#i have opinions on this i guess

[the-elusive-soleil]

Thinking again about a Silmarillion TV series, and how I would set it up if I were High King of Hollywood and also copyright law (long post):

Let's say we have a three-season setup. Three Silmarils, three acts, and everyone making and watching it knows there's a predetermined endpoint. No spiraling out into infinity, no matter how popular it gets. And I'll roughly hazard ~8 episodes per season; that seems to be the average amount these days.

Will there be whooping great battle sequences? Probably. But as is my wont, I'm focusing more on the ~interpersonal drama~

Season 1 would start off like I've posted about before, with Finwe telling the Ainulindale as a story to kid!Feanor, as a segue to bringing up the remarriage, and then a post-opening-credits cut to Feanor as an adult. We're in the very early YT 1400s. In the first episode, we're laying a lot of groundwork for a Normal Day in Tirion. Various members of the House of Finwe are introduced, and we get a sense for the familial and political landscape. Everybody seems to believe that life is completely perfect--and then there's Feanor, who knows it's not.

And then the news comes that Melkor is being released on parole.

In the next couple of episodes, we see reactions to this, through dinner-table conversations and such in each of the three households. People are tense, but...for the most part, life goes on.

Except for Feanor, who gets an Idea and eventually unveils the Silmarils.

Through part of the third episode and escalating through the fourth, we start to see Melkor stirring the Noldor up. They're making weapons, and the political tensions are starting to get higher. The different sets of Finwean cousins are training with swords and such, and coming up with increasingly thin excuses to each other as to how they picked up those minor injuries.

Episode four ends with a bang, as Feanor's sword incident and banishment occur.

Episode five jumps five years ahead to the festival in Tirion that Feanor's supposed to go to. We get the "jail-crow of Mandos" scene in flashback as he leaves the Silmarils behind. Everything seems fine on the surface, but the background music keeps slowly increasing in tension, and everyone's happiness is just a little too frenetic--and then the Trees go out.

Next episode, we get the Oath, the Flight of the Noldor, the Kinslaying, Losgar. (We're keeping the version where Amrod lives btw.)

(Side note: I think it would be very cool if we got little flashes of foreshadowing that gradually escalate as time goes on. Give me shots of Maitimo's right hand that linger just a little too long. Give me Maglor or Curufin in an early episode, talking about upcoming wedding vows that bear a suspicious resemblance to what the Oath will be. Give me Finrod wrestling with a family dog; give me Turgon and Aredhel teasing each other about his love of cities and how she'd rather die than be kept from running wild. Give me Feanor by firelight, Feanor being gently reminded by Nerdanel that he doesn't have to rush ahead and tackle a dozen projects all at once, Feanor insisting over and over again that things need to be written down and portrayed and preserved because nothing is really, actually permanent...)

Episode seven cuts back and forth between the people struggling across the Helcaraxe and the Feanorians in Middle-earth. The Feanorians fight orcs and lose Feanor, and the Helcaraxe group has their own battles with ice monsters and also the sheer. horrible. cold. Maybe we can have Fingon and Turgon and Aredhel arguing about the Feanorions along the way. Maybe we can have the argument cut short by Elenwe falling through the ice. Maybe we can have that lead Turgon to reiterate that the Feanorions are Doomed and have doomed everyone else with them - and then cut to Maedhros about to ride out to parley with Morgoth.

The episode ends with the Nolofinweans mourning Elenwe, and Maedhros being dragged out to hang from a cliff.

Season finale starts with the Nolofinweans arriving. There is most definitely an emotional, sweepingly epic sequence of the Thangorodrim rescue, the stuff edits and gifsets are made of. And we end with Maedhros ceding the crown, and with Fingolfin's coronation.

Season 2 starts with the Mereth Aderthad, which gives us a chance to catch up, via dialogue, with how everybody's been settling in and what they're planning to do next. We also get the skinny on Thingol and Melian and Doriath. (Luthien should definitely be mentioned at least once.) (Celegorm should definitely be in the shot when she's mentioned, although 50/50 whether he visibly pays attention or reacts.)

We get Finrod and Turgon's dream sequences and them discovering the places where they're going to put their respective cities. Also Artanis meets this Guy...

Dagor Aglareb is probably an episode 2 thing. After it, and after any significant conflict this season (attack on Hithlum, Glaurung, etc.), there should be someone assuming out loud that they are now past the worst of things. Bonus points if there is fire in the background of the shot when the person says this.

