#i like them a lot and also at least one of them has pointed out the significance of not ditching your wife for someone prettier

[redeyerhaenyra]

Divine Hammer

Summary: You bring up something new to Simon. He's more enthusiastic than you expected.

Warnings: What else but smut, HEAVY UK slang usage (me and si come from the same area of England our slang is v similar) Simon slaps reader once, fem reader, oral(f), fingering in BOTH holes, pussy juice as lube, anal duh, simons fat cock, sprinkling of a size kink, mean Simon, kitchen sex mmm, no beta we die like soap (sorry), lmk if I missed anything!

Notes: Listen the taboo of anal just gets me going alright , also this has been in my drafts since JAN 9TH help

Wc: 2.5k

Simon's stare was unnerving. Well, it was always unnerving, to a degree. But he found ways to utilise it. Deadpan humour, emphasising points of conversation, scaring away would-be hookups from you in the pub. But here, it was unnerving in a whole other way.

It felt… intrusive.

Simon stared at you like he could see through your clothes, your body, into your mind to expose your deepest darkest fantasies. You squirmed under his penetrating gaze, tugging at the hem of your jumper.

After a little while of silence, you shook your head, scoffing at yourself;

“-No, nevermind um.. I'm.. s-sorry that was weird-” “Didn’ say tha’ ”

You gulped, gaze nervously fixed to the floor. Simon was still. Staring. At you. Never before had you felt so exposed, too embarrassed and, if you were honest, a little scared to look at your boyfriend face-on.

“Was just wonderin’ since when my bird was such a slag.”

His baritone words rolled down your spine, sending sparks of a deep, taboo satisfaction through you. You whimpered, and hid your face in your hands.

“Don’ act like a prude love, we both heard what you wanted just now.” “I shouldn't have said anythinnnggg-”

Conceptually, anal had… a certain taboo charm to it. From your perspective at least. Sure, it wasn't technically the “right” hole… it wouldn't feel the same, but the idea had always fascinated you.. intruded your shadowed thoughts at night with your fingers rubbing your clit and edging nervously to an opening further on than your cunt.

So, gently, you'd broached the topic one time you were both in the kitchen together- thinking, in hindsight foolishly, that it'd be something he'd instantly dismiss, or at least… talk about later. In the bedroom. Not in the middle of the kitchen… but now here you stood, in the hole you'd dug for yourself;

“On the contrary, I'm relieved you've finally admitted it to yourself.” His footsteps were heavy against the floorboards as he approached you. Confused, you peeked out of the gaps between your fingers to look at him;

“W-what?” “Don't be fuckin’ coy w'me love.” Simon towered over you, cadging you next to the kitchen side.

“Always suspected there was some depraved shit up here, yeah?” He poked your temple with his index finger, “Turns out my intuitions were correct then?”

“T-thats not-” “Oh yes it is sweet’art.” Simon's eyes grew more intense by the second, even more than before- you struggled to even picture them in your mind for fear of his retribution.

“Ay- fuckin’ look at me when I'm talking to ya.”

He could have been a lot harsher with the small smack he delivered to your cheek, but that knowledge did nothing to dull the pain, and your eyes watered a little at the sensation. He grabbed your cheeks between his fingers, squishing them till you pouted and shaking your head lightly, as if to keep hold of your attention.

As if you could look anywhere else…

Forced to return his ferocious gaze, you crumbled, knees bucking like a fawn under you- Simon grabbed you and roughly hauled you back up, manhandling you to bend over the kitchen counter. You allowed him to, biting your lip in an attempt to muffle your unintentional sounds of appreciation.

It earned you a harsh smack to your rear, and Simon's big paw of a hand tugging your hair. He leaned over you, “ ‘M not ‘avin any of tha’ yeah? You're not gonna be hidin’ how much of a slut you are from me anymore sweet'art.”

The juxtaposition of his words and the way he sweetly kissed your temple after he said them was almost comical. The grip on your hair disappeared, replaced with firm and consistent pulling at your clothes until you shuffled out of them- Simon wasted no time running his warm hands up and down your body, rumbling out various admirations of your physical form.

He slunk down your body, nipping and pressing hot, open mouthed kisses down your back, and then to each of your cheeks, all the way down to your pussy. Earlier on, when you'd ridden yourself of your panties, Simon had laughed at how wet they were. “Already?” He'd asked, “Y'that turned on already? Whore. Like a bitch in heat f'me, ey?”

He had no further comments to mock you with, not now at least. He was busy approving of the view of your wet cunt in front of him- out of the corner of your eye you spied him nodding to himself as if he were appraising fine art.

You huffed, a little impatient, petulant you wiggled your bum at him- only all you got from him was another spank.

“Be patient.” He said curtly.

You whined, but otherwise did as you were told, meekly resigned to your fate as Simon's personal eye candy.

“Why ya’ into it then?” You made a noise of confusion, Simon huffed.

“This.”

One of hands had moved to idly grope and squish your bottom while he'd been down there, and now his thumb creeped ever so slowly over to press on your rim. You keened- suddenly understanding what he meant.

“Well?” His thumb pressed in deeper, you gasped- “I-i don't know!” “Hmmm…”

You could tell from his tone he didn't quite believe you. He kissed your cheek again.

“I'm sure I'll find out.”

With that said, his thumb remained almost gently rubbing at your hole, his free hand moving to pull his balaclava up over his nose- wasting no time in burying himself in your cunt. He sighed contentedly at the taste, smell, feel of you, lazily lapping at your cunny with his broad tongue. His thumb still rubbing you in slow circles, almost.. in a comforting manner.

There was no one more intimidating than Simon- at least out of all the people you've ever met, and yet here he was, eating your pussy like it was a home cooked, three-course meal. You looked over your shoulder, and bit your lip; The visual of big bad Simon Riley on his knees for you, make you shiver and clench.

Simon seemed to be secretly a telepath however, as the way he suddenly roughly pinched your clit between his index finger and thumb- tugging on it cruelly, came off as a punishment. You whined loudly, panting into the counter, drooling a little. Vaguely, you could hear Simon humming thoughtfully to himself. He released his hold on your poor clit, though quickly replaced it by rubbing small, soothing circles on it instead.

It quite quickly becomes a lot more intense, Simon grunting in approval as he plunges his thick tongue into your cunt. Your breathing is staggered, coming out in short, little huffs- you reach behind you to tug at Simon's head, shoving him closer. Again, he groans in appreciation, eagerly nuzzling between your thighs closer, the rhythm of his tongue and fingers rubbing at your clit increased a hundredfold;

Like lighting, your orgasm crashed through you, the noises that left your pussy- wet, squelching, the drip of your juices against the floor, should surely have had you feeling at least some shame, but no. You were too twitchy, too fucked stupid on Simon's tongue to care.

