#i know it's like twenty years old but i'm just remembering how good it is

[charlotterenaissance]

and if i said bowling for soup's cover of i melt with you was the best song ever? i'd what? be right?

[louisa-gc]

how to start reading again

from someone who was a voracious reader until high school and is now getting back into it in her twenties.

start with an old favourite. even though it felt a little silly, i re-read the harry potter series one christmas and it wiped away my worry that i wasn't capable of reading anymore. they are long books, but i was still able to get completely immersed and to read just as fast as i had years and years ago.

don't be afraid of "easier" books. before high school i was reading the french existentialists, but when getting back into reading, i picked up lucinda riley and sally rooney. not my favourite authors by far, but easier to read while not being totally terrible. i needed to remind myself that only choosing classics would not make me a better or smarter person. if a book requires a slower pace of reading to be understood, it's easier to just drop it, which is exactly what i wanted to avoid at first.

go for essays and short stories. no need to explain this one: the shorter the whole, the less daunting it is. i definitely avoided all books over 350 pages at first and stuck to essay collections until i suddenly devoured donna tartt's goldfinch.

remember it's okay not to finish. i was one of those people who finished every book they started, but not anymore! if i pick up a book at the library and after a few chapters realise i'd rather not read it, i just return it. (another good reason to use your local library! no money spent on books you might end up disliking.)

analyse — or don't. some people enjoy reading more when they take notes or really stop to think about the contents. for me, at first, it was more important to build the habit of reading, and the thought of analysing what i read felt daunting. once i let go of that expectation, i realised i naturally analyse and process what i read anyway.

read when you would usually use your phone. just as i did when i was a child, i try to read when eating, in the bathroom, on public transport, right before sleeping. i even read when i walk, because that's normally a time i stare at my screen anyway. those few pages you read when you brush your teeth and wait for a friend very quickly stack up.

finish the chapter. if you have time, try to finish the part you're reading before closing the book. usually i find i actually don't want to stop reading once i get to the end of a chapter — and if i do, it feels like a good place to pick up again later.

try different languages. i was quickly approaching a reading slump towards the end of my exchange year, until i realised i had only had access to books in english and that, despite my fluency, i was tired of the language. so as soon as i got back home i started picking up books in my native tongue, which made reading feel much easier and more fun again! after some nine months, i'm starting to read in english again without it feeling like a huge task.

forget what's popular. i thought social media would be a fun way to find interesting books to read, but i quickly grew frustrated after hating every single book i picked up on some influencer's recommendation. it's certainly more time-consuming to find new books on your own, but this way i don't despise every novel i pick up.

remember it isn't about quantity. the online book community's endless posts about reading 150 books each year or 6 books in a single day easily make us feel like we're slow, bad readers, but here's the thing: it does not matter at all how many books you read or what your reading pace is. we all lead different lives, just be proud of yourself for reading at all!

stop stressing about it. we all know why reading is important, and since the pandemic reading has become an even more popular hobby than it was before (which is wonderful!). however, there's no need to force yourself to be "a reader". pick up a book every now and then and keep reading if you enjoy it, but not reading regularly doesn't make you any less of a good person. i find the pressure to become "a person who reads" or to rediscover my inner bookworm only distances me from the very act of reading.

[leeknow-thoughts]

୨୧ YOUNG AND INNOCENT

𝝑𝝔 cw : virgin reader, daddy!minho, p in v, mentions of oral, shower sex, overall pretty vanilla!

𝝑𝝔 a/n : miss mocha @yongbun wanted me to @ her !! And also holy shat guys i'm at 900 followers??? that's so insane to me!! I love you all so much :3

It was no secret, you were Lee Know's favorite member. He was never crude to you, mostly because you were one of the only members who never annoyed him.

And you were sweet, the second youngest member in the group who without fail remembered every birthday and anniversary and planned accordingly.

And you were innocent, the fact drove him crazy.

It drove him crazy how you sang Red Lights on stage and you would get embarrassed over it, how you would walk around the dorms in the flimsiest pair of sleep shorts and camisole ever made, how you would blush and get all embarrassed when fans would call you hot or sexy.

It drove him up the walls insane, your innocence. He was patient, for the most part, unless it came to you. He was protective, especially when it came to you.

You always assumed boys never asked you out because of your looks, but little did you know it was really because Lee Know would stare down any man with romantic or sexual intentions who came within a five meter radius of you.

After years of living with men, you had become quite accustomed to seeing male anatomy. Whether it was because the leader of your group was comfortable walking around shirtless, or because you had accidentally walked in on someone in the shower a few times, you became pretty desensitized to seeing naked men.

At first it would embarrass you, but after a while it just became part of life. But these men were your friends and coworkers, so when you would see them without their shirt on honestly it just started to feel like seeing your friends in a bathing suit.

And although you had gotten used to seeing male anatomy, your group mates would gawk and stare every time you showed even the slightest bit of skin. "What are you wearing?" Seungmin gawks when he sees you in your regular pajama shorts and cropped tank top, cuddled up on the couch, watching a movie.

"Pajamas?" you retort, not knowing why exactly it would cause him to freak out.

"God, y/n," Seungmin gaffs, "you need to get laid."

You can't help the blush that creeps up onto your face, "w-what?"

"You heard me!" Seungmin persists, "listen, I'm not trying to be rude but you're the only member of the team who is still a virgin."

"So?" you cross your arms, "why is that such a bad thing? And what does this have to do with my pajamas!"

"Because you're twenty-something-years-old and you've never had your first kiss," he explains, "listen, we need to find you a boyfriend or something, only your boyfriend should see you in those kinds of pajamas, half your ass is practically hanging out!"

"I d-don't need a boyfriend," you huff, turning away from him, refocusing on the television.

"Then what is stopping you from y'know getting some?" Seungmin poses.

"W-well g-guys aren't really that y'know, into me?"

"Oh bullshit, I could set you up with someone, one of my friends," Seungmin proposes, "only if you want to."

"I-I mean y-yeah that's fine," you can't help but stutter.

"Good, I'll give him your phone number," Seungmin promises.

You couldn't help but get excited with the idea of going out with a boy. A thought that terrified you as much as it exhilarated you. "Pixie?" you call out to the boy who is currently playing League of Legends on his PC, the glow of his pink and purple LED lights illuminating his features as his fingers rapidly click against the keyboard.

"Hm," his head shoots up, looking to where you stood in his doorway, "hey, what's up?"

"I need to talk to you, and I hoped it would stay between us?"

"O-oh okay, yeah come in, shut the door," he says, he watches you flop down on his bed after shutting his door, "so what's wrong?"

"Okay well Seungmin is setting me up with one of his friends and I d'know - I'm just really awkward, I don't know how to talk to guys, like at all, and I d'know what to do," you confess to the blonde freckled boy who is swivelling around in his gaming chair that you bought him for Christmas, his right leg bouncing up and down.

"You're good at talking to me, how different can another guy be?"

"Pixie, you know it's different," you huff, sitting up, "please, I just need your help."

"Maybe you should go to Chan, or maybe Minho, I think they could help you more," Felix tells you, "but I think you should just y'know, be yourself, you're pretty and you've got a good personality and any guy worth anything is gonna see that."

"But w-what ab-about s-" you pause, hiding your face in your hands,"sex."

"What about it?"

"Well I haven't y'know?"

"Trust me, that much is obvious," Felix teases, "but really, most guys don't care much about virginity, some guys even find it hot when girls are still virgins, they get off on the fact that they're a girl's first," he informs you, you're hands moving away from your face, staring at him, "I know you may think that's weird, but it's the truth."

"But I don't know what to do."

"That's fine, some guys also find that hot, like with blowjobs you just need to make sure you take it slow at first, get used to it, then after that speed up, and don't be afraid to take deep breaths and breaks. And as far as sex goes the guy is mostly the one doing the work, you just lay back and relax," Felix explains, "unless you're riding him, but I wouldn't recommend doing that during your first time. Sex isn't that scary y/n, just think of it as two people just wanting to help the other feel good."

"T-thank you Lix," you smile at the boy, "t-that helped me feel a bit better."

"Anytime," he smiles that pretty smile of his, "oh, later do you want to get dinner with Jeongin and me?"

"Oh, no thanks, Minho is making me dinner tonight," you smile, you stand up from his bed and walk to the door, "thank you Lix, I owe you."

"Don't mention it," Lix smiles, refocusing on his monitor.

You were going to lose your virginity, you were dead set on it. And that was truly terrifying, but you tried to ignore that feeling of fear that pooled in your abdomen. It was just sex. At least that's what Felix said.

"Hi hi," Minho greets you when you walk into the kitchen, he was standing over a pot of water on the stove waiting for it to boil.

"Hi Min," you hum, taking a seat on the couch, "so what are you making? Do you need any help?"

"We have the rule to not let you in the kitchen for a reason, but thank you for the thought, I'm making your favorite," he says it like it isn't a truly heart warming gesture.

"Thank you Minho," you thank him.

"Mhm," he simply hums, refocusing on the stove, "so what was your day like? Do anything interesting?"

The words leave your mouth before you can even register what you're saying, "virginity."

This makes Minho's face turn to look at you, his eyebrows knit together with a look of utter confusion, "virginity?" he questions.

You hide your face in your hands, a rosy blush on your face, "y-yeah," you squeak, "I-I'm going to lose my virginity," you confess.

"Like today?"

"W-well no, but someday soon," you inform him, "I-I'm going to lose my virginity."

That was not okay for Minho, not at all, but you couldn't know that, you sounded scared enough. And that was when Minho got the best worst idea he has ever had. You could lose your virginity to him.

"Who is going to take your virginity?" he asks.

"Well I haven't exactly worked t-that part out yet," you confide, "but to someone, someone soon."

"It should be someone you trust," Minho advises you, "it shouldn't just be a random hookup, maybe it should be a friend, someone you already know, in a no strings attached kind of way."

"Maybe you're right," you ponder for a moment before shooting your head up, "do you think Felix would have sex with me?"

Minho can't help but choke on pure air, doubling over, "e-excuse me?"

"Minho! I'm being serious!" you whine, "Felix is my best friend an-and I trust him!"

Minho eventually regains his composure, "you shouldn't fuck your best friend, that always ends up messy."

"You're right," you agree, another idea coming to your mind, "I should ask Chan if he'll have sex with me."

"That's also a terrible idea, did you forget that he's already seeing someone?"

"Oh, yeah, I forgot, fuck," you groan, "what should I do, because if I don't lose it to someone else, I'll end up losing it to one of Kim Seungmin's friends."

"You could just fuck me," Minho proposes.

You can't help the way your jaw practically hits the fucking floor, "wh-what? You'd do that- w-well technically me?"

"I mean yeah, you're my friend, and I just want what's best for you," he reassures you of his intentions, "I'll teach you everything you want to know."

"Oh, well when c-can we?" you watch as he adds the noodles to the boiling water, "you know-"

"How about tonight? If you want to, I'm in no rush, you can choose when and where," he cuts you off.

"Tonight," you affirm, "tonight."

"Okay, tonight," Minho agrees, "you decide what we're doing."

"I want you to decide," you confess, "I just want this to be nice and y'know intimate?"

"Okay," Minho hums, moving to strain the water after the noodles had boiled for their needed time.

Minho eats with you, and cleans up the mess afterwards, you were on edge the whole time, not knowing what to do or what to expect. Practically vibrating with nerves and excitement all mixed into one.

"Y/n," Minho calls out to you.

You practically jump out of your chair, looking up at the man, "listen, you need to relax, let's take a shower," he proposes.

"O-okay," you agree.

You follow him into you and his shared bathroom, Felix, Jeongin, and Seungmin having their own bathroom. Minho was the first one to completely strip and that's when you saw it. His cock. That big thing was supposed to fit in you, there was no fucking way.

"Minho th-y-your cock," you gawk, if it looked this big and this intimidating like this you could only imagine what it looked like when he was actually hard.

"Don't worry," he grins, "I'll get you nice and prepped before I put it in."

His cock was nothing to joke about, big and fat with a slight curve, so meaty and girthy it was intimidating just to look at and he wasn't even hard yet.

Minho watches as you strip your clothes off, and you search his face for a reaction to your nudeness, you get one, "no wonder you have so many fanboys and fangirls," Minho grins.

He's offering you a hand, which you take, now standing under the water of the shower with him, becoming soaked from head to toe. He is quick to sink to his knees and start lapping at your cunt until you're painting his face with your cum before he's holding you still, making you give him another orgasm.

It hurts when he puts it in, you're whining and whimpering and falling apart, feeling like you're being ripped open by his fat length. He's gentle with you though, holding you delicately, kissing the back of your neck, stilling inside you and letting you adjust to his length.

"Jagi, that's only the tip," he hums, rubbing soft circles on your hips, "tell me when I can move, jagi."

It takes a few minutes before you're comfortable with him moving even more, but eventually you give him the go ahead. You're having to bite down on your tongue so you don't scream, "there you go, kitty cat, bigggg stretch," Minho coos, his hips stilling, "there now you're halfway done."

Your legs feel so wobbly like they could give out as Minho takes your virginity in the shower, "Min-daddy please move!" you gulp.

"Oh, I'm going to ruin you," Minho groans, pushing his cock in until his fat mushroom tip is pressed against your cervix, "gonna stretch you out all good and nice, no other cock is gonna fill you up quite right."

"Daddy!" you're practically screaming when he starts moving.

He's slow and delicate with you, taking his time, savoring every stroke in your tight virgin cunt. It hurt, it hurt so fucking good. You felt the ripples of pleasure shooting down your spine, the sound of skin slapping on skin being all that resonated around the shower room. "Oh my fucking God!" you yelp when his cock presses against that spongy spot inside you over and over and over again.

His cock has you seeing stars, and you're thoroughly convinced this is the best you've ever felt. No wonder people always talked about sex when it felt like this.

With every thrust of his hips he's bringing you closer and closer making you feel hotter and hotter. Your body is writhing around, he keeps a firm grasp on you, holding you still for him. "Atta girl," he hums, "you're taking my cock so well, jagi, like your little cunt was made for it."