We meet Dwarves. I think the optimal way to handle the Dwarves-and-Caranthir thing is to have them be very blunt and no-frills with each other, and leave it up to interpretation whether this is actually them getting along.

Finrod, of course, is so very (gestures demonstratively) Finrod at his Dwarves, and also at the Men when they show up.

(checks timeline) Maeglin is born in YS 320, and he and Aredhel flee to Gondolin in YS 400, and Andreth is born in YS 361. I think it could be interesting to start out an episode with Aredhel being snared and having Maeglin, and interspersing creepy Nan Elmoth stuff with Aegnor/Andreth and Athrabeth stuff. Towards the end, Finrod has a conversation to the effect that it's not just that Aegnor and Andreth's romance was doomed, it's that they're all doomed here (possibly referencing the Amarie situation) and there is no way to have a good love story under such circumstances. And then, of course, we have Aredhel and Maeglin running to Gondolin (and Maeglin meeting Idril) and the deaths of Aredhel and Eol.

I have less of a specific outline for this season, because I want a lot of it to be filled up with...just Long Peace stuff. I want to see the Noldor having their Beleriand Renaissance. I want to see hunting trips that give us beautiful sweeping shots of the landscape, and glittering social events laced with politics, and little moments of relationships between different characters.

Basically, I want this season to make it very clear just how much stands to be lost here.

And then, of course, the season finale is the Dagor Bragollach, culminating in Fingolfin's last stand against Morgoth.

Season 3 opens with the utter chaos that is the aftermath of the Bragollach. We also get to meet Hurin and Huor and see their visit to Gondolin, which contrasts so sharply with the state of things literally everywhere else.

The first episode also introduces us to this random human guy named Beren, out there in the wilderness. And it ends with him stumbling on something in Doriath...

Second episode is just ~*Beren and Luthien*~. It has a very cultivated fairytale feel, right down to the lighting and the music. The world we just saw last episode is so very harsh, but not here, not now. There is never any doubt that there will be a happy ending. And there is! The episode ends with their wedding.

(...and distant wolf howling but don't pay attention to that)

Third episode has the wolf hunt. Beren dies. Luthien goes after him. They both come back. They don't really explain themselves to anyone, and I'm leaving the details mysterious. Luthien singing to Mandos should probably be treated like the Ainulindale in that we don't attempt to make humans portray it. What we do see are the beginnings of fallout: as Luthien and Beren come back to life, Maedhros is wrangling with his brothers. As Tol Galen is settled, as Dior is born, Fingon and Maedhros start to plan the Union, and it's hovering in the background that they need to do this because with the Oath, the only other option is going after the Doriath silmaril, and they're not doing that.

Episode four is the Nirnaeth, and it. is. devastating. If you read the book (and maybe even if you didn't), you know this isn't going to work. But the characters really believe it will! And the music and cinematography are fully conspiring to make you believe it too! There might even be some leitmotifs from the Thangorodrim rescue during the battle to suggest maybe it will turn out this time... And then it doesn't. It was never going to. It was always going to end with trampled blue and silver banners and broken bodies and the sons of Feanor scattered in the wilderness and Hurin chained in a chair to watch his family suffer.

Episode five should be 50% Children of Hurin, and 50% Tuor's story, cutting back and forth for maximum contrast. We go directly from Turin and Nienor's deaths to Tuor and Idril's wedding.

Episode six is all Fall of Doriath, starting off with Hurin showing up with the Silmaril, escalating through Thingol's paranoia and death, and ending with the Second Kinslaying. Bonus points if there is a very subtle Girdle of Melian leitmotif that has been in the background for all Doriath scenes so far, and abruptly cuts off when Thingol dies and Melian leaves. And we end with baby!Elwing being taken through the woods with the survivors, clutching the Silmaril.

Next episode is the fall of Gondolin. I would really like for there to be a specific leitmotif throughout the show for people (Maedhros, Fingolfin, Hurin, etc.) defying Morgoth, and for it to initially emerge for Maeglin...only to break down. And throughout the episode, Eol's theme keeps getting stronger and stronger, until it fully emerges when Maeglin falls.

We end with tiny!Earendil arriving in Sirion and seeing Elwing, and the Silmaril, for the first time.