With much reluctantance, Simon hauled himself off of your puffy pussy. He'd gladly stay nestled between your kegs for the rest of him life, at least from further away, he could admire his work.

At this point, you thought perhaps he'd finally get to the meat of what you'd suggested.. Simon wasn't finished yet though- two of his deliciously thick fingers were swiftly shoved into your sopping pussy.

You cried out at the sudden penetration, shivering and trembling.

“What? ..silly cow.” Simon told you gruffly, somewhat annoyed that you'd dare disturb his probing at your cunt with your exclamation of surprise. You whined at his degradation, but were still coherent enough to recognise the underlying affection in his tone. Huffing, you leaned forward to lay your torso fully on the cold, sideboard. The cool temperature of the marble was sharp and sudden, but soon soft and gentle to your hot body, palliative to your hard, puffed up nipples.

He lazily pumped his fingers inside you for a few moments, before curling his fingers forward, dragging against that spongey spot deep within you, and eased his fingers out of you.

You were left huffing and panting like an animal into the counter- Simon had cupped his two fingers- the ones that was just inside of you- just under your clit.. then abruptly he slid them upwards, slowly, pressing down hard.

You squeaked, struggling not to quiver too hard. Simon's fingers kept creeping up and up and up, gliding firmly over your cunny, finally halting at your rim. The hot, wet sensation of Simon rubbing your own slick into your hole as lube had you trembling.

“How's tha?” You heard Simon mumble from behind you, his accent had gotten a little thicker. It always got thicker when he was “in the zone”.

“Oh.. uh..” Seemingly irked by your lack of response, your boyfriend slapped your clit harshly with the back of his hand.

“G-good!! It's good! Good!!” You choked, and whined again when you heard Simon chuckle lowly at you. He tapped his fingers twice on your hole- you nodded shyly at him;

Simon hummed, cautiously easing one of his broad fingers covered in your slick into your ass. The noise of utter debauched pleasure you let escape your throat was nothing compared to Simon's groan-

“Oh fuck that's tight..”

God it was, you felt how hard your greedy hole swallowed up his thick finger. You huffed and puffed- vainly attempting to breath consitently, but your body was too sensitive, muscles pulled too rigid inside you to keep your thoughts on one thing alone.

Simon was your rock, somewhere in the thousands of feelings inside you, was a certainty that he was holding back. Taking it slow, just for you.

You felt the hazey cloud of sex overwhelm you, rendering you more or less unable to speak, only babble incoherently into the counter, your pretty eyes filled with tears as Simon took his sweet, sweet time opening you up.

By comparison to how rough the pads of his digits were, they were remarkably soft with you, even as Simon squeezed one more of his fingers in you. You coughed and hiccups at the fullness of it.

“Tha's it.. good girl.. cmon.. open up luv.. there we go..”

You head him whisper, and you moaned impatiently. You wanted to politely express your readiness for his dick, but all the you were able to whine out was “C-cock-!”

Simon laughed, which was always a nice, comforting rumble. “I know sweet'art, gotta get you a little looser f'me first yeah?”

Even as you keened and begged, Simon would not budge. Occasionally, if he was feeling particularly mean in that moment, he'd flick your poor clit harshly, you'd squeal and twitch. This continued for a while, and by the time he deemed you “ready” you might have passed out, the electric fizzles of pleasure that sizzled between your legs kept you awake.

Simon could tell you were tired, he was gentle with the way he slipped his hand under you tummy to push your bum in the air, and tender with how he cradled your hip. Your clit was kindly soothed with slow, small circles rubbed in by his middle finger.

You sobbed into the side- “cock…” you babbled, sniffing and feeling sorry for yourself. You felt a kiss to the base of your neck;

“Mmmm.. I know baby, I know, m' so mean aren't I?”

Vaguely, you heard yourself murmuring in agreement. The metallic sound of Simon's belt loosening and then his zipper coming down had warm excitement flutter over your body.

You felt the heat of his dick before it even touched you, whimpering when it finally did. Simon rubbed his thick cock up and down the apex of your thighs, right up to hole and then back down to your clit. When you would whine at him, he'd hum right back.

God, he was so much bigger than you. He leant over you and covered your entire body with his bulk. You felt him throb at your rim. A kiss was levied at your neck- “Y’ready?” He asked, voice low, and you babbled back something that sounded like impatience. Simon chuckled and kissed your neck again, bracing one strong arm against the counter next to you.

All of a sudden he was inside you, not all the way but he was inside you and that's all you could think about. You gasped, inadvertently holding your breath and then once more remembering to breathe. Simon had stayed silent throughout this.. you reached backwards for him with one hand;

“Si?” “Y-yeah, yeah m’here, g’ve us a minute love-”

His voice came out ragged and shaky, and from the sounds of it he was doing the same forgetting-to-breath thing you were.

You both needed occasionally little breaks from him sliding his cock inside you this time, either of you would cum too quickly. But soon, all of him was pressed snugly inside you. You drooled on the counter and Simon's head had dropped to rest on your back, taking slow, steady breaths, grounding himself.

The both of you stayed like this for a while. It was almost peaceful. Soft. Till Simon decided he was fine to move and dragged his dick alllllllll the way back out and then in again in one thrust. It left you choked for breath, Simon too, he was more vocal this time than any other time you'd fucked.

Neither of you lasted long, specially not after your boyfriend had clasped his big paw of a hand under your leg, and lifted it up onto the counter next to you, an entirely new and more intimate angle. You were cumming before you even realised Simon had crept his hand down to pinch your clit. He was so mean about it too- that same hand then came up to shove to of his fingers into your mouth, creating a spit-slicked mess. And when he came it was an event:

He threw his head back and moaned more desperately than you'd ever heard from him before. The rhythmic squelch that narrated your encounter kept going even after he'd cum, if anything it was louder now. His and your cum dripping down out of you and puddling on the floor beneath you. Still, meekly, Simon kept thrusting into you, as if the orgasm was too good to end. Though finally it did, Simon's weight all but collapsing ontop of you.

You stayed like that for a while, still connected. Basking in your respective afterglows. Simon kissed your neck again and you croaked out a satisfied noise;

“Fun..” The man behind you laughed, “Yeah fun was it? Just fun eh? Just fun~?” Cruelly he reached under you to tickle your sides- you squealed; “More than f-fun!!” and that seemed to sate him, releasing you.

“Yeah, s’what I thought…..” He drummed his fingers on the counter..

“Bath?” “bath….”

