#i just don't care as much for those where the other person has a massive blind spot for him or can't help but relate to him

[laufire]

["daddy killed my horsie blah blah"]

the lack of empathy here ñasdkfja. like sure she enjoys the ego-boost and the attention and all of that is exhilarating (while also putting her on edge and terrifying her) but. seeing him as an individual with inner life and feelings unrelated to her? here Klaus isn't even a person to her LMAO. and I for one LOVE THAT for her.

[undreaming-fanfiction]

I am massively busy with work and finalizing my Big Bang, but this idea just won't leave...

Steve and Eddie are both actors. They're in their mid thirties, well established, but they never starred together in anything. Steve tends to be cast in the same type, the dumb but pretty love interest, Eddie has lots of indie and disturbing movies under his belt. But this time, they both landed something big.

They get cast in the new Batman movie.

Steve is, of course, Batman. He insists on doing his own stunts. He refuses to get dehydrated for his shirtless scenes because he knows how damaging it is to both young men and women alike, he's not going to contribute to shitty expectations. The director (Dustin, duh!) sees something in him other directors never have - a potential for depth, for internal turmoil. He gives Steve the chance to prove himself as an actor and Steve pounces on it.

He's still very hot.

Eddie is cast as the Joker. He is a fan of the comics and scoffs at how absurd and deranged the character is becoming. He gets hired because he immediately says he doesn't think the character needs to rely on cheap tricks and shock value to be terrifying. Cutting off his face? Not cool. He suggests to play the Joker according to one of the older comics he has - one where the Joker is actually absolutely sane, but hides it to never be held accountable for his actions. The only person who ever saw through his ruse was Dr. Harleen Quinzel. Joker took care of that issue very quickly.

The chemistry between Steve and Eddie on screen is insane. They go toe to toe, it's impossible to look away when they interact. Eddie utilizes his bright smile to the maximum, tweaking it just right within moments so it becomes unsettling. The first time he laughs, Steve gets goosebumps.

Steve encompasses Bruce's loneliness so well Eddie's heart breaks for him. Dustin finds him in the trailer, giving himself gentle slaps over the face and muttering "you're evil, damn it, you don't want to comfort the Bat!!".

Batgirl (Robin) and Harley Quinn (Chrissy) find their slow descent into love hilarious. They all become good friends on the set.

Hopper, an acting veteran who plays Commissioner Gordon, grasps Steve's shoulder after an intense fight scene and mutters: "Good job, Steve, but maybe don't stare at his lips so much?"

Robin doesn't give him the same courtesy and once Dustin yells "Cut!", she screeches: "NOW KISS!"

The movie is a hit. People love the cast and the story, some of the OG fans complain as they always do, but the ratings are great, there are many interviews, panels, all of that.

And of course, there's gossip about Steve and Eddie being a thing, which enrages the macho Batman fanbase. Their Batman isn't gay!

But the rumors quickly disappear after an award ceremony where Eddie is nominated for the best supporting actor. He wins, of course. And as he gets up to accept the small statue and deliver a speech with enough "fuck"s to give the censor a headache, he drags Steve up and kisses him in front of the whole world.

A week later, Steve and Eddie are together in front of a camera again, answering questions in an interview.

The host asks: "What do you say to those fans that are disappointed, who say that their Batman isn't gay?"

Steve just snorts, pulls Eddie closer and answers: "They're right. Their Batman isn't gay. But he's definitely bi."

Also the comic story I'm mentioning exits and is short but fantastic. 10/10 recommend.

Oh also. The first spark happens when Steve sees Eddie's hair and blurts out: "Please tell me they're not making you cut it shorter. It's too gorgeous for that."

Also because people were asking about the comics - it's Batman Black and White - Case Study and it can be found on Tumblr HERE

[graveyardcuddles]

Some rambling personal thoughts on Astarion's endings since I can't sleep.

I find myself really loving Astarion's spawn endings and ALL of their variations even more the more I think about them (the exception ofc being the cursed af endings where you don't help him AT ALL and he either gets turned into a zombie or is still being hunted by cazador even after the game, but I'm obviously not talking about those).

I think I, like many others who grew very attached to his character, were left feeling very torn over his initial spawn ending before the added epilogue. Because Astarion being free from cazador and learning to truly relish in that freedom AND use it towards more positive ends is the entire point of his spawn endings. But we don't really get the chance to see that fully paid off in the narrative. One could argue that we do see the very beginnings of it with the graveyard scene and the morning after scene and how he makes several comments about never being a slave again after he kills cazador. But then we get a rather painful reminder of the fact that he's still been forced to give up something he's come to love and cherish so much over the course of your journey. And then we just kinda end on that note.

I definitely didn't regret keeping Astarion a spawn, even after that. But I will admit there was a part of me that still really wanted to see more for him. And that's why I really do adore the epilogue. I know people have their issues with it and say it's unrealistic for Astarion to be so "healed" after only 6 months but I disagree with this take because we're literally only seeing a glimpse of him on one really good, happy night, it's not necessarily a reflection of how he usually is. He could very well still be having days where he struggles, and he almost certainly does. But comparing his previous 200 years to his possible (good) spawn endings, it's not really surprising that he's thriving. Same with the "counterweight" comment. He's not saying the 6 months you've been together completely negates and erases the 200 years of torture. He's saying his freedom and your love have been such a HUGE contrast to what he's had to live through for so long that they feel like a counterweight to the horrors.

I think about how far he has to come for him to actually get to those endings. His bounty hunter/adventurer ending? Amazing! He's relishing in violence and living his best rouge life. Leading the spawn in the Underdark? Speaks so much to his character development that he actually cares enough about them to even attempt such a massive undertaking. Lots of potential for healing of course but also: Holy shit the potential for unhinged shenanigans as well. Going to the hells with Karlach? Incredible! He's not just getting to enjoy tearing up cambions all day he's devoted to Karlach and helping her it's literally so beautiful.

Something else I really adore about his spawn ending vs. his ascended ending is that he burns down cazador's palace in his spawn ending. Burns it to the ground and destroys it for good. Whereas ascended Astarion literally moves into the palace and like...sure you can headcanon that maybe he eventually has a new, even grander palace built. But the mental image of Astarion wandering those halls is just so fucking sad to think about. He could go anywhere and do anything but he's still physically occupying the space that hosted so many horrors and tortures for him. And it to me that just screams that he's still there mentally.

I'll always defend people who like the ascended ending because I understand the appeal of it. As a dark romance enjoyer, I very much understand the appeal of the dark consort ending. And I don't even think this is the "worst" ending for Astarion because there's at least still potential for him (as opposed to the endings where he dies or is still being hunted, which ARE the worst endings for him). But it does feel like a step backward for him. And I think the people who go "Well this is just NATURAL character progression for him he's selfish af of course he would want this" Think too little of him or at least underestimate his capacity to care for others.

Because he very obviously DOES care. And allowing him to get to a place where he can foster that sense of compassion for others is truly so beautiful and so profound to see. I'm someone who is easily moved by fiction already but Astarion's story really touches my heart just because of how rewarding it is to see how far he comes in those endings.

[weirdly-specific-but-ok]

healthy disagreement tip by crowley

[Hello, it's the good omens mascot here, for legal purposes can I please state here that I do love Aziraphale as a character it's simply that this post is about Crowley so no one eat me, okay? It's been a week since I finished GO, I'm not stable enough for discourse]

I noticed that Crowley doesn't ever insult Aziraphale as a person. (Have I missed anything?) Even when they're fighting, Crowley is careful to disagree with decisions that Aziraphale is making, views that Aziraphale may have, but he never implies that Aziraphale is in any way lacking as a person.

The only instance when he ever seems to insult Aziraphale is when the angel refuses to come with him to Alpha Centauri after Crowley drives up to him and apologises. He asks how Aziraphale can be so stupid.

But he says it in such a way that it's very clear he isn't calling Aziraphale stupid, or that he even remotely thinks that about him. He's calling Aziraphale's decision stupid. And he makes sure there's no misunderstanding about this.

In the middle of this disagreement, before he says anything about stupidity, he first tells Aziraphale he's clever. With the endearment added. And he's being entirely sincere about it.

You're so clever, angel.

But he doesn't stop there. He says it again.

How can someone as clever as you--

and only then does he talk about the decision

--be so stupid?

And to me that's just. That's such healthy behaviour? Obviously both of these idiots are constantly shit at communication, but Crowley is very, very clear about this. His 'insults' to Aziraphale are always thinly veiled compliments about how he's all good and has the moral high ground, and during their fights, Crowley still never puts Aziraphale down.

The world is about to end, the timer is ticking, Crowley is scared and frustrated and they've had a massive fight where Aziraphale insisted that they're not friends and there was no our side, and Crowley is stretched to his limit with stress.

I'm sure a lot of us would say things we didn't mean in those circumstances. Even in casual situations, we say things like don't be stupid or why are you being an idiot, and that's mostly okay, if everyone knows that it's not meant seriously.

Aziraphale does that, he says things like you're the bad guys and we're not friends, banking on the knowledge that Crowley will not be hurt and will understand why.

