

“Archons, you are going to be the death of me you mushy bee.”

Sethos brought their lips together for a slow and soft kiss. Knocking their foreheads softly together, both of them stared into each other’s eyes, enjoying the moment before pulling away. Sethos was the first to stand up, grinning from ear to ear. Wanderer shook his head in amusement, picking up his hat and setting it atop his head before reaching out towards his lover’s outstretched hand. They started their way back into the city, hand in hand with fingers entwined.

My Honey.

My Bee.

—

More questions are in the Google Form if you want to provide more feedback. Plus, the question for a potential smut fic. Thank you again for reading and your time :)

Link to Google Form

[sweetsuo]

Hiya. I was wondering if you could do Suo, Ren Kaji, and Umemiya from Wind Breaker with a s/o who has a secret tattoo? Like they have a tattoo on their arm or leg but they always had it covered up with something not to hide it just because the clothes their s/o normally wears covers it. With a gn!reader please

Howdy! I sure can ovo. I tried to encorporate the prompt as much as I could without it being repetitive or the sole focus. Also in umemiya's, i mention a skirt of fabric, but there is a youtube short (here) i based the performance off of and figured that it was more just like a draped fabric?? I couldn't think of a more appropriate word so I'm sorry if 'skirt' is a little too gendered ;v; i can always change it. Also have no idea where to put the 'read more' so here's to hoping it won't mess up too much fjdksfj

𝐒𝐞𝐞𝐢𝐧𝐠 𝐲𝐨𝐮𝐫 𝐭𝐚𝐭𝐭𝐨𝐨𝐬 𝐟𝐨𝐫 𝐭𝐡𝐞 𝐟𝐢𝐫𝐬𝐭 𝐭𝐢𝐦𝐞

Hayato Suo x gn!reader.

drummer!Ren Kaji x bandmate.gn!reader.

Hajime Umemiya x dancer.gn!reader.

genre. [SFW]. Ficlets with Fluff~. Suo finds a secret of your past. Kaji is your bandmate. Umemiya attends one of your performances.

cw. in suo's - mentions of physical fights. drummer!Kaji. in umemiya's - pole dancer!reader. probably spelling errors dlkfj.

wc. ~2k.

𝐇𝐚𝐲𝐚𝐭𝐨 𝐒𝐮𝐨

Summer was always sweltering. The humidity, the heat, the sun relentlessly beating down from above – it all made for a horribly sweaty time. When choosing your outfit, you went for something a little more revealing from your typical. A tank top and some shorts. Simple and generally not enough to garner you stares. That is, if you didn’t have tattoos. Some of the more rural areas still affiliated tats with the Yakuza or delinquents. Luckily this town was pretty open minded. 

You only had them on your knees, but still tried to cover them up with foundation and longer pants. It was illusory – the type to make it look like you had joints of a ball-jointed doll. On the left knee was a crack in the ‘porcelain.’ It was all intended to be a cover up from a past fast. One you were not too excited to be reminded of, but still was part of your history.

“My, what do we have here?” Suo’s saccharine voice tore you from your memories. 

He sat beside you on the rail of the bridge above cascading waters. You feel his cool gaze linger on the ink. It hadn’t been long since you started dating. You hadn’t really done anything yet to warrant him seeing your tattoos, either. He wasn’t the type to judge based off such superficial features yet somehow the paranoia remained. Would he judge you?

“This is lovely. The blending is superb.” His smile is as soft as his touch along your knee. He admired the art. It took a lot of skill to make skin resemble the texture of porcelain. 

You straighten and bend your right leg in response with a grin, “Thank you! The girl who did it was really talented!” Your partner nodded in agreement; his gaze filled with loving intrigue. Enthused, you chattered on, “Said it’d be painful, especially at the back of the knee-“ You twist your body and gripped the rail to show him the pit of the knee, “but nothin’ could be as painful as getting my knee kicked in-“ An arctic chill ran up your spine. Confused, you pause in your chipper yapping. “Uh... Hayato?” 

Suo leaned, grazing his fingertips along the inked-over scar of the left knee. Silence took over as he stroked the area with delicate care. His smile faded, leaving behind an eerily flat expression. Suo was the chill dominating over the heat. “Is that what this is from?”

“Happened when I was stuck in KEEL a while back. Before I moved over here. Got the tattoo to cover up the scar.”

“Ah. Would you happen to remember who the troglodyte is that did this?” The vitriol of those words passed through such a polite smile as he peered up to you.

“None of that.” You pursed your lips and teasingly flicked your hand at him, “No vengeance seeking on my account.” He opened his mouth to make some sweet excuse only for you to interject, “I did whack them with a pipe so I wasn’t too fair either.” You shrugged off the incident. Enthusiastically, you motioned to your knee, “Plus I got a pretty rad tattoo out of it. The past is the past.” You leaned against him, resting your cheek on his shoulder. 

Suo kissed the crown of your head, leaning his lips upon the roots in thought. He chucked, surrendering to your charms, “Fine, fine. I’ll stand down." He checked his phone for the time, "Shall we go have our tea?” 

“Of course!” You hop down with Suo’s assistance. You didn’t fully believe he’d stand down, but that would be a problem for another lovely summer day.

𝐑𝐞𝐧 𝐊𝐚𝐣𝐢

“Ren~! Are you excited? I’m excited.” You practically leapt from foot to foot in the band lounge room. The walls were lined with posters, tour promos, and thumb-tacked notes from bands of years past. Photos of band members in that exact location were hung to immortalize the bands that made it big. You toyed with the corners of handwritten notes, more than overjoyed to read the words of encouragement from bassists and singers alike. 

“Mhm,” He leaned his head against the back of a couch, hands patting on his thighs as he mentally ran through the setlist as last minute practice. 

So far, it was just you and him in the room. Sugishita, Hiragi, and Kiryu all went to grab drinks before the show. Two years after graduation, the band was made. Never got too big – it was mostly a hobby after all. But tonight was a big night. With some pulling of strings and pleading Suo to smooth talk the venue manager, the band was able to play a night in a well known spot.  

“D’ya think it’ll be more underground?" You questioned, "Never been to this venue before even in my groupie years so I'm not sure of the crowd's vibe."

“Dunno. Heard it was popular because of the blacklights, mostly.” Kaji answered cooly, "Probably a lot of different people."

“Blacklights? Is that why everyone made these?” You pull at the collar of your shirt. Everyone from Bofurin met up on the old rooftop the night before and drew on black t-shirts with bleach and highlighters. You certainly didn't cry upon recieving the gift. Ofcourse not!

The only thing was that it got hot on stage and the last thing you wanted was to sweat through all the sweet words written by your friends, so you modified the cut. The sleeves were cut off (no writing was on them!) and you slit the side seams so it draped on you like a tank top. But then, a different thought popped into your head. Maybe that wasn't the only thing.

“Oh shit.” 

“Hm?” Kaji leaned forward with a tilt of his head, “What’s up?”

“I have a tattoo.” 

“Eh? You do?” His brows furrowed. Not from anger - he never gave a shit about tattoos. He even had a few neck pieces nowadays. He’d seen most of your body by this point and never noticed a single line of ink.

Pretty gray eyes narrowed as he investigated you, “C’mere. Lemme see.” He motioned you over and you happily obliged. You took the opportunity to straddle his lap. He pat your exposed skin, trying to find this hidden gem along the canvas he thought he memorized. 

“It’s here-“ You twisted, holding open the slit of the shirt to show your ribs. 

A crease lined the center of his brows, “Nothin’s there.” 

“It’s UV ink.... there's gotta be a light around here to show you.” From above the couch was a metal pull string to a blacklight. With a yoink, the amethyst light glowed. You heard the doorknob turn followed by Kiryu popping his head in.

“Ten minutes ‘till start-“

“Kiryu before you go again, flip that switch!” You motioned to the light switch next to the door. 

The pinkette gave you a mischievous grin, obliging, “No backstage funny business. Hiragi will have a heart attack on stage.” He shut the door with a wave, leaving you and your red cheeks illuminated by the blacklight. 

As soon as he did, Kaji’s eyes widened. In UV ink, you had a ribcage tattooed on with flowers peeking through the bone. His thumb grazed the skin, eyes wide in awe. 

“That’s hot.” He mumbled. Strong, calloused fingers pressed into your flesh and pulled to see more. You enjoyed the attention, almost cursing at Kiryu for the time announcement, “Have you always had this?”

“Mhm! I got it when I was a teen. Too scared to get in trouble, though, so figured hiding it with invisible ink would work perfectly.” You looked off to the side, “All in one session. Don’t recommend.” 

“That why you could barely move that one month?” 

“Please don’t bring that up again, I was embarrassed enough when Taiga accidentally five-starred it and I cried on the roof. Shit hurt during healing!”  You shared a laugh from the past shenanigans.

Kaji took the sucker out from his mouth and pulled you in for a kiss. The remnants of his lolipop lingered between you and him.  He snorted at your pout when he pulled away.  Free hand cupped your cheek. The corner of his mouth turned up as he asked, “Let’s get a light for the bedroom.” 

𝐇𝐚𝐣𝐢𝐦𝐞 𝐔𝐦𝐞𝐦𝐢𝐲𝐚

You took a deep breath in. Your fingers wrapped around the hand loop. With a tug you make sure it’s firm in its place along the pole. Tsubaki had convinced you to join her at the club for some extra cash some time ago. At first you weren’t sure if you were cut out for it. You could do exotic style, but flow and contemporary were where you felt free. You were assured it wasn’t a problem. “Diversifying style is what keeps people coming!” is what she said. 

You also had tattoos. Your body was etched with botanical sketches of ferns, ivy and strawberry leaves that wrapped around your form. From your ankles to your shoulders and wrists. This was not a problem for the club, either. With the mix of your aesthetic and your style of dance, you were known as a faery at the club. This led you to develop a regular audience who enjoyed such stylings. 

You breathe out. The one person who hasn’t seen you yet was Hajime. Guilt saturated your chest. He’d ask when you were performing, and you would say during his patrol time.  You knew he wouldn’t judge you. And yet the thought of him watching you was nerve wracking. What if he didn’t like your art? Both your tattoos and your dance were integral to you. What would happen if he didn’t think you were good enough? No. No thinking of that now. 

The music began. You stepped forward once before lifting into the wind. The sheer fabric of your skirt trailed behind you as you take the pole in your hands. Transitioning from flag stance to a windmill, your leg hooked the pole firmly and propelled you around once more. The final piece of your short performance was to elongate and stretch your body, hand reaching for the crowd as you bend just slightly back. A single leaf curling out from a stem.

Your eyes opened upon the applause of patrons. Scanning the crowd, you froze upon seeing him. Umemiya was clapping, pride and awe reflected in the depth of his eyes. Your chest tightened. 

A soft landing and a bow later, you were on your way to the dressing room. Your hands pressed into your cheeks to comfort the bite of embarrassment. Your mind ran with words to explain your avoidance. You asked the world for a moment to think, and the world said absolutely not. Hot hands grab yours without mind to the sweat on your palms. 

“Your dance was beautiful! You are beautiful!” His voice filled the hallway and drained your head of rumination. “Just like that one painting – ” Hajime pulled the backs of your fingers to his lips as he thought. He was a beauty with his nose scrunched with concentration.  “When you reached out..... Creation of Adam!” Something hitched in your throat, eyes wide and mouth agape. Umemiya’s words continued to cascade over you, “Your tattoos made me think of the one with the lady on the swing, too – because of all the flowers.” 

“The Swing?” You ask, too dumbfounded to even contemplate your prior pity party. You felt your insides warm up from such high praise. “Do... do you like art, Hajime?” 

“I like you,” Umemiya’s gaze entrapped you in their intensity, “I never really got into it before, but I saw that you had a lot of paintings and books about the arts and dance so I did some lookin’ up about it.” He laughed, “I like the ones with gardens in ‘em.” He thumbed at a sprawling ivy vine curling at your wrist. Adoration bloomed with his words. 

Your lip trembles and you shove your face into him to cover up the sniffles. A gentle kiss planted onto your temple, “Sorry if I upset you coming here. Tsubaki said she was dancing tonight so I came with some of the guys for a drink.”

“Figured she did this,” You muttered into his shirt, “I should be the one whose sorry. I should’ve been upfront. I was just-“

“I get scared, too. Don’t even worry about it. I would’ve waited for you to be ready,” The warmth of his voice soothed your lingering nerves. His chest jerked with a huff, “Tsubaki was just scheming.”

“Glad she did.” 

[onyourhyuck]

MILANO LOVE. | J.JH

— Prologue: “I always like the taste of you better than Milano.”

— Summary: Where your husband Jaehyun took you to Italy for your ten year anniversary.

— Genre: Husband!jaehyun. Smut smut smut minors dni. Breeding Kink Jaehyun. Unprotected Sex (use protection pls.) Food play(?) Y/n makes Jaehyun eat whipcream and cherries off her tits and stomach…Mention of your children together. Throat grabbing / choking (gentle). They literally fuck on a luxurious bed in a hotel…. Literally married couple goals fr.

— Notes: I love Husband Jaehyun in Milano concept.

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You and Jaehyun have been married for a while now. You lost count but it’s something around the 5th year mark being together.

Jaehyun and You have two children together. One child is three and the other one is two. They were always occupied with your attentions that Jaehyun often feels like you and him haven’t had a time for yourselves. So when your fifth anniversary came up he booked a spontaneous trip to Italy.

You found it incredibly exciting because it’s been a long time since you and Jaehyun could be alone like this romantically involved that is. Children really have a way with stealing all your energy and wanting you to themselves. But now it’s all about you and Jaehyun; which actually leaves your stomach fluttering. Your husband always has the ability to make you feel like you’re back in your high school adolescent years where you are a young school girl who made eye contact with their crush who never spoke to them before.

It felt like that with Jaehyun.

You want to make this special. You want to show him that you’re missing him not only presence wise but also body wise. Your body very much lost contact with him over the five years raising two boys together and you can’t help but wonder: ‘How long has it been since Jaehyun and I had sex?’ And you’d have to reply with a lot longer than you wanted it to be. It’s not like he leaves you disappointed. In fact Jaehyun never left you disappointed. He always leaves you wanting more.

You’re determined to make your husband feel pampered as well as slightly more on his knees because you can’t help but want to get laid. You might as well considering your children aren’t here and it’s a romantic trip to Italy. It’s a romance country. It’s the perfect setting.

You were alone in your bedroom and Jaehyun wasn’t in the hotel room currently as he had a few questions to ask down at the reception. You took the moment of opportunity given to you to stop your clothes and get inside the hand-white robe the lavish hotel room gives the guests. You have to admit the hotel was very expensive looking. Jaehyun managed to book a super star hotel for the both of you and you couldn’t help but feel like your husband really went all in with this trip. He really wants to make this special for you too. You could tell from his actions.

Before In the early morning the few butlers came to hand you a tray of your breakfast which you and Jaehyun haven’t quite eaten. You saw the strawberries, cherries, grapes and many more fruits in the bowl on the bed as you lay down. There was little desert options such as cakes and everything. Pancakes were on there. Italy loves their bread which was also on the pale provided. Many dishes were there for you and Jaehyun to eat when he returns.

The hotel door opens revealing Jaehyun to walk in. He had a little leaf left for the things you guys can do while on this trip. There was sight seeings with a boat tour around Italy. There was many museums you guys can see and definitely large enough selection to visit the most famous art gallery. He will not be missing out on the museum and art gallery sections that’s for sure.

“Honey i found things we can do today—“ Jaehyun’s voice stops when he starts walking the hotel room trying to search for you. The sight of your body on the bed slanted with the white bathrobe slightly off. He could see your cleavage, your thighs and legs he loves the sight of. But over the years he nearly forgot how perfect they look.

He feels a slight warm flush on his cheeks happen. He can’t help but blush. You were never this assertive with him before and he was not expecting you to be half naked in front of him. You were pretending to be eating like the sly minx you are; the whip cream fell between your cleavage and chest. Jaehyun can’t help but gulp. Why was he so nervous? He told himself to not seem so freaked out. This should be a normal situation for him — well technically it can’t be. It’s been so long since Jaehyun had a taste of you.

But you’re urging him on purpose. You’re doing this with an intent and he knows you are because you’re watching him so playfully like this was nothing out of the ordinary for you.

“Oh you’re back? What did you find?” You try to say as you bite the strawberry watching him from where you’re laying on the bed. You love seeing Jaehyun become shy.

Jaehyun’s ears became so red. You knew he was shy when his ears were bright red. It’s the first thing about him that’s gets completely flustered and it always gets him caught.

He clears his voice coming forward. He tried to remain composed. “What’s this you’re doing here?”

You were so sheepish. You were like the wolf in sheep’s clothing and he wasn’t sure how to handle this sight of you without completing losing his mind and going into this feral state. You roll the rest of the bathrobe off revealing now your back and a glimpse of your beautiful round shaped ass. He can’t help but flinch at the sight of you becoming naked. He really doesn’t know how he was able to stay calm at the same time not really you could tell he was having a war on the inside a little.

The only thing Jaehyun knows is that now he’s rock hard because of you and you’re about to fix that for him. He can’t go boat seeing with that happening in his pants.

“Oh nothing.” You shrug responding finally as you eat the Cherry out from the seed. Jaehyun’s dark gaze eyes following you silhouette on the bed and he moves on his own following you.

“It doesn’t look like a nothing. I think you’re seducing me here Y/n.”

He leans down to you closer with his face deeply speaking and you can tell he was finally catching onto you. You really want him to catch you. To fuck you. You can’t help but miss him incredibly much even though he was right in front of you and you’re watching him. It was hard to explain. Your body misses him for so many different ways.

“Okay maybe I am, what are you going to do about it?” You remark back to your husband who only gave you a single look before he lung forward to kiss you without sparing few words to you. He can’t help but in the kids feel ten times more lighter than before but the thing down below only throbs more with the way you kiss him back with so much desperation. Maybe the years you couldn’t do something like this made this situation even more thrilling and wonderful between you guys.

All the pent up frustration is about to be unleashed.

Your bodies aren’t strangers but the way they lapped round each other like a candle burning on flame creates the tension to rise and your bodies grew lighter and lighter almost like a cloud ascending on the sky. Even though your bodies are anything but strangers you feel like this was something you’re doing for the first time with him. It was a weird experience but something you love very much. Because it was Jaehyun doing this to you. Touching you with his graceful hands behind your back rubbing down the spine with the edge of the simple light fingertip touch enough to have you drawing moans across Jaehyun’s mouth.

As he kissed his wife with so much passionate he felt like he could make her ignite and burn happily with him. Their feelings were a catalyst to such a deep powerful makeout sharing between the lips. He feels like he could grow old with you, and he will. It was one of his deepest of wishes to grow old with you.

He is kissing you like he has no other purpose to live for other than you. Like you’re the only thing he needs to live for and with the craziness between your grinding bodies your husband pulls away ever so slightly going down your breasts that were covered with whipcream. He licks them clean, sucking on your skin loving the taste of how sweet your skin mixing in with the soft white whipcream contrasting your skin very well. He moans when your body suddenly moves reaching to grab the Cherry bowl and smirk putting on a cherry on one of your breasts.

He looks up at you sheepishly smirking as he knew you were only teasing him some more. It was a dangerous game to see Jung Jaehyun. “You taste so sweet.” He quotes lightly as he reaches down to bite the Cherry on your breast and you watch him eat it. Your smirk was the satisfaction of watching your husband do this. “Oh? Me or the Cherry.” You let out a soft laugh.

The man down below swallowing the cherry but leaving the seed out pushing it into the bowl on the side he soon meets your eyes and leans closer staring at your lips. “You.” He didn’t hesitate to say something before kissing your lips losing himself a little more into the kiss everytime he does this. You heard him speak between the kiss. “I always like the taste of you better than Milano.”

The time you and Jaehyun have a good time to be together spend the rest of the day whatever you guys want to do together. It’s something you both needed to unwind and relax. You don’t have to worry about your two boys you have together. They are the biggest pranksters. Those boys surely take after their father and you can’t help but think now you have three Jaehyun’s to take care of instead of one but you can’t complain because you love them. All three of them you love. You wouldn’t mind Jaehyun indulge a little more because you must be aware of how much he was enjoying the way he’s kissing you like this it’s been so long. He couldn’t even imagine how he survived not being able to kiss you in front of your sons together. He must’ve neglected you a little but now he will make it up to you.

Your hands were so eager that Jaehyun’s clothes disappeared in less than a minute. He couldn’t help but feel like he was not the only one so eager and desperate. You were beyond desperation now. He has you laid down as he was hovering above you. Your gazes never leave each other’s faces and you found yourself falling so much deeper for Jaehyun’s dark amber and brown eyes reflecting Milano’s light outside. The hotel was very expensive. The bed was huge and it can hold another four people in there. Your bodies have plenty of space but that wasn’t on your mind the both of you were so deeply influenced by your own pleasure and thoughts.

The moment came that you were both so eager. Jaehyun’s hard length was already thick but maybe you thought he got thicker. You don’t remember him being this thick and your eyes flush out when he sling himself inside you very slowly and carefully. You weren’t sure why this feeling was so intense for you. Maybe because It’s been such a long time, you weren’t used to Jaehyun’s size anymore, and somehow you found yourself slipping out many moans already for him. Jaehyun instantly goes down on you to kiss your cheek to comfort you. You were struggling to take him in for a minute or two but soon you calm down and you found yourself liking the way this was handled. He was always making sure you were comfortable. You found yourself getting pampered by Jaehyun’s soft and small kisses that were shortly placed around your face and cheeks.

“Shhh… it’s okay baby it will be okay in a few seconds.” Jaehyun rubs your cheeks with his thumb on the sides.

Your husband’s lips we’re probably more soft than clouds itself. They were very soft and you found them to be the perfect way to pamper and calm you down because you didn’t know anything more soft than Jaehyun’s amazing lips that leave you feeling so much more happier than before.

He would never leave you in pain, Jaehyun wouldn’t be able to live with himself if he hurt you in any shape or form.

In a way his entire presence was a drug that makes you happy. You don’t know the reason or the explanation as to why he makes you so happy but he just does. The things that make you happy in unexpected ways don’t need an explanation anyways; as long as they make you happy then you should enjoy it without needing answers.

You were always the type of suspicious person who wants answers to everything you have questioned in your head. But Jaehyun made you live in the moment and not to ask too many questions that need an answer because sometimes you don’t need it. When you started dating Jaehyun for the first time he taught you many things.

He taught you patience and he taught you how to enjoy life a little more. You did many things together that you can remember from the clip of your fingers if you had to. He really shaped your life and made it his own life too. And now you guys cannot live without one another.

Jaehyun took a glimpse of some whip cream on your beautiful flat stomach and he couldn’t help but smirk. He softly moved now and the length inside him feels rough round the edges but it certainly made you feel a sort of pleasuring way because you now feel an electric pulse running through your body as you gasp at the whole new sensation.

He leans down as he was rocking against you slowly and leisurely while he licks your stomach with his tongue round your navel. You gasp clenching your pillow that’s supporting underneath your bed. “Oh god… Jae…!”

You weren’t even sure what’s gotten into your husband but he started to make his own way with his long tongue down your breasts sucking on your nipples that are full of the soft sweeten cream. You never knew your husband could gently nibble on your skin too, especially your sensitive nipples, it leaves you arching your back.

Your moans were a reflection to your teasing. Maybe you shouldn’t of teased your husband so much because now he’s having his way with you and you can’t help but think Jaehyun’s paying you back for your silly actions. The cream was everywhere on your naked delicious body. He ends up addicted to it. To you. To the cream on your body. He loves licking you in places that leave you ticklish as well as an overwhelming stimulation your body going into an overload.

Jaehyun wraps an arm round your waist and switches the position around. He was now slanting on the long headboard with his back pressing against it and you having to straddling his lap as your hips push backwards and forward on his long length inside you making a home between your soft and equitable walls.

You let out a soft groan when Jaehyun grabs your waist squeezing it a little when he saw your dazed expression.

The hips clench round the muscular hands on your left and right hips as he held them down each thrust coming down like a meteor. The pleasure was so sweet and lingering it felt like a bright red fiery fire burning through your body down your chest and to the rest of your limbs. Your stomach was rubbing against the large length standing up inside your walls that close and close to the edge. You can’t believe it but you’re riding your husband as he was looking at you with a dark eye. You love how intense Jaehyun’s stare was and the way his breathing was heavy when he comes closer to softly kiss on your skin on your shoulder.

Sometimes he rubs the pressing lips on your dainty collarbones which drives you insane wherever his lips travel to.

