#how to plot outline

[thewriteadviceforwriters]

🧩 How to Outline Without Feeling Like You’re Dying

(a non-suffering writer’s guide to structure, sanity, and staying mildly hydrated)

Hey besties. Let’s talk outlines. Specifically: how to do them without crawling into the floorboards and screaming like a Victorian ghost.

If just hearing the word “outline” sends your brain into chaos-mode, welcome. You’re not broken, you’re just a writer whose process has been hijacked by Very Serious Advice™ that doesn’t fit you. You don’t need to build a military-grade beat sheet. You don’t need a sixteen-tab spreadsheet. You don’t need to suffer to be legitimate. You just need a structure that feels like it’s helping you, not haunting you.

So. Here’s how to outline your book without losing your soul (or all your serotonin).

—

🍓 1. Stop thinking of it as “outlining.” That word is cursed. Try “story sketch.” “Narrative roadmap.” “Planning soup.” Whatever gets your brain to chill out. The goal here is to understand your story, not architect it to death.

Outlining isn’t predicting everything. It’s just building a scaffold so your plot doesn't fall over mid-draft.

—

🧠 2. Find your plot skeleton. There are lots of plot structures floating around: 3-Act. Save the Cat. Hero’s Journey. Take what helps, ignore the rest.

If all else fails, try this dirt-simple one I use when my brain is mush:

Act I: What’s the problem?

Act II: Why can’t we fix it?

Act III: What finally makes us change?

Ending: What does that change cost?

You don’t need to fill in every detail. You just need to know what’s driving your character, what’s blocking them, and what choices will change them.

—

🛒 3. Make a “scene bucket list.” Before you start plotting in order, write down a list of scenes you know you want: key vibes, emotional beats, dramatic reveals, whatever.

These are your anchors. Even if you don’t know where they go yet, they’re proof your story already exists, it just needs connecting tissue.

Bonus: when you inevitably get stuck later, one of these might be the scene that pulls you back in.

—

🧩 4. Start with 5 key scenes. That’s it. Here’s a minimalist approach that won’t kill your momentum:

Opening (what sucks about their world?)

Catalyst (what throws them off course?)

Midpoint (what makes them confront themselves?)

Climax (what breaks or remakes them?)

Ending (what’s changed?)

Plot the spaces between those after you’ve nailed these. Think of it like nailing down corners of a poster before smoothing the rest.

You’re not “doing it wrong” if you start messy. A messy start is a start.

—

🔧 5. Use the outline to ask questions, not just answer them. Every section of your outline should provoke a question that the scene must answer.

Instead of: — “Chapter 5: Sarah finds a journal.”

Try: — “Chapter 5: What truth does Sarah find that complicates her next move?”

This makes your story active, not just a list of stuff that happens. Outlines aren’t just there to record, they’re tools for curiosity.

—

🪤 6. Beware of the Perfectionist Trap™. You will not get the entire plot perfect before you write. Don’t stall your momentum waiting for a divine lightning bolt of Clarity. You get clarity by writing.

Think of your outline as a map drawn in pencil, not ink. It’s allowed to evolve. It should evolve.

You’re not building a museum exhibit. You’re making a prototype.

—

🧼 7. Clean up after you start drafting. Here’s the secret: the first draft will teach you what the story’s actually about. You can go back and revise the outline to fit that. It’s not wasted work, it’s evolving scaffolding.

You don’t have to build the house before you live in it. You can live in the mess while you figure out where the kitchen goes.

—

🛟 8. If you’re a discovery writer, hybrid it. A lot of “pantsers” aren’t anti-outline, they’re just anti-stiff-outline. That’s fair.

Try using “signposts,” not full scenes:

Here’s a secret someone’s hiding.

Here’s the emotional breakdown scene.

Here’s a betrayal. Maybe not sure by who yet.

Let the plot breathe. Let the characters argue with your outline. That tension is where the fun happens.

—

🪴 TL;DR but emotionally: You don’t need a flawless outline to write a good book. You just need a loose net of ideas, a couple of emotional anchors, and the willingness to pivot when your story teaches you something new.

Outlines should support you, not suffocate you.

Let yourself try. Let it be imperfect. That’s where the good stuff lives.

Go forth and outline like a gently chaotic legend 🧃

— written with snacks in hand by Rin T. @ thewriteadviceforwriters 🍓🧠✍️

Sometimes the problem isn’t your plot. It’s your first 5 pages. Fix it here → 🖤 Free eBook: 5 Opening Pages Mistakes to Stop Making:

[starscream-is-my-wife]

A bit more of the thunderfire story ‘post canon’, I think this should be around mid 2010s?

Jetfire and Thundercracker would be the duel income uncles with only fur babies, Skywarp is the actual breadwinner, Megatron is… there

Since the ex Decepticons no longer have to find energon and are no longer in war, they have so much free time.

(Rough outline here)

Text in the picture underneath the cut because it’s a bit small + Starscream

Jetfire

- changed his name in 2005 and is the only non neutral in the household

- the one who owns the house (used to be a lab) everyone lives in

- infamous in the science community for dropping a technological revelation every couple of years and then disappearing

- he and Megatron are the ones mostly taking care of the pets

- is the least online in the household, and goes outside the most

- has only gotten more unhinged ever since he was melted

Thundercracker

- likes to create all sorts of art, experiments a lot, currently into sewing, but who knows what’s next? Felting? Glass art?