But Crowley, even under that high stress situation, a fight with everything at stake, doesn't call Aziraphale stupid, even though no one would have thought twice about it. It's a manner of speaking, Aziraphale would know what he meant, etc. He still doesn't do it.

He takes the time to remind Aziraphale twice that he is clever, so clever, and then begs him to realise that the decision is stupid. He's so careful, so respectful, even in the literal apocalypse.

During the final fifteen, too. He never implies that Aziraphale is of the same material as Heaven, or even that he would make a bad leader. Even before he says that he, Crowley, doesn't need Heaven, he first says You don't need them.

It's just something that would make a lot of inevitable fights in any kind of relationship so much healthier. To know that even though you are fighting, you are loved. Even though the other person disagrees with you, they respect and admire you as a person.

Not judging the person, as Heaven loves to do, but judging the decision or the view.

[yuri-is-online]

Happy Holidays! I’ve been on a bit of an angst fix lately, so if you don’t mind, I’m going to brainrot in your inbox about it.

I’ve been thinking about a scenario where Yuu just finally snaps. I mean, an entire school year of being trapped in a foreign world with no certain hope of seeing your family again, being forced to contend with (at least) 7 life-or-death scenarios, the massive egos these teenage boys have, and probably at least a little bullying from the NRC students for being magicless. I mean come on, I love our boys and all, but a lot of them are kind of awful people. There’s no way a regular person’s mental health survives that.

And maybe Yuu, tired of it all, packs up what little they have and leaves. Surely their prospects couldn’t get any worse than at NRC. Maybe Yuu tries their luck at RSA in finding someone to help them go home. Maybe Yuu just wanders until they find somewhere where they can be something. Would they even leave a letter behind explaining what happened to them, or would they just assume no one would care anyway?

I just want some more Yuu angst lol

Do you have any thoughts on this?

Happy Holidays to you too annon! Everyone is welcome to brainrot in my inbox, especially about Yuu. And I do have some ｢(ｰﾍー;) but I might be a bit nicer to the NRC boys than they deserve.

notes: they/them used for Yuu, more fleshed out fic can be found on my masterlist here. SPOILERS FOR UNRELEASED CH 7 CONTENT. CW for abandonment issues, ptsd, bullying, and just general ignorance on the part of the OB boys. Heavy on the angst, this is a mega oof tm of a post.

I want to start off by saying that, in my personal opinion based off of the in game voicelines and vignettes, that the various NRC boys do like Yuu and enjoy having them around. They think of them as the same of any other freshmen student at NRC, which is sort of the problem.

The average NRC freshmen has magic, a dormitory with a housewarden responsible for "guiding" them, and a family they can fall back on if things get rough. The average student has a basic understanding of the history of the world they live in, of it's pop culture, it's food, it's clothes, and a bunch of other things that they might not think about because of how ingrained it is in their very being. Yuu has none of those things. They don't even have a cannon club which I think is more meant to allow players to have head cannons, but since we are talking angst I have wondered if since Yuu and Grim are one student, any club Yuu wanted to join would have to take Grim as well and no one wanted to deal with that. So Grim started his own "club" and Yuu just takes pictures of birthday celebrations and events they aren't able to fully participate in for the school at Crowley's request.

Ace's first reaction to Yuu is to bully them for not having magic. Deuce admits to having done the same thing as when he was a child, and is very embarrassed by it. We don't really see Yuu getting outright bullied outside of this, but given how the faceless students reacted to Deuce being excited for Starsending, yeah I think Yuu has had to deal with some bullying. And while I do think Adeuce (and the rest of Heartslabyul really) would stick up for them, it wouldn't make it stop. If anything it just gets sneakier and Yuu, not wanting to cause any problems, does their best to cover it up. Something about keeping a stiff upper lip or a smile better suiting a hero and all that.

The overblots is a whole separate issue. We get two real apologies, one from Riddle and one from Vil, who again do not take Yuu being magicless in to much thought. They think of Yuu highly! They are a housewarden of their own little dorm! And they take such good care of Grim and the others, not to mention all those overblots you survived! Not many mages can claim that but you can! What could you possibly have to be stressed about?

As if that isn't the entire problem. As if anyone understands where Yuu is coming from. As if they even would care if they did.

They might be just as capable as any other freshmen, but when school ends, hell even when it goes on a break, they have no where to go. They were stripped from their friends, family, and especially their belongings, including money and autonomy! I have some thoughts about my own Yuu wanting to be nurse in her world, but given how much of even basic medical care seems to rely on magic in Twisted Wonderland I wonder if that would even be a career path any magicless person could take. We know a lot of them work at Styx because they don't risk blot accumulation, but even cooking is done with magic (if it can be) in Twisted Wonderland! How would you feel if you had your heart set on being a doctor, worked really hard to get good grades and took up a part time job to save for college/university only to be transported to a different world with different laws of physics completely against your will. A world where all that hard work is meaningless and you might not be able to accomplish those dreams of yours. And! AND AND! If you get upset about it, that will be seen as a weakness on your part and no one will care.

Because hey, they had to work for what they have. Why can't you? They didn't ask to be born with magic (even though they would have probably) so there is no use crying about things you can't change. Ruggie and Jamil do seem to feel a bit of sympathy to Yuu's plight, but neither of them think twice about exploiting Yuu for their own gain. Sure it might be unfair, but life is in general! It's not their fault, they aren't to blame. And that's really how all of NRC sees it, they aren't to blame for Yuu's circumstances, so they aren't owed any special treatment.

How Yuu snaps and what they do because of it would really come down to how you hc your Yuu to be. My own personal thoughts come back to personal autonomy a lot; I don't think Yuu has much of it and that would grate on me constantly. I could see Yuu hearing their friends talk about their plans for the future, and though Ace and especially Deuce try to include them in the conversation they can't add much. Ace applauds them, says "we need to take things easy! We're still freshmen..." and drones on about how he just wants to enjoy school life. And maybe Yuu does too, but they have no concrete answer about whether or not they can get home. They don't have the support system that their classmates do, so there really isn't anything waiting for them after the school year ends. Yuu feels so helpless, and they don't have the words to explain how they feel, because how could they?

If Malleus's overblot ends without any real repercussions (which I doubt it will but hey, I am like 65/35 on whether or not he apologizes to Yuu specifically for almost killing them I will be so pissed if he doesn't) I could see everyone else making fun of Malleus for loosing while Yuu just. Stares off into the distance, trying really hard not to cry in front of people they are convinced will make fun of them. This has all been scary, things like this just aren't possible in their world and they aren't mentally prepared to face death again.

And they are convinced they will. You can say overblots are rare all you like, but Yuu has practically seen one once a month ever since they arrived in this world. It is normal to them, and who should they trust? The lying headmaster or their lying eyes and ears?

If Yuu decides to run away, I think that the Ramshackle ghosts might try to stop them. Sure the headmaster sucks, but your ghost buddies really love you! And want to support you in anyway they can, so does Grim! He wants to be together for the next 100 years, and while he does really want to stay at NRC so he can be the world's greatest mage... I think he might love Yuu more. Just a tiny bit. He would play it off as him being too good for the school, or that he and Yuu are only one student after all so he will be expelled... but really he wants to come with because he will be worried about Yuu.

While going to RSA does sound nice on paper, Yuu doesn't really have a reason to go there. They aren't exactly on first name basis with any of the students we've met so far, and there is always the risk of Che'nya snitching to Riddle and Trey. Better to try and find a place where they can be something and maybe send letters to all the magical academies they can get contact information for to see if they can help. And also, to see if they will accept Grim as a full student, got to make sure he isn't sacrificing his dream for nothing!

The ghosts, realizing they can't convince Yuu not to leave decide to help. They already sell things at the markets downtown, so maybe they chat with some of their clients and convince them to let Yuu rent a room for a while. You have the option in Portfest to mention you have been to Craneport before, and I like the thought of Yuu having a part time job there. Maybe the ghosts explain that Yuu has no real family to go back to and Yuu's part time employer agrees to give them a full time job while Yuu figures out where they want to go.

Another thing related to personal autonomy, Yuu wouldn't have government documents if they just got isekaid out of the blue. I could see that being a huge issue for traveling to different countries and trying to establish a life. I also wonder if Crowley even did anything about that... but assuming he did since he (allegedly) talked to the school board about what to do with Yuu I think the ghosts would get them for Yuu on the condition they still come visit sometimes.

As for the note, I think Yuu would leave one simply because they feel like they didn't have the words to explain themselves out loud. And because they don't want to face the fight they know will come where everyone tells them to just suck it up and get on with it. These are teenage boys they are dealing with, their brains just can't fully comprehend the situation Yuu is in and they have given up expecting them to.

Just so we're clear, I think this would devastate Ace and Deuce, maybe to the point of destroying their friendship, at least for a while. Ace does think about Yuu not having magic, he wants to protect them. He says so when you level him to max, that protecting you will be easy, but clearly it wasn't. Clearly he failed you, and what does Ace do when he feels bad? He takes it out on everyone else and in this case especially Deuce. Deuce just feels stupid, which he already does a lot, but he really saw you as being around for the rest of his life. And now you aren't, and not for a happy reason like you got to go home. You aren't there because they failed you.

