#i guess you could say queen elizabeth had a bad time

[hotvintagepoll]

Propaganda

Mae West (She Done Him Wrong, I'm No Angel)— Legendary sex symbol. Like 500 vintage iconic quotes and double entendres. "Is that a gun in your pocket, or are you just happy to see me? " "When I'm good, I'm very good. But when I'm bad, I'm better" / "It's not the men in your life that count, it's the life in your men" / "I feel like a million tonight. But one at a time." , "Marriage is a fine institution, but I'm not ready for an institution. " / " How tall are you without your horse? Six foot, seven inches. Never mind the six feet. Let's talk about the seven inches! " Look the pictures don't do her justice just watch a compilation and tell me that voice doesn't do it for you

Flora Robson (Fire over England, Sarabande for Dead Lovers)— It's a testament to her power that despite an extensive film career, that a single role has cemented itself firmly in my mind as one of the best. That of Elizabeth I in Five over England

This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut]

Mae West:

Her voice! Her body! She was thick as hell and SO confident.

Mae West is often called the queen of the sexual pun or innuendo, she was an early sex symbol and a comedy icon. She also has a quote saying "When I am good, I am very good. But when I am bad I am better!" which is possibly the peak of hot girl energy ever. (Including the clip here)

for an era that didn't have much wiggle room when it came to women that studios wanted in their films, it's refreshing that she was in her late 30s when she skyrocketed to movie fame. she was also curvy and witty and raunchy, an absolute icon!

She is an absolute icon, the OG sex symbol. Every word from her mouth was an innuendo and she was proud of it. I guess one could say she slayed. She got Cary Grant his first acting role, as well. How could you NOT vote for someone who says such iconic stuff as "I do all my writing in bed; everybody knows I do my best work there" or "You only live once, but if you do it right, once is enough." SHE COINED THE PHRASE "IS THAT A GUN IN YOUR POCKET OR ARE YOU JUST HAPPY TO SEE ME?" I LOVE HER!!!

“I created myself and I never put up with sloppy work”-mae west

great short compilation of mae west mae westing:

She was a SEX GODDESS at a time when that was an extremely scandalous thing to be, and she worked it! She was sardonic, sarcastic, funny...and stacked! Favorite quote (from Night After Night, 1933): Random woman: Goodness! What beautiful diamonds! Mae West: Goodness had nothin' to do with it, dearie.

i personally love this silly production number from one of her lesser known movies

She was arrested for indecency and chose to serve 10 days in prison instead of paying the fine for the publicity, and she claimed that she refused to wear the ugly prison outfits so she wore her silk lingerie the entire time. Also one of the first historybound vintage fashion icons (although vintage for her was the Victorian era)

Flora Robson:

[missmarymaywindsor]

I hope you can answer this question I will ask you. What kind of mother was Queen Mary (Mary teck) to her children?

Everyone says she's a cold, bad mother. When her youngest son, Jony, died, I wonder how she came to accept his death. I wonder if she fell into depression. When a mother loses her child, it's so hard to deal with this indescribable pain How did Mary deal with it, then her son George, Duke of the city, and later his son George VI (Duke Albert of York), who became king.

With thank you my dear friend @collarsncrowns for helping me answer this! ♥️

Apologies for your wait in my answering! Hard to believe maybe but I’ve only recently discovered where my askbox is 🙈

The misconceptions are especially evident with Prince John, who according to Churchill’s book as well as other books like Richard Dent’s “The Life of King George V”, Prince John was adored by much of his family including his parents and the King and Queen were not embarrassed by him at all. He was not often in public in an official capacity due to both health reasons and stigmas related to epilepsy at the time. Nevertheless, John absolutely spent time in public throughout his life, albeit in a more “unofficial” sense: he went on outings with friends and family, such as going to sweet shops and (as seen in the above photograph) visiting the London Zoo. In a nutshell, his parents adored him. With all that said though regarding the children, it should be noted that during that time period aristocratic and royal parents often left most of the actual “parenting” to nannies. This is true in the case of Queen Mary as well, but it is noted in Alexandra Churchill’s book that Mary and George did spend more time with their children than most upper class parents tended to during that period.

In regards to John’s death and the Queen’s feelings, it is clear she was extremely saddened. Before she found out he died, she had been writing a letter to Bertie, but when she came back and went to finish the letter after learning of son’s death and visiting him, she could scarcely write much more. She also wrote in her diary something like “am heartbroken” and “miss the child very much indeed”. Before John’s funeral preparations, the King and Queen returned to Wood Farm to sit with their late son at his bedside again, and after the funeral they revisited his grave again just one day later. May saved a lock of Johnnie’s hair and had some of his flowers pressed. She also saved some of his things for his siblings and gave his books to his best friend…the books had the note “in memory of our dear little prince”. George and Mary spent the next several days answering condolence letters and they were in mourning for the next couple months. So although it is not certain if Mary experienced depression, the loss was no doubt devastating.

As for her son George, I am not sure what her reaction was but they were extremely close and she was no doubt heartbroken. In her photo album, shortly after his death, she labeled a recent photo of him with an extra endearment…I think it was “my precious Georgie”. As for Bertie, I know she wasn’t able to attend the funeral but she watched the procession from her window. I believe the story goes that the only time she spoke during the viewing was whispering “there he is”, which at least in my opinion is incredibly sad. Other than that I know she did make a comment how she had lost three sons without being able to properly say goodbye, which is heartbreaking. Again, I am not sure about depression and how Queen Mary coped with the last two sons, but if I were to guess she probably threw herself into her work: WWII at the time of her son George’s death and helping her granddaughter Elizabeth II navigate her new role after the death of Bertie

Hope this helps! ♥️

[super-unpredictable98]

A Royal Spooky Fuck Up | Misfits Timeline Anomaly’ verse

An oc x oc collaboration between @seanfalco​ & @super-unpredictable98

Word Count: 4,7k

Warnings: Strong language, ghost stuff, mention of death

a/n: Soooo we ended up forgetting to tell you guys something lol we thought it was pretty dehumanizing to call each of the Nathans "Lyddie's Nathan" or "Win's Nathan" so we gave them nicknames. Lyddie's Nathan is now Nate and Win's Nathan is Nats. Hope it's not confusing and that you enjoy our second quad adventure for the @sheehalloween

(Masterlist)

The year was 2022, life was just starting to look normal again, as normal as it gets. It was the end of a long eight show week in Six, where Lydia had been playing Anne Boleyn for a few months and she was rewatching The Crown. 

"Oh my God," she sobbed. No matter how many times she watched the scene where King George VI was found in his bed, she always cried. "And she wasn't there, Elizabeth wasn't there!"

"I thought you were anti-monarchy?" Win said as she walked through the living room to find her wife in tears in front of the telly.

"I am! I'm very anti-monarchy, I'm practically an anarchist," she wiped her tears with her sleeve. "I mean, King George got us through World War II, he was a great person. It's just a hobby, but I don't support it, our money pays for their luxury while everyone is struggling with the energy bills... horrific!"

"Yeah, no kidding, it's disgustin'," Winnie scoffed, though she plopped down next to Lydia on the couch. 

"Oh shit! Did yeh hear?" Nats cried, skidding into the room. 

"Hear what?" Win asked, frowning at him.

"We just saw it online, the Queen kicked th'bucket," Nate tilted his head seeing his wife's red puffy eyes. "Oh shit, bad time?" 

"THE QUEEN DIED?" Lyddie screamed. "She was okay a couple days ago! What happened? She can't just die! What the fuck? Out of nowhere?" 

"Well, not exactly out of nowhere, love, the woman was nearin' 100..." he murmured.

"So much for anti-monarchy," Win grumbled, rolling her eyes. 

"Yeah, she was good and old, one foot in th'grave an all, y'know? People have been waiting for this for a while..." Nats added.

"Everybody knows you can be a republican and still like the Queen! It's the Queen! The only one I've ever known, the only one my parents ever knew..." Lydia tried to work through the shock. "And what's the alternative? Carrot finger Dumbo and his mistress?"

"Th'alternative? Uh, I dunno, abolish th'whole bloody monarchy?" Win muttered. 

"Don't know if y'know Lyds, but um- back in Ireland we're not her biggest fans," Nate sat down, stroking her back. "Pretty sure the chants in the streets now are Lizzie's in a box... but we're all here, we love ya."

"Yeah, course we love yeh. It's gunna be okay," Nats assured, sitting down on her other side.

"They've been here forever, they're not going anywhere," Lydia clung to Nats. "Oh no! The corgis..." 

"The corgis will be fine," Nate murmured. "I think you're still gettin' over Betty White and Sond-" 

"Don't say Sondheim or I'll cry..." she breathed, nearly a whisper. "I was gonna meet the Queen next month, the Royal Variety Performance."

"Maybe we should turn off Th'Crown," Win suggested, grabbing the remote and turning off the television while the boys comforted her. 

"Hey, would it make y'feel better if we tried t'conjure th'Queen?" Nats exclaimed, snapping his fingers as he thought of it.

"You're gonna... conjure Queen Elizabeth? Won't she be angry at us? I mean, our flat is a dump next to her lavatory, let alone the rest of her palace," Lydia pouted. 

"Well then guess you'll just meet the new King and Queen when you're singin' next month..." Nate teased. 

"Queen consort! Camilla could never! And the new King is a self-proclaimed tampon, no way! I wanna meet the OG." 

“Well, maybe we won’t conjure her physically,” Nats mused, tapping his bottom lip in thought. “What if we used an ouija board just t’talk to her?” 

“How would you even know if you were actually talking to Queen Elizabeth?” Win snorted.

"We ask? Ghosts don't really have a reason to lie, do they?" Lydia watched as Nate made her a neon pink board. 

"I guess that one time Jamie just omitted the fact that he was dead... he didn't lie," he sighed heavily.

“Or if they’re evil spirits,” Win said, pitching her voice low for effect while wigging her fingers ominously.

"Don't be silly... we can all see ghosts, if there were evil spirits roaming around I think we'd know. The ghosts we see are the ones we attract," Lyddie scoffed, trying not to think too much about that possibility.

“Serve yourselves then,” she shrugged. 

“Aw c’mon, Winnie, at least come out your fingers on th’plancette,” Nats said, gesturing for her to join them around the coffee table.

"Please stay with us, just... don't move it around on purpose," Lydia asked, somewhat scared of what could happen. She didn't wanna end up like the Exorcist girl or another stupid child who misused the board. 

"She wouldn't do that, it's okay, none of us would... maybe me, but I'm givin' you my word," Nate assured.

“I promise I won’t take th’piss,” Winnie said, holding her hand up solemnly before grinning at her wife and placing her fingers on the edge of the planchette. “So, how d’we start this thing?” she asked, looking at Nate.

"Oh, this is exciting, it's like The Craft... only hopefully with a better ending," Lydia cleared her throat before closing her eyes.

"When you're done don't forget t'say goodbye," Nate warned. "Okay okay. Hello spirits," she nodded and he covered his mouth not to laugh. "We are holding this seance to reach a very special person, we hope you all understand. Only positive energies are allowed in this circle and we humbly ask Queen Elizabeth Alexandra Mary of Windsor to come forward."

For a long moment, nothing happened, and the four of them held their breaths, their fingers trembling on the planchette, but it didn’t move.

"I guess I should explain... your majesty, I'm Lydia Young, I was about to perform in the royal variety show with my wife Win. My Irish husbands are here too, but no hard feelings." 

"Well, some hard feelin's, my family... sorry we can talk politics later, Lizzie," Nate shook his head just as the planchette moved to hello.

Win’s brows rose and she nearly pulled her hands away. “Holy fu—“ she breathed. “It’s actually moving.” 

“Ask her somethin’ else, Lyds!” Nats urged, excitement coursing through him. He half wondered if it was only working because of his and his twin's medium powers.

"Um... your majesty, did you attend your son's second wedding reception wearing white as retaliation for when Camilla wore white to his first wedding?" Lydia asked. 

"Seriously? That's your question?" Nate chuckled and for a long time, nothing happened again.

“Did we lose her?” Win wondered aloud, watching the board for any tremble of movement.

Instead of drifting towards the yes or no, the planchette vibrated slightly before moving to the letter S. 

"S? what does that mean? I, M..." Nate watched it in confusion. 

"Simon? Why is she talking about him?" Lydia felt another shiver, but instead of excitement, this time it was fear.

"Guys, I don't think we're talkin' to th'dear departed Queen," Winnie whispered, her mouth going dry. She wanted to pull her hands away or yank the planchette to the 'goodbye' scrawled in the corner, but she couldn't move.

"Oh well, I think we have the wrong person, so... we respectfully ask to end this seance and say goodbye," Lyds stammered, but her hand was pulled as the spirit started to spell another word. 

"Oh shit... MU... MUR... Murder, that's just great," Nate grimaced, shaking his head and regretting every decision he made that day.

"Simon and Murder," Win mused. "Oh fuck... I think we're talkin' to--" her exclamation cut short as the table beneath the ouija board began to vibrate.

"Sally? Is that you?" Lydia asked and the planchette surged towards the yes. "Oh, for fuck's sake, we know he killed you, you were gonna send us to jail! For a self-defense murder!" 

"Wait who's Sally?" Nate asked before his mouth fell open. "Oh... the corpse bride lookin' cunt who gave me shit for that brick on her windshield!"

“Yeah, our probation worker,” Win added.

Nats opened his mouth to ask what to do next when the lights began to flicker ominously and the planchette began to move again. “What’s she spellin’ now?” he yelped, hoping no one could hear how freaked out he was.

"Justice... oh please! You're dead!" Lydia cried, but she didn't want to upset the spirits. "I didn't mean it like that, I'm sorry. It's just that he had to do it." 

"We're good people! We never killed anyone cause we wanted to. Please fuck off," Nate pleaded.

“Let’s hang up, this call is goin’ nowhere,” Win said, dragging the planchette over to the ‘goodbye’ in the corner. “See ya, y’frigid bitch,” she muttered, wiping her hands. 

“Guess she’s still pissed at us, even after all that time,” Nats mused. “Y’d think she’d mellow out after findin’ her boyfriend in th’afterlife.”

"Maybe they went to different places," Lydia pointed one finger up and one down. "I mean, Tony wasn't amazing, but he didn't do that to us cause he wanted to either. He was possessed." 

"Maybe," Nate shrugged. "Can't see her anywhere, so it's over. Don't worry." 

"I'll call Simon to put a Greek evil eye on his door," she jumped in search of her phone.

"I don't think Tony woulda turned violent unless he already had violence in his heart," Win murmured thoughtfully as she picked up the ouija board to put away. "But I'm glad that's over with, it gave me the skeevies."

"Probably, think we all got powers that had to do with who we are. I've always felt really vulnerable, so I got a shield. Nathan is dumb so he can't die..." 

"Hey!" Nate laughed. "Don't think that's why!"

"I was afraid of bein' seen as a leech, so my power's leechin' other peoples'," Win muttered, still kinda sore about that one, even if it did come in handy.

"Don't say that, your power saved us so many times," Lyddie emerged from their room with her phone to give her wife a hug. But just as she took the other woman in her arms, the bedroom door slammed shut

Yelping in surprise, Win jumped into her arms. "D'you think...? It couldn't have been Sally, could it? We ended the seance..." she whispered, a chill running down her spine.

"She never said goodbye, but... Nate said he couldn't see anyone," Lyds held her protectively. "It was probably the wind, I left the window open."

"Right, yeah. The wind..." she agreed hesitantly, shaking her head, her voice trembling slightly. "C'mon, let's go make something to eat."