- well liked with netizens because of his redemption story and loves the internet

- the bigger simp in the relationship, they got human married for fun in 2016 when gay marriage was legalized

- in charge of PR for everyone, including the Autobots sometimes

Skywarp

- Lives in Jetfire and TCs basement and is messy and loud

- twitch streamer, problematic due to him being kind of dumb (gets tricked by chat a lot)

- tricked Megatron into signing marriage papers because he felt left out when TC got married (and then forgot about this)

- used to live in the attic but was so loud during streaming he was forced to swap with Megatron in the basement

- is actually filthy rich, paid the entire mortgage

- the pets least favorite bot :((

Megatron

- misses fighting in the war but living in the attic is… ok

- edits for Thundercracker when he writes

- all of the pets favorite, no one is happy about this (except Megatron)

- is mostly unknown to the public, is under house arrest because of his war crimes for now. Does not feel too guilty about his crimes

- due to him being unemployed he is the household maid

- on the internet the most, cyberbullies Optimus Prime with alt accounts

- doesn’t know he’s legally married

[billymarvel]

billy is walking down the road when a powerful gust of wind threatens to push him over. he straightens up once it passes, and ducks down to check his hair in a nearby car mirror. he stops as soon as he pushes his hair back, because have his eyes always looked like that? glassy, cloudy... why is there a star shape outlined in his pupils? has the lightning from the transformations really taken so much?

[ennn]

Chapter 1: Morning Rounds

Of course, Jen is faster. Besides two fully functioning legs, years of cornering her at exits and hallways have made the woman shrewd and nimble. Dangerous. “You owe me clinic hours, Harkness,” she says crisply, stepping neatly into Agatha’s escape route. Damn, the woman has range. Surgeon, administrator, and human barricade. Agatha sighs, heavily and with theatrical flair. She leans harder on her cane, presses a hand to her chest as if the accusation might cause cardiac arrest, and tilts her head back to stare at the ceiling. “Is this your kink, Kale? Chasing down a cripple? Because if so, we’re going to have to talk about boundaries.”

Read on AO3

[razzafrazzle]

another character from die as lovers may, my funney vampire story... had this design bouncing around in my brain for years honestly

[image description: a reference image for an original character named dr. pranali guin, a fat, older dark-skinned woman that has black hair with a white streak pulled into an updo. she is wearing a tight white dress with a cropped black jacket and an orange ribbon around her neck. next to her are blurbs stating that she is 55, that her pronouns are she/her, that she is an aroace woman, and the following: "acclaimed sexologist who is rather humorless. incredibly suspicious of rowan, but isn't quite sure why. not as stern as she looks. has really bad eyesight, but refuses to wear glasses out of spite. loves melodramatic soap operas and keeps a journal detailing every plot point in them. probably autistic." end id]

[losver07]

okay so im planning (JUST PLANNING) a canon-compliant fic and im making a list of spells or details id like to add (because writing magic is shit hard but it's soooo much funnnn)

so yeah enjoy??? these WILL go into my future fic

remus enchanting muggle books, lycanthropy research or personal notebooks's covers to look like textbooks or really boring titles (sirius is still interested even if it's, like, "advanced latin grammar" and it pisses remus tf off that he always asks to have a look)

peter using his pocket watch to calculate what proportion of a class slughorn actually spends teaching them stuff vs the time he spends divagating

pre-transition reg throwing a spell so that every time someone refers to him with his deadname he hears 'regulus' in his head. he doesn't use it at home, though

james enchanting his glasses so he can physically see a dark shadow near people who are not feeling okay, his little secret to helping everyone. also, sirius jokingly puts them on once and let's just say james isn't looking so bright

remus lending sirius one of his jumpers and casually mentioning that it's enchanted to always smell like him (sirius MELTS)

the valkyries sharing tips and spells to do their makeup, such as ways to make their mascara waterproof or their lipstick to stay on for a whole night

peter always carrying pieces of parchment with him to draw and document bugs he finds, as well as plants

sirius asking the rest of the marauders from time to time to let him be alone with remus in the shack the morning after a full moon. he just stays there to make remus feel better and hides with the cloak when madam pomfrey comes (i have so many ideas for this type of scenes)

lily using the map for her prefect rounds with remus and finding james and regulus making out in a corner of the castle, then screaming "I KNEW IT!"

peter sneaking out into the ravenclaw tower as wormtail to see gilderoy

boggart angst. like, sirius expecting to see his mother but he sees himself instead, dressed in his elegant black heir clothes, back straight, hair short, acting just like he is "supposed" to act, according to his family and still being HAPPY somehow (did he get it wrong? would he be better off if he had obeyed? would that have fixed all the things that are now wrong with him? ...who knows)

also, remus's boggart being greyback because i have so much of the plot planned around that its insane (thank you elaborate metaphors, thank you psychology classes)

peter deafening himself when he's annoyed & wants to sleep in study sessions, making a piece of parchment levitate over his head saying "wake me up when you stop snogging, you WHORES"

i know i have mentioned this before, but regulus using magic to hide the white streak in his hair. this is so important to me i swear to god

obviously, all members of the marauders & co. converting their silver jewellery and overall possessions into tin or steel as soon as they find out about remus

james getting distracted by having conversations with the paintings in the halls and being late to class (especially first and second year)

(from 4th year on) remus taking potions near the full moon, not just for the physical pain but also his temper. also, asking peter the spell he uses to go deaf (that man does NOT stand people the week of a full moon)

all of them somehow coming up with a spell that makes their records' lyrics mute so they can have a karaoke, this is so silly but so real (it was james' idea, too)

in one of their birthdays, making the candles impossible to blow—every time they are put out, the flame reappears. bonus points is the birthday boy's wish was something that will never happen in the fic, e.g. an impossible romance

...

i will be adding more to this because not only is this so fun i also kinda need to lay all my ideas down before i start writing

[blindlydancing]

I’m convinced Elain’s book is taking forever bc of all the possible routes that could be taken and addressed:

- Elriel’s development and arc in general

- Elain training and development

- Elucien bond breaking

- Rhys’ involvement resolution

- blood duel?