The others are a bit of a mixed bag I could do a separate post about but to hit the other big one...

I have no real idea how Malleus would react. I can see him thinking this means Yuu is afraid of him now, which I don't think he would react well to, but assuming this is post ob then he might be willing to take responsibility for it. It would certainly make him think, but how that thought would manifest? Outside of the obvious weather changes I do not know. I could see him being slightly resentful to his mother for cursing him to be hated by humans and loved only by fae when he so desperately wanted to be loved by one specific human. They were his first real friend, and he didn't treasure them in a way they found meaningful.

idk Yuu dropping off the grid isn't something I can see Crowley letting happen, but I can see why Yuu would want to try.

[why-animals-do-the-thing]

hi there! love your work! i recently had a prof say that all zoos (USA) are bad (so we shouldn't support them) and sanctuaries are better because using animals for entertainment is morally wrong, most zoo profits dont go to conservation, and conservation efforts are bandaid solutions to capitalism destroying animal habitats, so the real solution is to return the land to indigenous stewards to manage/rewild. i didn't disagree with the last bit, but the argument as a whole felt a little off to me for a reason i couldnt put my finger on. am i off base here? just feeling really unsure about the whole thing.

You're not wrong! There's a mix of reality and personal opinions in those statements, and it's definitely something worth critically examining. A quick fact-check of what they said for you:

All US zoos are bad

There's a massive range of quality of zoological facilities within the US (and around the world). Some are stellar and some are not, and it's really just not accurate to lump them all under the same umbrella for almost any purpose. Unless, of course, your issue isn't with animal welfare, and it's philosophical, which is what it sound like in #2...

2. Using animals for entertainment is morally wrong.

This is one of my favorite things to talk about w/r/t how we exhibit animals. Entertainment has become equated with exploitation and implicit low welfare in the last couple decades, and so you get a lot of people saying using animals for entertainment is wrong. But those same folk will say that they enjoy seeing animals in other contexts, and they think that's okay. Where's the line between enjoying something and being entertained by it? What makes something one and not the other? Also, we know that people learn better from from situations which are enjoyable/entertaining - even just a fun teacher who jokes around vs a dry lecture - so how can that only be a problem when it's used to make viewing animals more impactful? I wrote a whole piece on this a while back (linked here) if you want to dig into this more. Some zoos (and accrediting groups) are shying away from "entertainment" type branding - shows are demos now, for instance - and others are leaning into "edutainment" that's done with good welfare and communicates actual education messaging. In short, this is a personal philosophical belief, and you're right to question if you agree. (Even if you decide you do think that too! It's always good to question why someone is arguing what they believe about animal use, and how they came to believe it).

3. Sanctuaries are better than zoos.

There's two reasons I think he's misinformed here. First, almost all exotic animal sanctuaries in the US are licensed exhibitors - just like zoos! I only know of a couple that don't exhibit to the public at all. It's an important part of their revenue stream, because gate take helps support paying for animal care. Also anything you see from a sanctuary on Youtube, Facebook, or TikTok? Also exhibition! They just message about it differently, and often have a different ethos about how they exhibit (e.g. tours to reduce stress instead of letting people wander, doing conservation or rescue messaging instead of just display). Second... look, most people assume that the word "sanctuary" means a facility is intrinsically more ethical than a zoo, and therefore they must be a good place. In reality, many sanctuaries get much less public and regulatory scrutiny (at the state level) than most zoos. There are good sanctuaries out there, but there are also sanctuaries where stuff goes on that would absolutely be unacceptable at zoos, and it slides because of the assumption that sanctuaries are inherently more moral and ethical and care for their animals better.

4. Most zoo profits don't go to conservation

This is correct! Direct conservation funding is often a small part of the money a zoo makes. However, that's because money goes to things like facility maintenance, new construction, paying salaries, etc. If zoos put all the money they made back into conservation programs, practically, they wouldn't have the funding to continue to operate. The question that I'd suggest asking instead is "where are they putting money into conservation" and "are they doing conservation work or just throwing money at something to display the logo of the program." Also, it's worth keeping in mind that a lot of what zoos do to support conservation isn't necessarily financial. Many facilities contribute "in-kind", by doing things like sending staff to assist with programs or teach specific skills, or by donating things like vehicles and equipment. Research zoos do also seriously contributes to in-situ programs, and breeding programs for re-introduction like the scimitar-horned oryx and the black-footed ferret are also conservation. Could many of the big urban facilities with huge budgets do more? Yes. But looking just at dollars spent on conservation programs is disingenuous and inaccurate.

5. Conservation efforts are band-aid solutions to capitalism destroying habitats / Returning the land to indigenous peoples to manage/rewild is the real solution to conservation issues

This is a little outside my scope so I'm going to only address the part that I know. First off, like, there's no One True Answer to conservation issues. That's reductionist and inaccurate. Conservation really is a human issue, though, and it often has to involve solving human problems that lead to negative results for animals. There's definitely an issue with what some people call "parachute conservation" where Westerners swoop in and try to tell people living in range countries how to best manage their animals and natural resources without recognizing their perspectives, needs, or what drives their behavior towards those animals. That's not just a zoo issue - that's an issue with a ton of traditional Western conservation work. And there is progress towards fixing it! In the zoo world, I've been very impressed with the work out of The Living Desert, where their conservation people spend a lot of time overseas teaching people in range countries to evaluate and improve their own conservation programs, so they can assess efficacy and also have data to apply for grants, etc. They provide support when asked, rather than trying to tell people who live with these animals regularly what to do. One of my favorite programs that TLD collaborates with (they don't try to run it!) is a group called the Black Mambas that reduces poaching by supporting entire communities to reduce the desperation for food/income, educating kids about animals, and running all-female patrols staffed by community members.

Overall, it sounds like your professor's view of zoos is really informed by their personal moral perspective, and possibly reinforced by a lot of the misinformation / misleading messaging that exists about the industry and about conservation work. They do have some specifics right, but not necessarily the context to inform why things are like that. It was a good catch to question the mix of information and approach it critically.

[beegalactica]

HOT GIRLS ARE CONSCIOUS.

I haven't been on Tumblr in about 3 months (life has been busy), and when I finally decided to check back in today, I kept seeing the same thing over and over again, so I am here to dispel some myths.

If you have seen any of my posts, you will know the issues I have with traditional TikTok-y trendy 'glow-up' advice, but today I realised how much of it is just a ploy to get us to spend tons of money on things we CAN live without. I think we all need to be more CONSCIOUS: conscious of what we can realistically afford and implement into our daily lives.

For example, in a typical 'glow-up' advice post, tiktok or youtube video, they recommend these super unrealistic routines that include a full skincare routine of every type of cream you could ever imagine, and an incredibly detailed list that lays out how you need to spend every 10 minutes of your day in order to achieve this perfect form.

It's all hear-say.

Don't get roped into thinking that you need those brand new clothes, or you need those skincare items to be your best self. The idea of turning your 'glow-up' into a sustainable part of your life is to do things you can manage to do over and over again. The secret to glowing up permanently is having a routine that keeps you happy and healthy. Instead of buying a full shelf of skincare all in one go, get 1 or 2 items with positive reviews to start. You don't need to throw out your whole wardrobe and sell your soul to TEMU just to look aesthetic; use what you have. Rather than making short term impulsive purchases, treat every part of your life as an investment.

Especially when it comes to clothing, being someone who has lost weight and no longer fits into all their old clothes, instead of throwing everything out and starting from scratch, I bought a little amazon sewing kit with a couple of needles and different types of thread and started cutting and sewing my way to a better wardrobe. (Even TODAY, I turned an old pair of jeans that I never wear into a cute miniskirt all from a 5 minute YouTube tutorial.) If sewing isn't your thing, you can try using some hemming tape and an iron, fabric glue, or whatever you can. Be conscious of the things you buy and how often you buy them.

I know lots of people like thrifting, and you can thrift online with apps like Vinted, which I personally use and love, if you don't have access to massive thrift stores like they do in America (I'm totally not jealous at all 🙄🙄; I live in the UK and the closest things I have near me are charity shops but there's a sort of stigma around shopping in them but honestly who cares what others think).

When you shop for clothes, look for timeless and versatile pieces you can mix and match, layer and style with lots of different things, allowing you to wear them well. Try to find good staple pieces, that will make the basis of your wardrobe. Be an outfit repeater. Do not blindly follow trends; take the time to curate and explore to find your style. Make a massive Pinterest board of everything you think looks good, and start to make a list of common items of clothing and accessories you save the most; these will be your staples. Don't feel like you have to stick strictly to one aesthetic; my wardrobe ranges from 'fairycore' maxi skirts to y2k denim skirts, but what matters is that I am mindful of whether I will use the things I want to buy.

Of course, feel free to treat yourself, you 100% deserve it, but don't get sucked into the idea that your self worth is determined but WHAT you have; instead it should be how you FEEL in what you have.

