#i have a goal and i love it so much and with him as my coach during fencing i AM ACTUALLY LIVING

[erinwantstowrite]

Dick and Tim would be REALLY good on reality tv,,, they're both charismatic (please do not forget that Tim makes friends/allies easily just like Dick can), handsome, CLEVER, and know how to play to a persona. i think they'd go on shows for fun and to de-stress. like one too many things piss them off in their daily lives and they could pretty much get a vacation from it just to go on these shows. no one in the family can talk to them and they get to annoy people, crack jokes, and get fun puzzles in the form of a literal puzzle or figuring out social dynamics of the other players.

sometimes they go on shows by themselves but mostly use it as a brotherly bonding activity. if it's a show where they can be a duo they're GOING to do it. and they're going in to play to a storyline, not to win. they don't need the money, they don't need the publicity, they just want to have fun. sometimes if they figure out that everyone on the show sucks and they get competitive, they'll win. but mostly their goal is "how can we make the funniest plot line look the most natural." or something like that. i know a producer LOVES to see them coming. i bet EVERYONE tunes in when they're on a show because they're fucking hilarious even if half of what they say are inside jokes. the rest of the family watches and they KNOW what those shits are pulling, they have betting pools where they guess what the two are gonna do next, they're the FIRST to make memes for both internet and for the family group chats.

one time they convinced Bruce to go (it's been many a years since he really had to play up the Brucie role, cause he's a dad now and the older he gets the more people expect him to mellow out, and even back when he was full Brucie, reality TV wasn't his thing). it was one of those survival based shows where you come is as a team and try to win together. Bruce got lost in the woods after going on a hike. The camera men literally lost him and Tim and Dick were playing it up for the camera. Dick cried and invited the other teams to a funeral. Tim had a speech that was basically "I think he's fine but this is my perfect opportunity to embarrass my dad with stories." The producers were like "we fucking killed Bruce Wayne oh my fucking god" and Bruce shows up at the funeral like "oh what a beautiful service my boys are so great." They won by pure luck and circumstances and they were actively TRYING to lose that game. They were gobsmacked at the end and everyone uses the moment they looked at each other in confusion and shock as reaction gifs

[hitomisuzuya]

this is gonna b a very self indulgent req.. bear with me here, also happy birthday!! ☺️

i was thinking like a mix of rough but soft dom scara i love ur soft dom scara fics <3 with breeding and creampie kink pls, but also v fluffy aftercare at the end. like lots of kisses and hugs, a lot of smut fics i like never rly have it written, and the aftercare oneshot/drabble u did w scara i rly liked

i hope this isnt too much 😭 im not that picky when it comes to fics so i dont rly ever write reqs but i love ur work so i took the chance ! have a good bday !!!!

Scaramouche x fem!reader. Smut. Fingering. Breeding kink. Creampie. Degradation. Soft/rough Dom! Scaramouche. Aftercare at the end❤️

For the rest of my requests with Happy Birthday in them, I am banking those birthday wishes away for next year 👉👈 I have been meaning to write more aftercare🥺

"That's right, you just keep looking at me just like that," Scaramouche's hand caressed your cheek. The look of worship of in your eyes as you turned your cheek into his hand sent an erotic thrill straight to his hard cock. You shivered as the comforting blanket of his dominance washed over you.

Scaramouche loves to bask in your worship for him, and you enjoyed basking in his dominance.

He brushed some hair out of your eyes, skimming his thumb under your eye before caressing his way down your body. You let out a soft moan, moving your body into his touches. You were craving any little touch he would provide you.

Wanting to see you curl into his touch again, his hand travelled further down your body. His caress on your stomach reminded him of the true goal. The reason why his cock was straining hard to be stuffed to the hilt inside you: to breed you.

Breed you so thoroughly that would inevitably drip from your hole. A pocket of cum would lead to a belly swollen with something else. He got harder just thinking about it.

Growing impatient, Scaramouche possessively caressed your stomach before moving down between your legs. His finger found your clit, pulling a soft gasp of pleasure from you as his finger wagged and circled the sensitive nub.

He gathered the slick rapidly pooling onto your pussy onto his index finger. His cock pulsed harder seeing you eagerly grind your hips into his finger. "So wet it's pathetic," He taunted, pushing his finger inside.

His back handed taunt made your walls squeeze on his finger. Smirking, he pumped it in and out of you a few times, his eyes glued to the way your juices made his finger glossy. "You are suffocating my finger, kitten," He said, swallowing a moan as he pushed in a second finger.

You gasped in pleasure as he scissored your walls apart. Your hand went to his wrist, squeezing it so he would push his fingers deeper inside of you. You struggled to form words feeling his fingers curl into your sweet spot.

"Shh, it's okay, kitten," Scaramouche cooed almost condescendingly, increasing the pace of his fingers. "I need to stretch you out so I can fill you to the brim," He drank in the way you struggled not to shake from the jolts of pleasure as his palm rubbed over your clit.

Your hand tightened on his wrist as he angled his fingers up to nudge against your sweet spot, making stars burst behind your eyes. Your toes curled as you bucked your hips up into his thrusts. He chuckled when you could barely form syllables.

"Already cock drunk and my cock isn't even inside you yet," He added a third finger, making you writhe as his fingers rubbed on a sensitive spot. "Start singing, slut. Tell me how much you want to be stretched and filled," He hissed firmly, groaning as your walls clutched tighter.

"Please, please," His fingers curling extra into your sweet spot shocked you into speaking. "Cum inside and breed me please," You pleaded around strained moans, earn you a faster pace that made his fingers squelch in and out of your sopping cunt.

"Say pretty please," Scaramouche had this incredible ability to purr commands. He pulled your hair, gently yanking your head back. Your cheeks flushed with further adoration as you sat up, your legs shaking as you bucked into his fingers.

You reached around to put your hand on the back of his head. "Pretty please cum inside of me," You ran your fingers through his hair, practically making him purr softly. His cock strained harder as you delivered a few submissive kitten licks to his mouth.

Pulling his fingers from your pussy, he roughly pushed you back down on the bed. His cock needed to buried inside of you now. He hastily drapped one of your legs over his shoulder, bending your knee towards your chest, giving him better leverage to fuck his cock to the hilt inside of you.

He groaned as he pushed his cock inside, shuddering in pleasure as it sank into your tight warmth. "Fucking hell, get pregnant," He bottomed out with a determined snap of his hips.

The louder moans tearing from your throat as he picked up a pace that was a unique blend of gentle but dominant made his cock throb harder inside of you. "Cry for me," He moaned, his hand hovering over your throat for a moment before dipping down to rub your clit. "Moan and squirm while I breed you, whore."

Scaramouche's mouth watered seeing the buldge poking up on your stomach. Your body twitched in pleasure as his cock head hit into your sweet spot. The building intensity of your orgasm stacked with each thrust, making your head spin and tears well into your eyes.

"Please, please, please," You babbled, your fingernails scratching at his skin as you struggled to anchor yourself on him somehow, your breasts bouncing from his thrusts. His fingers pinching and rubbing over your clit snapped the coil of your orgasm.

He grit his teeth as your pussy clenched around his cock, begging to milk him empty inside of you like he promised to do. Satisfied with reducing you to the state he'd demanded of you, his thumb brushed a few tears away from your eyes. His thrusts turned sloppy for a few beats, lost in the feeling of your cum flooding his cock.

Scaramouche leaned down, capturing your lips in a passionate, open mouthed kiss. He pushed his tongue the into your mouth to muffle his moans. "Such a good girl," His teeth bit gently at your lips, "taking my cock so well."

You mewled in such sweet bliss into his mouth as his cock ribboned cum inside of you. His thrusts were slow and deliberate, intent on fucking his cum deep inside of you. It was a long few moments before his hips slowed to a stop, his eyes feasting on his cum trickling from your hole.

"Thank you," He murmured, burying his face into your neck as he pulled out "for letting me be so rough with you," He nuzzled against your neck. You put a hand on the back of his head, stroking your fingers through his hair.

You smiled, your body limp and exhausted hearing him purr softly in your ear. "Who knows, maybe I will get pregnant," You swore you thought you heard him purr a little louder.

"Don't you move," He said as he sat up. You watched him get out of bed, and pull some sweat pants on. "Let's run you a warm bath, and treat you to a massage while we soak," He disappeared into the bathroom.

He emerged a few minutes later, the water running in the tub with pleasant scents following him out. He scooped you bridal style off the bed and carried you to the bathroom.

You sighed, feeling yourself melt as he put you down into the water. He quickly shed his sweats and got in behind you. He set his beautiful fingers to work on your sore muscles. His line of thinking was that more relaxed you were after being bred, the better the chances of the satisfying goal. His hand dipped into the water to caress your stomach.

[slugghee]

Hello everyone. This is the second drawing post I've made in hopes of helping my friend Firas and his loved ones. The first one was not spread much. Please, even if you really can't don@te, reblog and share this post. Firas is on a tight schedule right now — he has been trying to raise enough money since mid-April. It is now late September. The deadline for his university fees could be as early as mid-October. This is his last chance to pay for his and his sister's university fees before it's too late and they are kicked out.

If you are new here, Firas (@firasmuhaisenn) and his sister, Nisreen, are 2nd-year medical students from Gaza currently studying in Egypt. Firas and his sister's upcoming university fees for the year cost $6000 USD in total. But Firas does not just have to deal with university fees — he needs money to evacuate his family. 3 adults and 3 minors, which costs $22,500 USD, a very reachable goal! As his family is trapped in Gaza, he is also in charge of sending his family money so they can at least get food daily. Not to mention the money he must spend on rent and food for himself. Firas has no source of income due to being a refugee and must rely on the charity of strangers to ever hope to see his family again! Can you imagine the stress! Firas is only EIGHTEEN!!

Thus, due to both the upcoming deadline and the constant drain of money for basic needs, Firas needs to raise money at a fast pace. He and Nisreen must complete their dreams of becoming doctors, and Firas's family must be evacuated to safety. Anything you can chip in makes a difference! Together, every small contribution can snowball into something amazing.

As of 9/25/2024, Firas's campaign has not received dona@tions in two days. Let's change that.

Firas's campaign is VERIFIED! He is vetted by @/90-ghost here.

I am not a vetter, but I have personally been chatting with Firas for a few months now, and others here on tumblr know him. Firas has provided his documents in his GoFundMe, and is willing to show additional documents to verify his identity.

Thank you so much for reading this far! Let's help Firas with all our might!!