- Koeschi development?

- Gwyn lightsinger??

- Mor in Valhalla?

- Mor and Azriel addressing the past

- Vassien development?

- Azriel’s mom?

- truth teller lore?

- Feysand family moments?

- Nessian domesticity?

- Night Court gaining allies?

- cauldron corruption??

- crossovers?

- Dusk Court??

- any other courts that could be visited?

Like am I underestimating Sarah or can all of these things not be in an overarching plot for one book?

[navree]

How do you feel about the Nettles situation? 👀

As mentioned, haven't been watching season 2 and only been "keeping up" with it in that I see what the beloved mutuals are posting about it on Tumblr (and the occasional errant tweet from the fucking bad take brigade that is fandom twitter), so from what I know the Nettles situation appears to be that they're cutting her completely and just giving her storyline to Rhaena? Well the way I feel about that is that I think it fucking sucks.

The big thing for me is that the entire rationale for cutting Nettles and just substituting in Rhaena really smacks of racism. They couldn't be assed to do anything for Rhaena, so they just took the only notable Black character they could find and just went "well Nettles is a Black girl, and now we've made Rhaena Black, so it's the same thing" without thinking about the fact that Nettles and Rhaena are two very different characters with very different places in the narrative and aren't just interchangeable, and that it's fucking weird that you immediately got rid of a woman of color because you already had what you deemed to be a sufficient amount. The lack of care shown to Rhaena, specifically the version of Rhaena that the show created, is astounding, and it feels really weird that it's existing for one of the already few Black women in the show (it's something I've already talked about, that the show made changes without then thinking about how things come across in the real world to the viewing public, like Ryan Condal saying that women lie about being victims of gendered violence or making the Velaryons Black but then putting significantly less effort into them than their white counterparts, or not even thinking about how Targaryen-Velaryon intermarriage would make the current Targs visibly mixed).

Giving Rhaena the Nettles plot doesn't make sense for two main reasons, even beyond the BTS decisions that I outlined above: 1) you can give Rhaena an entirely original and interesting plot if you bothered to actually care about her or in giving Black women something to do in your show 2) Nettles has a very specific impact on the story that cannot be removed without drastically changing the history that's been set in stone.

So, point one: an original Rhaena plot. I've said this before, but it's a very critique that book!Rhaena doesn't actually do anything. She just kinda sits around in the Vale having her hair brushed for a year until the war's over. That's a bit boring, I don't mind the show deciding to change up what she does so she actually has shit to, like, do. But let's look at what the show crafted with the Vale plot before they just punted Nettles to Rhaena. On the Vale's side, the show has created a situation where their loyalty to Rhaenyra is extremely flimsy and quite likely to vanish at a moment's notice. Rhaenyra's husband, her major partisan, was infamously shitty to the Vale, he constantly degraded the region in open court, and then murdered one of Jeyne Arryn's vassals in cold blood, his own wife, for no reason. And not only that, he wasn't even remotely punished for it. Daemon's bad reputation in the Vale for what he did to Rhea Royce, and his treatment of her throughout their marriage, and the lack of accountability in that, should absolutely make it so that anyone in the Vale would be leery about allying themselves with him. Then, Jeyne gives Rhaenyra the Vale's allegiance so long as Rhaenyra sends a battle-ready dragon and dragon-rider to protect them in case the Greens decide to invade and force their submission. But after Rhaenyra's envoy promises her that, Rhaenyra backtracks, and instead sends her a teenager and three little kids and a baby dragon and some dragon eggs. That is insulting, that is a violation of the promised agreement that came at the cost of the Vale's allegiance to Rhaenyra, that alliance should absolutely be on the rocks. It makes sense for Jeyne to be as annoyed with the Blacks as she is in the show. And on Rhaena's side, she doesn't have a dragon at all, and she is undervalued in her family as a result. Her father straight up doesn't care about her and neglects her because she doesn't have that symbol of Targaryen supremacy within her, her sister may love her but doesn't value her much as a person (considering Baela is absolutely fine with Rhaena getting sent away to play nursemaid and doesn't even bring up Rhaena being the Lady of Driftmark even tho she has a claim through Laena and Hell, even being Luke's intended), Rhaenyra literally doesn't see her as worthy of keeping around since she just shunts her off not even for her own safety, but so that she can ensure the safety of Rhaenyra's sons. And that's weighing on Rhaena, it's been weighing on her since she was a child, she's only ten when she talks to Laena about how Daemon doesn't love her because she doesn't have a dragon, and those feelings have only grown as she has, and as more indignities have been heaped on her.

So you have Rhaena, who isn't really valued by the people around her or considered necessary for the war effort, in an area where the emotions are ripe for turning against Rhaenyra and maybe even siding with the Greens. So why not have Rhaena change it? Instead of having the Vale stay loyal for no reason in spite of their very legitimate issues, have Rhaena forge a relationship with Jeyne. Have them get a personal connection to get Jeyne more invested in the Blacks' victory. Have Rhaena work essentially in administration, use her connection to the parties on Dragonstone to enact more firm promises for the Vale, in writing. Have Rhaena become essential to Rhaenyra getting to keep a foothold in Westeros, since most of the South (should be) allied to the Greens, the Riverlands are under Daemon's purview yes but he's not trustworthy enough for that to be an assurance, and the North is loyal to Rhaenyra but still taking its sweetass time doing anything. Have Rhaena find her own worth within in her in the way she helps the war effort not with a dragon, not with the way others have told her she could be useful and necessary, but with a way she's found for herself. Have her grow internally in the process, and become more confident and self-assured. There's a plot to give Rhaena in the Vale, but it's not Nettles's, it should be her own, crafted out of a care for her as a character and to give her a story of her own rather than slap someone else's to her because you were being lazy.