"Yeah, there's some leftover curry, I can toast some bread," Lyddie tried to not freak out for everyone's sake. 

"Yummy! I'm starvin', all the supernatural shit really drained me," Nate hopped on the stool and leaned over the counter.

“Are you really not even a little rattled?” Win asked the boys as she pulled the dish of leftovers out of the fridge for Lydia. 

“Nah, what’s she gunna do?” Nats scoffed, lifting a shoulder in a half-shrug.

"Your mum and our brother have t'make the biggest effort t'visit. What makes Sally so powerful that she could haunt us?" Nate agreed. 

"Don't worry baby, nothing is gonna hurt us, I'm here," Lyddie smiled reassuringly.

Lydia’s words placated Win for the time being, but by the time they were getting ready for bed, more strange things began to happen. 

“Nate, did you filch my clean pyjamas from th’bathroom?” Winnie huffed, emerging in her towel, her hair still dripping.

"That would've been a great idea t'see you naked, but no... someone got there before me," Nate gave his brother an accusatory glare. 

"I can find something for you to wear," Lydia offered, opening the top dresser drawer and screaming when the bottom one opened as well, hitting her legs.

“What, it wasn’t me!” Nats cried, his exclamation turning into a sharp shriek of alarm as his wife cried and jumped back. “Oh shit! Lollipop, you alright?” 

He quickly rushed to her side and kicked the dresser door shut. Suddenly the lights began to flicker faster and faster before the door slammed shut with a whoosh leaving them in darkness. 

“I’m fairly certain that wasn’t th’wind this time!” Win exclaimed, having jumped into Nate’s arms atop the bed. 

"Yeah, we might have a problem," Lydia murmured, letting Nats embrace her. "How can we banish her? She's so salty for no reason! She took my brother's phone, he was just trying to get it back." 

"I don't know, I'd call my priest uncle, but things were a little awkward after the... y'know, fake possession stunt," Nate shared a look with his twin before loosening Winnie's towel to get a peek at her goods. "Ooh, nice, never gets old." 

She gave him a halfhearted smack to the shoulder but didn’t bother recovering herself. 

“I’m gunna ignore th’bit about a fake possession, though I’m definitely curious,” she said, looking between the two. “Maybe we should call a priest though? Not your uncle, but a priest?” she asked, her gaze going to her wife.

"Do you know any priests? I've never even been to a church, my mum's a former Catholic turned atheist and my dad's a Jewish hippie," Lydia covered them all in a force field as one of her Tony awards was launched from the shelf. 

"I don't know, maybe there's some 0800-priest. Do we know any pastors maybe? Or monks? Maybe your dad knows a rabbi!" Nate asked.

“No, sorry. My family never went t’church either.” Win shook her head. “Maybe we could call th’local parish? See if they can help us?” She suggested, wincing as several books exploded from the shelf.

"We can't sleep like this! Let's go over there right now, I'm not letting this cunt hurt you. Nate, get us dressed, we're leaving," Lydia demanded. 

"Right now? It's late," he said, though he followed her instructions, snapping his fingers to dress all of them up. "Could be dangerous." 

"Not as dangerous as sleeping with a vengeful spirit in our house. Someone will have to help us."

“Will anyone even be there at this hour?” Nats asked, quickly shutting his mouth at the look his wife threw him.

"If there isn't, we're spending the night with my parents," Lyddie shoved a few essentials in a backpack and headed to the door while covering herself and the others still.

"What if she tries t'follow us?" he wondered as they walked across the estate to the big cathedral.

"Then I guess we better hope th'priest is in," Win murmured.

As expected, the doors at the church were locked, so Lydia banged with both fists while Nate tried to unlock it. 

"Hey! We need help! We messed it up and now we're haunted!" She screamed.

After several minutes of their pounding and Lyddie's screaming, the door finally swung open, revealing a very disheveled looking man. 

"Yes?" He exclaimed, leaning heavily against the church door.

"There are millions of bloody priests in the world, why the fuck he's the one helpin' us?" Nate hissed. 

"Oh my... this is... this is new," Lydia's legs nearly gave out when she saw him, an exact copy of Nathan but with some facial hair. Not much, but enough to make her weak in the knees. 

I fancy a priest, I'm so going to hell if I die one day, she thought, even more turned on by how sleepy and messy he looked.

"What, may I ask are y'doin' bangin' on th'door at this hour?" The priest asked, his gaze taking in all four of them. 

"Oh..." Win breathed, discreetly reaching for Nate's arm, subconsciously trying to remind herself that she was married. 

"We're bein' haunted!" Nats exclaimed, breaking the silence. "We need an exorcism, STAT!"

"We're so sorry, we didn't mean to disturb you, but it's really urgent," Lydia tossed her hair and fixed her posture. There was nothing wrong with being attracted to this guy, it'd not like anything would ever happen anyway. "There's a vengeful spirit throwing things around the house, we were trying to communicate with the Queen and things went south. We really really need your help," she pouted slightly.

“Why were y’tryin’ to talk to th’Queen?” the priest scoffed, amusement breaking the annoyed expression he wore. “Come on in, I gotta get dressed,” he murmured, gesturing for them to follow him.

"The royals are sort of a hobby of mine," Lydia obeyed, turning agape at Win like a giddy fan meeting her idol. "Even though I'm not exactly a fan of authority... can I ask what's your name, father?" 

"Get a grip, you're married! And thinkin' what you're thinkin' about a priest is a sin for sure," Nate whispered in her ear. 

Win met Lyddie’s look with one of her own and had to fight to stifle her snicker as she overhear his hissed warning. 

“Uh, it’s Kay,” the priest answered distractedly, leading them to his office, which doubled for a bedroom. “Sit wherever y’like, make yourselves comfortable, and I’ll be back in a minute,” he said, gesturing to a few worn armchairs in the corner while running his other hand through his close cropped curls.

"Thank you," Lydia smiled, already grateful to Sally for being so stubborn. 

Nate took a seat and pulled her into his lap, wrapping his arms around her like a dog protecting his bone. "You're shameless, woman," he scolded. 

"What? I didn't do anything, and you are right. We're married, for over ten years, you should be over your silly jealousy by now. He's a man of God, I could never!" She fought not to laugh. "I just hope he can help us with the house. Right, Winnie?"

"Yeah, I hope so too," she agreed, sharing a tiny grin with her wife. 

"Okay, now get me up t'speed," Kay exclaimed as he returned to the room wearing his vestments. "You said somethin' about en exorcism?" he asked, sitting down on the arm of the chair opposite them. 

"Yeah, we're bein' haunted by th'ghost of one of our probation workers," Nats explained.

"Almost fifteen years ago we were arrested and had to do some community service. My brother and this probation worker were having some sort of relationship," Lydia winced thinking about it. "She passed away during an accident and today when we tried to communicate with spirits, she's the one who came forward and she's really angry for some reason. We were wondering if there's anything you can do."

Kay looked thoughtful for a long moment. "I can come and bless your house, I s'pose." 

"That's it?" Nats exclaimed incredulously.

"You say that as if you can do it yourself..." Lydia gave him a pointed look. "That would be great." 

"Sorry, we're not exactly wired t'trust priests," Nate muttered.

Kay winced and opened his mouth before shutting it again, deciding better not to ask. "Since I'm awake, I suppose now's as good a time as any," he said instead, getting to his feet. "Shall we?"

"Yeah, we're so sorry by the way," Lyddie got up, fixing her skirt. "That whole mess might just make me religious." 

"Mhmm, the mess," Nate took her backpack so she wouldn't have to carry it on the way back.

"Oh hush, you," Win hissed, nudging his shoulder as they filed back out the church and back into the night. 

"D'yeh think this'll actually work?" Nats wondered in a hushed voice. "No offense to our lookalike priest," he muttered.

"I really hope so, this has t'be worth it," Nate rolled his eyes, following behind as the girls led the way. "Otherwise we'll have t'move out or some shit."

Once back at the house Nats entered hesitantly, looking around to see if Sally was still around. "I think th'coast is clear for th'moment," he said, turning around to let the others in.

"Ah what a bitch!" Lydia gasped when she saw their stuff scattered all over the floor. "Sorry, I didn't mean to curse." 

"You sure?" Nate held up the two halves of her destroyed signed copy of Junji Ito's Uzumaki. 

"That cunt whore!" She yelped and immediately covered her mouth, shaking her head in embarrassment.

"It doesn't bother me if you swear," Kay assured her, pattering her shoulder lightly as he stepped past her, surveying the room.

Suddenly a vase fell from the mantle, smashing on the ground and making them jump. "Wow, you weren't kiddin', that's one angry spirit," he murmured.

"We have no idea why..." Lyddie shrugged, taking Nate's hand when she noticed he was staring daggers at Kay. "You'll fix my book later, right? And our trophies..." 

"Ask him..." he huffed stubbornly but quietly. 

"Oh come on, are you 33 or 13?"

“I can fix them,” Win whispered. 

“Sometimes it’s not fair you can do that,” Nats grumbled.

"Thank you, my lovely perfect wife," Lydia stuck her tongue out at the boys. 

"You're too soft on her, Winnie," Nate folded his arms.

“And you’re getting your knickers in a twist over nothin’,” she snapped back. 

"If y'say so," Nate couldn't deny that fella was being more than generous helping them out in the middle of the night.

“Not to worry,” Kay said, turning back to the four of them. “I’m going to th’cleanse your house now.”

"Thank you so much, do you need us to do anything, father?" Lydia asked tying her hair up in a ponytail. 

“I’m gunna sprinkle some holy water in each room as I pray. All yeh need t’do is follow me,” he explained, reaching into his robe to grab his vial of the liquid.

"Yeah, of course," she took Win's hand, not for a moment doubting that plan was going to work. It only made sense... Nate on the other hand was quite unimpressed.

Winnie squeezed her wife's hand and followed after Kay. Though she didn't believe in the whole Jesus thing, she hoped that this prayer thing would work. 

"How much you wanna bet this is gunna work or not?" Nats whispered to his twin.

"I bet a threesome that it's not gonna work," he whispered back smugly. "There's no fuckin' way one of our variants is a priest... he must be a fake, only doin' it for the free accommodations."

"Deal." Nats shook on it. 

"What are you two on about?" Win hissed as they passed through the living room to the kitchen where Sally had left another mess. 

"Nothin'," Nate flashed her a charming grin. "Just talkin' about how much we love our wonderful wives. There ya go always thinkin' the worst..."

Kay sprinkled a few drops of holy water as they went, his voice a melodic prayer. Winnie gave the Nathans a doubtful look, but held her tongue, not wanting to disrupt the cleanse.

I think there's something wrong with me, this is turning me on, Lydia thought, making the sign of the cross and shaking those thoughts away. 

Kay continued his prayers, making the sign of the cross before leading them onto the next room. 

Suddenly as they returned to the bedroom, everything began to vibrate violently, but he merely raised his voice louder, unperturbed as he flung a spray of holy water across the space. "Leave this house, spirit! By the name of God, I command ye!" 

"This is exciting," Win breathed, grabbing Lydia's arm.

"Oh you have no idea..." she brought her wife's hand to her chest, where anyone could easily feel her heart racing. "He's not even scared, he's amazing." 

Nate rolled his eyes, trying to look as unfazed, even though he was a little bit freaked out. The lights were flickering and the sounds of the objects flying around were deafening. It all got worse until it finally stopped, leaving them in the most peaceful silence.

"--In God's name, amen." Kay finished his prayer and smiled, turning to face the four of them. "Looks like she's left." 

"Oh thank God," Win exclaimed, while Nats still eyed the room reluctantly, just waiting for Sally to return.

"So that's it? That actually worked?" Nate scoffed, only thinking of the threesome he'd have to sit out. 

"You're a lifesaver! This is incredible! I have no idea how to thank you," Lydia laughed, unable to contain her excitement. "D-do we pay you? Can I bring you lunch tomorrow?"

"Oh," Kay exclaimed, somewhat taken aback. "No payment is necessary, but..." he hesitated, turning his grin on her, "lunch would be nice, after wakin' me up in th'middle of the night," he chuckled. 

"What if she comes back?" Nats cried, scowling at the way Lyddie was gazing at the priest. 

"I suppose, let me know and I'll try something a little more advanced," he answered, frowning slightly. "But in th'meantime, maybe no more tryin' to contact the dearly departed Queen via ouija board."

"I promise we will never touch another board again, we'll let the Queen rest," Lydia nodded, already planning what she was going to cook the next day. "I'll make sure to update you tomorrow on the whole ghost situation." 

"Yeah well, thanks," Nate sighed, his face unbiddenly showing exactly how jealous he was. "Let's hope she doesn't come back," the last thing he wanted was to invite him over to get rid of another poltergeist.

Kay nodded. "It was my pleasure, good night to you," he said, following them back to the front door and stepping out into the dark street. As soon as he was gone, Nats shut the door heavily and let out a loud sigh.

"Winnieeeeeee!" Lydia squealed, jumping around, it had been a few years since a new variant had appeared. "We're ghost free! Well not really, but the bad ones are gone I hope." 

"Thankfully," Nats sighed, catching her around the middle.

"Guess I'll clean the mess then," Nate muttered, waving his hand to fix what was broken and get it back in place even though he swore he wouldn't do it.

Win laughed at her wife's excitement before turning to Nate and winding her arms around his neck, stretching to do so. "Thank you, babe," she whispered. 

"Yeah yeah..." he tried to fight a smile. "What don't I do for you two?" He held her in turn, pressing a kiss to the top of her head. 

She smiled, tilting her chin to look up at him. "Think we can resume where we were when I was in your lap with naught but a towel?" she purred, twining one of his curls around her finger. 

"Now that's a plan," he lifted her in his arms, disappearing with her clothes even before reaching the bedroom. "So much better."

She giggled, letting out a yelp as he tumbled to the bed with her. "So glad to have our home back t'normal," she murmured, running her fingers through Nathan's curls.

"Me too, from now on we only summon the spirits we know," Nate mumbled against her lips. "I kinda bet a threesome with Nats and lost, so I'll keep you tonight. All mine."

"Guess y'shoulda had more faith then," Win teased, opening her mouth to him, grinning into the kiss. "But mmm, I like th'sound of bein' all yours tonight."

"Stop with that face, I'm not even looking and I know which face you have," Lydia turned in Nats' embrace and touched the tip of his nose with her own. "See? I knew it."

"And what face is that?" He asked with a laugh, pressing his lips to the tip of her nose.

"It's cute, you always scrunch your nose and your lips do this thing when you eat something you don't like or when you're jealous," she teased, scratching his scalp gently.

"Yeah, yeah, obviously I'm jealous," he grumbled, pushing his lip out further.

"As cute as it is when you're jealous of us, you know there's nothing to worry about, have we ever fucked another Nathan? We met several... and this is probably the only one who doesn't want anything to do with us," Lydia assured, stealing a kiss.

"I know," Nats murmured, pulling her closer by the waist and deepening the kiss.

"Good, you're the only one for me," she whispered. "Well, not really, but you get the picture."

Tag List: @firstpersonnarrator @elliethesuperfruitlover

[charlotte-of-wales]

H&M Documentary Review: Episode 3

(my commentary is in italics)

LAST ONE LFG

- starting off with the engagement interview. Meghan calls it an orchastrated reality show. Oh, the irony

- They say the interview was scripted and they were told ahead of time which questions were going to be asked. 

- She said they (assuming it’s the palace) didn’t want them sharing their real story during the interview? I mean, was she looking for an Oprah style interview orrr

- little History lesson now. Long talk about slavery in the British empire than cuts to a child singing God save the King.