Your head flew backwards a little when your thrusts only gotten more rough and harder to contain when moving even more frequently. Your bodies were getting to reconnect after so long you feel like it’s been decades. It was an exaggeration at the same time it made perfect sense to say that. When your head flung Jaehyun could only see your perfectly soft and beautiful neck of yours. Your veins were gently pinning on the edge and he loves seeing your neck clench because of the pleasure.

Jaehyun puts his palm on your throat and gently pulls you closer to look at him so he could capture your mouth into a heavenly passionate kiss. You moan into it as Jaehyun’s hands gently squeeze your neck as he suddenly starts fucking into you while he held you so tightly. He was squeezing you into the embrace as your skin and skin touching make so many noises brushing against to each other.

Your voice was hushed as he was squeezing your throat and so was your moans because your hotel room was now filled with your own bodies slapping on each other as well as the squelching walls of your wetness drowning Jaehyun’s cock deep inside you. You could tell he was trying so hard to make you orgasm and the wish came true.

You orgasm so much you lost count. Jaehyun certainly wasn’t going to stop there, it was Jaehyun after all. He never leaves you alone until you have three orgasms and until he can fill you up again and again until you are nothing but stuffed for the rest of the day.

He growls as his face was close to your ears he was very close and you could tell he was holding back because of his needless urge to have this contact with you become more longer. He didn’t want this to end. Jaehyun cannot get enough of you, your moans and the way your walls feel around his throbbing cock threatening to spill any minute now.

You choke out your sobbing moans. The pleasure was so great that it starts to form tears in your eyes. “O-oh god Jae…! It feels so good… don’t stop…” and Jaehyun never felt more to oblige to your demands. He whispers to your skin as if he was chanting a spell on you. “Mmm Y/n you’re so fucking beautiful when you’re like this… god I can’t get enough of you. You’d let me indulge a little more right?” He was asking you but at the same time you knew he would do that anyways.

Your mouth only slips out soft quiet noises and words such as ‘yes, yes you may’ or another ‘pleas’ to your husband. He knew you were completely out of it. You weren’t listening to yourself. You were only playing attention to the bodies speaking truth to each other as he was pleasuring you so much you feel your stomach become warm and churning at each sensation he crafts on you. As if you were like his pretty doll.

You could only nod mindlessly letting your husband take control and do whatever he wants to do. Whatever his heart desires, you desire it too.

“I’m going to fill you up. My pretty wife deserves to be full of my cum don’t you think? You want that? You want me to fill you up nice and full before we go on the sight seeing boat tour?”

You couldn’t help but widen your eyes at the idea. You being full of his load when you’re in public doing a boat tour with other tourists on holidays? You can’t help but think it was such a perfect idea your husband had planted in your mind. You really want him to plant his seed now inside you.

All those possibilities that will cost you both. You know the chances are if he does do this and you couldn’t care any more about it. You love him so much that you grew pretty addicted to having your pussy full of him.

“Please… oh god… you do realise what the chances are if you do this right?” You whine at the idea and Jaehyun smirks looking at your face when he leans closer.

“Of course I do, why do you think I really want to do it?” Jaehyun chuckles deeply as he kisses your lips. Your eyes only fallen more and more in love with him. Jaehyun’s doing this because he wants another child and you can’t help but think, another child? You already have two sons.

But having another child inside you. Jaehyun’s child more specifically. It warms your heart and makes butterflies in your stomach become reborn.

“I really want to fuck another baby inside your perfect body…” Jaehyun seethes between his teeth harshly pulling from the kiss. “God… and you’d let me because you love me treating you like you’re nothing but my own cum bucket.”

He’s so right. You will let him have his way even if he doesn’t you let him eventually. You’re weak against him.

You whine when Jaehyun’s hands suddenly fall on your stomach touching it at the centre. He looks down at it observing how perfectly small and flat it was compared to the time he remembered you being pregnant with the boys. It feels like yesterday you were pregnant giving birth to your second son with him. It’s been only two years now and he can’t get enough of the idea having you pregnant walking around the house.

“Such a pretty stomach you have. You’d look so fucking amazing when you’re pregnant Y/n… oh god… something must be wrong with me. I really like seeing you pregnant.”

He loves seeing your stomach growing. He loves the excitement the pregnancy brings. You’re genuinely the happiest when you’re pregnant too. You never feel any less when you are. You’re glowing too. The pregnancy glow really makes you shine. The initial reaction to the gender reveals too. He can’t help it but share this part of like with you and you always wanted a big family. So did he.

But Jaehyun wouldn’t of expected himself to want to breed you so much and not get tired of it. He didn’t know he would have such a thing to start breeding you until he met you.

“Oh my god Jae…” You widen at his words. You weren’t expecting him to fully lose his mind at the idea. You knew he liked having children but you weren’t expecting him to get turned on seeing you look pregnant too.

Somehow you feel a sense of proudness when he tells you this. Not many people feel like they look the best when they are pregnant but Jaehyun never lets you have a day of rest until he compliments you enough.

“You really want to impregnate me.” You let out softly with a groan as his length was digging inside your walls deeply with each clenching reaction you have his tip pushing deep down in your stomach. You could feel him nearing your guts even. It was amazing how deep Jaehyun can really go in to your body and explore every edge.

“Mhm… so much… more than anything I ever wanted…” Your husband says.

Jaehyun groans. “I want to put a baby in you Y/n. Tell me you want me to? Tell me you want a baby just as much as me. Come on.” He said wanting you to tell him how much you want the idea.

He’s begging you to speak your mind loosely and freely and now he speeds up his thrusts. He starts to pound until his cock will loose all of its energy in the movement. You can’t help but rock against him and your body leaning on his chest as he was rutting in you like there wasn’t any singular purpose on his mind but to fill you up full of his load until you’re oozing out of him. Until he can see your pussy leaking.

You can’t help but do exactly as he tells you to. You obey him even though he was ruthlessly trying to breed you with his pelvis rutting on your hips and his hands pushing you down so you don’t slip out neither of his movement were planning to give you a break and a pause: you were getting bred and you loved every minute of it. Every movement he creates makes a longevity difference of your highs coming to an end.

You’re both chasing it. The same idea. The same dream.

Your voice comes out broken but it didn’t matter because Jaehyun can make out most of it. It was getting harder to speak out when he was ramming inside your walls harder. The fine tip of his thick girth-y cock pushes at the entrance of your womb ready to spillage. “Please! Please I really want it… I want a baby… please Jaehyun give it to me… give me a baby… i only want your babies… all of them.”

And you did. You really want all of them no matter how many he wants you’ll be a kind wife and let him have so many even if it was too much. Jaehyun really didn’t deserve you however. He feels like you’re such a good wife you let him get away with everything. But he pampers you in return for making his dream come true.

The dream of having a big family was all thanks to you. Jaehyun can rest in peace knowing he can have that all because of your kindness.

Jaehyun makes a pausing groan for a second as he feels his cock twitch releasing his liquid inside your warm walls. He can feel your walls become soft and loose because of how warm his liquid overtakes your body. You can feel the stuffiness of his cock sliding out once he orgasmed and you feel the same fullness of him inside you even though he was no longer inside your walls. You whine at the feeling it was so addicting your remember this feeling so well.

You let out a tired soft smile as you watch him slowly push you on the side of the bed laying you down to rest as he sat up slightly breathing heavily.

You chuckle. “So the boat tour, You think we have time to make it?” Jaehyun smirks looking at the time. You both have relatively ten minutes to make it to the front lobby.

“We can if we hurry. Can you walk love or do you want me to carry you?” Jaehyun playfully retorts as he leans closer capturing a soft kiss on your head.

You show him a joking glare at him and a small pout. “I can walk just fine.” He saw you getting up wobbling — in fact you cannot walk just fine.

“Mhm… I can see that.” Jaehyun chuckled a little as he wraps his arms around your waist from behind. You were picking out your clothes quickly and he takes a whiff of your hair it smells so sweet. “Y/n… thank you for making this Milano trip special.”

You chuckle finding his sudden words of gratitude to be very wholesome but shocking because it was so sudden and out of nowhere. “Baby it’s nothing to thank me for. I wanted us to have fun too. Let’s have more fun at the sight seeing alright?” You kiss his cheek and Jaehyun swore he could melt right there.

You’re so understanding. He wasn’t sure how he found someone as perfect for him as you are.

He’s so glad you’re the one he’s spending Milano Love with.

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@onyourhyuck please refer from translating and copyrighting my work thank you! Reblog this fic and follow my blog for more fics on my pinned it helps a girl out. <3

[ghostchems]

infernal - terzo x f!reader - part five

art by the incredibly talented @piaart!

author’s note: finally have this finished but man is it hard to be satisfied. i keep wanting to work on it and work on it but i also really wanted to get this out! also don't even know if this is good teehee. lots of awkward here. 4.9k words. part one/two/three/four. ao3 linky.

The date is going surprisingly well. You chose an Italian spot (ha!) and have had your fill of lobster ravioli and Cabernet Sauvignon all while you learned more about Dylan since he graduated high school. Went to a state school in the middle of bumblefuck, drank and drank some more, got overly into the college culture (emphasis on cult) and tipped a few cows in his time. It aligns perfectly with the slivers of information Catherine gave you through the years, though he’s mentioned nothing of the steady college girlfriend he supposedly had. Interesting. You laugh at his dumb jokes. You’re smiley. But it does feel like an act that’s partially fueled by alcohol and having someone’s attention on you.

He’s still talking but you’re admiring his small, button nose, how his brunette locks shape his face and his bright smile. You can’t help but think his face is a little too smooth, though. Has this boy been through anything meaningful? Has he suffered at all in his shiny little life? Your mind drifts back to Terzo’s rough hands and how they felt on you earlier that day. He forced you to your knees and it was clear that it wasn’t the first time he’s done so. You can still taste him on your tongue.

“You haven’t told me about your job! Aren’t you like an assistant?” Dylan snaps you out of it and you offer a shy smile.

“Yeah! I had to get out of that call center, man. It was like draining my life force. Not that this isn’t difficult but it’s nice to not be yelled at by some rando on the phone for hours a day.” You toy with your glass of wine.

“So, like what do you assist in? Is it just you?”

Huh. You’ve never really explained exactly what you do to anyone. Not even Catherine or Erica — you only really focused on Him. That won’t go over too well in this situation, will it?

“It’s just me and it’s mainly house maintenance right now. My boss’ place was a disaster when I started.” Perhaps the most watered down description of your job.

“So you’re like… you’ve cleaned it up?” There’s judgment in his voice that’s immediately sobering. He stares at you blankly.

“I guess I meant more like projects. The last big one was fixing up his yard. I had to manage the budget and scheduling of the landscapers and stuff.” Your voice is flat.

“Oh, okay gotcha.” Dylan nods and he is back to smiling. You’re seething on the inside. Was your answer acceptable to him? “What’s your boss like? Is he a guy?”

What the.

“Yeah, he’s a guy. He’s a little weird. Definitely eccentric. I’ve tried not to pry too much into his personal life, you know. Boundaries and all that, but when I first started he had me sort out some of his things and it looked like he used to be the lead singer in a band.” Another oddly phrased question. At least now you’ve been prompted to bring up the man you haven’t been able to stop thinking about.

“Oh, shit! That sounds awesome! What band?”

Oh, do you hesitate. A long silence stretches between you two.

“I’m… I’m not sure I should say. I don’t want to blow up his spot or anything.” You’re sheepish suddenly and Dylan notices.

“Aw, come on. Who am I gonna tell?” A good question. You drum your fingers on the table, thinking about how you’ve never really told anyone who your boss actually is.

“Catherine will tell me if she finds out.” A warning, last one until the big reveal. Dylan nods enthusiastically, some of his hairs falling into his forehead. For a split second you think that maybe if you were younger with much less life experience perhaps he would be perfect for you. But you know too much and you know that he wouldn’t be able to give you what you want. “It was Ghost.”

“Oh.” He makes a face and leans back in his chair.

“Oh? Sorry, is that not impressive enough?”

“No, no. It’s still cool. They’re just… I don’t know.”

Do you continue this conversation? Do you care what he thinks? You don’t…but your curiosity gets the better of you.

“What is it, Dylan? Are they lame? I’ve tried to… you know, not dig too deep into it because I feel like that would affect my professionalism.” That and you didn’t want to completely pry into the man’s life.

“Oh, I get that. Uhhh, I mean they’re not REALLY metal. They say they’re metal but they’re not so it’s just a little weird.” He shrugs and crosses his arms. You knit your brows together because you have absolutely no idea what he’s talking about.

“Right. Okay.”

“Yeah, I mean, they are basically like pop. Not metal, not at all.” He sounds so impassioned and you nod along but it feels inappropriate. Why is he so pressed? It turns you off even more and you do everything in your power to get this date wrapped up. You are done drinking and you’re too full for dessert. Responses shorten and eventually you’re out front on the sidewalk waiting for an Uber. Dylan has insisted on waiting with you and hovers just a bit too closely by your side. He seems a little oblivious to how this date has gone, bless his heart.

“Well, this is me.” Awkward, so awkward. You move to get into the car but Dylan stops you by your arm and leans in for a kiss. It’s truly over before it starts, a quick peck before he pulls away with a smirk. You are dying on the inside.

“We’ll hang out again soon, yeah?”

“Sure. Yes.” You lie and hurry into the Uber, wanting nothing more than this wretched day to finally end.

Terzo blinks awake. The cool air of the night pricks his cheeks. Leaves crunch beneath his soggy socks. He coughs, blood spilling from his mouth and splattering on his thick chest hair. A robe hangs loosely from his shoulders. Terzo’s eyes drift down to his hand to see he’s wearing his black gloves with sharp, golden nails. He squints and there’s something black stuck to one of the points. Gaze drifts to where he is. His driveway. A breeze rolls by that sends shivers down his spine as his eyes focus on your car.

He’s slashed one of your tires.

Terzo cackles wildly upon this realization. This is new even for him and his weird, otherworldly tendencies. Could be straight up mental illness. He takes a few lumbering steps forward before crouching to eye the tire, surveying the damage. Completely shredded with the rim touching the ground. There’s a familiar buzzing in his skull, a buzz that he used to get while performing. How far he had fallen. Still, he’s delighted with himself. A fitting punishment for the way you crushed him earlier. What hubris you had for leaving your car on his property. Rage shoots through him for a quick moment, the thought of you spending the night with your date crossing his mind. Would this boy drop you off in the morning? He could plan for that.

In his fits of unsatisfying sleep, ideas for being cruel sprang to his mind. He’s settled on ignoring you for most of tomorrow, to have you toil away waiting for any kind of attention but to no avail. Terzo would be watching you the whole day, of course, hidden away in dark corners and peering down from atop the grand staircase. He has always been the best at sneaking around undetected out of all of his brothers, having avoided so many moments where his father could have reamed him out due to this expertise. Primo and Secondo weren’t so lucky.

Sharp pang in his chest from thinking about them.

No, no. He must focus on you. He pushes the thoughts back to the void. You’ll be trapped here at the end of your workday because of this, wouldn’t you? That’s when he’ll reveal himself. He’ll torture you. Tease the information of your date out of you.

How well could it have gone when you are so devoted to him?

The house is cold without him, a shiver running down your spine every time you found yourself in a dark corridor. You try to keep your thoughts to a minimum and are somewhat thankful that the contractor was able to come today. He’s a quiet man but seems to enjoy your cheerfulness which breathes life into an otherwise miserable day. Between directions and answering questions, you would wander the first floor and hover by the stairs, listening for any signs of life only to hear silence. The last time you saw him flits through your mind — the pressure of the hand on your neck that forced you to the ground seconds after he angrily spat in your face seconds after he kissed you. What the hell. You should be furious at him for treating you that way, for leaping over the carefully placed boundaries the two of you have been dancing around for weeks.

But instead you sigh dreamily. You burn for him. Cheeks grow hot just from thinking about his rough hands on you. You hope he’s okay. And you’re sure he is, he’s a big boy.

The fact that you’re more worried about his feelings than you are about potentially losing your job over this is not lost on you. You’ve lived in constant fear of getting fired over the smallest mistakes since the start of this job but you are oddly calm about this situation. This feels like a natural progression. There was going to be a time where you had to confront this strange connection and you would rather it happen sooner rather than later with the way things have been going. As painful as it would be (emotionally AND financially) to say goodbye to him maybe it would be best for it be sooner rather than later.

The day goes by at a painfully slow pace with no sign of him. Anxiety builds and builds as you watch your clock tick down on your phone. You’ve taken to painstakingly wiping down every single mirror on the first floor (there is an absurd amount of them) because it takes up time and gives you something to focus one. After a while interacting with the contractor becomes painful for you, too heightened to be able to function in a normal social setting. You send him home early with a smile, being Friday and all, and you continue carrying out your mirror mission. This takes you to around 4:30 at which point you say “fuck it” and decide it’s time for bed! What is the point of even being here anymore when you could be under your comforter with a pint of chocolate chip ice cream as you ponder your existence?

It was an easy decision.

You meander out the front door, making sure not to slam it shut but have it at least be somewhat loud to announce your exit. Yes, you are stooping that low. A quick wave of relief washes over you because you made it. The day is over and while the issue looms you are at least out of his domain. Car keys jingle in your pocket. You make quick work of the walk from the porch to your car until the state of your tire stops you in your tracks.

“Oh my god!” You’re in disbelief. It’s like an animal chewed through the rubber. Your rim is on the ground. Tears start to well up in your eyes. This is it. This is the thing that’s pushed you over the edge today. A frustrated screech bubbles up your chest.

“Come back inside.”

You freeze as soon as you hear his voice. Spinning on heel, you turn to face him. He’s standing with his arms crossed, leaning against a column on the porch. His dress shirt is the darkest black you’ve ever seen, partially unbuttoned to show off thick chest hair and cut slacks show off his strong thighs. Did he get dressed up for you? His paint is crisp and hair is slicked back neatly. Fuck, he looks good*.*

“I can get an Uber?” A question as if you’re asking him permission, taking a few tentative steps towards him.

“Hmmm. No. I’ll call you a driver.” A rough response but you can’t help but feel warmth blossom in the pit of your stomach. “Get back inside.” Terzo growls, his gaze stern and pointed. He leaves you alone in his front yard. You feel silly by how hard your heart hammers in your chest but this is what you’ve been wanting all day. A moment passes by and you work up your courage to go inside and take your punishment. Thoughts of your shredded tire fade.

You walk inside the foyer and follow the sound of clinking glasses, finding him at the bar in the den. Terzo’s gaze falls to you then he directs you to the couch with his eyes. You silently follow the order and sit on one of the couch cushions furthest away from him. There’s a lump in your throat, fidgeting with your hands as you wait for him to join you. Eventually he turns around to face you with two drinks in his hand, one a red martini with a lime green umbrella and the other a pint full of something gross looking - not beer but still brown? His face is blank and you try to match his energy but it’s hard to keep your blush at bay. You reach out to take the martini from him but he pulls it back out of your grasp and instead presses the pint into your hand. The smell fills your nostrils: whiskey. Yuck. He runs a hand through his hair as he takes a seat on the other side of the couch, allowing for plenty of space between you two.

“You’ve called the driver already, right?”

“Yes.” He rolls his eyes but you’re still not sure you believe him.

Terzo’s arm stretches across the back of the couch, gloves just brushing your shoulder. Your grip on your whiskey tightens. This isn’t his usual charming aloofness, there’s something cold and cruel bubbling beneath the surface. Still, you want nothing more than to speak to him, even if he’s obviously pissed at you. He lifts his other hand up to his face, admiring the sharp golden nails adorned to his leather gloves. Eyes slowly drag from them to settle on you, gaze so piercing and yet uninterested in you.

“So, you had him pick you up here, si?”

“Yeah, but—“

“Drink.” He points at your glass and narrows his eyes. Not playing around. You do as he says and take a sip. “Keep drinking.” Lip twitches in a faint show of satisfaction as you bring the glass up back to your lips and take a deep gulp. There’s delight in his eyes and you’re more than happy to play the game just to see more of it. Your eyes twitch and you cough once you set the glass, the whiskey burns your throat.

“It was convenient for him.” Words are rough from the sting of alcohol.

“Ohh, was it now?” Terzo growls and digs his nails into the couch, tearing into the fabric. The sound gives you goosebumps. You open your mouth but he’s too quick. “Finish your drink.” He snaps, daggers for eyes that sends a chill down your spine. You swallow thickly and toy with your glass with the tips of your fingers before bringing it back up to your lips. Head tips back, the room swirls and you swallow down the rest of the liquid.

“Gross. Ugh.” Grimacing as you wipe your mouth with the back of your hand. “It’s less of a drive for him and I’m a pushover, okay?” You sigh, only partially joking. His eyes noticeably soften. You sink deeper into the cushion. “I said yes to this date because it was with my best friend’s older brother who I’ve known forever and I’ve always had a crush on him.” Terzo’s fingers shift from the couch to your shoulder, his nails just short of tearing through your shirt, his anger coming back up to a simmer just below the surface, but you continue on unafraid.

“I had to see what would happen. You have to understand… you build the thing up in your head as something perfect and special but then when you actually actually experience it…” You deflate and you eyes wander away from him, wanting to look anywhere else. “It’s never as good as you imagined it. Plus, he was a garbage kisser.” You immediately regret the words as soon as you say them. They hang heavy in the air and the air catches in your lungs. You feel him shift on the couch but you can’t bring yourself to look until his his hand curls around by back of your neck and forces you to look at him. Eyes sharp like knives.

“You let him kiss you.” A statement, not a question. Terzo makes you watch as he slinks closer to you. There’s like a current coming off of him right now that has you paralyzed even though you so badly want to protest. You whimper, words getting caught in your throat as he reaches for you. He grabs you by your waist with the tips of his claws poking against your skin, that delicious danger teasing you as always. “How did it compare?” Terzo trills, a charming smile with vicious edge. Hoo boy. Blood rushes to your cheeks.

“It didn’t compare at all.” You whisper as you try to sink as far into the couch as possible. Not because you don’t want to be close to him but you’re confused. Everything about this feels like a trap, like one wrong answer could set him alight but you’re not exactly fighting it. Instincts are telling you to run but you stay exactly where you are. Terzo’s hand drift up your sides, suggestively squeezing you in all the right places until he’s holding you by your shoulders. He’s smiling wider than before and there’s glee in his eyes — he’s pleased with you. A torrent of heat shoots through your core. He doesn’t say anything, merely taking in your reactions to his touches. His finger tips glide across your top, nearly clipping right through it until his hands settle around your throat. He squeezes just enough to make you gasp for air, then leans in to you, pressing his forehead against yours. You can feel his hot breath on your lips.

Tease.

“I could hurt you.” Terzo muses against your lips, lashes fluttering and eyes wide. There’s a slight tug at the corner of his mouth. Silence passes comfortably between the both of you as you take in each other’s breaths and warmth.

“I know. I’m… afraid of that. But it’s why I’m here.” You feel drunk, the words just tumbling out of you but you don’t care anymore. He is so close to kissing you that you can nearly taste him but instead he pulls away with a wry smile.

“Your glass is empty.” Terzo snickers and then jumps up in a way that can only be described as cat-like, snatching the glass from your hands. You’re left hot and bothered as he turns his back to you to saunter over to the bar. Alone with your thoughts while you watch him pour you another generous whiskey. Oh no. Oh no. You can still taste it on your tongue and it is not for you. But when he turns around with the warmth and charm you’ve been wanting all doubts are gone. You’re going to be messy tonight and that’s just that. When he turns back to face you he’s at least given you half of what he did the first time, walking slowly over to where you’re sitting on the couch.

He looms over you as your eyes drift up to meet his gaze and he audibly growls. You suck in a sharp breath, your nails digging into the soft flesh of your thighs. Terzo lifts a hand up and brushes his thumb along your jaw before tilting your chin up. He brings the glass to your lips and tips it back. You part your lips, the whiskey burning as it spills down your throat. He continues to pour until you can’t keep up with it and it leaks out of your mouth and down your cheeks. You gasp and he flings the glass down onto the side table as he crushes his mouth against yours, unable to keep away from you any longer.

And you certainly don’t care that he all but purrs into your mouth, soft lips moving against yours. He cups your face with his gloved hands, leather thumbs caressing your cheekbones as he slips onto the couch beside you without breaking the kiss. Fingers curl around his wrist and you press in close to him, losing yourself in how he tastes. His velvety tongue probes your mouth as the kiss grows in intensity. Deep pants try to keep your feet on the ground but you’re off in space, exhaustion and comfort mixing in a way that has you floating. Terzo pulls away from the kiss and you can hardly open your eyes. He gently guides your head to his chest, stroking his fingers through your hair.

“You never called me a driver did you?”

“Oh no. Never considered it.” Terzo squeezes you in his arms.

