#he was heading straight for us

[legally-killable-sparrow]

Car salesmen are avatars of the hunt

No I wont be buying any of the cars in this logiyfixuotidykd

[clownsuu]

i never leave asks but i NEED to say that ur interpretation of wally is the best i’ve seen in the fandom and my absolute favorite hdkgnskgs like hell yea go completely unhinged u tiny fucking freak /affectionate

in love with ur art in general <3

WHEEZE lmao thanks my guy! I try my best to appropriately display wally to the best of my ability

cw obsessive/possessive behavior

He’s just a lil silly, maybe even a lil goofy (and dare I say, even a lil quirky-?)

[puppyeared]

axolotl

[ryllen]

I wanted to reblog that one text post that said imagine waking up to sebek and his hair is down and he is looking so handsome just like his newest appearance on book 7

and i just bumped to this video and was like "Ffshds what if he SURPrisINGLY wa kes up EXA CT LY like thi s fsjdsd? ? "

[renatapatata]

as soon as i added a very vague letterbox review for this film some guy from work texted me and it took me .5 seconds to realize he had no idea what the plot was actually about… certified ‘bruh’ moment lads

[i-am-not-a-who-i-am-a-what]

so about the header that proceeded today's statement:

Viability as agent: Low

Viability as subject: None

Viability as catalyst: Medium

i didn't know what to think of this part of the entry at first, but the longer the statement went on... was the institute in this universe trying to manufacture avatars?

the dice can't do anything without someone to use them, they can't be an "agent" by themselves, but might be capable of manipulation, so in that aspect their viability is "low."

the dice could be a "subject" in the sense that they could use further studying, but the statement itself was a very thorough investigation of their workings, so in that aspect their viability is "none."

the dice seem to influence their holder to roll them, or at least find more victims to roll them, and could therefore be described as a "catalyst" for someone's becoming. but, as seen in the statement, their owner can give the dice to someone else (albeit not without consequences), so in that aspect their viability is only "medium."

so what about the line following all this, what does "Recommend referral to Catalytics for Enrichment applicability assessment" mean? if we go by this interpretation, i'd say it could mean the institute wanted to find a way to make the dice even more potent as an artifact, maybe even remove that pesky ability for their owner to reject them.

imho all of this this brings a whole new level of context to the events of episode seven, of unknown violent agents going after an influx of objects that seemed straight out of artifact storage. was that the nature of the titular "magnus protocol" first mentioned in episode four, the one that involved the starkwall group? containing or destroying potential artifacts before the institute could get their hands on them?

it also makes their "gifted kids program," and sam's link to it as one of the kids being studied, all the more horrifying to think about. was it not just avatars in general they were after, but child avatars specifically? no wonder gertrude got so defensive over the possibility of sam and celia dragging gerry back into the institute's business last episode, we all picked up on her clearly knowing more than she's letting on but now we might know the shape of that information a bit better.

and one final bit of food for thought... this statement had a lot of familiar themes, didn't it? free will or the illusion of it, gambling and not-so-random chance, the statement giver being done in by one final hit from what feels like a bit of an addition... all hallmarks of a certain mother of puppets. doesn't it seem fitting that "chester" would use this kind of statement to warn sam about what harm pursuing the magnus institute could bring to him, considering the one his voice might draw from? and doesn't it seem so painfully ironic that his warning seems to have only driven sam further into that web?

[smultronviol]

Ppl going "waaahh unpopular opinion but Alice is kind of annoying and obnoxious and I don't think I'd like be her friend irl" is so funny to me bc like.

God forbid a cast of characters be multifaceted and have actual flaws and unpleasant aspects other than "grr angsty hero" and "whoops i'm so clumsy". Sometimes character dynamics and arcs need to be prioritized above "who would i personally be niceys with irl"

2. bro just WAIT until you hear about season 1 jon lol

[gatorgrumbles]

Prince Monkey Butt

[phoenixcatch7]

One of my favourite small things about totk is because of the amount of traversal abilities link has, they can really afford to lean into the set design more.

Like, other games, you can only mimic crawling over rubble and squeezing through gaps. If you want to get in and out of a hole you need ivy to climb, or stairs, or some sort of transport mechanic. If you want a boss arena you need a clear, delineated space unless you specifically make the boss work with the environment.

In totk, you can be like 'screw it. Here's a 50m hole in the ground. Sheer walls. No floor that isn't malice. There's a boss that moves faster than you can run or climb. Have fun' and the players will be able to!

You don't need cleverly designed paths and suspension of disbelief switches and levers and ivy when you can straight up make the environment whatever you want and know the players will still be able to traverse it with a bit of elbow grease.