[kexing]

my favorite thing about jack and joker so far is the pacing. the first episode took its time introducing the characters as they were in the past. especially jack, you really get to have a strong sense of him and yin did such a great job portraying jack’s good heart that i never bought his bad boy façade in the present. the kind of heart jack has isn’t easily swayed and instead of being tainted by the cruelty, it rises to the occasion and wants to help those who can’t. you just know it, you can FEEL it in the acting and the way he’s written. i appreciate that so much!

as well as war portrayed such a volatile teen who wanted to be seen and validated by his parents but never felt good enough and when he decided to help jack, he did it recklessly and caused a huge mess that only seemed to confirm to joke that he is broken for good but you know who isn’t in joke’s eyes? JACK

second and third episodes are the aftermath of the first episode and they really show just how much joke wants to make it up to jack for what he’s done. SINCERELY. as a person. it isn’t just because he likes jack romantically. you can see glimpses of joke’s feelings but they’re not all there is to it. jack represents the kind of goodness joke admires, that he wishes his world could be full of

joke likes jack for who he is as a person and he wanted to help him five years ago just as much as he wants to help him now

it’s not just about the romance. in fact, it has taken the backseat for now and i do like that a lot because the story is allowed to build up, just as the characters. they all have motivations that go far beyond romantic love. the drama talks about inequality and morality and nepotism and how much violence creates more violence, as well as extreme poverty leads people to make desperate decisions

jack and joker has a story that it wants to tell sincerely and characters that have depth and complex emotions and goals and i’m enjoying it a lot!!!

[angelyuji]

I saw this post

https://www.tumblr.com/angelyuji/760364279022190592/vampire-stan-and-frankensteins-monster?source=share

And I raise you Dr. Frankenstein Ford with Frankenstein's monster reader, but instead of rejecting you he gets a little too invested in his creation....

oh u cooked. i honestly think i started with dr frank ford but i was like technically he’s human but anyway no smut sorry

tw // grooming, dubcon, (i cant think of anymore so pls lmk if i missed any)

he first created you to see if he could create life, to see if his genius is truly that great. then when you first breathed, he felt like he truly created something amazing. you are supposed to be better than him, better than humans. but... he doesn’t really see you as your own person, to him, you are and forever will be his creation.

at first, his goal was just to teach you how to act like a regular joe yk. so when you ask him why you look so different from people outside, he’ll get scared that you’ll be treated like he was when he was younger and he’ll try to scare you into staying inside.

it’ll work, but you’ll grow restless. watching movies and shows about humans making you increasingly more curious. he never lets you watch anything explicit, fearing that it would dirty your pure mind. however, when ford leaves for his research trips, you take the opportunity to watch movies that he had 'hidden' away.

“ford, have you ever kissed anyone before?” ford chokes at the question. you sit across from him.

“why-why are you asking such a thing?” he clears his throat, composing himself. you pout and ford's eyes drift down your lips.

"i saw in the movies that every human does this." he could see the innocence in your eyes, you were truly curious.

ford swallows, carefully choosing his words, "my darling, you shouldn't fall for these things. humans are disgusting, debaucherous creatures. haven't i told you to not watch these silly things?" he shakes his head, hoping you would drop it. you stomp your foot.

"humans are not disgusting!" your eyes well up, "i am disgusting!" you pull at the stapes and stitches holding various parts of you together. ford gets up, trying to stop you. "no one will ever love me." you wail and run off to your room.

ford's so confused on where the sudden shift in your behavior, but hours pass and you remain locked in your room. fearing the worst, ford decides to talk to you.

he sits at the edge of your bed, watching you silently lay. “kissing… and similar things,” you turn to look at him, “are things humans do with people they love. it’s not something that-”

“i love you. does that mean we can kiss?” your eyes shine and something stirred in him.

“no! i mean-” he sees the tears well up.

“you don’t love me?” your voice breaks and his heart stings. he moves to your side. he gently pets your hair, hand falling to rub your cheek affectionately.

“my darling, you are my creation, my world… of course, i love you.” ford coos. you open your mouth to talk and he holds a hand up to stop you. “if this is something you need, i will do this for you…." his hand touches yours, "i would do anything for you.”

GULP ….. anyway

it’s very much a weird situation but… im kinda into it idk

[liahaslosthermind]

~ 𝑻𝒉𝒆 𝑫𝒆𝒔𝒑𝒆𝒓𝒂𝒕𝒊𝒐𝒏 𝒐𝒇 𝑳𝒐𝒔𝒔 ~

(Past) Rhysand x OC, (Eventual) Azriel x OC Part 2 of Betrayal

Summary: He was out of his mind with grief. Azriel had been through his fair share of trauma. He had seen and done horrific things, but that was always with Adelaide by his side. Now, he didn't know what to do, and he was losing it. Warnings: Suicidal thoughts and ideology, Death of a loved one, grief, Hurt/No Comfort

His limbs ached as he stood up from his chair. He had been sitting there so long that walking felt much harder than it usually did.

He rubbed the haze from his eyes while walking to the door, the incessant knocking making his headache worse.

"Fuck, Az. You look- how do you- do you want me to..." Cassian stood in front of his brother, a man he'd known for 500 years, and didn't recognize the person he saw.

It had been the first time in almost 2 months that Cassian's knocks were answered. He had come to her room, everyday, multiple times a day, to plead with his brother to talk to him, to eat something, to just let Cassian look at him so he could see he was alive.

Azriel said nothing as he turned around and went back to the chair he had been occupying. Cassian closed the door behind him as he took in the room.

It was the same as it had been the day she left. Even though this had been the place Azriel spent most of his days, the Shadowsinger had kept it all the same, only touching her bed that he would sleep in the nights he could stomach it, or the chair he was currently in now.

A mess of papers on the desk brought tears to Cassian's eyes. Adelaide, sweet and caring Adelaide, had been making a list of Solstice gifts for her family when she was called to join some of the Inner Circle on a meeting all those months ago. A meeting that had been a trap for them. A meeting that ended up taking her life.

Azriel cleared his throat when Cassian went to pick up a piece of paper. He had tried to hard to keep her room clean while also not disturbing things from the spot she had put them in.

"Nesta told me that her and Elaine have been leaving you food but it remains untouched."

"Is there a question, brother?" Azriel asked. His voice had always been rough, and he had always been more on the quiet side, but Cassian could tell that because of lack of use, it hurt him to speak.

"Why aren't you eating? How can we get you to? I would do anything, Az." he pleaded.

The spymaster didn't answer.

"Whats the end goal? Believe me, if you want 1,000 years to mourn her, I will be with you every step of the way. I've tried to give you space, but you are killing yourself! You sit in here all day, only coming out when everyone is asleep or gone. What do you need to care about your life again?"

He was met with a distracted look from Azriel.

His brother was never distracted. He was never careless. He hadn't missed a day of training for no reason in hundreds of years. Cassian knew he still trained every once in a while, but Azriel always found times to do it when no one else was around.

Azriel didn't have an answer for Cassian, at least not one he would like.

How could I care for my life when her's is over? he thought. By the desperate look on Cassian's face, he could tell his brother knew the answer.

"I lost her too. I know it was different with the two of you, you were each others'... person, but she was as much my sister as you are my brother. I didn't... I didn't even get to say goodbye." Cassian finally broke at the confession. He hadn't let himself think about it, he had to keep himself together for Azriel. "The last time I talked to her, we where fighting over food. She stole the slice of cake I had saved for myself, I called her an inconvenience and a burden, she called me a spoiled bat who needs to learn to share." He let out a bittersweet laugh at the memory. They were usually at each others' throats, and when they weren't, they were teamed up to annoy someone else in their family. But they loved each other, always were there for one another, except in the end, when it mattered most.

"24 hours later, I was picking out the sarcophagus my sister was going to be laid in. I would have let her have all of my leftovers, all of my desert, if it meant I just got one last conversation with her." Choking up, Cassian sank to the floor, a wave of familiar grief washing over him.

Azriel joined him, crying as he hugged his brother.

The two illyrians, sat like that for a while. Long after their tears had dried, long after the sun had gone down, Cassian finally spoke up.

"Why don't you go see her? Visiting helps me, talking to her even though I know she can't hear is something I do often."

In truth, Azriel hadn't gone to his best friend's mausoleum since the funeral. He couldn't see her like that, couldn't come to terms with it.

These past 6 months had been dark. Everyone was mourning her, many of the people of Velaris included, but none more than Azriel. Part of him had died, laid in the cold marble box that held her body. For the first few months, he had completely disconnected from reality. He went on with his daily routine, he trained, ate, went on missions, did paperwork, slept. But it was as it he was on autopilot, as if the real Azriel had been asleep that whole time.

Two months ago, he woke up. It was sudden, he had gone to his room for the first time in a while to grab some books that had been long overdo at the library, and the priestesses had kindly told him if they didn't get them back he would be banned for life.

Thats when he saw the blanket on the chair by his desk. She had given it to him over a century ago. It was a birthday present, a wool blanket that was enchanted to smell like her always. She had played it off as a self centered gift, so he doesn't forget about his favorite person while away on missions, in front of their friends, but Azriel knew it wasn't that. Adelaide had always been a master gift giver, and she also knew Azriel had trouble sleeping most nights, but he never had any problems falling asleep on the couch next to her after a long night of conversations, wrapped comfortably in her own wool blanket.

He hadn't slept without it till the night she died.

Then, he picked it up, trying to see if the enchantment still worked. And that was all it took for him to wake up. It was awful, every bad feeling he had been too far disassociated to feel hit him at once. He curled up on the floor with the blanket wrapped around his hands and stayed there for days, silent tears never ceasing to fall.

After getting yelled at by Madja, who Nesta had called to knock some sense into him, he got up and went to her room, where he remained most of his days.

He sat in the chair in the corner of the room, only eating to quiet his stomach, and tried as hard as he could to detach himself from the never ending agony that was his life now.

He told Cas he would see her, the general's face lighting up at the news.

He felt guilty, making Cassian so happy for something he knew would later destroy him.

Hours after Cassian had left the room, as the sun came up, Azriel went to his room to grab the blanket he hadn't touched in 2 months. Then he grabbed Truth Teller, wrote his final request, and went to see Adelaide.

The building was large, and beautifully constructed. He would have been happy that she had a resting place deserving of her, but he knew Rhysand only spent that much money and made it this beautiful to try and lighten the guilt he felt.

The Shadowsinger stopped by the entrance, the sarcophagus without a lid placed up on the platform.

Before the funeral, Helion had come to place a enchantment on her body that would keep it preserved.

It had been a show of good will, Adelaide had been head of the Night Court's scholarly texts, education, and research. The two had met to have academic conversations at least once every few months for decades.

But as Azriel looked down at her, it felt like a cruel punishment from Helion.

6 months later, she was still as beautiful as she was the last time he saw her, and she was still just as dead.

This was where he would remain, his final request was to be laid to rest in the same building. He would be adding unnecessary pain onto his loved ones who had suffered so much already, but for the first time in his life, Azriel had decided to put himself in front of his family.

Looking her over one last time, he realized he was now completely numb.

Azriel held the gifted blanket and went to take off the one she currently had. Based off the fact it seemed to have been picked out with meticulous care to match Adelaide's coloring, and her outfit, there was no doubt it had been placed their by Mor.

On her lap, previously being covered by the blanket, laid a large and very old book.