"Daddy!" you're basically wailing, tears of pleasure streaming down your face, it just feels oh so good, you never want it to end.

When his hand wraps around your body to rub rub rub your clit you're doubling over, pleasure racking your body.

And that's when the band building up in your stomach finally snaps. Glancing down to watch the stream of clear liquid drip out of your pussy onto the tile of the shower. "Daddy!" you whimper over and over as he fucks you through your orgasm.

"That's it, jagi," Minho groans his cock slipping out of you before you feel hot ropes of his cum painting your ass followed by Minho's groans.

"Minho-" you whine.

"Oh, jagi," Minho is mumbling before he's turning you around and pulling you close to him, "I think I'll have to keep you, your cunt is just too sweet," he plants a kiss on your hairline as water from the shower hits your back.

[ssentimentals]

seventeen members as love tropes: yoon jeonghan

fake dating

'and if only you looked me in the eyes, you'd see the truth - i'm hopelessly in love with you'

jeonghan is cool about this. he goes through his checklist: suit? check. nice bouquet of flowers? check. car keys? check. his logic? gone since the moment he agreed to accompany you on this event as your 'boyfriend'. painkillers for a splitting headache you're going to have by the end of this night? check. his sanity? gone, long gone. in all honesty, jeonghan doesn't think he's ever been sane since the moment he realized his feelings for you. you know, the ones that are very fit for a 'boyfriend' type but don't really fit for a 'good friend' type. anyways, jeonghan is cool about this.

'i am insane,' he says out loud, looking at his reflection in the mirror. he looks good because of course he does, this event is important for you and he'd rather eat shit than fuck up anything for you. 'this is insane.'

he spends next twenty minutes on his way to your house by assuring himself that everything is going to go well. so what that just the thought of having his arm wrapped around your waist has him squealing like a five years old boy? that hearing you call him your boyfriend has goosebumps breaking out on his skin? that having an opportunity to take care of you in a more romantic, intimate way has him shaking a little? and so what that when you walk out looking gorgeous his heart stops for a second? he is cool. jeonghan is cool about this.

'you don't have to do anything that makes you uncomfortable,' you say, taking his hand when he opens the door for you. 'i'm so sorry for dragging you into this, hannie.'

'you owe me,' he jokes, throat tightening when you let him pull you closer. 'feel free to kick me in the balls if i say or do something wrong there.'

'noted!' you agree cheerily and god, he can just kiss you right here, right now. how is this not a crime for being so cute?! 'let's go then, my boyfriend.'

jeonghan's heart doesn't skip a beat at this because he is cool about this. and he tries his best to be there for you for the whole evening, turns on all of his charm to be liked by all the guests and poses prettily for all pics. your hand in his feels right, you leaning on his side for support feels right, him as your boyfriend feels right. you two fall into this 'fake couple' thing surprisingly easily, everything goes without a hitch - you glow, jeonghan stays right next to you and if anyone dares to tell him that it is not right, he'll commit murder.

'hannie, i never thought it'd be that easy with you!' you exclaim in his car, getting comfortable on the seat. your relaxed posture like you belong here, the way wind plays with your hair - jeonghan has trouble focusing on the road ahead. 'you are the perfect fake boyfriend, my friend.'

and that shouldn't hurt, right? only it does. a lot. jeonghan gulps, speeding through the streets. 'should i be offended that you thought i'd be anything less than perfect?' he asks, going to a familiar trope of jokes and laughs with you. 'you know me!'

'i know,' you agree, turning over to look at him properly. jeonghan notices how you frown a little and he points at the armrest. 'what?'

'painkillers are there,' he answers, watching you light up. 'you always forget to take them, silly. you know you get headaches from being exposed to loud voices for too long and yet i'm the one who always has your meds with me.'

you chuckle, grabbing water bottle from backseat. 'i know-i know! you are a life savior, hannie. really, you're so thoughtful, you'd make someone so happy one day.'

there it is. jeonghan thinks once, twice and- he's cool about this, remember? 'it can be you.' it's a red light, he stops and turns to you, calling out for all bravery he only has. 'that someone can be you. if you want.'

you don't say anything in the first tree minutes and jeonghan has half a mind to jump out of the car, but then you hiccup comically and bubble of tension bursts, making you both laugh. 'i-' you start and then shake your head in disbelief. 'wait, is this how am i getting my confession?'

jeonghan fears his heart will burst if he looks at you right now. instead, he grips the steering wheel tighter and mutters: 'you'll get a better confession if you tell me right now that you're going to accept it.'

'what a silly boy you are,' you say and it should be offensive, but you say it with so much fondness that he can't find this comment hurtful. 'of course i will accept it, hannie. you don't think i would've asked anyone else for this 'fake boyfriend' thing, right? i would've just gone alone.'

and it's -wonderful. sense of relief floods his system and hope bubbles in his stomach. 'i'm about to pull over and kiss you right now,' he announces, turning to look at you seriously. 'blink if you agree.'

you laugh and flowers in his chest bloom. 'i'm blinking twice just so you could be sure.'

jeonghan is very cool abut this situation, so he pulls over in the first corner and kisses you like a boyfriend would've kissed you. like he would've kissed you because he thinks title of 'boyfriend' is his for now and for ever.

a/n: squealing, kicking my feet. this is for all hannie stans, who are having hard time due to latest news. i'm here for you! 🫡 - nini

my other works are here

[harrysfolklore]

30th birthday

i just can’t believe harry is 30 and this is my way to cope, i hope you like this 🥲

MASTERLIST | MY PATREON

The calendar marked February 1st as the date, which meant that it was finally Harry's 30th birthday.

You woke up earlier than him, in order to make him his special birthday breakfast that was a tradition by now, and as you stood alone in the cooking in the kitchen, you couldn't help but reminisce about all the previous birthdays you've celebrated with Harry.

From celebrating his birthday at a restaurant with his brand new band mates and friends after a day of The X Factor rehearsals, having big parties thrown for him with celebrities in attendance, flying off to Japan to celebrate there and throwing a concert to spend his special day with his fans, you couldn't believe Harry was turning 30 and you were able to grow up by his side.

"Love, where are you?" his raspy morning voice made its way to your ears, and you couldn't help but smile.

"Over here, in the kitchen!"

You turned around to see Harry stumbling into the kitchen, rubbing his eyes sleepily. His hair was tousled, and he was wearing an oversized t-shirt that you recognized as one of your favorites.

"Morning, birthday boy," you greeted him, leaning in to give him a soft kiss.

"Morning," he replied, his eyes still half-closed. "What's all this?" Harry gestured towards the spread of pancakes, eggs, and bacon you had prepared on the table.

"It's your special birthday breakfast, as always," you pecked his lips again.

"You know, you could've woken me up with a 30 minute long blowj-"

"Harry!" you cut him off before he could finish his sentence, "Every single year, you say the same thing! When will you stop being a menace."

"Can you blame me?" Harry shrugged, "You still look as hot as you did when we first met fourteen years ago."

"Fourteen, huh?" you said, tilting your head, "How does it feel to not be a twenty something anymore? You're basically an old man now."

"I feel good, honestly," he said sincerely, his eyes locking with yours, "I mean, I'm happy and healthy, I have the job of my dreams, a family that loves me, supporting friends and the best girlfriend in the world, I'm a very lucky old man."

"You're too cute," you kissed him again, "Now eat your breakfast, we have a lot of celebrations to do today."

The day went by smoothly, Harry answered a couple of calls and texts from friends and family and you spent the afternoon cuddling up before it was time for his birthday dinner.

Harry wanted something small and intimate, with just a handful of close friends and family invited, so you decided to host the birthday dinner at your home. As the evening approached, the house was filled with the delicious aroma of the special dinner you had prepared for him.

Jeff and Glenne were the first ones to arrive, carrying a homemade cake that Glenne insisted she had baked all morning. Sarah and Mitch came next with their baby boy who giggled and clapped as Harry made silly faces, clearly enjoying the attention from the famous Cool Harry, because he refused to be called uncle.

"Damn mate, I can't believe you're 30 now," Jeff said, wrapping his arm around Harry's shoulders, "I still remember when you were twenty and my parents basically adopted you, I feel so old."

"You feel old? Imagine how I feel, that's my baby brother!" Gemma chimed in, entering your house with her boyfriend Michal and Anne, "Happy birthday, H."

"Thanks, Gem," Harry smiled, hugging his sister tightly. "And thanks for reminding everyone that I'm officially old now."

As more friends and family arrived, the laughter and chatter of loved ones filled the air, the dining table was adorned with candles, flowers, and a beautifully set dinner that everyone enjoyed.

Once your bellies were full, Mitch opened the champagne bottle Harry Lambert brought with him, filling everyone's glasses to make a toast.

"Alright, everyone, gather around," Mitch announced, holding up his glass, "To Harry, on his 30th birthday, may this year be filled with even more success and love. Cheers."

Everyone clicked their glasses, smiles on everyone's faces.

"I think the missus should give a speech!" Gemma teased, pointing at you.

"Not a missus yet, still no ring," you teased back, raising an eyebrow at Harry and hearing the whistles from his friends.

"Well, uh, maybe we'll have to do something about that soon." Harry chuckled nervously, scratching the back of his head.

The room erupted in laughter and even more whistles, and you couldn't help but blush and roll your eyes with affection.

"Alright, alright," you began, holding up your glass, "Here's to the man of the hour. Harry, you've filled my life with so much joy, laughter, and love all these years. It's been an incredible journey growing up with you, I still remember when we were just kids, celebrating your 16th birthday before you became the star that you are today, I'm so proud of you and living life by your side has been the best thing that has ever happened to me. Happy 30th birthday, my love. May this year bring you everything you desire."

Harry couldn't help but melt at your words, standing up and hugging you tightly and kissing your lips.

"Thank you, everyone," Harry began, his voice carrying a hint of nostalgia, "I can't believe I'm standing here, celebrating my 30th birthday. It feels like just yesterday I was a wide-eyed 16-year-old auditioning for The X Factor, not knowing what life had in store for me," he paused, glancing at each person in the room with watery eyes, "But here I am, and I couldn't be more grateful for each and every one of you. To my family, who has been there from the start, and to my friends who have become family. And to this incredible woman right here," Harry said, placing his hand on your waist, "who has been with me since I was I was an annoying teenager, growing up by my side."

"You're still as annoying as a teenager," Jeff interrupted him, making the entire room laugh, "But we love you, mate. And we're grateful for you."

As the night continued, the homemade cake adorned with candles was brought out, and everyone in the room sag "Happy Birthday" together, Harry made a wish and blew out the candles, surrounded by the people he loved the most.

After the cake-cutting and more chatter, everyone decided to call it a night and head home, leaving you and Harry at me comfort of your house.

"Thank you for everything," Harry whispered, wrapping his arms around you.

"It's your day, love. I'm just happy I could make it special for you," you replied, resting your head against his shoulder.

"You always make every day special," he murmured, placing a gentle kiss on your forehead.

You stood wrapped around each other for a few minutes, enjoying the final moments of his birthday.

"This has been one of my favorite birthdays ever," Harry admitted, breaking the comfortable silence.

"I'm glad you think so," you smiled, snuggling closer. "And, by the way, the 'no ring yet' comment earlier, totally just teasing."

"Oh, really? Because I was serious, maybe it's time," Harry smirked, giving you a playful look.

"Don't tell me you're about to propose, not on your own birthday, Harry!" you said nervously.

"Not right now love, but soon enough," he winked and you let out the breath you were holding, "I love you."

"I love you more, Harry. Happy birthday."

[fatesundress]

⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine. 

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones. 

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary. 

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tombs and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly. 

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile? 

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up. 

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about? 

You suppose, for them, it’s a question with few answers. 

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession. 

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary. 

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure? 

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning. 

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with. 

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge. 

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books. 

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls. 

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin. 

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated. 

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again. 

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any. 

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now. 

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice. 

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all.  You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else. 

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them. 

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten. 

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.) 

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true. 

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer. 

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t. 

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid. 

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless. 

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that. 

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately. 

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end. 

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight. 

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes. 

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand. 

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain,  a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him. 

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love. 

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock. 

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly. 

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it. 

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.) 

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish. 

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same. 

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much. 

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition. 

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal. 

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it. 

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is. 

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —” 

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant. 

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor. 

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “have you seen the shit the aurors are up to lately? I’d rather be a blimmin’ Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? Why don’t you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together. 

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident. 

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be. 

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop. 

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece. 

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that." 

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval. 

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will." 

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis. 

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain. 

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.” 

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back. 

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake." 

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster. 

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating. 

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself. 

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh. 

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes. 

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you. 

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He’s still inside you when he’s secure enough to bring you to his bed, only removing himself from you when you’re safely in his sheets, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

[allpiesforourown]

I know I've posted bingqiu actors au before but I'm having thoughts for another one..

Shen Yuan only occasionally acts in things he's interested in.. he'll be like "oh I like this book, they better not butcher it!" and then because his family is rich, he'll get a role. People who have never worked with him before hate him at first bc he's a nepotism baby, but then they see his passion and acting skills and go "Oh nvm, he's actually really good... he didn't have to audition like everyone else because he has connections, but if he had auditioned, we would have picked him regardless."

Then there's young binghe playing a minor character.. he's not an actor, nor does he want to be, but child labour laws say he can't get a regular job and he wants to help provide for his mom.. a 14 year old can't work at a fast food place, but movies do need real children to act in them, so that was the only option he had

Shen Yuan is 19 at this point and binghe ADORES him. He brings him food he made at home and shyly waits with bated breath for Yuan gege to say it's good. Shen Yuan helps him with his homework when neither of them are in a scene, and whenever binghe acts really well and the director praises him, he ignores everyone to run to shen yuan and ask if he did well.

When production nears its end binghe says he wants to keep working with Yuan ge!! Shen Yuan isn't working on any other projects though, and the ones he is working on won't hire Binghe.