Oh, he’s so warm. A rumbling groan falls from your lips as his wraps his arms around you, just holding you there. Your limbs relax and you sink deeper into his chest as he starts to rubs up and down your back. In that moment you know you’re a goner. A deep, sleepy sigh falls from your lips and in a matter of minutes you are out cold.

Terzo almost feels guilty for being such an ass. Almost. He feels for you, he can relate to realizing that something isn’t all it was cracked out to be. At least for you it was a childhood crush and not being raised for one person. But still, he was a tad mean wasn’t he? It was necessary and the tension… the tension had been so delicious. Watching you squirm under his intense stare. And you just did what he said, unquestioningly, even when had you drink and drink and drink. Adrenaline is pumping through him and he struggles to contain himself— he must not go any further, despite how tempted he is. He could get away with it. You’re so soft, so pliable and so wanting. Terzo can feel the heat radiating off of you, no doubt from the alcohol and your closeness. He could slip his hand between your thighs and give you exactly what you want.

But it wouldn’t be fair to you. Terzo wants you coherent and focused when he takes you. Plus you’re adorably snuggled against him right now, your soft breaths against his chest. He’s longed for this and you did not disappoint. Wait a minute. Are you sleeping? He is about to fall apart, his arms wrapping so much tighter around you. The urge to keep you safe, to keep you here and never let you leave overcomes him*.* He squeezes your hand that is clutched to his chest and then gingerly picks it up and places it back in your lap.

“Sleepy?”

You lift your heavy head to look at him and good god do you want to be asleep right now. A tender smiles breaks out across his face as he swipes some of your hair from your eyes. A stark contrast from how close he had just been to strangling you.

“Take the guest room tonight, puffetta. I will bring you some clothes.” Terzo pulls himself to his feet. “Meet you up there.” He’s so soft, so different than how torturous he was of you earlier. You’re sure he’s heard what he’s wanted to hear from you but he’s unpredictable. Something you liked about him. There’s an unknown darkness that lies beneath his charm and good looks and it calls out to you. You’ve never felt this way about anyone. How could you ever get away now?

You blink and realize that you’re alone. You’ve been alone. Oh shit. Scrambling off of the couch, you trip over your own feet with the effects of the whiskey hitting you hard.

Ah, the guest room. A cramped space with antique furniture that could use some time and attention. The overall theme of the room is… dust. You’ve brought up having the dresser refinished or even repainted and replacing the peeling wallpaper but it’s low on the list of priorities. You push the door shut and give a soft sigh of relief. Shoes come off. A lamp on the bedside table barely illuminates the room and a folded pair of sweatpants and a t-shirt are waiting for you on the bed. Eyes scan over the remainder of the comforter and pillows, wondering if anyone had ever slept here. You can’t help the feeling that you’re being watched but maybe the fact that you’re about to wear your boss’ clothes isn’t meshing well with the practically decaying room.

“Whatever.” You huff to yourself and undress with the grace of a toddler, kicking your pants off and throwing your removed clothes into a pile on the ground. Sitting down on the bed, you pull up the sweatpants and they are loose as they settle around your waist. The shirt slips over your head and swallows up your upper body. Did he purposely give you his largest clothing to make you feel small? It is so cozy, though. You wrap your arms around your body and flop back onto the bed, sinking into the softness of the blankets. Comfortable heat spreads across your skin from buzz of the alcohol. Limbs go limp and your eyelids grow heavy, a deep sigh falling from your lips. Fading fast.

The piercing ring of the rotary phone cracks through the air and you jolt upright and wide awake. What the? You don’t remember seeing it when you came in and it’s not like it blends in — it’s bright red with intricate black etchings along the base and the handle of the receiver. Not a speck of dust on it. The phone rings again, somehow louder and more harmful to your ears than before. You blink and suddenly you’re standing directly in front of the dresser with one hand curled around the receiver. Heart is pounding in your chest and ears. Something is calling out to you. Answer it. Answer it. Answerit. answeritansweritansweritanswerit.

You pick up the phone to silence. Then chittering. The receiver is hot on your cheek. Something pricks your ear but you can’t pull away. There’s a squelch. A screech. More screaming. It only gets louder and louder, needles in your ears, pain shooting through your brain. You can’t breathe. You twirl the phone cord around your fingers and shuffle your bare feet against the cold floor, the only thing you’re able to get your body to do other than press the phone so hard against your head. The closer you listen to the screams the more familiar they get, growing in intensity, pain and volume. Burning, the receiver is burning now and yet you can’t move, you can’t get any relief. The phone cord is nearly completely tangled around your wrist and you’re sweating, gasping for breath, and crying without even realizing it. The screams finally subside, replaced by a cold, dead silence.

You hang up the phone.

Suddenly, an overwhelming wave of exhaustion washes over you and you collapse onto the bed. The world spins as you sink into the soft mattress, the dial tone still echoing in your ears.

[linkspooky]

Art credit: @/charscounterattack reposted with permission.

INVINCIBLE VS. MY HERO ACADEMIA: WHEN HEROES KILL

Whether or not heroes should kill people is a hotly debated topic in comics.

There are people who think heroes should never kill, and others who think heroes should kill more. One of the most famous comic book storylines "Under the Red Hood" has Red Hood / Jason Todd debate whether or not it was ethical for Bruce to keep letting the joker live even after the Joker killed Jaso, especially after the Joker killed Jason. If killing the Joker earlier to prevent all future deaths would have been justified. There are like a hundred DC Aus that are like "What if Batman and Superman just started killing people?"

In order to explore this question I'm going to explore two situations in different comics, Invincible and My Hero Academia when the hero, a very idealistic young hero kills someone for the first time.

LET HORI COOK

Storytelling, especially for serialized storytelling which comes out week by week instead of all at once works on the premise of drawing people in by promising that certain future developments and plot points are going to happen. Stories are all about creating expectations, building them, and then paying them off.

Here's an example: The Dabi is a Todoroki theory has existed pretty much since the training camp arc. Horikoshi wasn't in your face about the hints about Toya, but there was just enough hints to make the theory seem more and more plausible. Toya having the same fire quirk as Shoto / Endeavor. Toya mentioning both of them by name. Shoto's two other siblings getting revealed but not Toya. Toya saying that Hawks should have paid attention to him most of all. All of these little pieces came together until Toya finally revealed his identity on live TV in front of both Shoto and Endeavor.

This worked because not only did it give the audience just enough clues that they felt smart for figuring it out, and get invested in the idea of Toya as a Todoroki, it also was well-paced so it didn't seem like Horikoshi forgot about it unlike the traitor plot which went hundreds of chapters without being mentioned. If Toya was revealed to be a Todoroki at the training camp arc with no buildup, it wouldn't be as effective bcause we didn't have years of waiting and theorizing. If Todoroki was revealed to be some guy named Steve after all the hints, it also wouldn't be an effective reveal because there were hints dropped for Toya Todoroki, but there were no Steve hints so it'd feel like the author lied to us.

Themes are like this too. I tend to explain story themes by oversimplifying it as "Question, and answer." The story asks a question, it provides us an answer, and we can come up with our own answer as well. However, there's a middle part I'm skipping out on which is deliberation. Before you can come up with an answer, you obviously need to deliberate it, either by presenting arguments for or against, hearing outside opinions or just thinking things through.

In other words, you need to "Let things cook."

If Toya calling Shoto by his full name at the Training Camp Arc is when we're first asked "Is Toya a Todoroki?" or when the theories first started, then the long middle period between Training Camp Arc and the First War Arc is the deliberation. This is when the story not only added more hints to the idea that Toya was a Todoroki, but also set up why that reveal mattered. Endeavor wanted to atone for his past sins, but one of his victims was no longer alive. Endeavor begins to move on anyway and think he's finally made himself a good hero, but now Toya appears to flip up the reverse Uno Card.

So let's follow this basic formula, for how ideas get developed in My Hero Academia and just any good story.

Question / Introduction

Deliberation

Answer / Conclusion

My Hero Academia and Invincible explore similar themes in regards to heroism, generational trauma and how to be better than the previous generation in both Mark and Deku. I'm going to streamline their arcs down to one basic question for the sake of time. For both the question is:

Can I be a better hero than my Dad?

Deku and Mark might be two characters who cannot possibly seem to be more different, but you can actually list off a lot of similarities between them right away. Deku and Mark are both people who in a world oversaturated with superheroes spent most of their childhoods with no superpowers at all. Also, they were genetically supposed to inherit a quirk / viltrumite powers, but Deku was born quirkless, and Mark was an extremely late bloomer. They are also people who while being powerless civilians for most of their lives worship heroes. Deku collects so much All Might Merch he even stole some from Nighteye after he died, Mark attends comic conventions even after he becomes a superhero.

They also grew up worshipping one hero in particular who was essentially earth's strongest hero, for Mark it was his dad Omni-Man, for Deku it was All Might. They also both get the opportunity to train directly under their favorite hero immediately after they get their powers. At first this makes it seem like they've been given everything they've ever wanted. All Mark has ever wanted was to be a hero like his dad and make his father proud. Not only did Deku just want one person to tell him he could be a hero too even without a quirk, but his very idea of heroism is built around seeing All Might always save people with a smile.

However, both of them suddenly hit complication just when it seems like they've been given everything they've ever wanted. They are both confronted with the fact that their heroes are not who they expected them to be. They are overly idealistic heroes who have been dreaming of being heroes since childhood only to be hit with a much greyer reality. To the point where there innocence becomes a flaw in and of itself. The way they've been coddled and protected all of their lives leaves them completely unaware and unable to spot the grey areas in the world, or the people around them.

For Deku the moral greys exist in the villains around them. In MHA Society, villains are basically just bad guys in suits for the heroes to punch on television. They're seen as a faceless enemy, and there's very little in way of rehabilitation for villains once they're captured. Deku lived in a very black and white world before this point, and he's suddenly presented with the idea that his villains could be morally grey.

Deku's image of All Might is a hero who saves everyone with a smile, so he could never imagine that there are people who All Might has failed to save. He's never stopped to consider where villains came from, or if any of them might have legitimate reasons for their grievances.

This becomes a pretty central theme in MHA. It's first brought up here when Shigaraki talks about All Might acting as if there's no one he can't save. Twice brings it up again in his first backstory chapter, that the heroes only save the virtuous ones.

This is further enforced in the same overhaul arc with members who are loyal to Overhaul because they are society's trash who would have been thrown out otherwise. There is a group of people fiercley loyal to Overhaul who is a terrible boss, because he is the only person who would accept them.

edits belong to @stillness-in-green from bring it all back a tone poem on returning to staus quo located here on ao3.

In the War Arc this long running theme basically reaches a climax with the Hawks and Twice confrontation, where Hawks decides to try to offer Jin a chance to restart because he's deemed him "good" but he won't extend the same helping hand to the league who Hawks has determined as "bad." He then asks Jin to betray his friends in order to be saved, something that Jin rightfully calls out.

That Hawks only wants to save Jin because he's one of the good ones, and he's written off the rest of the league and left them for dead. Hawks choosing to divide between good and bad victims ad only save the one he personally thought was worthy of redemption, makes it impossible for him to save Twice who would never under any circumstances give up on the rest of the league.

Twice's death is a tragedy, but it also presents us a clear example of the failures of the previous generation. Even a hero who sincerely sympathized with a villain and wanted to help them start over wasn't able to help them because of this attitude of selectively picking and choosing who to save. If the heroes only save the innocent the I guess the lives of the guilty are worth less.

This is the questio Toga poses to Ochako, if the heroes killed Twice then are you going to kill me in order to stop me. This is the central subject of Shigaraki's speech to the heroes. That heroes and villains will never uderstand each other, because the entire hero system perpetuates itself on ignoring the needs of societal outcasts and rejects in form of the "innocent people" and those outcasts who aren't having their needs met eventually turn into villains who get systematically put down by heroes. Heroes and villains are incapable of understanding each other and breaking the cycle, because the entire system isn't built on helping people, but merely maintaining the idea that heroes are perfect, faultless saviors so normal people will feel secure, while the people the heroes have failed get swept under the rug so society can keep "functioning."

"You heroes hurt your own families just to help strangers. You heroes pretend to be society's guardians. For generations, you pretended not to see those you couldn't protect. That means your system's all rotten from the inside with maggots crawling out. It all builds up, little by little, over time. You've got the common trash, all too dependent on being protected, and the brave guardians who created the trash that needed coddling. It's a corrupt, vicious, cycle. Everythig I've witnessed, the whole system you've built has always rejected me. Now I'm ready to reject it. That's why I destroy. That's why I took power for myself. Simple enough, Yeah? I don't care if you don't understand. That's what makes us heroes and villains."

So if the starting question is: Can I be a better hero than my dad?

Then everything I've detailed above is deliberation. Here we have, ever since the training camp arc, this slowly built up idea of why All Might was a flawed hero in the end.

Mark has to face the fact that his father is a more morally grey person than he could ever imagine, whereas Deku has to face the fact that the villains are more morally grey in his world, and that makes the heroes look more flawed in comparison as well. The deliberation is all slowly bringing Deku to think over what Shigaraki asked him all the way in the beginning in there first meeting.

Were there ever people that the heroes couldn't save? If so then what are you supposed to do with the victims you can't save after they grow up? This is when Deku begins to start forming his own answer.

Deku hears the advice of both the other OFA users, and The Stinky Old Man (Gran Torino) that killing Shigaraki is the best option, but wants to explore other options.

Scenes like this clearly telegraph what the answer / conclusion Hori is leading us to to be. The same way that Toya is a Todoroki is foreshadowed long in advance, statements like "All for one is a power meant for saving, not killing" clearly set up Deku's Endgame. Deku's end goal is to find a way use his power to save Shigaraki rather than killing him. Everything else is just a matter of deliberation, Deku knows what his edgoal is but the chapters between then and the end of the manga is Deku having to figure out how exactly to save Shigaraki without killing him.

You Heroes Hurt Your Own Families Just to Help Strangers

Invincible is the story of Mark Grayson, the son of Omni Man / Nolan Grayson. He's been told all of his life that his father is a viltrumite, a race of benevolent aliens who send out people like Nolan to alien civilizations in order to uplift their entire civilization. Which is what led Nolan to come to earth and become Earth's greatest heroes.

This turns out to be a big fat lie when within 12 chapters Nolan not only slaughters the guardian's of the globe, but also has a confrontation with his son.

Mark has wanted to be just like his dad his entire life. Only to be slapped in the face with the realization he's known nothing about his dad his entire life, shown rather brilliantly by these panels where Nolan tries to have a normal father / son conversation with Mark while covered in blood.

Nolan isn't from a futuristic utopia but from a brutal, fascist space empire. He didn't come to earth to help bring it up, but to weaken its defenses and make it prime for conquering. He didn't have Mark out of love, but to produce another soldier for the viltrumite empire.

Mark's entire schtick is that he's invincible, but he's so inexperienced as a hero that he gets beat up constantly despite the fact he has the strongest power set in the series b/c he has viltrumite powers. However, not only does the series introduce moral greys by continually showing how Mark even with the best power set in the series constantly gets his ass kicked, it also challenges Mark's black and white thinking and hero worship of his father by showing him the kind of man his father really is.

Mark has wanted to be exactly like his father his entire life, but now that's suddenly a bad thing. His father is a morally reprehensible person and Mark is now a descendant of an alien race meant to conquer worlds. Not only is Mark confronted by who his father really is, but now everyone in Mark's life judges him by comparing him with his father.

Mark has to work with Cecil and be his on-call Superhero, both to be able to pay for college, and also to prove that he's not his dad. The unspoken part of the agreement is that Cecil gets to keep a leash on Mark and Mark has to prove that he'll never turn out like his father to earn Cecil's trust.

Cecil is automatically suspicious of him because if Mark were to turn evil, the planet would have no defenses against him just like it didn't have any for Omni Man. Mark's mother starts to drink and blames Mark for Omni-Man leaving in a drunken moment of weakness because of how much the information that Omni Man only regarded her as a pet affected her.

The comic even shows us that in most alternate universes, mark actually did make the decision to join his father's conquest, and this universe is one of the few exceptions. This is also where we're introduced to a major reoccuring antagonist in the comics, and also the main antagonist / final antagonist of season 2 of the cartoon Angstrom Levy.

Levy is someone who can jump between dimensions and has traveled to almost all of them collecting his alternate selves. He has witnessed for a fact that in most universes Mark sides with his father instead of fighting against him.

Levy enlists the clone bros to build a device that would combine the knowledge of his alternate selves into one individual. This device ends up breaking tragically (partially mark's fault, but levy himself made the decision to stop the machine in order to stop the clone bros from killing Mark). Levy's memories become confused as a result of the machine malfunctioning, and he can't tell the difference between himself and his alternate universe counterparts. This means that Levy now remembers several alternate universes where Mark did turn evil, and remembers them as if they happened to him.

It's better elaborated upon in this post:

The process by which Invincible has had to condense and consolidate the plot beats of the original comic, coupled with the opportunity it's granted the writers to tighten up and emphasize its themes on a second pass, has resulted in a newfound appreciation for how unbelievably fucking good Angstrom Levy's whole character concept is. What's that, Mark? Your main emotional crisis this season is your fear of turning out like your father? Here, have an archnemesis who's out to kill you because his memories were inadvertently overwritten with the lived experiences of hundreds of alternate versions of himself whose friends and families were slaughtered in worlds where you did, in fact, turn out exactly like your father. Because it turns out that that is in fact the multiversal norm. That you turn out like your father. And now you're left to wonder what set of arbitrary coinflips pulled you back from that abyss in this dimension, and whether your luck is going to continue to hold into the future.

Mark is not only hit with the revelation that his father isn't as good as he thought he was, but also while he's in a crisis about about whether or not he will turn out like his father, he learns the answer is yes, in several dimensions he turns out exactly like his father.

In My Hero Academia there are families like the Todoroki's who balance the difference between a hero's obligations to society, and a hero's obligation to society. However, that's a side plot where I'd argue that the main plot for Invincible and it's main focus is what Mark owes to the world as a hero, and what Mark owes to his family.

It's not just that Omniman is trying to invade earth for the Viltrumite empire. It's not just that he failed as a hero, but that he failed as a father. What makes Mark snap, is hearing Omniman call Debbie a pet. Until that point Mark was in denial and still trying to reason with his father.

Invincible is about two intersecting themes: Is Mark obligated to use his incredible powers to help make the world better? Can Mark be a good hero and a good family man?

While MHA has more far reaching societal implications in its themes and questions, Invincible is more specifically about the Grayson Family. It's generational trauma on a society level, vs generational trauma on an individual level. The way Nolan was raised on Viltrumite effects how he raised Mark causing their conflict, and Mark's conflict with his father effects most of his young adulthood when he's trying to figure out what person he wants to be (read: not his dad), but also the way he parents his daughter with Atom Eve.

Omni-man failed Mark as both a hero, and a father. Mark feels the need to overcompensate for what his father did the world and all those innocent people by acting as Cecil's lapdog and doing whatever Cecil tells him.

However, Mark is much more hurt by the personal betrayal than he lets on. It's not just that his father killed a bunch of innocent people, it's also that Mark's father failed as a father, abandoning both him and mom and choosing to be a viltrumite rather than being Mark's father. Mark's stated reason for wanting to be a hero post the omni-man reveal is to prove he's not like his dad to the world, and also make up for the innocent lives he failed to save. However, his unstated underlying reason is Mark is hurt and betrayed his father didn't put his family first, and this causes Mark to always put his family first.

This leads to two insecurities / narrative flaws. One, Mark is insecure about becoming like his father so he tries to prove he's nothing like him by being the most selfless, perfect hero possible. Two, Mark is hurt by being abandoned by his father and doesn't want to become a deadbeat like Nolan so he gets extremely overprotective of his own family.

These two things are obvious in conflict with one another: A hero has an obligation to the common good which sometimes means sacrificing time with your loved ones. However, being a good family man requires a level of selfishness that directly contradicts the selfless hero that Mark is pushing himself to be. In the comic the way Mark prioritizes his family and loved ones over the common good and justice is made even more obvious. His first instinct on seeing Omni-Man again isn't to call him out for being an awful father, but to hug him and ask him to come home. Mark is a distraught son first, and a hero second.

Mark has two flaws, his fear of being like his father makes him try too hard to be a perfect hero, and his trauma over losing his father makes him prioritize his family over being a hero. It's very much a having your cake and eating it too situation, oftentimes heroes make huge sacrifices for their personal lives in order to be heroes, that's basically a theme discussed in the comic with Nolan being absent for a lot of Mark's childhood, and why Mark's relationship with Amber fails.

The show also introduces us to the idea that Mark is so afraid of becoming like his father that he deliberately holds back his punches. Which is good when he's fighting earth villains, but bad when he's facing viltrumites who can only survive being disemboweled, but will also come to wipe out all life on earth if they're allowed to live. In the show it's directly mentioned that Mark is holding back, in the comic it's implied when we see how helpless Mark is in the fight against other viltrumites. Mark lacks the resolve to kill someone and when fighting a viltrumite, failing to put them down can have consequences because they are galactic conquerors who will not show you any mercy.

This all comes to a head in the Angstrom Levy fight where Mark makes his first kill on-screen when beforehand he'd never fought to kill before, and even held back against galaxy conquering aliens who were out to murder him and his dad.

However. before we begin that.

Should superheroes kill?

People often act like whether or not super heroes should kill their villains is a black and white topic, where it actually depends highly on context.

Batman’s an entire character is written around how he wants to redeem Gotham and save the city, most of his villains aren’t even sent to prison they’re sent to Arkham a facility that’s supposed to rehabilitee the mentally ill so they can rejoin society. Batman has decided it’s his place to stop crime, not his place to decide whether or not people have the right to live or redeem themselves.

Batman is also at risk for being just like his villains, that’s why he’s foils with Harvey Dent, someone who tried to prosecute people under the law who then snapped and went full violent mobster vigilante. Batman actually is at risk for walking the same path as Harvey if he decides murder is an option.

In X-Men 97, there was a character known as Rogue who dropped Simon Bolivar Trask off of a building in an act of vigilante justice. This action makes sense in context for several reasons. One Rogue was raised by Mystique and Destiny, is a former member of the Brotherhood of Evil Mutants, and began as a terrorist in the comics. She's not really a "moral highground" character like Batman. Two, Boliver Trask built a giant killer robot that resulted in the deaths of millions in Genosha which Rogue is a survivor of. Number three, Trask had no sympathetic reasons for building the genocide robot, he built the sentinels out of bigotry to wipe out mutants. He's not a victim in any way, he's an oppressor facing consequences for his actions.

Batman shooting Harvey Dent, his former best friend, a victim of severe mental illness and trauma that still has hope for recovery, and Rogue dropping the guy who made a genocide robot off of a building are both wildly different situations.

So in the context of MHA we have Shigaraki Tomura, a terrorist who's goal is to destroy japan enough that it will dismantle the hero system for good. Shigaraki Tomura is a ten year old child who lost control of his quirk and killed his family for mistake, he wandered for days in crowded city streets but not a single hero stopped to help him, then he was found by the main villain of the story and groomed for ten years into becoming his successor. Shigaraki is also surrounded by a group of societal outcasts who were failed by society in similiar ways, so Shigaraki knows he wasn't the only one failed by hero society and he starts to wage his war for their sake as much as his own.

In Invincible we have Angstrom Levy. Angstrom is not plotting mass murder the way that Shigaraki is. He is specifically only targetting Mark Grayson's family for revenge (at least the first time he showed up, the second time during the invincible war arc was different). Angstrom's revenge against Mark Grayson is misplaced, but to be fair the accident messed with his brain hardcore and he doesn't remember clearly what happened. He doesn't remember that he's the one who decided to stop the machine in order to help Mark. It's tragic. Angstrom also has the memories of like hundreds of different universes of evil Marks. Even though he's the victim of a tragic accident, he's also a victimizer in that he doesn't choose to just go after Mark, he deliberately picks Mark's family, his mother, and his infant little brother as a way of hurting Mark.

So both of these characters blur the line between villain and victim, but neither of them are like Trask in that they have no sympathetic motivation whatsoever. Shigaraki's actions don't come from bigotry, and he's not an oppressor. Trask was actually trying to do something good before his machine broke and his brains got scrambled, and now he wants personal revenge and to blame all his problems on Mark which is petty yes, but not on Trask's level of heartlessness.

So, there's a case that can be made here for both of them that there's room to save them. After all Mark and Deku aren't killers to begin with. Mark especially has an incredibly vested interest in not becoming a killer. Even if they don't explicitly go out of their way to save and redeem these two people, we're still at this point expecting the heroes to at least take down these two sympathetic figures non-lethally. Mark doesn't want to be like his dad and Deku has said explicitly he wants to save Shigaraki, and that OFA is a power for saving and not killing.