And speaking of Nettles, cutting her is ridiculous because she is absolutely essential. It's because of Nettles that, ultimately, things end the way that they do for a lot of characters. And that is because of her very specific connection to Daemon. Nettles joins up with Daemon after the Blacks take King's Landing, and it's soon very clear that these two have a very, very strong connection ('oh because she's his daughter' considering that Daemon seems incapable of loving any of his children, nah, I've always been in the romance camp for these two), especially on Daemon's part. And that strong connection, combined with Rhaenyra's distrust of dragonseeds, leads Rhaenyra to demand that Lord Mooton break guest right and kill Nettles, to stop her from "stealing" Daemon and then betraying Rhaenyra the way Hugh and Ulf did. Daemon finds out about this and, to save Nettles's life, helps her escape, in a goodbye that left Nettles upset and Daemon evidently heartbroken, considering that Caraxes starts screeching like a banshee as they leave. And that is what then spurs Daemon not to return to Rhaenyra's side, but to instead strike out and try to kill Aemond, and thus leads him to his own death in turn. Which leads to a loss of power for Rhaenyra which culminates in her fleeing King's Landing for Dragonstone where she's killed which then leads to Aegon returning to King's Landing only for the Northerners to attack which leads to him dying (I'm a proponent of suicide theory) which leads to Aegon III becoming King and etc etc.

You see how Nettles's existence starts the ball rolling for what becomes the next two hundred years of Targaryen, and by extension Westerosi, history? She's a very specific person, and you can't replace her with anyone else. Daemon has shown absolutely no care or consideration at all for his children by Laena, so there's no reason for him to be anywhere near as invested in Rhaena as he was with Nettles ('oh but Rhaena would have a dragon' well Baela already has a dragon and that didn't stop him from punting her to Driftmark so he could devote his attention only to his pureblood Valyrian sons and still not giving any kind of a shit about her at all, he's a bad father even if his kids have dragons). Rhaenyra's mistrust of Nettles is fueled by her mistrust of dragonseeds, but Rhaena wouldn't be a dragonseed, she's Daemon's trueborn daughter, so that's not an issue. Nor is Rhaenyra necessarily gonna be worried that Daemon is falling in love with his own daughter and thus falling out of love with her, or then try to go "well then the only option is for me to murder Daemon's daughter" as a result. So there'd be no strong connection motivating Daemon to value Rhaena so highly, there'd be no betrayal from Rhaenyra that gets Rhaena sent away and motivates Daemon to pull away from Rhaenyra and instead keep on fighting even if it means his death, and with that, there's no way any of the historical facts can proceed the way that they do. Nettles can't be Rhaena, she needs to be Nettles. She is her own person, with her own specific impact on the narrative and the characters within. And yes, F&B is a narrative, it's formatted like a history book which makes for good thought experiments and injects ambiguity within certain elements, but it's still a fictional story dreamed up by George, who then put characters in that story for a reason.

Not to mention, Nettles and Rhaena are very different characters? Like, they have incredibly different personalities. Rhaena's we haven't seen much of, because the show has suffered in characterizing the younger TB characters as a whole and is also just really bad in characterizing the Velaryons specifically (hm suspicious). But based on what we have, Rhaena seems a bit quiet, a bit subdued, prone to shyness, and generally favoring a more traditional femininity than we see from even Baela. Nettles meanwhile is coarse and rough and loud and unapologetic in that, she's not timid but in fact fearless and bold. Rhaena is a highborn daughter of a prince, stepdaughter to a queen. Nettles is a homeless whore's daughter who grew up poor and on thin means struggling to survive. Which is why Nettles is able to claim Sheepstealer, having to grow up the way she did with the experiences she had gave her an industriousness and a way of problem-solving that allowed her to figure out how to win over Sheepstealer, a wild unclaimed dragon. She used her wits, as she likely so often had to, growing up the way she did, to figure out that Sheepstealer might not like people but he likes a certain kind of food, and thus create an association in his head of Nettles=that food he likes by bringing him sheep until she gained enough of his trust to claim him as a dragon to ride. Rhaena doesn't have that industriousness because Rhaena, like 90% of highborn nobles, has never had to actually fight for anything ever. She's never had to really problem solve in a blunt way for anything, let alone her own survival, that might then inform how she might try to do something as daring as claiming a wild dragon. I mean, Hell, Rhaena gets told out loud "hey if you want a dragon you need to claim a dragon, earn that right" by her own mother who did the exact same thing, and then spent ten years on Dragonstone twiddling her thumbs, I guess, since she never thought "hm let me try that".

Like, these are different people, with different personalities and different upbringings that shaped them in different ways, and thus have different relationships and impact the story in different ways. You can't just smush them together, it doesn't work. It's bad writing that is going to really wreck a lot of the future storytelling in some key ways. It shows a stunning lack of care towards not just a pre-existing Black character, but a Black character the writers themselves created as well, along with a lack of creativity and imagination on their part, and overall laziness that was already a bit present in season 1 but got kicked into overdrive in season 2 and has become endemic to this show overall. It's bad, it's dumb, it's lazy, it's borderline racist, and I don't like it.