Everyone is impressed enough with Binghe to help him stay in the industry though, and get him another minor role, then another, then a somewhat important role, then a co-lead... by the time he's in his early twenties, binghe is a household name, and shen yuan is "that actor most people will recognize but don't remember from where."

By the time they finally work together again it's like

Binghe: Yuan gege!!!! I'm so excited to work with you again!!!!

Shen Yuan: haha you remember me! I'm happy :)

Binghe, who borderline stalks shen yuan: haha yes of course I remember gege :))

Shen yuan still gives him head pats like when binghe was a kid and binghe still clings to him. One time shen Yuan gently pushes Binghe away after a tight hug that's gone on too long and says "okay okay that's enough" and binghe looks CRUSHED so shen yuan feels like the devil and pulls him back into a hug immediately

The movie comes out and it's very well received. Binghes acting was the best it's ever been (since he wanted to show off in front of Yuan gege) so people are very interested in seeing the behind the scenes footage

When it comes out people see binghe being OBSESSED with shen yuan. Whenever the two of them are in the same frame, binghe is looking at shen yuan with the softest most loving expression while shen yuan is yelling at the script writer about fan service. There's about 10 moments when Binghe comes up from behind and grabs shen yuans waist and sets his head down on shen yuans shoulder. When people see binghe saying "gege open wide, I made this just for you!" And hand feeding shen yuan they're like okay yeah there's no denying it anymore.

Then they find out this isn't their first time working together and find old bts footage of when binghe was 14 and following shen yuan around like a puppy with hearts in his eyes and they go holy fuck he's been obsessed with shen yuan for YEARS

The cast all go to an interview

Interviewer: people were surprised to see how close you two are!

Shen Yuan: well it's not our first time working together :)

Binghe: I've been waiting to work with Yuan ge again for all this time :D

Interviewer: aww! Now about rumors saying Luo Binghe is in love with shen Yuan...

Shen Yuan: obviously they're-

Binghe: true

Interviewer: ..... oh my

Shen Yuan: um...?

Binghe: Yuan ge is very well aware of my feelings, I was very obvious

*camera pans over to shen yuan where his face is red and his mouth is wide open in shock*

[chippedshake]

Darry helping Pony out with some bullies and a six-year-old Ponyboy running up to him a week later with a comic in his hand, saying "Darry, Darry, look, he's just like you!"

And it's a Superman comic book, open to a page where he's fighting a villain and bringing some civilians to safety

"See? He's helping people like you helped me!"

Darry just laughing and ruffling his hair

"Sure, Pony, I'm Superman."

And going back to his homework

But Ponyboy won't let it go. He starts calling him Superman and gets Soda in on it. Two-Bit absolutely cackles the first time he hears it and instantly plays along. Then Johnny starts saying it too, maybe a bit as a joke, but also because he's thinking about how Darry helps him with his homework sometimes and helped scare those Socs away and gave him a hug when he found him in the lot. Steve starts once Darry grows up and actually starts looking like Superman and by the time Dally gets there, he doesn’t even question it.

Darry laughs at first. Jokes about it. Then he starts hearing people talking about Superman and thinks, for a second, that they're talking about him before he remembers that it's just his family that calls him that.

By the time Ponyboy's eight, no one remembers how it started, no one cares about how it started, it just is.

Then it's a Tuesday evening when Darry's twenty and he's getting home from ten hours of heavy-lifting and has to cook dinner and the bills are due and he feels like collapsing onto the couch and sleeping for three days, but he doesn't have the fucking time to sleep because Pony has to go to school and Soda has to not oversleep and they have to have something to eat for dinner and he needs to convince Johnny he can stay over and isn't a burden and Two-Bit can't be getting too drunk because he needs to graduate goddammit and Steve might be kicked out tonight and needs to have somewhere to sleep and Dally needs some sort of constant in his life and it's too much and Darry's just twenty, he can't do it anymore–

"Darry, Darry, look, he's just like you!"

And suddenly Ponyboy's hopeful eyes are looking up at him, seeing Superman instead of his big brother because he helped fight off some Socs.

But that isn't enough anymore. He can't just fight off some Socs and come home and do his seventh grade homework. He needs to somehow keep his family together, make sure they all have a place to sleep and food to eat. And he can't falter, can't fail for a second because he's Superman, and Superman is invincible. Doesn't feel pain. Doesn't get tired. Doesn't let anything get him down.

"Hey there, Darry. Everything good?" Steve walks into their house without knocking.

"Yeah, just a bit tired." Darry sits up from where he’d been leaning back on the couch. Can't be tired. Can't be weak. "You kicked out again?"

"Yeah. Cool if I hang out here tonight?" Darry nods, stifling a yawn as he gets up. "What's for dinner?"

"Uh..." He glances towards the kitchen, trying to remember what they have. "Not sure. I'll figure it out."

"Need anything from the grocery store?"

Darry shrugs. "I can get it myself."

"I don't mind. You look beat."

"I'm fine," Darry says instinctively.

Steve snorts. "Okay. Need anything? I'm gonna go buy some cigs anyway."

"Uh..." Darry opens the near-empty fridge and sighs. "Some spaghetti for tonight. Get some chicken, too, we'll make it tomorrow. And a couple apples so you idiots eat some fruit."

"Got it."

Darry starts digging around for his wallet.

"Don’t worry. S'on me. Still got some from when the old man kicked me out two weeks ago."

"Steve, I can't ask you to–"

"Then it's a good thing you ain't askin'."

They stare off for a few moments before Darry relents.

"Thanks, Steve."

Steve nods. "No problem, Superman." He gives a mock salute and walks out the door.

Darry stares at the empty doorway for a couple seconds before he snaps out of it and starts cleaning up in case the state decides to poke around. He knows it isn't sustainable. They can't go on like this forever, he can't take care of his brothers alone forever.

He knows he isn't really Superman.

But maybe if he lets himself get help, he doesn’t have to be.

[achenetype]

Hihi can you please do a Luke x reader where it’s basically an unrequited love like reader is so in love with Luke and he has no idea so she moves on and years later she’s over him and confesses to him like a oh I thought you should know and the whole time Luke had been in love with her, kinda base it off that one TikTok audio where it’s like “I’m not in love with you anymore” “I never knew you were” 🩷🩷

OHH YOURE FEEDING MY ANGST BRAIN WITH THIS ONE. buckle up lets break some hearts

edit: this ended up being WAY sadder than i originally intended. i am so sorry anon oh my god

i gave you a rare gift (but you didn't want it) — luke castellan

pairing: luke castellan x fem!reader

word count: 2.8k

content: angst, major character/reader death, unrequited love, mutual pining, reader is part of kronos' army, luke and reader are doomed by the narrative, [Y/N] used (sparingly), alcohol mention, description of injury

listening to: bloodfest (from mizumono) by brian reitzell

You are twenty-two years old, sitting on the rocky beach of a lake somewhere in the forests of upstate New York. Light, gentle fog hangs in the air around you, and the only sound is the tap-tap-tap of Luke skipping rocks across the water.

Come dawn, the world will burn. The gods will be dethroned. Every demigod will either be free, or dead.

But now, at midnight, you are twenty-three and Luke turns to you. He's holding a small, squashed cupcake in one hand. "Happy birthday," he says, "to my right-hand man." He pauses. "Woman. Right-hand woman."

He holds the pastry out to you and smiles, but something behind his eyes is empty. Hollow. He hadn't been sleeping recently. As much as he tried to hide it, he couldn't stop you from seeing when he came to you every morning for a cup of coffee and to debrief for the day.

Perks of being the revolution leader's best friend, you think. His right-hand woman.

Luke's eyes flick from the cake to your face. "Do you like it?" He asks, and for a split second, you swear there's a note of hope in his voice. "I wanted to do something, y'know," he says. "Twenty-three is huge. It's a monumental age."

You nod, but stay quiet.

He pauses for a second. "You remember how you always said you wished you never had a birthday?"

When you were twelve, nearly thirteen, your mother drove you across the country to go to summer camp.

"It'll be like a road trip," she said, tossing your duffel bag into the back seat of her battered car. "And then, hey, you'll only stay at camp until the end of August, and then you can come back and go to school. See all your friends again." She squeezed your shoulder and pushed the car door closed. "How about that?"

"Sure," you said. "Super fun."

And it was; you were actually kind of excited. You'd never been to New York. It seemed a million universes away.

And it was your birthday tomorrow. Maybe this was a gift, something that your mother had put together to make up for the years of being too tired and too drunk to make a cake, or get presents, or anything.

Your mother put her hands on her hips and sighed. "You know how I feel about the attitude, yeah? Let's not do this today."

"I wasn't even trying to—" You cut off as your mother glared at you, her face tense. You knew that look: the biting-the-inside-of-her-cheek, trying-to-be-understanding, trying-to-be-a-good-mom-despite-it-all look.

You hated that look.

"Just..." She sighed. "Just get in the damn car, [Y/N]."

You did, fighting back the tears building in the corners of your eyes, and the slam of the car door closing was as loud as thunder.

Twenty silent minutes of city streets and highway merge ramps and cold, empty stretches of asphalt and concrete passed before either of you spoke.

"Mom," you said, thirty-three seconds into minute twenty-one, "I'm sorry for talking back earlier." Your voice was quiet, shaking, cupped in your throat like a scared animal.

She didn't answer, keeping her eyes fixed on the road.

"I don't like being like this, Mom," you said, looking over at her. The silhouette of her through the driver's side window, backlit by the streetlights, was shapeless. Impassive. "I don't like doing this with you all the time."

She scoffed.

You pulled your legs to your chest, tucking your head between your knees, and tried to find sleep.

You weren't sure how long you slept, but you woke up to the sound of music playing softly over the speakers. Exit signs whizzed past you at what felt like breakneck speed. You wondered, briefly, if you would break your neck if you jumped out of the car right now.

Ultimately you decided against it. You didn't want your mother's last words to you to be, get in the damn car.

That would make her feel guilty, you thought, and that guilt would make her hate me even more.

"I don't wanna fight," you tried instead, picking at a loose thread in the cuff of your jacket sleeve. "Mom, I'm sorry, okay? I don't want us to be mad at each other anymore," you said. A sob caught in your throat, heavy and wet and choking.

Your mother sighed and reached one hand from the wheel to tuck your hair behind your ear. "I know you don't, sweetie," she said. "I don't want to be mad at you either."

"Then why do you do it," you asked.

When she turned to look at you, her eyes were wet. She smiled, or tried to. "Sometimes, certain people just…can't help but fight," she said. "It's just part of who we are, I think."

"Did you fight with Dad?"

Your mother inhaled, quick and sharp through her nose, as she flicked the turn signal to right and guided the car down the exit ramp from the highway, her eyes locked ahead. "Yes," she said. "Sometimes. Sometimes I think that's where we get it."

You swallowed. "Do you ever miss him?"

She doesn't peel her gaze away from the road. "Every day."

The two of you made your way through bustling streets and across too many bridges to count. You thought you fell asleep again, for a minute or maybe a year. Maybe it was all a dream.

"Mom," you asked as she turned onto a worn dirt road, the sunrise barely stretching over the horizon, "why are you bringing me here?"

She didn't answer for a moment. Two moments, then three. Through the leaves, you saw one tree standing impossibly tall. A pine tree.

Your mother parked the car and turned to you. "Because I don't know what to do with you, [Y/N]," she said. "I don't know how I can keep you," she paused, "safe. How I could do this, on my own, in any normal way."

She got out of the car and grabbed your bag, shoving it against your chest. "Camp is just up that hill there," she said, gesturing in the direction of the large tree you'd seen earlier. "They’ve got people up there waiting for you."

"Mom," you said. "Wait, I—I wanted to talk to you—"

She shook her head. "I can't come with you, sweetie." She smiled, the curve of her mouth falling just short of her eyes. "You just remember that I love you, okay?"

At that moment, you knew: she was going to leave you here.

“No,” you said, tears rolling down your face. “No, no—Mom. Mom, please.”

“Before you go,” she said, her voice tight and sharp, “I wanted to give you this.” She reached into the back seat and pulled out a jacket, worn leather with patched elbows. “It was mine in college,” she explained, not meeting your eyes. Like she was reading from a play or book, and you were the unfortunate audience. “I figure, it doesn’t fit me anymore.” 

She pressed a kiss to your forehead. “Happy birthday, baby.”

It was the first time you had ever felt like your mother loved you. You knew she liked you, sometimes. But you were never quite sure if she loved you until that moment. 

And then she got back into the car with one final, teary nod. 

And you never saw her again.

“Yeah,” you tell Luke, shrugging. “I think I’ve got a pretty good reason, though.” Your lips curve into a smile.

He laughs and tilts his head. It’s a habit of his; he’ll say something and twist his neck just a fraction, narrow his eyes. A nervous tic that not even years of training and fighting and killing could stamp out.

You used to think about kissing his neck when he did it, but now you’re not sure whether you would know the difference between kissing and ripping his throat out. 

“True,” Luke concedes. You laugh, too, unrestrained and loud. “Gods, your sense of humor is dark.”

“You laughed first,” you remind him. He grins.

The cupcake he offers you, despite its lumps and smears of frosting, is pretty good. You split it apart with careful fingers and hand half of it back to him.

“You’re celebrating with me,” you laugh, “so you get half. That’s the rule.”

Luke simply smiles at you and takes the crumbling cake from your hand. “Whatever you say.”

You roll your eyes, grinning back. “Damn right.”

Luke’s laugh rings out again, sharp and bright against the night sky. Firelight flickers across his face, painting him in brilliant streaks of orange and gold. 

“After tomorrow,” Luke murmurs, pulling his knees up to his chest, “we can do this whenever we want.” The wind ruffles his hair almost fondly, floppy brown curls stirring and settling back against his skull.

You raise an eyebrow. “This?”

He gestures in a wide arc. “Be here, like this. Just be people, instead of demigods or heroes or revolutionaries.” Luke’s voice picks up, conviction surging into his words. “I mean, seriously—when was the last time you thought you would ever have a normal life?”

You’d never understood the demigods who joined Luke’s cause without knowing him. The plan itself seemed crazy—the only way anyone would follow it was if they knew their leader could pull it off. 

