#i actually did write like

[inkykeiji]

No because when Sukuna told everyone they can't move until he says so was SO DADDY OF HIM UGH.

ANONNNNNN i caught up with jjk (i was three episodes behind!) PURELY DUE TO UR ASK TODAY HEHEHE and oh my good god, you’re so fucking right!!! i swear to the lord himself like every single damn thing that leaves sukuna’s lips has me on the floor by his feet pressing my cheek further and further into his shoes/toes like he is SO hot it’s actually insane

[mattmonss]

Yaaaaaaaaaaawnnn

[idiotsonlyevent]

i wonder where the idea of chilchuck being a deadbeat came from when theres like. no textual evidence for it ?

he knows what all of them are up to; he still writes to flertom and she sent him his neckwarmer, so that to me implies that they at least have a somewhat positive relationship?

its more ambiguous with meijack and puckpatti, but since meijack is also a picklock, i wouldn't be surprised if he taught her himself, considering how trades are often passed down through families, and because he talks about sending people to her if he dies.

also the way he talks about puckpatti is very like... it's obvious he wants her to take things more seriously, but he's accepting, and his tone here reads more fond to me than anything else.

like, he keeps his daughters' old toys under his desk? that doesn't scream 'deadbeat' at all, it screams 'empty nester' who doesn't know how to reach out or is scared to do so

EDIT: i know a lot of the 'deadbeat dad' stuff is jokes, but some people are Not joking and genuinely think chilchuck is a bad dad. this post is not saying that you cant joke about it; it is just outlining what canon shows regarding his (clearly positive) relationship with his kids.

[yuwuta]

CAN’T KEEP MY HANDS TO MYSELF (I MEAN I COULD, BUT WHY WOULD I WANT TO?) — JJK BOYS + TOO HOT

featuring. gojo, okkotsu, choso, itadori, fushiguro

content, warnings. playing too hot with the jjk boys—(too hot is a party game in which two people kiss while keeping their hands to themselves; the first person to touch their partner loses), making out, tongue sucking, uhhh slight predator/prey in yuuta’s oops, they’re a bunch of losers to be honest, there’s a word for the thing yuuji does but i don't know it lolol

word count. 1.6k

SATORU GOJO Satoru is prideful, but you also know that he is nothing if not handsy, borderline clingy on his worst days. The concept of personal space is foreign to him, he’s rarely not touching you when you’re in his proximity, and when you aren’t, he closes that gap—so you’re confident that he’ll lose this game. 

And he does. It takes ninety-two seconds for Satoru to put his hands on you; his palms cupping your cheeks, forcing your jaw open for him to lick at your tongue. You yelp in surprise, try to take in your victory, taunt that you’ve won, but Satoru’s playing an entirely different game now. “I know, I lost,” he pushes his thumbs at the corners of your mouth, parting your lips and staring at your open mouth. Briefly, his eyes flicker to yours, drinks in your pliant expression, the soft touch of your fingers around his wrists, the feel of your body sinking below him, and he smiles, “But I want something else right now. Indulge me?” 

You tap at his right wrist and he moves his thumbs away from your lips, stroking against the soft skin of your cheeks instead so you can speak, “You lost, you’re not supposed to make demands.” 

“Take pity on a rookie like me, won’t you?” Satoru hums, tilting his head to kiss your cheek, then closer, just below your bottom lip, “Please, sweets?” 

“Depends on what you want,” you pout, but your words are strained against Satoru’s kisses. He grins, guiding a thumb back to your lips, this time pressing past the barrier of your lips until they’re wrapped around his digit, smile turning cheshire when he feels you sucking, “I have a different game we can play instead.” 

YUUTA OKKOTSU “Ah, ah—” you pull away from Yuuta, much to his dismay, pulling the hem of your shirt from his grasp, “That counts as touching. You’re not supposed to touch, Yuuta.” 

He’s looking at you intensely, gaze bordering on predatory, slow blinking with blown-out pupils. He nods shallowly, moving his hand from where it was to your side, palm pressing into the couch next to your thigh; it lets him that much closer to you, the tip of his nose grazing yours, you can feel his laborious breaths tickle your lips. Yuuta tilts his head ever so slightly and pauses, blinks, waits—for you to make a sound, for you to tell him no again, for you to run. 

You don’t. He shifts his weight and positions his other hand to rest at your side, caging you between his arms, slotting you underneath his gaze. You curl underneath him, backing up until you’re pressed against the arm of the couch, until Yuuta’s crawled to slot his knee between your legs. You crane your neck away, but you’re still within his reach, and now you’ve presented the perfect canvas for him. He dips his head into your collarbone, leaves a deceptively soft kiss there before nosing up the expanse of your exposed skin and sinking his teeth into your neck. 