I like to see my blog as a little notebook of things I wish I could have told my younger self, and things I want to remind my future self, and I feel like it would be a disservice to not talk about the oversaturation of our feeds with infinite products, to the point where everything feels like an AD.

Moral of the story: don't just take everything you see online at face value. Don't get trapped in extensive consumerism; it's bad for your bank account, it's bad for the environment and it's bad for your mental health.

Also here's my Pinterest if you want to have a peek around <3 Pinterest

[nthspecialll]

Reverend vs Sister

I will always prefer Reverend's goodbye scene more than Sister Calderon's (both high honor). Sister's scene definitely has some emotional and sad parts, such as Arthur admitting his fright, making it good in its own way, but Reverends feels more personal because he actually understands.

Sister does not know Arthur, she doesn't know about his life, she doesn't know about his situation, she knows that he is a crook because he admits it but she only sees the good sides, she doesn't know the extent of what he has done so she gets a screwed impression on him. She tells him "you are a good man Arthur Morgan" but he isn't, that is a glorified image of him that has always itched me the wrong way because those last few months of helping does not right the decades of bad he has done.

Also the Sister does not know everything that is going on, she thinks he is just sick and wants to redeem himself for what he has done before he dies. She doesn't know about Dutch and the internal conflict that Arthur has with himself and his loyalty which is why her advice "why don't you help someone," doesn't really work.

If Arthur had just been sick and not had everything in camp going on, the advice to help would have been good, but it does not help with everything which is what is taking a massive part of his his struggles.

A lot of the time when they are talking, it doesn't feel like she is really listening to him and replying to him as the person he is but rather like any other. Now what I mean by that is a lot of what she says can be said to a lot of people, examples: "we have all lived bad lives," "you are a good man," "why don't you help someone," it doesn't fit with him really, it fits more with a local farmer who feels he is sinning for doubting the existence of god, it doesn't sound like an outlaw with hundreds of bodies on his consciousness.

It is by no means her fault not knowing everything going on as he didnt tell her but it still changes the impact.

Reverend on the other hand, he knows Arthur, he has known Arthur for years, most likely a decade or more, he has seen Arthur for everything he is in every state of his life, he has seen a father, he has seen a crook, a caretaker, a murderer, a robber, a savior.

He has seen it all and every side, and he has seen Arthur grow, especially in those last months, he is right when he says "you are not a good man, but you are not all bad either," because that is the truth and Reverend doesn't try to sugar coat it. He knows Arthur is not a good man, he has ruined lives, he has taken lives, he had robbed people blind and broken families, but he is better than some others who does the same, he cares for the gang, he goes out his way to help and does what he can, he sees Arthur.

Reverend also knows everything, he knows Arthur is sick, he has seen everything going on in camp, he knows how bad it is, he knows how conflicted Arthur is between supporting Dutch and seeing that Dutch is crazy. It hits so much harder when Reverend says "but you do see, you just can't admit it to yourself," because that is what Arthur is feeling, Arthur does know Dutch is gone but he doesn't want to see it.

Reverend's advice "you will do what is right, I know it, save who you can and let the rest rot," is also good advice. He knows Arthur would save them all if he could, but he can't, this is not a situation where everyone can be saved, so instead of giving false hope he gives advice Arthur can actually follow and gain something from.

Reverend also understands what Arthur is going through, he might never have been a murderer, but he has been down a path Sister hasn't. He has lost his faith, he has gambled, drunken and been high on who knows what, he understands the self-hatred Arthur has for doing all these bad things, but he pulled through and he is now seeing Arthur go through the same thing. He understands the wish for redemption but also how hard it is.

His talk with Arthur is personal, it applies to his situation and not the farmer down the road doubting god.

Now Arthur is not as emotional with Reverend because he does have a reputation to keep, but I am sure he gained more from it.

[moodymisty]

Hi love your fics. Would you be willing to do an angron x reader. He gets so little content

Part 2

Author's Note: You are my light, anon. Thank you for giving me the platform to go fucking apeshit about my favorite Traitor Primarch. Even if he's not a traitor (yet uwu) in this. It's not my best work, but I've been sitting on this idea for awhile now and decided to just write it before I lost it to time.

Summary: Angron takes interest in a poor young soul who's presence can soothe the nails, much to your own terror.

Relationships: Angron/Fem!Reader

Warnings: Uhhh it's fucking Angron?, It's pretty early so he's not as consumed by anger as he is later in the Crusade, Angron looks at another Primarch's serf and goes yoink I want that, He doesn't kidnap you yet but he wants to lmao, General 40kness so war death blood mentions etc etc (for those curious, this is vaguely based after canon, where it's said that the thought of Sanguinius could soothe Angron's Butcher's Nails)

Word Count: 2002

You have ten more minutes. You know once these men finish their set of training drills, you'll have to be back in the librarium. Your desk and it's piles of documents hails you like some sort of terrible beckoning call.

This has been your system for awhile now, as the frigid air blows through your clothing. The Astartes in training are entertaining during your rare moments of peace, as you lean against the railing to watch.

To think so few people will ever live to see an Astartes, and you watch them train so often. A luxury to be taken advantage of, you suppose.

You lean against the railing with more weight, your arms crossed over the ornate topping. They're so far away you can't quite tell what chapter they belong to, but you can see bits of white and red on the few men that are wearing pieces of their armor.

You wonder if they even know you're here, and if they did, if they'd even care. You're not of their chapter that much is for certain, as they lack the blue gold coloring and the stalwart regime that is signature of the Ultramarines. These warriors fight like it's a free for all, unlike the rigid one on one training the Astartes of Macragge are accustomed to.

You swear you feel the ground almost shake for a moment, but you just end up assuming that it's from the training down below. Or perhaps something elsewhere out of view. You pay it no mind, and continue enjoying your few minutes of respite.

Then there's a feeling in the pit of your stomach that makes your lips purse, looking up at the sky. You can just barely see the legions of ships moored close enough to the planet. There's always so many, even more so when a chapter returns to Terra for brief periods of time.

You hear footsteps coming from behind you; Heavy and armored. More than likely an Astartes, if you had to take a guess. It's better for your own well being if you just make yourself small and don't catch their eye, hoping they don't even notice you.

The footfall continues closer, and closer, until it sounds like they're mere centimeters from you. They must be passing by, until they suddenly stop. There's a shadow overtaking your form from behind, And when you see it's outline, you freeze.

The shadow is massive. It swallows you up and the ornate edges of the armor cue you into the fact that this isn't just anyone. Unless they are of a high enough ranking to sport such unique armor. But you're gut says that this shadow is far too large to belong to an Astartes, and every other sense in your body agrees.

It has to be a Primarch. You can see the absolutely massive shadow, the booming footsteps from earlier, and the feeling. The feeling alone makes you know well this isn't a random Astartes who's becoming oddly interested in you.

The sons of the Emperor are known to have what can only be described as an aura around them, which seems to affect anyone in there vicinity. How they react to it depends on the person, but for most, it's usually fear hidden underneath a mask of stalwart servitude.

Thickly swallowing, you glance as far to the side as you can to see if you can figure out which one it is.

You can see, gold. brushed, but faded gold armor. Beaten and worn though still containing a particular luster about it. Higher up your eyes travel, and you see a faded outline of something around the kneeplate. It looks like, spikes, or a crude representation of teeth. Up a little farther, and you see something dangling from his hip; Cleaned bleached skulls and-

Oh god. Oh god.

You feel your heart slamming against your chest. It's going to break out, you just know it and you can't do anything to stop it.

It's not as if coming face to face with any Primarch is something to be taken lightly. But this isn't The Angel or The Raven. This isn't even your own Primarch Guilliman, who you've only seen a few times in your life.

This is Primarch Angron.

You can't run from him. He'd kill you within an instant if not for the sheer disrespect of it, but for triggering something in him that makes him think you're prey. You only hope that you can hold strong enough that he doesn't hear your heartbeat, or how your trying not to shake in your boots.

Slowly you turn your head more, eyes trailing up his legplate, then his chestplate, before finally reaching his face.

The metal cords coming from his head fall over his armored shoulders almost like chunks of hair, though distinctly old and worn. The metal is rugged; Beaten and warped. Underneath some of them you can see deep red tattoos, some of which trail onto his face. They're warped and shifted by his numerous scars, scattered across his face from forehead to neck. They're all old, long healed and forever telling a story that only he knows.

His eyes bear down on you, the deep red unreadable. He isn't reacting to you at all, but that angered expression is permanently spread across his face. The deep furrow in his brow, the look in his eyes. He's like a pot constantly on the edge of boiling over and scalding everything close.

He has to be toying with you. Like a Fenrisian wolf tossing it's broken, beaten prey up in the air like a game before finally taking the final bite. Is there any other reason why someone who dances along the line between man and god would look your way? Is he just waiting to see how long until you react?

But as quickly as he arrived, he leaves. Turns on one massive armored boot and begins walking down the gilded hallway.

You only have the will to turn your head and watch him move away when he's taken more than a dozen steps away, seeing the battered gold of his armor. His thick furred cape just barely brushes the ground- the frayed edge ripped from endless wear and tear flowing behind him . You let out a breath you didn't know you were holding and look back down towards the training Astartes. You peel your hands away from the railing you didn't realize you'd been holding with a death grip, palms slick with sweat.