- James Holt (Executive Director of Archewell) telling the world he doesn’t know how google works and never bothered doing further research on things he never learned at school. Such scholar!

- David Olusoga, made a point about how with time London started to look like the capital of an Empire composed of non-white people with more and more black and brown people moving there; how there was an attempt to redefine British institutions and stuff. He says the moment he realized things were changing was when the engagement was announced (which is funny to me because that would make sense if Meghan was from the Commonwealth....she isn’t).

- ms. I’ve always been known for my brains didn’t know what a walkabout was

- Harry said he tried to help Meghan as much as he could but there wasn’t much he could do in terms of fashion (it was funny because Meghan was talking about these earrings she bought online, she still had the tags on some of her clothes, her zipper broke, she wanted to wear British designers and how quickly did that relatability change when she had access to that Duchy of Cornwall money)(ALSO this plays into the “she never got help narrative” but didn’t she have one of Queen Elizabeth II’s former aides helping her?)

- they showed a picture of her trying on an outfit which I think it was for the engagement photo call and thank god she changed bc that was not cute

- “someone can just call themselves a royal expert” idk babes ask scoobie

- Harry says a royal expert is the same as a royal correspondent.....no

- Harry goes on a rant about the invisible contract between the Royals and the press and is just not true. So far this has been the episode with the most lies yet. A couple quotes:

- “Anyone can be a royal expert. The whole of it is to try and lend legitimacy to media articles, and they get paid for it. That press pack of royal correspondents is essentially just an extended PR arm of the Royal Family”. 

- “There’s been an agreement that’s been there for over 30 years”

- UGH. First time watching I actually got mad. This idea that the Royals somehow control the media is bs and Harry’s insistance on it will only encourage sugars to run with their narrative that negative stories about the Royals (mainly William) are burried and bad stories about Sussexes were planted by the palace. Doesn’t work that way, buddy. Royals and the media (especially royal reporters who have been on the job for decades) do have a closer relationship but to say they’re an extended PR arm of the family is insane. They’re still journalists. 

- More explanation of the Royal Rota and this one didn’t come from Harry so it was actually accurate. Cut back to Harry saying BS again tho. 

- Harry: “it all comes out to control us. Like, this family is ours to exploit. That trauma is our story and our narrative to control” BABES THAT WHAT YOU’RE DOING AS WELL!!!! you’re exploiting your family and their traumas and YOU ARE controlling the narrative because your family can’t say anything and YOU KNOW THATTTTT

- gosh this is so repetitive. They are even reusing footage of Diana being chased. WE GET IT. Move on. 

- random but they’re showing footage of old Charles and his eyes are deep blue. Never noticed that. Thought William’s eyes were all Diana, guess not. Moving on. 

- James Holt saying the whole family had an obligation to perform and if they don’t, they fall out of favor with the papers. WHAT DOES THAT EVEN MEAN JAMES? You mean to do their jobs and shake hands? Get their picture taken? Share pictures of their kids a couple times a year? Gosh, making it sound like they’re circus monkeys. This man is annoying. 

- I can’t help but roll my eyes. These are two of the most privileged people in the world and I’m sure it sucked to be chased by the paps but some people struggle with putting food on the table like???? have some common sense. 

- Meghan’s friends saying there were paps staying outside their houses (MOST of which were in the US btw, keep that in mind)....I mean, sure Jane. I did not know the names of any of you before this but whatever floats your boat.

- damn Meghan’s friend throwing her mom under the bus to defend her wow these people have the best family dynamics ever

- Doria talking about being chased by the paps....in LA. Not the British media then. 

- Meghan talks about Samantha Markle. Says the media wanted Doria’s side of the family to be the messy one but Doria was too classy and it was the Markles creating issues. Said her and Samantha barely had a relationship.

- Oh wow, they brought Samantha’s daughter Ashley to talk. Meghan said “Ash” was dragged into the drama by the media but this is the first I’m hearing about this niece?

- Anyway, Ashley was not raised by Samantha but they reconnected and eventually feel out again over Samantha’s opinion on Meghan. Meghan and Ashley are quite close. 

- interestengly enough, although Meghan found Windsor to be medieval and the Royal Family too formal she loved Christmas at Sandrigham? Even if it’s known to be very formal

- She says it was amazing and it was like this big family she always wanted and it’s fun....so I guess they did welcome her after all?

- They talk about Princess Michael of Kent and the brooch

- the white dude who thought it was okay to wear a n*zi costume and use racial slurs lecturing me on unconscious bias. 

- oh so they are addressing the n*zi thing. Alright.

- Harry claims it was one of the biggest mistakes of his life and he just wanted to make things right. He met with a Rabbi and a Holocast survivor. (imo you shouldn’t have to do any of these to know you’re not supposed to wear a n*zi costume but  ya know, H is clearly not the sharpest tool in the shed). 

- Interestingly enough.....it was one of Harry’s biggest regrets in life and yet I’ve never seen a proper apology from him? And he didn’t talk about his use of racial slurs in the army?

- “I could’ve ignored it but I learned from that’. congrats you want a cookie for doing the bare minimum, sir?

- mr. and mrs. equality being introduced by their titles in a country where titles do not exist. lovely. (ps they walk into a room full of military people and the way none of them give a single fuck lmfao)

- this man talking about his experiences in the army RIGHT after talking about the n*zi controversy and DOES NOT address his use of racial slurs. He doesn’t care. If he did, he would have apologized. 

- “Jeez, I went to war twice” LOTS of opinions surrounding this statement, but I;d rather not share them. Just *eye roll*

- they made a POINT to show Meghan talking about Me Too and female empowerment and a reporter saying Kate didn’t wear black to the BAFTAs and Camila never talked about Me Too. Because nothing screams women supporting women like bringing down women in the family to make yourself look superior. 

- Tim Burt - strategic advisor to Archewell - saying the causes the Royal Family champions are strictly non-controversial. Not true. 

- Meghan saying there’s no class on how to act like a princess. Girl......

- Harry saying the press invents a lot of protocols which might be the only true statement he has given in this whole doc!

- they really are showing her getting fittings for the Carolina Herrera dress only for it to fit her the way it did. I can’t even. (I’m pretty sure the guy is the creative director for Carolina Herrera, he was there and that was the best they could do> Gosh)

- Meghan saying she could never wear the same color as the Queen but also not the same color as the other senior members of the family. BS. The family usually color coordinates. 

- She says ^ that is why she usually never wore color in family events and stuck to camel and white which is funny since Camila and Catherine wear white quite often. Plus, she did not choose a neutral color for Louis’ christening, did she? When everyone else in the family was in neutral colors. 

- Again, she said the neutral tones was so she could blend in. She certainly was not blending in at Louis’ christening. 

- Ashley (Meghan’s niece) implies her relationships were being managed (aka controlled) by the Palace. Sure, Jane version 294958583849.

- They immediately start talking about their comms team making it seem like every phone call they make has to go through someone else. BS. Ashley babes, Meghan had her own phone. If she didn’t text you, she didn’t want to. 

- They keep using Jason’s pictures. I would sue.

- Meghan saying she had compassion for their comms team (aka Jason) for dealing with the shitshow that was the PR before the wedding. Interesting version of compassion you have since they are all accusing you of bullying. 

- Meghan says the guidance at the time was not to have Ashley come to the wedding. That makes zero sense; it would be better press to have more of her family members there. Maybe her invite was sent to one of the celebrities Meghan never talked to before but who, for some reason, were at Windsor.

- now onto the Commonwealth talk.........

- listen, saying wealth was extracted from the colonies and flow into the British Empire is true. Saying the British elites benefited from it is true. I just it VERY interesting that neither Harry nor Meghan seemed to have an issue with that previously. In fact, they don’t talk about it themselves, they let other people do it. Both of them benefited from that wealth inequality through their associations with their royal family. 

- to say things are the same in the Commonwealth countries today as they were 100 years ago may be true, but these countries have their own governments who played a role in that. 

- girly is now praising Harry for educating himself into becoming “anti-racist” if you refuse to apologize for your mistakes then you aren’t anti-racist. Harry hasn’t. All he does is lecture people on things he actually does not understand. 

- I’m sorry James Holt sounds incredibly naive and good riddance that he is no longer working with the Palace. This man genuinely couldn’t tell those pictures of Thomas were staged at first??? Be for real

- Also, I truly did not know Thomas was supposed to fly to the UK and walk Meghan down the aisle until like 10 days before the wedding. 

- more about Thomas. I do wish they went a little deeper on their relationship because Meghan used to be a daddy’s girl and they were close and yet Thomas never got to meet Harry and next thing you know he’s doing pap walks?

- doc ends right before the wedding.

Oof. The other two were boring but this one made me mad lol. This doc is all over the place and I’m interested to see what the general public will think of it.  

Next 3 episodes coming out in a week.....

[the-firebird69]

That's great I hear both my names but really that makes a lot of sense it's good to hear that somebody figures it out too but these weapons are illegal to use we're not so sure we're going to use them but we're smaller and frustrated everyone's beating up on us and we can't run our plan at all and it might be something that we do and try and save the blue their own up. It happens sometimes there are other groups do it. It looks like it's coming up pretty quick we're starting to fight this ground war out there every day by the way it's a huge war in a battle and it's not light by anybody it's not like both sides keep losing huge numbers and nothing's gotten nothing's gained or just in each other's face all day and he gets in the middle and it's massive amounts of stress and he says we don't want people in feeding the planet and enforcing idiotic s*** on people and she's kind of laughing saying it's a lot of idiotic s*** this would be one version and should be easier to tolerate and he says if you're up to me I'd throw all you in the fire but we really throw each other in the fire stuff really nice it's not a nice time or happy time but it's probably the way it's going to go it's been going that way and it perceives that way all the time we don't have much of a choice because if we lose the stuff they use it on us and to take over the area of you it means so go after all of us using the power of the area. And that would probably mean Extinction eventually. Right now we have a lot of people at those things and us by the empire what's happening fairly soon that this battle is increasing ferocity and we saw troops going down this morning but as he says there's probably a trigger and not sure what like what that would be.

Emily blunt

We think it's a matter of her forces getting beat up not just in Mexico but globally and they're not as beat up as people say people talk a lot but she's saying that she's not doing so good but really they're all not doing good. And that's the trumpsters.

Thor Freya

We're not doing good but not doing that bad and Hera says the few things coming up that might change that. The one is edge of Tomorrow and I know about that and it's about the two and people think they're in France for some reason and he says and it might be someone else in France and they might want to try and combine them and since they're there in France and it's important it's a symbol to move them down into the pyramids and to inform people about it it's a blast pyramid there's a pyramidian there so it depends who's in it and there's like a tomb below. There might be another structure like it and it has to do with my clan he says and he's just guessing but if it was that would be symbolic and something we could remove and there might be two of them so what is France and they're the good guys which could be the pseudo empire and we don't think that it's Tom Cruise but I think it's a couple but he wants the information and the other one would be in another country probably Germany. The Queen Elizabeth II had a husband and he was entombed that makes sense he could be in there and she might be moved there so they're going to look into it there's a big find and she says there's another couple things that we're having a war with bja it's picking up in town and all over the place again and that was heated up and they're fighting over being president of Mexico and that's easy to get up there's also this apartment situation it looks like it hasn't budge and it has been budging a little and we know what's happening they're trying to evict people a little bit about using others and it's starting fights with other people Jason is one of them to the other one is the group stan works with. They're actually going to court with him and they're taking his share of the land and and consortium and they will probably have that shortly and that would be sooner than you would think it would be within probably a week this week there's three law suits.

And there's more she says there are a bunch of clones seeking it trying another method and that is to push in no they're weakening the front of the clans by taking stuff is one thing but they're attacking us. But directly they're trying to use politics and they're playing dirty pool and they're trying to get us out we found out he needs to stuff rather badly and it's going to happen eventually he will succeed in some places and it's not going to be that great but that will contribute to the statues and casters a little but there's something a bit more direct and it would be to fight the pseudo empire from taking over the West apparently they're getting pushed out of the East as well and we're gauging it and stuff and it is happening in that war has heated up very much so and it is increasing not decreasing and things in New England are starting to heat up because of the pyramids and that goes back to France and the Louvre and the glass pyramid and possibly another one he thinks maybe Germany and or some other location we don't think it's westborough but the Astro pharmaceutical. But there are glass pyramids and they should be looked at now this is something to consider because it might be more than one location and I'm pretty little friend here is figured it out some things in these boy so I'm getting angry right now

Emily blunt

Well we have to go now no he's saying stupid things cuz she says I'm getting angry and have to go and he says you wouldn't like me when I'm angry and he says you're right. Usually he says I wouldn't like you ever but he is going to get going we have things to do today here but it's changing still slowly and pretty soon it will be rapping so we have to get ready

Hera

And really the war with the pseudo empire is the one that's heating it up and they want the stuff and they're having other people do things it makes a lot of sense and they need the stuff now

Emily blunt

The point is we can't let you have it as you'll definitely use it on us as you have announced millions of times not thousands.

Michael tew

Good so you know yeah that's not really nice we didn't do a good job there

Trump

It was you saying it and you're just fool who thinks he has all sorts of robots and stuff as her friend says it's just like countering another program and we're insane and no you are Trump we don't believe that s***

Emily blunt

Get away from my stuff and things like that but really you're probably correct he knows it's right and I'm not that bright and I can't run it anyways and I can't run my own and people have seen it so I want to run this differently I keep telling people I planted device on the master computer

Trump

Olympus so his son says bye bye Trump and other people too like Hera and and then Tommy f not Daddy and some more and you're going away buddy you're close enough they say

[autumn-arcadia]

OKAY OKAY BUT. hear me out. there is no way it was a coincidence that the queen of england died the same day sans undertale was elected the ultimate tumblr sexyman. i hope you understand what i’m getting at

[anxious-allie-ren]

The Rumors.

Coming at you with the next chapter! This one was fun! I really laid some good ground work here and planted some hints for future important plot points. So, see if you can find them! I hope you enjoy!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The next banquet was once again held at the King and Queen's summer estate. But rather than showing up in the evening for a night of dancing and conversation, guests came instead to share a meal and a few waltzes.

All that were in attendance had just enjoyed a delicious three-course meal. A light vegetable soup served with a side of bread, followed by roasted pheasant with glazed potato, and finished off with a delicious iced pudding. You had starved yourself all day for the meal, expecting nothing but a grand spread. It's safe to say you were not disappointed. Your father on the other hand, he was a different story. He had nothing nice to say about the meal, stating that his pheasant was dry and the pudding was too sweet. You were able to conjure up an excuse to get away from him, walking away from your table and into the crowd. You needed to breathe.

You're watching the couples dance around the floor as you feel someone come up to your side.

"Did you enjoy your meal, my lady?"

You turn to see Poe standing next to you, looking as dashing as ever. He's dressed in his usual tuxedo, curly brown hair tamed in a perfect mop on his head. You smile up at him and nod.

"Yes I did. How about you, Lord Poe?"

"Just Poe, remember? I did enjoy it, but I have to say, I wish the pudding had been sweeter."

His response makes you giggle, looking down at your hands. He was so drastically different from your father. Of course they would even differ on something as simple as the dessert.

"Of course, Poe."

Poe turns to look at you. He holds out his hand for you just as the previous dance ends.

"Would you like to dance with me, miss Y/N?"

You nod quickly and place your gloved hand in his, allowing him to lead you out onto the dance floor.