Heck, now you can make long, winding tunnels with dead ends and people don't have to backtrack! You can lay huge traps and not have to worry about how they'll make it out! Up through the ceiling they go!

A bridge can be actually broken. A wall can be actually collapsed. A door can be actually locked from the other side without some secret entrance. A floating island no one's ever been able to reach is now actually out of reach rather than just conveniently having a cannon unknowingly pointed directly at it lol.

In totk you can make your own way. It feels good to work through puzzles and move paths into place, but it also feels good to cackle and shoot yourself over a chasm with a handmade rocket you built earlier.

[myreia]

— vi. stay | follow

It is an inevitability, she feels, that they are always a little out of step, a little out of sync. One ahead, the other behind, a shadow to the other’s light. Pulled together not by fate nor by destiny, but by a small series of choices that are greater than the sum of its parts. They will always find each other—to the very end.

[thebroccolination]

THE EX-MORNING SERIES CONCEPT

By now I think many people have heard that KristSingto’s upcoming series is an original script that was written for them. What we also have confirmed is that it was written about them.

[source]

KRIST: This series was written by P'Backaof and directed by P'Lit where they created this script from the start deliberately for the two of us and they got information for the characters etc. from KristSingto directly. In the series, the name for P'Sing is Tamtawan, and my name is Phatapi. And Tamtawan Tamtawan and Phatapi are KristSingto themselves.

INTERVIEWER: Does that mean you play yourself?

KRIST: [laughing] Yes, we act as ourselves, so it's not difficult at all.

Today, Aof elaborated on his part on Twitter:

[source: @backaof]

[translation: @_beinglistener]

And Jojo added:

[source: @jojotichakorn]

[translation: @_beinglistener]

So, two gay men are the leading creative minds behind KristSingto’s comeback series. Time to study up on your KristSingto history, kids. \:D/

Long live sanctioned RPF. 🎉

[essektheylyss]

It took me like two hours to process that Caleb's description of dunamis actually was somewhat new information and then go back to grab the transcription because, uh, both "form of magic that exists between the fabric of all of forces of power" and "one of the oldest and most fundamental forces" are far more confidently firm descriptions than we ever got in campaign 2.

Was I actually roughly correct about what dunamis was??? HELLO???

VINDICATION?!?!

[elderwisp]

◁ || ▷

Sam: You ready, kid? 

Frances: Yeah, I made some adjustments, I hope you don’t mind. 

Sam: You WHAT? Frances, come on, you’ve got to run these things by me. 

Frances: It’s good, I promise. I won’t embarrass you. 

Sam: Alright. Do you need anything? Your instrument’s tuned? Bow has rosin? 

Frances: I’m good. Go join them. 

Octavia: I do apologize… I was running a bit behind schedule. My name is Octavia Moon and I’m glad to finally meet you. You may begin. 

Frances: Hello! My name is Frances Dubois. I’ll be performing an original piece named Desiderium. 

[ The musician and the instrument, both together in perfect harmony. You're reminded of something. A bittersweet moment. Your first heartbreak. The deepest regret. ]

Octavia: Thank you darling. You’re free to go.

Sam: Frances-

Frances: Let’s go over some notes outside, yeah?

[dwaynepride]

god i made this gif bc it was so cute and funny but i never used it for a fic and i think that's so sad

[harbingersecho]

they get a vacation (debatable if they deserve it) and go to a club. nightmare blunt rotation btw

[ingravinoveritas]

So, it is now three days into Pride, and the gayness just keeps on coming. This is a screenshot from 2019 of Michael responding to a piece of Ineffable Husbands fanart of Aziraphale and Crowley at the cinema in the 1980s.

For those who may not know (as I didn’t, not being from the UK), La Scala was a cinema in King’s Cross, an area of London that (pre-Soho) was a haven for all things LGBTQ, and showed many LGBTQ-themed films throughout its notorious run.

But the extra special thing about these gay all-nighters (and which Michael would have undoubtedly known when writing that tweet) was that all sorts of debauchery (a.k.a., gay orgies) tended to ensue among its patrons:

...So, not only do we know that Michael has thought about Aziraphale and Crowley fucking, we also know that he has thought specifically about when and where they would fuck...and it’s in a place nicknamed The Sodom Odeon. On top of all that, we now have GO season 2 coming out with a scene filmed in the Bo’ness Hippodrome and Michael looking incredibly smug on the day of filming said scene. In a dark cinema. With David. I just don’t even know what else to say...

(Also...What were you doing in King’s Cross in the mid/late ‘80s, Michael? Is this knowledge all from firsthandjob experience? Because I would not be at all surprised...)