(also there's a potent symbolism in rhaena's dragon hatching on its own and that she's called morning, after the dance killed so many dragons and created so much death and doom for house targaryen and the survivors that remain, but fuck the symbolism too i guess)

[thewriteadviceforwriters]

📊 How to Use Tropes Without Turning Your Story into a YA Checklist

You can tell when a book was written by vibes and TVTropes alone.

It’s got: ☑️ the reluctant chosen one ☑️ the love triangle ☑️ the mysterious brooding boy™ ☑️ the sassy best friend ☑️ the dead parents ☑️ the villain with daddy issues ☑️ the scene where someone says “you don’t know what I’m capable of” and walks away dramatically

And like… that’s fine.

Tropes are tools. But here’s the thing: they are starting points, not story goals.

If your plot reads like it was drafted by a checklist in a Pinterest caption, it might be time to recalibrate. Here's how to actually use tropes without turning your book into a YA Mad Libs generator:

─────── ✦ ───────

🧩 Tropes Are Patterns--Not Presets

A trope is a pattern, not a requirement. It’s not a law. It’s not a plug-and-play feature. And it’s definitely not your plot.

The “enemies-to-lovers” arc? That’s a container. What you put inside it, that’s where the originality lives.

The goal isn’t to avoid tropes. It’s to do something interesting with them.

→ Why are they enemies? → What does the “love” cost them? → What happens if they fail to become lovers?

Tropes don’t carry the story. The conflict does.

─────── ✦ ───────

⚔️ Complicate the Familiar

Here’s a trick: if a trope feels too easy, break it in half.

Examples: → “Reluctant chosen one” → okay, but what if they wanted it, and then hated it once they got it? → “The mentor dies” → cool, but what if the mentor fakes their death to manipulate the protagonist? → “Sassy best friend” → no. Make them real. Give them pain. Give them depth. No more walking punchlines.

Tropes are scaffolding, not shortcuts. Add weight. Add doubt. Add betrayal.

─────── ✦ ───────

🕳️ Interrogate Why You’re Using It

Ask yourself: → Do I love this trope or do I feel like I have to include it? → Am I doing this because I’ve seen it done… or because it serves my story? → Is this trope the only interesting thing about this scene?

If your answer is “because that’s what YA stories do,” delete it. Go deeper.

─────── ✦ ───────

💔 Tropes Aren’t Substitutes for Character Arcs

You can’t use “grumpy x sunshine” and call it development. Tropes are flavors, not meals.

Give us: → Choices with consequences. → Conflicting values. → Character growth that costs something.

Otherwise? Your grumpy guy is just a Pinterest moodboard with a pulse.

─────── ✦ ───────

🧨 Use Reader Expectations Against Them

You want to use a trope and not make it predictable? Weaponize it.

Example: → Start with a love triangle. Let the MC fall hard. Then have both love interests realize they’re in love with each other. → Use the “chosen one” trope… but make it about dismantling that myth entirely. → Introduce the “villain redemption arc” and let them choose to stay bad because it makes more sense for them.

Set up the pattern. Then snap it in half. That’s how you surprise a jaded reader.

─────── ✦ ───────

Final thoughts from your local trope goblin:

→ Tropes aren’t the problem. It’s treating them like a checklist instead of a narrative engine. → A good trope doesn’t make your story good. How you twist it does. → If a story reads like it was built from Tumblr quotes and nothing else—it’s gonna flop.

So go ahead. Use the trope. Then ruin it. Make it weird. Make it hurt. Make it yours.

—rin t. // story mechanic. trope thief. YA bingo card burner. // thewriteadviceforwriters

Sometimes the problem isn’t your plot. It’s your first 5 pages. Fix it here → 🖤 Free eBook: 5 Opening Pages Mistakes to Stop Making:

🕯️ download the pack & write something cursed:

[iamthedamndonutdrawcat]

sometimes i think about fanon remus :) and about remus actually semi-regularly dating & hooking up with people (only once with each because he's too shy to actually develop a relationship but then also cries about it always being superficial one-time things) and he's totally not in love w his lowkey homophobic bff sirius who always has some girl at his side. and if they catch eyes at a party and both have irrelevant people at their side and sirius looks super stricken and remus feels sick to his stomach that doesn't mean anything!

[seasonal-writes]

Hey there! So, it’s been a while. I have done a lot of thinking, some writing, some attempts—but I have come to the conclusion that I do not think I will be writing out the continuation and end of When Fate Finds Golden Rings. It took me a while to get to this point, and I'm so sorry to anyone who was hoping or expecting me to eventually come back to posting it on ao3. You know, you just.. don’t write on a fic for over a year-ish and surprise! Maybe you really lost the energy and passion for this piece after all. Which is okay. 

BUT. Instead,

Welcome to: Ro gives away the plans for the ending, rambles about that process, and gives other weird notes about their first big boy AU. Because I saw a post about bullet point-ing fic and realized I am, in fact, allowed to do that. 

Strap in because this is going to be a Big Post. Sorry in advance. And if it wasn't very obvious, um. Spoilers for When Fate Finds Golden Rings below the cut. <3

It’ll probably be starting at chapter 14. 

So, I want to disclose, before we begin: the ending is not totally up to my current standards as a writer. And this isn’t going to be me bashing my own creative process or my burnout or anything like that. I just feel like noting that… had I thought about the ending in more detail instead of flying by the seat of my pants, I think that it would be more put-together and interesting. I think that applies to the entire story, honestly. So. Yeah. If the ending falls a little flat, that is why. I was too busy daydreaming over my epilogue—which I will be talking about as well!! It's honestly my favorite aspect that came from continually thinking about the fic rather than writing it. LMAO.