You have to know Luke to know he was capable of that, you think.

Until now. Now, you see what you think everyone else sees—a real leader, a revolutionary. A force for change with a silver tongue.

He makes it all seem so possible. You almost think he might pull it off.

Luke looks over to you. “We’re going to change everything,” he says. 

Almost.

“We’re going to change the rules,” Luke said, spreading the map over an empty cot in his cabin. “If we want to win, we need to be thinking six steps ahead of the enemy.”

A few of the campers huddled around the makeshift table shuffled and coughed awkwardly. 

“Every strategy’s been done before,” a tall girl with bubblegum-pink hair and an eyebrow piercing shouted from the back of the group. “How are we going to out-war the god of war’s kids?” 

Murmurs rushed around the table, soft and susurrant. There’s no way we’re going anywhere here. We’ve gotten our asses beat six weeks in a row. What are we even doing?

Luke smiled. “Ares is the god of war,” he said, “not strategy.” He slung his arm around one of the campers next to him and inclined his head in the direction of the map.

Quietly, almost too quiet for you to hear, he murmured into the girl’s ear. “Don’t doubt yourself, Bethy,” he whispered.

You learned three things in the ten minutes that she spent explaining your team’s new strategy—

—one, your team was going to kick some major ass—

—two, your strategist’s name was Annabeth Chase, and she was the smartest eight-year-old you have ever met—

—and three, Luke was right.

Annabeth’s plan took the rules of Capture the Flag and threw them out the window. She split the team into four subgroups, each with a delegated leader. Luke nodded along as she talked, marking the map with a stubby pencil. 

When Annabeth’s eyes, dark and piercing, searched the crowd and landed on you, you felt your heart stop.

“You,” she said, “are you good with a sword?”

You raised your eyebrow, pointing to yourself—just to confirm this genius child was speaking to you—and Annabeth nodded. 

“I guess?” You said, shrugging. “I know some basic stuff, and I’m good at disarming.”

Annabeth’s face broke into a smile. “Work with Luke on the first wave of offense.” She gestured to the map. “You two will take points B and B-one,” she explained. “My group will take the A-points. You wait for our signal to move in.”

You met Luke’s eyes across the table. Hey, you mouthed. 

His eyes flicked up and down your form. Hey, he mouthed back. You ready to win?

You smiled and nodded.

Good, Luke said, all teeth. Let’s go.

He stood and grabbed his helmet. You did the same.

“I’m [Y/N],” you said as you followed Luke through the forest. “We, uh—we met when I first got here, like, a year ago.” I was sobbing my eyes out because my mother abandoned me, you didn’t add. It was kind of pathetic. I think I threw up from crying so hard.

You suddenly hoped Luke didn’t remember meeting you, actually. That would be less embarrassing.

He turned and caught your eye. “You live in the same cabin as me. ‘Course I know you.” 

Of course he remembers.

You laughed, flushing red. “Oh. Yeah. Of course.”

The silence was so thick, you could have cut it with the sleek bronze of your sword.

In the end, it was Luke who broke the silence. “You wanna play a game while we wait out here?”

You shrugged. “Sure,” you said. 

“Twenty questions,” Luke replied. “So we can learn enough about each other to actually work together.” He smiled. “What’s your favorite color?”

“Low-hanging fruit,” you said, your voice just barely taking on a teasing tone. “It’s green.” 

Luke laughed, loud and full and bright. “Apologies,” he said; mirth crept into his words, staining everything with a tinge of that laughter. “I’ll go for the more gut-wrenching, intimate questions next time.”

You flushed red again. Intimate questions. What the hell does he mean by that?

“My turn,” you said instead. “What do you want to be when you get older?”

“We’ll be heroes,” Luke whispers. “Real heroes. Not figureheads propped up by the gods.”

You wish you could believe him. He’s lying on the beach next to you, his head resting in the junction between your shoulder and your neck. Over the treetops, the stars are beginning to fade from the sky.

It’s almost time.

Your throat feels like someone has sanded it down to expose your vocal cords. This is a bad idea, you want to say. We shouldn’t do this. Tell me we can still not do this. 

“Wanna play twenty questions?” You say, crackling and hoarse.

Luke turns to look at you. “Yeah,” he murmurs. 

“My turn first,” you whisper. Luke nods.

You take a deep breath, in and out. “Are we going to die doing this?”

Luke inhales sharply. “Maybe,” he says. Slowly. Deliberately. “But we’ll do everything we can to make sure we don’t.”

“I got another question,” you say. Luke raises an eyebrow. His knuckles brush yours as you sit up.

“Are you scared?”

It’s your birthday. 

You think you’re going to die. 

Luke is kneeling over you, the palm of his hand pressed against the wet opening in your stomach where someone had caught you with a spear. The shaft of it is still sticking out of you, you think. You’re afraid to look down, afraid to see it. 

“No,” Luke gasps, “no, no, no.”

You watch as the gold fades from his eye, leaving behind the honey-dark brown you remember. His hands are slick with blood—most of it’s probably yours, it has to be yours. You’re bleeding out, after all. 

You tug on Luke’s sleeve weakly. “Hey,” you breathe. “Luke. It’s okay, it’s okay. It’s going to be okay.”

“No,” he says. “You’re—you’re hurt.”

“I know,” you rasp. “I know it hurts. I’m the one—” 

You break off as a cough sticks in your throat. It feels wet. Oily. Desperate to get out. You taste the blood in the back of your throat before you can even take another breath.

“—I’m the one who’s feeling it,” you finish, your voice tilting up at the end. A joke. Gods, your sense of humor is dark.

Luke laughs weakly. “Don’t talk,” he says. “You’re gonna be just fine, [Y/N], just fine.”

He meets your eyes. You see him realize it in slow motion.

Tell him. Tell him now. He’s never going to know otherwise—he could die any minute—

“Luke,” you murmur. “Luke, did you know I loved you?”

He freezes. “What?”

You cough again. Blood spills over your lips. “I loved you,” you repeat. “Since we were campers. Had the…the biggest, stupidest crush on you.”

Luke shakes his head. “No, no,” he says. “You—”

“You’re my best friend,” you continue. “Whatever feelings were there, you’re my best friend.”

Luke’s palm against your stomach is warm. It feels safe. It feels like sleeping side-by-side in the cabin, like shared meals and shared secrets. 

“Why are you telling me this?” Luke says, “why are you—why?”

You blink, just once, but it takes everything you have to open your eyes again after closing them. “Because I’m going to die,” you whisper. “And even if—even though I moved on, I wanted you to…to know.”

Luke bows over your body, pressing his forehead to yours. Tears slip from his cheeks and fall onto yours, driving little rivers through the blood smeared there.

He’s crying. Why is he—

“You idiot,” Luke says brokenly. “I loved you too. I loved you too.” He cradles your head in his lap, brushing your hair away from your face. “[Y/N], I’m so sorry.”

Your eyes slip shut.

I loved you too, Luke’s voice echoes. I loved you too.

[imaginespazzi]

Part 4: Warning Bells

Masterlist - Part 1 - Part 2 - Part 3 - Part 5 - Part 6 - Part 7 - Part 8 - Part 9

I don't think I can do this again (do you remember it too?)

(In which a self-admittedly all over the place writer takes you on a bit of a rollercoaster)

Pairing: Paige Bueckers X Azzi Fudd

Themes: Fluff, Angst, Pining (the usuals)

Words: 6.1K

TW: Swearing, Mentions of Divorce

A/N: Hi lovelies :) Guess who made a deadline again? I'm as shocked as y'all are but I do wanna just warn y'all that August is gonna be really busy for me so as much as I'm gonna try to stick to schedule, there's a pretty good chance I won't. I really appreciate y'alls feedback with live-reacts/long reviews and it's truly the motivating factor behind my writing so pretty please keep sending them. I did edit (as usual) but please let me know the most likely existent typos anyway. As always, let me know what you liked, disliked and what you wanna see next. Have a lovely rest of your week my loves <3

March 2033 

Here’s what Azzi has learned about motherhood: having kids means that there will come many times in your life, when you will look around you and wonder how the hell did I get here. It’s that thought that’s currently plaguing her as she finishes hanging up the WELCOME HOME banner on the living room wall in her ex-girlfriend’s new apartment. And when she’s talking about kids, she’s not talking about her five year old who’s currently sticking purple hearts on every surface she can find. No, she’s talking about her 6’5 teammate who she’d once “adopted” as a joke in college, but who’s basically become her surrogate child ever since they’d ended up on the same WNBA team. 

It had started as a casual conversation when Jana, as she often did, had shown up for an impromptu lunch. The topic of Paige was hard to avoid considering it was Stephie’s favorite subject, heightened by the fact that Paige was coming back soon and Stephie was far too excited to finally have her Miss Buecks back. Jana was more than happy to indulge the little girl in conversation about what Paige had been like at UConn. And if Azzi had lost herself in those memories for a moment, transported back in time to a world that had once been blooming with promise before wilting in a darkness she’d created herself, well, she’d done an excellent job not letting it show on her face. 

The real issue had started when Jana had casually let slip her idea of surprising Paige with a little welcome party. And as Stephie had started reciting all the different things they could do -because of course me and Mama will help you Aunty J, Azzi had glared at Jana, only to receive an innocent smile in return that told her everything she needed to know. She’d been set up. 

That’s how, instead of spending her Saturday curled up on her comfortable couch with a book in her hands, Azzi is here instead and in true fashion, she’s the only one actually getting anything done. Jana, who had just left about twenty minutes ago to pick Paige up, had invited some of the other girls on the team to come help out yet, something about more hands on deck. Those supposed helpful hands had spent the last hour blowing up and popping balloons and getting nothing else done.

“I can’t believe y’all have me decorating for the woman who cost me my first national championship,” Joyce laments, “I still have nightmares from that game.”

“You gotta let that hurt go Aunty Joy,” Stephie says impishly, mimicking what Jana would normally say whenever the infamous 2025 South Carolina vs UConn national championship got brought up. 

“Don’t sass me Miss Stephanie,” Joyce sticks out her tongue at the little girl, throwing a purple balloon at Stephie’s head, “hasn’t your Mama taught you that we don’t mock people’s pain.”

“Ignore her Steph,” Tessa says, bumping her former Gamecock teammate as she shares a devilish grin with Azzi’s daughter, “she’s just upset she only won one. Some of us have two.”

Joyce guffaws, throwing another balloon, this time aimed at Tessa, “dude we’re supposed to be on the same team. What would Coach Staley say to you teaming with UConn people of all things to bully me?”

“She’d thank me for making sure you didn’t get a big head,” Tessa snipes back. 

Whatever response Joyce has to that quip is cut short by the doorbell ringing and Azzi feels her heartbeat quicken as Stephie lets out a squeal, dropping everything to go answer it. Things had been different since the facetime call almost two weeks ago. They’d accidentally on purpose settled into a routine where Stephie would call Paige at exactly 7 p.m. and Paige would answer on the first ring, promising to stay on the phone till the little girl fell asleep. And it would’ve been fine if that’s all it was. But then Paige started staying on the phone till after Stephie fell asleep and suddenly it was like they were back to their teenage selves, talking about everything and nothing, trying to learn every page of each other’s story all over again. 

Azzi had missed so much about Paige in the last couple of years but there was nothing she’d missed more than just talking to her best friend. She’d missed the way Paige would tell a story, going off on a million tangents in between. She’d missed the way her eyes would light up when she got to a particularly exciting part of the story, specks of gold shimmering in the blue like sunlight hitting the ocean. She’d missed the way Paige’s hands would be flying animatedly all over the place, even when she was whispering. She’d missed the way the blonde would pause halfway through to observe if Azzi was still listening, making sure all of the attention was still on her. And she’d missed the way that when it was Azzi’s turn to speak, Paige would hang onto every word like it was gospel, intently listening like she’d never forgive herself if she couldn’t recite everything Azzi had just said from memory. She’d missed the way Paige would let her emotions freely flicker across her face, because whatever happened to Azzi, Paige felt it too. 

She’d missed and missed, convinced the pain would be the end of her, until she’d tricked her mind into forgetting. And now Azzi’s beginning to realize that remembering it all again, might just be the thing that kills her. 

“Nevermind,” Stephie walks back to the room, sulking slightly, “it’s just Aunty Liyah.”

“Oh thanks Stephie babe. That makes me feel so wonderful,” Aaliyah says, walking in behind Stephie with an offended expression on her face, “and here I thought bringing cupcakes would make me popular.”

“Tell me those are store-bought Chavez. I ain’t trusting them if you made them yourselves,” Joyce says, side-eyeing the cupcakes. 

“Trust me I would never waste my precious time baking for y’all ungrateful ass-”

“Aaliyah,” Azzi shoots her younger teammate a sharp look.

“-ungrateful people,” Aaliyah corrects sheepishly, “cupcakes because y’all clearly don’t appreciate me.”

“I pre-ciate you Aunty Liyah,” Stephie says innocently, trying to get a better look at the aforementioned cupcakes, “you got the pu-ple ones right? They have to be pu-ple for Miss Buecks.”

Aaliyah bends down to Stephie’s level to show her the box of sweet treats “the perfect purple cupcakes for your Miss Buecks. How come you never wanna do nice things like this for us Stephie?”

“Because Miss Buecks is special,” Stephie retorts matter-of-factly.

“Oh so we’re not special?” Tessa asks, raising an eyebrow at Stephie.

“‘Course you are but Miss Buecks is special-er.”

And while her teammates all pretend to dramatically gasp at that, shaking their heads at Stephie, Azzi feels like someone’s squeezing her heart, twisting and twisting but never fully breaking it. She wonders if that might hurt less.

It’s another 10 minutes later when the doorbell rings again and Azzi watches her daughter’s face break into an incandescent grin, filled with hope, as she rushes to open the door because it has to be Paige this time. Azzi follows after her, trying to keep her breathing under control as anticipation clings to her nerves. Azzi’s gotten so spectacularly good at lying to herself that she tells herself this next one with ease: there’s not a single part of her that’s eager to see Paige again. 