[sayruq]

NAHLA AL-ARIAN HAS been living a nightmare for the past seven months, watching from afar as Israel carries out its scorched-earth war against her ancestral homeland in the Gaza Strip. Like many Palestinian Americans, the 63-year-old retired fourth-grade teacher from Tampa Bay, Florida, has endured seven months of a steady trickle of WhatsApp messages about the deaths of her relatives. “You see, my father’s family is originally from Gaza, so they are a big family. And they are not only in Gaza City, but also in Deir al Balah and Khan Younis, other parts,” Al-Arian told me. Recently, the trickle of horrors became a flood: “It started with like 27, and then we lost count until I received this message from my relative who said at least 200 had died.” The catastrophe was the backdrop for Al-Arian’s visit last week to Columbia University in New York City. Al-Arian has five children, four of whom are journalists or filmmakers. On April 25, two of her daughters, Laila and Lama, both award-winning TV journalists, visited the encampment established by Columbia students to oppose the war in Gaza. Laila, an executive producer at Al Jazeera English with Emmys and a George Polk Award to her name, is a graduate of Columbia’s journalism school. Lama was the recipient of the prestigious 2021 Alfred I. duPont–Columbia Award for her reporting for Vice News on the 2020 explosion at the port of Beirut. The two sisters traveled to Columbia as journalists to see the campus, and Nahla joined them. “Of course, I tagged along. You know, why would I sit at the hotel by myself? And I wanted to really see those kids. I felt so down,” she said. “I was crying every day for Gaza, for the children being killed, for the women, the destruction of my father’s city, so I wanted to feel better, you know, to see those kids. I heard a lot about them, how smart they are, how organized, you know? So I said, let’s go along with you. So I went.” Nahla Al-Arian was on the campus for less than an hour. She sat and listened to part of a teach-in, and shared some hummus with her daughters and some students. Then she left, feeling a glimmer of hope that people — at least these students — actually cared about the suffering and deaths being inflicted on her family in Gaza. “I didn’t teach them anything. They are the ones who taught me. They are the ones who gave me hope,” she recalled. “I felt much better when I went there because I felt those kids are really very well informed, very well educated. They are the conscience of America. They care about the Palestinian people who they never saw or got to meet.” Her husband posted a picture of Nahla, sitting on the lawn at the tent city erected by the student protesters, on his Twitter feed. “My wife Nahla in solidarity with the brave and very determined Columbia University students,” he wrote. Nahla left New York, inspired by her visit to Columbia, and returned to Virginia to spend time with her grandchildren. A few days later, that one tweet by her husband would thrust Nahla Al-Arian into the center of a spurious narrative promoted by the mayor of New York City and major media outlets. She became the exemplar of the dangerous “outside agitator” who was training the students at Columbia. It was Nahla’s presence, according to Mayor Eric Adams, that was the “tipping point” in his decision to authorize the military-style raids on the campus.

On February 20, 2003, Nahla’s husband, Sami Al-Arian, a professor at the University of South Florida, was arrested and indicted on 53 counts of supporting the armed resistance group Palestinian Islamic Jihad. The PIJ had been designated by the U.S. government as a terrorist organization, and the charges against Al-Arian could have put him in prison for multiple life sentences, plus 225 years. It was a centerpiece case of the George W. Bush administration’s domestic “war on terror.” When John Ashcroft, Bush’s notorious attorney general, announced the indictment, he described the Florida-based scholar as “the North American leader of the Palestinian Islamic Jihad, Sami Al-Arian.” Among the charges against him was conspiracy to kill or maim persons abroad, specifically in Israel, yet the prosecutors openly admitted Al-Arian had no connection to any violence. He was a well-known and deeply respected figure in the Tampa community, where he and Nahla raised their family. He was also, like many fellow Palestinians, a tenacious critic of U.S. support for Israel and of the burgeoning “global war on terror.” His arrest came just days before the U.S. invaded Iraq, a war Al-Arian was publicly opposed to. The Al-Arian case was, at its core, a political attack waged by Bush’s Justice Department as part of a wider assault on the rights of Muslims in the U.S. The government launched a campaign, echoed in media outlets, to portray Al-Arian as a terror leader at a time when the Bush administration was ratcheting up its so-called global war on terror abroad, and when Muslims in the U.S. were being subjected to harassment, surveillance, and abuse. The legal case against Al-Arian was flimsy, and prosecutors largely sought to portray his protected First Amendment speech and charitable activities as terrorism. The trial against Al-Arian, a legal permanent resident in the U.S., did not go well for federal prosecutors. In December 2005, following a six-month trial, a jury acquitted him on eight of the most serious counts and deadlocked 10-2 in favor of acquittal on the other nine. The judge made clear he was not pleased with this outcome, and the prosecutors were intent on relitigating the case. Al-Arian had spent two years in jail already without any conviction and was staring down the prospect of years more. In the face of this reality and the toll the trial against him had taken on his family, Al-Arian agreed to take a plea deal. In 2006, he pleaded guilty to one count of providing nonviolent support to people the government alleged were affiliated with the PIJ. As part of the deal, Al-Arian would serve a short sentence and, with his residency revoked, get an expedited deportation. At no point during the government’s trial against Al-Arian did the prosecution provide evidence he was connected to any acts of violence. For the next eight years following his release from prison in 2008, Al-Arian was kept under house arrest and effectively subjected to prosecutorial harassment as the government sought to place him in what his lawyers characterized as a judicial trap by compelling him to testify in a separate case. His defense lawyers alleged the federal prosecutor in the case, who had a penchant for pursuing high-profile, political cases, held an anti-Palestinian bias. Amnesty International raised concerns that Al-Arian had been abused in prison and he faced the prospect of yet another lengthy, costly court battle. The saga would stretch on for several more years before prosecutors ended the case and Al-Arian was deported from the United States.

“This case remains one of the most troubling chapters in this nation’s crackdown after 9-11,” Al-Arian’s lawyer, Jonathan Turley, wrote in 2014 when the case was officially dropped. “Despite the jury verdict and the agreement reached to allow Dr. Al-Arian to leave the country, the Justice Department continued to fight for his incarceration and for a trial in this case. It will remain one of the most disturbing cases of my career in terms of the actions taken by our government.” That federal prosecutors approved Al-Arian’s plea deal gave a clear indication that the U.S. government knew Al-Arian was not an actual terrorist, terrorist facilitator, or any kind of threat; the Bush administration, after all, was not in the habit of letting suspected terrorists walk. Al-Arian and his family have always maintained his innocence and say that he was being targeted for his political beliefs and activism on behalf of Palestinians. He resisted the deal, Nahla Al-Arian said. “He didn’t even want to accept it. He wanted to move on with another trial,” Nahla said. “But because of our pressure on him, let’s just get done with it [because] in the end, we’re going leave anyway. So that’s why.” Sami and Nahla Al-Arian now live in Turkey. Sami is not allowed to visit his children and grandchildren stateside, but Nahla visits often.