You are swept up in him as you waltz about the room. You could feel that spark from your stroll in the park. Only now, it was beginning to burn brighter, being fanned by the closeness of your bodies. The way he was looking down at you had your cheeks burning red. Poe smiled and held your hand just a bit tighter.

"I very much enjoy the time we've spent together, miss Y/N."

His words take you by surprise. Of course you enjoyed his company. But you were not expecting the feeling to be mutual. You look up in his eyes, a bright smile spread across your face.

"I have as well, Poe. But please just call me Y/N."

_______________________________________________

Those in the crowd watch the two of you as you dance. The spark could be felt by everyone in attendance. It seemed that the young woman who gained praise from the King had found her love match. Any one with eyes could clearly see the connection between the two of you.

That of course meant that both your father and Lord Hux could see this as well. The men were standing off to the side watching.

"I knew she would fall for a younger man. We should have just arranged the marriage and been done with it. You promised me this would be no problem."

"Lord Hux, I can assure you this will simply be a little obstacle in our plans. MY daughter will be your bride by the end of the season."

Lord Hux looks at your father, his brows furrowed in anger. He slicks back his ginger hair with his hand and sighs.

"You're right, your grace. Because I'll be taking matters into my own hands."

With that, Lord Hux makes his way through the crowd and onto the dance floor.

_____________________________________________________

You are broken from your moment with Poe as Lord Hux comes up to the both of you, your father following closely behind.

Poe turns to face him, dropping your hands from him.

"Good evening, Lord Hux. How can I help you?"

Lord Hux scowls at Poe and turns his direction to you.

"I've come to ask my lady to dance with me, if that's alright with you."

You couldn't believe the brazen actions of Lord Hux. It is more shocking that your father was going along with this. He had been so demanding that you behave, but certainly this little stunt would not look good to the ton.

You swallow the lump in your throat. The last thing you wanted to do was dance with him. He had made his intentions very clear in your last interaction. You didn't want to do anything more to give him the wrong idea. Lord Hux stood no chance with you. Poe looked down at you, sensing your hesitancy. He was about to answer when your father stepped in.

"Of course, Lord Hux. Y/N would love to dance with you! It would be her honor."

Your father punctuates those last words with a hard look at you. It was clear you had no choice in the matter. It was either behave now and come out of this with your dignity intact, or walk away and lose the good graces of the King and the ton.

You stay silent as you take Lord Hux's hand and begin to dance with him. Your face is as still as the statues that decorate the elaborate ballroom. You wanted to make it clear to all that may be watching, along with your dance partner, that you were not enjoying this.

Lord Hux drones on about his vast estates, wealth, etc. but you can't bring it in you to listen. None of this information mattered to you. As he continues going on about some group of men he's assembling, you catch the eyes of the raven haired man from across the room.

He's standing amongst the crowd, dressed in a fine tuxedo. You couldn't even take in his attire. All you could focus on was his gaze, which was fixed right on you. The both of you couldn't keep your eyes off each other. Even as Lord Hux twirled you around the floor, your eyes still managed to find him. As the song ended, you nodded to Lord Hux and turned towards the direction of the man, but found that he was gone.

You made your way back into the crowd. You were hoping to find Poe or even the mystery man. You stopped at the refreshments table to get a glass of champagne. As you turned, you spotted the man again. He was talking with a few other men, but the second he felt your stare he looked up at you and met your eyes. You were tempted to make your way over towards him but stopped as two other debutantes joined you at the table. Both girls were beautiful. The one closest to the table had short auburn hair with deep brown eyes. She was wearing an emerald green dress accented by silver beads. The woman next to her had hair that was a bit longer than the other's, but it was a lovely chocolate color. Her eyes were blue, just like the dress she had on.

"Lizzie, honestly. No King is going to be joining the ton this year." The woman in the blue dress states as she grabs a glass of champagne for herself.

"No I'm serious, he's here! Look, he's right there!" Who you now know as Lizzie says and points wildly across the room. You follow her finger and find she is spotted at the mysterious man you've been exchanging glances with. You had to be mistaken. Maybe she was pointing at one of the other men in the group.

You look back to the pair and step closer to them.

"I'm sorry, I don't mean to intrude on your conversation. But I couldn't help but overhear you say a King is in attendance?"

The women both turn their attention to you and prepare to make an introduction. The woman in the emerald dress speaks up first.

"Yeah, sorry! My name is Elizabeth, but you can just call me Lizzie. This is Julia."

"Lizzie here thinks that a King from another country has joined the ton this season. I think she's delusional."

You laugh at Julia's comment and introduce yourself.

"Julia, I'm not kidding! My mother told me all about it after the last ball. He was seen talking to

Charlotte. I guess the interaction didn't go so well."

You decide to join in, hoping to get more information.

"Which one did you say is the King?"

Lizzie once again points in the direction of the raven haired man, who is still in conversation.

"That man there, the dark haired one. My mother says he's king of Chandrila. A really broody one."

Julia pipes in, staring at the man along with you both.

"Well, he is handsome. Tall and broad. How do you know he's broody, Lizzie?"

"Oh, he's drop dead gorgeous for sure! But my mother knows some of the lads that served in his army. Said he was brutal."

You let those words sink in for a second before you speak up.

"Well shouldn't you be brutal in battle? I mean especially if you're commanding an army."

"Oh yeah of course. But this wasn't just on the battle grounds. This was to his servants and townspeople as well. Said he would have a big outburst and break things, scream at people, all of that. Seems like a case of another horrid man blessed with good looks. Feel real bad for the one who ends up with him."

You and Julia nod along to her remarks. The two women go on gossiping about others in the ton. You pretend to follow along. But you continue to go over Lizzie's words in your head. Has a king from some other country really come and joined your ton? If so, what was the reasoning? Was he really some dangerous man? It sounded as though he was. It seemed as though you had caught his attention as well.

_____________________________________________

Kylo's POV

Arriving late was not something Kylo was fond of. He hated doing so. But being so far from home meant letters and packages took a bit longer to arrive to him. This resulted in his duties not getting done in the timely manner he was used to. All of this made him late to the banquet. He knew this would come to bite him in the ass.

Kylo had full intentions of going, introducing himself to you, and asking you to dance tonight. But with how late he arrived he wasn't even sure a dance would still be open for him. Or if you'd even still be here.

Kylo scanned the crowd, hoping to spot you amongst all the women in frivolous dresses. With no luck, he turned his attention to the dance floor. There, he spotted you with the ginger haired man from the ball. It was easy to see your distaste for him. It was written all over his face. It took everything in him to stay in place and not remove you from the man's arms. No true gentleman should make a lady that uncomfortable.

Just as he was about to move on and find a drink, you looked up. Kylo felt as if his heart had leapt into his throat and then dropped to his toes. Your gaze was enough to hold him in place. Each spin, twirl, or dip he stayed right there to meet your eyes again. Each time he got that same feeling. He couldn't put a name to it, but he knew for certain he'd never felt anything like it before. He needed to get out of there. The feeling was beginning to get overwhelming. Kylo quickly made his way towards the drink table, grabbing a glass and walking off to a quieter part of the room.

Though of course it didn't stay that way for long. Just as he was catching his breath, two gentlemen came up to him and began conversation. He didn't want to seem rude, but fuck could a man get a moment of peace?

He listens to the men talk about their respective territories and such, including his input every now and then. Suddenly, he felt as though someone was watching him. He looked up to find you staring at him from the refreshments table he had just been at. It felt as though he was just missing you. You turned your attention to the two women who had joined you. Kylo looked down at his glass, half listening to the men in front of him. He was determined to meet you by the end of the night.

_____________________________________________

Many had left already. A few couples stood around chatting while their chaperones watched. Kylo continued to scan the room, hoping he hadn't missed you.

He walks out into the main hall near the doors to the estate. There, he spots you standing off to the side while an older man, whom he assumes is your father, talks with the ginger haired man he'd seen you dancing with earlier. He stands and admires you for a moment. You quietly gaze at the chandeliers and art work that graces the walls, content with just being there.

Kylo walks up to you silently hoping not to scare you from your trance. He comes to stand a few feet from you. Now that he is up close, he can really take in your beauty.

He had very limited experience with women, but he understood beauty. He thinks back to the deer in the forest from when he was a child. It was so naturally beautiful standing in the tall grass. It's antler's seemingly reaching the sky, showing off the deer's strength. He remembers how beautiful he found the animal, how intrigued he was by it. Even up until the end, he wanted to protect it. As he looked upon you, he was reminded of that deer. Beautiful, strong, and something he wanted to protect.

You finally felt his gaze and turned to look at him. Your eyes widened in surprise. Kylo thought for certain he saw fear flash before your eyes before you quickly hid it behind a polite smile. He quickly snaps out of his thoughts. Kylo clears his throat and tries to provide a smile back.

"Hello miss, I wanted to finally introduce myself. I am Kylo Ren, King of Chandrila."

You stand there staring at him for a moment. He's scared he's upset you in some way. Or even scared you off with his title.

"Hello, your majesty. It is an honor to meet you. I am Miss Y/F/N, the daughter to the Duke of Selonia."

Kylo can't help the small smile that begins to form as he hears your name leave your lips. He knows instantly that it will be a name that plays on loop in his mind for days to come.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

There we have it! They've finally met. About damn time am I right? Any guesses on what's coming next?

Also wanted to add that I will be going on vacation for two week starting Saturday. So I will do my best to update in-between then. But I can't guarantee anything.

Love,

Allie

[blackbirdsandsunflowers]

Well I ranted about Black Widow, guess I have to do it about Wandavision too.

The unreasonable amount of people saying shit like “I’m a marvel fan and Wandavision wasn’t good”. First of all, what the fuck does being a marvel fan have to do with your bad taste? You think being a marvel fan makes you qualified to talk about Wandavision? Take a seat please.

Wandavision had the sort of depth most tv shows now lack so severally that they’re all cookie cutter crap and so dry that you get bored part way into the first season. Without giving away the whole story for anybody who wants to watch it, Wandavision touches on grief in a way I don’t think I’ve ever seen anybody do with a tv show. Knowing what’s going on and knowing Wanda is in the wrong, we still fucking root for her because we’ve connected with her pain and her loss. We root for her because the writing was so damn good it bound us to her and shifted our own morality. Is what she’s doing fucked up? Yes. But the whole time we’re wishing she didn’t have to stop because we want her to be happy. We know she deserves it.

Wandavision showed respect and tribute to the history of tv, to icons that paved the way, and it tied it in so beautifully with Wanda’s backstory that I cried. Cried! The psychology was brilliant. The reality of our own lives hits hard, that we’re all looking for that childhood happiness and clinging to it and making it our coping mechanism in adulthood.

Wanda is all of us.

And Elizabeth Olsen’s portrayal of this character was spectacular. She got robbed of that Emmy she rightfully deserved. She is an incredible actor who made me cry and laugh and root for her and wish beyond anything that I could help her somehow. She made Wanda this badass woman who suffered over and over and over again. Losing her parents, then losing her brother, having her powers grow out of control and hating and fearing herself for it, losing Nat, and Vision, and crumbling. But still, despite all that she persists and hangs on and learns her powers and even with all her grief we witness a transformation of Wanda into the Scarlet Witch yes, but also into this hero who acknowledges her faults. Who acknowledges what she did wrong and who she hurt, and she willingly sacrifices her happiness (again) to make things right.

And don’t even get me started on how incredible the other characters all were. Agatha was insanely amazing (another Emmy that was robbed) and Monica too. Of course we always love to see Darcy and her sassy amazing self. Agent Woo gave us all feels and of course Vision. Billy and Tommy being cute as hell. I mean honestly the freaking depth and portrayal of even the side/minor characters! It was amazing!

Personally, it was one of the best shows I’ve ever seen. And it’s fine if you didn’t think so but if you don’t have a soul that kind of sounds like your problem.

Kidding kidding but let’s be real, it’s usually men who complain about Wandavision. The same men who complain about Black Widow. If you didn’t like it or it wasn’t for you that’s fine too. Everyone is entitled to their opinion. Just stop going around acting like an expert on the writing, on marvel, or on psychology. I’m tired of the mansplaining of female heroes. And I’m tired of excitedly discussing it just to be cut off with a “that show was garbage”. That’s so discouraging and mean. We’re too quick to shit on female run shows and movies that we barely give them a chance to begin with. We set them up for failure immediately. The bar is so damn high for them (and they fucking meet it but you’re still mad) and yet it’s on the floor for the dozens of sequels or remakes of the same couple of stories (yes I’m looking at you fast and furious and Spider-Man).

Maybe reflect on why you don’t like Wandavision. If it’s because your fan theory didn’t happen (ie most people who shit on the show) then that’s on you. Not on the show, not on the actors, and sure as fuck not on the character.

I said what I said. Wanda Maximoff is a queen. Nothing she does is wrong ever. Thank you and see you all at my next rant.

[imagineteamfreewill]

Here’s to Witches

Title: Here’s to Witches

Pairing: Reader x Sam

Word Count: 1,331

Warnings: None

Summary: Sam and the reader are each gifted something after saving a group of housewives on a hunt, and Sam’s gift is exponentially more... enthusiastic than the reader’s.

A/N: This is completely unedited, so please excuse any mistakes. If you see any glaring ones, please feel free to (politely) send me an ask or a message so I can go in and fix it. The gifs that inspired this fic can be found at the end because I thought they were too cute to not include. Also, feedback makes the world go round and makes my blog a lot more enjoyable for everyone! Please reblog this fic with your thoughts or send me an ask or a message to tell me what you think. Enjoy!

_______________

“I don’t think I’ve ever seen this happy,” you said as you leaned against the dresser. The knobs dug into the small of your back and your shoulders but you ignored them as Sam looked up at you with a wide smile.

“I just can’t believe this is real,” he replied.

Bones jumped up on his hind legs, pushing himself slightly off the floor as he tried to regain Sam’s full attention. He succeeded and you couldn’t help but laugh at the way Sam raised the pitch of his voice to talk to his new—or rather, old—furry friend.

“You know, when the witch said she’d brought back someone dear to your heart, I figured we’d come back to the motel to find Bobby or something.”

Sam glanced up at you again, his smile undimmed. “I didn’t think it would be Bones either, but honestly…”

Smiling, you moved away from the dresser to see if your phone had regained some battery. It had died on the way back from the abandoned winery where the coven had been holding its meetings. Thankfully, you hadn’t needed it to call for help. The coven was more domestic than anything you’d ever encountered on a hunt; the witches mostly used their magic to bring dead houseplants back to life, get the smell out of laundry they’d forgotten in the washer, and thaw meat that they’d taken out of the freezer an hour or two too late. You’d been in the midst of trying to figure out how to ask them to stick with what they knew when the real troublemakers had shown up, figurative guns blazing, in an attempt to harm the housewives who were in almost too deep. 

You and Sam had eradicated the bad witches with relative ease and the handful of women had been so grateful to you that they’d put their collective energies together to give you each a gift. They’d given you something you’d thought long gone—a box of photos from your childhood—and they’d promised Sam something “dear to his heart”. 

After unlocking your phone, you quietly placed an order for a few pizzas, knowing that Sam was probably starving after the busy day you’d had. You were about to press the submit button when something bumped against your leg.

“I think he likes you,” Sam said, and you looked down to find Bones sitting at your feet. He was giving you a heart-warming doggy smile and his tail was going a mile a minute. It was almost comical how hard he was trying to sit despite the fact that his butt was wiggling right along with his tail.

You chuckled and crouched down to run your hand over Bones’ back. “Hey buddy! Are you hungry too? Is that why you came over here?” you cooed. Your voice jumped up an octave, just like Sam’s had, but Bones responded quickly and was up in your face as he tried to get as much of your attention and touch as possible.