Yuuta feels you tense underneath him, body going rigid in a moment of surprise, and then slacking with an exhaled moan, like a bitten bunny. Reflexively, your hands find purchase in his hair, and Yuuta nips over the tender skin, and smiles, “Caught you.” 

CHOSO KAMO “You’re nervous,” you conclude, pulling away from the shallow kiss Choso gave you. 

Beside you, he’s flushed, a hand coming up to reach at the back of his neck as he replies, “I don’t know why,” he exhales, “It’s just... weird to not touch you. I have to think about not touching you, and that means I have to think, which tends to make me, you know... nervous.” 

You giggle, leaning in closer to him, careful not to touch; careful to keep your hips raised above his, even as you straddle him, keep your arms and hands at your sides even though the instinct is to wrap them around Choso’s neck. He doesn’t pull back, even though he should; you like that he doesn’t. “You don’t like to think about me?” 

“No—no! Not like that,” he’s too loud for the proximity, sighing in embarrassment shortly after; you’re too close, way too close, and he’s not supposed to touch, but he wants to—Choso doesn’t like this feeling of restraint, of constriction; it’s too close to when he had a hopeless crush on you, to when he was pining and praying you’d spare him the time of day. Isn’t the point of dating that he gets to have you? To touch you, to hold you—to not hold back? 

“Because I like to think about you,” you admit, leaning in even closer, pressing a kiss to the base of Choso’s neck—and he whines, “I think about you a lot, Choso.” 

The sound of his name from your lips is sweet torture, as is the way you trail your kisses up his neck, up his jaw, behind his ear. Choso’s certain he’s going to rip a hole in his jeans with how taut he’s pulling them between his fists. This isn’t fair—nothing about this is fair. “I don’t want to play anymore,” Choso whines, eyes screwing shut when you suck a hickey onto his collar.

“But we’ve only just started,” you giggle against his skin, “And nobody’s won yet.”

Choso bites his lips, his knuckles are sore, his resolve is weak, and you smell good, you feel good—and he can’t do this. Pathetic, maybe, but he doesn’t care; he didn’t make you yours to try and stay away from you. So, Choso gives in, unwinds his fists, places one hand on your waist, and the other against your back, pulling you flush against him, and burying his face in your neck. 

“There, I lose,” he grumbles, not caring for your laughter reverberating against his chest, “Now I can touch you as much as I want.” 

YUUJI ITADORI “Th—this isn’t fair,” you tremble, attempting to move away from his kisses, but you’re caged in between Yuuji and the wall. There’s nowhere for you to run, nothing for you to grab purchase onto but Yuuji—nothing to do but lose. 

“I didn’t hear any rules against this,” he feigns innocence, suckling at your skin, “Think it’s fair game.”

You close your eyes, trying to focus on something, anything else, but it’s hard when all you can see, all you can feel is Yuuji, Yuuji, Yuuji. Kissing up your neck, at your cheek, then your lips, and you find yourself sighing into his touch, balling your hands into fists to avoid the temptation of cupping his face. 

Yuuji moans when he feels your tongue against his, kisses you back fervently, swirling his tongue across yours and into the cavity of your mouth. He inhales all your breaths, makes it impossible for you to do anything but succumb to his kiss, to swallow his moans, to take everything he gives you. You didn’t expect Yuuji to have this much resolve—you’d anticipated a short, cute round of a silly party game, but you should have known better; Yuuji has never lost a challenge before, and you were naive, at best, to think otherwise.

Predictably, it’s you that lets go first, whining when Yuuji sucks on your tongue, hands trembling and reaching to hold him, to cling to him as some kind of recourse, unable to squirm or move anywhere else. That doesn’t stop him—Yuuji only sucks harder, only forces more moans out of you until you’re digging your nails into his shoulders and bending your knees, weak. 

Then he pulls back, leaving you breathless, tilting his head up to kiss your forehead and flashing you a grin that’s equal parts boyish and wicked with intent, “I win.” 

MEGUMI FUSHIGURO It’s the kind of thing he usually turns down; cliché, fruitless, and unnecessarily time-consuming; but it’s you, so he makes the exception. You’re too eager, positioning yourself to sit on your hands, your legs folded under your knees, peering up at him from where he’s sat slack against the couch, and he thinks you look awful cute on your knees for him.

“Okay, ready?” you smile, “Three, two—” but Megumi already knows his plan, already has his lips on yours before you can say “one,” drinking in your surprised yelp and greedily licking against your tongue when you part your lips to kiss him back. He turns his body towards you slightly, taking advantage of his height and position to bully you into chasing him upwards, to push his tongue into your mouth with ease. 