[thatgirlfluxwoman]

BIG MASSIVE FUCKING BUTTONBLOSSOM RANT. TW: REALLY LONG ASS POST/RANT.

I KNOW I HAVE NOT BEEN ONLINE AND ALL THAT SHIT AND I APOLOGIZE BUT- THE NEW EPISODE. BUTTONBLOSSOM EPISODE. HOW'S POMNI? OH POOR POMNI? POMNI ARE YOU OK? POMNI LOOK !! POMNI POMNI POMNI POMNI POMNI !!!O JRC$IPXH IP#HINPTG ALL RAGATHA CARED ABOUT WAS POMNI !!!!! SOLELY JUST POMNI. SHE DID NOT GIVE TWO FUCKS ABOUT ANYBODY ELSE. RAGATHA ONLY CARED ABOUT POMNI. POMNI POMNI POMNI POMNI !!! THIS MF- THIS BITCH GETS STABBED !!!! AND ALL SHE CARES ABOUT IS POMNI. POMNI. SHE DOES NOT GIVE TWO FUCKS ABOUT HERSELF. SHE SOLELY CARES AZBOUT POMNI. ONLY POMNI. RAGATHA IS IN LOVE WITH POMNI. THE WHOLE FUCKING EPISODE. She. The whole episode. To sum the whole TADC episode two. RAGATHA IS GAY. THERE IS LITERALLY NOTHING ELSE. ALSO ALOS. Another thing I noticed. She DOUBTS that pomni likes her. Do you know what that convays? SHE LIKES POMNI. A LOT. BECAUSE- ONLY PEOPLE WHO LIKE A CERTIAN PERSON A LOT- They DOUBT. That person likes them. WHY ELSE?? WHJY ELSE WOULD SHE DOUBT THAT?!?!?? LOOK. First like 5 mins. Already checking up on pomni. SHE ONLY CARES ABOUT POMNI. INVITES POMNI TO THINGS, CARES ABOUT HER, CHECKS UP- PRjirhtbICPL KR OTJ O List of caring things that she did. From beginning to end. First thing in the morning, Checks up on POMNI. WAITS FOR HER TO WAKE UP. MAKING SURE SHE HAS GOOD MORNING. Second, ONLY INGANGIN WITH POMNI. Mainly talking with pomni. Only pomni. THREE. CARES AND WHINES ABOUT POMNI NTHE WHOLE EPISODE. WORRIED ABOUT POMNI. CHECKS UP ON POMNI. HYPES UP POMNI !! Just ONLY CARING ABOUT POMNI'S COMFORT. SH- ONLY POMNI. It was pomni the whole episode. SHE GOT STABBED. AND SHE WAS WORRYING ABOUT POMNI. LIKE THIS IS HOW IT WENT. *Gets stabbed and crashes the vehicle.* "Poor Pomni ,," P-POMNI ?!!??!? GIRLY I WAS CRYING AND WORRIED FOR YOU AND YOU ONLY CARED ABOUT POMNI !!!!!!!! EVEN JAX POINTED IT OUT !!!! JAX KNOWS. JAX KNOWS. RIHPTUVIHH%CT HTH UU$OH IT'S CANON I SWEAR. IT'S AT LEAST ONE SIDED. RAGATHA- SHE LIKES POMNI. THERE IS NO DOUBT ABOUT THAT. THER- NOTHING. NO EVIDENCE IN THAT EPISODE- YOU CAN'T FIND A SMIDGE. WHERE SHE DOESN'T CARE. IT'S NON EXCISTNT. IF YOU DARE TELL ME THAT RAGATHA DOEN;T EXTREMELY CARE ABOUT POMNI. YOU ARE GASLIGHTING YOUR SELF/. THE WHOLE FUCKING EPISODE !!!!!!!! Buttonblossom fandom? Eat up.

[tiredfox64]

Part three of Go for the Kill? But its based ok the ending where reason is with all three of the brothers? She soon gets knocked up and the threee fight over whose it is? >:3

The Soil was Tilled Enough

Prior notes: I knew somebody would ask for this. Had a That’s so Raven moment when I was writing that last part.

Pairings: Lin Kuei Bros x Afab reader

Warnings ‼️: You’re gonna have a stroke with my reasoning.

You are faced with a light pink stick in your hands. You were growing tired and sick just days before which worried the brothers a lot. The last thing they want is for their vicious woman to grow horribly ill. Oh but this is no illness. This is the miracle of life.

Yeah this is a strange situation. Truly a spectacle that has some people, or more like someone, disappointed. Liu Kang ain’t too happy that his paid assassin would be out of commission for at least a year. What he also doesn’t like is hearing that the brothers are fighting over who is the father. The yelling is really getting annoying.

“It can’t possibly be your child! I slept with her first!” Bi-Han yelled directly in Tomas’ face.

“We all slept with her first! You are just jealous that the baby is possibly mine!” Tomas yelled right back.

The only one staying calm was Kuai Liang. He stayed right next to you, rubbing your belly as you contemplated the same thing. Who is the father?

Alright, so you put too much faith into Plan B. Guess it wasn’t made to handle loads upon loads of baby-making liquid from men who probably never allowed themselves to feel relief in quite a while. Plus the fact that they love you a lot made the chances of you getting pregnant much higher. I think they were aiming for that goal but I’m not a mind reader.

“What are we gonna do? Are we ready enough to handle having a baby and raising it?” You questioned, concerned about way too many things.

“Of course can handle it. The baby will be in safe hands. Even if the baby is not mine I promise to take care of them as if they were my own.” Kuai Liang made that promise to you.

Kuai Liang really loves you and just wants the best for you. He doesn’t want you to worry too much especially now that’s you are pregnant. His commitment to you made you feel a little better, knowing he won’t be mad about whose baby it is. The other two…yeah that’s gonna take some time.

At this point Bi-Han had Tomas in a headlock which made Tomas start punching Bi-Han’s arms in defense. Kuai Liang ran in to split the two apart.

“Enough of this! This fighting won’t solve anything.” He yelled at them both.

“I do not understand why you are not threatened by the fact that Tomas might have impregnated her. What good will that baby do coming from a man like him?” Bi-Han was being harsh again which made Tomas punch him.

“It does not matter. She is pregnant and she wants to keep it. We must support her no matter what.”

Kuai Liang was right and all the brothers had to agree with his statement. Though Bi-Han was still being as stubborn as ever. If he just keeps the mindset that it’s his baby in there he will be fine.