Had one of the scholars she worked with placed it? One of the educators?

Strange marks littered the cover, but no title. Not till he opened the first page did he see what it was.

The Walking Dead

A cruel pick. Who would ever leave such a book with a corpse?

The second page was blank, so was the third, so was the fourth. Thumbing through the book, Azriel just about gave up looking at the blank pages when he finally found one with writing.

It seemed to be a poem, but it was formatted too strangely.

The title at the top read Eternally Intertwined.

A spell.

He almost dropped the book at the realization.

No one had left this book, it had been fate that had given it to him, kept it here waiting for him to stumble upon it.

He knew what he needed to do.

[spirits-n-giggles]

Must.... conclude.... Beetlejuice story.... after.... 2nd.... movie....

Go on this journey with me

(slightly edited for a better flow.)

Picture it:

A few years goes by....

Astrid and Lydia had become inceperable after their Halloween from hell and live together, but she eventually talks about wanting to experience dorm life for her first year of college. Lydia is happy for her daughter but is now afraid of being alone, not entirely sure what might happen with so many dreams that always plagued her sleep since the resurgence of ☆he who shall not be named☆ - and I want them to use that line as much as they used "keepin' it real."

The house on the hill will become internationally known as the notorious "Lydia Deets' Haunted Arthouse", she didn't have a show anymore, but that didn't stop her reputation from growing exponentially after the Halloween fiasco. People wanna buy this property for millions of dollars, but Lydia will be too afraid of whatever might happen to anyone, should they ever meet the demon from her nightmares, so she keeps the house by using some of Delia's fame funds to keep the home in their name - something Delia would HATE lol - but Lydia doesn't wanna actually be in the house.

Betelgeuse is stuck in the underworld, trying to hide from a revived Delores that continues to terrorize the afterlife, only now she is destroying the place. If the Sandworm can't kill Betelgeuse, how tf is it gonna kill Delores? Wolf Jackson is of course on the case, but things are getting out of hand. This makes Betlegeuse a prime target for anyone with a soul that might wanna rat him out. And there are PLENTY who wanna rat him out. Trying to find a way out or a way to kill the broad, he has to get creative as he stays in hiding. And where is the perfect place to hide? In a certain model town in a certain model home.

Rory will be undead and use his winning personality to act like he worships the ground Delores walks on so she doesn't suck out his soul. She will say she wants Betelgeuse and wants to kill Lydia. He is cool with that and says he will help her achive that goal. He will then become her lacky and tell her how pretty and perfect she is to keep the target off his back. He will be terrified of her but this will gradually make her love Rory and this can cause some potential fun for future scenes.

Lydia has nightmares that always involve Betlegeuse, even some can involve them going on wacky cartoon adventures from the show, but they'll be creepy and dark and stop-motion because Burton. She tries therapy, but it will end up being a bust. It's hard finding the right therapist with someone as much truama as her. OH MY GOD HAVE MICHAEL KEATON PLAY THIS CHARACTER!!!!! (Nice little nod to movie 2) It will freak her tf out thinking she's seeing Betlegeuse everywhere!

This will cause her to become a shut-in after getting rich off the royalties of selling her personal story - a melodrama of love and the loss of two parents after a lifetime of hauntings from their psychic daughter. She sells this story to various people who want to write it into something. She will end up reading raving reviews about a live theater production of her story called "Ghost House" or "Scared Sheetless" after a graphic novel that was released or some shit. Supernatural levels of meta. Might as well! :D

After a particular dream that ruffles Lydia awake in her own apartment, (the dream at the end of movie 2 maybe?) something strange will happen to the house on the hill, causing Lydia to go back and figure it out. Astrid will hear of this and not want her mom to be there alone and goes with her to help solve the mystery. Lydia thinks she knows what (or who) it is and doesn't want Astrid to come along, but she does anyway.

Hiding there in the model, Betelgeuse will see that she and her daughter have returned, thinking she's finally come to her senses and come back to him lol. Betelgeuse gets desperate for Lydia's attention in the best way he knows how - dreams. They've got a psychic connection, and he's done it plenty of times, but now it's for business as well as pleasure.

It would be some kind of earthquake that shakes the hill. Being careful and walking around whatever damage was mysteriously done, some locals say its another haunting and they want to tear the large house down and make something new. Aatrid can hear these comments and relay them to her mom. This will start making Lydia curious about the history of the hill this house was built on, especially since it's so close to the graveyard (the same place Betlegeuse was buried in the model in movie 1)

So she goes on a hunt in the small town, expands it a little, maybe even find the Mainlands old shop? This can parallel with expanding the afterlife while Betlegeuse is trying to find allies. Betelgeuse tries to round up anyone he knows that he can trust - literally anyone from the past - gotta bring Catherine O'Hara and Gena Davis back, right? Stop motion her in as a ripple in dimensional shifts or something and just use her voice. Richard would help as a thanks for helping his kid in the past, and I KNOW we can get Bob back if we tried.

Lydia can end up learning about some of Betlegeuse's history - finds a picture of an eerily familiar couple - but all this place knows is that they were just two of the MANY that were tossed in mass graves on this land centuries back but they don't know details other than they came from Italy. She will make it a mission to go to their original resting place to try to get more info. She's rich. She can do that. (Their love story was in Italy, right?)

Getting to Italy, Lydia learns the urban legend of a murder suicide of some nutorious bad couple who was known for terrorizing the nights in their hellrsising escepades, but after they were dead and buried, the two lovers corpses, along with many other discarded corpses of dead evil people, were moved out of their original land and brought to a new land to be buried there - getting rid of unwanted individuals so they could bring in the industrial revolution. There will be several names, but two will stand out along with a picture -- Delores and another name that's crossed out. Make it Lawrence, lol. Isn't that Betlegeuse's name in the cartoon?

"Betlegeuse?" Lydia whispers.

“Mom!”

“S-sorry."

Astrid tags along with her mother, happy to travel and hunt creepy shit again. Her dad would be proud. This time she won't meet a boy but maybe a girl who was also doing her own research for school. Jeremy was technically her first experience with a boy, and it's possible to stray away from reminders of bad experiences and kids experiment at this age anyway. It will be a cute goth girl who is a fan of Lydia's old show and is one of the first girls Astrid's age to ever actually be nice to her. A nice connection. This could also be a ploy to pull Lydia back into BJs world again, too - yay twists! She can maybe be an illegal ghost girl looking for help from Lydia because she thinks the paranormal human can help everyone in the afterlife.

Underworld is in chaos, and here is a rift between worlds after so many souls had been taken from the afterlife. There's no more order, reality is breaking, and the only way to get everything back in order is to destroy the soul sucker and release the souls she has absorbed. The more she absorbs, the more power she gets.

They get home, and another shift happens between worlds, and with so much death in the afterlife, it's causing serious problems in the real world and Astrid has an idea to maybe call someone for help. Lydia shuts it down, but more rifts and earthquakes happen. She will have another dream of him trying to get her to call his name. And maybe she can awaken in a living nightmare caused by the rift between worlds, and they are both almost killed (by a sandworm, why tf not!!!) before calling Betlegeuse for help.

Get real 'out there' and put those practical affects to good use and let the shenegins begin! As much as I love watching Betelgeuse try to marry Lydia, there is no attempt at marriage this time. There's too much to do. "I just saved your life, now you can help me save mine and finally kill that soul sucking witch for good.”

“No games. No tricks.” Lydia warns.

“I'm not the trickster in this relationship babe,” he wickedly grins, “but we can get back to that after we save our asses. You're coming with me.” Have him turn into a tour guide as he shows off different aspects of the afterlife thays falling apart before the three of them eventually have to run from people who have allied themselves with Delores to find Betelgeuse.

Imagine the reunion of seeing Rory with Delores. Imagine crazy shit that can magically appear to help end the story. Hell, have the goth girl Astrid meets to come back and redeem herself at the end. I dunno. She can appear and admit to being Delores daughter (before meeting Betelgeuse) and thats why she was at the same place Lydia and Astrid went in Italy to find answers- she was too.

This relationship can parallel Lydia and Astrid's positive one- have Delores sacrifice her daughter to start her sacrificial rite for power, and her daughter never forgive her (I swear I am just pulling this out of my ass) have the girl hold vengence for her mom and she can give Lydia the dagger that her mother Delores killed her with that still has the young girl's cursed blood on it. She says to use it to kill Delores, but Betelgeuse is the only one strong enough who can get close enough to do it.

With so much chaos and so many souls taken, anything can happen in the underworld, and chaos ensues. Maybe even break in to see glimpses of the afterlife, perhaps they see a glimpse of hell and see how Jeremy is being tortured (it will be a silly Tim Burton way). They can see part of the great beyond maybe wave at Delia (and the back of Charls’ head) too?

They finally meet Delores and she will say she is over Betelgeuse, happy with her new pet Rory. It's a shock for Lydia to see Rory there but isn't surprised to see him so desperate to fawn after Delores. Satisfied with the new power she’s gained, Delores prefers to keep Betelgeuse alive to torture him.

Lydia will give Betelgeuse the dagger so he can pop her like a bubble and all the souls she's consumed will escape and go back to their soul holders. But why waste energy killing Betelgeuse when Delores can just use him? She is able to levitate him up but Lydia, Astrid, and the goth girl work together to pull him back down. - this is where the goth girl can suddenly enter for the final fight!

Seeing her daughter makes her angry, and seeing her help her foes pisses her off. Delores grows in size to show her strength, and ordering Rory to take care of those little girls. Little goth girl and Astrid go after Rory and Lydia will get a plan -

"Oh... you're not into him anymore, huh? So... you wouldn't care if I did this?" And Lydia pulls that fucker in to kiss him. (This feels very Phantom of the Opera coded.....) Just a peck is enough for Delores to RAGE and she goes full attack mode. She goes after Lydia and Beletgeuse steps in front of her and kills Delores with whatever magical shit her dead vengeful goth daughter supplied, lol. (And I'm talking full jack sparrow stabbing the kraken slow mode scene) Epic as shit!!! Delores daughter will then rest in peace.

Astrid will then ask herself, “Now why the hell can't I connect with humans like I can with ghosts?”

“Family trait, unfortunately.” Lydia says feeling Beletgeuse's breath literally go down her neck with his close proximity. "At least they didn't try to suck you into marrying them."

End it with Lydia being recruited by Wolf Jackson to find those who have been lost in the real world or something. Make it to where she and Betelgeuse have to work together to keep the plane between the living and the dead closed with her as the keeper of the house.

Have the house be the main character in the end!!!!

Betelgeuse will turn to Lydia and say, "So, you're not the marrying type, eh? I'm fine with that-" He'll try to pull her in for another kiss, but she'll push him away.

"Nooo! No-" He lets her shove him to the floor, "I just knew something like that would save your ass. That's what you asked for right? Now we’re even." He quickly jumps back up. "I know jealousy when I see it.”

"You sure do." he inches closer to her, but she crosses her arms looking away, seemingly uninterested.