Also to sidestep this argument before people comment on my post with it.

What do you expect the heroes to just let a mass murderer live?

YES!

It happens in comics literally all the time.

Magneto, Wolverine, Jean Grey / Phoenix, Emma Scott, heck, OMNIMAN himself, all characters who have killed lots of people and all characters who get to live and even be on the heroes side. Of these three Jean Grey of all people has the highest body count.

Shonen Jump also has Vegeta. Have you ever heard of Vegeta? Most popular Shonen Rival of all time? Omni-man and Viltrumites are basically just Saiyans.

In real life they wouldn't let a mass murderer walk away but comics are not the same as real life. That's why characters are always punching dinosaurs all the time. Fun fact, if you were to try to punch a dinosaur in real life it would probably hurt your hand. I would advise against it. Dinosaurs are for the most part much stronger than human beings.

As I outlined above Shigaraki and Angstrom are different characters than Trask. They might all be murderers, but the first two have sympathetic elements and are humanized, they are victims of oppression (Angstrom's been killed by viltrumites in a whole bunch of worlds) whereas Trask is an oppressor.

So for both of these stories we are not expecting to see Deku and Mark kill their final villains (for the series and for this season). Deku because he's spent the final third of the series trying to work out a way to save the villains, and Mark because he doesn't want to turn out to be a violent murderer like his father so he's trying to be the most selfless, most perfect hero ever.

I THOUGHT YOU WERE STRONGER

So we finally reach the scenes in question and I thought I'd compare them without much commentary, just highlighting what happens without adding much spin.

So the final episode of Invincible Season 2 and Issue #33 of the comic is where Angstrom and Mark have it out. Angstrom appears in Mark's home and threatens his family. he brings up the comparison between Mark and his father right away. This is also something Angstrom has seen first hand by traveling to multiple universes where Mark has sided with his father.

In the cartoon he's a lot more confused because he's constantly remembering other universe's memories as if he were his own so he genuinely thinks he's taking down an evil viltrumite, in the comic he's being more petty and blaming Mark for his deformity (I think he doesn't remember that he was the one to take the helmet off by choice). In both versions he uses Mark's family as hostages to keep him from fighting back as he tries to send Markk to his death in several different realities.

Angstrom then ups the threat of violence from holding them hostage to threatening to kill them. In both the show and comic he brutally breaks Debbie's arm. Mark is sent through several more realities, only to discover that Debbie's arm is broken and lose his temper.

Mark and Angstrom's fist fight comes to an end, and while Mark has him on the ground he keeps hitting and hitting and hitting long after Angstrom stopped fighting back. Which is what prompts the famous "I thought you were stronger..."

Now, in this situation it looks pretty justifiable that Mark attacked Angstrom so aggressively,. it was self defense for one against a man trying to kill him and he only got truly aggressive after he saw his mother's arm get broken. Not only that he didn't intentionally kill Angstrom, you can argue he went too far in a case of clear self defense. Other people even tell Mark that this one isn't on him, including Cecil who compares Mark to his father the most.

Then, why is Mark so disturbed?

It's because this....

Is a deliberate parallel to this...

It's not just that Mark killed a man, it's that he killed a man by pounding on him relentlessly long after he'd stopped fighting back the exact same way his father did to him during their fight.

There's a difference between Mark say, fighting against a viltrumite and making a deliberate decision to kill them because of the danger that viltrumites represent to other people considering they are planet conquerors, and Mark killing this man because he lost his temper and couldn't control his own strength.

Mark spends the entire season trying to not be like his father, only to see first hand that he's capable of the exact same violence that his father is. The last episode of Season 2 summarizes this moment pretty perfectly in a montage of season 1 moments while Mark screams and breaks the sound barrier trying to push his viltrumite powers to their limits.

Mark: I'm strong enough and I can do this. It's all I've ever wanted for as long as I can remember. I want to do what you do. I want to be just like you. Omni-Man: You will be, son. You will. Mark screaming. Omni-Man: You'll outlast every single fragile being on this planet. You'll live to see this world crumble to dust and blow away. Everyone and everything you know will be gone. Mark screaming. Cecil: You know who else said that to me? Mark: I'm not my dad. Mark screaming some more. KRegg: Your father will be execute and you can return to earth. You will assume the mission to prepare earth for our rule.

So not only is Mark hit with the realization that he's just as capable of being violent and angry as his father is. He also is being forced by the situation to become more violent out of pragmatism, because if he doesn't get strong enough to fight viltrumites then they're going to come to his planet and take everything.

Not only has Mark lost some of his innocence, he's also being forced to throw the rest of it away. It's why Mark drops out of college at the end of the season because any pretense of balancing between his human life and his duty as a hero is gone. He is basically forced to be a viltrumite full time now and will abandon any semblance of trying to live his own life for a very, very long time until his relationship with Eve starts to get serious.

Which is why a pretty justifiable murder in this context is presented as so bloody, gruesome and traumatizing an event for both the audience and Mark himself. We both know there's no coming back from this.

As for the death of main series villain Shigaraki Tomura, Deku ends up being forced to kill Shigaraki in a situation similiar to Mark. Though I will highlight one difference right away. Mark was trying to reason with Angstrom, but he was at no point like "I want to save Angstrom, he's a victim I want to find some other way of ending this bloody conflict between us." Mark just didn't intend to go so far as killing him.

Deku entered the fight with the explicit stated desire to save Shigaraki rather than killing him, which would make him different from the previous generation of heroes because he wouldn't turn a blind eye to society's faults and victims like Shigaraki accused him of.

Deku makes a journey into Shigaraki's mental landscape to find Tenko in a recreation of the memory of the day of his worst trauma. As Tenko's quirk activates, Deku attempts to grab the little boy's hands to comfort him.

Deku's "Why I am here" is markedly different from All Might's. Deku says the reason he wants to save others is to take their hands, comfort them and give them peace, whereas All Might as the strongest hero tried to keep peace by beating all the villains down. Deku's way to become the greatest hero once again, focuses heavily on saving others, and offering his hand to everyone without hesitation instead of picking and choosing who to save like previous generations.

Deku even says that he has to extend a helping hand to everyone because he's learning that the world is more complicated than he thought, he was ignorant to a lot of people's suffering, and he can't sweep their pain under the rug anymore.

For a moment Deku unconditionally extending a hand to Shimura Tenko even as his mental body begins to decay away wins over Shimura Tenko. Though Shigaraki also resists because much like Twice he doesn't want to abandon the rest of his friends even if it means he personally will be saved.

However, any attempts to save Shigaraki are interrupted by AFO suddenly appearing out of nowhere and taking control of Shigaraki's body yet again.

At this point Deku does exactly what Mark does, which is relentlessly punch Shigaraki's body to death in order to kill AFO along with Shigaraki. In some small defese Shigaraki was also there too punching AFO in his mental landscape so he was assisting Deku in defeating AFO he wasn't helpless the entire time.

But, basically we see the same scene happen with Mark.

A hero who does not wish to kill is forced by circumstance to kill a villain. In Deku's case it should be even more devastating because they explicitly went into the fight wanting to save Shigaraki and they believed their power was for saving and not killing.

Yet, we don't get nearly as horrified a response from Deku.

However, instead Deku's final words are just about how he couldn't forgive Shigaraki and had to put a stop to him no matter what.

Even the way the scenes are presented to us are entirely different. Mark punches Angstrom in a wasteland a dry, dead place, until he's soaked in Angstrom's blood, and painted everything around him red. Once again, it's a visual callback to Mark's father beating him half to death, which was Mark's own lowest point.

Whereas, when Deku punches Shigaraki until he disintegrates not only is the violence or horror of Shigaraki's death not acknowledged, but it's played as a triumphant moment where the clouds clear from the sky and the stun starts shining.

In the cartoon Mark killing Angstrom leads to a total screaming breakdown where he has traumatic flashbacks of his dad beating him and pushes himself to break the sound barrier multiple times. It also leads him to making big life changes like dropping out of college to become a hero full time and giving up any pretense of having a normal life. As seen in a scene where he watches Amber from the sky, and is tempted to go down and greet her and just flies off, because Amber represents his connection to his humanity.

Also, Angstrom doesn't even die. He comes back way worse and that's how invinicble war arc starts.

In the aftermath of killing Shigaraki, Deku gets melancholy about not being able to save Shigaraki only to be reassured he did save him in the end. Only to be told by All Might that it's okay because he still saved Shigaraki's heart even if he killed him.

DEKU: "I couldn't save Tenko's life." "I reached out to his heart, and even though his hatred was crushed," "to the very end, Tenko" "was the leader of the League of Villains." ALL MIGHT: "Let me tell you this as someone who has had a near-death experience," "I think it's in the expression on his face at the end." "If there wasn't a crying boy there," "I think his heart was saved after all,"

People also try to convince mark that he did nothing wrong and that there was no helping what he did in a situation like that, but he doesn't let himself believe them.

The ending lines about the last episode of Season 2, are this:

Eve: I'm sorry Mark. It's not fair. You don't deserve this. Eve: You don't deserve this.

Which has a double meaning. Eve is just trying to comfort Mark, because arguably he shouldn't have to feel guilty for fighting in self defense. On the other hand what Mark hears is You don't deserve this in the context of Eve's feelings for him. An alternate timeline version of Eve confessed her love for Mark. Mark was about to bring it up but decided not to. At that moment as Eve embraces and comforts him, what Mark hears because of his own self loathing is that he doesn't deserve Eve comforting him, or her love for him.

Just to clarify I don't think that Mark is crying over Angstrom Levy specifically. In fact over time he's painted to be pathetic in his obsession with revenge, and what he amounts to is just wanting to blame everything on invincible when it was partially caused by his own actions.

However, it's inarguable that killing (or rather seemingly killing Angstrom) deeply impacted Mark and how he saw himself as a hero. It's less about Angstrom, and more about the loss of control, and the realization of how powerful his anger and hatred can get and what that means for him personally.

It also shows us where Mark's priorities lie. Mark wants to be a perfect hero and a perfect family man, and Invincible shows us he can't be both, his desire to protect his family leads him to staining his blood when he was trying so hard to be a good, selfless hero. This is all a part of a deliberate arc where Mark chooses more and more to value his family over being a hero. I'm not going to say whether or not it's the right choice, but it's a choice he makes, as a part of his character development where as he grows up and becomes a father his priorities change.

My point is that this moment has an impactful change on Mark, for arguably the rest of the comic.

Now my question is, with My Hero Academia will the death of Shigaraki Tomura, the series greatest villain and it's greatest victim have an equal impact on Deku's character that Levy's death did on Mark's?

[jessybarnes]

Forbidden Love

Fandom: Harry Potter

Pairing: Severus Snape x Reader

Rating: 18+ Only

Word count: Over 5k

Tags: Acromantula, mentions of blood, death of a mythical creature, gore, angst, fluff, smut, bullying, broken bones, hippogriffs, unicorns, fluffy, centaurs, syringes, major character injury, near-death experience, age gap, teacher/18-year-old student relationship, unprotected sex, fingering, begging, forced reveal of feelings, forbidden forest, family drama, and I think that’s it.

Beta: @winecatsandpizza

A/N: This is a repost from one of my old Tumblr accounts. I altered the timeline a little to make this flow better. I realize that Gilderoy lost his memory during the Chamber of Secrets era. I also realize that Severus didn't take on the DADA teaching position until Harry's 6th year. I just wanted to make that clear for everyone. :) Enjoy! 

"Hmm…difficult, very difficult. Mmm yes, lots of ambition and very loyal too. A hint of creativity, but you seem to mask it well with your bravery...”

As the sorting hat’s voice echoed throughout the Great Hall, your mind began to flood with the past week’s events. 

It was the day after your eighteenth birthday when you discovered your Hogwarts letter. Your grandmother had been a great witch and even taught at Hogwarts after she finished her seventh year. From the moment you were born, she knew you were destined for good things. Your parents had forbidden her from using magic around you and even went so far as to hide your letter of acceptance on your eleventh birthday. It wasn’t until you were going through some of your childhood toys in the attic that you came across it. 

The letter was stuck to the back of an old photo album, and the writing had nearly faded completely. You ran your fingers over the yellowing parchment, the tip of your index finger raising slightly as it slid over the sealing wax. You recognized the symbol immediately. Your grandmother had it all over her house, and you’d thought it to be your family’s crest. The wax gave way easily and you pulled the letter out as carefully as you could. Your heart began to race and your breath caught in your throat. The letter was for you! You had been accepted into Hogwarts School of Witchcraft and Wizardry. 

You blinked and brought yourself back to reality, the hat seemed to be finishing up his assessment.

“...better make it...Slytherin!”

The table full of students to the far right of the hall erupted in cheer as you walked towards them. You took your seat and after the rest of the first years were sorted into their houses, the Headmaster approached the podium. He raised his hands and without saying a word, the whole room went silent. 

“Welcome! Welcome, everyone! It is my great pleasure to start off a new school year with a few minor changes. As many of you know, Gilderoy Lockhart is no longer capable of teaching. It seems a memory charm backfired and he’s lost all memory of who he is. Be that as it may, I am very pleased to announce that our own Severus Snape will be the new Defense Against the Dark Arts teacher.”

Your eyes scanned the teachers at the head table and stopped when they landed on a man who looked slightly younger than the others. He stood and nodded ever so slightly before taking his seat again. Your gaze lingered on him as Professor Dumbledore continued on with his speech.

“Thus it’s only fitting that the one and only Professor Horace Slughorn takes Severus’ place as Potions teacher.”

Another professor stood up from the table and smiled as a round of applause reverberated off the walls.

“Now that we’ve determined who will be teaching what subject, I have an additional announcement to make. All students will refrain from entering the forbidden forest. Anyone who isn’t experienced enough to handle themselves will most certainly die a very horrible death. Now, without further interruption, let the feast begin!” 

With a wave of his hand, the empty plates filled with a delicious-looking meal. You ate quietly as the other Slytherins talked and carried on. Every so often, you turned to look at the mysterious man with the all-black attire. Mysterious didn’t even begin to describe him. Even though it wasn’t classified as magic, you had always found yourself skilled in reading people.

He looked particularly confident, his shoulder-length, black hair bouncing slightly as he talked amongst the other teachers. There was just something you couldn’t quite put your finger on. Was it pain? The very moment you thought the word to yourself, his eyes snapped up to yours. Horrified that you were caught staring, you quickly turned your attention to your plate. Had he read your mind? 

Deciding not to dwell on it any longer, you continued eating your meal thinking about the new chapter in your life. Though you didn’t know much about Hogwarts and the world of magic, you did know that this house, in particular, had a bad reputation. Your grandmother was a Ravenclaw, and would sometimes divulge knowledge about the other houses. The one thing you remembered about Slytherin was that its founder believed only certain people should be allowed to attend this school and practice magic.

Purebloods. 

You were the farthest thing from being a pureblood. In fact, you were what other witches and wizards would call a Muggle. That was another thing you learned from your grandma. Muggle was a term used to describe someone who had non-magic blood, or the less liked derogatory name, mud-blood. The fork in your left hand scraped across your plate as you pushed your food around aimlessly.

Why on Earth would the sorting hat put you in Slytherin? 

Soon, dinner was over and the prefects led the students back to their respective common rooms. You followed the other female students to the girl’s dormitory and found your trunk and owl had already been brought in. Nova chirped and tilted her head when she saw you, and you couldn’t help but giggle.

“Miss me already, sweetheart? Well, I missed you too.”

The soft feathers on her head slid between your fingers while you talked to her. Even though she didn’t talk back, it was always nice to feel like someone was listening. 

You settled on your bed and began drawing in your sketchpad as the other girls in your room talked amongst themselves. Their conversation hardly registered with you, your focus solely on the drawing of Nova you were currently working on. It wasn’t until one of the other girls tapped you on your shoulder that you noticed they were talking to you.

“Hellooo? Were you even listening to us?”

You set your sketch pad next to you on the bed and looked up at the three girls staring at you intently.

“S-Sorry, I didn’t realize you were talking to me. I was um … I was focused on my drawing.” 

The girl closest to you rolled her eyes and huffed impatiently.

“I said, why aren’t you eleven like the other first years?”

There it was, the question you knew would be asked eventually. You just didn’t think you’d have to answer it this soon.

“My um… Well, I suppose it’s because my parents hid my acceptance letter from me.”

The one with the blonde hair began to laugh.

“Why that’s absurd. Why anyone would hide a Hogwarts letter from their child is beyond me. Unless… wait… are you, not a pureblood?”

A sudden feeling of shame overtook you and your gaze wandered to your lap, a loose string on your blanket became instantly more interesting.

“I-I… Well, no… I’ve got non-magic parents actually.”

The third girl scoffed.  “Daphne, can you believe they let scum like this into our house?”

Blondie, who you presumed to be Daphne, snatched your sketchbook off the bed and tore it in two, and laughed. “Serves her right. Mud-bloods don’t belong in Slytherin.”

She drew her wand and pushed the tip into the skin of your throat making your whole body quake in fear.

“Listen up you vile little wretch, you’d better not lose us any house points if you value your life at all. Understand?” 

Tears pricked your eyes as you nodded quickly. “Y-Yes… Yes, I-I understand.”

She removed her wand and the two other girls followed close behind as they left the room. Closing your eyes, you took a few deep breaths trying to slow the rapid beating of your heart. A few minutes later, you let out a shaky breath and began to clean up the remnants of your sketch pad. Luckily, this was a brand new one and Daphne hadn’t torn up anything too valuable. 

Once you were finished, you slipped on your shoes and held out your arm to Nova. She chirped happily and sidestepped to your shoulder. Staying in your room anywhere near the other Slytherin girls was the last thing you wanted to do, so you decided to explore the castle grounds a little before bed. After all, it was only Friday night, and classes didn’t start for another two weeks. 

The crisp, fall air licked at your skin the moment you stepped out into the courtyard. It felt good to breathe the fresh air and you suspected that Nova felt the same. She immediately took flight and let out a happy screech. Part of you envied her. Being able to soar as high as the clouds away from all the negativity was something you could only dream of doing. 

You wandered around the castle grounds until you spotted a hut nestled at the edge of a tree line. The stone exterior and the pointed roof reminded you of the fairytales your parents used to read as bedtime stories when you were little. Light grey smoke billowed out of the chimney and you could faintly hear someone humming. Curiosity got the better of you, and you soon found yourself at the foot of the steps. 

Before you could knock, the front door swung open and none other than Hagrid looked down at you.

“Why ‘ello there, lass! Teh what do I owe yeh the pleasure?”

You’d only known him for a few hours, but you could tell that Hagrid had a big heart and good intentions.

“I just needed some fresh air that's all. Things are… a bit much in my house.”

Hagrid studied you as you spoke. It didn’t take a genius to know something was bothering you, and he saw right through the fake smile plastered on your face.

“Why don’t yeh come in fer a spot of tea? I can tell something is troublin’ yeh.” 

It became a sort of routine, the evenings you’d spend with the Hogwarts groundskeeper. After Hagrid had learned the way the other Slytherins were treating you, he’d made it clear that you could spend the night in his spare room any time you needed to. You insisted on paying him for his hospitality, but he always refused. All he had ever asked in return was help taking care of the mythical creatures. Most would probably view it as a chore, but you found it extremely therapeutic. 

Friday evening before school started, you noticed Hagrid was missing from the teacher’s table. After dinner, you jogged along the path to his house and noticed the lights inside his hut were off.

Hmm...that’s weird, you thought to yourself.

Normally, he’d be making a pot of tea right about now. Tentatively, you walked up the steps and lightly knocked on his door.

“Hagrid? Hey, are you home? It’s Y/N…” You tried the door, and it opened easily. “Hagrid? I’m coming in…”

Fang peeked at you over his paw and yawned lazily. Other than the glow of the fire, nothing showed signs that he was home. As quietly as you could you walked to the back towards his bedroom. There, wrapped up in blankets and looking beyond miserable, was the half-giant himself. 

“Oh, Hagrid… what’s the matter? You look like you feel awful.”

He coughed and sneezed a few times before blowing his nose into a hankey. His skin was clammy, and he looked like he hadn’t slept in days.

“I’m sick, lass. Yeh shouldn’t come near me if ye know what’s good fer ya.”

Out of instinct you put the underside of your wrist against his forehead and grimaced.

“Hagrid, you’re burning up! Come on! We have to get you to Madame Pomfrey.” 

You helped him stand and carefully started to lead him toward the castle. It took nearly fifteen minutes, but finally, you were able to get him to the hospital wing. Madame Pomfrey motioned to a bed and helped you lay him down. She insisted that she keep him overnight so she could monitor him, but Hagrid was having none of it.

“No! Absolutely not! I can’t stay ‘ere overnight. Who’ll feed Fang an all me other beasts? Buckbeak ain’t the nicest Hippogriff when he’s missed a meal yeh know.” 

Your hand came down to cover his as you looked him in the eyes.

“Hagrid, please...stay here and let Madame Pomfrey take care of you. I’ll take care of feeding them tonight, okay? It’s not like I haven’t helped you make your rounds for the past week and a half.”

The groundskeeper sighed with defeat and nodded.

“Alright Y/N, I’ll stay an let yeh take care o’ my pets, but yeh have ta promise me you’ll be careful.” 

You gave him a soft smile and stood to smooth out your robes. “Don’t worry, Hagrid. I’ll be quick and efficient just like you taught me. I even made myself a list so I remember which animal eats what as well as where they’re all located. I’ve got this!”

Before he could change his mind, you hurried out of the room and back to his hut to grab what you needed. According to the list, you had five different species to feed tonight. The unicorns, Buckbeak the hippogriff, Fluffy the three-headed dog, the centaurs, and Aragog the acromantula.

None of these mythical beasts ever acted like they were harmful, but they weren’t to be taken lightly either. Not to mention you were with Hagrid every time you’d fed them before. After loading up the bags with their food, you made sure you had your wand before approaching the edge of the forest. It didn’t matter what time of day it was, the shadow from the trees always made the forest dark and a thin layer of mist lingered near the forest floor. 

Fluffy was first on your list. His doghouse was about fifty feet within the forest. Brandishing your wand, you cast Lumos Maxima and took the trail to the west. A few minutes later, you could hear light snores echoing off the trees. Making sure you had the three slabs of meat at the ready, you whistled to get the giant beast’s attention. 

"Fluffy! I got you some dinner!"

The dog's left head yawned enthusiastically and you couldn't help but chuckle.

"Alright, that's enough sleeping. It's time for some yummy meat!"

The middle head began to growl and bare its teeth at you while the one on the right shook its head back and forth violently.

"There we go, nice and easy…" You slowly got closer and gently set the slabs of meat within his reach before backing off." 

You stuck around long enough to make sure he saw the food and then walked north towards the part of the forest where unicorns made their homes. It surprised you to learn that they preferred witches over wizards. Hagrid had told you that they were very fast, so much so that they could outrun a werewolf. 

Instead of trying to seek them out, he set up feed pails around their homes and filled them with food. As you were filling the pails, you saw a golden blur out of the corner of your eye. It startled you at first, but then you remembered Hagrid telling you that unicorn fouls were gold in color. 

Staying completely still, you waited until it poked its head out from behind the tree.

"Hi, sweetheart. You want some food?"

At the mention of food, the foul whinnied and slowly approached your outstretched hand. It broke your heart that these beautiful creatures were nearly extinct. You gave light scratches to the tufts of fur behind its ears, the serene moment nearly making you forget where you were. 

After hand-feeding the baby for a few minutes, you quickly filled the rest of the pails before heading towards the centaurs. Hagrid always made sure you remembered how proud the centaur breed was. They didn't like to be classified as "beasts" along with thestrals, merfolk, or werewolves. They also ate both human and equine food. 

It was a good thing you remembered to grab both types. You didn't want to upset them at all, let alone do so without Hagrid around to protect you. As you approached their den, a familiar face came to greet you.

"Good evening, Y/N."

Firenze stood tall as he looked down at you, his unwavering gaze making you a bit nervous.

"H-Hey! Sorry, it took me a bit to get here. Hagrid isn't feeling well, and I had to take him to the hospital wing." 

The creature nodded and uncrossed his arms.

"That's quite alright. I see you brought my colony dinner."

You offered a smile and held out two big knapsacks of food. "I did! I wasn't sure what you would prefer so I came bearing a variety of things...I-I hope that's okay."

Firenze chuckled and placed one of his large hands on your shoulder. "That's very kind of you, Y/N. Please give Hagrid my best. I do hope he recovers quickly."

With a nod and a wave, you watched him until he was out of sight. 