He indulges in the back and forth for a while, sighs into your kisses, groans when you nip at him. It’s when you pull away, that Megumi decides he’s played along long enough; when he can see your chest swell with heaving breaths, see your hands in your lap, neck craned and spit-slick lips that drive him to reach for you. He’s less than gentle, hands finding purchase on your hips, and forcefully pulling you into his lap, ignoring your yelping, choosing to turn them into moans when he sinks his teeth into your neck. Megumi licks, and bites, and bites, and bites, until he’s certain he’s left a mark, until he feels your hands tugging at his hair and giving him permission to splay his palms against your back and buck you forward.  

“I lose,” he hums, soothing over raw bitten skin with open-mouthed kisses, “So, how do you wanna punish me?”

[zephyrchama]

I hope demons have sayings that sound really weird and messed up to humans, just as there are many diverse sayings across varying human languages that don't always translate easily.

---01

Lucifer looked up warily as you entered his office before breathing a sigh of relief. "I thought you were Mammon, here to give me another headache."

You strided over to his desk to take a peek at what he was working on. It looked boring. "We both know you love your little brother. What could be so bad this time?"

Lucifer buried his eyes in his hands, brushing his hair aside with the tail end of a pen. "He's been gnawing on my toenails all week."

You coughed in surprise, smacking your chest to loosen up the muscles so that clarifying questions could be asked. "What? Why? How?"

"Just general Mammon buffoonery as usual. For some reason he's especially persistent this week."

"I have literally never seen Mammon chewing on toenails..." Your lip curled back in disgust just imagining it. "Has he... done this before?"

"What?" Lucifer narrowed his eyes, puzzled. "Oh." His gaze softened once he realized what was happening and he huffed in amusement. "Mammon hasn't actually been gnawing on my toenails. It means he's getting on my nerves, as you might say."

You clasped your hands together and sighed, letting a wave of relief wash over you. "Please. Just say that next time."

----02

"C'mon, c'mon! If ya move any slower I'm gonna exfoliate Diavolo!"

You were running as fast as you could, despite Mammon being the reason for your tardiness. You didn't have much to lose, but Mammon could be in deep trouble for missing another morning class.

You wheezed and almost ran into him, not realizing he kindly came back to carry you. "Wh..." After a few deep breaths, you choked out your question. "You're gonna what? To Diavolo?"

Mammon thrust his bag in your arms in a rush and picked you up instead. He spoke as he began running, "yeah. He's gonna have my neck if I'm late again!"

"I get that, but is Barbatos gonna make you wash him...? Or...?"

"Wha? Are you still half asleep? Is that why you're runnin' so slow?"

You leaned your head back against his upper arm to stare up at him in frustration. He couldn't ignore your pouty face inches from his own. Mammon's ears grew red. "Knock it off!"

"Tell me what you mean!" you ordered.

Mammon growled and ran even faster. "What do you mean? I'm just tryna get us to class!"

---03

You scooted your seat closer to Leviathan. He perked right up and froze as you approached to whisper in his ear.

"Levi, XYZ."

"W-w-what? Is that a code?"

"No, XYZ. PDQ."

He reached for a pen and began noting the letters down. "P... D... Q... Got it. What's next?"

You shook your head. "No, Levi, your barn door is open."

"What game are we talking about? I haven't picked up Moondrop Basin in a few weeks."

You made a zipping-up motion with your hand. "Your fly!"

"Oh." Leviathan ruffled the back of his hair and swatted the air around his head. "Is it gone now? I didn't see any bugs."

Though reluctant to be so blunt, you were out of euphemisms. "Levi, your pants' zipper is open."

With an "eep!" he turned away to fix his problem. It took a few seconds. In his haste, the zipper kept getting stuck. He was mad when he turned back around, his face colored crimson. "Why didn't you just tell me? Without turning it into... into some game!"

"I did! XYZ, PDQ, That's what we say in the human world! Examine your zipper, quick!"

"That's so dumb!" he seethed, punching his knee. "What a spumid flaming cabbage. Your sayings are so weird."

---04

"Ready for the next one?"

"Hit me," you told Satan.

He grimaced from across the desk, raising his eyes from the paper to look at you in concern. "What? No, I'm not going to do that."

"Not literally, it's a human saying. It means 'give it to me,' or something like that."

"Oh." Satan jotted that down in the margins of his own notes before reading off the next phrase on his list. "This is one of my favorites. It's a colorful saying, but if you're really mad at someone you can call them a snot-cobbling banshee. I like to say this while cursing their next three generations."