Sam laughed too, standing up and stretching his arms above his head while he watched. He was clearly enjoying having Bones around and in the back of your mind, you sent up a silent prayer that this wasn’t a temporary thing. If Bones was ripped away from him, it would be a heartbreaking loss. Sam had already suffered so much and you wanted to ensure as much as you could that when he wasn’t on a hunt, he was happy and comfortable.

“You want some pepperoni, Bones? Huh?”

The dog yipped in response and you grinned, then stood. You quickly placed the order on your phone while Bones tried to get more attention from Sam. 

“Pizza should be here in about an hour,” you said, and Sam nodded. “So what do we do now? Think Dean’ll be okay with Bones being at the bunker? And in the Impala, for that matter?”

Sam shrugged. Bones was standing on the bed now so that Sam could pet him without having to sit down or bend over.

“Okay, well maybe we should pick up supplies before we get back,” you suggested. “That way, Dean can’t say it would be easy to get rid of him. And we should probably make an appointment with the vet in town, too…”

You pulled out your phone again, but as you were starting to research the veterinarian offices in Lebanon, you felt Sam’s eyes on you. Slowly, you glanced up from your phone and met his gaze.

“What?”

“Nothing,” Sam answered, shaking his head with a smile. “I’m just happy.”

“Okay… Weirdo.” You went back to the website. After another minute or two, you still felt Sam’s eyes on you and you sighed, dropping your hand down to your side so you could fully look at him. “What? Why are you staring at me, Sam?” The question came out with a laugh and Sam’s smile widened.

“I don’t know. I’m just… happy. I’m happy that you’re okay with this,” he said.

“Why wouldn’t I be? You love him and I think having a dog would be great.”

"Well I knew you liked dogs, but the last time we talked about getting one, you said that you didn’t think it would be a great idea. What changed?”

Shrugging, you tucked your phone in your pocket and went over to them, making sure to start petting Bones immediately so you wouldn’t get licked in the face again. You pointedly avoided making eye contact with Sam, instead focusing on the retriever who was practically vibrating with happiness at all the attention he was getting from the two of you.

“Honestly? I don’t know,” you answered. “I guess it’s because I don’t want you to have to give him up, you know? I like to see you happy, and Bones makes you happy. He makes me happy, too,” you added, knowing that Sam would call you out on it if you didn’t.

Sam hummed in response, and the two of you continued to pet Bones in silence, only occasionally laughing or talking to the dog when it felt right. 

An hour later, you were setting up the pizza while Sam took Bones outside for a break. The dog had come with his own collar—thank you, witches!—but he’d had to find a rope in the trunk of the Impala to use as a leash.

“It smells good!” Sam said as he opened the door and stepped inside. You glanced over at him with a smile, then laughed when you saw Bones pulling at the makeshift leash to get nearer to the table. When Sam dropped it, he made a beeline for the pizzas and you had to quickly shove him back down onto all four legs so that your dinner didn’t come with a side of dog hair.

“Whoa, buddy! Easy, calm down! You’ll get your dinner soon enough!”

Sam was grinning from ear to ear and you grinned back, feeling the contagious joy bubble up inside of you.

“Pepperoni?” he asked, and you nodded, grabbing the little container full of slices they’d included and holding it out for him. Bones tracked the movement intently and you laughed again as Sam grabbed it and pulled off the lid.

Instantly, Bones was sitting down, his tail wagging as he stared up at Sam.

“Well, at least he knows to sit,” you laughed. Sam laughed too, and soon the three of you were chowing down on your respective dinners.

We’re like a little family, you thought as you settled down beside Sam against the headboard. You’d both torn the top of the pizza boxes off so that the box was easier to hold in your lap, and he’d turned on a mindless movie while you’d made sure Bones had water. 

“Here’s to happy endings,” Sam said, holding out his beer.

You clinked yours against it with a smile, then a quiet chuckle. “And here’s to witches, which is something I’d never thought I’d say!”

(Gifs are by @frodo-sam​ can be found here. I couldn’t find them in the tumblr gif search or I would have included them that way, sorry!)

_______________

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[7-wonders]

For a little over a month now, you had been dating Duncan Shepherd, and it was...surprisingly low-key considering how high-profile he was. That's not to say that this is a bad thing. In fact, it's been really nice. Dinner dates at the backs of restaurants, movie nights at your place, even just driving aimlessly and talking with each other. Over the past month, you've gotten to really know the man that many magazines refer to as "untouchable," finding out that those assumptions are all lies. In fact, you've never been so comfortable in the beginning stages of a relationship with someone before.

Which is why you're waiting for the other shoe to drop.

You're not used to things going so good for you. Work, personal life, relationships--all manage to end up going in the opposite direction of where you wanted them to go. This is probably the reason that it took three weeks of Duncan chasing after you after meeting at a work conference (you'll never forget watching this 30-something man who had been covered in Forbes walk up to a group of late Millenials/early Gen Zs and look entirely out of his element) before you agreed to go out with him. You're just naturally guarded, and there's nothing wrong with that. But, you'll admit, it is nice to be vulnerable sometimes. Especially when that results in an extremely beautiful man taking out out and showering you with attention.

Said beautiful man is who makes your phone buzz on your desk. It's 3:30 on a Friday, and you're really not doing much work anyways.

"It's a beautiful day out, are you up for ditching work and going for a walk through the park?"

You feel yourself flush, as you always do whenever Duncan texts you. Before you can respond, another text comes in.

"Too late, I'm already outside your office."

Sure enough, you look up and see him chatting to your coworker. His eyes flick towards you, and he grins when he sees that you're shrugging your coat on. "Hi," you say shyly, a little flustered that he's here in your office right now.

"Hi. Hope I didn't interrupt any work."

"You did. I was very busy staring at my blank computer screen."

Duncan chuckles, wrapping his arm around you and leading you out of the office. you turn to wave goodbye to your coworker, who is currently fanning herself with her hand and mouthing "oh my god!"

"So what are you doing out of your office on a Friday afternoon?"

"Ah, they didn't have much use for me anyways." You laugh, knowing that's an obvious lie. His uncle would make him live at the office if he had the chance. "No, I figured I could take off a couple of hours early. Lord knows I've worked enough lately."

"You sure the world won't stop spinning because you're gone?"

Duncan grabs your hand, swinging it lightly as you cross a crosswalk. "If it does, at least I'm with you." You look up at him in pleased surprise, and he steals a kiss. "There is something I've been wanting to discuss with you, though. Figured this would be a good time to do it."

Oh god. The other shoe. "You're not married or something, are you?"

"No, I'm not married."

"Thank god," you breathe a literal sigh of relief.

"Was that really what you were worried about? That you were an unknowing mistress?"

"That, and that you might be a serial killer." You side-eye him. "Verdict's still out on that one."

He laughs. "I can promise you that neither of those are true."

"So what did you want to tell me? If you're not a married serial killer."

You come to a stop when Duncan does, staring at him as he nervously rubs the back of his neck. "Um, I...I have a child."

"A child?" He nods. "Like, a tiny human that shares your DNA?" Another nod.

"I understand that this might be a shock to you."

"No! No, it's not a shock. I'm just surprised, is all."

"I've never told any of the previous women I've dated about her, because typically the fling ends as just a fling, and her safety is something that I'm very protective of."

"Your daughter?"

"Yes, Elizabeth. She's three."

You smile, the mental image of Duncan as a dad something intensely heartwarming.

"As I was saying, I don't typically tell my dates about her, but you and I are getting fairly serious and I don't want to hide such an important part of my life from you."

"We're getting serious, huh?" Duncan laughs lightly. "Can I call you my boyfriend?"

"As long as I can call you my girlfriend."

"Is your daughter's mother...around?"

"No. She stuck around for two months after Elizabeth was born, and then she left. We weren't dating for very long before she got pregnant. I told her that I wanted the baby, even if she didn't." Duncan shrugs. "I guess she didn't."

"I'm so sorry that you had to deal with that, Duncan."

"I'd rather raise my daughter to know she has one parent that loves her so much instead of one parent that loves her and one parent that doesn't care." Though he hasn't revealed much about his past, you do know that he has a complicated relationship with his family, which is probably where those feelings come from.

"Thank you for telling me. I'm glad that you trust me enough to talk about someone so precious to you."

"I want you in my life, (Y/N), hopefully for a long time, but I need you to know that she'll always come first."

Well, if you didn't think you were head over heels for him before, this solidifies it.

"If you're okay with it, I want you to meet her."

You look up in surprise. "You do?"

"Of course. I'm not going to tell you all of this just for you to not meet her."

"I'd love to!" you say quickly, not wanting him to think you're hesitant. "Would she be okay with it?"

Duncan nods. "I'll talk to her about it, but I don't see why not. Do you want to come over tonight? I can cook dinner, and you can actually see where I live."

You try not to show it, but your eyes widen. Not only would you be meeting his daughter, but now you'd be visiting his place for the first time. "Um, sure!"

"I'll text you, but does five work? That gives me some time after the nanny leaves."

"Five is great."

"You sure?" He smirks. "You look a little nervous."

"I'm sure." Duncan kisses you once more before bidding you farewell, leaving you to walk home and try not to internally freak out.

///

After spending way too much time figuring out what to wear before realizing you're meeting your boyfriend's three-year-old and not the Queen of England, you're at the address Duncan had texted you at approximately 5:05 (not too late, but also not punctual or, even worse, early). You shift from foot to foot nervously after knocking on the door of the townhouse, not quite sure if you should let yourself in.

Before you can make that decision, it's made for you when the door is opened by Duncan. He's grinning, barefoot and casual, with a tiny pair of arms wrapped around his neck and big blue eyes shyly gazing up at you from where a head is hidden against his shoulder. Instantly, your nerves melt away when you see that she's truly Duncan's carbon copy, from the eyes to the brown curls to the way she looks at you as if she's trying to figure you out.

"Hi, come in." Duncan ushers you in, kissing you on the cheek as he takes your coat. "Do you want something to drink?"

"Wine?" you ask before wondering if you can even drink wine when there's a small child around.

"Perfect, I already opened a bottle." Duncan looks at his daughter, brushing her curls back before whispering something in her ear. "(Y/N), this is my daughter, Elizabeth. Lizzie, this is Daddy's special friend, (Y/N), remember?"

"Hi Elizabeth, it's very nice to meet you," you say with a smile.

She looks up at you. "Hi," she says before burying her face in Duncan's shoulder again, making both you and him chuckle.

"The, uh, food's probably almost ready. It's chicken and rice, if you're okay with that."

"Definitely!"

"I wanted chicken nuggets, but Daddy said that's not 'date food,'" Elizabeth pipes up. You laugh as Duncan blushes.

"That's where your dad and I disagree, because I would eat chicken nuggets every night if I could."

She grins, and you feel like you just won the lottery. "Me too."

"Can I set you down, sweetie? I have to check the stove," Duncan explains. He speaks to her so softly, which is such a change from the demanding man you see when he's on work calls, or the romantic who loves to make you flustered. Once she agrees, he puts her on the floor and she immediately runs off, presumably to the living room or her bedroom.

"She's so cute," you gush once she's out of earshot.

"Yeah, she is," he says fondly, moving something off of the stove before kissing you properly. "I think she likes you."

"You can tell?"

He shrugs. "Father's intuition."

"I wasn't sure if I should have brought her a gift, like a toy or something?"

"I'm glad you didn't. My mom spoils her rotten with toys, she has way more than she needs."

"Can I help you with anything?"

"Would you mind setting the table, actually?" He points to a cupboard. "Dishes are up there."

Everywhere you look, there's signs of the little girl that lives here, whether it be crayon artwork on the fridge or the kid plastic plates in the cupboard. You smile at a picture of Duncan pushing Elizabeth on a swing as you set down the plates and cutlery, Duncan putting dishes of food on the middle of the table.

"Elizabeth!" he calls. "Dinner's ready!" You can hear the pattering of her little feet before you see her sprinting into the dining room like she's racing Usain Bolt.

"Daddy, can I sit with (Y/N)?" she asks, making your heart almost explode.

"I don't know, you'd have to ask (Y/N)," he says, hiding a grin as he looks at you.

"(Y/N), can I sit with you?"

"Yeah." Your voice comes out as little more than a whisper due to how choked up you are, so you clear your throat and try again. "Yeah," you say, louder.

You sit down on the chair closest to Duncan, and Elizabeth clambers up onto your lap. Once she's comfy, she makes grabby hands at the plate that Duncan is making for her. Your hands hover awkwardly at your sides, not sure what to do. What if you move too fast and scare her off? No, that's with wild animals, not toddlers. Yet again, the decision of what to do is made for you when she gets her plate and begins to talk to you.

Throughout dinner, Duncan can hardly eat, so wrapped up in watching you interact with his daughter as you listen to every word she says and chat with her about whatever she's deemed more important than her food. He's not sure of the last time that he was ever this happy; maybe the day Elizabeth was born? Listening to you laugh at one of the jokes she learned at nursery school and has told at least a hundred times by now, he's sure that he made the right choice in saying that he wants you around for a while.

//

IDK who even would want to read this so I'm just tagging a couple of people @sojournmichael @michaellangdon @xavierplympton @blakescoven @mrslangdonn @michaellangdonstanaccount

[mist-the-wannabe-linguist]

Cactus, abelia, mahonia, sage, camellia, ivy, chamomile, aloe vera, papyrus, taro

Procrastinate away my dear~ (I'm a very bad influence) 💛

You are 😌

-

something you’re currently learning (about)?

About five minutes ago I was learning about labialized consonants in the Tlingit language does that count?

Apart from that I'll very soon have to start learning about methods and theory of song lyric translation for my thesis :')

Aside from that, just general random stuff I come across or need for character development for OCs

do you have a particular piece of jewelry you always wear or can’t part with?

✨The bracelets✨

I never take them off (mostly because I physically can't take them off except two)

And uh. Earrings I guess. But like I've had earrings since I was a baby so I don't even really register that I'm wearing them. I forgot I have them until I randomly touched my ear when answering this ask

what place, thing, activity inspires you most and how do you express yourself when it does?

Mostly the weather, especially views of vast open areas, clouds etc, that really make you wish you had wings. Those usually either inspire me to paint or to just say/write some random vaguely poetic words because I can't write actual poetry. And my own feelings, when they're so intense I don't know how to deal with them I just draw (most of my best art pieces stem from some kind of base emotion)

what ‘medium’ of art (poetry, music, fiction, paintings, statues etc.) is the most touching to you? why do you think that is?

All of them to some degree? If I could I'd learn all of them. But mostly art and animation, and music/singing/dancing. Idk there's just something about music, singing and dancing that feels like the core of humanity. Which, heh, kinda sucks when you can't do any of those :')

But art and animation allows me to express what I can't via music so~

what were you like when you were younger? do you think you’ve changed a lot?

Apart from unlearning some shitty mindsets and learning to trust people I don't think I've changed much? I dunno. I don't have strong memories of my childhood. Well, I certainly had more motivation to do things. I dunno. Younger me is something difficult to access

what are your ‘tells’ for your emotions and moods? how can someone tell you’re happy, annoyed, upset or tired?

My friends say that when I get comfortable around people I get very talkative and animated. Though I talk a lot all the time, well, in text. Irl when I'm tired or in a low mood I almost don't communicate at all. But apparently my exact emotions can be a tad difficult to tell since I seem to not have much control over how I express myself so I might sometimes come off as angry or aggressive when I'm really not

what kind of things do you like receiving as gifts?