This season is going to have to be nine episodes long, because what's left might take up one Silm chapter, but I have too many things I want to do with it. Specifically:

Episode eight opens in the middle of the Third Kinslaying. I don't want it to be dramatic like the other two. I want it to be frightening in its banality. I want it to be very, very disturbing how habituated the Feanorians are to this now.

When Elrond and Elros first appear...something shifts. It's not really like the world-apart, fairytale vibes of the Beren and Luthien episode, but there is something Different about these kids. They're who this whole violent, convoluted story was meant to produce. They're going to build a better world someday.

We spend most of the episode going back and forth between Maglor and Maedhros doing their best to raise these children in a world that is falling apart at the seams, and Earendil and Elwing in a Valinor that is almost unsettlingly pristine after the past couple of seasons that we've spent in an increasingly entropic Beleriand. I want M&M and the twins to camp out in ruins of a place that was built "only" a century ago, and Elwing to wander through a building that she assumes is brand new and expensive, but is actually very average and older than the Silmarils.

At the end, the Valar authorize an army, and we see Gil-Estel rise, and the War of Wrath begins.

Most of the final episode is epic War of Wrath stuff, definitely including the slaying of Ancalagon, definitely also undercut by comedy relief bits of people trying to guess who Gil-galad's parents could be. (It's never revealed.)

In the last third or so, Maedhros and Maglor steal the Silmarils.

When Maedhros takes his out and looks at it, he sees himself as he was back in Valinor, perfect and whole and unbearably innocent. We have this whole golden-lit mini-flashback sequence of him and Maglor just messing around at home, teasing each other. Their brothers are in the background. They are almost unrecognizable.

Maglor glances in a mirror and it shifts back to him in present-day, face twisted in pain and screaming at the Silmaril's burn. Maedhros startles, notices that he's burning, too. He doesn't scream, although he's clearly in pain. He just reaches over, gently brushes the Silmaril out of Maglor's hand and onto the ground, kisses his brother's forehead, and then stands and with a great deal of outward calm, walks over the edge of the nearby lava chasm.

Maglor weeps and can't stop, but he has to when footsteps start approaching. He flees to the shore, and flings the Silmaril in, and stares for a very long moment at the water like he might dive in, too. But then he just turns away with an unreadable expression and vanishes into the fog.

The last moments of the show are spent with Gil-galad and Celebrimbor and Elrond and Elros and Galadriel, talking out what they're going to do now. The world didn't end, but their world sort of did. What do you do with that? What can they possibly build from the ruins around them?

They have to try, is the one thing they all agree on. If they give up, what was even the point of everything in the last 600-odd years? And in any case, they can't possibly do any worse than the mess they and their predecessors just lived through.

Right?

[kenapiece-main]

Can you believe I'm having to make this meme even after successfully finishing up taxes and applying to job

[deep-space-netwerk]

So Venus is my favorite planet in the solar system - everything about it is just so weird.

It has this extraordinarily dense atmosphere that by all accounts shouldn't exist - Venus is close enough to the sun (and therefore hot enough) that the atmosphere should have literally evaporated away, just like Mercury's. We think Earth manages to keep its atmosphere by virtue of our magnetic field, but Venus doesn't even have that going for it. While Venus is probably volcanically active, it definitely doesn't have an internal magnetic dynamo, so whatever form of volcanism it has going on is very different from ours. And, it spins backwards! For some reason!!

But, for as many mysteries as Venus has, the United States really hasn't spent much time investigating it. The Soviet Union, on the other hand, sent no less than 16 probes to Venus between 1961 and 1984 as part of the Venera program - most of them looked like this!

The Soviet Union had a very different approach to space than the United States. NASA missions are typically extremely risk averse, and the spacecraft we launch are generally very expensive one-offs that have only one chance to succeed or fail.

It's lead to some really amazing science, but to put it into perspective, the Mars Opportunity rover only had to survive on Mars for 90 days for the mission to be declared a complete success. That thing lasted 15 years. I love the Opportunity rover as much as any self-respecting NASA engineer, but how much extra time and money did we spend that we didn't technically "need" to for it to last 60x longer than required?

Anyway, all to say, the Soviet Union took a more incremental approach, where failures were far less devastating. The Venera 9 through 14 probes were designed to land on the surface of Venus, and survive long enough to take a picture with two cameras - not an easy task, but a fairly straightforward goal compared to NASA standards. They had…mixed results.

Venera 9 managed to take a picture with one camera, but the other one's lens cap didn't deploy.