You hoped desperately that it would be the only time you'd see the Primarch of the World Eaters. To survive once you'd already consider a miracle.

But it wasn't. Maybe the gods that are whispered about in various tomes have something planned for you. Maybe it's some sort of sick joke.

You see him once more not long later, and the exact same interaction occurs. You don't say a word, he doesn't either, and you assume you either pass some sort of trial only he knows or he just grows bored of you, and leaves.

The third time however, you dare to speak.

"Lord Primarch, do you, require something of me?"

Your voice is so soft he barely hears it, over the sound of clashing weaponry and fists on flesh. You look up at him but hesitate to look him in the eyes, but his own look traps you none the less.

You're a librarian or historitor of some sort in allegiance to the Ultramarines. He recognizes the blue and gold symboling embroidered onto your clothing from the various Astartes that traipse around with it plastered all over their armor, and their fancy, hand woven capes.

Gawdy and pointless. You'd topple over your own robes if you tried to run.

But you aren't running, aren't you?

Other serfs he passes by crumple like paper and plastic flimsies, but you're holding strong; A steel box that might be crumpling and walls concaving but still held together.

Angron looks to his left and over the railing out onto the vast open area. Khârn is out there, training Neophytes and newly blooded World Eaters. The warrior has no need for the diplomacy that you're more than likely used to from the Ultramarines, as Gorechild smashes into a thick plating of ceramite with one heavy swing. It sends the Neophyte to the ground in a split second. He looks back towards you, and notices that while your eyes glanced for a moment to follow his own, they now look back at him.

"You enjoying watching them fight." It's what he's found you doing every time he's passed you.

But it takes you a moment until you look up and see that he's staring at you, and that he wants an answer from you.

"Yes. I do."

You see his hand reach out, massive- Your eyes blink closed for just a moment in preparation for whatever he was about to inflict on you.

But instead, he grabs your jaw.

It still hurts, squishing your skin upward and forcing you to look up at him from an awkward angle, but it's far better than dying. You notice the way he stares at you.

He stares back, watching as your wide eyes dart around his face looking for answers.

Then he feels it.

He feels the stabbing, shrieking, aching pain of his nails dull ever so slightly as he watches. Glances over your soft skin. Meets your eyes. So the first time hadn't just been a trick of the light.

Your hands are frozen hovering at waist height, trying to figure out what you should do. Should you put them down, hold completely frozen until he finds or doesn't find whatever he's looking for in you? Or should you reach up and dare to touch the tarnished golden armor that has such a hold of you?

"Lord Primarch?" You mutter, hoping for an answer he doesn't seem keen on giving.

If anyone has passed by this scene they've not so much as uttered a word. None of them would, you'd have to be insane to interrupt a Primarch doings. You wonder for a moment if this scene would look comical from another's point of view.

One of your hands reaches up, shaking as you place it on the armor of his forearm. It's almost hilariously tiny- but much to your surprise the armor feels less cold that you would've thought. You place it there in the rough area of his wrist and try gently hold on and support yourself.

You're still petrified; Angron can see that emotion no matter how deep it's layered beneath other emotions on someone's face. When young men were thrown at him to die in those sandy pits, and he'd see the fear hidden underneath their anger. But as it fades and you become more confused by him than frightened, he feels yet another soothing wave go over his Butcher's Nails.

It's nowhere near enough- they still rip through his brain demanding him to kill to main to scream and bellow, but to edge that away just slightly is to give him relief he hasn't felt since before they dug this hideous tech deep into the recesses of his skull.

He doesn't know what it is about you that's doing it, but he knows he wants it. He wants you.

"Your name. What is it."

You stutter for a moment before speaking. The name is foreign; But given you more than likely hail from one of the many planets under Guilliman's rule, it makes sense.

His fingers shift over your face, and your jaw aches. He notices your hand on his arm and when he lets go, you use that same hand to rub your face.

He'll have to be careful. You're more breakable than him. But if you can dull the pain that sears through his head at every aching moment, then perhaps he'll have enough room in his head to spare the thought to be.

[soulfulazrael]

I think the Vs being in the same season as Heaven was such a massive error. Seriously they barely showed up and the stakes got fucked because honeslty what threat do the Vs actually pose? Charlie herself could probably bitch slap them and even if she didn't want to, she could cry to her daddy and have Lucifer to do it and then shred Angel's contract in a paper shredder. They already sent Heaven packing, the Vs themselves don't pose a threat and would need some other op villain to prop them up(Probably Eve or Roo or whatever).

Like all Vox did was get pissy at Alastor and for some reason has a crush on him? Like this just feels like fan service for shippers? Like can we just have people be rivals? And Velvette sang. Val is the only who did anything and even then, it doesn't really go anywhere because they shove this heaven stuff in at the same time.

Yeah. I think this is the example of how little patience Viv had when it comes to Hazbin Hotel. Yes. She had no clue if she was gonna get Season 2, but she should have adapted and instead of shoving everything into one season she should have tried to make season 1 feel like a cohesive and well done story that has a beginning, middle and end. Treat it like a one season series like Over The Garden Wall where while she cannot put all of her ideas into it she can put in some of them and give them time necessary for them to be developed into something great.

To me they should have cut MOST of the plot lines and put in maybe only Angel Redemption where you can focus on it. Let this one idea be focused on and be well developed. Let it be the overarching goal of the season. Redeeming your first sinner and make it feel impactful so even if you do not have a season 2 you still have one cohesive story with beginning, middle and end that can end on an impactful and hopeful note as you explore what it means to redeem someone and feel the weight of redemption when it finally happens. You can explore in depth the most important element of the story, the thing that this story is build upon and what the titular Hotel is all about. Redemption. Through that you can delve into Angel's character, show his flaws and issues that he has to overcome, sins he committed in life he has to atone for and get over and people that he hurt through them. Delve into this idea and explore it as much as you can and when redemption happens you know how much it takes to redeem someone and what it means. And then if you DO get Season 2 you can show this happen a lot faster with more sinners and that would lead to sense of progression around which you can write more drama. Maybe with Charlie who may be getting more and more conflicted as she sees people she grows to care about go away.

Also this allows you to take more time with character interactions. Make them more varied. Maybe through trying to get this one person redeemed you can have everyone contribute in their own way where you can either learn more about them, Angel or both and around that can be made unique interactions between ALL of the characters and it lets you explore more of the hotel which helps you care about it. And it also can lead you to introduce more characters, but those would be all centered around this story and one goal, making it make sense and be cohesive when they show up. It would immensely help with character interactions which are LAUGHABLY sparse as characters barely interact with one another besides the ship pairs like Vaggie and Charlie or Husk and Angel where neither of those even have much of a chemistry at all and require the audience to already be invested in those. Which makes the entire cast feel very shallow. Not to mention that we barely spend any time at the hotel and we see barely any location inside it besides the main hall so when it finally is broken we feel nothing as we barely got to know that location. And it's fixed in ONE song. That's not how you do it. Think about it. All of those emotional beats. First redeemed sinner. Death of Pentious. Death of Dazzle. Destruction of the Hotel. Appearance of Heaven. All of it feels WEAK as none of those ideas were given proper time and so they are barely noticeable. And that was the ONLY chance Viv had at doing those. And she wasted them on this rushed season.

And let me tell you. If I had a choice between putting all of my ideas into one story and almost all of them being underdeveloped and bad in execution or putting fewer ones and letting them be developed into something great then I choose the latter. People may not see all of my ideas, but those they will, they will remember and looked back at fondly. Something I DO NOT think will happen with this.

My idea for seasons of this series would be like this:

Season 1 - redeeming first Sinner who is Angel Dust and main villain is Val. Exploration of Angel and many other characters through trying to get him to achieve redemption where each character gets explored as they try to help out in their own way and either you learn more about Angel or a member of the cast. Ends on Angel ascending and Val beaten and killed by other Vees who in this version may be abused by him and they end up being antagonists of next season.

Season 2 - Other 2 Vees become antagonists as Charlie is now redeeming far more sinners, but she starts to grow weary as she realizes she will be alone eventually which Alastor also exploits to corrupt her. Ends on maybe Velvette being killed as Vox himself may find a way to also attain more power and Charlie becomes more corrupted and destroys a lot of her work while Alastor regrets his actions.

Season 3 - Dealing with Vox and fixing Charlie. Heaven is now being more hinted at and Lucifer himself is now far more involved (who is not as positive character as in the show). Eventually leads to Heaven getting closer as Hotel stops working during this time and population increases again.

Season 4- Heaven and Hell in conflict as everyone tries to fix their mistakes. Maybe ends with both Heaven and Hell now rejecting the main crew as maybe at the end Hazbin Hotel becomes actual Purgatory where sinners can be judged when they die. Abandoned by both Hell and Heaven Charlie and those who remain can forge their own paradise and their own purpose beyond Mandates of Heaven and Cruelty of Hell.