"Betelgeuse...”

"I can wait, honey. I know you want me." He flexes as he slowly walks away with pride. "No one can resist ‘the juice’ once they've had a taste." He winks.

Astrid groans for her mother, but Lydia just looks to him like she always does.

"Betelgeuse..."

"You will be the one to kiss me again, babes." He holds his arms out in his iconic way. "I got all the time in the world." He thinks this is the end.

"Betelgeuse."

Hmmm.... he doesn't disappear?

But he does give a wicked smile.

Turns out when killing the spirit of the soul sucking witch, the souls did escape, but her power had to be absorbed by someone, and Betelgeuse didn't... really... need.... help with obtaining more power, did he?

Would he be like demi-god state now? Why the hell not? Give me an Astarion evil ending kind of transformation. Give me love and deepspace realness. (google those). Go the whole nine and make him HOT AND SCARY in the end. Michael Keaton is attractive. It's doable! Antihero status! Make it wild! Demigod!!!!

Imagine THAT being interested in you, Lydia. I don't think you'd say no.

End it with his new form levitating and him saying that that iconic voice and green glowing eyes. "It's Showtime."

Throw in a musical number somewhere, a little justice for Bob and you have a lovely story.

There. Done.

I don't think a 3rd will be made, and if there is one, I don't think it would be this ^ stupid! Lol

[diminuel]

Angsty headcanon: even in the AU where they stay together 5ever and raise ASL together, I think prior to Luffy’s birth or very early on (way too young for Luffy to remember) Crocodile and Dragon have a REALLY nasty breakup. They get back together, less than a year apart, Crocodile moves on from it completely. Would tell you (or a therapist forcing it out of him) that the breakup was just the result of flared up and immature emotions — a man too young and immature to handle a benign, routine, conflict as gracefully as he should have. It shouldnt have been a big deal and he’s thankful Dragon was so patient with him about it.

Dragon never quite gets over it, like a bone that doesn’t heal quite right and creaks when it rains. He takes *full* responsibility for the fight. He can’t let go to that core of guilt (he can only build around it, proving to himself and others this fight won’t ever happen again.) because deep down Dragon knows Crocodile was *right* even if he had never meant to hurt his Wani he still *had* he had *failed* them *deeply* and it *haunts* him.

In a terrible, terrible, series of moments of less self awareness and self control and self accountability than Dragon holds himself to now he let his upbringing get the better of him, let himself be *too* comfortable, too prideful in his own masculinity and strength, and thank the *gods* Wani snapped him out of it, rightfully punished him for it in their absence. The love of his life’s manhood just starting to blossom and he had stomped on it again and again out of sheer *instinct*. Wani didn’t have the words for it. Didn’t know where this was coming from, other than it was a sign of gross disrespect. But Dragon knew immediately he was miming the way Garp had *always* treated him and it disgusts and terrifies him.

For the first time in years he is around a man who he knows could not *easily* kill him and his instinct was to assert his own dominance *and he didn’t even notice until it’s gotten so bad Wani is threatening to walk out of his life forever*

When Wani comes back he does take the opportunity to tease Dragon about it a little a la “you better not think im less of a man for birthing *your* child” and it always brings a deeply sincere apologetic side out of Dragon. (Wani missed his big marshmellow boyfriend too of course. The reminder he cares just helps the initial remaining soreness)

Ooooh. Thank you for feeding my need for angst.

I can see that happening. Dragon does have a side to him that is quite harsh, which we see a couple of times when he's interacting with other members of the RA, even Iva and Kuma.

It might just be that he initially struggles with Crocodile figuring out his sense of self and not taking a pretty straightforward path towards being a manly man. (Crocodile maybe wouldn't adopt some of the rather stupid ideas about masculinity that we sometimes see characters exhibit in One Piece.)

Maybe he's thinks he's helping him out by being rough and belittling because that's how he learnt it - with Garp's though love that is never gentle and also in the marines that might not have allowed for self-expression that defied certain expectations of manliness.

Maybe he's reacting to any small challenge to his authority rather negatively even though Crocodile has always been someone who would stick his fingers into the gaps of Dragon's persona and see how much he can push his boundaries. And that was okay before, but now he would just very much like to keep his boundaries intact, thank you. He is barely holding it together anyway!

Because maybe his attitude might also just be a sign of stress because Dragon doesn't quite know how to deal with juggling multiple roles. Especially fatherhood. It's very likely that he never expected that, that he's torn about it and maybe even thinks that they should let Garp handle it. And Crocodile pushes back. Even though they maybe initially agreed that it's the best choice for Crocodile ambitions and for Dragon's goals?

Hm hm hm, much to consider! ♥

But yes, I can totally see Crocodile fully moving on, with maybe some teasing. And Dragon just doesn't get over it properly because he feels so bad about it. ;w;

[thr0wnawayy]

Rei-Demption: A problem and my solution (ft. Rei's trauma and Hori's bullshit)

Might as well give my shot at it.

My take on Rei's personality has always been based in suppression.

Rei's whole life has been a balancing act of doing enough to protect her family, while still staying within the lines to not get disposed of.

She's everything Enji isn't. An iron will, a golden heart and a strong sense of empathy.

So with that in mind, hopefully it she'd light on it thought process with this post

A theory I have is that Rei was aware of the hospital's corruption

These panels always felt off too me, it always made me wonder: "does she know?"

The wording is very specific.

"I told him I liked it, around the first time we met. But only once"

It always struck me as odd, We're talking about the man who looked at his eldest death and kept going, man who destroyed multiple lives for a redundant pipedream.

It's not even why would he remember such a small detail, but rather how?

Unless... the doctors are feeding him information.

Think about it, who pays for all this. Surely it's not Fuyumi, on account of this being a massive money sink.

You really expect her to pay for all that on a teachers salary?

It can't be Natsuo because Enji has likely cut him off from everything to his name.

And that's assuming Enji even bothered to save up a college fund for any of them. Plus Natsuo is a full time student of medicine.

If the doctors are watching her every move, looking for any sign of deviation from the narrative then it makes sense for her to disguise her words.

Of course there's still more

Having PTSD isn't something you can keep someone institutionalized for. Especially when Rei's is very proportionate, given what she's gone through. (No, Japan's stigma of mental health wouldn't justify this)

I mean what are Rei's triggers?: Enji and that's about it.

"But we still... haven't met face to face, I'm still too afraid"

That's a standard reaction to have to your abuser (especially when he raped you multiple times)

('Just stop' gets a whole lot darker when you consider it's context)

Not to mention she's no longer fearful of anything resembling Enji, just Enji himself. So there is no real reason to keep her there unless they are afraid she might speak out.

This whole thing makes me think she's trying to tell Natsuo and Fuyumi what's really going on, in a way.

Subtly and under the calm, complacent mask she's expected to wear, in case anyone else is listening. Anyone who could report back to him.

It might also be she doesn't trust them. Fuyumi or Natsuo could blab or say something within earshot that could set Rei back months.

And she can't have that, not with how close she is to finally breaking free. She loves her children, all of them but the trust just isn't there, how can it be when when they don't have all the pieces.

So here's my theory: The hospital staff are in Enji's pockets. Either taking bribes (as recent as Dabi's Dance) or they were given a large sum of hush money when Rei was first hospitalized, with the goal of keeping her there as long as possible and possibly molding her to either keep her mouth shut or (sickeningly) gaslight her into returning to Enji.

(Note how she was only released when they could no longer keep a lid on things, the moment Dabi frops the bomb. She's out, no struggle)

This paints a picture of grotesque corruption, sloth and apathy (the very same cocktail that created Shigaraki) even by Hori's narrative standards. Shedding light on just how deep MHA's despotic nature goes.

The anime makes this even more apparent. Rei's fake smiles make the whole thing that much more viable. She seems so dead, it's like she smothered her soul or something.

I've seen both the sub and dub of this scene. The sub is the correct translation, the same as the Manga panel above.

The Dub however, while severly off mark, adds it's own flavour of dread. Rei sound so hollow, it was jarring the first time I heard it.

It sounded like she was reading a script (in-universe). Like she'd rehearsed this in her mind a million times, staring at the same 3 white walls + the window and waiting for an opening to finally speak.

That was supposed to be Shoto, until the dorms ruined that. Suddenly Rei's lifeline is gone, reduced to letters that don't even tell half the story.

10 years, 10 fucking years reduced to lines on a page.

Can you imagine the despair, dear reader?

The frustration. The sheer vitriol coursing thorough her veins, far hotter than Touya could ever manage.

Having to do the same thing she's been doing even before she was locked away. As the the skeleton in the closet of a criminal with a license.

Wearing masks for so long you can hardly breath and in the brief moments you can take them off. You can hardly recognize yourself, how you once were.

It must be the truest form of hell.

The Rei-demption Arc

Rei's redemption arc takes the attention of our theoretical arc without overtaking it.

The arc would mostly focus on the more domestic aspects of our trio being: Midoriya, Shoto and Uraraka.

A few minor changes would occur. The dorms never happen, allowing the characters to exist outside of UA.

There is solid confirmation that Fujiya is corrupt and is keeping Rei institutionalized on illegal grounds (ie: not meeting the criteria set up to ensure her silence)

The dinner scene would still happen only it would bd framed for what it really was. A pathetic attempt at creating a moment that never existed.

There's no family with Enji.

Just a family held hostage and a tyrant. I have my own grievances with Fuyumi, but I'll leave that for the future.

The only difference besides Natsuo being properly portrayed as a victim acting well within his right, the reasons for our trio going would be for Shoto's emotional wellbeing, because he asked them to.

Uraraka could have a moment where she realizes that money is as much as good as it is bad. An actually decent shift into her change of goals.

Here Enji motivates her to "watch the watchmen". Her need for money is still a crucial part of her reasons for becoming a hero, but she also has a more front and center goal.

I'd imagine she has a moment parallel to Midoriya's during the Sports Festival.

Where (alone in front of the Dojo after the failed dinner) she rightfully calls out Enji for being a self pitying piece of shit and that "sorry" doesn't cut it.

"You've hurt them in ways you can't imagine." Would probably be the last thing she says before walking away.

She may not know the whole story but she knows it hurt them and that's enough.

Rei's ascent

Rei's biggest hurdle is accepting that she was also an abuse victim. She's furious but she's only furious on her children's behalf and what they lost.

Her unintentionally harmful actions weigh on her, be it her neglect or the night she scalded Shoto, these events have impacted her deeply.

She learns to reconcile with her past, improve her relationship with Shoto and even meets Shoto's friends at one point.

Eventually she finds closure but that's later on.

She also acts as an advisor at times, having given Shoto the idea of using Ice projectiles (as seen in the Licensing Exam)

The second half comes from the Hospitals corruption, as Rei learns that she is long overdue for release (by about 8 years) among other horrific practices. This would play out as the arc's B plot, building up to what I call "The Summit"

The Summit

Eventually Rei fights Hood.