Venera 10 also managed to take a picture with one camera, but again the other lens cap didn't deploy.

Venera 11 took no pictures - neither lens cap deployed this time.

Venera 12 also took no pictures - because again, neither lens cap deployed.

Lotta problems with lens caps.

For Venera 13 and 14, in addition to the cameras they sent a device to sample the Venusian "soil". Upon landing, the arm was supposed to swing down and analyze the surface it touched - it was a simple mechanism that couldn't be re-deployed or adjusted after the first go.

This time, both lens caps FINALLY ejected perfectly, and we were treated to these marvelous, eerie pictures of the Venus landscape:

However, when the Venera 14 soil sampler arm deployed, instead of sampling the Venus surface, it managed to swing down and land perfectly on….an ejected lens cap.

[hwathwugu]

A classic western tale

[lazylittledragon]

ok someone please correct me if i'm wrong but am i weird for thinking those 'audiobooks don't count as reading' posts are ableist as fuck????

[arsenicflame]

Bonus round! Do you use a queue tag?

[pandadrake]

Hroo hrah

I think its funny that the Scarecrow keeps showing up in Batman villain team-ups because I honestly think he causes more problems than he solves for everyone involved.

Couldn't figure out which versions of these characters to use so I just mashed stuff together.

[steakcreature]

My main problem with minecraft trailer:

I mean seriously, who tf thought this would be a good idea??

[notherpuppet]

What is your opinion of AI? Personally, I think that like any technology, it depends on the user and their intentions, but that is just me.

What about you?

1. Theft

The most central issues with AI as it is now is that the programs were trained/are trained with STOLEN art. Stolen visual art, music, writing, etc.

The vast majority of what it has been fed is stolen. As in, the artists behind the work were not ever given the chance to consent nor be compensated for their works being used to feed the machine.

This reason alone is straight up copyright infringement and the optimist in me does believe the long arm of the law is gonna shut these programs down for that. But the long arm of the law is looooooong, and the technology is disrupting people’s livelihoods now. Unlike robots or machinery that was invented and built to expedite assembly line/factory work, this technology is only functional by using other people’s labor. If we didn’t live in a society where you have to “earn” your right to live in it, then this would still be wrong, but it probably wouldn’t be such an existential problem.

There are active class action lawsuits for infringement of copyright. And the private sector has begun filing suits and I’m quite certain they’ll win because again—it’s simply theft. These companies did not make licensing contracts, they’re not paying royalties to the artists they stole from.

So if you consider using ai that generates “art” (whether it is visual, music, writing, etc.) please consider stopping immediately, as you would actively be benefiting from theft (which is wrong imo!!!!)

2. AI in its present form dishonors the human spirit

In my personal relationship with AI technology, I do not use it to generate ideas or ‘art’. I detest the notion to use technology in that way tbh. AI is a form of technology, so it’s difficult to break it down into every specific use it actually has. But here’s an attempt; no to generative AI, okay to certain AI.

There are kinds of AI programming in the programs I use (such as features that help you color in a shape quickly or make a perfect circle). This is useful tech (that requires zero IP theft) and I like it because it helps me by taking care of tedious tasks so that I have more time to spend in the creative and drawing processes. But I still choose the colors, I still draw the images, I still write the stories.

I think the way AI is used right now with a focus on “creative thinking” (where it’s not actually creating anything it’s just churning out other people’s *stolen* ideas and practice) is a total waste. AI being used as an assistant to help humans find information easily can be/has been swell. And requires no theft :D

But for whatever reason (greed, capitalism are my guesses), tech companies are leaning into a direction to replace creativity with AI?? I imagine the people behind this view the practice of art as tedious work because it is challenging??

But the beauty of art and the practice of it is that it allows humans to experience and overcome challenges with little to no stakes.

When society determines that is not a valuable use of human time, then I think we’ll all be significantly more miserable. If we allow a machine to be “creative” and leave us to only experience challenges with stakes—like survival (rent, putting food on the table).