You wrote that down. "How often do you use this saying?"

"Not too often. Well, maybe once a week with my brothers. It goes along with this next phrase which implies someone is dangerously stupid. Barbed dingbat."

You nodded. You were truly learning so much on this cultural exchange program.

---05

Asmodeus came into the kitchen as you were preparing dinner and wrapped his arms around your neck. He looked exhausted.

"Careful, I've got a knife, don't want to accidentally nick you," you warned. "What's up? Long day?"

"Like you wouldn't believe." Asmodeus peeped over your shoulder to look at the vegetables you were cutting. "I'm so glad you're home. You know, all day, all I could think about was..."

He proceeded to say some incredibly vulgar things. Detailed depictions of debauchery. Irredeemable acts of indecency that cannot be repeated on this blog. It made you put the knife down in a tizzy.

"Are those more demon idioms?" You snickered awkwardly and wiped your hands on a towel. "I've been learning about your sayings recently. Can't say I've heard those ones yet."

"What? Oh, no." Asmodeus lifted your hand, raising it to his lips to lick a stray fleck of vegetable skin off your fingertip. "These aren't sayings, this is just stuff I've wanted to do all day."

---06

"I could just eat you up."

This was something Beelzebub said often, and something he repeated again today. His hands were occupied with a fresh four-pounder with cheese, but his eyes kept drifting from it to watch you shoot paper balls into a wastebasket.

"You know, humans have the same saying. Isn't that funny?" You bounced up to grab some of the wads on the floor that didn't make it into the basket, to try again.

Beelzebub swallowed the mass in his mouth. "Really?" he asked between bites. "I thought you guys stopped doing cannibalism, mostly."

"Uh." You missed your throw. What should have been an easy shoot bounced off the edge and rolled away from the wastebasket. "Yeah, we did. Just so we're on the same page, you're saying I'm cute, right?"

Beelzebub was concerningly quiet as he chewed.

---07

"Are you on your way back to class?" Belphegor stopped you in the hall. You hadn't even seen him there on the ground, curled up next to a shady pillar.

"Skipping class again?" you asked. "I thought you liked magic theory."

"Maybe," he yawned. "It's too easy sometimes."

Belphegor fished around in his pocket for a second before pulling out a tightly folded-up sheet of paper. He offered it up. "Can you turn this in for me? I don't want my grades dropping over late homework."

"Sure thing, but it might be better to turn it in yourself. I heard Barbatos is doing random checks in all classes this week. He'll notice you missing."

"Nah." Belphegor's head drooped down as he prepared to doze off again. "If you see him, just tell him I'm being flerchen in the garden."

That sounded innocent enough. "Okay. What does that mean?"

"Means I've got the sniffles," he lied.

---08

Barbatos' eyes grew big and he placed a hand over his heart, furthering crumpling Belphegor's homework sheet in the process. He looked around to make sure nobody overheard before leaning in. "I must ask that you never say that again."

Behind him, Diavolo's palm was clasped over his mouth as he struggled not to draw attention with loud guffaws. He had his back to the classroom, shoulders shaking uncontrollably.

"Why not?" You nervously shifted from one foot to another. You'd been had.

"It's not a topic I can explain here. Perhaps you and the Young Master should excuse yourselves for now. I'll come collect you both later."

Barbatos readily escorted you and Diavolo out of the room, shutting the door behind you so that class could begin without interruption.

"I'm just the messenger," you tried to defend yourself. Diavolo's fit of giggles was renewed. He grabbed on to your shoulder for stability while doubled over, trying to ride out the laughter.

"Did... did Belphegor tell you to say that?" He wiped a tear running down his face. You furiously nodded.

"Haha! Do you remember where he's hiding? I'd sure like to have a word with him."

You couldn't tell if Diavolo was going to praise Belphegor or tear him a new one. Perhaps a mix of both. However, the curiosity over what you said was overwhelming. You wanted to know the full extent of what it meant before seeing Belphegor again.

You decided to bargain with the prince. "I'll show you, but first you have to tell me what that means."

[ariaste]

Me: [sees everyone talking about how Assad Zaman was "literally" coming up with RPF about himself and Eric Bogosian in an interview]

Me: ah, fandom's doing its little "interpret an innocent comment in Some Kind Of Way" thing again, let's go find the video and do our own critical thinking about what was actually said here--

Assad: What would happen if I said-- [words that cannot be interpreted as anything but RPF fanfic]

Me:

Me: ok fandom gets a pass on this one actually

[bacchuschucklefuck]

they tried to rebrand as The Criminals but riz is literally the city council's treasurer and also turns out people in their late 20s don't really name their friend groups. so now they're The Intrepid Heroes

[egophiliac]

another one that I'm not super happy with, but continuing to mess with it isn't going to help! so here he is! 🦇 there was a lot I was trying to get across in this one, so uhhhhh hopefully it reads.

we're almost out of unique magics now...just Ace (and maybe Grim?) left!