Hmmm trinkets, rocks, feathers, bones, and snacks. Honestly really can't make a mistake with those. Sort of a "whatever you come across that makes you think of me"

I don't really like getting expensive gifts though cause they always make me feel guilty ;~;

what’s something (mundane) you really want to experience in life?

Literally to just exist with you, to just... be. Alas, there's an ocean between 😔

But one day

if you put your ‘on repeat’ playlist on shuffle, what’s the first song that comes up? what do you like about it / associate it with?

The Queen of Argyle by Bedlam Boys, it's just a soft, sweet little song. I mostly associate it with Justine and Elizabeth from Frankenstein. Especially the "And if you could have seen her there - Boys if you had just been there - The swan was in her movement - And the morning in her smile" is pure Justine POV and you won't change my mind (especially fitting because in our AU Elizabeth's animal motif is a black swan)

And maaaaayyyybe sometimes it makes me think of you a little, not as much the lyrics but the general vibe of the song~

if someone called you right now to catch up, what’re the things you’d tell them about?

The most likely person to call me is my grandma aaaand I'd probably just tell her about the past weeks since the last time we've seen each other - my exams, interpretation practice, thesis which I'm struggling to begin working on, the insufferable weather and the frogs in our pond. I'd love to tell her about you and how amazing it's been with you so far but... I'm still not sure. I think she'd take it alright, you know she's cool, but, I dunno

[duchessofferia]

What are your thoughts so far on the Channel Five series? Will you watch it if you can?

Oh, I’ll find a way to watch it. Even if it means downloading another crappy, virus-ridden vpn that exposes me once more to the creative wasteland that is British TV advertising and regretting the decision thirty minutes into the show, like I did with Tracy Borman’s Anne Boleyn series. I’m gonna see what this ends up looking like.

I should start by saying that we’re still in the pre-release stage and an accurate assessment of what it’s going to be like as a whole isn’t entirely possible. We should be optimistic! I want to be optimistic!

That said!

Every piece of information released so far has had a way of slowly lowering my expectations of what the final result will look like, until they reached a place somewhere between “aesthetically ugly but not overtly offensive” and “The Green Book but make it Tudors”

The show would’ve been susceptible to accusations of outrage marketing and criticism for the story it’s putting a black woman into even if the writer weren’t going around saying “yes, absolutely, we did this for shock value :)” with her own mouth. It implies that Anne, George & Elizabeth’s blackness is going to be an unmentioned, unresolved tidbit put there exclusively to be commoditized for advertising and white guilt wanking. Yes, a black woman getting murdered by her white husband for fertility issues sure is bad, isn’t it. You haven’t shook your head this hard since Precious.

Because that’s always who this was gonna be for in the end, wasn’t it. A white director and a white writer constructed a story for a white audience, with black faces included solely so they could aggrandize themselves with empty racial identity politics without having to seriously interact with the implications of what inserting black people into these situations actually means. It’s the same story it’s always been, for all the cringey “were flipping the script!!” credit the creators are already giving themselves. Henry VIII is gonna murder his wife with false allegations of sexual deviance for her inability to produce a male child and marry another woman who can. Except this time, that murdered wife is black - a member of a community that already has an increased rate of domestic violence and murder, an increased rate of fertility issues, and an assortment of harmful stereotypes about being over sexual and deviant - inserted into an era where black people were still being sold as slaves, a practice in which the Tudors themselves took part. And the creators are too far removed from that reality to begin to address it; just let Jodie and Paapa be there and be black! That’s all we need to do!

The victorious end to Anne’s narrative the show seems to be going with is the one Anne Boleyn stories always tend to go with - Elizabeth became queen, so Anne won in the end! Never mind that Elizabeth and Anne are both black now, so the “victory” in this is in reference to the ascension of a slave trader who actively tried to expel all the black people from England. Do you think Lynsey Miller thought about any of that? Do you think she even knows?

There’s more I could talk about. The costumes are patently hideous. The dialogue is overdone and anachronistic and the taglines are worse. What little we’ve seen of the show’s Jane Seymour heavily implies they’re going down the “dumb girl not like Anne’s Stronk Women™” route that’s been repeated over and over since Anne of the Thousand Days. Ain’t nothing more new age and feminist than rewriting outdated depictions from the 1960s.

There was also something touched on by @anne-the-quene and @elizabeth-shore about how it looks like they’re planning on using ye olde “Jane Boleyn lied about her husband committing incest” story, which with Jane being white and George being black becomes so much fucking worse, dear god (white women getting black men killed on false allegations of sexual indecency is such a deep cutting national wound and Jane didn’t even actually do that who wrote this shit) But that’s a whole other can of worms and this post needs to end at some point, so I’ll just. Wait to see how that plays out, I guess.

TLDR: There are many facets to Anne and George Boleyn’s story that become infinitely more loaded when you put black people in them. Is it possible that they’ll handle those added stakes with sensitivity and tact? Yes! Does it seem likely to me, based off the information we’ve been given so far? No.

[duhragonball]

Hellsing Ch. 70-76

I guess anything I say here is a spoiler, so yeah, this is “Heart of Dreams”, “Relics”, “Heart of Iron”, and the arc “Finest Hour”.  Oh, and “Lunatic Dawn”.   Gotta lotta ground to cover.    Treacherous ground.

Not a whole lot to say about Anderson’s death.  He tried to become a monster using one of the Holy Nails from the True Cross, and then Alucard defeated him anyway, once Seras gave him a little help and a reason to go on living.   Alucard was pretty upset about Anderson’s demise, but Anderson says a few soothing words, and reminds him that Al only became a vampire because he couldn’t stand being a human, so it doesn’t make a lot of sense for him to cry now.  

So yeah, as determined as Anderson was to kill Alucard, he’s a pretty good sport about losing this fight, and he seems to genuinely pity the man.   He wonders how long Alucard will go on living with his regrets, and Al replies “Until my expansive future shatters my expansive past.”  So, if we want to take that literally, I guess he’s trying to find redemption by being a good guy to make up for his years as a bad guy.   Well, he’s been a vampire for 523 years, and a servant of Hellsing for 101 of those years, so I guess maybe he figures if he trucks along for another 321 years that’d balance the scales?  

And maybe I’m finally starting to appreciate some of the complexities of Alucard’s character.   The Team Four Star Abridged series spent some time on his desire for redemption, but I couldn’t tell if it was based on the original material or something they came up with for their own version.   For instance, the Abridged!Alucard rejected the forgiveness offered by God himself, but later Anderson spoke of his desire for redemption and Alucard didn’t dispute that.    It seemed contradictory to me at the time, but the manga does seem to support that.    As Vlad Tepes, he refused to ask God for anything, preferring instead to fight and drive himself and his followers to the limits of endurance and decency as proof of their faith.   

I find that idea heretical, because it suggests that a person can “earn” God’s favor, or God’s forgiveness, or a place in heaven.    Arguably, Anderson tried to do the same thing, but I think he was coming more from a place of doing zealous deeds out of gratitude for the Lord’s grace, rather than trying to earn anything he didn’t already have.  

The difference with Alucard is that he seemed to be really wrongheaded about his faith, trying to use violence to become a good person.   Then it didn’t work, and he became a vampire, devoted entirely to his own selfish desires, and I guess he’s spent the 20th Century realizing that he’s back where he started, trying to fight his way to redemption, only now he has centuries of red in his ledger instead of mere decades.   

Oh, anyway, while this is going on, Integra takes a sword and stands it upright so it looks like a cross to mark Anderson’s death.   It’s like this quiet sign of respect.   I’m not sure whose sword that is, but it looks like the one Alucard was using in his Dracula persona.   

Anyway, fuck all that, because Walter finally shows up and stomps the ashes of Anderson just as everyone was having their final farewell with the guy.  Rude.

Young Walter just looks kind of stupid to me.  Why is he still wearing the monocle?  He’s trying to be 14 and 69 at the same time and failing at both.

Seras asks what Millennium did to him, but Walter makes it clear that this isn’t some brainwashing trope.   He’s doing this of his own free will.

He also doesn’t consider himself loyal to Millennium.    They turned him into a vampire, but he’s doing this for himself, and he’s only cooperating with them because their goals are in alignment.  

Yumiko Takagi tries to kill Walter for... Was she mad at him for stomping on Anderson’s remains?    I mean, Alucard’s the one who actually killed Anderson, so shouldn’t she be mad at that guy? 

It doesn’t matter, because Walt just slices her into pieces with his magic filaments.    Now Heinkel Wolfe wants revenge, because she was her long-time partner in assassin stuff.   The TFS Abridged series implied that they were lovers, too, which seemed authentic at the time, but I’m not sure there’s any confirmation to be found in the manga itself. 

But before she can take the shot, the Captain shows up and shoots Heinkel in the face.    Like, through one cheek  and out the other, and the only thing saving her from serious injury was that she happened to have her mouth open at the time.  

Side note: I caught myself referring to Heinkel as “him”, which frustrates me because I’ve known she was a woman for like five years now.    When I first watched the OVA, I was confused, becuase I could tell it was a female voice actor, but maybe that just meant he was really young, like with Schrodinger.   But the Hellsing Wiki set me straight, or so I thought.    I didn’t think I’d still be making this mistake. 

On the other hand, Yumiko sometimes looks a lot like Goemon from Lupin III, so her wearing a nun’s habit isn’t as heteronormative as it might seem.  I’m getting off-track.

You’d think this would be leading up to some big double-team on the Hellsing group, now that the Iscariots are out of the picture, but the Captain’s only stopping Heinkel so Walter can have a clear shot at Alucard.    That’s the sole reason Walter turned traitor, you see.   He wants to fight Alucard and win, and for the last 55 years they’ve been on the same side.  

But is that all it is?   I never got to read or watch “Hellsing: The Dawn”, the prequel manga Kouta Hirano created after Hellsing.  I’ve heard that it never got finished, but also an anime adaptation was released with the home video release of Hellsing Ultimate Episode VIII.  All I really know about it was that there was this time where Alucard and Walter were fighting the Nazis, and the Captain showed up, and Alucard ran away because he didn’t think he could beat that dude. Presumably, he left Walter to fend for himself?   But all three of them survived until 1999, so I’m not sure what the outcome of that was.   I always wondered if Walter held a grudge over that.   But maybe I’m reaching. 

There’s also a suggestion of professional jealousy.  Walter was a rockstar vampire hunter in his youth, but he’s been overshadowed by Alucard, who is--let’s face it-- a living legend.  This would be doubly true in the 90′s, when Integra reawakened Alucard, and Walter having to step back even further from the spotlight.  The only way for him to reclaim his former glory would be to challenge the greatest of all vampires and win.    He’d go down in history as a traitor, but at least he’d be cemented as the absolute best.  

Or... or, you can go with the TFS version, where Walter hints at his motives, only for Alucard to take the wind out of his sails and announce “because you wanna fuck me!”   And I love that theory more than any other explanation, because it just brings everything together a lot more neatly.   I guess you don’t need Walter to have had a crush on Alucard for 55 years, but it’s a lot more compelling than revenge or professional jealousy.    Those things have weight, sure, but they work better as distractions, the things Walter might admit to because they hide the deeper reason that he can’t bring himself to say out loud.   

And it’s not entirely rejected by the manga.  Alucard remarks on how much more beautiful Walter looked in his old age, compared to this treasonous knockoff vampire look he’s sporting now.   The last time he spoke this way, it was when he flirted with Queen Elizabeth II.   The next time he does it, it’ll be with Sir Integra when she’s in her early 50′s.

Speaking of QE2, she’s safe and sound, because the Secret Service evacuated her to a fortified location in Dover before Millennium attacked.   If things get really hairy, they’re prepared to send her to Canada, and if London can’t be secured, they’ll nuke the whole city, though the Queen is certain that Integra and Alucard will win the day.  The vampires acting as Millennium agents outside of London are being contained and destroyed, so things seem to be getting under some semblance of control.  

However, the Royal Order of Protestant Knights, also known as the “Round Table” is down to just three surviving members.   Integra’s in London, but here we have Rob Walsh and Hugh Irons, reflecting on the death of their fellow Round Tabler, Penwood.  

This whole scene struck me as a complete non sequitur when I first saw it in the anime.  Walter’s betrayal seemed to sudden and poorly explained that it felt like the author was just winging it by this point, and now we have these two dudes struggling to provide some justification for the twist.    But reading this manga in 2021, I find that it makes a lot more sense.    We’ve already seen tons of Britons in rather lofty positions, all willing to sell out their principles for a chance to become a vampire.   Walter is no different from any of them.   It’s just more personal when he does it because we actually know the guy.  

But as Walsh discusses the utter debacle of this Millennium invasion, he deduces what we’ve just learned back in London.   There must have been a traitor in their ranks, because that’s the only way Millennium could have made it this far.   I mean, they just flew a bunch of giant blimps full of rockets right into British airspace.   That only worked because they had traitors sabotaging the U.K.’s defenses and communications, and Hellsing was especially vulnerable at the same time.  

The only thing Walsh can’t figure out is who the traitor was, since it had to be someone at the Round Table, but they’re all dead now, except for Integra, Irons, and himself. 

But Irons fills in the missing pieces.   It doesn’t have to have been one of the Round Table’s members, but someone close to one of the members.   Years ago, Irons warned Walter about Richard Hellsing.   Irons knew that when Arthur died, Richard would try to make a play for the Hellsing estate.   But when Irons’ fears came to pass, Walter wasn’t there.   It’s like he wanted things to play out the way they did.  

But why would Walter want events to play out that way?   On her own, Integra had no choice but to unseal Alucard to defend herself, and she’s kept Alucard active ever since.   And now, lo and behold, Walter reveals that he turned traitor just so he could take on Alucard.   It’s like he arranged for all of this to happen years in advance.   But how many years?    Fifty-five, Irons wonders.   

It’s never explicitly confirmed, but Irons’ reasoning makes too much sense to ignore.    Earlier, the Major said that he decided back in ‘44 that Walter “Angel of Death” Dornez would have been a good “get” for his side.    Now, Irons is suggesting that Walter might have agreed in the same year.   So maybe Walter and the Major made a secret agreement even then.   It’s possible that they might have done it later, but why not in 1944?

I mean, the whole backstory here is that Millennium is a continuation of a secret Nazi Vampire project that Walter and Alucard destroyed in 1944.   Except they didn’t destroy it at all, which sure makes Walter and Al seem very bad at their jobs, unless Walter let them escape and covered it up.

Meanwhile, the Captain tosses a first aid kit to Heinkel, kind of like he’s saying that he doesn’t want to kill Heinkel, but he can’t let her interfere either.   We’ll talk about the Captain later.

As for Alucard vs. Walter, Al wants to check with Integra before he goes through with it.   He asks for orders, repeating his big speech from when he killed all those cops in Brazil.    Yeah, Walter’s a traitor, but he’s been a close mentor and advisor to Integra for all these years.   Does she really want Alucard to killerize his ass?

Yes, she does.   If Walter stands against them, then he’s the enemy, and Integra has already ordered Alucard to destroy the enemy, no matter who (snif!) they may be.  Integra doesn’t relish this command, but she refuses to compromise over sentimental feelings.

Man, fuck you, Walter.  

Then the Major lands his airship near the battlefield and invites Integra to come aboard and fight all of his remaining guys.    Alucard orders Seras to join her while he deals with Walter.   I can appreciate Seras’ concern here, because the last time she watched Alucard fight alone, he took a flaming bayonet to the face.   She probably doesn’t care for Integra and Alucard splitting up like this.