“SURPRISE,” Stephie screams, flinging the front door open with as much strength as she can muster. She doesn’t give Paige a chance to react before she’s throwing herself against the blonde’s legs, hugging her thighs. 

It takes a second for Paige to register what’s happening, but when she does, it’s Azzi she’s looking at. Everything seems to move in slow motion as they stare at each other, the reality of the moment suddenly settling in. Paige is here. In Oakland. They’re going to be teammates; they’re going to see each other almost every day. Just like they used to. Except nothing is like it used to be and as that bitter truth comes up like bile in Azzi’s throat, she has to force herself to look away. 

“Miss Buecks,” Stephie calls out, tugging at the hem of Paige’s white shirt to get her attention, “do you like my surprise?”

Paige tears her eyes away from Azzi, leaning down to pick Stephie up before peppering her faces with kisses and making the younger girl squeal in delight, “best surprise ever.”

And Azzi really, really, can’t watch this. Not when it makes her want to walk over and cocoon herself in with the two of them, makes her want to pretend that she’s living in another life, one where she hadn’t thrown away the chance of a happily ever after with the girl she’d fallen in love with at fourteen, 

“Oh yeah Stephie, your surprise. Take all the credit. Not like the rest of us did anything,” Joyce rolls her eyes goodnaturedly, before pulling Paige into a one-armed hug, “welcome to the Bay Area Bueckers.”

Tessa and Aaliyah are next, both sharing warm hugs with their new teammate. Once they’ve had their turn, all eyes seem to turn to Azzi expectantly and the brunette blanches under their gaze. Other than Jana, who suddenly seems pretty heavily interested in the doorframe, the rest of her teammates don’t know about her past with Paige. So it’s only natural they’d expect her to greet Paige with all the cordiality of an old friend. 

“Y’all good?” Joyce asks slowly, looking between the two of them, “do you want me to introduce y’all or?”

“Shut up,” Azzi murmurs before drawing in a deep breath and stepping towards Paige. She tries not to fixate on the way Paige’s jaw flexes when the blonde swallows, tries not to think about all the patterns she’d once carved against that little patch of skin because she knew it drove Paige insane. The thing is Azzi can’t even really remember the last time they hugged beyond a for-the-cameras one at a game. But as she wraps her arms around Paige, the older woman’s breath tickling against her ear as she grips Azzi’s waist, it doesn’t feel that much different from how it used to be. Paige’s arms are still safe and strong and Azzi still wants to melt into them. But what’s different is that Stephie’s in between them now, tiny hands securely fastened around both of their necks. And Azzi almost, almost gives into the feeling of belonging as she whispers two simple words that mean just a little too much.

“Welcome home.”

***

Seven pairs of eyes watch as the movers move box after box after box into Paige’s apartment, until there’s more cardboard than floor visible. The three non-UConn girlies are wide-eyed as they watch the pile grow endlessly. Meanwhile Jana is laughing while Azzi tries to hide a smile behind her hands as the realization that she’d have to unpack all of her stuff hits Paige in waves, and her expression grows more and more somber. Once the movers are finally done, it’s Stephie, whose hand is still firmly clasped in Paige’s, who breaks the silence. 

“You have a lot of things Miss Buecks,” the little girl crinkles her nose, as she points out the obvious, “do you really need all of this stuff.”

“Of course I do Stephie,” Paige says indignantly and Azzi scoffs, earning her a withering glare from the blond. 

“Aight well it was nice to meet you-” Joyce starts, slowly backing away from the mess until Jana blocks her way. 

“Oh no you don’t. I told y’all we were all gonna help her move in. Call it team bonding,” the Egyptian says, her voice vaguely threatening. 

“Most of the team isn’t even here,” Aaliyah points out cautiously. 

“That’s not the point,” Jana rebukes, “alright team listen up. Here’s how this is going to go-”

“Maybe Paige should take charge. It is her apartment,” Tessa says slowly. 

“If we put Paige in charge she’ll tell us all to go home and procrastinate doing anything until after the season,” Azzi says, a knowing smirk playing on her lips. 

Paige pouts, “hey! I’m not that bad.”

“Oh you absolutely are.”

“Am not.”

“Are too.”

“O-kay,” Jana claps, breaking apart the bickering, “it’s good to see the two of you are apparently younger than Stephie,” she holds up a hands a both Paige and Azzi start to splutter in their defense, “now as I was saying before being rudely interrupted. We’re gonna split this up. Joyce and I are gonna do the living room. Aaliyah and Tessa, y’all are gonna fix the guest room. Which leaves,” Jana smiles, and it’s only because Azzi knows her so well that she can read the menacing sparkle behind it, “Paige and Azzi to tackle the master bedroom.”

They both open their mouths to protest but are quick to get cut off by an excited Stephie, “I’mma help Mama and Miss Buecks!”

“Of course you are, why would you ever help anybody else? Clearly you don’t love us anymore. Not since your precious Miss Buecks got here,” Joyce says dramatically and while Paige smirks and the rest of the girls pretend to act mock offended, Azzi uses the distraction to sidle up to Jana. 

“What the fuck are you playing at El-Alfy,” she hisses under hear breath.

Jana shrugs innocently, “the master bedroom is the hardest because Paige has so many fucking clothes so I’m letting y’all old heads do it. Some of us are below 30 ya know.”

“Cut the bullshit,” Azzi snaps. 

“I have absolutely no idea what you’re talking about Fudd,” Jana says airily as she starts to unpack a box, leaving Azzi muttering curses under her breath. 

“Hey-”

Azzi spins around at the soft voice, only to find herself crashing against a solid body. It’s instinct, the way Paige’s hands immediately reach out to steady her and it’s instinct, the way Azzi’s hands grab at the lapels of the blond’s shirt. Goosebumps trails up her skin as Paige's breath, hot and heavy, fans across her face. They’re too close; way too close and yet the idea of stepping away feels like a sin. Azzi gulps as her thumb accidentally brushes Paige’s collarbone and the other woman shivers under her touch. She thinks she could probably get drunk off the feeling of knowing that she can still affect Paige like that. 

“You uh-” Paige swallows, fingers squeezing involuntarily against Azzi’s hip, “you don’t have to listen to Jana. I can- I can figure it out myself.”

“N-no,” Azzi stutters and she wonders if Paige feels a high from the way she still affects Azzi too, “there’s um- you have- uh- you have a lot of stuff. I can-,” she sucks in a deep breath, “I’ll help.”

“You sure?” there’s a vulnerable edge to Paige’s tone and any resolve Azzi could ever have melts immediately. 

“I want to help,” she says softly, letting a small smile slip onto her lips. 

The smile she gets in return is bright and sparkling, just like Paige herself and Azzi’s heart lurches, pleased to be the one receiving it, pleased to be the one who’d elicited it, “Good, cause I really wanted your help.”

Azzi shakes her head, trying to ignore the warning bells blazing in her head at the fact that they’re still holding each other, “why’d you pretend you didn’t?”

“I just wanted to hear you say it first,” Paige says, biting at her bottom lip. It leaves a light mark and Azzi finds herself wanting to soothe it over with her own tongue.

She thinks it might have been easier if it was just a little harder to fall back into Paige. It shouldn’t be so simple to fall back into late night conversations, so simple to fall back into easy teasing, so simple to fall back into feeling at peace in Paige’s arms. But it is. 

“Mama, Miss Buecks,” it’s Stephie who breaks their bubble but instead of jumping away from each other like they should, they step apart only enough to let the little girl into the space between them, so she can lace her hands through both of theirs, “are you ready?”

“Before you go Paige,” Tessa calls out, holding up a clear bag of corner guards and edge protectors, “what are we doing with these?”

Paige shuffles her feet nervously, “you um- you put them on the edge of like tables and stuff.”

“Bro but they’re for people who have children?” Joyce says, giving Paige a weird look, “you have a kid we don’t know about?”

Paige’s eyes flicker to Stephie for a brief second and Azzi freezes, a warm realization tickling up her spine. Butterflies erupt in her stomach, their wings fluttering to the beat of what’s mine could have been ours. 

“Of course not. I’m just super clumsy so precautions and all that,” the blond explains, shooting Jana a glare when the taller woman barely masks a giggle, “quit procrastinating by asking all these questions and get to work.”

“Has anyone ever told you the importance of first impressions? Because I’m telling you Bueckers, using your teammates as unpaid labor the first time you meet them is not it,” Aaliyah gives Paige a pointed look. 

“This wasn’t even my idea in the first place,” Paige defends. 

“True,” Tessa nods with a sickly sweet smile, “but you’re gonna pay for the pizza anyways.”

“I’m not pay-”

“PIZZA,” Stephie squeals, “Miss Buecks you’re gonna get us Pizza?”

“Yeah Miss Buecks,” Azzi smickers, crossing her arms as Paige’s stubborn retort dies on her lips, “you gonna get us pizza?”

Paige glares at her before she’s swinging Stephie up onto her lap again. And she really needs to stop doing things like that because it’s not remotely good for Azzi’s mental health to watch the way Stephie seems to fit perfectly in Paige’s arms, “of course I am Steph, what do you want?”

The two of them are lost in their own world discussing pizza toppings as Paige starts walking over to the master bedroom, until suddenly they're both turning around, looking at Azzi with identical expressions. And the brunette feels her heart tap out this could be my everything against her ribcage. 

“You coming Azzi?”

“Mama, are you coming?”

I’d go anywhere with the two of you, Azzi thinks as she nods her head, a light skip in her step as she moves to catch up with the two of them. 

“Of course I’m coming.”

***

Less than 10 minutes into trying to unpack, Azzi realizes that she’s the only one trying to unpack anything when she looks up from where she’s been folding t-shirts -trying and failing at not breathing in their familiar scent- to find Stephie decked in a colorful cardigan that goes all the way down to her toes, her feet clad in a pair of PB4’s that must be three times the size of her own shoes. A pair of Louis Vuitton sunglasses hide almost her entire face as she strikes pose after pose and Paige diligently takes pictures of her. 

“YES Stephie,” the blond indulges, “work it girl. There you go babe, hold that pose for me. You’re a natural in front of the camera.”

Stephie giggles and Azzi feels her heart constrict. Her favorite sound in the whole world has never sounded more like a signal for danger. 

“Ahem ahem,” she coughs, narrowing her eyes at the two people in front of her, “doesn’t look like y’all are unpacking to me.”

“Mama Miss Buecks has so many pretty clothes,” Stephie gushes, completely ignoring what her mother just said. 

“They’d look even prettier folded in her closet,” Azzi says pointedly. 

Stephie pouts, “you don’t think I look pretty?”

“You look really pretty in my clothes Stephie,” Paige cuts in, tapping the little girl on the nose before she turns her gaze towards Azzi, “just like your Mama used to.”

The silk material shirt slips out of Azzi’s hand as Paige’s words drizzle around her, like the rain after a drought. It takes every little bit of strength she can muster to force herself to ignore Paige’s words and pick up another shirt to fold even if she can’t stop the rouge tint that colors her face. There’s this part of her that’s been dormant for years but every little interaction with Paige threatens to awaken it and Azzi’s scared that if she lets that happen, she’ll never be able to put it to sleep again. 

“Just- just focus on unpacking,” Azzi mutters darkly. 

She spends the next hour or so, keeping her eyes downcast, her complete focus on the task at hand. Because if she looks up, if she lets herself see the way Stephie and Paige are folding clothes together while giggling about something, if she lets herself see the way Stephie climbs onto Paige’s back so the woman can give her a piggyback to the closet to deposit the folded clothes, she thinks she could fall in love with this moment, capture it behind her eyelids and let it live there forever. But this moment doesn’t belong to Azzi. Because Paige doesn’t belong to Azzi. Not anymore. 

Azzi’s taken away from her thoughts when she feels a tiny hand wrapping around her neck from behind, Stephie’s warm body pressing against her back and just like that, all the tension in her muscles seem to dissipate. 

“What’s up sweetheart,” she asks, turning her head to press her lips against her daughter’s temple. 

“Nothing Mama,” Stephie says sweetly, “just wanted to give you a hug.”

“Sure you’re not just trying to get out of helping Miss Buecks unpack?” Azzi asks slyly, pulling Stephie from behind her, so the little girl’s lying on her lap instead. She can feel Paige’s eyes focused on the two of them and even without looking, she thinks she knows what she’d find in them if she did. 

“Of course not Mama,” Stephie grins and then squeals as Azzi begins to tickle her. 

“I think you are,” Azzi sings-songs as she continues to poke at her daughter’s stomach, reveling in the way it makes the child laugh. 

“N-no Mama stop, stop,” Stephie manages to wrench herself out from Azzi’s grip, darting to hide behind Paige’s legs, “Miss Buecks save me.”

“There’s no saving you now Stephie-bear,” Azzi roars dramatically as she picks herself off the floor, smirking at her daughter as she wriggles her fingers menacingly. 

“You know what the best way to stop someone from tickling you is Stephie?” Paige says slowly, sending the little girl a conspiratorial wink.

“Don’t you dare-” 

“You tickle them back,” Paige yells and Stephie eyes widen with excitement, “did you know your Mama’s extremely ticklish?”

“Paige no,” Azzi starts moving back, hands held in surrender. 

“You started it.”

“Yeah Mama, you started it.”

“Paige. Stephie. Ple-” Azzi cuts herself off with squeal as two sets of hands start mercilessly prodding at her ribcage. She can’t get away, not when Paige has her securely wrapped from the back and Stephie’s pressed against her front, both of them laughing maniacally. They’re a mess of limbs that’s becoming harder and harder to tell apart as the three of them topple onto Paige’s bed. And Azzi thinks maybe she doesn’t want to escape it at all. She thinks she’d like to freeze them in this moment instead. Forever. 

“Pizza’s here,” someone yells from the living room and it’s Stephie who stops first, immediately jumping off the bed at the mention of food, leaving Paige and Azzi alone. On Paige’s bed. Barely an inch of distance between them as they try to catch their breath. It’s Azzi who sits up first, smoothening the wrinkles on her shirt. And just as she’s about to stand up fully, she feels a hand circling around her wrist. 