“Well, do you know how far along you are?” Tomas asked.

“Considering the last time we did it was a couple of weeks ago and I’m getting sick, it might be four to six weeks.”

Oof, if it’s six it can only get worse when it comes to the symptoms. Get ready to start taking bathroom breaks and getting sick from smells.

“It will still be a few weeks before we can get a paternity test done.” You added on.

“We should do that. Settle this debate early on whose child this is.” Bi-Han was on board with doing a paternity test even though he didn’t know you can test that while still pregnant. It’s that old mindset don’t worry.

“I want to the know the gender first. I wanna see if we are having a baby boy or a baby girl.” Tomas gushed at the idea.

“No you don’t, Tomas! We will not wait to find out the gender first.”

“Yes we will, brother. It will teach you to have some patience. It will also test if you still love her enough to take care of her while she is going through this.”

Kuai Liang was shutting Bi-Han down at every opportunity. How dare his little brother accuse him of not loving you. Fine, he’ll wait. They’ll all wait. And as that goes on they will start preparing things for you like a nursery. They gonna spoil the hell out of you.

A woman who is pregnant is a strong woman indeed. They will make sure to take good care of you. They will do their parts as the possible fathers.

══💤══╡°˖✧🦊✧˖°╞══💤══

Finally! Week thirteen! You can expect your results to be one hundred percent accurate when it comes to the gender. Now here’s the interesting part—

“WHAT!” You, Tomas, Bi-Han, and Kuai Liang all yelled at the doctor in shock.

…I didn’t get to finish. Let me speak up. Damn…

As I was saying the interesting part was that as time went on you noticed your belly was getting quite big. It was a little too early but you didn’t think it was anything much. This was your first time being pregnant so you thought it was normal.

Not necessarily.

“T-twins? We are having twins? And they are all ours?” Tomas was questioning the doctor on how accurate it was.

The ultrasounds did show two little babies. Two little nuggets growing inside you. And they are both boys, congratudolences!

“It’s called Heteropaternal superfecundation. It’s incredibly rare but it can happen. Especially to someone with three partners.” That doctor was throwing shade at you. She was just jealous.

“So one of those boys is definitely mine,” Tomas was all smiles, “But what about the other one?”

Yeah, what about the other one? Still got the other two. They are blood related so this might be harder.

If it’s Kuai Liang’s this might not end well for him since Bi-Han was staring him down with a death glare. Luckily the doctor had something to say about that.

“That’s the thing, we can’t tell. Because they are related there is some difficulties. So as far as any of you know, they are both the father of that other little boy.”

Kuai Liang is content with that. He is just happy to start a family and have a child with you. Bi-Han…ah he gives up. There is no point in being upset about this. There is nothing anyone can do. He’ll be happy to have a son of his own that he can train and possibly be the next grandmaster to the Lin Kuei.

All the brothers are happy to be fathers to a wonderful set of twins, dizygotic twins to be exact. Tomas is already imagining having the twins play together and teaching them to take care of one another. Kuai Liang is imagining caring for them both and teaching them to be good brother. Bi-Han already preparing in his mind a plan to train his son. That’s his responsibility.

The tension between the brothers dissipated. There was no reason to fight and stress you out even more. Looks like they better get more things ready for the babies. The nursery has to be big enough to accommodate two of them.

You have a good support system going on here. I hope you are happy with your multiple lovers and your set of twins.

…

Oh don’t tell me, you want to know who the father actually is. Alright so the clinic didn’t actually have the advanced technology to figure out who the father was when it came to Kuai Liang and Bi-Han. They were only certain on Tomas.

The true father is…I don’t know. What? Did you think I knew all? No! Even I don’t know. And do you even wanna know? Just let be happy that they are happy. Now get some rest, mama. You have a long journey ahead of you and it’s called motherhood.

After notes: Why do I keep doing twins? I’m scaring myself. Here’s a fact about me I have a high chance of having twins if I were to get pregnant. Yeah, I know, crazy. Please tell me I haven’t manifested this for myself my period still hasn’t come oh gosh 😭. I would have done triplets for this fic but nature doesn’t work like that. Well since I’m done I get to eat. Adiós! (Pls make my period show up y’all)

[ingravinoveritas]

Oh FFS 🤦🏼‍♀️ did you see AL’s tweet? A 1:1 copy of Georgia’s haha OMG such couple goals post/story, again.

And why the heck would they of all people no want to see their own partners celebrated and encouraged? You know, those partners who ensure the nice cozy life they lead and who by their profession are dependent on the public and industry’s continued positive acknowledgment… Not that mutual support shouldn’t be present in any relationship, mind.

I'm in the middle of answering a few other Asks/writing a detailed post about some of Georgia's recent posts this week, so I will save a lot of my thoughts for there, but...yes. Yes, I did see AL's newest tweet, and I am amazed at her blatantly copying Georgia. Again...

I think the thing for me--other than the exact copying, which is just painful at this point--is that I would have zero issue with either one of these posts if it felt like there was even a smidge of affection behind them. If there is a joke here and that's how these posts are meant, they're somehow not reading that way at all. It also seems like both AL and Georgia think a joke and an insult are the same thing (and I realize that in British culture/sensibility that is often the case), but again, what makes it distinguishable is that underlying feeling of affection that is seemingly absent from these posts.

At what point does "Don't encourage him" actually start to mean, "I don't encourage him" or "I don't support him"? A person in a relationship can start to feel over time that their partner doesn't support or encourage them through their actions, even if the partner doesn't ever say those exact words out loud. And this would be no less egregious or worth calling out if it was Michael and David doing it to AL and Georgia, but it noticeably seems to keep being directed from one side to the other.

That is the other piece of this as well, that both of these posts are not one-off occurrences, but part of a larger pattern of comments that have been going on for years (which I've written about previously on my blog) and seem to particularly occur in response to David or Michael receiving any kind of praise or accolades in the press. The difference now versus in the past is that I've started to see some pushback in response to both. There are many comments on AL's tweet from folks saying that Michael deserves encouragement, and shouldn't it give one pause to consider that such a sentiment is so opposite to what his own partner is saying? That the one person who should be his number one supporter consistently reacts in the least supportive way possible?

And I agree with you as well about mutual support being important, which again is what makes all of this seem so unbalanced. David has frequently been supportive of Georgia, but with Michael and AL, neither one honestly seems that supportive of the other. For me it's also that Michael is so consistently and effusively supportive of David that it becomes even more noticeable when he doesn't do that with someone else. All Anna's tweet today did is draw even more attention to that and to the (less than positive) similarities between her and Georgia, and I imagine that is not at all what she was hoping for.