Adjusting the bag on your shoulder, you turned east and walked in the direction of the area Buckbeak frequented. You’d come to love the Hippogriff ever since Hagrid introduced you to him. It only took you about five minutes to navigate the trail before you could hear the excited bleats coming from a group of trees. Making sure to stop the moment you crested the hill, you made eye contact with Buckbeak and bowed low.

The Hippogriff turned and tilted its head momentarily and then bowed in return. You took the dead ferrets out of the bag and tossed them in the air for him to catch. When you ran out he nudged the side of your face and chirped happily.

“Yes, I love you too, Beaky. You’re a good boy!”

Kissing his beak sweetly, you bade him goodnight and walked south toward the heart of the forest. Time to feed the final species on your list.

Aragog.

Even though they were capable of human speech, acromantulas were the one beast you had a fear of. As you approached Aragog’s lair, hundreds of tiny spiders crawled on the ground next to you. Taking a few deep breaths to compose yourself, you crept into the pitch-black den with your senses on high alert. At the heart of it sat the beast himself.

“Who dares to come into my home?”

With a shaky hand, you reached into your bag and quickly pulled out a dead fox as an offering. 

“A-Aragog? It’s um…it’s Y/N, the one who has been coming with Hagrid to feed you. I have umm… I have some birds and foxes for you.”

The large arachnid stalked closer to you, its eyes like black holes as it seemed to stare into your soul.

“Yes… the young fleshy girl who claims to be a friend of Hagrid. Tell me, where is my keeper? What have you done to him?” 

The hairs on the back of your neck stood on end and your fight or flight instincts began to kick in.

“I-I-I didn’t do anything to him. He… he isn’t feeling well and I told him I’d come and bring you dinner…”

You hadn’t realized you were backing up until your heel caught a crooked root poking through the ground. Pain shot through your ankle as you fell against the floor of the den. Aragog clicked his fangs together and you flinched as his voice boomed around you angrily.

“I don’t believe you! I’ve known Hagrid for over fifty years, and not once has he missed a feeding!”

As graceful as your sprained ankle would allow, you scrambled to your feet and dumped the dead birds and foxes on the ground in front of you.

“H-Here’s your food… I… I’m just gonna go…”

The venom from his fangs began to drip on the ground as he moved even closer to you.

“Go? Oh, I don’t think so, friend of Hagrid. Those foxes and birds may sate my son's and daughter's hunger, but they won't satisfy me."

Ignoring the throb in your injured foot, you clambered out of the den as fast as you could. Branches swatted you in the face as you sprinted toward Hagrid's hut. Aragog was hot on your heels as the castle grounds became more and more visible. Just a few more feet and you'd be safe. 

A rotted tree trunk caught your eye, but it was too late for you to avoid it. You hit the ground with a sickening thud, your wrist that broke your fall was surely broken. Turning to face the fastly approaching acromantula, you pleaded for him to stop.

"Aragog, please! ….I...I didn't do anything to Hagrid… please don't hurt me!" 

The giant spider loomed over you, its fangs clicking together violently.

"Goodbye, friend of Hagrid…"

You let out a blood-curdling scream as its pincers tore into your flesh, the moonlight fading away until you slipped into unconsciousness. 

Nights were usually the time Severus took to think. It was his free time, save for the occasional disobedient student wandering the corridors. He'd just walked past the open courtyard when a small owl flew down to land on his shoulder.

"Get off me you insolent bird!"

It let out a screech and circled him before settling on his other arm. 

"Merlin’s beard, what is it that you want?!"

Just as he was about to send it away, he noticed a small charm bracelet attached to the owl's left leg. Curious, he cast Lumos and read the inscription. 

Name: Nova Jane

Property of: Y/F/N Y/L/N

"I see...you're the property of the new Slytherin girl. Go on then! Go back to the dormitory."

Nova nipped at the buttons on his sleeve and screeched loudly. Just as Severus was about to scare it off, your scream echoed throughout the castle grounds.

"Take me to her! Now!"

Nova took flight and soared in the direction of the Forbidden Forest. Severus ran as quickly as he could, his robes flowing behind him like a cape. His heart thundered against his chest as he broke through the treeline. 

The moment he saw Hagrid's acromantula towering over you, he drew his wand and aimed for its head.

"AVADA KEDAVRA!"

The spell sent Aragog catapulting backward, its body falling lifeless against the base of a large tree.

Seeing you lying there motionless made his blood run cold.

"Oh, Merlin…no no no..."

He sank down in the mud and put two fingers against your neck, a breath of relief falling from his lips when a faint pulse fluttered against them. His eyes scanned your body, worry prickling his skin at the number of deep cuts you had. He knew you wouldn't survive if he didn't act now. 

With a shaky hand, he pointed his wand to the deep gash in your abdomen.

"Vulnera sanentur…"

A glow illuminated from it and within seconds it was as if the wound never existed. He did the same for the other large wounds as well as your wrist and ankle before lifting you into his arms. He may have stopped the bleeding, but you still had the acromantula's venom flowing freely in your veins. He only had a few minutes to reverse the toxins. 

Closing his eyes, he apparated to his sleeping chambers and gently laid you on his bed. Severus worked quickly to mix up the antivenom. Once it was mixed properly, he used a syringe to inject it into all of your main arteries. 

It became a waiting game. You'd lost a lot of blood, nearly too much, and all Severus could do now was hope you'd wake up. He found himself pacing, checking your pulse every so often to make sure you were still breathing. Eventually, the adrenaline in his body wore off, and it made him realize how tired he was. 

He shed his robe, toed his shoes off, and with a snap of his fingers, a fire began to crackle and pop in the fireplace. He sat and pondered to himself. What was he supposed to do with you? It wasn't like he could take you to Madame Pomfrey now. Not after he'd healed you the best he could. Plus, he was sure the other Hogwarts staff would question him on why he took you back to his chambers. Honestly, he wasn't even sure why he'd done it. He acted on pure instinct. 

His gaze wandered over to where you were laying. Severus felt himself relax upon seeing your chest rise and fall. He'd done it. He'd saved you. His eyes began to get heavy as he listened to your soft breathing. Unable to stay awake any longer, he let sleep consume him. 

The smell of tea filled your nostrils as you tried to recall where you were. Last night's events flooded your mind and your eyes immediately snapped open. 

Scanning the room, your brows furrowed in confusion. This wasn't the hospital wing, and it definitely wasn't Hagrid's. You sat up, your back against the headboard, and scanned your exposed skin. Other than a few bruises, there wasn't any sign of injury on you at all. Had it all been a dream? 

The sound of the door opening brought you out of your thoughts. Your eyes widened at the sight of your Defense Against the Dark Arts teacher carrying a teacup and saucer.

"Oh, you're up. Good." He strode over and set the cup down on the nightstand next to you. "Drink this. It'll help you feel better." 

You blinked up at him, your eyes staring into his obsidian ones. Even though he wore a scowl ninety percent of the time, your professor wasn't bad looking. In fact, you found him quite attractive. His form-fitting robes with all those buttons and his confidence drew you in almost immediately. 

It was then that you remembered he'd spoken to you. Forcing your brain to form words, you stuttered out a response.

"I...um…th-thank you, Professor…"

His stone-faced expression didn't waver as he sat down on the comforter next to you.

"Why, Y/N? Why would you put yourself in danger like that?! You could have been killed! Merlin, if it wasn't for your insolent bird, you would have been!" 

You focused on your lap, your cheeks red with shame.

"M'sorry… I was just t-trying to help Hagrid fe-"

You slapped your hand over your mouth and internally cursed yourself. Hagrid made you promise not to tell anyone you were helping him, and here you've almost told none other than Professor Snape! 

"Go on…"

Shaking your head, you moved to get off the bed.

"I… I can't… Thank you for saving me, Professor. I'll just be going…"

His firm hand came to rest on your thigh and with little force, he pushed you back down onto the bed.

"Listen to me, Y/N. I'm your Head of House. Either you tell me what you were doing in that forest, or I'll make you tell me." 

The demand in his tone sent shivers down your spine. It really should be a sin to have a voice like his.

"I-I...um…"

Severus rolled his eyes and stood to walk across the room. He came back with a vial, with a small amount of liquid in the bottom.

"Know what this is?"

You shook your head.

"This is Veritaserum. Three drops of this, and it'll make you spill your darkest...of secrets…" 

You watched as he poured the small amount of liquid into a glass of butterbeer.

"Drink…"

Instead of obeying his orders you grabbed the teacup off the saucer and swallowed its contents.

"Thank you, Professor, but I’m no longer thirsty and I don't like butterbeer." 

For the first time since you arrived at Hogwarts, his lips gave a hint of a smile.

"It's no matter. What do you suppose I did with the rest of the serum, hm?"

All the color drained from your face, your mouth opening and closing like you were a fish out of water. 

"The tea…"

Your professor chuckled, "Yes, the tea. Now, tell me, what were you doing in the Forbidden Forest after curfew?"

You couldn't stop them. It was as if you were possessed. The words came flowing out of you on their own accord.

"I was helping Hagrid feed his mythical creatures. He's in the infirmary sick and I offered to do it so he didn't have to." 

Severus narrowed his eyes. "How long have you been doing this?"

You swallowed thickly. “Since the first day of school. Some of the other Slytherin girls were bullying me so I went for a walk. It was then that I formally met Hagrid. He offered me his spare bedroom, and I’ve been sleeping there ever since…”

He rose to his feet and began pacing again, his hands behind his back. “And he lets you stay...for free?” 

“I can stay as long as I help him tend to the mythical creatures that live in the forest. He taught me everything he knows and I help him with feedings.”

Severus stopped and turned to face you. “Did you ever think of coming to me for help with the bullying? I am the Head of Slytherin you know.” 

Oh, how you wished you could hold back the words threatening to escape. No matter how hard you tried, it was no use.

“I was too nervous to come to you, Professor.”

He raised an eyebrow, his hands fidgeting out in front of him. He knew his presence intimidated most of the children attending Hogwarts, but he decided to use this to his advantage.

“Obviously...And why, do you suppose, I make you so nervous, Y/N?” 

“I suppose it’s because I’m in love with you.”

Your response came out just above a whisper, but he still heard every word. Out of every scenario in his mind, Severus did not expect you, a young woman, to say that. For a rare moment in his life, he was rendered speechless. It took him a moment to collect himself, but once he did he noticed your face was buried in your hands. Merlin, help him, you were crying and it was all his fault. 

He slowly moved to where you were laying and sat down so he was at your level. Without giving it any thought, he pulled you into his chest and began rubbing small circles on your back to soothe you.

“Merlin, what was I thinking? I shouldn’t have forced the truth out of you like that. Please...forgive me.”

You clutched at his robes and moved your tear-filled eyes to his.

“I forgave you the moment it happened, Professor.”

A few silent moments passed between the two of you and he continued to hold your gaze. Severus was the first to move. Ever so slowly, he leaned down to capture your lips. 

His mouth melded with yours perfectly, and he didn’t stop until his lungs demanded it. Your eyes closed, your forehead coming to rest against his.

“Professor I-”

He silenced you with another chaste kiss. “Severus…Call me Severus, Y/N.” 

“Please Severus…make love to me.”

His resolve broke the moment the plea fell from your lips. Severus gently laid you back and gently rid you of your tattered robes. His calloused hands slid over your smooth skin making your breath hitch. He peppered kisses down into the crook of your neck, his path moving to the space between your breasts.

“S-Severus...please…need you…”

He nipped playfully at your jaw and sat up slightly to take his shirt off.

“Patience, Y/N… I’ll take care of you.” 

Once he was bare before you he made his way between your legs. His touch was tentative, his fingertips brushing your folds gingerly. He circled your clit making you arch off the bed.

“Oh, Merlin!... Fuck!”

Severus chuckled and slid two of his fingers inside you curling them upwards.

“Bloody hell, you’re soaked, Y/N…”

He easily found the sensitive spot inside of you, the coil in your core winding tighter and tighter with each passing second.

“Please! Oh…shit… Se-Severus! M’gonna cum… please… please make me cum!”

His cock twitched at your words, precum leaking from the tip.

“Let go, Y/N...cum for me…”

With a cry of his name, you fell over the edge. Your chest heaved as you pulled him up for a heated kiss. 

“Need you, Sev. Need you inside me. Please…”

As carefully as he could, Severus lined himself up and pushed into you.

“Merlin, you’re so tight!”

His thrusts were steady and his kisses were fervent as he made love to you.

“Oh, fuck! Sev! Oh, you’re so good… so good, baby…”

Both of you wanted it to last, but it was clear you both needed the release more.

“Y/N, I won’t last much longer like this… you feel amazing...so amazing.”

You slid your fingers through his thick hair and pulled his mouth down to yours. “Cum with me, Severus…” 

A moment later, both of you soared into bliss together. His lips rested against your own and his body shook as he spilled into you, your walls clenching around his cock. Severus was spent as he settled behind you, his arm wrapped protectively around your waist.

“Y/N, I need to know you’re okay with this...with us…”

Threading your fingers with his, you planted a sweet kiss on the back of his hand.

“Severus, our love may be forbidden, but I’d choose you no matter what it cost me. I’ll take you as you are. Your highs, your lows, all of it. I’ll love you until my last breath.”

He turned you in his arms and cupped your cheek.

“I never thought I’d ever love another. Not after Lily, but seeing you in the forest like that sparked something in me. Something I haven’t felt for nearly fourteen years. I’ll spend forever protecting and loving you. 

As your eyes grew heavy, you felt a new sense of worth. Coming to Hogwarts was something you’d only dreamed of growing up. The moment you found your acceptance letter, you knew your life would change. You never thought you’d find someone to love here, but for once you were happy, and that’s all you’d ever wanted.

[ckret2]

What’s ur favorite GF character you almost never see mention/art of?

Lately as I've been digging more into Gideon's character in order to write him, I've actually been getting genuinely fond of that kid.

There's a lot to work with! He's the season 1 main villain and the villain with the most appearances, he does real magic, he's right on the cusp of forming a full cult around his fake magic, he's been earning his family's money since age 9 at least, he bonds with Mabel because they both like beautiful sparkly things—there's a side to him that vibes HARD with Mabel that she felt too that gets buried when he romance zones her, and it's a huge loss for both of them—he had the exact same "found a Journal and got obsessed with its magical/paranormal secrets and went to extremes trying to dig to the bottom of this mystery" story as Dipper but we never SEE that story because it's all offscreen and that's a WILD plotline for a kid coded as (Raised To Act Like) A Good Little Conservative Christian Boy, he's as much Ford's indirect protégé-in-absentia as Dipper was,like, he has nearly as much to flip out about re: the Ford reveal as the actual Mystery Shack household does, he's the only other person in town who understands the gravity of that, AND HE'S ALSO Stan's nemesis, which is WILD, they BOTH look goofy for considering the other their nemesis—he's summoned and betrayed Bill Cipher TWICE and lived to tell the tale, he went to WHOLE ADULT JAIL as a TEN YEAR OLD and formed a BIKER GANG that follows him just because they adore him and he brightens up their lives... There is so much! Going on with this kid! He's SUCH a fun & fascinating character, he can be an interesting foil to ALL the Pines in different ways and he's got the second deepest relationship with the main villain out of the whole cast just in terms of how much we can assume they interacted with each other...

But for a main villain and one of the most frequent recurring characters, Gideon gets next to no fandom attention. When I search his tag, nearly every post is about the whole ensemble cast with Gideon just happening to be included too; i can scroll for pages and only see 2 or 3 posts that are actually about GIDEON.

I'm assuming it's because he's chubby and has a goofy pompadour.

[sim0nril3y]

First Date

Pairing: Simon 'Ghost' Riley x Civilian!Reader Scenario: It's no denying that their first date is a little rocky to begin with, but as things settle Simon wondered if he is in too deep. Warnings: No mask Simon (It's my personal headcanon in his regular life he probably wouldn't wear it), mentions of alcohol, suggestive conversation, slight mention of smut, canon-typical swearing (I mean, it's Ghost for fuck sake!).

Bloody fucking hell. It was still beyond him why Simon had actually agreed to this mess. Why had he done this to himself? Maybe he’d had too much to drink. Maybe a pretty face made him completely lose his mind… or whatever was left of it. Whatever the reason was he was here now. Waiting in an Italian restaurant with a cold lager half-finished beside him and the chair opposite him empty. Maybe you’d thought better of it. Maybe that was for the best. Fuck, it still fucking hurt though…

A sudden flutter of commotion came from behind him. Looking over his shoulder to watching as you rushed across the room, removing your coat to reveal a beautiful silky dress that contoured to your frame seamlessly, his eyes had lingered on your body for so long he almost missed the guilty smile you shared with him. “Bloody taxi driver got the wrong restaurant.” You announced before allowing your tense shoulders to fall. “I’m not typically this flustered – I promise.”

“I believe you.” Simon then rose and stepped around the table, taking your chair in hand and pulling it out for you to sit in before tucking it in. There was a lot you could say about Simon Riley, but he was a gentleman to the people that deserved it the most. After giving you a few moments to settle Simon finally asked. “You want a drink?” Taking a swig of his own beer and quirking his brow at you. “God, yes. I’d literally murder for a white wine.” Your dramatics made him laugh, like genuinely, he wasn’t really sure the last time someone had made him do that… Pushing those thoughts to the back of his mine Simon flagged down the waiter and ordering you one.

“What s’it you do for work?” Simon asked then, forgetting for a moment that it might be very possible for you not to be established into the working world yet, especially with how long young people seemed to stay at university now. “I’m a barmaid down at the Golden Lion.” Oh, he knew that place. It wasn’t so fancy up-and-coming gastropub. No, it was a rundown old pub owned by a miserable git. He knew the type of tossers that went in there too. “It’s not what I want to do forever, but it works right now.” There was an easy shrug to your shoulders before you admitted. “I’m an artist.” The words had drifted from your mouth with such ease. An artist. That wasn’t a real job, Simon thought. “You got any backup plans, kid?”

You blinked at him blankly before a grin spread across your features. “You sound like my parents.” Brushing away the question with another carefree shrug. That second Simon hated your optimism. It was that same optimism all kids your age had. That same sense that the world owed them their dreams. There was this malicious part of Simon that wanted to burst your bubble, deflate your self-entitled ego and remind you that the real world didn’t care about your dreams or your wants. Your voice cut through the silence again. “Who knows, it probably won’t work out, but I want to try just for a few more years.”

“Yeah…” Jesus, he felt like such a prick. He had just assumed that you was just some dumb kid that felt like the world owed them something, but… but you were just a hopeful girl that was chasing a very tricky and far away dream. Who was he to judge? You’d found a way to sustain yourself whilst also trying to navigate into a very select profession. “You any good?” His cheeks suddenly set aflame at how the question sounded on his tongue. “Your art, I mean. Is it good?”

A delicate giggle bubbled in your throat as you finished your wine with a quick swig. “I like to think I’m pretty good…” Lifting your sultry and inviting gaze to find his own. “Maybe I could show you sometime…” Simon couldn’t believe it when he felt his heart fucking stutter in his chest. Fucking hell. It was that moment that he realised was in deep here. Clearing his throat Simon adjusted himself discreetly in his seat. It was going to be a hard end to this dinner – no pun intended.

Leading her across the carpark Simon stood beside the waiting cab, hand on the open door as you spoke softly to the driver through the window. A moment later you gazed up into his eyes and offered quietly. “I had a really nice time tonight…” The sweetness of your tone was enough to warm him even in this bitter night air. “Yeah…” He grunted out. “Me too…” Adding swiftly a moment later causing you to breathe out a subtle sigh of relief. “Are you gonna put me out of my misery and take me out again, or gonna make me beg for it?” Jesus, the idea of you begging was something that made his heart race. Knelt. Eyes pleading. Every inch of you- Stop. He can’t do that right now.

Placing a firm finger under your chin Simon jutted her head back forcing you to meet his intense gaze. “Get the feeling you don’t beg all that often, kid.” That same little smirk found your lips, watching as your eyes darkened at his comment. “M’sure it’s a sweet fuckin’ sound…” He was fighting internally with himself. Part of him screamed to just give you exactly what you wanted. Bend your tight body over that bonnet and fuck you stupid. Another part of him told himself to allow himself some form of happiness, take you out again and see what might happen. The final part scoffed and scowled at that optimism. It warned him that being with him was practically a death sentence. No, he needed to let you go, let you move on and find a boring man to turn into a husband and pop out a couple ankle-biters with.  “Are you free next week?” Your question came interrupting his cruel inner monologue. No. Say no. End this. “Yes.” A wild grin tore across your features, you had certainly won this round.

Masterlist | Ask | 30-08-2023

[thr0wnawayy]

Who would the 10-13 1A members that died in the MLA be, if MHA had any actual stakes? I really liked your Kaminari idea, so I just wanted to explore it with you. It would have realistically made UA/the heroes look a hell of a lot worse and the villains look a hell of a lot smarter if they went for the angle of "the best heroics school in Japan is using child soldiers!"

I know for the heroes, it should have been Pixie Bob and Gran Torino in addition to Crust. Endeavor also should have died because it would have actually given the story actual stakes - Japan is now in shambles and the new #1 hero/heavy hitter is dead. Oh shit, what are they going to do?

Firstly I feel I should clarify that both 1A and B would lose some team members as both classes were thrust into war with basically no real training. Although for the sake of plot 1A would lose vastly more.

With that stated, let us begin.

I know for a fact that Koda is dead.

Truthfully, there is no way someone as bulky as him (with the addition of his poorly designed costume) would be even marginally capable of outrunning Shigaraki's Decay.

His quirk (Anivoice) gives him zero advantages and being in Jaku (a city under evacuation) would only add to this.

We also mustn't forget that the rubble by itself was also capable of disintegrating anything it touched. Putting all that together and given how close he was to "ground zero", his chances of survival are slim to none.

Additionally, everyone who found Midnight's corpse is either dead or brutally injured.

Midnight's body is isolated in a decently foliage heavy area, with plenty of hiding spots and vantage points making it all too easy to set an ambush.

Our merry band of MLA/PLF mercenaries simply have to bide their time, wait for the shock and horror to settle in and then strike.

Sero, Kirishima and Setsuna are easy targets (with Setsuna being the farthest from the bait) their backs are turned and mentally are either distant or "vacant".

If Momo didn't recover from her grief and get off the floor, it's game over.

However. She would likely manage to fend them off long enough to escape (thanks to her intelligence and dexterity), although not without some scars. (eyepatch momo, anyone?)

Mina might be able to hold them off due to her acid but will eventually falter because (as you mentioned) Aizawa's a shitheel.

That brings us up to 5 students so far (if we include Kaminari's death) that have died due to UA's (and the HPSC's) crippling negligence.

I'm a tad hesitant to add Tsu here but it's unlikely she'd survive. (even if she does survive the wave, she'd likely die in the crossfire)

Comicman, because yeah he's unimportant.

For the Villa Raid team it's important that we cut some heroes in order for this scenario to work.

Edgeshot is dead, likely fried to death by Electro-lite.

This would cause the raiding heroes to become discouraged and overwhelmed.

the MLA's gear is more than a match and combined with their years of fighting and tactical prowess. It's not even close.

Simply put; divide and conquer.

Mineta's dying for sure. His costume restricts his (torso and leg) movements and makes him standout like a traffic cone. That guy with holes all over his body is likely the one to snuff him out.

Ojiro is dead the moment the MLA members use numbers to overwhelm him, no amount of martial arts will save you from getting jumped.

Mines dies because his quirk (Twin Impact) suffers from the Flect Fallacy.(Overwhelming the quirk will break it). So pretty much any MLA member could be the one to kill him

That sets the score to 11 total student deaths (8 for 1A, 3 for 1B), not a good look.

We know the rest, Dabi kills Enji for good.

Skeptic publishes a video along with Dabi's exposé that reveals UA is using child soldiers and that the HPSC forged paperwork to allow this.

And the crowd goes wild!

The reactions would be brutal, national if not global criticism from every angle.

The entire raid and evacuation effort would be considered an immense failure, the villains remain at large to gather their numbers and most civilians would be left homeless and displaced.

The hero that everybody placed their bets on turned out be a child/wife beating eugenicist who bought (and later assaulted) his wife when she was only 17. Only to be killed off by the very child he left to burn.

The (global) outrage partially stems from the fact that if it weren't for Dabi, no one would have known otherwise .

The number 2 hero is an (attempted) murderer and seems almost irritated at Enji being outed, the world stage takes this the wrong way and opts not to aid Japan.* What pisses them off the most is his uncaring attitude.