“It’s gonna be weird being alone tonight,” Paige confesses softly and Azzi feels her breath hitch.

“Didn’t you live alone in Dallas? At least after the divorce?” she tries to keep the bitterness out of her voice at the last word, a bitterness she knows she has absolutely no right to feel. 

Paige shrugs, her shoulders brushing against Azzi’s, “I did but I knew Dallas. I don’t know this place.”

“What exactly are you asking me?” Azzi asks even though she knows. 

“I’m not asking you anything. I don’t know if I have that right anymore” Paige says softly, letting go of Azzi’s wrist as she starts to walk towards the living room, turning her head back slightly once she gets to the door, “I’m just telling you I don’t wanna be alone tonight.”

***

Damn Paige Bueckers and her vulnerable eyes and her earnest tone because Azzi would, really, really like to be enjoying her slice of pizza right now. Instead everything tastes like ashes as Paige’s unsaid plea rings in her head. There are so many reasons why Azzi absolutely shouldn’t give in, why she should grab Stephie, get into her car, drive home and never look back. This involuntary dance the two of them are starting is far too familiar to what they’d done when they were teenagers and the vivid memories of the day the music stopped and they’re feet stopped moving still haunt Azzi every time she lets herself think of it for a little too long. And she shouldn’t push herself into this fire again, not when there’s Stephie to think about, but there’s a tiny little problem. She thinks she might be addicted to burning in Paige’s flames. 

So when the pizza’s done and the house is more or less in order, and her teammates are ready to leave, looking expectantly at Azzi, she finds herself leaping into lava, “um- I think Stephie and I are gonna stay for a little bit longer.”

“We are?” Stephie asks, a huge smile stretching the length of her face as she looks up at her mother. 

“Yeah. Um- Paige’s bedroom still um- still needs some work,” Azzi tries to justify her decision, ignoring the heat of the blond’s eyes that seem to be perpetually stuck staring at her. 

Joyce raises a perplexed eyebrow, “it looked done to me.”

Paige clears her throat, “there’s definitely uh- a couple more things that need to be handled.”

“It’s almost Stephie’s bedtime. I could stay and help-” Jana begins, eyeing the two of them suspiciously.

“No,” Paige says, a little louder than necessary, “I mean you’ve already done so much for me today Jana,” she manages a smirk, “let Azzi pull her weight a little bit too ya know.”

Janna narrows her eyes but doesn’t push it. It’s oddly domestic, standing side by side with Paige bidding goodbye to their teammates, Stephie in between them happily waving at the people that are leaving. The warning bells get louder and louder; Azzi continues to do nothing to stop them. 

“Mama, how long are we staying?” Stephie asks innocently. 

“We um-” Azzi chews at her lip, finally giving into the temptation to look at Paige, “we’re gonna stay with Miss Buecks tonight so she doesn’t feel alone.”

The shrill scream that escapes Stephie’s mouth could probably break glass as she turns herself around to grab at Paige’s waist, “Miss Buecks I’m gonna stay with you! We’re gonna have a sleep-over.”

Paige laughs, kneeling down so she’s face to face with the little girl, “yeah we are.”

“Are you scared to sleep alone too Miss Buecks?” Stephie asks cautiously, cupping Paige’s face with tiny hands. 

“Just a little bit,” Paige admits, leaning into Stephie’s touch. 

“Me too,” Stephie whispers shyly, “that’s why I sneak into Mama's bed and she gives me lots and lots and lots of cuddles. Mama’s cuddles are the best,” she turns to Azzi, “Mama will you give Miss Buecks cuddles tonight too?”

“I uh-” Azzi swallows, taken aback by the question, “I thought you didn’t like sharing Mama’s cuddles?”

“I don’t,” Stephie agrees, “but I’d be okay sharing them with Miss Buecks.”

***

Azzi had planned -a loose term because really she hadn’t planned on any of this- for her and Stephie to take the guest room. Paige had been ready to give up her own room on the grounds of politeness. And Stephie was insistent that she needed to sleep in between both Mama and Miss Buecks tonight because it’s a sleepover we all have to stay together. Obviously out of the three of them, only one of them was going their way and it didn’t take a genius to figure out who that would be.  That’s how they’d ended up here, dragging chairs and pillows and blankets into the middle of the living room to create a makeshift fort. 

Azzi’s putting on the finishing touches, stringing purple fairy lights Paige had produced out of nowhere, when Stephie emerges from Paige’s bedroom where she’d gone looking for something to wear in lieu of pajamas. 

“Mama look what I found,” Stephie beams, proudly pointing at the black t-shirt she’s found that covers her whole body, “it’s you and Miss Buecks when you were littler.”

It’s their SLAM cover t-shirt and Azzi feels tears prickling at her waterline as she’s met with the picture of a younger version of the two of them. Back when they’d been so hopeful and carefree, ready to take on the world as long as they could do it together. Back when they’d been 2 in a million.

“I can’t believe you still have this,” Azzi whispers, unable to stop herself from running her fingers across the version of who they used to be. She wonders what those girls would think of them now; those girls who’d laid and bed and pinky promised forever. She thinks they’d probably be appalled at the fact that Paige and Azzi had spent eight years barely speaking. She thinks maybe they’d hate her for what she’d done. She thinks maybe she hates herself a little bit for what she’s done to them. 

Paige is leaning against the wall, her voice quiet when she speaks, “I couldn’t let it go.”

And they both know she’s not talking about the shirt. 

“Can we watch a movie?” Stephie asks, diving into the fort and peering up at the two adults. 

Paige recovers first, “yeah- yeah of course Steph,” she looks at Azzi, “do you- do you want something else to sleep in?”

“I’m good,” Azzi says, trying to inconspicuously brush away a rebellious tear. The shirt she’s wearing feels itchy against her skin but she doesn’t think she could handle wearing something of Paige’s. She scooches into the fort, leaning back against one of the pillows and Stephie’s quick to curl into her and Azzi absentmindedly rubs her hands down her daughter’s back. Paige switches on the TV, letting Stephie dictate a movie choice before letting herself into the fort, laying down on Stephie’s other side. 

“Miss Buecks come cuddle,” Stephie demands from where her head is laying on Azzi’s chest. When Paige hesitates, the younger girl takes it upon herself to pull Paige’s arms over her, making the older woman lie on her side so she can drape her hands over Stephie's stomach, accidentally brushing against Azzi’s ribcage. Stephie lets out a satisfied sigh, lying back down against Azzi, crossing her arms so she can hold Paige’s hand with one and latch onto her mother with the other. 

“Perfect.”

And it is. The sound of Stephie’s chatter slowly fading away mixed with Paige’s quiet breathing is the perfect lullaby and Azzi finds herself drifting off into the best sleep she’s had in years. 

***

Sunlight peeks in through the window and Azzi groans at the interruption. Her whole body feels a little stiff, not used to sleeping on the floor like this. A quick glance at her phone tells her it’s 7 a.m. and Azzi’s just about to let herself fall back asleep when her eyes land on the two sleeping figures next to her. Stephie’s face is buried in Paige’s neck, one arm slung over her waist. Paige, mouth slightly ajar as she sleeps, has both hands fastened on the younger, holding her tightly against her chest like she’d fight the world if someone tried to steal her from her grip. They look happy, content, at peace. And Azzi can’t breathe. 

The warning bells in her head create a cacophonous commotion that she can no longer escape. It hits her like whiplash that she can’t do this. She doesn’t know what had gotten into her last night, why she’d agreed to this, to any of this. But she can’t do this. 

“Stephie,” Azzi whispers urgently, trying to pull her daughter out of Paige’s grasp, “Stephie wake up.”

“Az?” Paige asks groggily, stirring in her sleep, “what’s going on?”

“We need to go home,” Azzi says and she can’t bear to look at Paige. 

“What?” Paige is far more awake now as she glances at her phone, “it’s 7 am Azzi. What’s the rush?"

Azzi ignores her, still trying to wake Stephie up who groans, “Mama too early.”

“Steph-”

“Azzi,” Paige’s voice is firm as she wraps her hand around Azzi’s wrist, slipping Stephie off of her, “what is going on.”

Azzi grits her teeth, “nothing’s going on. We just need to go home.”

“Azzi-”

“We shouldn’t have stayed last night Paige,” Azzi bursts out and Paige freezes. 

“Come out of the fort Azzi,” the blond says, her voice eerily calm as she stands up. Azzi follows after her, heart beating rapidly against her chest as she tries to keep the tears at bay. 

“We need to go home,” the brunette repeats, struggling to breathe, “this was a mistake,” Paige flinches and Azzi feels a knife turn in her own hurt, “we can’t do this.”

“Do what Azzi?” Paige asks exasperatedly, still trying to keep her voice low for Stephie’s sake. 

“This,” Azzi all but shrieks, throwing her hands up, “it’s too much, too quick and Stephie- Stephie’s getting attached and I can’t- I can’t let that happen.”

“Why not?” Paige argues stubbornly. 

“Because these last two weeks she couldn’t fall asleep without you on the phone. Because you’re all she talks about sometimes. Because she’s gonna want you forever,” Azzi’s voice breaks, “and she can’t have you forever.”

“Az-”

“And you’re getting attached too. I see the way you look at her and it’s amazing but it’s not- it’s not sustainable Paige. For either of you. Because you’re gonna find someone soon,” the words taste sour on Azzi’s tongue, “and you’re not gonna have time for her and missing you is going to kill her and the guilt of that is going to hurt you. I’m trying to pro-”

“Don’t you fucking dare,” Paige’s voice is hard now, eyes gleaming with fire, “you’re basing all of this on a hypothetical that might not even come true. You’re not protecting anybody. You’re projecting.”

Azzi reels back, “I am not projecting.”

“Yes you are,” Paige hisses, “you’re not scared of Stephie or me getting too attached. You’re scared of yourself getting too attached.”

“Mama? Miss Buecks,” Stephie’s tired eyes look warily between the two of them, “what’s going on?”

Azzi plasters a smile on her face as she picks up her little girl, trying to pretend that the truth in Paige’s words haven’t just made her feel hollow, “we’re going home Stephie.”

“I don’t wanna go home,” Stephie fights against Azzi’s grip, looking helplessly at Paige, “Miss Buecks I wanna stay. Can I please stay?”

“You have to listen to your Mama sweetheart” Paige says softly, heartbreak written over her face as she moves to press a kiss against Stephie’s knuckles, “but I’ll see you soon okay. I promise.”

“Miss Buecks,” Stephie whimpers and Azzi has never hated herself more as she rushes out of Paige’s new house, willing herself to not look back. She buckles Stephie in the back, pretending she doesn’t see the way Paige is watching them leave from the porch, like she’d do anything to stop it. And then she drives away. 

It isn’t until she’s safely in the confines over her own room, that Azzi finally lets the tears fall. And she consoles herself with the fact that it’s okay to crack her daughter's heart, to crack Paige’s heart, to crack her own heart, if that’s the only way she can stop their hearts from breaking altogether.

[mikeyhyy]

After 30 years... (Ford × Male reader)part 1

This is Ford × Male Reader, this story takes place in the year the series takes place. The reader and Ford had a relationship, but it ended because of Bill (I can write a story explaining this part if you want). The reader is 50 years old, he was 20 when he met Ford.

I don't write for female readers so don't even try to ask if it's for a female reader.

ATTENTION: Chapter not revised

______________________________________________

How long has it been since you last seen Ford? 30 years? He just disappeared after the breakup and you don't know where he was, when you broke up it was a very strange breakup because Ford had a different voice and different colored eyes when he simply said he wanted to break up with you, but then they called you a few days ago and who had a female voice that sounded extremely excited and she said that Ford wanted to see you, but it sounded like a voice that was too young to be his wife or something. Now you are in front of the door of the 'Mystery Shack' is that the new name they gave it? Do you remember that Ford never commercialized his discoveries because that was not what he wanted.

You are currently in your fifties and you really are in the best state because you were only twenty when you dated Ford, you were young and naive and he scientist who lived in the isolated cabin in the forest. You actually found the whole mystery very attractive and he found you very attractive too so it came to that.

You only heard from Ford after the break up when you saw a newspaper headline showing him practically drunk in a bar, you realized he was with those same different eyes and decided to stop caring. But that didn't happen and you've been trying to hear from him for the last 30 years.

You squeeze the fabric of his jeans tightly and it feels like a lump has formed in your throat until you wait for a moment until you get the courage, you take a deep breath before finally opening the front door of the store and you enter the store.

Your eyes analyze the store for a moment, you see the absurd prices of strange things that if you have at least two neurons you realize are fake and it doesn't take long so that you heard an excited voice. "Are you the (name)?!" The girl with long brown hair halfway down her back, dressed in a skirt that was a little long to her knees and a very striking sweater, she had a smile on her face which showed her appearance. "Wow, Great uncle Ford was right when he said you're very handsome." The girl speaks again looking very excited, but the boy next to her stares at you even more curiously and he looked like a male version of her, but quieter and he had shorter hair, wore an orange t-shirt, dark blue vest, shorts up to the knee and a cap with a blue brim and blue sides with a blue pine tree.

"Yes, I'm (name)…" You say and put your hands in your pants pockets so as not to show that you're a little nervous, the girl asks you a billion questions and then you see the snack machine moving out of place and being pushed as if it were a door. The one who leaves there is the man who, even though he broke up with you years ago, never left your heart because he was your first love and you were the first love of his life and this is obvious because he drops whatever was in his heart. his hand the moment he sees you.

He looks at you from top to bottom, you've aged very well from his perspective, in fact from a general perspective, you still have a well-built body and your skin hasn't lost much collagen as it is normal for your age and you look so good.

But you can't help but look passionately at Ford, he doesn't look bad either and the gray hair makes him even more attractive in your opinion and he seemed to be in great condition physical. He has become even more handsome, it seems that time has only been good for him.

"(Name)…" Ford's voice sounds almost inaudible, he is so surprised, he runs his hand through his own gray hair with a slightly trembling hand and he can’t seem to believe you’re standing right in front of him after so many years. You look great, his heart beats fast when he looks at you and he can see in your eyes the man he has loved for years even if he has tried his best to forget you in the last few years in which he has passed through different dimensions.