Before she goes, she thanks Walter for all of his support, which disarms Walter for just a moment.   Man, fuck you, Walter.   Seras is so nice and grateful and polite and cool and you just go right ahead with your 55-years-in-the-making Nazi Vampire Jilted Lover scheme.  Fuck you, Walter.   You don’t deserve to be in Seras’ life.

So the gals go on board the airship and Schrodinger’s there and Integra just shoots him right between the eyes without bothering to slow down.    This is maybe my favorite Integra moment in this thing.    I sort of wish Kouta Hirano had done a spin-off of Integra and Seras doing cool shit like this for 30 years.

Alucard taunts Walter with the fact that he no longer gets to be a part of Inegra or Seras’ lives anymore.   It sounds kind of petty, but when you think about it, it’s a pretty sick burn.    Walter may have been planning this for 55 years, but he still had to live that double life, and it’s not like he can just say he was faking it the entire time.  

So they fight.   Walter’s magic wire powers seem to be amplified, either because of his restored youth or maybe the boost offered by vampire powers, or maybe he’s always been this strong but now he no longer needs to hold back anymore.  For instance, he can make mesh screens with his wires to deflect Alucard’s bullets.   And when Alucard summons that dog creature he used to dispatch Luke Valentine....

... Walter just bisects it with a flick of the wrist.   You really begin to see why he was “The Angel of Death” back in his heyday.  

I never understood what this dog familiar was supposed to be.   Walter refers to the Hound of the Baskervilles, but as far as I know that’s just a legend confined to the Sherlock Holmes novel of the same name.   But apparently that concept was based upon “black dog” folklore of the same region.  There’s a whole laundry list of “black dog” apparitions in Britain alone.   Black Shuck, Padfoot, Hairy Jack, Bizarro Snoopy, and so on.   So I’m not sure if Hirano is saying that Alucard was the source of these legends, or if they were all based on a single creature which Alucard eventually defeated and absorbed into himself.   

Al tries to use the Jackal to kill Walter, but that’s kind of stupid, since Walter designed the gun in the first place.   In the anime, I thought Walter somehow triggered a bomb he had planted inside it, but maybe he used his wires to make this happen.   It doesn’t really matter, because we already saw that the Casull was useless against Walter’s defenses, and not because it had smaller ammunition.  

Then Luke Valentine emerges from the black dog’s body.   This part never made any sense to me, but I loved how the Major recognized him, but barely.  “Oh yeah, it’s that guy from Volume 2!    The guy with the brother.”

The doctor suggests that when the dog was killed, this allowed Luke to reassert himself from inside the dog.   Something about a “control ratio”, whatever that is.  Like, he was absorbed into the dog’s mass, but now that the dog is no longer conscious, he can think for himself again.    Notably, only half of Luke actually makes it out .   It’s like he’s half-Luke, half dead dog monster. 

But before he can do anything else, Walter puts his wires into Luke and starts controlling him like a puppet, mostly so he can use the dog half to attack Alucard.

Alucard seems more impressed than threatened.   Keep in mind, Walter was doing pretty damn well against him early on.   You’ll notice Alucard’s missing his right arm along with one of his guns.   This is better than Anderson managed to do.   So why does Walter even need this Luke-dog puppet thing in the first place?

Well, it’s because Walter’s body is giving out on him.   Earlier, when the Doctor was performing the procedure to turn Walter into a vampire, he spoke about how rushed the operation was.  I mean, he had to finish the whole thing in one night, after all.   And Walter’s a lot more powerful than Dandyman, whom the Doctor considered his finest artificial vampire work.    So maybe Walter’s just too powerful for this, and he can’t sustain this form.   The Luke-dog-thing is just to keep Alucard busy while he coughs up blood.

The Major sees this development, and likens Walter to a high stakes gambler who’s mortgaged everything for a single hand at a high stakes table.   Walter’s risked everything just to tangle with Alucard, and it still isn’t enough.

Alucard does manage to finish off the dog-Luke thing, and this sets him up for Walter’s next attack, and then he goes to finish him off, so things seem to be going Walter’s way...

But Alucard used a decoy, disguising Luke’s severed torso as his own, all so he could sucker-punch Walter in the face.   As it turns out, Walter’s physical breakdown is making him younger, which amuses Al to no end.

So Alucard follow suits and assumes the form he once used when they fought the Nazis in 1944.   Yeah, say hello to “Girlycard”.   I’m not sure why Alucard looked like a 14-year-old girl during World War II.   I’ve heard this form described as a Japanese 14-year-old girl, and I can’t dispute it, but it also makes Girlycard seem even more random somehow.   

I mean, I guess the idea here was for Walter and Alucard to be able to move inconspicuously through enemy territory.  No one would suspect a couple of kids until it was too late.   I’m imagining a similar scenario to the ones presented in “Cross Fire”.   Heinkel and Yumi would play innocent bystanders, then whip out their guns and swords and go ham on the bad guys.    Knowing Hirano’s style, maybe Girlycard and Young Walter operated the same way.  

And this further supports the Walter-had-an-unrequited-crush-on-Alucard theory.   He might have understood that Girlycard was a disguise.  On an intellectual level he might have known, but maybe he still carried a torch, and told himself that there was some way that they could be together.   Was he just in love with this disguise, or does he love the real thing?  Alucard says that he told Walter the truth decades ago, and claims that this is the reason Walter turned traitor, so yeah, it sure feels like Walter couldn’t handle Alucard’s true nature, one way or another.   

I mean, let’s assume that this isn’t just about Alucard not being a cute girl.  Maybe Walter fell in love with Alucard in all his forms, whatever that means for his sexuality.    The bigger issue is that Alucard’s a vampire, and he’s just fundamentally different from Walter, and maybe that was the problem all along.   It’s interesting to think about, but the point here would be that there was some kind of problem, and Walter couldn’t let it go.

Meanwhile, Seras and Integra are busy looking like total BMFs.   Just HBIC’s.   What’s better than this?   Two gals bein’ pals.   

Hell yeah!

Bad ass!

The vampires on board this airship are happy to meet their doom, and Integra recalls what her father once told her about how vampires want to die on their own terms.   Seras doesn’t get it, because if they want to die so badly, they could have just died in the war they were already in fifty-odd years ago.  

So the Major gets on the PA system and explains to her that they want more than just a glorious death.   They want bigger, better, more perfect battlefield, so as to make their deaths as meaningful as possible.  That’s why I don’t understand that airship captain from a while back.   Everyone else in Millennium seemed to understand that they weren’t necessarily fighting to win.   Britain is prepared to nuke London if they have to, so it’s hard to imagine anyone in Millennium surviving past today, even if they won.  

Anyway, as the Major explains all of this, the Captain appears before the gals.  It looks like he’s here to stop them, or is he?

[night-unfurls-its-splendour]

Bridgerton & Selective Justification: A Rant

With a Particular Aside in Which This Author Questions if There Isn't a Double Standard at Play in Televised Historical Fiction.

Ok so the other day i posted complaining about how ludicrous the "Will Daphne marry Prince Friedrich?!" Plotline is to me and i referred to Daphne as a "commoner". I got two comments on that post of people saying Daphne *isn't* a commoner because she's a Viscount's daughter. I did respond but I'd like to go a little more in depth into it my thoughts on why this plotline verges on abject silliness to me, based on my (i will freely admit) *limited* knowledge of British aristocracy and the source material itself.

So if anyone reading this has a more detailed knowledge of the Peerage and how it relates to Bridgerton please correct me I'm eager to know more.

So to start out my understanding of the pecking order goes like this:

DUKE/DUCHESS = Highest ranking title in the peerage. Often bestowed on important members of the Royal family not in direct line for the throne. Worth noting is the fact that a Duke in British peerage is different than a Continental Duke. On the European Continent title Duke/Grand Duke can be associated with sovereign rule of an independent state, which has never been the case in England. Dukes and Duchesses are addressed as "Your Grace"

MARQUESS/MARCHIONESS = English equivalent of Marquis/Marquise. Very high ranking in the peerage, closely related to Earldom, but more important  since it has it's roots as the title of border (marcher) lords instrumental in a country's defense.  

EARL/COUNTESS = Referred to as a "count" everywhere else. The difference is the heavy germano-scandinavian influence on early medieval England. "Earl" is derived from the Nordic term for what could be considered a chieftan. Earls being only slightly lower in rank than a Marquess could be very rich and very important. The Earldom of Northumberland was one of the richest in 16th century England.

Now at this point we start to get into the lower peerage.

VISCOUNT/VISCOUNTESS = Addressed as "The Right Honourable". Viscountsies in England tend to almost exclusively be secondary titles held by Marequesses and Earls and passed down to their sons. Any son of a Marquess or Earl is a Viscount. The oldest son inherits the title of Earl plus all subsequent lands estates and incomes. The younger sons could also be viscounts wherever there are titles enough.

BARON/BARONESS = lowest rank of the peerage.

BARONET/BARONETESS = The only British title that doesn't land you in the peerage, the rank of baronet is (as I have heard it described) the barnacle on the bottom of the British aristocracy. It's basically a weird limbo between a Lord and a Knight that was invented by King James I in 1611 primarily as a way to jack up taxes so tbh its kind of a joke.

So Daphne's brother Anthony is a Viscount. He inherited this title from his father which likely means that their father was a second son. As you can see from this ranking list I just did, in marrying Simon, Daph married up. Way up. Not unsusual, given that her family has money and is well regarded.

Now clearly Bridgerton works differently than ACTUAL Regency England. Here, APPARENTLY if you just make a good impression on the Queen she takes a VERY PERSONAL interest in your life and she will marry you off to whatever Foreign prince she's related to who happens to be visiting. But here's where it's a bit wooly for me because there are two different contexts for the term "commoner" in England.  I think we all pretty well know how the European Royal marriage market  worked up through the 19th century, since we all like to make fun of them being inbred. Because there's a bit of a hang up not just about "Royal blood" but also Diplomatic marriage.

In the context of people with titles or peerages being nobles/aristocrats and any one without being a commoner then of course, Daphne is a noble. HOWEVER the context in which I used it in my previous post was ROYALS vs NOT ROYALS. It's perfectly acceptable to refer to someone not of Royal Blood as a commoner. In my replies I used Elizabeth Woodville as an example of a commoner. Now she DID marry a royal (Edward IV) and of course this was a few hundred years before Bridgerton would be BUT EVERYONE thought Edward was crazy for marrying her and she was not well liked because she was seen as at worst a gold-digger and at best an upstart. It was not only an uneven match but a purely domestic one which cut of England from potentially politically critical strategic foreign marriages. This is how royalty worked.

Naturally the strategic aspect of marriages was *slightly* diminished in the nineteenth century, but not really and it was still considered extremely important. Usually a young royal looking to get married was doing so at their family's behest and had a pre-determined pool they more or less HAD to choose from. Marriage to commoners of course  DID happen. It was called "Morganatic Marriage". Prince Augustus of Prussia had a morganatic marriage to a Polish aristocrat. One of Charlotte's own sons, Augustus Fredrick, had TWO morganatic marriages which kept him away from court because his wife could not be recognised due to their having married in defiance of the Royal Marriages Act of 1772, which requires all members of the  British Royal family to obtain the monarch's consent before marrying.

So I posed the very realistic question of "how would this choice to marry Daphne affect the Prince?" I don't know how morganatic marriages were looked on based on Prussian law but it seems likely, especially since Prince Friedrich is the direct heir that this marriage would have caused problems and i find it doubtful that Daphne would ever find herself addressed as "Princess".

I know that Bridgerton is fiction and that in being fiction it is pardoned  for not following courses that would be realistic in actual history. But at what point does "it's fiction" become an excuse for sloppy execution of world building?

The show takes the time to explain to the viewer (in one of the precious few moments of actual exposition) why there are black aristocrats [because the king married a black woman and things changed - which JUST IN CASE anyone is wondering, no Charlotte of Mecklenburg-Strelitz was not in any meaningful way "bi-racial" irl, based on the research I've done.] With this kind of deviation from history in a Drama that does, without any official caveats in the marketing, claim to be set in England in 1813, the writers recognised that this needed to be qualified. And in qualifying it, they justify it. They take it beyond fiction into fantasy, but it is justified.

The reason they recognised it had to be justified is because they know that most of the viewers know this is not how it went in history and would hold them to account. So why isn't more care taken to qualify the Liberties taken with the REST of Recency Society?

They talk repeatedly about "Coming Out" into society, particularly regarding Eloise. And Eloise wears her hair down and wears shorter skirts because she's still considered a child because she isn't out. But the IMPORTANT, PRACTICAL parts of not being "Out" are COMPLETELY IGNORED. She and her younger siblings are OUT at SOCIETY EVENTS. CONSTANTLY. Eloise speaks when not spoken to. She speaks DIRECTLY TO THE FOPPING QUEEN (TO WHOM SHE'S NEVER BEEN PRESENTED, BUT I GUESS IF YOU'RE DaPhNe BRiDgErToN's sister you can do whatever you want). There are BABIES at BALLS in this show. For a story that's trying to sell you on the Strrrrrrictures of RRRegency Societeh they're TOTALLY NOT INCLUDING MOST OF THOSE STRICTURES except when the plot demands it.

Why, I ask, is this? Perhaps it is pure ignorance on the writers part. They don't qualify it because they don't know rules like this existed. In which case its just bad, sloppy writing.

OR

They do know about it and ignore it and don't bother to qualify it with a "Oh Daphne a match with Prince Friedrich is so advantageous how marvellous Prussia has recently accepted Morganatic Marriage ahahaha" because they think we a) don't know or b) don't care and ITS STILL SLOPPY WRITING. Which hey, most Bridgerton fans who swallow any swill where hot people catch feelings probably don't care, but that doesn't mean its not careless writing and it doesn't make it NOT condescending. Never write DOWN to your audience.

This show approaches (but by a hair's breadth doesn't reach) REIGN levels of bad in terms of historicity. And the writers of Reign, like the writers of Bridgerton never claimed to be making an authentic representation of history. But perhaps it's because BTon only has 2 actual historical figures (one of whom is SO UNRECOGNIZABLE from her historical counterpart in countenance and personality that they might as well have just made a composite character - "How much can you change a thing before it isn't that thing anymore?") Or perhaps it's the inclusivity shield  but it seems like Bridgerton is getting a lot more leniency than Reign did.

The pass I see given to Bridgerton is "its frothy fun" (and yeah okay these costumes are worlds more realistic to the claimed period than Reign was even with the jacked up, flat bustlines) BUT. SO. WAS. REIGN.

I don't even like Reign but I do think there's a double standard here and I would like to know why.

[angelicamerlinbarnes]

TUA PIRATE AU

(of the Caribbean? Sort of? I guess?)

(please understand that by AU, I mean they share an incredibly small amount of things in common with the original source material which I barely remember BUT the “story” takes place in the setting of the books/films) (not to be misleading or anything :p)

(BEWARE: abuse, murder, pirates and all of their violent shenanigans, etc.)

(If you can handle watching Umbrella Academy, this will be fine for you.)

Luther is the captain of the guard, and pirates are the bane of his existence. He hates Diego most of all, the man who’s stolen unspeakable amounts of gold from Reginald, Luther’s employer. But as annoyed he is at all of the theft, he purposefully never catches Diego, because he knows Klaus loves him. And Luther may be a man of the law, but he’s also Klaus’ beloved brother-in-spirit, even if Reginald wants them to marry each other for some idiotic reason. (Something about getting Klaus to settle down - ha, he can try.) When Klaus disappears, Luther follows him, having no connections left here - and that’s when he meets Allison. And there are copious laws against getting involved with married women and outlaws alike… so Luther starts to think that maybe bending the rules wouldn’t be so bad. (Klaus is so proud.)