After gathering the evidence, she escapes the hospital. Planning to go to Natsuo for protection. As she's walking across a crosswalk however, she hears what sounds like an explosion.

Eventually she hears screaming and is forced to use her quirk as a bus is suddenly sent hurdling in her general direction.

As of her body moved on its own, she envelops it in her ice. Stopping the bus and saving those behind her in the process.

Only to see Hood land on top. They lock eyes and Rei can't help but see Touya in Hoods ambition.

In response to Rei holding her ground, Hood dashes. Rei counters this by manipulating her ice to send him crashing into an empty building, impaling him on the glaciers end.

Hood is impressed by Rei's proficiency and chooses to fight her.

Rei having no experience, fights for her life. Where as Rei avoids Civilians, Hood has no care for them which forces Rei to play the role of hero.

Rei uses every weapon in her arsenal in order to stave off Hood, who only gets more relentless as the battle stretches on. The upside is Hood's regeneration struggles in the cold, which Rei is constantly producing.

Each side gets blows in, with Rei taking them surprisingly well but still being worse for wear. Hood notes this saying "as if y-you've done t-t-this before" (close, Hood very close)

Eventually Hood gets the upper hand, towering over Rei in a manner that triggers her PTSD and leaves her stunned.

One of the civilians (Horoshi Tameda) emboldened by Rei's efforts, picks up a loose chunk of pavement and chucks it at Hood's back. It hits, causing Hood to look back.

Civilians begin making loud noise, others begin picking up anything they can find and throw it at Hood. Further catching him off guard long enough for Rei to snap out of her episode and strike back.

From here the fight kicks into high gear, with Rescue heroes & paramedics arriving on the scene and a camera crew recording the fight from above. Overall I imagine the scene to be very uplifting, with the Orchestra swelling as Rei prepares a final attack.

The move rivals that of Shoto's, arguably even surpassing it. Hoof is incased in a prison of Ice, covering an entire city block worth of destroyed buildings. And the fight finishes with Rei collapsing to her knees.

From here on out things change. Rei's newfound fame leads to the hospital being forced to do their job. Because of this Rei gets out early (around the time the Internship arc would started had I not scrapped it)

As for what this could lead to I'll let you decide. I'd love to read some suggestions.

Bonuses:

Theories:

The reason they kicked Fuyumi from her job is because she covered an abuser's ass for years. While Fuyumi is a victim, it doesn't excuse her complacency in regards to Enji's treatment of Shoto before and after his "self pity" arc.

Natsuo didnt go to someone because he wouldn't likely be believed, being seen as bitter and untrustworthy (his time away from home wouldn't help with pinning evidence).

Extra:

Hood survived the fight, Rei opted to capture him as opposed to kill him. That doesn't mean he didn't get frost bite. Police found out it is very difficult to question a Nomu.

Out of all her trauma. Rei accepting she was never given a choice will be the hardest to accept.

Rei's family is not inbred, rather her parents ran away so her father wouldn't be forced into a marriage with his cousin. Only to ironically do the very same to their daughter.

Hiroshi still becomes a meme, his 'Can't you see speech' leads to him becoming a motivational speaker.

The reason Hood appeared is because Dabi lost track of him. He nearly had a heart attack when he discovered his mom was holding the Nomu off.

[raven-at-the-writing-desk]

Good evening (or morning, afternoon, wherever u r) to you, Miss Raven, *tips hat* How do you do?

First of all, I was reading through the your canon Malleus romance analysis and i’ve just gotta say I love how you give a realistic approach to these characters and their world! 🙌🏻

But that also got me thinking, how would Leona prioritize his romantic vs royal life?

As second born prince, I wanna say Leona actually has more breathing room to pick whoever he wants as a partner (if the royal family doesn’t arrange a marriage before he gets that chance), plus, the Sunset Savanna’s next heir apparent is already born, so really there’s nothing worry about succession unless something happens to Cheka and or Falena. But at the same time Leona is still ridiculed by his people, so will that have any affect on who he wants to be with if he happens to choose someone other than another beast(wo)man or someone in a class lower than a noble?

And even tho he isn’t first in line for the throne, Leona is still royalty. I think he could pick a partner who is more private and less sociable with their life, but I also think they still might need to be prepared for the royal life, lack of privacy, speaking with the public, and other royal duties (even if Leona himself won’t do them).

TL;DR Do you think Leona’s status as second prince actually gives him a benefit for who he can pick as a romantic partner and how would the people’s view on him affect this, and what do you think would expected of Leona’s partner in the royal life even tho he’s not first in line for the throne?

What’s your take on this?

Related posts: Malleus / Kalim

Greetings 🎵 Life’s been a bit stressful lately, but I’m getting by! Busy planning something big for the blog too, so excited for that.

I think you must be talking about that post where I discussed what the expectations would probably be for Malleus’s future spouse? Thank you for the praise though! While anyone can ship themselves or their OC with Malleus in the latter, there’s certain in-universe logic that must be followed in the former. It feels very different to be a character in that world versus an outsider looking in. Being able to switch and see from those perspectives is important, I feel.

My thoughts on this topic aren't as concrete as what I laid out for my Malleus post, mostly because we don't know as much about Sunset Savanna's politics and since Leona isn't burdened by the same expectations as the crown prince or first in line to the throne. I feel like this post will be a lot of speculation, so just be cognizant of that.

As Leona is right now, I don't think he has much of an interest or an obligation to find someone. His focus seems to be on tending to himself and his own goals to help those around him, be it his juniors (Epel, Jack, Ruggie, etc.) or his country (due to his internship at a energy and mining lab). I definitely feel like that's where his priorities lie, and anyone he might take on as a life partner would also have to have a passion and dedication for this kind of service, whether they also engage in it or they at least support Leona's endeavors.

I also think that Leona would personally want an intelligent partner that's able to hold their own in a discussion, but only to a certain extent. Like, they have to be able to coherently express their own thoughts but I don't think he wants to deal with someone so stubborn that they constantly put up a fight with him if they happen to disagree. Leona has demonstrated multiple times that he finds it a hassle when people don't listen to him, so he tries to put himself in situations where he doesn't have to face that in the first place. For example, Leona states that he dislikes Silver and Rook, as they constantly act on their own and seem to disregard anything that others around them say. Additionally, he lacks a vice dorm leader because he made the conscious decision to not pick one, as he doesn't want someone challenging his decisions. Leona also strategically caves to his sister-in-law's demands to avoid wasting time and energy in an argument, since he knows that beastwomen tend to be strong-willed. His partner would have to know when to step back and give him space or when is not a good time to keep pressing a point. That means there'd be a certain element of emotional intelligence involved too, not just general wisdom or knowledge.

In these circumstances, I don't think there would be as much of an importance placed on the social status of Leona's spouse since he's like... what? Fourth in line to rule? His father is still alive, Falena/Farena is still fine, and Cheka's there too. The chances of Leona actually having to step up to that plate are low. There's no pressing need for Leona to find a partner or to produce an heir of his own. I don't recall there being lore about his older brother and sister-in-law having an arranged marriage or what social class his sister-in-law is from, so... there's not a lot to go off of there. I think, at the very least, we can assume there's not as much pressure for Leona to be in an arranged marriage since he isn't the crown prince. I don't get the sense that Sunset Savanna is as conservative with its social expectations as Briar Valley is, so it's doubtful whether or not the public would care about a royal marrying a commoner or a beastman marrying a non-beastman. To my latter point, there doesn't seem to be as strong of a racial divide between beastmen and humans (unlike fae and humans), so I don't think this would pose a major concern. But hey, maybe they do care a lot about status since Leona's flashback keeps harping on the importance of birth order--but that ultimately has no baring on the commoner versus royal thing. Maybe this is me being too much of an idealist, but I do think it would be possible for Leona's partner to come in and prove themselves, since their reputation (unlike Leona's) isn't already marred by being second in line to the throne and having a golden child to be compared to. If anything, I feel like the people would fear for the safety of Leona's spouse rather than what their "marrying outside of the norm" means for the country. Since there's a negative public view of Leona, I feel that this would translate into worry for the spouse rather than assuming they are "just as bad" as Leona. They're an outsider with a completely separate background from Leona's, and that I doubt that most people have the magic to rival his strength. Where would their fear of the spouse be reasonably coming from? I think the more likely situation would be the public feeling sympathy for the spouse (like, what if Leona's magic harms them) and wondering what they must see in the second-born prince. There might be a lot of gossip or concerns swirling around their courtship, little judgmental whispers and passing glances that are hard to avoid, maybe some hissed warnings to be careful around Leona, etc. The spouse should be careful how they react to public opinion though, as lashing out could make them be perceived as ill-tempered and crude, a poor reflection of both their own attitude as well as confirming preconceived notions of Leona. They should be equipped to handle socially complicated situations with grace and tact. When it comes to Leona, they should also be ready to provide him with some emotional support—not as a therapist he trauma dumps to or anything like that, but as a trusted and nonjudgmental confidant.

I think the spouse would receive the harshest scrutiny should they step into a more public-facing role… like if they started to enact or push for policies that go against the country’s reverence for nature and living in harmony with it. They would most certainly get pushback for it, maybe earn ire for not being “attuned” with its people. Leona’s spouse would, at the bare minimum, be expected to represent the values of Sunset Savanna and to engage in its ceremonies and traditions. For example, Leona—the second prince—is meant to train the winners of the Bead Brawl. Whatever royal duties are set for the spouses of the royal family… well, they should be prepared to fulfill them.

On the subject of privacy and sociability, it might actually be a drawback if Leona’s spouse were private and not sociable. Not being seen or interacting in public very often means people are left to their own devices and assumptions—and if Leona is the first person they associate with his spouse, it could lead to the public forming negative thoughts. "Oh, they're withdrawn because they don't care about us. Oh, they must be moody and hard to get along with." There’s a lot of earning trust that has to be done, especially if Leona intends to enact social reform, so I think it would make for better optics if his spouse really put themselves out there and was proactive in the community. Instead of framing themselves as a shut-away or some rando that married into the royal family, they have to be willing to step outside of their comfort zone and act like a leader if push comes to shove, show how outgoing and determined they can be.

Last thought I have on this matter I guess is related to how Leona’s loved ones would react. I don’t think the named characters would care about the details all too much?? Farena appears to respect his brother and treats him warmly, even when Leona brushes him off. He’d want Leona to be happy and at his best mentally and emotionally when and if he decides to help govern the country. And Cheka, well… maybe he’s a little too young to fully understand what’s going on, but I think he’d want his uncle to be happy too. I’d say even Kifaji would be on board with it, though perhaps not as openly as Farena or Cheka. He’s a stern older man, so I can absolutely see him scolding Leona and nagging him about his choice of partner—but in the way that a concerned grandparent would, you know? Not in an outright malicious way like the Briar Valley senators might. Unlike them, Kifaji can see the good in his prince and wants the best for him, even if he comes off as too overbearing at times. Kifaji doesn't unnecessarily act vitriolic or belittling to Leona, he states truths (that Leona acts improperly at times) and earnestly expresses his wish that Leona recognizes his own potential. He'll probably pull up to interrogate the spouse (because he cares that Leona marries someone who loves and values him), but ultimately give his blessings along with a plea for them to take good care of his second prince.