Those are my thoughts, at least. I know plenty of people will continue to see Michael/AL and David/Georgia as #couplegoals--and if that is how people feel, they are welcome to it--but for me, a relationship where the frequent centerpiece is putting down your partner on social media doesn't seem like one I'd want to be in. Glad to hear from others with your perspectives as well...

[captainmera]

Ahoy Captain! Question about ttocw if you haven't answered it already: how far into the toh timeline do you plan to write into ttocw?

I ask because you've laid down such an immensely intriguing foundation for each Witte-character, and like watching a sculptor take their chisel to the stone, we can already start to see how the various influences in Philip's life shapes him into the Belos we see in canon. BUT there's still the Phillip who outlives Caleb and Evelyn, the Phillip that meets Luz. Will you write that Phillip, too (even tho technically it's not longer a tale of Caleb W.)? It would be so fascinating to see how you portray his frame of mind at that stage, but if you feel it doesn't fit with the story, I would understand too

I wanted to get to the point of when Caleb leaves the final time.

Meaning he's gone back and forth a few times.

It could be that Evelyn stayed in the HR and Caleb never visited the DR until when he's Spirited away thru the portal. OR he's visited a few times, and then either thought he'd be back or decided he wouldn't go back.

In my version he's gone back and forth, he knows the DR, he likes it there, and due to *events* he decides to leave for good. And I want to write what builds up to him making that decision. Its a very "noooo, I mean I get it, it makes sense youd think that and do that, but nooooooo"

There are a couple of unanswered things in regards to gravesfield and the wittebros. And Evelyn visiting.

The show is LITTERED with breadcrumbs of intended story that never got any closure.

In TOH, it shows that they're both being lured into the realm of a witch. For example.

But I think that's just referring to that Caleb was "taken" and Philip followed, but that they both knew Evelyn.

The depiction of their ages, and their age gap, has been very inconsistent throughout the show. But I think it's safe to say they settled on this:

Being the most accurate, as this is when the creators solidified the actual gravesfield folklore tale about them. So the meta here is that the crew knows what their ages are, and even if the contemporary citizens of gravesfield doesn't - its a cartoon and they're showing us the information they have finalised.

At some point they hunt Evelyn, or at least "the dangerous witch", so I imagine that Evelyn visiting probably suddenly gave them a real physical person to try hunt down and pin all of the town's previous witchcraft on.

I want to write about how the imaginary threat of hysteria suddenly gets real cause. Suddenly, it's a game of who-done-it.

And if you've read my *down memory lane comic*, you might have a hunch that Philip finds out its Evelyn. And thinks Caleb is bewitched, etc.

ANYWAY,

There's also this mystery, yeah? The portal Caleb runs through is not the same as the one at the graveyard.

It does resemble the one they come through tho. So there's two portals that connect with the same arch in the demon realm. Or the old HR portal got a reconstruction by someone who added the Gravesfield bird symbol.

And yes, the owl door goes to the SUITCASE. And the suitcase door has an eye of a Titan. But the bird motifs makes e think of the one-eyed owl inside the owl house.

We know Belos at least made blueprints of the suitcase door. But he mightve just tried to replicate it.

ANYWAY,

I think once Caleb crosses over for the last time. I'm not sure if I'll continue it or I'd I'm full of ideas. As it looks r/n, I think I've got a lot to write for it as us anyway with Caleb and Evelyn going from friends-to-lovers.

And as that happens, Philip has his own sub-story and arc going on, all then cultivating into the climax the way that it does. The brothers part ways. Reunite, etc.

So I think it's best for me not to make promises where I put the end pin. It's supposed to be fun and a good writing exercise. :,)

But yes,I've got some breadcrumb milestones I want/need to check off.

The courthouse on fire being one too lol.

[eggtrolls]

haiku misinformation: a fact check

there's an post going around about haiku that has a lot of incorrect information about haiku, its terminology, history, etc. I will try to debunk some of the biggest inaccuracies here. everything in quotes is a direct statement from the original post. this is also really, really long.

"Haiku are made of 14 on, which are essentially the equivalent to Japanese syllabic structures, except the nature of how Japanese as a language is constructed versus English means that any given proper haiku could be translated in extremely and intensely different ways, each giving a subtle but distinctly different meaning."

Starting off strong - haiku are (usually) made of 17 on. It's the classic 5-7-5 pattern! 5+7+5=17! [possibly this is a mix-up with wakiku (脇(わき)句(く)) which is another type of Japanese poetry that does use 14 on but who knows.]

Definitions: an on is a phonetic unit, the equivalent to a mora (pl. morae) in English. this concept a) exists in English and b) like on, is related to syllables but distinctly different from them (i.e. ba is one mora but baa with a long vowel is two morae). On can be counted using the number of hiragana (phonetic syllabic characters) when the text is transliterated, so a word like Osaka that has the long O sound (made up of 4 kana) would be 4 morae or 4 on (o-o-sa-ka; おおさか). it's not really a syllabic structure at all, and more importantly has nothing to do with translation. idk where that last part comes from because that's really...not the point here. Yes, any given "proper" haiku could be translated in different ways with a subtle but distinctly different meaning but that's true of just...translation, period. check out Deborah Smith's translation of The Vegetarian by Han Kang for more on that.

Furthermore, haiku were/are not rigidly locked into the 5-7-5 on pattern. That's just not true, which is why I said usually above. Easy example: a 1676 haiku by Matsuo Basho that uses 18-on:

冨士の風や　扇にのせて 江戸土産; ふじのかぜや おうぎにのせて えどみやげ; the wind of Fuji /I've brought on my fan/a gift from Edo <- that first line is 6-on!

2. "The best way I can explain what I mean is that in English a good poem can be defined as a shallow river, whereas a good haiku is a deeply-dug well."

Not dignifying this with a response. Deeply incorrect and untrue. @bill-blake-fans-anonymous can handle this assertion.

3. "The presence of the kigu. There is a specific series of characters/words which are used to imply a season, and specifically a specific aspect of a season which the haiku revolves around. The creation of a haiku is often done as a meditative practice revolving around the kigu--you're essentially contemplating on this particular natural feature (nearly always the temporal aspect emphasizes either ephemerality or the opposite as well bc Buddhist ideas of enlightenment and beauty begin coming into play) and building an evocative and purposeful point that revolves around it like a hinge. It functions as both ground and anchor."

First (and largest) problem: the word. is. kigo. kigo. It's ki (季; season)-go (語; word) = 季語. Both the English and Japanese language Wikipedia, or a 3-second google search, will tell you this immediately. I have no idea where the term kigu comes from.