[inkskinned]

crows use tools and like to slide down snowy hills. today we saw a goose with a hurt foot who was kept safe by his flock - before taking off, they waited for him to catch up. there are colors only butterflies see. reindeer are matriarchical. cows have best friends and 4 stomachs and like jazz music. i watched a video recently of an octopus making himself a door out of a coconut shell.

i am a little soft, okay. but sometimes i can't talk either. the world is like fractal light to me, and passes through my skin in tendrils. i feel certain small things like a catapult; i skirt around the big things and somehow arrive in crisis without ever realizing i'm in pain.

in 5th grade we read The Curious Incident of the Dog In The Night-time, which is about a young autistic boy. it is how they introduced us to empathy about neurotypes, which was well-timed: around 10 years old was when i started having my life fully ruined by symptoms. people started noticing.

i wonder if birds can tell if another bird is odd. like the phrase odd duck. i have to believe that all odd ducks are still very much loved by the other normal ducks. i have to believe that, or i will cry.

i remember my 5th grade teacher holding the curious incident up, dazzled by the language written by someone who is neurotypical. my teacher said: "sometimes i want to cut open their mind to know exactly how autistics are thinking. it's just so different! they must see the world so strangely!" later, at 22, in my education classes, we were taught to say a person with autism or a person on the spectrum or neurodivergent. i actually personally kind of like person-first language - it implies the other person is trying to protect me from myself. i know they had to teach themselves that pattern of speech, is all, and it shows they're at least trying. and i was a person first, even if i wasn't good at it.

plants learn information. they must encode data somehow, but where would they store it? when you cut open a sapling, you cannot find the how they think - if they "think" at all. they learn, but do not think. i want to paint that process - i think it would be mostly purple and blue.

the book was not about me, it was about a young boy. his life was patterned into a different set of categories. he did not cry about the tag on his shirt. i remember reading it and saying to myself: i am wrong, and broken, but it isn't in this way. something else is wrong with me instead. later, in that same person-first education class, my teacher would bring up the curious incident and mention that it is now widely panned as being inaccurate and stereotypical. she frowned and said we might not know how a person with autism thinks, but it is unlikely to be expressed in that way. this book was written with the best intentions by a special-ed teacher, but there's some debate as to if somebody who was on the spectrum would be even able to write something like this.

we might not understand it, but crows and ravens have developed their own language. this is also true of whales, dolphins, and many other species. i do not know how a crow thinks, but we do know they can problem solve. (is "thinking" equal to "problem solving"? or is "thinking" data processing? data management?) i do not know how my dog thinks, either, but we "talk" all the same - i know what he is asking for, even if he only asks once.

i am not a dolphin or reindeer or a dog in the nighttime, but i am an odd duck. in the ugly duckling, she grows up and comes home and is beautiful and finds her soulmate. all that ugliness she experienced lives in downy feathers inside of her, staining everything a muted grey. she is beautiful eventually, though, so she is loved. they do not want to cut her open to see how she thinks.

a while ago i got into an argument with a classmate about that weird sia music video about autism. my classmate said she thought it was good to raise awareness. i told her they should have just hired someone else to do it. she said it's not fair to an autistic person to expect them to be able to handle that kind of a thing.

today i saw a goose, and he was limping. i want to be loved like a flock loves a wounded creature: the phrase taken under a wing. which is to say i have always known i am not normal. desperate, mewling - i want to be loved beyond words.

loved beyond thinking.

[nibbelraz]

A writer and His number one fan hater

[hyakunana]

"My friend, my partner… my Guardian."

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[bixels]

The Ryoko Kui interview's reception is such a disaster over a pretty normal (yet still flawed) interview between a non-Japanese fan and Japanese artistic. This is discourse for discourse's sake, and it's no surprise that almost every Twitter user I've looked at who's using this interview to parade Kui around as a goated mangaka standing strong against Western ideology is anti-trans.

Like, I do think the interview was kinda wonky with its focus on fandom culture, which Kui clearly didn't have much interest in. But sometimes that happens. Sometimes interactions between two people, especially a fan and a creator, two people who view and interact with a piece of media in completely opposite perspectives, don't click. Does this really need to get blown up into a "West vs. East culture war" issue.