Just an idea

[captain-lovelace]

I think the thing that really makes it so frustrating that people insist that you can write good horror without liking or reading or watching horror is that it comes from a refusal to acknowledge that horror as a genre requires skill specific to it. It's this assumption that because they've felt fear they understand it, and can therefore inflict it on their audience using whatever skills they already have. There's just one issue: not a single person on this planet has never been afraid, so it's a really easy emotion to get wrong in fiction. It's extremely easy for a portrayal of fear to come off as, for example, cheesy, or unintentionally funny, or disingenuous, or for it to just be too personal to be scary to other people. Studying how fear is written and portrayed, both effectively and ineffectively, makes you better at doing those things yourself. In order to write better horror, you have to treat horror as a genre worthy of attention and study. And I, personally, would argue that means that you have to interact with it.

One of the biggest and most important pieces of advice that I got as a writer was to read. It's hard to be a good author who doesn't read, and it's even harder to be a good genre author who doesn't interact at all with the genre that you're writing in, because you have massive gaps in your knowledge that you're not even aware of. You might not even be able to properly critique your work! You have nothing to draw from, nothing to be inspired from except things that were not made for the purpose of inciting fear-- you're fitting a square peg in a round hole and hoping it works.

The people who say no, you can write horror without having read horror, are the same people who would never say the same thing about whatever genre they like the most. On some level they're aware of how much it sucks to have someone with no experience in a genre come in with 100% conviction that they are actually the genre's savior, before coming up with something stale, bland, and full of half-baked inspirations from whatever bits and pieces of genre media they picked up through cultural osmosis, all of which they're convinced are so original because they have no idea they're drawing on any sort of larger tradition. But, because it's horror, this for some reason does not cross their minds.

The argument seems to be that you don't have to read horror to write horror. You don't have to like horror to write horror. You don't have to care about horror to write horror. It's a genre that requires zero effort, zero knowledge, zero skill you can't get elsewhere. It has no value-- but you, the person who doesn't know anything about it, you can give it value.

They don't seem to realize just how insulting that is to hear.

(Final note: queer horror and horror by POC both have rich histories, as does horror that isn't USAmerican or Western European in origin. It's a genre that is popular almost worldwide and has a lot of really excellent offerings from everywhere. Also, in addition to horror movies and novels I really recommend checking out horror short stories/anthologies, which can really show where the genre shines. Don't shy away from older horror, as well! Some of my favorite horror stories are from the 19th century.

If you love the idea of horror but have never really found anything that clicked, I guarantee that there is something out there that you will probably like, and if you want to write horror seeing the sheer breadth of what's out there will help you write better horror-- if at least to show you what you would like to see more of, or what might be missing.)

[mxmeiyun]

(Kristina comes on around the 3:42 mark.)

Do you see the edits? "I do see the edits. I don't see all of them, but I've seen quite a few. Sometimes I watch these things and I'm like, I was there. I did the scene. I did the scene ten times. Why am I crying?"

When asked about the Mother Superion and Jillian ship: "God knows that, well. Both of them need somebody to love and to love them... Like Mommy, I mean mother, I mean."

"The saddest part is we don't know when we'll see each other again." 😭

Is Beatrice a tea or coffee person? "Tea. I feel she'll know how to prepare every single type of tea and she'll she'll be very anal about how to do that. And she'd probably yell at Ava for doing her tea wrong or whatever."

Is Beatrice really royalty? "No, I don't believe so."

On following ice hockey: "Yeah, the only thing you need to know is don't whack people with the stick no matter how much you want to."

On Beatrice's name: "Sally's gonna haunt me forever. I'll hear it in my dreams, softly whispering in my ear. Sally. Sally. I'll wake up in cold sweats, screaming."

About who's the big spoon: "I think they spoon interchangeably. Take that as you will."

Obviously you're aware of how much of an impact the character Beatrice has had on so many people. But how has she personally impacted you, and what have you taken away from her that you would like to bring to your own life? "Decorum." "I think there's a there's a sense of confidence, even if you are not. Confident in all of yourself, you can still be confident in the parts that you are secure in, and you know your skills. If you're not ready to be completely open and live your truth in full honesty, then it doesn't mean that you still can't have integrity and confidence and stand up for yourself. And integrity of character and belief in my skills that Beatrice has cultivated already, and that I definitely, when I started playing her, I was like, I am an imposter. I'm gonna get fired from the show immediately." "But like you get that feeling when you go to work or whatever. You go to school. You're like, I do not know any of the things that I know and then you slowly start to realize that you do know, and then you're like, OK, I can hold on to that and make that my my backbone for now until I'm ready to face all the other things that I know to be true about myself, but I'm not ready to project into the world or or represent in the in openly in the world."

If you could spend a day with any of the characters, who would it be and why? "I think I'd have a pretty good time with Ava."

Do you think you're more like Ava or Beatrice? "It just kind of depends on the situation. I feel like if you just talk to me and we're like really good friends for a long time, I might come off more like Ava. But I feel like if I'm not really that close to you, I might come off more as a Beatrice."

How are you taking care of yourself in light of today's news? "Well, first of all, thank you. I'm doing fine. I am in therapy. Therapy great, guys." "It certainly feels like a massive hit to the community, and to us, as well. It's important to take those feelings that are coming up now and try to cultivate them into how you can- I'm just speaking for myself, I can't speak for anybody else- but for me it's about how can I turn these feelings into something useful for me going forward rather than languishing in it for too long. Obviously, your feelings are valid and should be felt to their fullest extent, but don't let them consume you, because then that's not doing anyone service." "Someone taught me a method in acting school, my improv teacher, and he said, 'Whenever something bad happens in your life, pretend you're going into this helicopter. The further up you go in that helicopter, the smaller the problem is, the more you can see around you and the more you can see how that problem does or does not affect everything else around your helicopter. And put into context of how you can affect change positively once you come back to the ground, once you're in the midst of it rather than staying too close to the to the issue at hand and and not actually realizing all the other things that are going on." "I think that's that thinking has helped me a lot whenever something kind of goes wrong or things are not going the way I want them to. But take time for self-care. That's like the most important. If you feel like things are overwhelming then it's always important to look at the things to reprioritize um and always prioritize yourself. Spend your own health and your own wellbeing." "Because anything in life, even if it seems like a little thing like this show got cancelled and now you're upset, you know it might seem to some people like a little thing, but their opinion is not a priority. Your wellbeing is a priority, so always keep that in mind." "And HYDRATE."

Responding to a comment about Beatrice really resonating with a lot of fans and praise of her performance, time, and energy: "Thank you... Beatrice launched my career so she's one that i'm definitely going to hold to heart for many many years to come."

Reflecting on her increased visibility: "You know, at this point, it's not a burden. At this point, I can do this with you guys and it's completely fine. It's the same thing with anything; when something new starts happening, you learn to deal with it and where your boundaries are. I've been so lucky that you guys are all so respectful, and I really, really appreciate that from all of you. It's definitely not the norm for every fandom, so it's incredibly special what you have made this to be. So I commend all of you and I'm so grateful."

Were you shocked by the broad reach of the show, or was it something you anticipated? "Definitely. I was surprised when the first season came out, it was so globally successful. I mean, that just goes to show that some subject matter is felt all around the world. And a beauty of Warrior Nun is that there are so many characters everywhere around the world you can definitely find one that you can root for."

Responding to one fan whose wife has recently passed, and with whom she watched the show with love: "Oh my God, you're gonna make me cry. First of all, so sorry for your loss. I can't even imagine how that must be, and I applaud your courage. Thank you. I'm glad this show can be a good memory for you guys and continuing forward. That there's something you can always remember with a warm heart."

Responding to love from Brazil: "I fear if I ever go to Brazil."

"Fear not the bowl of rice, 'tis but a bowl of rice."

Responding to one of the APOP producers wanting to make sure none of their tweets made her uncomfortable: "I'm, like, fully aware of what I've gotten myself into." Do you see all those, Christina? Like, I know there's a joke that you have a burner account, but. "No, I don't. This is my only account."

"I feel like if the pope joins this conversation, he'll no longer be able to call himself His Holiness." Did you see the Warrior Nun stan that recommended the show to the Pope? "No?! Nice... Yeah, somebody just has to tell him to skip that episode, you know?"

*Records an alarm sound for a fan named Janina with increasing intensity*

Wait, Kristina, can you say gay rights? "Wait, what about it?" Just the phrase. "Gay rights." *awkward cheers* "Really lukewarm cheers from the crowd."

Kristina, to Ange Hall: "Well, actually, and I have a question for you. Tell me again, what was the progression of the dickwaffle conversation?" "I feel like Netflix being harassed by penis waffles- someone needs to draw the art of." "Make it rain dickwaffles. No, I mean, obviously, do it respectfully. But like, respectfully make it rain dickwaffles. For legal reasons this is completely a joke. But also, you can't really get mad at dickwaffles. Like, come on."

[banzaitaka]

Hi there! Can I request some headcanons for the Obey me brothers where their boyfriend is a fallen angel (He fell before they did)? Their bf has a similar personality to Grell from black butler and they love that their job is to make sure sinners safely make it to the devildom (That job part isn't that important I just thought it could be a fun detail). Or maybe a jjk Oneshot on Gojo just taking in this little boy who doesn't like him all that much but eventually warms up to him?