Diego grew up poor, and became a pirate in his early teens when Grace took him in. When she fled the colony, Diego went with her, leaving his childhood best friend Klaus behind. He’s got his own fleet and crew now, and mostly uses his scores as excuses to flirt with Klaus, who’s still just as drawn to him after all these years and often sneaks him into his bedroom when Diego’s in town. Diego’s kept in close touch with Lila and Eudora, both of whom he grew up with once Grace took him away, and they both help him when it comes time for him to crash Klaus’ wedding to Luther (fuck you dude) and steal Klaus away for a life at sea. (Klaus absolutely LOVES this. They kiss a lot. They swing from ropes. Klaus is screaming at all the guards as Diego carries him away bridal-style (ha, I’m so funny). It is delightful.) (His ship is a terror they call The Kraken. Ha, get it? Get it - because Diego’s name - and the monster from legend - okay yeah I’ll shut up now.)

Allison is a badass goddess, covered in colorful tattoos with gold in her hair. She was a prostitute for awhile, stealing a bunch along the way, but one day one of the pirate captains who approached her tried to take more than he paid for. She broke both his hands and killed him in cold blood, then defeated his entire crew in a sword fight single-handedly, earning their respect. She now rides with that same crew as their captain, in one of those off-the-shoulder poet-blouse-corset dresses and high brown boots. Ray is a leutinant who’s been chasing her for years, the two of them flirting back and forth forever… but he’ll never catch her. It’s bad form to arrest your wife.

Klaus is the governor’s bastard son, a totally wild spirit who wears dresses all the time, drinks his weight at parties, and has slept with half the town (marriage is not a problem for him, this is Klaus, we all know he is very down for threesomes). He’s stolen half of Reginald’s shit for Diego over the years, and has been sneaking off to see him just as long, completely in love with his pirate king. Though he’s loved others before - Dave, for example, a soldier whose death broke Klaus into give in to Reginald’s plan to marry him off to Luther (who Klaus loves, just, Not Like That™). The day Diego kidnaps him from his own wedding is the best fucking day of his life - okay, no it wasn’t. That was second best. The best day of his life was the day he and Diego watched Diego’s ship and treasure burn and sink into the sea, and Klaus asked him if he was alright, and Diego just shrugged. Said, You’re the only treasure I need, and kissed him like the world was ending. Yeah. That was the best day of his life, because Diego is the best anything in his life.

Five was a pirate queen until he transitioned a few years ago, though only by word of mouth. No one’s ever seen him. Anyone who works for him doesn’t make it a month outside of the job, usually by his own hands, but people keep coming because nobody knows who he is. He sails alone, though he offers Klaus refuge on his boat for a few days under the moniker Aidan, because he knows Diego loves him, and Five actually respects Diego (if only because he respects Lila who he only respects because he respects Eudora). He hates the Handler for leaving him stranded on an island when he was just a child, an unwanted product of her crew’s hard partying, and has vowed to kill her one day for leaving him alone for so long, ageless in misery. He talks to the mermaid on the front of his ship named Dolores and kills without mercy, and when he finally reveals himself as this skinny pale thirteen-year-old with the grandpa haircut, he revels in the looks on his family’s faces as they try to rebuild their blown brain circuits.

Ben loves Klaus more than life itself, which is, in hindsight, probably why he’s dead. Oh who is he kidding, it’s definitely why he’s dead. Klaus is sort of, kind of, maybe, just a little bit a witch, and they hang witches where they’re from. So when they needed someone to blame for the odd happenings Klaus had caused recently, Ben had taken the blame and worn the noose proudly. Klaus still talks to him all the time, his ghost anyway, and it’s fine - but Klaus lives on the sea now, with Diego, and Ben gets seasick like all the time. (And then he steals Davy Jones’ heart and gets trapped as a tentacle monster, which is honestly not that bad. It helps him scare birds, and Ben likes scaring birds.)

Vanya works as the blacksmith’s apprentice, sad and lonely. She’s been having an affair with the duchess Sissy for years, also working as her maid and a nanny for her son Harlan when asked, but mostly she’s alone, with no one else to care for in the world. (And that creep officer Leonard keeps asking her to marry him, which, just. Ew.) When Five shows up, his hands in his pockets, and offers her a way out, well - what else could she possibly do?

Lila is a badass pirate princess who don’t take no shit from anybody. She wears bright pink ballgowns while skewering people like kabobs, which is funny because she’s a well-known maneater. Literally. (Yes I included a Hannibal character in here because it’s my AU and I can do whatever the fuck I want.) She fell in love with Eudora, and thought she had corrupted the kind sergeant until she found out Eudora had been an undercover pirate the whole time, helping Diego smuggle Reginald’s gold and goods in and out of port. (That’s hot as fucking hell, she blurts when she realizes. Fuck, I’m gonna marry this woman.) She has a serious rum problem she will not be addressing and a collection of pet parrots that will forever prevent her and Ben from becoming friends. When she and Eudora get married, it’s in the middle of the pouring rain while thunder and lightning and gunshots crack around them and they’re killing people and shooting canons left and right (because I may not have shipped Will and Elizabeth but by god if their wedding wasn’t the best fucking thing I’ve ever seen). Now if only she could find the king of the pirates… she’s been hunting Five for years, hoping to prove herself to him, but he just… won’t show up.

Eudora is the sergeant in Reginald’s legions, and has been using her position to help Diego pirate goods since before he even left with Grace. She makes a lot of deals with him, having him carry her cargo and speak with her connections in exchange for her keeping an eye on Klaus for him, which to be honest they both know she’d do anyway. She helped Diego get to Klaus’ wedding and kidnap him, confusing the soldiers in pursuit of the bride, and follows them off to sea, finally home. She feels she owes an eternal debt to Klaus for not being able to save Ben from execution, though she tried, almost desperately. She flirts with Lila all the damn time, and believes in magic, wanting to travel the world looking for it. Most importantly, you should know that she will and has killed for a cheeseburger. (I know they weren’t invented yet shut up.)

Reginald is the governor of the colony, and Klaus’ father. He’s an asshole, one who constantly hunts the pirates because his wife Grace left him to be one. He only has one eye because Grace cut the other out viciously in their last fight, and he’s an abusive piece of shit who lives to terrorize and tax people. Pogo is his assistant / advisor / let-me-stand-here-and-give-you-good-advice-that-we-all-know-you’ll-ignore person. Reginald refuses to die before he catches Grace and sees her hanging in the square - something that seems more and more likely by the day. (HA, Grace says. He wishes.)

Grace is the original pirate queen, and lives in legend. She faked her death after living a double life for years, leaving Reginald and taking her son Diego with her. She knows Reginald doesn’t believe in her death, because she cut his eye out and nearly killed him right before she left, but everyone else believes it. She jumped from the bell tower and Klaus himself “went mad with grief” at the sight of her body, though he of course knows she’s alive and keeps up the story for her benefit. She injured Reginald so severely because he killed Ben, knowing that he wasn’t guilty, and that the witch in question had done nothing wrong anyway. She is known to be fiercely protective of her children, and kind in nature despite her ability to kill you using a historic number of methods. Her crew is made up of refugees who she offered shelter and a better life in exchange for their servitude, including Five, for awhile, who was running a scam. She knows who he is, and remembers his face well - but she keeps it to herself. Though she could match him in a fight easily, she has no interest in battling the boy she has grown to love as a son. (She’s also the one who officiates Diego and Klaus’ wedding, but that’s unrelated.)

The Handler is another pirate queen, and Grace’s greatest rival. She has two pistols at her waist and is not afraid to use them, having such deadly aim that she’s never missed a target - except Diego, which she hates him for. Also for encouraging her first mate and daughter Lila to mutiny, but that’s a whole other can of worms. Her ship is followed by an entire shiver of sharks, who let her use them like water skis whenever she wants. She abandoned Five on an island when he was born into her crew, as she hates children with a burning passion. (There are rumors she eats little boys’ bones. They have yet to be disproven.) Hazel is her snivelling first mate and Cha-Cha is her willing servant and second captain, a master at the wheel and with a sword. Agnes is an old psychic (ha, she’s faking it. She’s got no fuckin’ clue where Five is and will continue to lie whenever asked) she keeps in the brig after kidnapping her years ago, hoping to get a read on Five, who the Handler hates for constantly stealing her goods before they even make it to port. (She has no idea he’s the same boy she left on that island all those years ago - he’s certainly not the only child she’s done that to. But countless are out for her blood… almost every person Grace has rescued was left to die on an island by the Handler.) She eventually dies at Klaus’ hand, who plunges a sword through her heart in defense of his family, who she made the fatal mistake of coming after. (It happened in the same rainy battle where Lila and Eudora were married. He was wearing a yellow ballgown.)

Also Jack Sparrow is super great friends with Lila and he’s married to Will Turner who’s honestly so exhausted but gets along great with Ben and Elizabeth is their ace-aro friend who is a goddamn queen and who Diego has a lowkey crush on and Klaus can geek out with for hours. It’s awesome.

[dex-xe]

I’ve made Spotify playlists inspired by each of the ghosts and I’ve made these little written pieces to talk about them. if you wanna read them, please go ahead - if not then enjoy the music!!

This is Humphrey’s playlist:

Body - Mother Mother

I wish I were sorry, but I’m honestly not. There’s no real consensus regarding what the song is actually about. I usually interpret it as being about body/gender dysphoria which isn’t really relevant here but I guess it links to the separation between body and soul and the idea that the body doesn’t define you which I think is quite relevant to Humphrey who relies on his soul for attention from others rather than his physical presence in a room.

Sign of the Times - Harry Styles

I feel like Humphrey probably has the most reasonable understanding of the passage of time of all the ghosts. He’s very down to earth compared to the rest of them. I know Robin has been there longer but I think he’s probably accepted the change of time without really considering it philosophically, whereas with Humphrey getting lost all the time he’s probably had more time to contemplate and I think he’d appreciate the song to listen to while he’s stuck various places. Also he’d like he piano, Humphrey’s a kinda piano man you can’t tell me otherwise (no Billy Joel fuck off).

Greensleeves - Ralph Vaughan Williams & Philharmonia Orchestra

This’ll come up a lot in various other ghosts’ playlists but I’ve tried to include some music from each of their time periods to try and capture what they would have heard so yeah, enjoy some Tudor music.

Tilted - Christine and the Queens

It’s been established that Humphrey’s wife was French so I felt the need to include at least a little bit of French which this song obviously captures. Also again it’s kinda the idea of not having total control over your body.

Abracadabra - Steve Miller Band

No idea why it’s just a Humphrey song I will take no criticism on this.

Don’t Look Back In Anger - Oasis

The scene with Fanny and Humphrey talking about their marriages is one of my favourite scenes and basically the whole “marriage went wrong but you can’t look back at it with contempt because it’s over now and time’s moved on” is what he was trying to say to Fanny and aid her recovery from her marriage trauma in the same way that Humphrey has healed from his.

High and Dry - Radiohead

I also see this song in reference to that scene with Fanny because it’s like no precise meaning to my knowledge but I interpret it as being about telling someone to let go of other people and what’s happening with them and focus on yourself and what you need.

My Iron Lung - Radiohead

Humphrey’s death is constrained by the decisions he made in life that brought about his death, which is kindaaaaa the meaning of the song like it’s a stretch. Like it’s actually about Radiohead being constrained by Creep as one of their most successful songs but like the idea of being stuck in a box and not being able to live freely. I really want to learn more about Humphrey’s life in the new series cause like, I want development to show how his beheading was brought about and what it’s like to live his… death completely restrained by his situation.

Body Terror Song - AJJ

“I’m so sorry that you have to have a body, one that will hurt you, and be the subject of so much of your fear, it will betray you, be used against you, then it'll fail on you my dear”. There we go!! Humphrey’s body wanders away - newsflash from me.

Eleanor Rigby - The Beatles

“A ballad for the lonely”, catch me crying over Humphrey as usual. But yeah obvious reason is cause Humphrey is often left alone and unable to interact with the others. The other thing I like to think when listening to this song is about the idea of lonely people noticing the little details no one else does, in the song it’s clearly the little details about the protagonists lives (Eleanor Rigby picking up tiny grains of rice with no one to help, and Father McKenzie writing sermons no one will hear) but Humphrey - like I think many lonely people — notices little things like Francis writing the letter to Thomas etc.

Where Is My Mind? - Pixies

Idk this song is just trippy. I remember reading ages ago that it was about scuba diving. But yeah, I primarily think it’s a Humphrey song because I just like the image of his body wandering aimlessly about the house with this song looking for his head XD

Waterloo Sunset - The Kinks

Again, I’ve said this a few times now but Humphrey being an observer of Button House and what takes place within it’s walls, just watching the others going about their days as he sits alone. I know the writer said he watched the world from the window of a hospital as a child and I think being able to watch over the city without being able to participate because of physical ailment is pretty telling.

O Lord, in Thy Wrath - Orlando Gibbons & Choir of Clare College, Cambridge

This is just a Tudor song. I grew up very very religious and, while I’m not sure I heard this exact song, I spent hours upon hours in church services every week with songs very similar to this and the music was the only thing I actually enjoyed about it. But yeah, I wanted to include at least a few religious songs in Humphrey’s because of my theory regarding his death which (given that we might find out about it in season 3 and I might be totally wrong) I’m gonna just briefly mention XD I basically think his death might’ve been religiously motivated because of the instability of state sanctioned religion in England at the time. Elizabeth I (monarch when Humphrey died) put 200 Catholics to death and given that Humphrey was married to a French woman and the French were under Catholic rule at the time it might not be too far outside the realm of possibility for Humphrey to have lost his head for being the ‘wrong’ denomination. Idk, probably miles off cause I’m really bad at theories but we’ll find out soon hopefully!!

Pantyhose and Roses - Echobelly

Just for the line “it could change but it never will”. Being a ghost must be such a difficult existence because there’s very little they can do to change what’s wrong because they obviously can’t leave where they die. But especially for Humphrey, nothing can change really for him because of his situation.

Waltz #2 (XO) - Elliott Smith

“I’m never gonna know you now, but I’m gonna love you anyhow”. As far as we know Humphrey’s relationship with his wife obviously wasn’t the best and it seems as if he possible barely knew her cause of the language barrier and the fact it was an arranged marriage.

After Hours - The Velvet Underground

This song has such a feeling of isolation like wishing that you could be a part of everyone’s fun but you’ve yet to find the person with whom you can experience that fun with.

Out of Time - Blur

I’ve said it before I’ll say it again but the idea of noticing the small things around you and focussing on the bigger picture of the world rather than hyper fixating on the intricacies of our own existence. Also, this is totally irrelevant but there’s an episode of Torchwood called ‘Out of Time’ in which three people from the 1950s suddenly rock up in 2000s Cardiff and the Torchwood 3 team have to take care of them and try to teach them about the modern world (it’s one of my favourite episodes, like it’s genuinely really good) and I think that’s really cool.

Blackstar - David Bowie

The song is just sad and I put it on any playlist of a sad character, no further explanation.

Why do I use my paper, ink and pen? - William Byrd, Stile Antico & Fretwork

More Tudor music, Tudor musiccccc.

25 Minutes to Go - Johnny Cash

Obvious but yeah there we go: just basically a man waiting and being led to his death which, if the assassination theory is to be believed (which we shall soon find out I guess) then the idea of Humphrey being led to his death is potentially gonna be a sorrowful story to hear about in the show??