Anyways, Kui saying "I don't consider my audience's interpretations when writing. I leave it to their imaginations, but I have my own read on things too" is the healthiest, most normal thing an artist/writer who wants a non-parasocial audience could say. Artists and writers use this line all the time. If Kui didn't enjoy autistic Laius or Farcille headcanons, she would have probably voiced/signalled her discomfort, like she did on the topic of Senshi fanservice. Overall, Kui handled the interview really well. Props to her to sticking to her guns and keeping a healthy disconnect from the fandom. While I think the interviewer could've/should've been more tactful and restrained, the flaws in their questions is not a symptom of the woke mind virus trying to wriggle its way into the pure Japanese psyche. It's the sign of an over-eager fan who sees a piece of fiction differently than its creator.

[starry-bi-sky]

Unpleasant Revelations - DPxDC Ficlet Idea for the Stillborn Au

"Have you met my youngest, Damian, Mr. Masters?"

Its only from twenty years of long, hard experience and practice that Vlad doesn't increase the room temperature from 'borderline uncomfortably cool' to 'unbearably hot' the moment Bruce Wayne pulls his youngest and "only" biological son out in front of him.

He puts only in quotations because twelve year old Damian Wayne looks scarily, uncannily like one Daniel Brown. Jack and Maddie's foster son, second victim of their foolishness, and only other halfa in existence. Second only to him.

It's nauseating how similar they look. From the scowl and terrible glare on the young boy's face, to his brown skin -- which was only a few shades lighter than Daniel's, the shape of his nose, and even the strange winged edge of his eyebrow. Something that Vlad has long since come to find endearing on the child he considered a son of his own. The only difference was that Damian had dark, sharp green eyes.

Daniel's eyes were blue. The same glacier shade as his father's, who stood behind Damian with a proud, oafish smile on his visage.

It was infuriating how similar they look. Vlad might not have rapidly swung the room temperature from one extreme to the other, but he can't stop himself from letting the fury burning within his core from slipping out and raising the temperature up a few degrees.

Because it really only meant one thing.

Damian Wayne and Daniel Brown were related.

Damian Wayne and Daniel Brown were brothers.

Standing in front of him, it was clear as day. He can already picture a phantom image of Daniel standing beside Damian, the same scowl written on his face, the same glare carved into his eyes. The only difference being the dark, exhausted circles beneath them that seemed to be permanently painted onto his skin. The only thing missing being the permanent loneliness and vigilance permeating his being like a scar.

This, if revealed, would be enough to ruin Bruce Wayne's reputation. Or, at the very least, darken it quite a bit. The great philanthropist Bruce Wayne with another secret blood child? One related to his youngest? One that had been put into foster care? Seemingly thrown away?

It would be a firestorm.

One that Vlad is not keen on starting.

It would ruin Bruce Wayne's reputation, yes. But it would hurt Daniel in the process -- the harassment he would face alone might just be enough to break that fragile child completely. That was just not something he could allow. Or, even worse, bring him into his biological father's care and custody -- something Vlad was even less willing to allow.

It's not out of kindness to Wayne that Vlad will keep mum about this.

His grip on his champagne flute tightens, just a bit. He's still aware enough of the world around him to not let it shatter in his hands. His plastered, pleasant smile tightens around the corners, and he forces his focus to slide from Damian to Wayne.

"The resemblance is uncanny, Mister Wayne." He says, slanting his smile to the side slyly. Although he's not talking about the resemblance between Wayne and his son. Rage simmers beneath his skin, burning coal and embers in the core of his chest, nestled between his lungs, as he meets the man's eyes.

Wayne swaggles his head proudly, his ditzy smile widening as he squeezes his son's shoulder affectionately. Bastard, Vlad wants to spit.

He breathes in through his nose, and exhales out through his mouth. The champagne in his hand cools, and stops its unusual bubbling.

The Damian boy scoffs under his breath, his mouth still coiled upward into a scowl. With the revelation of his blood relation to Daniel evident, Vlad's not sure if he should find it endearing or not.

He is not Daniel, so he decides that it's just simply irritating. He decides to ignore it.

"And you said he was your only biological son?" He asks, voice lilting and head tilting. He knows its a suspicious question at worst, insulting at best. But considering Wayne's past proclivities, he can hardly call it an unexpected question.

Damian puffs in great offense, face twisting angrily. It reminds him of Daniel when Vlad insisted that he was wrong about something or other, and for a moment his heart swells, fond.

But this is not his child, and so the feeling quickly crashes and burns, simmering back into rage. This was not Daniel -- this was his replacement. A replacement that Wayne was free to keep.

Wayne chuckles, idiotically, as if he'd said some funny joke. Vlad's other hand, the one gripping his cane -- something he's required ever since he was dispatched from the hospital all those lonely years ago -- tightens instead. He grinds his teeth -- him and Jack Fenton would get along like a house on fire, he hates it.

