So I've finally made it to visit Rievaulx Abbey in Yorkshire. Beside being absolutely stunned by the ruins of the abbey itself, I almost melted when I saw this in the souvenir shop. Just look at it.
Of course I was not gonna leave this silly monk-bear there. Thank you, English Heritage, for making my day.
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Jason Todd is a damn good example of how superheroes can’t be parents. I’m not saying heroes should be forbidden from having children, but the moment you do, you choose one or the other. You either cease to be a hero or you must fundamentally fail your child.
Because that’s the basis of being a parent—choosing your child. Day in and day out, no matter what. There is no bigger picture, no greater good. Between a bus full of people and your kid, your kid has to count on you to be the one person in the world who would let the bus fall. A hero can’t do that. A hero shouldn’t do that.
Jason Todd so desperately wanted Bruce, his father, the one person he needed to let the bus fall. But Bruce had chosen “hero” two decades ago, and there was no room for Jason Todd, son. So Jason Todd, Robin died a martyr with no one left to carry the cause. An unfortunate casualty. He came back as the only thing left, the only version of Jason Todd that a clown didn’t beat to death in warehouse in Ethiopia. Jason Todd, son. And there was no father. He kept reaching and reaching and there should have been something to meet him. But Bruce Wayne was a hero. And Jason Todd was a son.
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to attempt to categorize aziraphale & crowley's actions into the simple dichotomies of 'correct' and 'wrong' or 'good' and 'bad' is to employ the exact same fallacy that the show warns of. throughout season two we see aziraphale struggle with morals and their ambiguity, no matter crowley's assertion (and demonstration) that there is no true 'good', no true 'evil'- that the lines are not only blurred but frankly non-existent- aziraphale can't move past the principles he was raised on. good actions are good (inherent to angels, inherent to heaven), evil actions are evil (inherent to demons, inherent to hell). aziraphale's decision to try to 'fix' heaven is the perfect representation of the reality of the universe. he believes it to be a simply good decision, something angels do and heaven is all about (he'll get heaven back to normal! back to being good!) but the reality of his decision is so much murkier than that. it isn't that aziraphale did something bad or evil, nor is it that he did something correct or good, he did something that, like many things in the universe, embodies both.
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there’s a horrible sickness in me that makes me want to stop and replay da:i whenever i start a different game. how am i supposed to resist the story of my own unwilling apotheosis? especially as lavellan, who doesn’t believe in the maker and who has every right to hate and mistrust the chantry but chooses to use what power they have to try save people, to fix what’s broken, no matter how afraid they are or how careful they have to be. walking side by side with the great trickster god/adversary of your people without knowing, befriending him, changing his mind about this world but ultimately not his choice. he understands what’s happening to you because it happened to him once and he gives you his castle, built over the place where he sundered the world, and paints your story there in frescos that will last long after you’re gone and after the story has been retold and reshaped so many times that the truth of who you are and what you did is lost—just as he did his own story, which was lost and perverted by war and propaganda, and he shows all of this to you knowing you’ll understand because you’ve lived through something similar, grown into something larger than yourself and your true name, and it doesn’t change anything but. he wanted you to see him just for a moment, even if he can’t tell you everything (or almost anything) and you can’t save him—because he owes it to you as a someone who is a friend, almost an equal, and because there’s no one else left who knows: a direct result of what he did to your people and which he now seeks to undo at the cost of this world.
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‘Beneath Amon Hen I heard his cry. There many foes he fought,
His cloven shield, his broken sword, they to the water brought.
His head so proud, his face so fair, his limbs they laid to rest,
And Rauros, golden Rauros-falls, bore him upon its breast.
It was not the magic of the Galadhrim that kept the boat intact, but the maia who had slumbered for years uncounted.
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It is my god given mission to NOT draw fakir as a white boy idc what’s canon, this interview annoys me so bad
[ID: rough transcript of an interview with Ikuko Itoh. Someone asks “since fakir is an Arabic word, does that mean fakir is Arab and/or was he intentionally made to look so, and if so why?” The transcriber writes “her response to this is that while in her mind he is not Arab, she wouldn’t rule out the possibility that fakir has Arab ancestry in his family tree”]
WHY’D YOU GIVE HIM AN ARABIC NAME THEN?? It’s okay mr fakir I won’t let her whitewash you
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customer making small talk at work: [legal name] is a good name, i've always liked unique names
me: yeah, so did my parents!
customer, who also clocked my pronouns & definitely just assumed i meant 'Actually, that's my birth name': oh, really?
me, who has a similarly unique birth name but also i inadvertently stole my brother's name with one syllable changed and i dont want to get into all that while ringing up her shopping: haha yeah. i like it though!
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