[pretzel-box]

well... I'm trying to draw a Paintner from a streamer AU... AND IT'S REALLY HARD, I DON'T UNDERSTAND HOW TO HUMANIZE IT....

LET ME HELP YOU DEAR FRIEND BECAUSE I DIE EVERY TIME I SEE YOUR PRETTY ART.

Welcome to: STREAMER AU PAINTER FACTS!

including: Moodboards!

—× Painters real name is Vincent in the streamer au. It's a personal headcanon. [Vincent Van Gogh is my favourite painter.] He doesn't like his birth name and nicknames and calls himself Painter.

Now let's dive into the upcoming Streamer AU Lore. This is split in two sections: Vincent & Painter. Both are the same person but with different lifestyles.

VINCENT

-× Vincent is the adopted son of Urbanshades CEO. He isn't aware that he's adopted. He will be the heir to the company and has studied exactly for this goal because of his fathers request.

-× He graduated from the Ivy League [Yale] with excellent grades.

-× Works officially for Urbanshade but checks in rarely since he has the freedom to do so. It's more like a tiny site business to learn the ropes from his father.

-× He's somewhat distant and professional in front of the Urbanshade employees, trying to mimic the same expressions as his father to build a reputation of respect. He may appear cold, but his replies are always helpful and on point.

-× He has his own expensive car from a top brand and an own chauffeur.

-× He wears contact lenses during work. His vision isn't the best, but he hates wearing glasses during his office business.

-× His father indirectly forced him to everything, shaping him into the perfect heir to take over Urbanshade and continue the legacy. Vincent his own needs aren't important.

PAINTER

-× Painter is a nickname that Sebastian gave him. Once Painter complained that he hates who he is. Sebastian tried to tell him he doesn't have to be Vincent, when he can be the one thing he always wanted to be: a Painter. From then on Sebastian nicknamed him Painter.

-× Painter is rich and successful, yet he prefers to drive with a plain green bikecycle around in private, it keeps him fit, and he feels more free.

-× He has an own little tech shop as a hobby. He tries to earn his own money for opening up a small art studio for himself. His father isn't supporting him, so he has to reach that goal all by himself.

-× He doesn't care for the Yale Graduation, the money, Urbanshade or his dad. Painter wishes to become an artist and not the CEO of a world famous company.

-× Painter loves puzzles, strategy games and riddles. He would do the sudoku in newspapers, the crosswords in magazines and solve logic errors during breakfast. Sebastian couldn't understand how he can be so smart.

-× He paints in the back of his shop, much to Cordelias demise. She once stepped in a bucket of pink paint, it stained her favourite pair of shoes for the rest of her life. Aside from that, you can find many broken devices, scrap and beautiful paintings in the back.

-× He always thought he didn't need someone in his life. He was happy as long as his dad was happy. But when you stepped in, he felt as if the world suddenly gained colours. He is absolutely mesmerized by you and is conflicted because his best friend feels the same.

[galaxy-fleur]

What did you think of Leon and Ada's new relationship in the remakes? Meta wise

I think it's an interesting and more nuanced take on their relationship! Which I definitely like. I see no point in judging OG RE2's love story between them, no matter how cliché and nonsensical it is. It's a product of its time, and it's charming in its own cheesy way. Teenage me cried over Ada's death in there, so I do have a soft spot for it.

But the Remakes offer a fresh interpretation of what happened between them, and I'm definitely interested to see where they will take their relationship in the future (that is if they do, because I wouldn't mind them just having separate story arcs from now on).

If we're talking actual analysis, I'll put down my thoughts. I don't know if you can call it a full-on analysis per se, as it's more just me writing out my personal interpretations on things. So keep that in mind please!

Long post under the cut. I'm talking almost 4k words and way too many shitty gifs (I have no time to make them all polished). I have way too much to say. I'll basically be going over their entire relationship throughout RE2R and RE4R so... yeah.

RE2R and RE4R are two games that offer a full story for Leon's character, and that's a very awesome thing that Capcom has done. I'd even say it's one of the best things they've done with RE recently. Making RE4R feel like a direct continuation to Leon's arc in RE2R makes total sense, and it makes many scenes in RE4R that much more satisfying to play through.

While RE2R does end on a somewhat positive note (much like every RE game has to), Leon's arc in it is very much negative. He loses more than he gains, he's unable to save anyone, and his good intentions end up being used against him. Claire ends her RE2R story by saving a little girl she has come to care for. Leon ends his RE2R story by losing the G-sample, 'losing' Ada without getting much, if any, closure from her, and not saving even a single person he has encountered. Claire and Sherry don't really count in Remake-verse (which I kinda don't like) because their storylines mostly happened separately from each other.

And that's not mentioning that he gets (assumedly, and I am very much hoping we'll finally see more concrete scenes of how it all happened in Remake-verse) pretty much kidnapped and forced into a life he never wanted right after. To say that Leon can't get a break in RE2R is like saying nothing at all. Poor guy gets put through the wringer on every level.

Now, onto his relationship with Ada, and how it ties into everything... It should be said that, while he obviously grows to care about her throughout their short time spent together, he remains suspicious of her. RE2R Leon is naive, but I often feel like people make him too naive. He's not an idiot. He tries over and over again to get answers from her, and he clearly feels apprehensive with her. And I mean... that makes sense. While she does save him multiple times, she keeps her distance from him.

I'd say he starts opening up to her on an emotional level after witnessing Robert having to kill off his own daughter. He directly confronts her, demanding for answers and voicing his drive to do what's right. In a way, that's him showing his vulnerability to her. And Ada uses it against him. After all, it's a perfect opportunity to play on his (rather naive) determination to be the hero to help her achieve her own goals. Ada is also the only figure of 'authority' he has at the moment. Even if her claim of being FBI seems kinda off, she's the only one he has.

And I'll go over Ada and how I interpret her later. For now, just keep in mind that her using Leon is more of a gray area than just some horrible, disgusting thing. I'm just going over the events from Leon's viewpoint here.

So, they team up. Ada starts softening up to him. They share light banter with each other: 'A: After you. L: Gee, thanks.' She expresses concern over his safety (the alligator scene). I'd say that's the point where he starts to care for her on a more personal level from before. As you would.

Him taking a bullet for her was instinctual. I'd say it's a more pivotal moment for Ada's character here rather than Leon's. In Leon's case it's moreso her taking care of him right after that matters. He directly mentions it to her later on (at least I'm pretty sure his 'you protected me' referred to that). I'd say him waking up to find himself tucked in with her coat and his wound taken care of was the moment his 'I care because it's another person who's in this with me' turned into 'I care because I feel genuine attachment to this person'.

Was it romantic? I'd say that's left for you to interpret how you wish. I like to think of it as him just caring for her as a person. Leon is someone who cares very deeply for others, and he's always striving to be the protector to those around him. I kind of think that someone caring for him when he's weak and vulnerable is something that is very meaningful to him. Now, Ada saves him multiple times at that point. But that's the first instance of her arguably going beyond what's needed. Sure, taking care of his wound was necessary, although she could have just let him be as he was for all we know. But tucking him in on top of that? Yeah, that's an obvious 'I care' gesture.

From then on, Leon is following Ada because he wants to trust her. And I do want to ring this home. He wants to trust her. Doesn't mean he does trust her. Because even though he shows genuine care for her, it's clear that he knows she's might not be telling him everything.

He wants her to trust him, so that she'll tell him what she is keeping from him. So that he can trust her.

The kiss scene is a perfect representation of exactly that, I'd say. Honestly, I'll just link this analysis right here, because I pretty much interpret it in almost the exact same way. But I'll go over it in my own words as well.

Leon's growing frustration is in full display here. He turns around from her, he paces, he tries to appeal to her. To just trust him enough to be honest with him. It's clear that he knows Ada might not be telling everything, but he chooses to believe her regardless.

Hence the exchange that follows this:

Ada: 'Hey Leon, trust me?'

Leon, walking up to her: 'Trust me?' (Reversing her question)

Ada: 'Honestly, if I didn't, you'd probably be dead.' (A genuine answer as far as we know, but it's not one Leon wanted to hear, so he shakes his head, mutters 'Right.' and walks off.)

And I do feel like Ada knows that Leon is suspicious of her here. Her reaction once he walks off comes off as kind of panicky to me. She knows she might be losing him, and she can't have that. So, she once again appeals to what she knows is his weak spot. His drive to help others and 'save' the city. It does work. Somewhat. But he's still swaying, so she does the first thing she thinks of. She kisses him.

She, quite literally, cuts off his line of thought so he stops thinking about it. Because him thinking is dangerous for what she's really doing here.

I think it would be very disingenuous to say that that was a kiss of love or affection. It is not presented as such, nor is it addressed that way in all. It was Ada's last attempt at stopping Leon from questioning her any further. How much of it was her focusing on her goals, and how much of it was her effort to 'protect' him from potentially figuring out the truth, is left to your interpretation. But whatever intentions she had, good or bad, it was a kiss of manipulation.

It does shut Leon up, as he's visibly stunned. He doesn't even say anything at that. He just stares at her, then at her hand on his knee. Now, here's the tricky part of it all. Do I think Leon felt romantic affection/attraction to her here? On some level, I'd say yes. But it's definitely no 'love at first kiss' or anything like that. He's confused, mostly. While he spent arguably little time with Ada, it was a time full of meaning. Surviving side by side and protecting one another is no small feat. And Ada did show her care for him.

I think, he chooses to trust her in that moment, because he, once again, wants to believe in her. Even if her kiss felt out of nowhere, and so much of what she says (or rather doesn't say) makes no sense. He chooses to trust her because he wants to think that she's a good person who cares for him.

And so, we come to the pivotal bridge scene once he learns the truth. I do like how he confronts her in a blatantly emotional manner rather than logical. It's not so much about her being a mercenary itself, as it is about her using him and lying to him. That's what he's actually confronting her about, whether he realizes it or not. That's exactly why he tells her to shoot him, fully resolute as he holds her gaze. He wouldn't do that if he was just trying to apprehend a criminal like a good cop would (as he tries to present it at first).

But, he never gets that closure or resolution he was aiming for. Ada lowers her pistol. He breaths out shakily, probably wanting to continue talking, to figure this out. But he doesn't get that.

I do think Ada telling him to take care of himself as her 'last words' is a very painful thing for him. Because it leaves him with no actual closure on what happened between them. Ada chose to not harm him, and her last words to him are ones of selflessness. But she also lied to him and used his vulnerabilities to achieve her goals. And it's not like Leon knows anything about her occupation, and just how much she's involved with it on an emotional level. Maybe she's someone forced to do this against her will. Or maybe she enjoys doing such dirty jobs for all he knows.