"I can understand why you'd ask that, Mister Masters," Wayne says, squeezing Damian's shoulder again, "but yes, Damian is my only biological son. Although that doesn't mean I don't love my other children any less."

Bastard.

For all his posturing and flouncing about caring for his city and his children, Vlad never would have thought the Prince of Gotham capable of abandoning one of them.

But, well.

They all have their dark secrets.

And what one man throws away, another man picks up. If Bruce Wayne didn't want the treasure child that was Daniel Brown, then Vlad Masters was more than happy to take him instead.

"I see."

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[hungharrington]

ok this is filth adjacent but would u ever write a lil blurb or fic about Steve with a gf whose super insecure about her stretch marks and body? And May be she doesn't want to disappoint Steve bc his exes seem prettier

would i ever! i love these type of requests i love ppl getting a little bit of respite and comfort through fic esp in smut! i hope this makes u feel even a little bit hotter babe <3 1.6k, afab!reader, and just filth adjacent sry! MDNI this entire blog is 18+

Steve's mouth is on your neck, his tongue hot where it teases against your skin, and his hands are searching your body with a lustful fervor.

Your head tips back. It's so easy to let him in, let him slide his body closer to yours, to get more of whatever he's giving. The hot press of his mouth on your neck feels damn good enough to make your blood sing—and heat travel between your thighs, wetness beginning to pool.

You want to rub your thighs together, if only for a little relief. Steve's toned thigh between them prevents it. You scrunch his polo between your hands instead, trying to wrestle the courage to slip your hands beneath it.

You're lying back on his bed, propped up lightly by the pile of pillows the two of you had stacked when the evening had begun. The television at the end of the bed runs a film idly in the background, completely unnoticed by this point.

"How we doin'?" Steve's voice rumbles out, barely parting his lips from your skin before he's swooping back in to nip at it again. The bastard.

Your hands flex again, finally mustering the nerve to dive beneath the fabric of his shirt. Steve's warm. You feel the muscles of his tummy shudder as you skim your fingers across it, a pleasurable shiver running down your spine at the trail of hair you can feel leading into his pants. Steve's breath hitches, close to your ear.

He nudges your jaw with his nose lovingly, planting another row of sloppy, wet kisses down the expanse of your neck.

"Hmm," He hums, questioningly. "Still doing good?"

You realise you hadn't exactly answered him and something glows in your chest at his insistent checks. Extremely reluctantly, you manage to drag your hands away from his torso, shifting them up to subtly nudge his face out the curve of your neck.

Steve's eyes dart up to your face as he pulls himself back, his expression turning dopey the moment your hands cup his jaw. His cheeks are flushed ruby and his hair has been mussed in all his steamy motions. He looks fucking delicious.

You kiss him — surging up to connect your mouths, warmth exploding in your chest and trickling down, down when Steve responds with a revere hunger. His plush lips scrape against yours filthily, his tongue always so perfectly teasing. You're gasping for air when you pull away.

"So good," You say breathily, finally answering the question.

Steve takes a moment longer to register what you've said—but that dopey look crosses his face the moment he does.

He plants his hands on the bed and shifts his weight back, sitting back on his heels. His thigh is still situated right between yours and you have to shove down the lustful urge to grind against it, lazy pleasure still pooling low in your gut. Though you're pretty sure Steve wouldn't oppose the idea.

Chest heaving lightly, you watch as Steve reaches for the edges of his polo and tugs upwards. It comes off in one smooth motion and you're rewarded with a fine sight. You're pretty sure your mouth actually waters in response. Tan chest, scattered moles, the smattering of hair. Oh god, you want to lick him.

Something in your face must give away your train of thought because Steve laughs. He leans back down, one hand moving to your waist, and nuzzles his nose against yours. He steals a kiss from your lips.

"See somethin' you like?" He says, the smirk evident in his tone. You feel like you might vibrate out of your skin.

"Shut up," You aim for fiesty and fall far, far short. You sound on the verge of a whine when you say, "You know I do."

Steve grins wider. His hand on your waist tucks under your shirt seamlessly, his thumb drawing maddening circles into the skin. Your breath catches, even as your arousal hikes.

"What about you?" He whispers the question between his kisses as he mouths along your jaw again, finding that same damn spot on your neck again. It'll be violet coloured by the morning. "Do I get to see something I'll like?"

He's asking permission. It takes a long moment to realise that—too distracted between the touch of his fingertips skating across your skin and the addicting feel of his lips against your pulse.

You nod without thinking.