Second problem: plenty of haiku, both traditional and contemporary, do not use kigo. these are described as muki (無季; seasonless). Matsuo Basho, the haiku-writing poet non-Japanese people are most likely to know, wrote at least ten seasonless haiku that exist today. Masaoka Shiki, the Meiji-era haiku poet and reformist, wrote hundreds of kigo-free haiku and as an agnostic, tried to separate haiku from Buddhism and focus more on the shasei, the sketches from daily life. you can actually, today, buy what are called saijiki, which are lists of words and terms that refer to specific seasons (in the traditional Japanese calendar, so there are actually a lot of "micro" seasons as well). some saijiki include a whole section of "seasonles" words - here's an article about non-season kigo in a saijiki.

so the claim that English-language haiku are invalid or not "real" haiku because they lack a kigo doesn't hold up, unless you invalidate a whole bunch of Japanese haiku as well. the op also claimed they would categorize a lot of English "haiku" as senryū which is...an opinion. Yes, haiku tend to be focused around nature (more on that below) and senryū tend to be more comedic or about human foibles but...that's it! it's a tendency! it's not a hard and fast rule!

Third problem: the claim that a haiku is as meditative practice revolving around the kigu kigo...yeah, no. the earlier form of haiku, the hokku, were the introductory poems of the longer poetic form, the renga and the hokku gradually became a standalone poetic form known as haiku. the hokku had a lot of purposes and we have a historical record of them going back ~1000 years to Emperor Juntoku where they were declamatory poems tied to events (births, deaths, etc.) or social events (moon-viewing parties) - not really meditative. haiku, if a genre can focus on a single idea, focus on an experience and that can be real or imaginary, direct and personal or neither.

Here's another Basho poem for your consideration:

夏草や 兵どもが 夢の跡 (natsukusa ya tsuwamonodomo ga yume no ato; summer grasses--/traces of dreams/of ancient warriors)

both the dreams and the grasses are those of Basho (contemporary) and of the warriors (ancient); it's about travel, it's about connecting the present to the ancient past, it's not really so much about the summer.

(Fourth, minor problem that I'm not really going to get into: you'd have to take this 'Buddhist ideas of enlightenment and beauty' up with haiku scholar Haruo Shirane but he explicitly says in the Routledge Global Haiku Reader (2024) that "pioneers of English-language haiku [such as D.T. Suzuki, Alan Watts, and the Beats] mistakenly emphasized Zen Buddhism in Japanese haiku".....so.)

4. "The presence of the kireji...it's a concept borderline absent from English because it's an intersection of linguistics and philosophy that doesn't really exist outside of the context of Japanese."

Let's begin with clarification. What is kireji (lit. a 'cutting word')? It's a class of terms in Japanese poetry that can do a few things, depending on the specific kireji and its place in the poem. In the middle of the poem, it can mark a thematic break, a cut in the stream of thought highlighting the parallel(s) between the preceding and following phrases. At the end of the poem, it provides a sense of ending and closure - it helps mark rhythmic division, to say the least, and it is seen as the 'pivot' word.

Two problems with claims above:

a. there are haiku that do not use kireji. For the hat trick, here's a Matsuo Basho haiku from 1689 AD that is kireji-free: 初しぐれ猿も小蓑をほしげ也 (hatsu shigure saru mo komino wo hoshige nari; the first cold shower/even the monkey seems to want/a little coat of straw) <- NB: I love this haiku so much

b. the idea of a kireji, as in a pivot word that provides an inflection point with rhythmic division and structure, exist not just in English poetry but in multiple different types of poetry across time and space! The caesura in Latin and Ancient Greek! The volta in sonnets! Whatever is happening in the third line of the Korean sijo!

final thoughts:

the op included language, which I won't quote here because it was messy and tied into other rbs, about Orientalism and appropriation in English-language haiku, which is definitely a real thing. but this blanket statement ignores that the relationship between haiku and "the West", much like Japan and "the West", was and is not a one-way street. Western writers were influenced by haiku and, in turn, those writers influenced Japanese writers who wrote haiku inspired by these influences - this process has been going on for well over a century. Furthermore, English and Japanese are not the only languages in which haiku are written! Nobel Prize winner Rabindranath Tagore was writing haiku in Bengali; other Indian poets were and are writing them in Gujrati and Malayalam, particularly by the poet Ashitha. the Pakistani poet Omer Tarin has written haiku about Hiroshima! The Spanish poet Lorca published haiku in, get this, Spanish, in 1921 and the Mexican poet José Juan Tablada published more in 1922! Italian translations of Yosano Akiko were published in 1919! any discussion of the idea that English/non-Japanese-language haiku aren't really haiku because they don't hold to the "rules" (which Japanese authors have been revising, adapting, critiquing, and/or straight up flouting for centuries) or because English/non-Japanese poetry is "a shallow river whereas a good haiku is a deeply-dug well" just shows a lack of knowledge around traditions and depths of...well, poetry itself.

my god this is so long.

in summary: this is a complex topic. If anyone would like some actual information about haiku, its history, common themes and forms, or a collection of good poets, the Routledge Global Haiku Reader (2024) and Haiku Before Haiku : From the Renga Masters to Basho (2011) are great references and really accessible in their language! hmu if you're interested and I can send you some pdfs.

[stardewrotsession]

Note: I’m not even gonna attempt to say why I disappeared again, I just do. Work, school, hangouts, studying, it takes a toll. Anyways I think I’m back into Stardew since the 1.6 update so hopefully I’ll have more out in a timely manner. If not I’m sorry in advanced lol. Oh and no Elliot this time, also sorry about that!

The Bachelors When They’re Jealous

Sam

- Honestly Sam wouldn’t notice LMAO.

- At least whenever he’s getting hit on or flirted with, it takes him a long time to really catch on.

- Like if a girl were to walk up to him and start flirting with him heavily, he wouldn’t really get it and think she’s just giving him compliments.

- It would have to be when she starts getting handsy that he’ll get it and immediately turn her down lol

- With you on the other hand, he can tell, to an extent.

- If someone comes up to you and starts talking to you, he wouldn’t think anything of it.

- Mostly just, “Oh hey, they’re making friends!”

- It wouldn’t be until loudly declare that you’re not interested that he’d suddenly know what’s going on.

- And there’d be a guilt behind not picking up on it at first.

- Not because he doesn’t trust you, he trusts you with his life!

- But this guy could’ve been making you uncomfortable from the start, and he has done nothing to try and get you away from it.

- From that point he’d walk over to you immediately and give you a little kiss before asking if you wanted to join him.

- Whether he was outside, with friends, or with family, he’d want to give you an out. Or an excuse to leave right away.