Interestingly enough, I originally wrote that there were going to be at most like, 7-8 chapters left. realistically, that would probably not have happened. Considering this outline was in SHAMBLES, I can safely say it would’ve been a whirlwind last few chapters. sincerely, future Ro after writing out the mess you’re about to see.

The place where Joel, Lizzie, and Etho live was going to be the place where the ending took place. All the chapters in this “arc” as I'd call them—even though that’s not really what they are—were going to be here and were originally intended to be a deeper dive into Tango’s background. Since the first half of the story is really steeped in Jimmy’s world, it had only felt right to give Tango his own section and exposition as a character.

This was going to become the part of the story where it’s like, Jimmy and tango are in a more stable place for a moment so it gives them more time to reflect. It also would’ve given them time to be away from each other, which I thought was important for two guys who had been subjected to good ol’ forced proximity and were finally given little outs to be apart; i.e. Etho taking tango away for a day, Jimmy spending time with Lizzie and/or Joel. That was a chapter idea I had: both basically kinda being like: yeah! no! I can be alone. I don't miss him at all. not even a little. it feels weird without him here though, right- and just dealing with that. Plus the fear of getting caught, the fear of the OTHER one getting caught and not knowing. yeah. <3

Something I had planned on happening between Tango and Jimmy was that Jimmy was basically going to very much avoid his own feelings all around. He’s so attached to this guy, very much falling for him, and convinced that he is in the way despite it all. He’s kinda… under the impression that maybe he’s in the wrong for not wanting to stay, because OBVIOUSLY Jimmy knows better than to stay in one place like this after the whole journey thus far, when Tango seems so happy. So Jimmy, flawed as this idea is, just assumes Tango will be better off if he stays close to his home and Jimmy doesn’t want to make Tango feel like he has to keep running. The best way i can describe this is like

Jimmy: Man. Tango seems really happy here. I don't think he needs me. I bet he wants to stay. No, I'm not gonna ask him, that’s crazy. What I WILL do, however, is leave without telling him. 

and then he did. :) 

That was basically going to lead into a chapter where Jimmy is ~kidnapped~ on his way out of town by ANOTHER set of characters I was excited about: the mercenaries, Ren, Martyn, and BigB! Golden Rings!Ren is fun to me because he keeps the Red King aesthetic. For some context of why they exist: the three stooges mercenaries heard through the grapevine that if the two princes were captured and returned alive, there would be a big reward. I never actually decided if they’d been tracking Jimmy and Tango for a while, or if it was a coincidence that the reward went out and they happened to stumble into town. but all that matters is that Ren ‘n Gang are in fact successful, and smuggle Jimmy off to a camp somewhere along the road headed back to the palace with full intentions of bringing him home, with or without tango. 

behind the scenes, tango is actively losing his mind. so, fun fact here: I never actually…wrote down how this next bit happens. please forgive me i haven’t touched this outline in like a year and a lot has happened since then- but OoOoh wow! Tango manages to find him!! at the camp!! at night. please note here that golden rings!tango has reflective animal eyes. like cats at night when light shines on them? that’s tango. 

I had this whole scene planned where I would riff off the Tango Rage and make him go nuts on these guys. The funny thing is that Tango can’t really fight, but I think he would do an effective job on scaring the shit out of them and chasing them out of camp. Like, spooky story level shit—crackling twigs, snapping branches, etc.. At the end, Tango manages to untie Jimmy and they make a quick getaway back to town. 

When I tell you this was gonna be one exciting chapter after exciting chapter, I mean it. The next big part, dear rancher enjoyers, was going to be the confession scene. 

Basically, imagine. Tango and Jimmy are walking home. tango is really quiet, won’t look at jimmy except to make sure he’s still right there. There is a storm brewing in the sky, and they’re trying to get back as soon as possible. but suddenly, tango freezes in place. Jimmy gets a few feet ahead, but stops and turns when he notices tango isn’t in pace with him. tango looks hurt. more hurt than jimmy’s ever seen him. which makes Jimmy feel awful. and it’s like:

T: If you wanted to leave, you should have told me.  J: …Tango. T: If you wanted to leave, you should have come and told me. We are friends— a team, you've said it yourself. I would’ve been ready to go.  J: I wasn’t…I was hoping you wouldn’t follow me.  T: Why wouldn’t I follow you? J: I just thought it’d be easier on both of us if I left you to your devices here. I’m sorry.  T: You’re sorry? You think that’s gonna just- just make this better for me? After you just up and left me there, worried that you’d been taken back to your family? T: And- And you almost were, too! You were this close, Jimmy! If you were that scared of staying then- J: You know, there was nothing forcing you to come get me, I could’ve just gone and you could’ve stayed and lived the life you wanted back in the palace! I thought that was the plan! Freedom for both of us! T: ….You really just don’t get it, huh? Are you that dense? J: What? What don’t I understand? T: I am in love with you, you idiot! J: …You.. you what? [dialogue taken from the scene i started writing but never finished<3]

And then more things happen and then they KISSSSSSSS !!! 

Realistically, I want to note that the transition between here and the ending was very finicky and not written down. so, instead, i will be giving you a general run down of what the ending was supposed to be. 

With tango and jimmy now having confessed and acting upon those feelings, they think they’re safe for the moment. However, soon after, etho finds them and basically alerts them of an uptick of Nether Guard, having heard that the mercenaries reported their sighting and now, rather rapidly because ~portal transport~, the kings were sending search parties out once more. etho suggests they get out of the city, and the two agree, prepping quickly to leave what became a very good few allies and safe place for the roads once more. 

The day they are supposed to flee, the overworld’s royal party arrives; Grian heading the way, seeming to be the one sent to find his little brother. 