Steve pulls your shirt up no more than a few inches before your brain catches back up. Your hand moves abruptly, grabbing his hand and yanking it and your shirt back down in a split second.

Steve's halting in an instant, pulling back from working lovebites on your neck to see what he's done wrong. There's a string of spit connecting his lips to your neck.

Steve frowns in concern, shifting his hand up wipe his mouth with the back of his hand, as he makes an effort to put a little distance between you.

"You okay?" He asks. You're still holding his wrist, which is still holding the edge of your shirt. "What happened?"

Your mouth opens uselessly and closes. You know precisely why you had stopped him and now you're facing up with the fact you have to tell him, lest Steve believe you're actually having second thoughts over being with him.

It's just... you've probably spent far too many hours in the mirror. You've seen it from every angle. Seen it in every lighting. You can't quite ever seem to make your body look good.

You don't look like any of the girls Steve's been with in the past.

Comparison is killer, you're aware of this, but infuriatingly you just can't seem to stop. You think of what Steve will see the moment he gets your shirt off, what he'll realise, and your hand tightens around his wrist subconsciously. Your throat tightens up too.

Steve's face melts into a softer expression, eyes big. "Hey, hey, it's totally fine if you said one thing and- and you realise that you didn't mean it, it's okay."

Words continue to evade you and humiliatingly, it feels more likely that tears will escape you before any explanation will. He's being so nice.

"But..." Steve continues, his tone wary as if aware he's treading on uneven ground. "You seemed like you were into it. Like, comfortable, I mean. Then it was like a flip switched and you froze."

"I-" You finally find your voice. You clear your throat as you try to find the right words, breaking Steve's intense gaze to study the ceiling.

This is worse. This has got to be worse that just Steve taking your shirt off and being disappointed because— because you're goddamn building up to it. Your eyes screw shut and you decide it's better to rip the band-aid off.

"I'm just," You can't quite keep the quiver out of your voice. "I'm not like- like girls you've dated before."

Steve makes a noise of confusion and it's enough to force your eyes open. You glance down, taking in Steve's adorably furrowed brow.

"Okay...?" He says, clearly still a bit confused.

"I mean, Steve," You say, voice a little steadier. Your hand around his wrist finally remembers to relax.

You release the hold on him and tuck your hand under your shirt discretely, covering the skin of your stomach you know is warped with stretch marks. "I don't look like the girls you've dated before. My- my body is different."

The wrinkle between Steve's brow shifts, moving from confused to something a little harsher.

"So?"

You blink. Of all the possibilities that you had run, not one of them had ended with Steve saying that.

"So?" You echo meekly. "So... so you might be like, I don't know, disappointed or think—mfh"

The words get smushed beneath Steve's fervent kiss, stealing one kiss off your lips and all your words with it. You blink up at him again, all your endless arguments of why Steve would be so disappointed suddenly silenced.

Steve grins, evidently pleased with his reaction.

Tentatively, moving slowly so you could intervene if you wished, he drags his hand along the sheets and onto your hip again. This time, however, he pushes the fabric of your shirt up and doesn't pause til it's bunched up, most of your torso on show.

Your nerves gather, gnawing at the edges of your chest. You can't bring yourself to move the hand that's trying to hide part of you, even if a dozen other stretch marks are visible now.

Then Steve leans down and he kisses your skin, right in the middle of your tummy.

"I think," He says, lips dragging across your skin and setting it aflame. He's looking up at your through his lashes, your gazes locked, his eyes dark. Another kiss, this time longer, with just a flash of tongue. "You're hot shit."

Instinct makes you want to scoff. But Steve says it so seriously that you almost believe him off the bat. Believe that he believes that.

He lowers himself onto his elbows, letting both of his large hands settle onto your waist, fingers pressing into the skin lightly. You shiver at the feeling and start to consider the possibility that he actually does think that.

"And I will gladly," He punctuates the word with another kiss, this one evolving into a soft, sensual lick up towards your breasts which peak lustfully in response. Your breath hitches. "Spend all the time needed if you need some convincing of that."

His hands move, sliding down til he's gently knocking yours aside, big warms hands spread across your hips. His thumbs are moving, drawing soft motions down, you realise, towards your waistband. Your pulse jumps between your legs, the heat in your body uncaring about the brief interruption.

Steve kisses your tummy again, further down this time. You acutely realise you've got Steve Harrington between your thighs, looking up at you with darkened eyes and promising filthy things with his fingers. Or mouth. Both if you're lucky.

"So," Steve murmurs, voice raspy and low. His thumbs slip beneath your waistband, just an inch. "You gonna let me convince you?"

You're feeling pretty damn lucky.