Considering them a lost cause when Shigaraki not only breaks everyone out of Tartarus but also manges to kill AFO by sheer force of will (and wanting to see his friends live as they please)

Rei's speech/conference serves as the final nail. Going into immense detail of the pain she and her children suffered at the hands of Enji. (If their were any doubts Touya was her son, they were killed here)

When asked if anyone knew, she finishes her speech off with revealing that some heroes and staff knew about the abuse and chose to look the other way. Causing the room to burst into an uproar.

*(explaining why Japan was allowed to fester for as long as it did without intervention, something Hori failed to explain)

Parents begin pulling out their children in droves, not wanting to risk their kids getting drafted, others quit by choice.

Shiketsu and Ketsubutsu don't put their students on the front lines (they aren't stupid). The commission is unable to force them due to their, "unique" situation.

The heroes that quit are harshly criticized by the public and media (and usually fairly too), pointing out how shitty it looks (and is) for heroes to suddenly abandon them as soon as things get serious.

Class 1A is left to pickup the pieces with 8 classmates killed (+ Bakugo) the events of the last week have shocked them to their cores but perhaps there is hope.

Of course they're left to pick up their predecessors mistakes, again.

Midoriya would still go rouge, albiet he would stick to his principals. He's made a disturbing connection between Bakugo and Endeavor and it haunts him.

(I should add that Bakugo's death is portrayed for the selfish play it was)

Midoriya likely driven by the need to ensure that he doesn't lose anyone else. His anger at AM would probably stem from the fact that he is putting himself in danger for someone as "expendable" as himself.

I could see the two having a heart to heart that Midoriya is more than his quirk once he willingly returns.

Some additional information:

Bakugo dies permanently, because Edgeshot was killed by "Electro" earlier (even then I'm not doing the writing atrocity that is the "Jeart".)

For heroes I'd like to add Jeanist to the roster. Gigantomachia should have swatted him and his airship like a fly. This means the top 3 are dead, adding to the chaos. This also prevents the old-gen from taking up space.

The High-End Nomu beat the tar out of Miriko, leaving crippled at best and a paraplegic at worst. (That is assuming they don't kill her).

Fourth Kind is killed when, like Ojiro, he is overwhelmed.

Your absolutely correct, Gran Torino and Pixiebob are eliminated, joining Crust.

Twice actually lives, though I would keep that ambiguous until later, he wouldn't get out unscathed of course and would probably need to be put into a coma while his injuries heal.

Himiko's revenge plot now has additional stakes as she promises Twice that she will return to him. (before he's medically put under)

This also fuels the PLF + Spinner, vowing to do right by their ally and friend.

Dabi would have disfigured Hawks upon discovery of his attempt on Twice's life, no more cosmetic scars. Just good old fashioned brutality.

(The fear of losing Twice may have dug up the past memory of losing his mother after Enji drove her to the brink. As Dabi cares deeply for both [even if he won't admit it] ontop of the fact that it's a "hero" that's trying to take them and he betrayed them).

Overall this world is going to be one wild ride with a very different ending to what Hori gave us.

It is a story not of heroes and villains, but of ideals and goals. It asks the question:

What is it to save?

A few additional notes:

Momo would likely have a revenge arc as a sort of parallel between Izuku and Himiko. However it wouldn't be as bland as what we got in canon with Mina.

The mercenaries aren't mustache twirling supremacists, no. Here they're cold, calculated soldiers who are strictly tactical. Midnight was "nothing personal, just business" to them.

They serve as a dark mirror to Momo's shift in personality during the war, as Momo reverts to her initial cold confidant personality and kicks it up to 20 as she hunts them down.

Midnight's killer even points out midbattle on how Momo was sexualized and she doesn't even know it. Telling her at one point: "You may see them as an equal, they see you as a display"

The battle isnt treated as a victory either, while the Momo and her squadron win, the gravity of the situation isn't ignored and Momo actually listens to her opponent's critique.

[ninjamelissajulien]

I'm gonna rant about Zane for a moment so bear with me

Zane's Motif is Humanity and Betrayal.

From his first conversations with the group, to his chapter book, to Night of the Nindroids, to Tournament of Elements, to SOG/Hunted/MOTO, to the Ice Emperor, to Crystalized, and now Dragons Rising- there is a repetition of Zane not being human. 'He's not like us'. 'He's weird... no, he's weird weird.'

Going into the Pilot Era (Season 0 through S1E6 The Snake King), Zane was always different in how he spoke, acted, and almost existed. Part of this is the brilliant voice acting by Brent Miller- he/Zane speaks very eloquently, a bit monotone but still full of emotion. "Yes. It was a joke. Ha, ha." "The Golden Weapons have left this realm and are now in the Underworld. The end is drawing near." Zane is blunt in how he speaks, yet internally he's in pain. He doesn't know where he comes from, where his family is, or who is family is. One of my favorite lines is from the early chapter books, Kai: Ninja of Fire. "I envy you." "No, I envy the fact that you know they're gone." Zane, at this point, is orphaned with no memory of his family. Kai decides to drop everything to help Zane find his old village and look for any sign of his past (fun fact: Zane and Kai are drugged in his book, I'm dead serious). Although, they do not find anything to help Zane and his past, it allows the pair to bond and grow closer.

In Zane's own chapter book, he is tempted by Garmadon for information about his past. If he gives up the Golden Weapons (and betrays his friends), Garmadon would tell him about his family and their whereabouts. This is the first of numerous instances of someone in power tempted Zane with something he desires, but to achieve it he would have to betray his friends. Zane is tempted. He misses the idea of what his family could be, the false idea of where he came from. Zane, of course, doesn't fall for it, but it's a lingering wonder of is Garmadon telling the truth? Did he really know who Zane's family was? Were they still alive, looking for him?

My favorite graphic novel, (other than the first volume, The Challenge of Samukai), is Night of the Nindroids. This book, taking place between the Art of the Silent Fist and Blackout, focuses on Zane and his feeling of isolation. Yes, he's a ninja, but he's a nindroid. Is he truly on the right team, or should he be with his own kind? In NITN, Zane is separated from the team and brought to the Overlord (Garmadon calls him a "toaster with attitude").

"What are you afraid of? Or can a collection of nuts and bolts even feel fear? No, you can't. Not fear, not hate, not even love, just imitations of those feelings. You are a robot. But I have the power to make you more! Defeat the other ninja for me, and I will transfer your mind into one of their bodies! I will make you human!" the Overlord to Zane.

On a side note: Night of the Nindroids is an incredibly fucked up concept. Zane would get to choose who's body he would take over, inevitably killing the original person. He chooses Kai, meaning (if) he went through with it, he would be living in Kai's body while Kai himself is dead. :)

Back to the point. Zane is tempted with the idea of becoming human. Of feeling emotions, of being able to get hurt, of "feeling the sun on your skin", of being normal. And, he does agree to work with the Overlord (as mentioned previously, choosing Kai's body to inhabit). He, single-handedly, takes down Cole, Jay, and Kai. Zane, though, doesn't want Lloyd anywhere near the events so he sends him away to bond with Sensei Garmadon, but he also sends Nya on a mission. He knows that Nya is intelligent and needs her out of the way for everything to succeed. Even the cover itself shows Zane's separation from the team; while Kai/Jay/Cole are caught, Zane is in front with his internal systems being revealed. He's even in his damaged appearance, showing the mechanics under his false skin. I won't spoil it, because it is a fantastic graphic novel, but it shows that Zane by himself is incredibly strong and powerful.

Tournament of Elements is the death of Human!Zane and the introduction of Titanium!Zane. In his previous appearance, he was able to pass as a human, unless he was drastically injured, but now, in his titanium form, it's even more obvious that he's different. He has PTSD and panic attacks from his encounter with Death. Zane, at this point in time, is the only one who's died and come back, further separating him from being human. But, I feel like, this could aid in his desire for humanity. He knows how precious life is, he knows how easily things can go from bad to impossible. His whole reasoning for living is "to protect those who cannot protect themselves"- from an outside perspective, it's a way for him to be a hero. But, on a deeper level, its almost a suicidal way of seeing things. He was built to face the danger so others wouldn't. Now, that's just my perspective on that.

The Oni Trilogy brings in Zane's cloaking. A way for him to be human again, while still being himself. He's able to switch between blending into the crowd in plain sight versus being himself. Though this does not change how he acts, it allows him a cover especially for when he needs to be hidden (Snake Jaguar).

Now. The Ice Emperor. Arguably the opposition to Zane himself. The Ice Emperor is what could've happened if someone found pre-pilot Zane and used him for their own selfish desires. Both start out as someone with no memories, no compass, just a lost child. Zane, pre-pilot, finds the village he later lives in and allows himself to be aided. Here, he is given things to do and ways to help others before being given the chance, by Wu, to find and better himself. The Ice Emperor is turned into a weapon. He's not allowed to think for himself, every decision is made and manipulated by Vex. The dialogue between IE and Vex is repetitious. The Ice Emperor is stripped of his humanity, betraying himself in the process. His powers are used to cause pain and suffering, killing Krag's family, freezing the Formlings, and causing a realm-wide ice age.

Even how the Ice Emperor sits on his throne shows how captive he is to Vex. Every time that IE moves from the throne, he has to shatter the layer of ice that forms over his arms/body. He's constantly asleep/powered down, possibly due to the amount of energy the Staff is demanding (especially for holding it for so many decades).

Crystalized is the closest Zane gets to voluntarily losing his humanity. the Ice Emperor was forcefully stripped from him, but Crystalized has him choose to lock his emotions away. He doesn't know how to deal with the grief of losing Nya. Even being with Pixal and Cole can't get him out of his depressive funk. It takes an outside perspective of allowing emotions out for him to see that its okay to be emotional, that being emotional is being human.

[polarisbear]

a fair breeze blows to the south, a cutting wind in hand.

past the thicket, into the heart of the storm, he found a coppiced sakura surrounded by thorns. seeing the coppice’s branches struggle, he took his breath and slashed! through the bramble to find…

[longer image id, concept art and notes under cut]

[image id: a drawing of sakurazaki joji/briar bloomhurst and sasanami unmei/destin billows from inazuma eleven victory road surrounded by thorns and a strong backlight. sakurazaki is wearing a button up, vest, multilayered skirt, pants, and boots all in varying shades of dark purple. the skirt becomes pink-red at the bottom to mimic a rose.

sakurazaki is running with his skirts in one hand, looking surprised at unmei popping up under his arm. unmei is trying to hold sakurazaki from behind as his sword leaves a trail of slashed thorns behind, a determined furrow in his eyebrows. sakurazaki’s skirt and unmei’s cloak flow behind them in a dance-like fashion.

unmei is wearing a white prince’s outfit with thigh-high, wedge-heeled boots and a dark blue cloak. he has a gold sword to match the gold accents on his outfit.]

uhhhh here’s the first draft, outfit doodles and thumbnailing and colors :) i actually did the first draft before everything else and then thought. y’know i should probably plan this out a lil more so i diddddd.

one of my favorite touches is how both the skirt and cloak are ripped up. this. didn’t Quite make it into the final (bc i got lost in the ruffle sauce) but it is supposed to make it seem like unmei’s princely goals are in tatters but he’s trying to ignore that best he can, and for sakurazaki it’s to show how the princess ideal his dad wants for him is being torn away at to reveal a much more vibrant and fiery core.

i didn’t mention the original inspiration. okay so i have a Less explicitly romantic view on these two than a lot of people (they just kinda read to me as two kind of insane people who got attached Very quickly) so the “prince saving the princess” thing is secondary to the fairytale premise. which all started bc i thought to myself “y’know briar is also the name of sleeping beauty in the disney movie.” and i went from there.

so! the smidgen of writing is mostly to rephrase chapter 1 from the game with unmei as the wind and sakurazaki as a cut-down stump that’s trying to regrow but has a hard time bc of his dad acting as thorns + whatever personal walls he’s got up. i think unmei cutting through those should be obvious the reason. there’s more au-y stuff in my head too but this piece is ultimately meant to be more symbolic than literal.

[multifanhoe99]

Kinktober Day 13- Religious Play

Pairings: Priest!Hyunjin x Fem!Reader

Warnings: Sacrilege, mentions of masturbation, degradation mixed with praise, spanking, hair pulling, facial, hard dom!Hyunjin, squirting, nicknames (my child, Father, my pet, my love, literally all the other times he calls the reader a whore and a slut).

=Let me know if I missed any.=

18+ MDNI

PROMPT LIST

MASTERLIST

You were nervous while waiting in line. Ironically you were sweating like a sinner in church because that is exactly what you were at this moment. You were waiting to give your confession. How long had it even been since your last one; you couldn't remember. You took a deep breath and stepped into the confessional. Settling on the kneeler you waited for the priest to speak.

Soon, you heard the sound of the other door opening and closing. Then, you heard, "Hello, my child."

"Forgive me Father for I have sinned. I am not sure how long since my last confession," you replied.

"Very well, tell me your sins," he said. His voice was like velvet, and it sounded so familiar. You couldn't quite place where you had heard it before.

"I have sinned so much and I am afraid that I keep sinning," you said feeling ashamed.

He responds softly, "Please, explain."

You gulped, "I keep having impure thoughts, and they aren't just about anyone. They are about a man of the cloth. Sometimes, I even pleasure myself at the thought of what I would like for him to do to me."

"A man of the cloth, you say? My, my, that is serious. Who might this man be," he replies.

"It is Father Hwang," you say, "I can't seem to get him out of my mind. I want to kiss his beautiful lips, I want him to whisper filthy words to me. Mostly, I want to know what his body looks like under his robes. I also wonder what sort of lover he might be. Will he be soft and gentle or will he be rough and commanding?"

"Well," he pauses, "This is a very serious sin, my child. I will have to come to your side to give your penance as it requires me to lay hands on you. I am sure you understand."

"Yes, of course, Father," you said and waited for him to walk the short distance from his side to yours. When he walked in you looked up to meet his gaze. The sight in front of you was shocking and made you embarrassed. Stood there before you was none other than Hwang Hyunjin himself, the man you have been fantasizing about for weeks now.

He walks up to you. He towers over you even more so than usual as you are still kneeling. "Now my pet," he begins his voice taking on a more sultry tone, "I have the perfect penance for you and I think you'll really enjoy it. Go ahead and turn back around." You did as you were told. You turned back around still kneeling and your elbows returned to resting on the elevated part of the kneeler so that you were in the perfect praying position.

Hyunjin stood behind you and then whispered into your ear, "You know, the only way to get rid of these impure thoughts and fantasies is to act them out. That way there is no more curiosity and then we shall be forgiven after prayer." You couldn't believe what you heard it made you nervous and excited at the same time. Mostly excited though as you could feel a wet spot growing in your panties at the thought.

"I want you to give me one Our Father and don't stop no matter what happens do you understand," he asks while pulling down your panties and flipping up your skirt to reveal your bare ass to him.

You began, Our Father, *SMACK* a loud and hard spank landed on your right ass cheek. It was painful but it also felt so good so you continued. Who art in heaven *SMACK* h-hallowed be thy name *SMACK* th-th-thy kingdom c-come *SMACK* thy will be d-done *SMACK* on eeeearth as it issss in heaven *SMACK* This went on until you had finished the prayer. All he had done was spank you and it had you dripping down the side of your legs. You were already so fucked out and he had barely started.

"Well done my naughty little slut," he said praising you and degrading you all at once, "You are doing so well for me. Now, turn back around for me? That's it, it's now time to purify that pretty little mouth of yours." He kisses you deeply while he undoes the belt, zipper, and button on his pants and pulls them and his underwear down just enough for his cock to spring free. His lips tasted like cherries and you wondered if his cock was just as sweet. As if he had read your mind he pulled away from the kiss and replaced his lips on your with the head of his cock. You gladly accepted it into your mouth.

"Look at you," he said while lazily moving his hips to fuck your mouth, "You are just a greedy little cock whore for me aren't you?" You nodded and he smirked. He held on to your hair which was put up into a ponytail and began moving his hips faster. His thrust were fast and deep he hit the back of your throat each time. You were slobbering and gagging all over his cock and he had to pull out sooner than he wanted to or else you would have made him cum before he even got the chance to pound your sweet little pussy. You choked and sputtered when he pulled out trying to catch your breath. You were a fucked out mess. Tears streaming down your face mixing in with the drool falling from your chin. Not to mention your pupils were blown wide and you were so wet it was dripping even more down the side of your leg.

"Turn back around," he commanded and you obeyed, "I am going to fuck this pretty pussy until you beg for me to stop. Look at this you're soaked I bet I could just slide right in. You'd like that wouldn't you?" You couldn't even speak anymore opting to nod vigourously in response. He lined himself up with your entrance and pushed through your walls. He was right, you were so wet he slid all the way in with no problem. He still gave you a moment to adjust before setting a rapid pace. He wasted no time roughly slamming into you while one hand pulled back on your ponytail and the other snaked around your front to play with your clit. The pleasure was overwhelming and just when you thought you couldn't take anymore he found the angle that had him hitting the spot that made you see stars. Everything all together had you screaming and clenching tightly around him and he knew you were getting close.

"You want to cum, slut? Beg for it, if you beg I shall grant it to you," he said.

"Ple-plea-please Father, let me cum I can't hold it any longer please let me c-cum please please please," you begged him.

"Very good," he praised, "Go ahead, cum for me. Cum all over my cock like the good little whore you are." His words were all you needed to have the biggest orgasm you've ever had. You were pretty sure you blacked out for a moment it was so good. Your eyes rolled back and you had squirted all over him. It was mind-blowing. He pulled out and started stroking himself.

"Are you ready for your final blessing," he asked, stroking faster. You nodded, closed your eyes, and opened your mouth. He came a few pumps later all over your face.

"Go now in peace," he said smiling at you.

"Thank you, Father," you said," We need to do this again sometime Hyunnie. I came so hard, look at the mess we made. This was the best roleplay idea ever."

"I agree, my love," he said, "Now, let's get cleaned up and we can worry about this mess later."

You laughed and reached for him so he could help you up, "I think it will have to be a bath though. I actually don't think that I can walk or stand up on my own right now." One thing was for sure after tonight, you would both definitely be doing this again.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

A/N: HOLY SHIT!!! Bless the anon who suggested this because I had a blast writing it! This man literally makes me so feral and just imagining this while writing had me feeling some type of way! Anyway, my asks are still open please send some stuff in so I have things to do when Kinktober is over.

[nejis-desk]

Jack Jeanne Complete Collection - Interview with Ishida Sui and Towada Shin Translation

This interview is from the Jack Jeanne Complete Collection art book, it’s available on CDJapan and Amazon jp. You can also purchase a digital only version on bookwalker jp. I encourage anyone reading to purchase the game (if you haven't already) or the art book itself to support Ishida and Towada directly. 💕

This is a VERY long interview so I apologise for any typos or errors I may have missed.

~ ~ ~

An interview with Ishida Sui and Towada Shin, who both worked on writing the story of Jack Jeanne. In this interview they reveal what went on behind the scenes during production, rejected story ideas and much more. This interview was conducted remotely on the 9th of February 2021.

Interviewer: Yui Kashima

How did Ishida Sui end up making an otome game?

—How did the production of Jack Jeanne begin?

Ishida: It was sometime around Autumn 2015 I think… On an old personal site that I used to run, I received an email from the company Broccoli to an email address that I no longer use. It was a commission request for character designs.

—In 2015 Tokyo Ghoul was still being serialised wasn’t it?

Ishida: Yes. Usually job offers like that go through Shueisha first, so I contacted my editor asking why this one was sent to my private email…  At the time, in addition to working on Tokyo Ghoul, I was also drawing illustrations for a tear-off calendar and very busy with various other things, so when my editorial department heard about the offer they seemed very shocked like "What!?".

—Why did you decide to accept the offer even though you were so busy?

Ishida: I would often receive offers asking for me to draw manga or illustrations, so I figured that this one was a similar case. However, some words in the email caught my eye. Like ‘Gender Swap’, ‘Takarazuka’ and ‘All Boys Opera'. When I saw these concept ideas, a dream began to swell in my chest and I felt like giving it a try.

I think if it had just been a normal character design job, I would have turned it down. However just from reading the short brief in the email my interest was piqued. While in discussions with the Young Jump editorial department, I also casually mentioned the kind of offer I’d received to Towada-san.

Towada: Yeah, Ishida-san asked me for some advice. I was also drawn to the ‘Gender Swap’ and ‘Opera’ concepts. I could easily visualise the setting of the story. Additionally, it seemed like it would be a story that included many different themes such as gender. When I thought about that, I figured that Ishida-san would be a good fit, since I knew he would be able to draw something that went beyond all genders.

Ishida: I’ve been drawing androgynous characters for a long time, so Towada-san and I talked and wondered if that's what they must be looking for. After that, I created my own proposal and submitted it to Broccoli.

—You created your own proposal, Ishida-san?

Ishida: When I looked at the original proposal that Broccoli had sent me, a lot of it differed from my personal tastes. It was a very upbeat and dazzling story. It would’ve been hard for me to match my art style to that, so in my proposal I noted things like ‘if it were me, I’d do something more like this’. I was interested in this unpolished gem of a story, so I thought it would be a waste to turn it down altogether. I wanted to at least try throwing my own ideas into the ring, so I spent a week creating the six main characters and sent them in.

—At that time, I heard that the game wasn’t titled ‘Jack Jeanne’ yet, but was instead called ‘Jiemarie’.

Ishida: At first, I wanted to try creating a word that doesn’t exist. So using French as a base, I came up with ‘Jiemarie’ as the game's provisional title. But then a month later when I was reconsidering the title, I looked at it again and thought, damn this looks lame. So I hurriedly called Towada-san on Skype and we entered a discussion that lasted about ten hours over what the title should be.

That’s when we decided on ‘Jack Jeanne’. The male roles take the name from the knight, or the ‘Jack’ in a deck of playing cards. And the female roles ‘Jeanne’ take from the word parisienne and Jeanne d’Arc. When these two terms are put together, I feel like you can comprehend what the game is about with a bit of nuance. Plus you can shorten it to ‘JJ’… That’s also the title of a magazine though (lol).

—Taking on another job whilst your manga was being serialised sounds like it would be tough on you both physically and mentally.

Ishida: I think I must’ve been a bit unwell (lol). My body was fine, but being able to work on something other than a serialised manga was a lot easier on me mentally. I may have seen it as a way to escape, so I didn’t feel that working on two projects at the same time was difficult. When it comes to game development, I can only create what I’m capable of, and there was no set release date yet. Of course, I would work on and submit things whenever I could though.

—What kind of things would you submit?

Ishida: I would sketch character designs, discuss and create story elements with Towada-san and try to put Univeils history into chronological order. Then I would share the progress with Broccoli and have meetings and such with them. In the beginning, rather than having to draw anything yet, it was mostly just brainstorming and planning. That’s why I think I was able to do it all concurrently with the serialisation of my manga. 

~ ~ ~

How Ishida Sui and Towada Shin know each other

—Do you chat with Towada-san often?

Ishida: Well yeah, she is my older sister after all.

Towada: We talk a lot. When we both have the time we chat over Skype.

Ishida: Once we start the conversation can last up to five or six hours. We mostly talk about things that happened throughout our day. When I’m talking to someone I often bring up something that’s happened to me and ask their opinion on it. She became someone that I could chat with whilst working on my manga. Ever since my student days we’d talk until early morning, I usually told her about storyboards I’d drawn.

—At the Ishida Sui exhibition it was revealed that Towada-san had even given you advice on some of your earliest works.

Ishida: Yeah that’s right. It was a work I’d prepared for a 'bring your own work along' induction course in Tokyo that I attended back in my student days. It was a manga about two characters who eventually became the prototypes for Tsukiyama and Hori Chie in Tokyo Ghoul. It was only about 30 pages long, however when I showed it to Towada-san the day before the presentation, she told me that she thought my linework was too thin.

Towada: Yeah, the overall linework of the manga was thinly drawn. Once I told Ishida-san this thought, he began tracing over his linework and making it thicker. And then when he looked at it again, he said “Yep, I need to redraw the whole thing”.

The linework being too thin was only my personal opinion and the presentation was in Tokyo the next day, so in horror, I began hastily telling him, “You won’t make it in time, stop, stop!”

Ishida: All I could think about was that the lines really were too thin, so I wanted to redraw it. All of the screentones had already been affixed to the panels, but I didn’t want to bring something along with me whilst knowing it wasn’t the best that it could be.

Towada: Ishida-san handled the linework and I helped with redoing the screentones. We worked throughout the night and finished redrawing the whole manuscript. Once it was done, it wasn’t even comparable to the previous version, the lines were powerful and the characters' expressions conveyed a lot. I was seriously worried though (lol), I didn’t know if we’d complete it in time.

Ishida: I couldn’t think about anything other than the lines being too thin, so I wasn’t even worried about whether I had enough time or not.