This part got really fuzzy for me because I don't think I ever actually plotted out the transitionary period between "you two need to run" and "we're running, it's bad."

What I do know, though, is that the final scene would’ve been a confrontation with Grian, who attempts to convince them to come home. but when Jimmy explains, begs his brother to try and understand (i also think he uses his secret relationship with Scar as a bit of an example. leverage, even); Grian eventually wishes his brother goodbye, and turns a blind eye to let them run. 

Epilogue: Tango and Jimmy, fittingly, escape to the countryside. When they eventually outrun search parties and the call for their return dies down, they settle on a tiny cottage out on a tiny farm with wishes to expand it and make it their own. Jimmy tends to the animals. Occasionally, he sends a letter under a false name, and he gets one in response; a brother, far away, still keeping him in on happenings in the kingdom and in his life. Tango dives into his redstone, creating and building and making things he never would’ve had much time to while being a king. He thinks of a guard, long left behind, and wonders if he thinks of him too. 

The two never marry, as marriage doesn’t leave a very sweet taste in their mouths—but they do make vows, whispered promises to stay together forever. A prophecy haunts them; but they were never really the type to obey any plan laid out for them, anyway. 

Some years later, a quiet life has been established—but one day, someone arrives. Tango has gone out to gather supplies, so when there’s a knock, Jimmy answers the door. 

Before him, there is a tall figure with a familiar set of eyes. Impulse, knight and ex-personal guard of the Nether Court, stands before him. When Tango returns to find him, a beautiful reunion is had; one with tears and relief and all the love in the world so present in one moment. 

GUESS WHAT !!! TANGO/JIMMY/IMPULSE CANON IN GOLDEN RINGS EPILOGUE!! IMPULSE COMES BACK TO HIS BOY AFTER ESSENTIALLY GIVING UP HIS GUARD POSITION BECAUSE IT’S NOT THE SAME!! THEY CAN BE SO SILLY TOGETHER NOW!! AAAAAAAAA I’VE BEEN WAITING TO SHARE THIS GOD-

please god someone ask me about this dynamic i’m not okay

And, yeah! That was kind of it for the story. As I said, it falls flat to an extent. It’s not the ending that I would give it today. I still wanted to share it, even if it wasn’t the best or most detailed. I love this story, I love this universe and its characters and all the work I did on it. I still want to think about it, talk about it, etc. I’m not letting it go completely, just.. the fic won’t be finished. I am of the firm belief that I could’ve done a lot of things differently, that the story could be even better if I rewrote it entirely. But that’s not a project for right now. :) Because holy shit this fic is at 65k and that would be… hoooo.. a lot of work. Just like picking it back up and finishing it would also be quite a bit of work. It’s hard—I’ve had people tell me just to do it, just to finish the damn thing for the sake of finishing it and not quitting. So, this is my version of that, even if it isn’t the same. I don’t feel like I’m quitting, I'm only a little sad about how it's ending for now, but it feels right. I’m just like 99% sure I won’t enjoy writing the rest out. And, like I said at the start, that’s okay. Passion and motivation changes. People grow.

Anyway, that’s all! Thanks for listening to my silly little ramble about this AU that is old but still lovely. If you guys have questions or wanna chat about the AU at all, my ask box is always open even if I am terrible at answering them. If I find anything else or think up anything, maybe I’ll post about it! But, for now, I hope you all enjoyed my sillies. I love everyone who set foot in this space and read what is still my most favorite fanfiction I've ever written. :)

[so-many-ocs]

on plotting: the rule of three

what is it?

about the rule

other people might call it something different, but for me, the rule of three in fiction writing is a foreshadowing tool. to persuade your audience of something and make a twist or story element feel earned, you hint at it at least three times.

things are appealing in sets of three. if something happens once, it’s random, twice is coincidence, and three times is a pattern.

a brief guide

on using the rule

use showing over telling. the whole point of this rule is to convince your reader of something, and unfortunately you can’t “trust me bro” your way into establishing key information.

look into types of foreshadowing. you can call attention to these scenes using strategies like symbolism or irregular description, in which you call unusual attention to a seemingly insignificant detail.

let’s say you want to convey that a specific character is untrustworthy. let’s break this down into three scenes.

first, let’s say we catch this character sneaking out after they said they were going to bed. this raises questions of why they lied and what they’re actually doing. using a direct scene like this first will alert the reader and make them more likely to notice less obvious information later on.

second, we maybe include a scene where they directly contradict something they said earlier. it helps if it’s a minor detail that wouldn’t make much sense to lie about, such as their birthday.

the third scene is the one that should cement this item in your readers’ minds. maybe this scene is a step above the others; maybe this time, the character tries to pit everyone else against each other. maybe they steal or participate in a much bigger lie.

if you’re building up to a betrayal, this can either be the betrayal itself or the scene directly before.

use this rule in moderation. if you bring up something too many times without solidifying it, the story risks becoming repetitive.

brainstorm, create brief outlines of the scenes you want to include, and then decide where in the story these scenes should go.

when i’m using the rule of three to revise, i create a list of all the scenes and chapters i currently have and tack the new scenes on as sticky notes where i see fit.

this may be a bit excessive.

instead, you might consider creating a rough outline of the plot or plots you want to write and jotting down a list of scenes according to where in each arc they should fall, or simply having a document or notepad where you write down ideas.

in action

media examples

the hunger games. the poisonous plant nightlock is specifically mentioned three times, once in the capitol and twice during the games, before it is used for a major plot point.

the karate kid. the crane kick technique is introduced early on, and there are scenes where the main character specifically practices his crane kick before it wins him the match at the end of the film.

---------------------------

thanks for reading! hope this was helpful :)

tip jar | so what even is radio apocalypse?