That's the thing. Leon doesn't know. And that must be both frustrating and painful. He's basically left questioning all of his interactions with her, how much of it was genuine, whether she was honest with him at all.

And, most importantly, his time with Ada basically proves to him that his drive to protect and save, his willingness to give people the benefit of the doubt - is a flaw, and a weakness. It directly ties into his arc in RE4R. (And his relationship with Krauser, in a way, but I won't go over it here.)

He throws away her bracelet on the train, and I think that kind of shows that he chooses to believe in the pessimistic way of interpreting their time together. He throws it away because he doesn't want to hold on to something that reminds him of her. And, simultaneously, of his mistakes.

Now, let's go through the same events from Ada's POV, shall we? It's a bit more challenging, since we don't get to be in her shoes, but it's still a fun exercise.

Ada's initial interactions with Leon are ones of annoyance. She basically scolds him like a kid for always getting in danger and acts like saving him is a chore. But chooses to help him out regardless. I think it speaks of her humanity despite her line of work. It's an interesting dichotomy that follows her every single appearance pretty much, though not much is done with it (thanks Capcom). But yeah, despite her visible annoyance with him, she saves him time and time again.

She doesn't visibly soften up to him up until that same Robert scene. She's pretty observant from what we can tell, and she probably already had a good idea of Leon's righteous nature, but it's the first instance of her actively playing into it instead of making small snide comments about it ('Trying to save the world?' 'Good luck with that.'). That doesn't mean she doesn't care, though. It's subtle, but the little sighs and changes in her facial expression do show that she's at least a little bit conflicted at the prospect of lying to him on such a huge level (though you can't see most of it with her sunglasses).

It's one thing to say a passing lie about you being an FBI agent, and it's completely another to play the long game by using someone like that. But she needs to accomplish this task, and it already proved to be more difficult than she expected. Remember, Racoon City was Ada's first time dealing with anything of this sort, too. She might be a mercenary, but it's not like she had to deal with zombies and B.O.W's before that. She's out of her depth, and she has someone pretty much offering themselves to her as her assistance.

So, she takes the risk.

While she does join in some passing banter with Leon after that, she still keeps her distance. She's dry and mostly unemotional in her mannerisms. Remember how I said that Leon taking the bullet for her was more pivotal to her in the story? Let's go over that.

It would be disingenuous to say that Ada is a complex character, unfortunately. Most of the complexity she does have, we pretty much have to add on to ourselves. Hell, I'm doing it right now with this entire section! Capcom is doing a way better job with her in the Remakes, but she's still pretty flat as a character. Maybe this'll (hopefully) change in future installments. But for now, we work with what we have.

Either way, we do know that Ada is someone who's self-sufficient and chooses to work alone. She keeps her distance from everyone, and she lives by 'everyone for themselves' ideology. Basically, a total opposite of Leon's 'protector' role. All that to say... someone taking a bullet for her is definitely not something she would expect. On some level, specifically because she would never do that herself. Especially for someone she basically just met. But Leon risks his life for her. Furthermore, telling her to go ahead instead of anything else.

I think that's the moment Ada starts caring for him on a personal level. Maybe she feels like she should repay him for this. Or that she owes him a debt. Regardless, she takes care of him and tucks him in, before proceeding further.

That care only grows once they reunite. Now she's the one injured, and he takes care of her, despite her protests: 'I can do it myself'. Ada is self-sufficient, but Leon offers her his companionship time and time again. We don't know whether that's something she lacks in her life or not. We don't know enough of her as a character to say that. But she's obviously someone who's not used to getting help from others. Again, on some level, because she doesn't do that herself.

Remember, while Ada did save Leon numerous times before, she always acted visibly frustrated by it, like it was a chore she was forced into, despite her choosing to help him herself. Leon, on the other hand, is quick to offer and insist on helping out, very much eager to do that for her. She already made the choice to use him, but now she learns that he's a genuinely good person with a kind heart, and not just some stupid naive rookie.

And so, the kiss scene, again. I already said that her kiss feels like a last-ditch effort to stop Leon from questioning her any further. And I do think she acted on impulse. Thus why she follows up with a hand on his knee and the: 'I'm counting on you'. And I, personally, think she kind of regretted doing that right after. Or maybe felt extra conflicted about the whole ordeal as a whole. The way she slouches and sighs heavily once Leon leaves is very reminiscent of that. It's kind of a mix of 'Fuck, I messed that up, didn't I?' and 'What the hell am I going to do after this?'

It also should be noted that Ada never meant to tell Leon the truth. It would be convenient for both of them. Leon would feel like he did something good, and she would complete her mission with no further issues. Both sides win. But... things go haywire. And she's confronted with the consequences of her initial choice to use him.

It'll be silly to say that Ada doesn't care for Leon. If she truly was this heartless mercenary some would like her to be, she would shoot him on the spot. Her pistol being empty doesn't really matter, either. Leon was basically offering himself up to her, again. Even without any bullets on her hands, she could have easily knocked him out or something.

But, she can't bring herself to hurt him. Because Leon really is a good person that doesn't deserve that. And she knows that, and she cares for him on a personal level on top of it all. We don't know what she was going to do, before Annette shot her. Maybe I'm actually talking out of ass here, and she really was planning on knocking Leon out cold. But, we'll never truly know.

And her last words for him are to take care of himself. Because, in a way, Ada, more than anyone, knows just how selfless Leon is. On some level, it's a wordless 'I'm sorry', if you wish to interpret it that way.

Boy, was that a lengthy mess! Their first introduction to each sure was tumultuous. But we still have RE4R to go through! Though it'll be more about Ada than Leon.

Nevertheless, let's talk about Leon's interactions with Ada. I think we all know he's noticeably harsher and colder to her. It's an interesting change, and it does show that he feels resentment towards her for what happened in Racoon City. We don't know how his initial conflicted feelings morphed into this resentment, but they did.

I don't think nearly enough people mention that he's genuinely being very damn rough with her in their little sparring session. While yeah, you could make an argument that he's holding back, he's not being careful either. Ada has to put in actual effort to fight him off, which she doesn't even succeed in because he takes her off-guard with his intensity.

And he also puts the sharp end of his dagger to her throat. Just to rub more salt into the wound.

I don't think this was him wanting to hurt her or threaten her, though. It was more of a show of strength. Ada approaches him by taunting him and teasing him, like she can do whatever she wants to him. But he's not that same naive rookie anymore. And he shows her exactly that.

A kind of: 'Don't think you can play the same trick on me twice, or you might get burned' message. A message that I think Ada does get.

As for him smirking at her, I don't think that's him being 'happy' to see her or anything. I think that's just him being amused that she still thinks she can play him like that. He grows all cold and distant with her right after.

Leon obviously has a grudge that he hasn't let go of. I actually like how he's almost needlessly petty with her in RE4R. Making snide remarks, calling her heartless and dismissing her on numerous occasions. It shows that he does care. If he didn't, he would cooperate with her with no further complaints on his part. He's purposefully being cold to her to show that yes, he is still upset about what happened, and he will use every opportunity to demonstrate exactly that. It's petty and kind of childish, in a way. But it makes sense for him, and it adds extra flavor to their relationship at this point in time.

Though, he does offer an opening to her in the boat.

'Have you changed, Ada? Or are you trying to use me again?'

It's a good parallel to his: 'Trust me?' In RE2R, and both phrases are used for a similar purpose.

He gives Ada an opening to trust him and be open with him. One that she doesn't take, again: 'What do you think?'

She gives him no answer. Just like she didn't in RE2R. I think, in a way, that kind of gives Leon an answer by itself. He trusts Ada and relies on her when push comes to shove, but he doesn't give her any more openings from then on. I'd say that's his 'I think we both know this is where we go our separate ways' moment.

With Ada, things are way more complicated, in a good way. Separate Ways gave us so much to work with, and that's amazing.

Throughout Separate Ways, we see Ada bouncing back-and-forth on what she wants to do. She's initially very cold and resolute in her job, helping Leon out more like a passing convenience than anything else. She does still help him, though. She's still dealing with the dichotomy of what she presents herself as, and what she actually acts as.

I really like her confrontation with Luis in particular. She's cutthroat and blunt. Almost chillingly so. And she only relents once Luis mentions her own infection. Him telling her of Leon's infection has little effect.

'And why does that matter to me?'

I think that's a question she's asking herself just as much as Luis here. Though, she's still in her cold, self-sufficient mercenary role here. To be honest, I find her relationship with Luis in particular much more interesting in RE4R, but since we're talking about her and Leon here, I'll just say that Luis is the catalyst to her change (so to speak, Ada doesn't really change as a character per se, I'll elaborate on that later). Not Leon.

She confronts Leon face-to-face, quickly being met with the truth that he is not as easy for her to push around now. And I do think she has zero bad intentions there. She was genuinely just playing around and teasing him. Only to figure out that that approach won't work at all. It's kinda cute, honestly. So, she gives him an opening of her own instead. She tells him to leave Ashley, to prioritize his own safety over hers. Because that's what she would have done in his place. Leon is quick to shut that down. Something that Ada probably expected, as she just huffs and gives a knowing 'Right.' to that.

That's the moment Ada knows Leon hasn't changed. Not really. He might be colder, more ruthless and dangerous, but he's still that same guy, wanting to protect others, no matter what. She knows she'll have no success in swaying him at that point. Hence why she tells him exactly that on the boat later.

The next pivotal scene, I'd say, is her watching Ashley wake up and learn of Luis' death. Ada mostly treats Ashley like a nuisance, something Leon has to protect. Because that's his job. But in that moment, she sees the genuine connection they share with each other. She sees that Leon cares. And not just because Ashley is an innocent person he has to save, but because it's Ashley.

Ada's arc throughout Separate Ways is not that connected to Leon, which is a good thing. Similarly to Leon concluding his story from RE2R by saving Ashley and proving to himself (first and foremost) that he can protect someone he cares about, and that his humanity is a strength, not a weakness, Ada learns to accept herself, too. She's visibly conflicted at the start of SW, but by the end of it, she knows what she has to do, and she made peace with that. Her hesitating before going against Wesker in the facility is one of the last moments of her hesitating with her intentions.

But, again, that scene is more about her and Luis. Luis is very important to Ada's character in SW, and I think that's neat.

While the scene itself is kinda awkward, her encountering Ashley during the final battle is another arguably important one. Her watching Leon and Ashley before that was about her witnessing Leon's care for her. Now she sees that Ashley fully reciprocates that care. They are on equal ground with each other.

And so, the final scene between them. I already said that Leon settled on his answer concerning Ada before that. But Ada makes one final opening to him. It's a selfish one. After all, what exactly would happen if Leon agreed to come with? Would they just leave Ashley to die and fly off into the sunset? On some level, I think Ada knows that what she's asking is unrealistic, especially for Leon. But I think it also speaks of her progression throughout Separate Ways. Ada learns to be more genuine with herself, even if it means being selfish or asking something that she knows will be rejected.