Towada: I fell asleep halfway through, but you continued and boarded that Tokyo bound flight without having slept a wink, didn’t you?

Ishida: Yeah. I let Towada-san sleep and continued applying the screentones myself right up until the very last minute. I was still applying them whilst on the plane and also after my arrival in Tokyo. I used screentone number 10 a lot, so I remember the scenery around me gradually began to look grainy like the screentone. It felt as though I was hallucinating.

—Sounds like it was a tough manuscript to complete. Towada-san was also the author for the Tokyo Ghoul novels, has your relationship always been one akin to work partners?

Ishida: When it was decided that Tokyo Ghoul would be getting a novelisation, I was given other authors' works to look at. However, none of their styles really clicked with me, and they didn’t seem right for the series. I knew that Towada-san wrote, so I tried reaching out to her.

Although back in the days of Tokyo Ghoul’s serialisation, Towada-san and I didn’t talk as much as we do now. If I had any concerns I would just try and sort them out by myself. We’d always gotten along as brother and sister, however we didn’t really start to have a ‘work partners’ kind of relationship until we started working on Jack Jeanne together.

Towada: That’s true. Back then, we only occasionally conversed regarding the novelisation of Tokyo Ghoul. Before :re we only spoke once every few months over Skype. As Ishida-san said, it wasn’t until I started working on Jack Jeanne that we really started properly talking to one another.

—How often would you contact each other?

Towada: Depending on what stage we were at, we would bounce ideas off each other once every three or so days. Ishida-san would make a request like “I’d be happy if this part of the script was done within the next two weeks.” And then I’d present what I’d written and we’d discuss it and then I’d return to writing again. This process was repeated until Jack Jeanne reached its completion.

—Was Ishida-san the one that reached out to Towada-san to write the script of Jack Janne?

Towada: He didn’t ask me specifically to write the script, early in development he’d ask me to help with some research like “I’d like you to look up some information on this, could you help me?”. I’ve always liked ikusei games and within that genre I also enjoy romance and otome games. So I think that’s why it was easy for Ishida-san to consult me about it. We’ve had a common interest in games ever since we were kids.

Ishida: Back then I played games like ‘Pinnochia no Miru Yume’ and ‘Angelique’. I wanted to try and conquer Marcel in Angelique but it was one difficult game, so it was a tough task. Before I could even raise any flags with him, the training aspect of the game was so hard that no matter how many times I played I never got any good at it.

Towada: I’m the type that loves playing games, so after talking with Ishida-san, I went on to play every popular otome game that had been released around 2015, as well as every Broccoli published otoge. I completed every single character route in those games. I began analysing otome game trends and Broccoli’s brand identity and relayed my findings to Ishida-san. After that, I went along with the Jack Jeanne production team and Makasano Chuuji-san from Shueisha, who was the scriptwriter of the Tokyo Ghoul anime. We all visited the city of Takarazuka for research.

Ishida: I was also supposed to be there for the Takarazuka trip but since I had my manga to worry about, I had Towada-san go and take in the atmosphere in my place.

Towada: I did have to gather material but I think I visited Takarazuka a total of five or six times. From morning I would watch the Takarazuka theatre from afar and simply watch the guests move about, soaking in the atmosphere of the city.

Along with the Takarazuka plays, I also watched student plays, in total I probably went and watched one hundred shows. Theatre shows that are performed by professionals are fully realised and flawless. So getting to see the contrast to student plays, where they progress and improve until the show is complete was a very helpful reference.

I’ve always enjoyed watching plays, so everything I had to research overlapped with my own hobbies. I still shared my own input with Ishida-san though.

Ishida: I’d never formally been asked to write a script before… I felt like a fraud (lol). I think it’s because I’m not very good at being considerate of other people. I don’t think I’d be able to work with anyone other than Towada-san on something.

—Why is that?

Ishida: Well, for one I don’t want to talk to anyone for long periods of time (lol). Because Towada-san understands what aspects of a story are important to me, she’s also able to comprehend what I mean when I talk in abstract concepts. We could save time by not needing to have any pointless discussions.

Towada: Back then Ishida-san was still very busy publishing his manga, so bringing in all sorts of new people to work on the project probably would’ve put quite the burden on him. That’s why I wanted to help him out in some way.

After researching all sorts of things, I ended up participating in a production meeting for Jack Jeanne, but I was not expecting that I myself would end up being in charge of writing the script. Rather, I was more just looking forward to getting to play a game made by Ishida-san. As things progressed though, I was asked to try plotting things out, or to write part of the script to be used temporarily. Eventually I came to think, why don’t I just write the scenario myself?

I’d never written the script for a game before though, so that’s what had been holding me back. Unlike novels, it’s commonplace to not have to write descriptively. Novels are made up of dialogue and descriptions, like describing the setting and characters' expressions or emotions. So I had to spend a lot of time working out how to write to properly convey a story through dialogue alone.

When I first started getting the hang of it, I tried writing a script that still included descriptions but I quickly stopped. Jack Jeanne is about theatre, so I figured that it would be easier to convey the presence and narrative of the story through conversation. I usually write novels, so I was uncertain, but since Jack Jeanne has sprites of the characters on screen, I thought that I could do it. I suppose it’s closer to writing for a manga rather than a novel.

~ ~ ~

The rejected character routes

—Before Tokyo Ghoul was completed, what kind of things did you work on?

Ishida: The first two years were mostly spent creating the game’s world and mechanics. Like deciding how many performances there would be, how the plays would be presented. Would it be a dialogue drama? Would there be mini games? Things like that. We also had to decide whether summer break would be included or not, how raising affection would work and how the choices would be presented. Those are the sort of things that were talked about first.

—You got to watch over the entire game’s development then.

Ishida: At first, I got carried away and envisioned a stage play game full of skill mechanics that I personally enjoyed. A busy game full of specs you can raise and improve in mini games, however when I explained these details to a friend of mine, they were like “You’re just imagining a game that you would like, right?”.

They asked me if that’s what the eventual players of Jack Jeanne would be looking for. That same friend said that since it’s a story that deals with the theme of theatre, it would be better if the player could witness the performances themselves. So I took that advice and the prototype of the current Jack Jeanne was created. I told all of this to Towada-san and had her handle the script.

Towada: You can’t write a script without knowing how the game’s system works after all.

Ishida: Now that I think about it, before Tokyo Ghoul was finished, rather than build the game's foundation, all I was really doing was scattering the sand to prepare for said foundation.

When Tokyo Ghoul entered its endgame especially, I really had to concentrate on it, so I took a six month break from Jack Jeanne. Ending a story requires a lot of energy and attention, so I left the practical work of Jack Jeanne to Towada-san and only supervised the music production and attended any important meetings.

—So during serialisation you were making preparations to jump right into it afterwards?

Ishida: Yes exactly. I wasn’t able to do much practical work, so I had Towada-san prepare the script in advance for me. And for the time being, create one character route.

—Which character was it?

Towada: It was Shirota. I wrote about the equivalent length of a short book and it was more or less complete. In the end, we scrapped the entire thing though… Because the atmosphere in the beginning was quite dark.

Ishida: It was dark because I was too used to Tokyo Ghoul. It included issues like a troubled household and severe bullying. Reading something like that wouldn’t put the player in a happy mood.

Despite it being a story about the theatre, my attention drifted to other topics which didn’t fit. And it was me who had asked Towada-san to write something like that… A couple months after the Shirota route had been completed, I read over what Towada-san had written for me once again and realised that it was a bit too gloomy. I’d forgotten what prompt I’d even given to her in the first place (lol).

The first character portraits and CGs that I created were for Shirota too. The reason being that Shirota is the only second year student and he was already a complete individual, so he was easy to create for. As for the third year students, there’s three of them, Fumi, Kai and Neji. Along with Kisa, Suzu and Yonoga are also first years, so continuity and character relationships need to be taken into account in order to create them, so they were a little more complex.

—How did the other characters come to be?

Ishida: At the proposal stage, the first character that I created was Kai. It’s a game where characters will be falling in love and confessing to one another, so first off I wanted a character that was handsome. Then I made Fumi who would be Kai’s partner. After that, I think Shirota was next.

Towada: At first you created the characters by basing them on plays didn’t you?

Ishida: I’m a fan of Yamamoto Shugoro’s work ‘Kikuchiyosho’ so Shirota was created using that as a base. In Shirota's case the genders are swapped, but Kikuchiyosho is a story about a girl who is born into a samurai family and raised as a boy. It has an element of androgyny and portrays the confusion and anger concerning gender quite well.

—How did you select the plays to base the characters on?

Ishida: I chose plays that lots of people are familiar with and would be easy to assign characters to. Kai is ‘The Phantom of the Opera’, Fumi is ‘Salome’, Neji is ‘Faust’ and Yonoga is ‘Shintokumaru’. Kisa and her classmate Ootori are ‘Don Quixote’. Ootori ended up becoming a side character though.

—So Ootori was originally meant to be a main character?

Ishida: Yeah. If I were to compare it to Tokyo Ghoul, Ootori is in the same position as Tsukiyama. I wanted a pompous character like that in Quartz. However I may have made him a little too unique (lol).

I received feedback from Broccoli that they want the main six characters to be an elite group, so a more easy to approach character would be better. So I moved the bright and cheerful character that I had originally made as Onyx’s Jack Ace over. That character was Suzu.

Making the characters personifications of plays started to become difficult to stick with though, so I abandoned the idea entirely halfway through.

—Despite appearing glamorous, the characters are all dealing with their own issues, like certain complexes and family troubles. I think that they’re all conflicts that are easy to sympathise with, how did you decide what the backbone of each character's conflict would be?

Ishida: First I created the character's appearance and then decided what personality would match them. Like with Fumi, when I began to think about making his story about the unique struggles that come with being born into a respected family, if becoming a successor was going to come into question, then he needed to have a brother.

In this way, I worked backwards from the vibe of his appearance and created his home life. I did the same with the other characters too, thinking things like ‘to have a personality like this they must not have parents, or they must struggle with expressing themselves’.

I think that if you let your characters do human-like things, then aspects of them that are easy to sympathise with will be born.

Jealousy, setbacks due to failure, inferiority complexes… Each and every character naturally ended up having some form of theme attached to them.

—I feel as though Kisa had a different sort of personality than that of a typical heroine.

Ishida: To put it simply, I want my protagonists to be fighting something. If they’re not giving it their all, then it’s no good. If they’re just standing around, then you can’t empathise with them.

—There’s times where she draws others towards her or supports those around her. She also has some masculine aspects to her.

Ishida: I think that I’m moved by characters who make me think “This kid’s really admirable”. That’s why I made Kisa a girl who works hard no matter the difficult situation that she’s in. I like Kisa and I’m sure Towada-san feels the same way.

Towada: She’s the result of both of our preferences. While due to the game’s setting, she of course has struggles related to being a girl, but I was careful to write the main thread of her story in a way that transcended gender and instead simply showed her charm as a human being.

—Regarding gender, I was impressed by how neutrally it was portrayed.

Ishida: Yes. Originally, I was going to make Shirota a character with a feminine personality, but I ended up scrapping the idea. In the end, he ended up having more of a masculine mentality. The premise of Jack Jeanne is that boys also play the female roles on stage, but it’s not a metaphor for anything and I didn’t want it to raise any questions. I simply wanted to give it my all creating plays with that setting and create something new and refreshing.

I don’t struggle with any gender related issues myself, so it’s not like I can fully understand what it’s like, but in general I’ve never considered gender to be a very big deal. If someone born male were to tell me “I have the heart of a woman” then I’d just think ‘ok cool’.

To me it feels strange to place so much weight on such an issue. I don't see why others need to be bothered by someone else's gender, I'm not since I myself am not able to speak for such experiences.

Towada: At first, it was possible to take that direction with Shirota but as I continued to write, I came to realise that there was no need to exaggerate any emphasis on his gender identity.

To those looking from an outside perspective, it may seem like a unique identity such as that is a person's defining trait, when in reality it's only just a portion of their whole self. If you consider it to be all they are, then you end up denying the other aspects of that person.

Whilst considering the individually of each character, I kept in mind to write them in a way that seemed natural for them.

—The side character, Tanakamigi Chui of Amber, had a very striking presence. How did you go about creating him?

Ishida: I wanted someone that’s easily understood to be the antagonist, so I went ahead and tried to draw someone who looked like an unstoppable genius. Despite being a second year, it’s as if he controls the school. I wanted an enigmatic and intriguing character like that. Once I named him Tanakamigi Chui I felt as though he was complete and his inclusion in the story was quickly decided on.

—On the flip side, were there any characters that you had a hard time creating?

Ishida: I had to think a little harder about the other members of Amber. They needed to have the aura of the enemy but since they’re only villains in the context of the stage, they’re not actually bad people. So it was hard to find that balance between them.

Visually they’re edgy and have a talented vibe, but they also have their own individual quirks, they’re not all homogeneous. I struggled with Kamiya Utsuri especially, I wanted him to visually look like he could be a Jeanne while also still looking like a boy, so it was difficult to get him right. I didn’t have to do many redesigns though and all the other characters came to be without much trouble.

What I actually had more trouble with, was the fact I made the cast too large. I initially created almost double the amount of first year characters, but when I looked back over the script that Towada-san created, I told her “There’s way too many characters, please cut some of them out.” To which Towada-san replied, “Ishida-san, you’re the one who created them in the first place.” (lol).

Towada: That’s because the cut characters had already appeared in the script (lol).

Ishida: I feel that when there’s too many characters a lot of them get wasted, so just like that I end up creating and scrapping a lot of my characters. I think even Broccoli were surprised by the amount of times I’d suddenly tell them “Oh that character doesn’t exist anymore.”

—Apart from characters, were there any other aspects of the game that were abruptly discarded?

Ishida: The performances I suppose… Originally I had wanted there to be a larger variety of shows, but if you were to put all of them in the script it probably would’ve ended up being three million characters long.

In the beginning of development, I had originally planned for each character's route to have a different final performance. There’s six main characters, and including Kisa’s route, that would total to seven unique shows.

Before that there’s the newcomers, summer, autumn and winter performances, so I arranged to have a script written for each. Basically I wanted to include more shows and increase the amount of sub stories, but that would be confusing to play through and development would never end. The game engine has its limits too, so I decided to keep it simple.

Towada: It would’ve been difficult to play through all that as well (lol). For the final performance, we settled on it being one show and letting the player enjoy it from each character’s perspective instead. And even then, there’s still over 20 different endings to the game, so it still took a long time until everything was fully complete.

—Newcomers, summer, autumn, winter and the final performance, were these five show’s scripts all original?

Towada: Yes. However at first, like the characters, we had planned to base them on famous productions. Like Shakespeare or fairy tales. We figured that players would find it easy to get immersed in plays that they were already familiar with.

Ishida: For the newcomers' performance, I thought we could have a show called ‘House of Biscuits and Candy’ based on Hansel and Gretel. I had also originally planned to use each character's motif to base the plays on.

Towada: Like Shintokumaru, right?

Ishida: Yeah yeah. I even went as far as getting permission to use it, but if the show were to be following a story that already exists, then the script would be bound to it. Once I understood that it would make it difficult to relate the stories to Univeil, we decided to create the plays ourselves.

Since I acquired the permission to adapt Shintokumaru though, maybe I’ll have to make a manga about it someday…

By the way, the one who was saying “Let’s do this” and then changing it to “Nevermind let’s not” was all me. I’ll start on something wholeheartedly thinking that it’s the right choice before realising halfway through that I can’t actually take it anywhere and stop. Jack Jeanne’s development was full of trial and error.

Whenever I’m about to start something, Towada-san will express her concerns with my ideas but I always end up pushing on with them only to ultimately scrap it.

I probably have at least ten books worth of scrapped drafts alone. I had no real knowledge of how to properly craft a story. I hadn’t drawn anything other than Tokyo Ghoul, so even though I had no idea what the fundamentals of storytelling were, I misunderstood that I could write other kinds of stories too. This time around I studied and revised each time… I really learnt a lot.

Towada: You learn things by doing them, so I think I just got used to it (lol). Also, you don’t commonly see stories presented within stories, I thought that it was a rare case for a game especially.

~ ~ ~

The story behind ‘Lyrics: Ishida Sui’

—You also wrote the lyrics for each of the songs used in the performances didn’t you, Ishida-san?

Ishida: Yes, that’s how things ended up. It goes without saying, but no one, including myself, thought that I’d be the one writing the lyrics.

Originally Broccoli brought in several professional lyricists and had me look over what they’d written. However I couldn’t help but feel that they were lyrics I’d heard somewhere before, or they at least didn’t leave a unique impression on me. I did feel the finesse of a professional, and they were beautiful lyrics that fit the story in one way or another… But the words used didn’t touch on the core of the story. 

The songs in Jack Jeanne are stage songs that Neji wrote for the members of Quartz. So unless you’re familiar with the setting and understand how the characters are feeling, then you won’t be able to write lyrics that perfectly fit the scenario.

While I knew that my lyric writing technique would be far from that of a professionals, I thought that no one understands and loves these characters more than me, so I approached Broccoli about it. I’d poured my heart into not only the character designs, but also the story and system of the game, so I didn’t want to compromise on the lyrics and have them pale in comparison.

So, to the best of my ability, I wanted to at least try my hand at writing them. I had Broccoli check whether or not what I’d written was viable and asked them “If there are no problems, then please let me write the lyrics.”

—Did you sing the temporary vocals for the songs too?

Ishida: When I submitted the lyrics to Broccoli, I got the normal response of “Thank you, we’ll leave the temporary vocals to you.” Along with this message they also wrote “You can hire a professional vocalist if you’d like, or you could record the temporary vocals yourself.”

Because of this I started thinking that maybe I should record them myself. Similar to how one wouldn’t be able to write lyrics for the songs without a deep understanding of the story, if you weren’t the one who wrote the lyrics, you wouldn’t know how they’re supposed to be sung either.

So, after deciding that I had to be the one to do it, I made preparations to acquire some audio recording equipment and downloaded some editing software. I divided up the parts and harmonised with myself and over the course of three days, I finished recording the temporary vocals. That’s more or less how I did it.

—When recording yourself singing, being self conscious about it can interfere, can’t it?

Ishida: I don’t think I was possessed by him or anything, but… When I tried to go all out, as expected I felt a bit hesitant, so I began recording whilst imagining I was Neji.

In the game, Neji is the one who writes the scripts, so surely he would also write the lyrics and subdivide the song and do everything himself. So I got through it thinking like that. In that pumped up mental state, I sent in the temporarily recorded songs but all Broccoli said back was “Alright, let us know your upcoming schedule”, I got so carried away that I was somewhat bewildered by the cold response (lol).

~ ~ ~

Recruiting via DM, gathering specifically selected creators

—It appears the creators you gathered to handle things such as the concept art and music are all people whose work you enjoy.

Ishida: Yes. Almost everyone was sent a targeted offer. For example, I’ve always loved the concept artist Lownine-san’s work ever since I was a student. I suppose you could say I was jealous of how high quality their artwork is… They’re someone who I thought I'd never be able to beat in my entire life. Lownine-san is an amazing artist who is especially good at blending characters into their backgrounds.

When we were creating Jack Jeanne, I wasn’t sure if I’d be able to pull something like that off, so I definitely wanted to recruit Lownine-san for the job. After getting permission from Broccoli, I reached out to Lownine-san myself through Twitter DM’s. I had only appreciated Lownine-san’s work from afar, and we’d never actually interacted before, but we did both follow each other. I received a reply that Lownine-san was fully on board to accept the job.

Towards the end of Jack Jeanne’s development, I got the chance to speak with Lownine-san, so I asked them “Could you teach me how to draw?” They gladly accepted this request and taught me how to draw whilst screen sharing over Skype. However, in about 10 minutes, they’d already drawn such an amazing piece that I felt I should just put my pen down (lol).

Towada: You were a little down after that, weren’t you?

—Had you been a fan of Kosemura-san, who was in charge of music, since you were a student as well?

Ishida: Yes, I’ve listened to Kosemura-san’s music a lot since I was a student. When I was brainstorming what kind of music would fit Jack Jeanne, Kosemura-san’s ‘Light Dance’ immediately came to mind, since it fit perfectly. Because I didn’t have any personal connections to Kosemura-san however, I didn’t know how to get in contact with him, so I made the request through Broccoli. I only found out about this recently, but apparently Kosemura-san almost turned the offer down*, I was quite shocked to hear that (lol).

*When the initial request was sent, it was under wraps that the game was being made by Ishida Sui, and since Kosemura-san didn’t have much experience in writing game music, he wasn’t optimistic about the offer. However, later, when he learned that it was a game being made by Ishida Sui, he readily accepted the offer.

—How did Seishiro-san, who was in charge of the choreography, get chosen for the job?

Ishida: A very long time ago I saw the group Tokyo Gegegay appear on a program called DANCE @ HERO JAPAN and I remember thinking ‘this group is crazy good’ and I was immediately charmed by them. After that, whilst I was looking through more videos of Tokyo Gegegay on YouTube, I happened upon a studio workshop video and discovered Seishiro-san.

—What about him caught your eye?

Ishida: Whilst first and foremost his dancing was super sexy, it also had a certain strength to it. I remember thinking that he danced in a way that embraced the best elements of both masculinity and femininity. And that had stayed in my memory ever since. When Seishiro-san was recording motion capture for the game, he allowed me to interrupt and even taught me some of the choreography.

(note: you can watch Seishiro dance here, he is also the choreographer behind this RADWIMPS music video!)

—I hear you’ve known Gyudon-san, who was in charge of making the movies, since your Tokyo Ghoul days. 

Ishida: Yes. Around the time volume 13 of Tokyo Ghoul was set to be released, we held a still image MAD (Music Anime Douga) contest. The grand prize winner of said contest was Gyudon-san, who at the time was still only a student. The way they made a video by manipulating the manga panels to move so fluidly was really cool and stood out from the rest. 

Around when Tokyo Ghoul had ended and :re was about to start, I had Gyudon-san make a minute long video for me. After that, Gyudon-san grew in popularity and became someone whose work is in high demand, so they seemed very busy.

However when Jack Jeanne was announced, we were able to have them create a promotional video for us. Since I’ve known them since Tokyo Ghoul, I figured I couldn’t go wrong entrusting the job to Gyudon-san. They didn’t just deliver their finished work without a word either, Gyudon-san also made a variety of suggestions and worked on the project with a positive attitude. For the videos used in the performances, I was asked to provide materials and became very involved in the process. I think it took about two weeks… Despite the really tight deadline, Gyudon-san allowed me to catch up and was super helpful.

I was also the one who reached out to Touyama Maki-san, who was in charge of creating the in-game chibi characters and the 4koma manga used for promotional purposes. During Tokyo Ghoul’s publication, Touyama-san would draw short comics for the series as a hobby, I thought they were a nice person for doing so. Their art was great too and I was very thankful. So when it was decided that we’d be displaying chibi characters during the game’s lesson segments, I wanted to leave it to Touyama-san and sent them the offer.

(note: this is the MAD that gyudon won the contest with, they now regularly make moving manga CM's for jump titles, they make the Choujin X ones too!)

~ ~ ~

The winter performance moves into Quartz’s ending, and the divergence in the story since the beginning of the year drastically branches off

—The performances, packed full of each of the character’s skills, continue for a year and pass by in the blink of an eye. Once the new year breaks, it feels as though the atmosphere of the game drastically changes. What were your intentions behind this?

Towada: That’s when the character route specific endings begin. So we packed all the needed material to set them up into the winter performance.

Ishida: The winter performance is like an ending for Quartz as a whole, so we packed it full of good lines and scenes without holding back. I may have used up all of my cards but by using them all without compromise, we were able to make the story reach a nice peak. After that, the story switches to focusing on each character's individual ending.

Towada: We used a lot of great material in the winter performance, which meant the final performance would have to be even better still. In a good way, it gave us a higher hurdle that we now needed to overcome.

—So you needed to create even more anticipation heading into March?

Towada: From January to March, each character’s route is completely different. From the new year onwards I needed to create seven different scripts, so it was very challenging. The amount of text for the last three months of the game alone just about eclipses the amount of text from up until the winter performance. There was so much to write that I began to fear I wouldn’t even be able to finish it.

Ishida: Having more choices that drastically change the ending of the game makes the player feel more involved. So, despite it making things tougher on ourselves, around the time we were working on the autumn performance is when we began thinking about how the game’s big branches should work. Along with the main routes, we also planned for there to be the option to deepen your bonds with the side characters.

—How did you go about creating the confession scenes?

Towada: Before the winter performance, to some extent each character has already grown closer to Kisa, so I kept in mind not to disrupt that flow. Since if I didn’t make it a confession that respected both Kisa and her suitor’s feelings, then I felt it would spoil the fun.