[sol-dial]

Very random but I’ve been writing SteveTony/Superhusband things and based it on the Avengers Assemble (AA) universe (and MineVengers and Ultimate Spider-Man and Hulk and the Agents of S.M.A.S.H. but I digress since AA is the main focus lore-wise and the rest are taking parts of lore from single episodes or combining characters buuUut annyywaays) because yeees

Tony is plagued by nightmares and this worsens especially after returning back home after the events with the Beyonder (season 4). So much so that Steve promises to be the first person Tony sees when he wakes up from these nightmares. Sometimes Tony believes he is still in a nightmare, hallucinating, or has been kidnapped, where both Steve and Tony found the solution to instantly ground Tony is…ice cream flavors?

A bit of silly writing I did for a silly Avengers Assemble AU I am writing:

____________________________________________

“Neapolitan. Chocolate.” Steve said softly to him. Two words. Two very, comforting words.

“Chocolate. Butter pecan?” Tony replied instantly, moving back to look into those azure eyes as Steve nodded, replying ever so softly, “Isn’t it everybody’s?”

Tony laughed as he gently rested his forehead against Steve’s, who laughed with him. This wasn’t a nightmare, a vision. This was real. And Tony wasn’t kidnapped, he was back with Steve.

Their small exchange always grounded Tony, which may seem random to others, but it worked for the two. Instead of convincing Tony was not hallucinating or kidnapped, Steve would say Tony’s favorite ice cream flavor, neapolitan, and specify one of the three components, where they are listed in order from the last time it was mentioned. Tony would confirm and mention Steve’s favorite ice cream flavor, butter pecan. Steve would end it off with their own inside joke “Isn’t it everybody’s?”. Their code words have worked wonders for helping ground Tony.

____________________________________________

Basically, Steve doesn’t waste words trying to convince Tony that he’s alright. He just says Tony’s favorite life cream flavor, which starts the code words for the two. Steve always initiate and the times he doesn’t, Tony knows something is wrong. Like, if he was truly kidnapped, Tony blurting a random ice cream flavor to his captors would definitely stump them.

I have no idea if there is even an ounce of logic to this buuut it’s so silly so why not <3

[khattikeri]

i don't think enough people talk about how the backbone of nie huaisang's plan hinged heavily upon jin guangyao's low birth, and the jianghu's willingness to dogpile on such people.

nie huaisang is upper class. he's specifically stated in the novel as behaving more like the idle rich than like a distinguished second young master of one of the five great cultivation sects, but he's still an heir by birth. even if nie huaisang had been more openly caught, who would do anything to him?

wei wuxian notices that bicao's testimony was bought with a few shiny baubles— that nie huaisang was the one who bribed her with a nice bracelet for her testimony. he intentionally kept his own sect half dead, barely afloat for years, just to keep up the guise of an incompetent loser!

but the only actual consequence he's faced for such poor leadership that probably hurt a lot of common folks in his territory over 13 years is that people think nie huaisang is an annoying, useless crybaby. nie huaisang has a level of protection from consequences that jin guangyao had to fight much harder for (and that jin guangyao ultimately never truly got).

nie huaisang knew his own class and social position extremely well, and he knew how most people of that position behave and think. he was more than willing to use this in his revenge.

we know lan wangji is the type to use his wealth and position to do good for others. nie huaisang is the opposite— he's the type to use his wealth and position for himself and his own personal goals.

and this wasn't just something that started after his brother died! avoiding responsibilities, never carrying his sword, ignoring the fact that he wasn't honoring his sect or ancestors the way others wanted… his underground ring of selling porn as a teenager even got him out of the worst part of the wen indoctrination camps, because he bribed the wen cultivators overseeing everyone else.

my point is, nie huaisang is self-aware enough to know he doesn't really ever do the "right" thing! at no point in the story does he delude himself or others with grand ideals of how one ought to behave. he doesn't care.

unlike almost every single other upper class cultivator in the story— jiang cheng, jin zixuan, nie mingjue, lan xichen— who all think of themselves as righteous in a way, who are always able to justify their thoughts and actions, rarely if ever able to conceive of those thoughts and actions as flawed or wrong... nie huaisang KNOWS his own selfishness.

like lan wangji, nie huaisang recognizes that his class can easily be used as a shield to do whatever he wants. while lan wangji at worst uses this nifty privilege to silence people he doesn't like, refuse to explain himself in inconvenient situations, and bring wei wuxian along with him everywhere, nie huaisang uses it to shirk his duties for decades and tear jin guangyao apart in revenge.

jin guangyao being the son of a prostitute automatically amplifies bad rumors around him. bringing to light his incestuous marriage and the gruesome way he murdered his upper class father, however deserved, is obviously going to impact him in a way that someone higher class wouldn't be as hurt by. combining that with a final lie to get his sworn brother to stab him in a flash of doubt, and well...

is that good or righteous or just? no, of course not. nie huaisang doesn't spend any time pretending that his actions were conducted based on morality, or that he "had no choice".

nie huaisang just wanted to destroy jin guangyao, and damn did it feel good to finally do it.

[nopanamaman]

In a beginner guide to heresy, why are the human character's names are like... steel... and concrete...

Is there plot significance to it? Or do you think it's just funny to name people related to building construction?

Everything in BGH exists and happens because I thought it would be cool or funny. Also it's a pun on "reinforced concrete", which works better in Russian (сталик + бетон = железобетон)

[lialox]

hnnnhngh… spyjh… sp… yjh…

yoohankim…? Where’s the yoo? Or the han? ….or the kim???

Doksoo kissing… or kdj dies… again…?? ouuughhh…