Silence goes on for a few minutes before finally being cut off by the girl in the sweater. "So, it looks like you guys have a lot to talk about and the best way to talk alone is maybe to go out there or whatever older people do when they want a moment alone." She says and looks more thoughtful at the end as she scratches her own chin with a thoughtful expression.

Ford's cheeks get a little red and he motions for you to follow him to the basement because it's no secret to you what's there Inside, you follow him and when you enter he closes the 'door' and you go down the stairs to the bottom. As you go down you see those same screens, buttons and machines so you know that Ford is still the same Ford that you met years ago and won your heart.

(Continues in part 2…)

______________________________________________

I hope you liked it, my creativity ran out at the end and I decided to post a part two for their conversation.

[bigification]

Corporate

John had coasted through his twenties like he thought everyone did. He got a quick degree in business and spent the next ten years traveling, partying, and fucking... A lot. His parents let him do whatever he wanted as long as he got a degree, they didn't say anything about using the degree.

He excused his behavior because every other rich white guy he partied with was doing the same thing. He had never even had an extended conversation with someone outside of the 1 percent, and it showed.

Hey, I mean at least he was really good at the one thing he did. To the point that he wouldn't remember most nights, only waking up with women's clothes in his bed. He would start swinging his massive dick around as soon as he got drunk and it wouldn't take long for someone to drag him to bed.

But it couldn't last forever. 30 came faster than he thought and it hit him like a truck. He couldn't drink like he used to, he couldn't party as hard as wanted to. His hairline was starting to recede and his six pack was disappearing under what would soon be a small beer belly. There were starting to be consequences for his actions. And as if it couldn't get any worse for poor John, his parents let him know what his birthday present was for this year. Every year prior had been something extravagant like a yacht or a sports car, so he was really looking forward to the big gift to make 30 not seem so bad.

Two weeks before his birthday, John received a text saying that his parents would take away his generous allowance if he didn't get a job by the time he was 30. His heart skipped a beat, he thought it was some big joke. He thought back to the times his parents had asked him to get a job before but he never thought they were serious. Though they did ask a lot now that he's thinking of it, and they didn't sound like they were joking.

John texted back, "haha, but seriously what is it?" Hoping they would back off and he could go back to being the old guy at all the yacht parties he threw. But they put their put down this time, threatening his 200k a month allowance and his present he was expecting for his birthday.

One week of the adult equivalent of kicking and screaming later, John gives in. Now he only has one week before it starts to cut into his allowance. He scrambled to make a shitty resume, assuming a business degree would get him any job he wanted.

He nervously clicked on a link his dad sent him to a company that works under his father's business. He submitted his resume and waited. It didn't take long for him to get a response and John patted himself on the back for making such a good resume. Although they obviously never even opened the resume, just going off of his father's recommendation.

He set up an interview for just before his birthday, and continued to party like he was still 20. He woke up the day of the interview, hungover and still wearing his disgusting clothes from the night before. He was nearly falling asleep at the wheel as he hadn't woken up before noon in ages, 10 am was such a ridiculous time to set an interview.

He stumbled into the expensive looking building and stood in front of reception.

"How can I help you?" The young lady behind the counter asked.

"Ugh... Yeah I could think of a few ways you could help me." John winked and gave a lazy smile.

"Sir, if you don't have any business here, I'm gonna have to ask you to leave." The lady raised her voice, trying to hide her discomfort.

"Whatever, I'm here for an interview."

"What's your name?"

"John Fitzgerald."

The lady looked up for a moment, recognizing the name. She shook her head in disappointment as she grabbed the phone to call that he had arrived... only thirty minutes late.

A few moments later, an older man in a tailored suit approached the front desk. He walked right past John and asked the receptionist to point him in the direction of John. The lady looked over at John and raised her eyebrows to suggest he was right there. The older man turned and put on a fake smile to hide his disapproval.

"Follow me." The man put on a cheap up beat voice.

The man walked him down to a private office and opened a closet. He grabbed a dress shirt and black dress pants and basically shoved into John's chest.

"No man that respects himself wears those clothes to an interview, put these on." He let his anger slip through a bit.

"Wait really!?" John seemed perplexed. He thought he would answer a few questions about what he liked to do and that would be it.

"Yes, go on."

John sheepishly took off his shirt, revealing the small belly that had grown over his abs. It even bounced a bit as he pulled off his shirt. He then pulled down his pants to reveal his batman boxers that did nothing hide the massive bulge between his legs.

He slipped on the dress shirt, letting it spill to his knees like a dress. Then he pulled up the dress pants and held them at his waist. They were nearly 10 inches too long around the waist, and 5 inches too short, making them ride up his calves.

"They're too big!" John complained.

The man scoffed and grabbed a belt from the closet. Though the belt was also too big, leaving John still holding up the pants.

"They're still too big!" John whined.

"Oh just shut up. How long is this supposed to take." The old man looked impatiently at his watch.

"How long is wha-" John began to ask before pausing briefly, followed by a loud burp that seemed to make the room tremble.

John tried to talk but couldn't. He felt slow and groggy, more than he had before. The only noises he could muster were grunts as a warm feeling filled his stomach. Suddenly his hips thrusted forward and he let out a grunt. John looked down in horror as a sizable beer belly was now hiding under his oversized shirt. His hips thrusted again and his belly had doubled in size, making him look pregnant. One more thrust and a loud grunt and his fat gut doubled in size once more. It bounced up and down as it filled all the room in his massive shirt, finally drooping over his waistband.

John wanted to scream, but he couldn't. The only noises that came from his mouth were moans and grunts that sounded more and more sexual the more his body changed.

His sides soon followed, growing thick love handles that widened his once skinny frame, even spreading to his lower back. His chest puffed forward as his pecs disappeared under a thick layer of fat. His soft man tits finally rested on his gut, pushing up against his shirt and making them impossible to miss.

John looked up in desperation at the older man that stood before him, but he was just staring at his watch. Though he noticed something strange. He was looking up at the man, when he could have sworn that he looked down on him when he first met him. He took pride in his height, so he would have remembered being shorter than him.

This time his body thrusted backwards, making him nearly fall with his new center of gravity. With each thrust he felt the pants get tighter and tighter until his cheeks filled out all of the room in those size 42 pants. At least he didn't have to hold them up anymore. His thighs then thickened into fat tree trunks, permanently rubbing together and squishing his dick in between. Though that last part wouldn't last long, while his ever growing fat pad swallowed inches of his dick, it began to shrink as well. He felt it recede into his soft fat pad, now only having the tip peaking out of his fat. He stuffed his hand between his meaty thighs to try and find it but it wasn't there.

John then felt pressure building up around his feet until a loud POP rang through the office. He looked down to see what happened but it was blocked by his massive gut. Though the feeling of his bare feet on the ground suggested that his feet burst out of his shoes.

His arms began to twitch fat filled them like sausages, making them drop under their own weight. His hands also doubled in size as his fingers started to look thickened. He wanted to react, but it was starting to get hard to remember what he was texting to. All he could think about was finance.

Finally his face began to change. His young and spy look got covered in soft fat and wrinkles, aging him up at least 10 years. His hairline receded as thick sideburns covered his nonexistent jawline and his stubble formed a prominent mustache and goatee combo.

John let out a loud burp as his stomach grumbled. He grunted a few more times as he desperately tried to reach his crotch, but he was unsuccessful. He noticed his boss in front of him and tilted his head back to make eye contact with the man that is now much taller than him.

"What are we doing in your office boss?" John asked.

"Oh, you just had a wardrobe malfunction that's all." The boss said as he passed John a pair of shoes and a tie. "It's on the house since you've been such a good employee the last 10 years. I certainly don't mind getting you bigger clothes when you outgrow your current ones."

John panted and grunted trying to get his shoes on, he wasn't used to the extra padding all over his body. Despite that, he knows that he has been quite fat for many years now as memories of the last 10 years of his life flood in.

"Can't forget the wedding ring." The boss said as he slipped a nice ring into John's hand. "I just love that husband of yours, he is such a great cook. No wonder you gained so much weight after your marriage. It's almost like he got you pregnant." The boss chuckled.

John's face went blank as the memories of him coming out in his thirties and marrying the man that he loves. And he remembers the positive pregnancy test he had just before his 40th birthday.

"Oh my god, you are pregnant!" The boss shouted then covered his mouth. "Your secret's safe with me. Oh and also, I'll order some massive clothes for ya so you won't have to worry about it big guy." The boss said quietly as John left his office.

[natigail]

"I figured hey, if I'm here, I might as well be honest with myself. So I dug into the archives. And I found teenage Dan. Do you remember HELLO INTERNET? There I was, eighteen years old, your average caucasian British boy with your problematic vocabulary, just wanting so desperately to be liked. I then saw myself age twenty, as a student. Not that I was actually studying anything other than the male anatomy. I had no plan. No prospects. I was in desperate need of a haircut. Jesus Christ. No, look, that was not a hairstyle. It was geometry. My hair was a square. I then saw myself age twenty-two as an adult, just trying to make my way in the world, taking any job that I could, no matter how inauthentic or degrading. And look. I don't hate these past versions of myself, alright? Apart from the square one, it can get in the fucking bin. Mainly, I just feel sorry that it took them so long to work out who they are. I then stumbled across the video titled Existential Crisis. In which I utter the optimistic nihilistic epithet: 'embrace the void and have the courage to exist'. Embrace the void and have the courage to exist. It sounded nice when I said it but for some reason it just didn't hit. I had accepted the absurdity of the world but at that time, I hadn't accepted myself. Looking back at it, it finally clicked. Anyone who has suffered with depression or any kind of trauma that seriously affects your self-worth hopes that one day you're going to have this sudden revelation and then everything is fine. I had my revelation alright. I am unapologetically gay! Don't know if you hadn't picked up on that, so far in the show. But just having this revelation did not immediately fix all of my problems, because I still feel that inherent burnt-on brand that I am wrong. And that doesn't just go away. No, I know what my problem is, alright. My problem I am always living for the future. Every day I am thinking about this dream future where all of my dreams have come true and all of my problem have gone and everything's fine. And so, every day in the present of my life can be this joyless unrelenting grind towards that future. But it's okay. It's going to come any day now, right? Learning to look yourself in the mirror and being honest about what you've been through and keep living in spite of that can be hard. It takes a long time and a relentless persistent resistance against the way that you've been trained to feel by the world. But that doesn't just mean you should give up. Because, sure, sometimes in life, you may feel trapped. I felt trapped by my sexuality. You could feel trapped by your culture or your community. Hell, you could be literally trapped in an elevator but that doesn't mean that you shouldn't try to get out. 'cause, sure, when I look at the state of the world, I am very tempted to just go: You know what - we're all doomed. But that isn't courageous. That is cowardly. It's the easy way out. Even if it is, as I hope you'd all agree, a really fucking cool name for a show. So that's the thing. You can either say to yourself, every day is just a discontent emoji or you can find the courage to force your inner smiling cowboy hat, ye-motherfucking-haw! And just try to find in everyday life. Which is why I made this show. So I'm not living in the future but I'm just right here, right now, with you, just trying to have one good night. And look. Hey. Who knows, huh? We may all be doomed. Death may be inevitable. But first, we get to live. Life might at times be a struggle but just being here, to put one foot in front of the other every day is living. So please, do not let the doom drag you down. You are important. You matter. Please, stay hopeful for the future. Appreciate life. Embrace the void and have the courage to exist." - Dan Howell, closing monologue of his show "we're all doomed" (2022-2024)

[mooncalf87]

so I have been writing the ghosts for about two years now and I have actually gotten a good handful of people asking how I write each ghost so well SO I'm going to break each character down simply here!!!!

Thor: Thors first language isn't English, so its okay to make is dialog a little silly just like in the show. He's a big tough man but he also has a huge soft spot make sure to incorporate that if need be

Sass: Sass is the youngest main gang ghost- he died at 25. He is not a wise old elder, he is closer to being a kid then any other of the main ghosts. He is still learning new things every day and is still stuck in his nearly fully developed mind, remember that!!

Isaac: he's smart! He may seem silly and goober like at times- AND HE IS- but he is also very smart. He want to Dartmouth, he was an attorney!!! He knows what he's talking about!!! He is also from the 1700s so he doesn't really use words like "gonna" or "yeah" or modern slang as much as the other ghosts do

Hetty: Despite being the character i write the most, I think Hetty is the hardest to write. She has arguably had the most character development out of any ghost- ranging from her marriage, to her children, and even her death- Hetty is constantly changing and growing very visibly with the show. Apply that to her in writing! And just like Isaac she uses old-timey words and no slang. She also doesn't like vowels

Alberta: Alberta is from the roaring twentys. The years where everyone was throwing out the old and bringing in the new! Alberta is a party girl, she's outgoing and self obsessed (which is not necessarily a bad thing) but she also cares about her other ghosts, more then I think any of us can tell. She also moves a lot, her body language represents a lot of what she is thinking and saying- same for Hetty

Flower: Flower died high, but she is still a person. I've seen lots of people, including myself, dehumanize her and treat her as some sort of puppy. She is, sometimes, like a silly little kid- but she is also a fully grown woman who can do things for herself!! Flower got into law school, she is incredibly smart!!!!!

Pete: Pete is a father. He is a parent and a protector, he is constantly guiding his troop and his family! He is the second oldest of all the ghosts and has always been the troop leader, he is constantly in the background of everything and he ALMOST NEVER chooses sides. But he isn't just a wet towel, we've seen him literally bitch punch Thor!! He is also a HUGE hand talker and is always shifting from foot to foot

Trevor: he is a bitch but he is also very incredibly smart, just like Flower. He worked on Wall Street, he went to Pen. He is much smarter then we give him credit for! He usually has his hands clasped infront of him like Pete, but he is also a hand talker! He cares a lot about everyone, especially the younger ghosts + hetty

NOW remember these are just what I make sure to apply to them while writing!!!! Remember to find your own writing style and character projections :3 you can find my ghosts fics on Ao3 under Mooncalf87!!!!