—Is that how you approached the ‘realising Kisa’s a girl’ scenes as well?

Towada: Yes, I suppose so. As I was writing the script, I knew that a point was going to come where Kisa would have no choice but to acknowledge the fact that she’s a girl. There’s characters that realise her true gender once their bond deepens and on the flip side, there are some who don’t realise it at all. There’s also the case of Yonaga, who knew Kisa’s situation from the beginning. I guess you could say each reveal followed one of these three patterns. Those who came to realise it, those who didn’t notice anything and those who knew from the start. I think they ended up being nice variations and I put careful consideration into writing them to make sure none of the realisations felt forced.

Also, the beginning half of the story is akin to that of a sports drama about teenagers putting on shows together, so the room for romance to be added is limited. That’s why, when I first started adding romantic elements to the character routes, it felt strange to me, so I discussed it with Ishida-san. I wasn’t able to effortlessly soak the story in romance. I think I had to rewrite Shirota’s ending at least three times…

Ishida: Shirota was who you tried writing an ending for first after all.

Towada: Shirota and Kisa aren’t the sort of people who’d be all flirty, and Shirota’s initial route was already muddy, so it was difficult to pull everything together. However, once I stopped trying to write in a way that forced romance on them and instead wrote them becoming closer as partners, things went more smoothly.

It may not be a stereotypical sort of love, but it was a human love. I thought that the natural way these two would be drawn together wouldn’t be through whispering sweet nothings to one another, but instead by coming to understand one another without having to exchange words at all. Once I’d completed Shirota’s route, to some extent, I continued writing the other routes in a similar way.

Ishida: While it’s true Shirota acts like that, the other characters all act differently. To the point some aren’t even comparable. In contrast to Shirota, Suzu’s route ended up being more of your stereotypical kind of romance. I thought that it would be nice for each character to have their own unique form of love.

Towada-san’s strong suit is writing a love story with your more classic otome guys like Suzu and Kai. I have no idea about that kind of thing, so I left Towada-san to pour her own ideas into their routes. On the flip side, characters like Fumi and Neji were dyed more with my own ideas. Neji’s way of flirting especially were mostly lines that I requested.

Towada: He’d say “Make him say something like ‘Try seduce me!’ Because I want this CG to appear.” (lol).

Neji especially plays with his words a lot, so unless Ishida-san told me what wordplay to write, I wouldn’t have been able to expand on it. Ishida-san has a very unique way of phrasing things, so I asked him for advice a lot to make sure I was making Neji speak in a Neji-like way. I then arranged the lines and created events in order to reach the intended goal. I constructed the route in a way that wouldn’t disrupt the flow of the story. As for Fumi, Ishida-san wrote his route himself.

Ishida: Yes, I wrote it all myself.

—Well isn’t this quite the exciting plot twist?

Ishida: I turned into quite the young maiden myself (lol). Even though I’m clumsy at it… I began wondering why I ended up loving writing it so much. I added some lines that have more of an adult and deeper meaning to them, so when I played the route myself I was like “Woah!”.

Towada: It’s more interesting if at least one character is that way. From the early days of production, I’d quietly wanted Ishida-san to write a character himself, so I was happy. I was unsure how to deal with Fumi too, so it was a big help that Ishida-san took him on. His route ended up being a lot sweeter than I’d been expecting though, it got my heart racing (lol).

Ishida: I was also the main writer for Kisa’s solo route. There’s no romance in it, but it’s an ending where long lasting friendships are born and it ended up being the kind of story you’d see in an uplifting shoujo manga.

Towada: It’s full of Ishida-san’s flair, I loved it.

Ishida: If love is a lie, then how do you face that lie? That’s the sort of thing I thought about. Kisa is lying about her gender and pretending to be a boy, but Neji, Suzu, Fumi, Yonaga and so on, are also hiding lies within themselves.

The fact they’re all hiding their true motives is something that they have in common with Kisa. Whilst hiding, the two grow closer. I think that a confession is a scene where all these lies intersect and burst open. Everyone is lying, and I thought that was like a play, without realising it I think that slowly became the theme of the work. 

As people, we meet others whilst lacking something and some people end up becoming a necessary part for someone else. I wanted to see a drama like that. Despite it being a game with confession scenes, I wanted it to be a story that both women and men alike are able to identify with.

~ ~ ~

From thorns to rounded edges, how the style of work transformed 

—If there was a small novels worth of rejected material, then how many books worth of words made it into the final game?

Towada: In terms of paperback books, probably about twenty volumes worth.

—Because as well as the main scenario, there’s also the sub scenarios and the stage plays?

Ishida: As much as time allowed, I put my all into creating the game. However there was a deadline for things like the voiceline recordings, so I was working both day and night to get things done in time.

Towada: I was only getting around three hours of sleep. I feel like at one point Ishida-san didn’t sleep for four days.

Ishida: I was in a serious pinch so I don’t remember it well, but when I was writing the script I would hole myself up in a manga cafe for around thirty hours at a time. Multiple times a month. Once I felt as though I’d written to a good point, I’d go home only to return to the manga cafe again. Why? Because I was sleeping in the manga cafe. I mays well have been living there…

Towada: Once Ishida-san had finished writing his part of the script, he’d have me check it. So at the same time, I’d have Ishida-san check what I’d written.

Ishida: For a period of time it seemed like Towada-san was always awake. Whenever I would send a check request she always responded right away regardless of the time, so I figured she must not be sleeping.

So that my productivity wouldn’t be affected, I made sure to sleep at a regular time, however I’d be awake for like 30~40 hours at a time and then sleep for 10 and then be awake again for another 40. My sleeping patterns would repeat in this cycle. During Tokyo Ghoul’s serialisation my sleeping patterns were similar, so to some extent I might’ve gotten used to it.

—That’s just like Neji-senpai, isn’t it?

Ishida: Yeah yeah, I worked in a similar way to him. However in Neji’s case, he can complete a script just one day after coming up with the idea for it, so he works way faster than us. It took us around two months to write parts of the script, so Neji really is a genius isn’t he? I was writing whilst wishing I could be like Neji.

After experiencing writing a script, I’ve come to have a lot of respect for authors. Writing is completely different from drawing. When writing I need to really concentrate on it, I can’t multi-task or think about anything else. Whereas with drawing, there are some things that can be done as long as you can move your hand, so I can talk to someone whilst drawing or watch a movie in the background or work whilst thinking about other things. I can’t do that when I’m writing though, I was starting to wonder if I really had to think so deeply about everything I wrote.

—During the production of Jack Jeanne, as you worked on the script or the lyrics etc, did you notice any changes in how you worked?

Ishida: For Tokyo Ghoul, I was always consciously adding things, meaning I would draw everything that I came up with. I thought that it was fine to only put 20% of my output into the characters and dialogue. However, when I was working on Jack Jeanne, I began to think that my method of just adding things was incorrect and that I should also consciously remove things. It’s ok to just be left with what’s necessary. My way of thinking ended up being the exact opposite to before.

—What brought about this change in thinking?

Ishida: It was early in production, when I had asked Towada-san to write Shirota’s route for me, I got concerned about the ‘sharpness’ of the story. As I mentioned earlier, I ordered Towada-san to add this and that and sent her walking on a long journey. Except, what lay completed at the end of that road was such a painful story that even I myself was shocked by it. When I looked down at the world I had created it was as if I’d received a psychological shock. I think I even smelt the faint scent of blood.

—From thorns to rounded edges. I still remember the comment you made during a press conference saying, “I was careful to not kill off any characters”.

Ishida: Stories where characters die are usually fast paced with high stakes, however, the kids at univeil are living a different kind of story. I had to consider the best way to create drama in that kind of setting. I thought about it a lot and it may have only ended up being possible because of the fact it was a game.

—Why is that?

Ishida: Because of the flow of the dialogue, backed by Kosemura-san’s music while it's being read out by all of the voice actors. It all comes together as one… That’s what I think at least. Writing and illustrating are Towada-san and I’s main domain of expertise, but I think that it was thanks to all of the other various creators involved that we were able to create something new.

—Do you think anything about yourself changed, Towada-san?

Towada: It came down to the fact I wanted to create something for Ishida-san whilst there were also things that I wanted to add myself. This dilemma caused me trouble at times, however when I started to consider what components I should add, or which ones I should remove, I began to discover what elements I liked and what my own skillset was. 

The way that Ishida-san and I go about creating stories is different. I came to understand that Ishida-san’s strong point is creating impactful scenes, whilst mine is plotting and world building. Ishida-san being in charge of the pivotal scenes would make things more exciting, so I concentrated on writing everything else whilst keeping the balance in mind. Through working on Jack Jeanne, I’ve become able to say that my strong suit is being able to create a story that flows well.

It may be true that by working with other people, you come to understand more about yourself. Starting with Ishida-san, I also looked at what the other creators were doing and thought ‘so this is how they interpret the story.’ Seeing what they came up with made me notice different approaches that I hadn’t thought of.

I’d write whilst listening to Kosemura-san’s music and decide which way to take a scene. Or I’d watch Seishiro-san dance and think about how I could make the performances more exciting. We were all connected in some way. Novels are usually written alone by one person, so I came to learn the thrill of working on something in a team.

—The way you all came together as gears to create a single work sounds similar to the story of Univeil.

Towada: True. I never thought I’d experience something straight out of my youth again at this age. Being helped by other team members or being supported by them, being motivated by simple phrases like “It was great” or “I like this idea”.

For example, when I was working on the final phases of the story, I was just writing and writing with no end in sight, I couldn’t take it anymore and my pen just stopped moving. During this dire moment so close to the end, my proofreader messaged me saying, “You’re almost done.” And with that simple message alone, it was as if a burst of light appeared before my eyes. Everything had gone pitch black, but they lit everything back up again. Ishida-san also wrote some of the script, so I didn’t feel as alone.

Ishida: At that time I left all my drawings alone and decided to solely focus on the scenario.

Towada: Yeah, because I hit a point where I wasn’t able to write it on my own anymore… When Ishida-san sent me the script he’d written, it was interesting and I let out a breath of relief. I felt the joy of being able to see someone else's work. I was the same as the Univeil students who find joy in performing with others. I definitely wouldn’t have been able to do it if I was alone.

Ishida: You’ve got that right. I think that if anyone was missing from the team, it wouldn’t have worked out. Not to mention that in my case, everyone’s contributions were directed to me, and they were all people that I’d personally gathered.

With manga, even if it comes to the worst case scenario, at the very least it would all just fall on me. However this game isn’t just something I made on my own, I need to contribute as much as I can or the efforts of everyone around me will go to waste as well. There was a moment where I felt afraid of having such a heavy responsibility placed on me. However, if I had tried to do it all on my own, I think I would have given up.

By listening to wonderful music, reading interesting scripts and moving forward together with everyone, I was inspired. Coming together with fellow creators to make one work came with a lot of challenges, but it was fun. It was refreshing being in an environment working alongside other people, and because of it I was able to experience something new.

—Has working alongside other people changed the way you work at all?

Ishida: Right now I’m still in the state immediately after being swept away by the raging waves of a storm, so I’m not sure how I really feel yet. I’m in the phase of just watching what becomes of Jack Jeanne as the waves subside.

Even though the script and illustrations were done, like bonus stages lots and lots of new tasks kept popping up. So I was still busy with work up until the beginning of October last year. When I looked at some of the thoughts people had on the demo version of the game, it felt as though what we’d all been working so hard on had finally taken shape, and I was relieved.

Working on this project I’ve come to learn both the hardships and the fulfilment that comes with creating something with others. So, I suppose I’ve started considering working on something by myself again… I’m not trying to say that it’s in my nature to want to work alone, I think I’m just experiencing some kind of aftershock. I think the waves are returning.

Towada: I’m still working overtime and supervising Jack Jeanne (lol). Like checking content that will be posted on social media, as well as the 4koma manga. Content is still being released and there have been bug reports from some people who played the demo… Meaning that my journey is still not over yet. I think that things should calm down once the game has been released for a while.

Ishida: Yeah, probably after around five months (lol).

—After their final performance, the members of Quartz all threw a party to celebrate. Did you and the rest of the creators do the same upon the game's completion?

Towada: I celebrated with Ishida-san as siblings. And then afterwards we got swamped with work again (lol).

Ishida: Yeah, we didn’t end up meeting with the other developers or the voice cast. Big project after parties aren’t as common these days, but I do want to hear everyone’s stories of any struggles they had.

Towada: There were way too many people involved in total for me to be able to speak with them all, but I’d still love to convey my impressions to them. Like letting them know what I thought was good, or letting them know that a certain thing really helped me out.

Ishida: Ideally I would like to gather everyone and really have it feel that ‘this is the team of people that created Jack Jeanne’ and I’d like to express my gratitude to them all in person. I hope that an opportunity like that will come one day.

~ ~ ~

[thespiritoflife]

ᏋᏉᏋᏒᎩ ᎩᏋᏗᏒ

Fandom: ATWOW

Pairing: Ao'nung x fem!na'vi!reader, Olo'eyktan!Ao'nung x fem!na'vi!reader (Metkayna!fem!reader)

Warnings: grammatical errors (feel free to tell me!), older Ao'nung, angst? mention of death BUT HAPPY ENDING <33

please, let me know if you liked it!!! thanks!

THE SONG IS NOT MINE!!! IT'S CALLED: if the world was ending.

BEAUTIFUL ART OF OLDER AO'NUNG IS ALSO NOT MINE, FULL CREDITS TO THE ORIGINAL OWNER/ARTIST. here's the link where i found it.

Y/N has always been mysterious. Even as a small child, Ao'nung remembered her as a small, quiet girl. But even when he got to know her, and played with her in the water, she never told him anything about herself. He could talk for hours and she said nothing.

He started liking Y/N as a teenager. She was really pretty, not pretty, beautiful, and caught the eyes of many. Ao'nung had to fight for her, for her favor. For the favor of the mysterious beauty, as he called her. That nickname got on Y/N's nerves.

But Y/N didn't want him. She didn't want the others either.

Ao'nung didn't understand. He went then, 15 years old, to his father, all unhappy with Y/N's rejection.

"Son, now listen carefully," Tonowari told him.

His wife, Ronal was amused by this, she liked that the girl taught her son a lesson that he doesn't always get what he wants. Of course, she felt sorry for him. But it brought a smile to her lips that her son is growing up. She was sure that girl liked him, she knew it from the way Y/N looked at her son. They were too young to have serious love.

"You shouldn't tell your mother this. But Y/L/N's girls were always mysterious as well as beautiful. So very much. Ah. I knew her mother, Ao'nung. She was a beautiful woman. Honor to her memory,"

Ao'nung never knew Y/N's mom, Y/N didn't like to talk about her. It was known that she died because someone from the sky people killed her.

"If I didn't know your mom back then, I probably would have thing with her. And maybe not. She already had a thing with Y/N's father by then." Tonowari thought.

"Dad, what does this have to do with what you want to tell me? Ugh,” Ao'nung rolled his eyes.

"Sorry! I want to tell you, son, that the girl has some secrets that she doesn't want to tell you. Some painful secrets like her mother. You know, she may be beautiful, but is she worth it? To love someone who will never reveal himself to you?"

"Marriage is not boring then, you still have the opportunity to learn something about each other," Ronal appeared out of nowhere.

"Ronal," Tonowari said and Ronal apologized with her eyes and walked away with some herb she had come for. She left them alone.

"But mom is right, dad. I want her and one day I will have her," Ao'nung declared confidently.

His father messed up the hair on his son's head. “Okay, Ao'nung. But wait a little longer, because now you are a child. And she's too. Everything will come. And choose with your heart, not your mind. Whether she will be your wife or another, love each other."

10 years later

Y/N was holding the blue flower Ao'nung had given her. Olo'eyktan. Her husband.

This year was so sad. For the whole clan. Tonowari died. In battle. Ao'nung didn't take it well and Y/N stood by him. She wiped his tears and comforted him. But Ao'nung had to become their leader. He has to be Olo'eyktan like his father. Y/N knew his father would be proud of him.

"But he would like you to stand up. To be strong," she put her hand on his shoulder.

Ao'nung took her hand and looked into her eyes. She was now his support in these difficult times. Not that he didn't have support from his pregnant sister, but his sister had enough of her worries. He didn't want to bother her. And his mother? She went away somewhere. She needed to be alone. After all, she lost her husband.

Only Y/N didn't leave him. She stood by him. She always stood by him. It was strange, Ao'nung sometimes acted like a jerk, but for some strange reason, she was always there for him. She once revealed to him that it was because she liked him.

"Ao'nung, I look at you and see a strong leader in you. Like your father. You will be a wise and strong leader. I am proud of you,"

Ao'nung dropped to his knees before her and kissed her hands.

"What are you doing?? Get up!” Y/N ordered him.

Ao'nung ignored her.

“Y/N… be with me. Rule with me. I love you."

Y/N had tears in her eyes. "Ao'nung..." she didn't want to believe what was happening. Her childhood friend, who had been chasing her for years, had grown up and become a man. And now he is kneeling in front of her and begging her to become his wife.

"Please. You are my only comfort. Hope."

"Yes. Ao'nung. Yes.” she threw herself around his neck and Ao'nung kissed her tears away. They kissed each other's tears. They always loved each other, even though Y/N ​​took longer because.. she didn't even know why. But she knew one thing her heart belonged to Ao'nung.

╭┈◦•◦❥•◦ Ao'nung slept hard. Y/N didn't. It didn't make sense, they made love all night, they promised each other their love, they mated and they were married. She should have been tired. But she wasn't. She stared at the sky full of stars.

She turned and looked at her husband. He was so handsome. He always was, but now he seemed the most handsome to her.

She had one thing to do. She simply had to. She had to say goodbye and start over. She hoped Ao'nung would forgive her. He might not even notice.

She kissed him and stood up. She threw on her clothes and quietly went to the water. The whole village was asleep and that was good. She quietly called her Ilu. Then she stroked it and they set off.

She had to go to the Tree Of Spirits.

The sea was so magical at night, everything was lit up and sea life was bustling under the water.

When they reached their destination, Y/N sent Ilu away and went to the tree. She connected her braid to the tree.

╭┈◦•◦❥•◦ 𝑩𝒖𝒕 𝒊𝒇 𝒕𝒉𝒆 𝒘𝒐𝒓𝒍𝒅 𝒘𝒂𝒔 𝒆𝒏𝒅𝒊𝒏𝒈

𝒀𝒐𝒖'𝒅 𝒄𝒐𝒎𝒆 𝒐𝒗𝒆𝒓, 𝒓𝒊𝒈𝒉𝒕?

╭┈◦•◦❥•◦ “Y/N. Every night, every year. You will always come," her mother hugged her.

Y/N was shaking, tears in her eyes. "Mom. I miss you,"

She stroked her hair. "I know, honey."

"Mom... I came to say goodbye to you. I love you but…” Y/N looked at her mother.

"I know. It's time. Don't give up. But to let go," her mother whispered to her.

"I am letting you go. All those years..."

“It wasn't your fault, Y/N. Stop blaming yourself. It was my decision."

"I could have saved you"

"You were a child. What mother would not sacrifice herself for her child?"

Y/N cried:" I saw it. I saw how they killed you. In a brutal way. It never left my mind. I couldn't save you."

Her mother grabbed her hand. "Angel, I'm dead. And I am at peace. I never once regretted my decision. It was the best decision. To let you live."

She sighed. "But promise me something. You won't come here again. You let me go. A new beautiful life full of love awaits you."

"Your husband will love you until his last breath. But you have to forgive yourself. I forgive you, even if I have nothing to forgive, but if it gives you inner peace, then I forgive you. Eywa forgives you too," the mother touched Y/N's heart. "Now is the time for you to forgive yourself."

╭┈◦•◦❥•◦ 𝑩𝒖𝒕 𝒊𝒇 𝒕𝒉𝒆 𝒘𝒐𝒓𝒍𝒅 𝒘𝒂𝒔 𝒆𝒏𝒅𝒊𝒏𝒈

𝒀𝒐𝒖'𝒅 𝒄𝒐𝒎𝒆 𝒐𝒗𝒆𝒓, 𝒓𝒊𝒈𝒉𝒕?

𝒀𝒐𝒖'𝒅 𝒄𝒐𝒎𝒆 𝒐𝒗𝒆𝒓 𝒂𝒏𝒅 𝒚𝒐𝒖'𝒅 𝒔𝒕𝒂𝒚 𝒕𝒉𝒆 𝒏𝒊𝒈𝒉𝒕

𝑾𝒐𝒖𝒍𝒅 𝒚𝒐𝒖 𝒍𝒐𝒗𝒆 𝒎𝒆 𝒇𝒐𝒓 𝒕𝒉𝒆 𝒉𝒆𝒍𝒍 𝒐𝒇 𝒊𝒕?

𝑨𝒍𝒍 𝒐𝒖𝒓 𝒇𝒆𝒂𝒓𝒔 𝒘𝒐𝒖𝒍𝒅 𝒃𝒆 𝒊𝒓𝒓𝒆𝒍𝒆𝒗𝒂𝒏𝒕.

╭┈◦•◦❥•◦ Ao'nung smiled in satisfaction. He finally smiled. He was smiling after those long dark days. He had a beautiful passionate night with a woman, his wife, whom he sincerely loves.

He turned towards her to say something, but she wasn't there. He got up angrily. He must be dreaming of that! He went outside, but she was nowhere in sight.

The sun was slowly rising and Ao'nung looked for her all over the village. She was nowhere.

Did she run away from him?

Of course, it was too good to be true. Of course, she left. She left him like everyone else. He roared like a wounded roar and fell to his knees.

"Ao'nung," his sister walked up to him and wanted to get him to his feet. "You don't know what day it is today, do you?"

╭┈◦•◦❥•◦ Y/N had a big problem. She had inner peace, but she found out a terrible thing. And that she was much longer there than she planned. She found it out by the sun. She was afraid to go back to the village, but she had to be strong.

She hoped that no one would be waiting for her on the beach, but she was wrong. There were a lot of them. But Ao'nung was not there. Y/N's heart skipped a beat. Was he angry?

"Olo'eyktan! She's back!" someone shouted and Ao'nung appeared from the shadows, like a god of vengeance. He had an angry expression on his face. But he didn't want to make a scene in front of everyone, so without a word, he grabbed her hand and dragged her to where they would have privacy.

"Ao'nung."

"Shut up. Now I'll speak," he said angrily, making sure no one heard them.

"How could you do this to me? After our night, you just disappeared. Do you know what it was like to wake up and you weren't there? I was really worried about you! Y/N!” he yelled.

Y/N looked down. She felt useless. She was sorry.

"Ao'nung, I would never leave you. You know that." she whispered.

Ao'nung looked down at her. "Really? How can I trust you?"

Y/N fell to her knees. "Sorry. I'm sorry, but I had to do it. I had to forgive myself," she whispered.

"Get up," he motioned to her, but she didn't get up. She shook her head. "Punish me if you want, I deserve it, Olo'eyktan."

Ao'nung's expression softened. “I don't want to punish you, y/n. I love you too much for that. But please, let's be honest with each other." he sat down. "No more secrets. I don't know if I can handle any more secrets. I used to like that about you, Y/N, that you were mysterious but now.."

"I understand that. And I have nothing to hide from you. I'll tell you everything," she took a deep breath.

1 year later

Ao'nung kissed his wife passionately. She giggled. "Ao'nung, stop! Someone can see us!"

"Then let them see how I love you," he rolled his eyes.

Y/N wrapped her arms around his neck. "I love you so much, my husband"

"I love you too, my mysterious beauty."

"You know I have nothing to hide from you anymore," she sighed and Ao'nung grabbed her hand. "I know, but I still like that about you and I always will. It was part of you and it still is."

𝑻𝒉𝒆 𝒔𝒌𝒚 𝒊𝒔 𝒇𝒂𝒍𝒍𝒊𝒏𝒈 𝒘𝒉𝒊𝒍𝒆

𝑰'𝒅 𝒉𝒐𝒍𝒅 𝒚𝒐𝒖 𝒕𝒊𝒈𝒉𝒕

𝑵𝒐, 𝒕𝒉𝒆𝒓𝒆 𝒘𝒐𝒖𝒍𝒅𝒏'𝒕 𝒃𝒆 𝒂 𝒓𝒆𝒂𝒔𝒐𝒏 𝒘𝒉𝒚

𝑾𝒆 𝒘𝒐𝒖𝒍𝒅 𝒆𝒗𝒆𝒏 𝒉𝒂𝒗𝒆 𝒕𝒐 𝒔𝒂𝒚 𝒈𝒐𝒐𝒅𝒃𝒚𝒆