Thank you in advance if you decide to write either one, and if you don't it's fine.

Stay safe, remember to drink water and eat some food! Love your work <3

---

...Being taken in by Satoru...and...Megumi is there too...Dad Satoru and brother Megumi??? Pls- I WANT THIS TO HAPPEN Actually, I might make reader Megumi's brother so that I don't have to wreck my brain over a different bg story

Jujutsu Kaisen Masterlist

I hope this is what you wanted & you enjoy reading! Tips are very welcome!

Satoru Gojo x male! reader

Warming

To say their relationship started off as rocky would be a massive understatement. No matter what Satoru did, the younger Fushiguro brother refused to acknowledge his existence, and in those rare moments he does, a glare way too strong for a boy that age was all he was willing to share. Satoru still saw those moments as an accomplishment. Sure, at least an indifferent expression would’ve been a bit nicer, but he couldn’t help but giggle every time the boy burned holes into him with his eyes.

The only time this kind of behaviour was slightly problematic was when there had to be some kind of communication between the two. Megumi certainly didn’t exactly have the energy to repeat everything the silver haired had said, so his little brother could reply to him instead of to the sorcerer. And since (Y/N) had to live under the same roof as Satoru, without either of his siblings, and won’t be able to move out anytime soon because of his age, exchanging a few words was going to be necessary. Not only to make things way easier, but also to better their relationship.

As much as Megumi would've liked to, and actually tried to, he couldn’t be the only person (Y/N) could depend on. Megumi was older, but still at a young age himself. And being his family doesn’t mean he has to bear the responsibility of raising him, and taking care of him like a parent did. That was exactly what Satoru was there for. But the distrust (Y/N) had towards him was really getting in the way.

No one blamed him for that though, it was absolutely understandable, some might even say expected, behaviour of the boy, considering what he had gone through.

But, again, in order to make life easier for all three of them, a change needed to happen. Not immediately, nothing massive. There was hope it would be enough for (Y/N) to come to Satoru when he needed help with little things, and when he was feeling unwell in one way or another. Whenever Megumi was absent, which was often, (Y/N) would get himself in danger quite regularly. For example, trying to climb onto the counter to reach dishes on the top shelves, trying to work sharp or other not child-friendly objects, never telling whenever he got a stomachache, felt dizzy, etc.

Despite Satoru catching on a lot of times, it was neither a 100% success rate, nor necessary work. It has become quite exhausting overtime. The sorcerer had determination to crack that thick wall between the two.

"(Y/NNNNNN)~", the sorcerer’s voice was as cheerful and obnoxious as ever as he peeked his head through the door; the door to the room (Y/N) got to call his own. The door he wished he could lock sometimes. Only sometimes, though. His feelings for Satoru weren’t as bad as to want to lock him out. The boy spared him a glance from out of the corner of his eyes as he sat on the ground with his new Lego set he got. From Satoru, to be quite exact. As soon as the man found out about his passion for building things (he had watched him build walls and castles out of everything he could stack, multiple times) he made sure to make use of that rather valuable information. Every once in a while he would bring home a small Lego packet or box for the boy to play with. And on a rarer occasion, he‘d buy a much larger set.

Some would say Satoru was spoiling (Y/N) with all those gifts, in actuality it was a peace offering, a gesture to show he could be trusted. “Like giving an animal food until it let‘s you pat it.“, maybe not exactly the best comparison, but those were his words as he explained his actions. Trust issues were not unfamiliar to the male, and this approach was but one out of multiple he was going to try to have (Y/N) open up wide enough.

“You like the new addition to your collection?“, he sat down next to the other, eyeing his current project; a castle. It certainly was bigger than the sorcerer expected it to be, but that was by no means a bad thing. Actually quite the opposite. “Yeah.“, a short and simple response, though it showcases the progress the two of them made. “I‘m glad you do! Because I picked this one up at the store today.“, the young adult grinned, dangling a tiny box in front of the boy by the hook attached to the top. A mini set containing a prince and a horse, it seemed by looking at the big picture.

Satoru could practically see (Y/N)‘s eyes sparkling, dropping the gift into his awaiting hands. He watched him fumble the box open and emptying it at his feet on the floor. The sight of how he pushed all the pieces together in an excitement induced hurry warmed his heart in a way. And once (Y/N) then took the prince figure and put it in one of the towers, sending him a mischievous smirk as he pulled at a piece, activating a mechanism that made the figure fall through the ground…accompanied by that sweet, hearty laugh…Satoru couldn’t help but squeal at the cute display, pulling the boy to his chest, unbothered by the small fists hitting him in his sides and the displeased whines he received in return, “Ahhhhhh! That was adorable! This was the first time I heard you laugh and not glare at me as if you wanted me dead!“

Surprisingly enough, the hitting soon died down, and the whining was replaced by soft breathing. Leaning against the older one, (Y/N) wondered; Was Satoru always this warm?

[itsclydebitches]

IT'S BEEN A DOOZY OF A DAY, FOLKS

Yeah I've got a couple asks about it lol. (Always a terrifying experience when you log onto tumblr and immediately wonder why your inbox blew up...)

Man, I don't even know how I'm feeling right now. We've spent so many months working on the semi-confident assumption that RWBY would be cancelled that on the one hand I can't feel very shocked about this. On the other hand there's definitely a wide-eyed part of my brain going, "Holy shit the 'RT is failing' theories finally came true O_O" I'm kinda devastated that a company that's been a part of my life for almost a decade (and for other fans far longer) is just up and gone, but simultaneously I don't care because what I loved about RT hasn't existed for some time now. We've already been dealing with that nostlgia for years, we just got a hell of a concentrated dose of it today. There's admittedly some level of vindication regarding those who've been pulling shit in the company for so long and empathy for those who were just getting by and are now suddenly out of a job. There's regret that (despite my tendency to fall VERY behind on projects. RIP I owe everyone in this fandom a massive apology) I'll probably never have an official end to my RWBY Recaps. And there's worry about how this will impact the fandom...

Yeah, not to jump on the pessimism train, but I feel like this is going to catapult some fans' misreadings into new territory. RWBY is now forever the show that was canonically unfinished and thus its perfection is assured. Think there are major issues in Volume 9 and earlier? Nah, that's setup for Volumes we just never got. Catch a contradition or other mistake? They would have explained that if they could. Any possible issues with the show if it gets picked up by someone else? Well, of course there are issues, RT isn't writing it! This was already a fandom where having accurate, nuanced discussions about the text was hard as hell... but it just got so much worse.

Honestly, I say let it go. If they're going to do anything I'd prefer a complete reboot/reworking so that this story might stand a chance. Airing new RWBY Volumes was already beating a dead horse. Resurrecting the horse to start beating it anew just feels ridiculous. Yes, I'm sad for those fans who wanted an official ending, but we've spent so much time waiting on RWBY, being worried about RWBY's future, and I personally have encounted so many shows lately whose finales soured my enjoyment that there's something reassuring in the combination of definitive ambuguity here: you know you're not getting an ending by RT, so just have fun imagining your own.

Overall, I feel like I've got to sit with this for a while, you know? I totally get why so many fans (partiuclarly RWDE fans) are celebrating and/or releasing a sigh of relief right now. I'm honestly surprised I haven't seen any crabs yet lol. But maybe it's just because I'm "old" my tumblr's standards, but there's something undeniably sad about losing that part of your fandom life. Or at least, losing what led to/represents that life. Getting introduced to RWBY by a friend, binging it for the first time, pulling new people in, finding like-minded friends here on tumblr, analyzing it for thousands of words, tracing its history and watching how radically it has changed... that's gone now. Not actually because RWBY still exists, as do my friends, and there's nothing stopping me from writing as much fic/meta as I want, but it still feels like someone closed a door on that part of my life. That's not wholly a bad thing given what RT has been lately, but I do think it'll take more than one post for me to unpack it all.