[magneticflower]

When is it not raining in Ketterdam?

I got rather inspired and wanted to draw Kanej since it had been a while. It snowballed into me also writing a little thing to go along with it. I hope you enjoy both sjsj. The rest of the writing will be under readmore~

 It almost feels like old times, being out on the streets of the Barrel in the wee hours of the morning instead of at the Crow Club to meet her. Almost. Except he wasn't making his way through the Barrel to scout out a target or to discuss intel without the risk of being heard with her, and they weren't teenagers anymore. He was heading towards the docks for a goodbye. It wasn't the first time he had done so in the last five years, and provided her Saints kept watch like she said they did, it wouldn't be the last. 

He made his way down to berth twenty-two and could already see her waiting for him at the railing on the side of her ship, her familiar figure silhouetted by what streams of moonlight could make it through the smoggy sky that encased the Barrel most evenings. He preferred the times when she was silhouetted by the sunsets that only seemed to be visible when she returned, but he couldn't begrudge her for leaving to where she was at her best. He just hated how he felt in the hours leading up to and after her departure. Kaz pulled himself together just fine after, but he had never entirely managed to shake himself of those hours. Maybe one day.

"Punctual as always, Kaz," she said as he made his way to stand in front of her along the railing.

"I know how you like your sleep. I won't keep you long."

"I don't mind losing some sleep, not if it is for you. Saints know I have done it plenty of times before."

"I distinctly remember several instances of you grumbling about that."

Inej rolled her eyes, "Are you trying to keep this brief because you've got somewhere you would rather be, Kaz?"

No, there wasn't a place in the Barrel that he would rather be than right here, right now. Perhaps only his office, but only if she was there with him. "I am trying out being considerate."

"Not what I asked."

Kaz exhaled through his nose, "You know the answer to that, Inej."

Luckily for him, she wasn't keen on being as obstinate as he usually was, so instead of insisting on a real answer, she simply asked, "Then why are you so far?"

He eyed her momentarily, "How could I be closer than I already am while on the dock?"

Inej's eyes looked down and his own followed suit. "Are you telling me you want me to climb up those crates?"

She looked back up, "Well, I may or may not have had my crew leave those right there for that very reason. Come to whatever conclusion that gives you."

"It was raining earlier. They're wet."

"When is it not raining in Ketterdam?"

"Right now."

"Kaz." She gives him a familiar look that tells him she is done with the back and forth. He either does it or doesn't. Of course he does it.

"If I fall on my ass climbing these..." he muttered as he made his way up the boxes to fulfill her request to come closer.

Inej laughed, "If you do perhaps you'll gain greater appreciation for what I used to do for you. At the very least you will leave me with a great memory to reflect on during the less than favorable nights when I'm gone."

Kaz was too busy making his way up to give a retort. It wasn't as if these were particularly difficult, they were just a few measly crates, but his leg never liked this sort of weather and it was proving to stand by that.

"Now that wasn't so bad was it?" She said once he fully made it up, no unceremonious fall to be had.

"It wasn't particularly good either. We're not teenagers anymore," he countered, shifting his weight to better accommodate his leg.

Inej rested her arms on the railing so that she could lean closer to him, a grin on her face. She still had to look down at him even though he stood on the crates now. Regardless, they were closer, just like she wanted. He had wanted it too.

"You're only twenty two, Kaz, you're hardly ancient. Besides, you are the one that declines to simply come on the ship when we say our goodbyes. I know you said it is because it might wake the others, but one day you will have to oblige me, since you are giving being considerate a chance." He knew the last sentence wasn't just a request to come aboard for goodbyes. One day she wanted him to come with her. Maybe one day he would.

"It would be louder. I am not the Wraith."

"No, I suppose you are not. You're just the crow that keeps coming by because she didn't have the good sense not to feed him," she retorts, leaning forward a little more.

"I don't recall you giving me any information recently, Wraith."

"I suppose not," she said as she moved her hands down to place them on either side of his face to prompt him to lean up as she leaned closer to him as well, "Give me a minute to think of something," she finished as she closed the gap between their lips. It was soft and slow. perhaps because the two knew that this was where the goodbye started.

Almost as if Ketterdam couldn't handle the silence of their moment, Inej began to hear the pattering of the beginning of the rainy morning ahead of her. She pulled back, though only enough to stop the kiss, but not enough to let the rain hit his face. Not enough to ruin this.

"Kaz, it's raining."

"When is it not raining in Ketterdam?"

[varpusvaras]

If Fox could go back ten years in time and look at the barely twenty-year-old himself in the eyes and tell him that hey, you have a home office, his younger self would look back at him and tell him that he has lost his mind.

It's such a small thing to call someone crazy over, but for the Fox back then, even having an apartment he could be secure about was a big deal. Having an apartment big enough to have a home office? Having a job secure and safe enough that he could work from home? Absolute lunacy.

There Fox still is, now, sitting behind his desk in his home office and looking out of the window towards the trees blooming in the back garden.

That barely twenty-year-old Fox would've lost his mind if he'd see the place where he lives now. Hell, any version of Fox before the age of twenty-five would lose their minds. Even now, Fox remembers the cramped rooms with at least five other kids, sometimes his brothers, sometimes not. He remembers how all of this stuff could with inside one drawer and one box, because that had been the amount of stuff he had been allowed to have. Living in a place where he could have his own bedroom, a home office, and multiple other rooms to spare still?

All of that had been a simple, too good to ever be true-dream.

One that he is living now.

Who is he lying to? Fox at twenty-six had lost his mind after seeing the place for the first time. At that point he had been living on his own for a while, and not in a bad place either, but still. It had been...almost too much.

The way Bail and Breha had looked at him with soft eyes after Fox had asked if it would really be alright for him to have a home office had almost been too much.

They would've given him at least ten home offices if Fox would've just asked. Fox knows that.

Sometimes, Fox thinks that he is getting more than he deserves.

Not that he isn't working hard, or hadn't been working hard for his own success. He had, with too much cheap coffee and by scouring the grocery stores for expiring products and by studying through every waking hour and working through half of the hours he should've been sleeping. He had done it all, and it had gotten him here, in it's own way.

Now he can have the good coffee and sip it patiently, while he stops looking out of the window for a moment and attaches the floor plans and the concept pictures to the email and sends them away. He hopes that the customer is happy, now. The job had been interesting and quite fun with all the challenges, but he had other jobs too that he needed to work on, so he simply couldn't spend more hours on drawing entirely new pictures and doing all the math again because the customer had suddenly decided that they liked radius windows better to the picture windows instead-

Right on cue, his phone starts to ring.

Fox groans.

"Seriously?" He mutters, picking the phones up. "That was fast."

The record for the fastest call back he had received before this had been what, five minutes? It had barely been two minutes now, so there must be something egregious that he had managed to completely overlook, somehow.

He takes one last sip of his coffee, before he answers.

"Coruscant designs, Fox Organa speaking", he says.

"Hello, Mr. Organa." The voice that comes from the speaker is not the voice of his customer, and Fox blinks in surprise. Had he actually forgotten to see who had been calling? There's only a number on the screen when he quickly glances at it. "Is now a good moment to talk? I'm afraid that his would be rather time consuming."

"Depends on what this is regarding", Fox says. "I'm sorry, can I ask who this is?"

"Oh, right, my apologies", the voice says hurriedly. "This is agent Strass, I'm calling on behalf of Child Protective Services. Could I ask you if it is correct that your biological father was someone called Jango Fett?"

Oh, this is already not going how Fox would like any phone call to go. No matter how many years it has been by now, just hearing the words Child Protective Services makes his skin crawl, and the name Jango Fett makes his head hurt.

Those two combined have never promised anything good.

"I do want to make a correction, agent Strass, before we get any futher", he says, trying his best not to grit his teeth. "Jango Fett was my donor. I have never met him in person, nor has he ever had custody of me at any point during my life, nor does he even know that I exist."

"Oh", agent Strass says. They sound rather young, and Fox wonders if this is one of the first times they're making this type of call. "You're still listed as a genetic match to him through a DNA-test."

"I am, but I did not make that test to be in contact with him", Fox says. "I made it so I could be sure that my siblings were biologically related to me."

"Of course, of course", agent Strass says, and Fox can hear them turning some papers over on the other end of the call. "Now, I understand that this is a bit of an unique situation, since you do not have a prior relationship with your biological father, but we have received custody of a child that is, according to a DNA-test, also the child of Jango Fett."

Even though Fox already knows that it is the Child Protective Services calling, he is still surprised by the words.

"Have they been removed from the custody of Fett?" He asks.

"According to our records, no, a third party had a custody of him", agent Strass says. "They had done a DNA-test for the child themselves, and shared the results with us."

Fox can't believe this.

Someone is still using Fett as a donor? Or Fett is has suddenly decided to return from the dead and make more kids, but Fox doesn't think that is plausible. Fox is nearing thirty, and so are most of his siblings that he knows of, and the youngest he knows are still way past twenty. He really, really hopes that the child in question is in their late teens at the very least-

"How old is the child?" He asks.

"According to our information, three months", agent Strass says.

-and Fox hopes for the world to be healing are instantly burned down.

"Like I said, I understand that his is an unique situation", agent Strass continues talking, "but since we have the information on the child's biological family, it was decided that we would first reach out to you, to see if there would be anyone willing to foster the child, before we would turn to seek out long-term fostering options from unrelated people-"

Agent Strass's voice fades somewhere into the background, as Fox thinks. He thinks of the cramped rooms, he thinks of his drawer and box and the small amount of things he had in them, he thinks about his brothers, coming and going, being replaced with kids that were strangers, that would also leave if Fox ever managed to become friends with them. He thinks about the times it would be him leaving, thinks about how sometimes he had not even had a suitcase or a backbag, and had instead packed everything into plastic bags and dragged them around, he thinks of the drawer and the box and-

Fox looks out of the window, to the back garden with blooming trees, that he can see from his home office. His office, that he could have multiple of, and how they still wouldn't be out of space, and-

"Yes", Fox says.

"-in case that- excuse me?" Agent Strass stumbles a bit with their words.

"Yes, we will take them. Him. The child", Fox tries not to stumble over his own words as he hurries to speak. "We will take him. What do we need to do?"

Bail and Breha had been through adoption agencies already. They have been cleared to be fit to adopt and foster. Fox has not, but maybe he could ge through one if he applies right now, maybe two adults with qualifications would be enough in the meantime-

Agent Strass talks for a long, long time, and Fox now hangs onto every word with all the attention he has.

Agent Strass tells him to come to the office on Thursday. Fox cleares his whole day immediately.

The call ends almost an hour later, and by that time, his customer has tried to call him six times, and has left three emails. Fox sends them a message of three lines about emergency and sends it without checking if he even typed any of the words correct.

Then he sits down and he breathes.

He just sits there and breathes for a very long time.

"Alright", he murmurs to himself, finally. He needs to go ask Breha if she is free on Thursday, Bail at least only has work then until noon-

Oh. Right.

Fox stands up, and he walks to the other end of the floor, and knocks on the door of Breha's office.

"Come in, love." At any other time Fox would've been really endeared over the fact that Breha could recognise him from the way Fox knocks, but now he has too many other things in his mind.

Breha turns around on her chair as Fox slips in.

"Hello", she says and smiles, but her smile drops a bit when she sees whatever expression it is that Fox has on his face. "Is something wrong? Fox?"

Fox takes a deep breath.

"I've done something", he says. "Without asking you and Bail first."

Breha tilts her head.

"Have you sold the house and decided to move to Antarctica?" She asks. Fox shakes his head. "Then why do you look like you're about to uproot us all?"

"I agreed to have a baby", Fox says.

Breha blinks.

"What?" She asks.

"Not with anyone else", Fox rambles. "With you, I mean, to get a baby with you, I said that we could get a baby but I didn't ask-"

"Fox." Breha stands up, and Fox snaps his mouth shut. "Calm down, alright? Breathe in, and sit down. I feel like this is not a conversation to be had while standing up."

She takes his hands, and walks him over to the other chair next to hers that she keeps for visitors, and she lets Fox slump down on it for a good while before she gives him an expectant look.

Fox breathes in, breathes out, and starts explaining.

--- ---

They go to the office on Thursday.

Even arrives on Saturday.

His things are packed neatly into a little blue suitcase with cartoon ducks on it, and he is dressed nicely into clean overalls and a light coat, and has new, tiny shoes on his little feet.

Fox has only one, slightly tattered picture of himself as a baby, and he feels like he is staring at a live version of that picture when Even is taken out of the car and given to him.

Bail leans over, and he smiles at Even, who does a little smile back.

"He has the same forehead curl as you do", he comments, and brushes Fox's hair gently out of the way.

Fox can only answer with a nod.

He looks at the suitcase, and he thinks of the plastic bags and the drawer and the box.

Breha puts her arm on his back. Fox thinks about the cramped rooms and the drawer and the box as they walk upstairs and go to the room right next to their bedroom, with light green walls and vines growing on the wall outside the window, with a little cot and shelves and multiple drawers for only one kid.

Even's eyes dart around the room for a bit, before he looks back up at Fox. His tiny fingers grab at the front of Fox's shirt, and he smiles at Fox with a gummy smile.

Fox hoists him higher, presses his face against the little dark curls on Even's head, and he pushes the drawer and the box away.

(He only remembers that he had already agreed on things to do on Saturday, when Thorn calls him three hours later.

"Where are you?" He asks. Fox brings the phone further away, and takes a picture, which he sends to Thorn.

"Home", he answers.

"What are y- what the fuck is that?"

"It's a baby", Fox answers.

"I know it is a baby! Why do you have a baby?"

"Because I do now."

"That doesn't explain anything, where did you get it? You weren't pregnant!"

"How do you know I wasn't?" Fox asks.

Even is sleeping on him, and he makes a little snort and curls just a little closer to Fox. Fox smiles, and does not listen to anything Thorn is saying anymore.)

(Modern AU co-parented with @t3mpest98!)