So, she shoots her shot one last time. Leon gives his answer. Ada is not surprised by it. But she is visibly upset by it. She knew it was coming, though.

So, they do exactly that. They go their separate ways. At least for now.

[pentition]

Gonna probably be in the minority here but I'm kind of frustrated that an entire tier was dedicated to a fan favorite. Don't get me wrong, I really like Logan. So I'm not criticizing his character in any way. The idea of him having a reason to show up is fun.

That said, if it's not a huge plot point and a tacked on thing, I wish they'd just use spare money or treat it like a DLC thing rather than dedicate a whole tier to it. If we get to Logan but we don't get to height sliders or something else, that's disappointing. Things more suited for the next game installment, that affect what goes into its development, I feel like is more important.

That isn't to say Logan wouldn't enhance a story. But if he's just visiting and is a side note for Evershine, why not just have it be a side thing and not take up a full tier? I'm using Logan as an example here but there are also other things on the tier list that has me feeling the same. As much as I love my Sandrock builder, I'm a little confused why narratively she'd show up. From what I've heard, at least.

This doesn't diminish my excitement any, of course. I've just haven't been able to click in my head why these are dedicated tiers vs dedicating those tier goals to Evershine-specific content. I know Logan is a fan favorite, I like him a lot too and the wild arc of 'if we thirst hard enough a romance will be born' was great. But I also know there are plenty of people indifferent, lukewarm or whatever else to him. So dedicating a huge tier like that instead of dedicating the funds to Evershine's other romance options or any of the other goals that affect it nore specifically is making me feel hrrm.

Not to be a buzzkill. I'm aware it probably sounds like I'm butthurt or something but it ain't that deep. I'm just opting to ponder on it here outloud because I don't want to ruin the hype over on the subs or in discord servers. :')

[mylovelylittleobsessions]

Stealth Attack

A Rings of Power One-shot

Featuring Adar and his kids. Pure fluff.

Enjoy!

Wrûg bared his teeth as he crept forward, soot-coated stick in hand. This was it; today was the day he’d finally be taken seriously as a hunter by the rest of the clans. They’d have to accept him, and let him go on the big game hunts after this! No other Uruk could do what he was planning; they were too scared.

Not that he hadn’t tried to convince them before. He’d made it clear that he would bring the best game, the tastiest meat anybody’d ever had, if only they’d let him come along. But every time it was the same: they’d agree condescendingly, or coo at him, or pinch his cheek, then send him off with a pat on the head and a piece of sweet root.

He didn’t deserve to be treated like this. He’d seen seven winters already; he was practically a grown-up! (Though, of course, he didn’t turn his nose up at the sweet root; he wasn’t stupid.)

Tonight, however, would change everything. His bared teeth became a grin as he snuck closer to his goal: Adar’s tent. He’d teach them all a lesson by leaving a mark on the ancient Uruk, and they’d all see how clever and crafty he was! Even Adar would be impressed, right after he scrubbed Wrûg’s mark off.

Wrûg slipped into the tent and almost huffed with disappointment. This was going to be too easy; Adar was asleep! There he was, the eldest of them, snoring away in his nest of blankets without a care in the world! He tiptoed over to the nest and peeked in, stick in hand.

Adar had his face tucked under his arm like a sleeping warg (and snoring like one too), so putting a mark on his face was going to be tricky. He’d wanted to draw face hair on him like the dwarves had, but now he’d have to think of something else. Maybe he’d put a frowny face, or a skull, or a —

Wrûg’s feet flew off the ground as he was suddenly scooped up in a grip like iron. He rolled head over feet into the nest, and found himself nose to nose with Adar himself, eyes glittering with mischief.

Ooh, Adar tricked him! He wasn’t sleeping at all! His snores were made of lies!

“Well, well,” he graveled, in that soft, deep voice that every Uruk associated with the safety of their eldest, “what’s this I’ve caught?”

Wrûg squirmed, but couldn’t wriggle out of the hold Adar had him in, perched on his lap.

Adar looked him over appraisingly, smirk growing. “Looks like a tasty little Uruk-child for my dinner! Let’s see if he’s any good…”

Hang on a minute! He knew where this was going!

“Adar, no!” He squealed. “No tickle!”

But it was too late. Adar had descended, pretending to gobble him up as he made fake-eating noises and gummed at Wrûg’s tummy. Wrûg shrieked with laughter, unable to escape.

Adar hummed. “Not quite. Perhaps some seasoning.” He mimed sprinkling something on Wrûg before gumming his exposed arm. “Much better.” He grinned and resumed his tickling onslaught.

“Adaaaaar!”

After a few minutes, Adar stopped, letting Wrûg catch his breath. “Now,” he rasped, voice filled with mirth, “what brings you creeping in here to me, little one?”

Wrûg stiffened a little, having snuggled up to Adar in the meantime. “Umm…”

Adar raised an eyebrow, then looked around and picked up Wrûg’s soot stick. “This, perhaps?”

Uh-oh, now he was in trouble. “I w-was…”

Adar tipped Wrûg’s chin up so they were looking eye to eye. “Were you going to play a prank on your Father, child?”

Wrûg nodded.

“Why?”

His lip wobbled. Nononono, he was not going to cry like a little baby in front of Adar! “I ju-just wanna be a hunt-ter…”

Adar’s gaze softened. “Oh, sweetling,” he cooed, rocking him a little, “you need not worry about such things yet. You have your whole life to be a hunter or a warrior or whatever you wish. For now, you would please me best by living your childhood without fear in our new home. Can you do that for an old Uruk?”

He nodded, then flung himself around Adar in a tight embrace. “Love you, Adar…”

“I love you too, little one.” Adar got to his feet, balancing Wrûg on his hip. “Now, no more sneaking in my tent!” He teased, booping Wrûg’s nose with the stick and leaving a soot spot on the tip. He carried Wrûg out and into the camp, where his mother was looking around for him.

“You could have been squished by a warg in there.” He sniffed the air and gave him a look. “Although you smell like you might have already. What did you do, child, roll around in a bog?”

Wrûg looked away shiftily. “No…”

“Are you lying to me?”

“No…” he lied.

Adar rolled his eyes with a huff and passed Wrûg over to his mother. “I believe this smelly creature belongs to you, daughter.” He teased, before looking him in the eye. “Be a good boy for your mother, Wrûg.”

“Yes, Adar!” He nodded with a bright smile. Adar called him by name! He was a grown-up!

Adar gave a small smile and murmured something in his mother’s ear about new soap. Wrûg contentedly rested his head on his mother’s shoulder as he was carried away to the other side of the camp. His mother patted his back while she chattered about the stew she was gonna fix for dinner—

Wait a minute.

What did Adar say?

Soap?

But that meant—

“NO!” He howled. “NO BATH!”

[eggyolkguzzler]

(this is more for mod than anything else- i love the way you characterize alex on here! it feels like we're at higher hearts with him, so to speak. he's friendlier and less arrogant than when you first meet him in game, but he's energetic, kind of silly, and just a little cringe (affectionate... but good lord the eagle emojis. (STILL JOKING ASJFKADJK)) anyway thank you for making this blog exist basically 👍)

AWGH.... thank you so much! That really means the world to me. I think I've explained this once or twice already, but my main goal for this blog was to bring Alex to life. I wanted to show people that he's more than just your flat generic Guy Who Is Into Sports love interest. He's passionate about food, and caring for his dog, and taking care of his grandparents, and even if he's a little vain at times he's still a good guy that cares about the people around him.

I mean, come on, in his 14 heart event he didn't JUST renovate the back room of the saloon so he could watch gridball. He has a TV at home. He renovated the back room of the saloon so that all the lonelier guys in town (Shane, Kent, George) would have a place to get together and bond over their shared interest!

He's just a big sweetheart who cares about people! Even if he doesn't know how to express it!

...

And yeah he'd be cringe as hell on the internet. No doubt in my mind.

Alex is the most criminally underrated bachelor, and I'm so so so glad that people like my blog. Thank you anon <3

[rey-jake-therapist]

SPOILERS EPISODE 7

I'm so, so, SO scared of what Sauron will make Celebrimbor endure to make him say where the Nine are. We know he will stop at nothing to get this information. And Celebrimbor will resist because he knows that Sauron is sure he's following the right path (deceiving himself, in his own words), and thus impossible to reason with. So he will resist, but somehow Sauron will realize that he didn't hide the rings somewhere but trusted someone with them. But how much torture will he inflict to Celebrimbor before he comes to this conclusion and chases the person who ran away with the rings? I dread to think of the pain this man will endure before Sauron understands he's beating the wrong bush 🙁

Will he be surprised to see Galadriel's the one who carries the rings? Does he even know she's here? I was surprised that there wasn't any indication about that in episode 7. I didn't expect him to do anything to free her from Adar (I predicted a while ago that she would be a bait for Elrond, not Sauron), but it was a tad disappointing to see no acknowledgement of her presence. Maybe it's meant to surprise him, after all.

And Mirdania.... She was really just a plot device, wasn't she? 😅Their last interaction was interesting, to say the least. Twice, we saw Sauron touch Mirdania; the first time it was pretty obvious that it was because she reminded him of Galadriel, I'm much less sure about the second time.... It was probably just manipulation. But during their last interaction, she touched his arm and he remained frozen, annoyed even by this unsolicited gesture. This shows alone how much in control of everything and everyone Sauron wants to be. He had no affection for this girl, so he didn't want her to touch him. He even pushed the cynism to the point of promising herr she would be "rewarded" for the good job she had done, knowing perfectly that he would soon get rid of her.

The way he sacrificed her really showed how dispensable Mirdania (and everybody else) was, to him. And let's not forget the timing!! Galadriel's nearby and will soon meet him for an epic fight. Does he know she's here, it's unsure but it screams "my ex is back in town, it was fun but girl you have to go 😂

Charlie Vickers said that to Sauron, people were just little bugs. I guess he holds a few people, such as Celebrimbor and Galadriel, to higher standards, because he can play these will power games he likes so much with them. They make the game interesting because they're strong minded and will fight back (even if it pisses him off when they do!). All the others are just insects he can crush without a second thought.

This dialogue about Morgoth was very enlightening, to understand how Sauron's mind work, and why he's the way he is now. I loved that the show didn't ask us to sympathize for him; as Celebrimbor pointed out, he chose to submit him (and "countless of others") to the same suffering he was himself subjected to. We saw first hand in season 1 how he could have decided to change his ways, the opportunity Galadriel gave him to take another path, but decided repeat the old patterns instead.

For the audience, it will be heartbreaking to see him slowly but surely sinking deeper into the darkness, because despite all his evil deeds, we can't help but liking him (well at least I can't! 😩), and we know the goal he pursues isn't bad in itself.... It's his methods, and his insistance in wanting to control absolutely everything and everyone that ruins any good intention he could have regarding Middle-Earth....