[streamsofstardust]

i debated saying anything about this bc i wanted the focus to be on how incredible josh is and how much we all love him, but since other people have made posts (and bc the subject of them has continued to be a problem) i figured i might as well.

long ass post below the cut bc i don't wanna clog people's feed

hannah has spent the better part of 6 months trying to salvage her reputation after tweetgate. she's been posting bogus, empty apologies and trying to prove that she's a good person, a person who has changed over the years and isn't close to being the same as the one who made those horrendous tweets.

yet every time someone calls her out, she continues to show everyone she hasn't changed at all.

hannah's career is not josh's. her personal life is not josh's. their connection is simply the fact that she's with sam. she's benefitted from the relationship since it started, regardless of how little her status as a "well known" musician has increased. she's gotten plenty of opportunities that she likely wouldn't have, had it not been for her relationship with sam. this isn't me saying she's using him, none of us could ever know that for certain, but it's certainly an interesting pairing and she definitely doesn't do herself any favors to get us to think otherwise.

i understand there is no obligation on hannah's part to join the masses in public support of josh coming out. I'm not going to say she needed to like the post, comment on it, put it in her story, etc. what i will say is that her initial silence about it on social media is extremely telling.

she tweeted about legislation when it came to gun control. granted she talked about how she wanted her music to make a change (it's not going to sweetheart), and made most of the conversation about her, but she brought up the importance of standing up for what you believe is right in the state you live in. and for anyone not aware (though i assume pretty much everyone knows) she lives in tennessee.

because of that, and given her adamance that she's not a bigot, one would think she'd take josh's post as a chance to also talk about the importance of fighting for LGBTQ+ rights in the state she lives in. even if she didn't live there, you'd think she'd do it to support her boyfriend's older brother. and for as much as she talks about how much she loves them all, it sure doesn't seem like she gives as shit about any of them other than sam, and yeah that's likely because he's the one directly helping her career.

she didn't though.

she didn't do anything to show her support for josh.

and it's not that she wasn't active on social media because she spent the day posting on everything about her new music. she follows josh, she would've seen the post. I'm sure there were plenty of conversations over text or call or facetime or whatever that she could've been part of. I'm fully aware that anything could've happened in private. but when you spend so much time trying to publicly convince people that you're a good, caring, thoughtful, loving, and accepting person, how could you not show public support when it comes to this?

of course she has to go and make it even worse though, because that's literally the only thing she knows how to do.

i don't necessarily agree with people commenting on her posts about josh (though i agree, yesterday was josh's day. idc argue with your mother) but the issue was her response to those comments.

you want to talk about your music? go ahead, lord knows you're never gonna shut up about your subpar shit. but this:

was fucking disgusting.

that's your boyfriend's fucking brother who, after spending nearly a decade hiding a massive part of himself and his relationship, decided to come out publicly where millions of people would see it all at once. where he could've been met with judgment from fans, non-fans, peers, fellow musicians, etc. I'm not saying he assumed the worst, there's no way any of us would know if he did, it's just the reality of the political climate. he did something that is fucking terrifying for anyone on a considerably smaller scale. even when you know you'll have support, coming out can be scary. hell i was drunk when i accidentally came out to my dad and even though i knew he'd still love me, i was fucking scared.

josh risked so much by making that post, regardless of the love and support he was guaranteed to have from his family, his friends, and presumably most of his fans. i can't imagine it was the easiest decision for him to make, but the fact that he did it is incredible and praiseworthy.

anyone with a brain and a lick of common sense knows this. anyone in the LGBTQ+ community is more than aware of this. anyone who cares about those around them and understands how awful the political climate is when it comes to the LGBTQ+ community, is fully aware of this.

hannah should be fully aware, and though it often seems otherwise, she has a brain, so i know she knows this.

it's the bare fucking minimum to publicly support josh. the bare. fucking. minimum.

but once again, she had to make sure she was getting the attention she so badly craves. and of course, her responses to gvf fans were just as gross and immature as they always are.

as i've said several times before, hannah wicklund is not a good person. she clearly never has been and never will be. she has this delusion that she's changed and grown and matured but every single time she makes a post, she proves that none of that is true.

she's single-handedly digging her own grave and i look forward to the day where she's no longer connected to the band and our community.

[beedreamscape]

VERY LONG POST EXPLORING C3 AND WHY SO MANY PEOPLE MIGHT NOT LIKE IT/MY PERSONAL GRIPES WITH IT.

I ended up exploring a bit of that Reddit community of critical role fans (not the main one) where they basically gather together and commiserate how much they hate C3. It's frustrating to read because at some point you can tell they make no effort to engage positively with the campaign and have a penchant for hating anything about it.

But, from the perspective of someone with very little emotional connection to the past campaigns, I kinda get why C3 feels so different and, in my opinion, it's all about personal stakes for the characters.

As writers, we constantly hear that we must give the characters something personal to care about so that the reader may care about the plot - yeah city-destroying laser beam is a big stake, but if main character's loved one will be used as a sacrifice to the aliens to activate the laser beam unless they do something, the tension doubles.

And with a shallow look over the arcs of the past campaigns, especially the fans' favourites, a pattern I find is of those with heavy personal stakes:

People often point the Briarwoods arc as a favourite. It's not just about bringing down the powerful Briarwoods, it's about avenging Percy's family and bringing his beloved Whitestone back to its past glory, all mixed with the fighting of personal demons.

We also got Vax'ildans overarching arc with the Raven Queen and Scanlan's with Kaylie and his self-worth/discovery in the party.

In campaign three, the struggle of Fjord getting over Uk'otoa's influence and turning to the Wildmother, rediscovering himself. Bright Queen's Favor with freeing Yuza, uncovering Nott's past, grappling with their preconceptions of the empire and the dynasty, and meeting Essek. Losing then Recovering Yasha from Obann. Traveler Con.

This post about the first third of the C2 comparing it to C1 explains quite well how M9 is driven by the party's personal stakes over any obligation to any institution.

Not only personal stakes that build the value of the campaign, but places that grow as their own: Whitestone, Emon, Zephrah, Xhorhas, the Menagerie Coast, Zedash, etc.

That's what's missing from Campaign 3: anchors and personal stakes.

Bells Hells doesn't really care about anything! We're entrenched in the Ruidus plot ever since we learned what ruidusborn means in the beginning of the campaign and yet, what does that mean to them? It was the subject of Imogen's dreams and afflictions but what else? The main victims of it will be the gods, but they repeatedly state how much they don't care for the gods and are in doubt if losing them would be bad anyway.

In a certain perspective, I don't blame them - the plot has grown so massive and subjective, while they haven't - they're still level 10 nobodies against a god-eating moon-shaped monster and the insanely powerful guy that wants to free it.

Bells Hells doesn't care for the places they walk through! Only two members of the party are actually from Marquet! Imogen and Dorian. And both are running from their past! so they don't even want to be there! Ashton hates everything about it and all the others have no reason to cling to it.

Jrusar was such a great city with great dynamics that were only half explored and they don't seem to care to return to it even though so much goes unexplored. Yios meant nothing nor did Heartmoor or the Taloned Highlands (and its apparently juicy political intrigues nobody cared to explore) and barely a mention of Ank'harel or the Silken Squall.

WHY do we keep going back to Taldorei???

Marquet as a whole goes mostly unexplored and underused in the campaign and it's so upseting.

Bells Hells have nothing to lose! They hold no personal stakes to the plot, most of them don't have families and those that do feel like something so distant and impersonal, no place or city they love or feel connected to, the only thing they owned (the very valuable skyship rip) they destroyed with barely any consideration. Their morals feel like the only thing at stake and even that feels already lost.

C3 is pulling too much from past campaigns. From the moment they first contacted the VM people, it felt like a mistake, and every appearance since has felt so much like fan service (especially bc specific fan favourites are the recurring appearances, no variety). The time spent in Whitestone, the connections to Delilah, everything with Keyleth, etc.

This last one, in particular, contributes to that group of NPCs feeling, always revolving around some other character struggle - who cares what is going on with Bells Hells when Vax's trapped in an orb and Keyleth is half dying, and Caleb is in an anti-magic collar, and Trent is probably loose, and this character and that character...

We haven't spent proper time with C3-exclusive NPCs excluding Nana Morri since episode 50! No Lord Eshteross or Xandis or Ira or Jiana Hexum or the Green Seekers or Milo. It was so special to me having Dancer and Imahara Joe around even if briefly.

And Lord Eshteross death left such a huge gap in the dynamics of the party with the world. I think it was premature, especially because the thirst to avenge him (which I suppose was meant to fuel their hate and intention to kill Otohan) lasted so little and from there on out began the heavy and meta-gamey (and personally, OOC) relying on VM characters.

The ticking clock on the apogee solstice strained much of the campaign and brought this looming fear of 'if we don't take care of it nobody will so we can't waste time', therefore the alternative paths and personal arcs fell to the sidelines in favor of the elephant in the room, so it felt like several episodes of dragging towards this event, then the peak of ep 50-51, to re-start the drag of post moon beam.

Guest PCs are a whole other can of worms I'm not ready to explore also bc it entails a lot, but it's a shared sentiment that people miss Dorian and what he brought to the table.

On a personal view, the Hellcath Valley was my favorite arc. Bassuras felt so tactile and real and gritty, we had a clear objective of infiltrating the Paragon's Call and retrieving Armand Treshi, Deathwish Run, the mystery of Dusk unveiling into Yu, Fearne's parents encounter, Ira, Imahara Joe and reveals about Dancer and D., first FCG nervous attack, Otohan battle and Laudna's death. SO MUCH.

Special mentions to everything Jrusar and Shade Creepers, Heartmoor and the Museum, Savalirwood, and the time spent on the Silver Sun.

I miss these small-scale objectives, I miss the C3 NPCs, I miss Marquet, I miss turning our eyes to these character tensions and exploration, I miss the one-on-one talks, the unity they shared in those dire moments.

I can't wait to leave the Predathos plot and all the repetitive discussions within it behind.

This doesn't cover everything (interpersonal relationships are a whole other spectrum of discussion) but a few things I feel puts an obstacle towards people liking this campaign when comparing the past ones.