So here are some examples of how I feel about AI uses;

AI to translate languages, find resources, discern malicious malware/spam from harmless messages > 👍🏽

AI to generate ideas/art for you > 🤢 Why??????? Why would you want that…that’s the most exceptional part of the human experience and you relinquish it to a bot trained on stolen ideas? 😭

[ninicaise]

what's so refreshing about will as a character is that he doesn't throw a denial tantrum about it at any point like most characters with Darkness Within Them do. he's not a moral paragon, his angst and secretkeeping don't get annoying at any point. and i think it's because there's no contrast between who will Really Is, which is Good and True, and the dark king as his shadow or his dark self.

will is the dark king. he behaves like the dark king. he lies and he manipulates and he's a "sneak" and he's scaringly charming and he's possessive over james and a ton of other messed up shit and he tells himself it's for a good reason, and maybe it is!! and will is clearly you know. a Good Person. while his methods are sneaky, he does not actually do anything wrong. but those are his methods still, and they are cool moments and badass and also kind of eerie.

with the way he's written, i would argue will doesn't have or even need a corruption arc, he's just like that from the get-go and he's not gonna change. and i don't mean he was born evil or whatever other bullshit i mean that he was born a full person, including the dark king and will both, and there's complexity, but no clear line separates them.

[hermitwithoutapermit]

if we can’t have a rendoc wedding bc APPARENTLY they’re married already then we can use the courthouse to renew their vows

[uselessnbee]

something i can't stop thinking about is the fact that Percy Jackson started as a comfort story for Rick's son to show him that his adhd and dyslexia doesn't have to be just a bad thing and the fandom then took Percy and Leo and made them into these stupid idiots that don't even know basic math or "big" words and wouldn't be able to even tie their shoelaces without someone else's (someone smarter's) help

don't yall see how fucked up that is? a big part of this fandom has adhd and/or dyslexia and/or other learning disabilities/neurodivergence and find comfort in those characters. they are called lazy and stupid all the time and then yall decided to take characters with those disabilities and ignore their inteligence and made them into something they are not just because their adhd is more "visible" (read more stereotypical looking) (even tho that's not true either because the fandom made them into chaotic gremlins but in reality Percy is more just sarcastic and snarky and even that is more just his internal monologue for his own amusment and to cope and Leo just uses humor as a coping mechanism to hide his depression and other issues but that's a discussion for another time)

Percy is canonically very smart and strategic. no he isn't very good at school. it's what happens when you're neurodivergent and have learning disabilities. that doesn't mean he's stupid. no he doesn't know everything about greek mythology and that doesn't make him stupid either. but when Annabeth tells him the myth he is very good at coming up with strategies and how to win a fight. he's not smart as Annabeth because Annabeth is literally a daughter of the goddess of wisdom so stop fucking comparing them. are you also going to call Annabeth weak and incapable because she can't control water? no you won't because that's fucking stupid. and Leo. fucking Leo. is literally canonically a mathematic genius and also genius when it comes building stuff. they're both smart. they're not fucking stupid. they know and understand words that are longer than 5 letters. no they do not struggle with basic knowledge. they're not fucking stupid.

and miss me with the "it's just a joke" bullshit

jokes are supposed to be funny

and it's not just a joke for many of you because the number of fanfics where they are written in exactly this way is too fucking high. it's actually surprising to find a fanfic where they are written right

in conclusion: the way this fandom portrays Percy and Leo is reinforcing the harmful misconception that people with adhd and/or other learning disabilities are stupid and i hate it with a burning passion

call me sensitive all you want i'll gladly accept it i will rather be called sensitive for hating that those characters are being treated this way than follow the fandoms harmful idea about them

thank you for coming to my ted talk <3

[grimme-and-specs]

You know I had to do it to 'em too

Bonus:

EDIT, 2024-4-5:

If this gets to 213 notes before 4-13 I will personally redraw this earlier than planned.

[mourn-and-watch]

one thing that is fascinating to me about merrill's arc is the way narrative manages to convince a big part of the fandom that she's immature and irresponsible and overall stupid. what we know about merrill and what we actually see on screen is that she successfully avoids possession for 6 years while working closely with a demon, almost every time she participates in some magic/spirit-related discourse she acts calm and confident and has some interesting input, she actively uses her knowledge of dalish lore and tradition to reason with her keeper, and that she actually did make progress with fixing and studying an ancient long forgotten artifact no one knows particularly anything about. but then an old woman who's never been shown to be an undeniably wise and reasonable figure, a guy who got willingly possessed with no awareness of possible consequences and whose whole mindset is still deeply andrastian and a bunch of people who know nothing about magic start judging and doubting her and everyone's like. yeah. she's so fucking dumb.

[lavenderspence]

here's a controversial opinion from my long ass list because I haven't yapped about anything today

Emily and Penelope were better friends to Spencer than JJ was

There, I said it😬