- Sam cares about you, through and through. He wants you feel comfortable and he definitely needs you to feel safe.

Sebastian

- So a lot of me really believes Sebastian would be self conscious about it.

- Like he’ll catch himself being really jealous when seeing you talk to someone else, but then he’ll think he’s overreacting.

- It takes a lot of him to get jealous though, if you talk to Sam or Abigail, he wouldn’t bat an eye.

- But in my opinion? He’d get jealous when you talk to people he knows he’d never really talk to on his own.

- People like… say Alex? 👀

- I think anyone who has a popular kid personality or people with big egos makes him immediately turn the other direction.

- So when you talk to people like him, it tends to make him a bit jealous. Or insecure.

- Like “why are they talking to them?” Type of jealousy.

- I don’t really think he’d go out of his way to confront you or them. Unless you’re in trouble, he wouldn’t budge.

- But he’d definitely talk to you afterwards, but about how it made him feel.

- And he wouldn’t really do it in an angry sort of way.

- More like a “You were paying attention to them, do you like them more than me?”

- Probably more monotone or straightforward.

- You would definitely have to reassure him after, letting him know he’s the only one for you.

Harvey

- Harvey’s the type of guy to stay out of trouble a lot of the time.

- Less drama, potentially less injuries.

- Besides, he trusts you with all his heart.

- I like to think he’s all about trust, if you can’t have trust you can’t have a relationship. Simple as that.

- That isn’t to say he’d get insecure from time to time whether you talk to other people, especially if he thinks they look more attractive than him.

- But Harvey’s a great communicator. Once you get him to open up, he’ll want to share everything with you.

- If he truly does get jealous and insecure, he’s not the type to make a scene and pull you away immediately.

- He’ll wait until they’re gone, or until you two are in private.

- “So… what were you talking about with _____?”

- I also think he’s not the type to be confrontational about it.

- He’ll have his assumptions, but when you two are talking he’ll do everything he can to make sure he’s not assuming wrong.

- So get ready for random questions about your talk with the other person.

- He’ll definitely feel bad about getting jealous if it was a misunderstanding. He’d probably apologize the second he realizes he was overreacting.

- But he’s stable enough to know feelings like these happen, and as long as he can let it go and you can put his mind at ease, he knows he’ll be okay.

Alex

- Oh Alex would become overprotective so quick.

- Because, on one hand, he’s hit on girls before. Way before you two started dating.

- So he knows the pick up lines. He knows the flirty remarks.

- But on the other hand, ever since you two started dating, he could tell when people hit on him, and he’d quickly dismiss them.

- He knew who he wanted to be with. And you made him happier than he thinks he ever has been.

- Now when it comes to you, he knows when you seem uncomfortable, and he can pick up on when people flirt with you.

- He’ll only directly confront them if you seem really uncomfortable with it. Like, to the point where you constantly look at him with a “Help me” expression.

- But otherwise, he’ll have some fun.

- Picture this, a guy comes up to you and starts making conversation. You don’t think much of it until he starts flirting with you, calling you hot and pretty.

- Then you see Alex, carefully evaluating the situation before smirking and making his way over to you.

- “Hey babe,” he says while wrapping his arm around you.

- He gives you a small kiss, and pulls you closer. And let’s be honest, he’s definitely making a show of looking at you up and down, taking in your presence

- Probably takes him a whole minute before even acknowledging the other guy that was talking to you

- “Oh, sorry didn’t see ya there,” he’d say casually. “Need something?”

- You know what he’s doing, but you gotta admit, it’s a little cute

- Either way, he makes a huge show of calling you his.

- It’s like a passive aggressive way of telling the dude that you’re not interested.

Shane

- Low key, I’m so sorry… but I feel like Shane has a lotta issues with trust.

- If he gets insecure about your relationship and sees you talking to another person, you best believe he’ll completely ignore you at first.

- Even if you confront him about it, I don’t think he’d really tell you or open up.

- Like at night before you two go to bed, and you ask him what’s wrong, he’d say things like “Huh? No, it’s fine,” or “Wha? Quit worrying about it.”

- I don’t think it’s cause he’s necessarily mad at you.

- I just think he needs time to process everything. Debate on whether it was actually flirting or if you were just talking farm business stuff.

- So he’d shut up about it for a little. I really don’t think he’d be too mad if it was a one time deal.

- Buttttt if it’s happened multiple times, where you talk with the same person, he’d get annoyed.

- Unfortunately I think he’d have it all pent up until you guys have a disagreement or an argument.

- Like he could’ve left the toilet seat up and all of a sudden he’s talking about how he’s noticed you talking to the same guy over and over again.

- Despite all he’s been through, I don’t think he gets better right away, and his communication skills still need to be worked on a bit.

- Though, since he does have a therapist, he would try to work it out with them first, before anything else.

[vergess]

A work friend of mine's daughter has recently developed (?) schizophrenia. He seems to like my advice in general, and in particular thinks I gave him helpful advice about handling traumatic experiences he's had, and so talks to me about this a lot. I've tried to give advice along the lines of prioritizing her comfort/well-being/calmness over her "connection to reality" (his words), like not picking arguments over things she says in pursuit of correcting her, similar to taking care of someone with dementia.

Do you have any points I can focus on or resources I can look up to support him and by extension his daughter better? I'm not very familiar with the subject but do know that in looking this up I'm wading through a lot of stuff that's not very supported or with the schizophrenic person's well being and agency in mind.

You're exactly right about the comparison to dementia. Although not nearly as severe an illness, schizophrenia is one of those "redirect not reinforce" conditions.

So, one of the big things you can suggest, especially while the person is in the early period of onset (which can happen over the course of a year at any age, but usually between 20 and 30), is try to help them make plans for the future. Which sounds big and scary, but it mostly consists of honestly going through with them to make lists of the things they enjoy, the things that stress them out, etc. Because there is going to come a time, and it's sooner than anyone wants, where remembering what she finds relaxing will become impossible on her own (at least, during periods of high stress; she may always be able to self regulate in normal conditions).

Schizophrenia often makes people feel deeply afraid and out of control of their own thoughts, which is really scary!!

But your friend's daughter is likely still able to remember what things she enjoyed before the onset of her illness. Whenever she gets too wound up in a fearful delusion, rather than trying to combat the delusion, I suggest redirecting her to one of the things she enjoys, whatever that may be. A hobby, a movie, etc.

It's important that the idea for the redirection initially come from the schizophrenic person themself. This way, you can honestly say, "hey, remember when you said you like X, why don't we try some X together," and it be something reaffirming to the person's sense of control rather than fighting it.

Of course, if the delusion isn't fearful/scary/stressful, the best thing to do is to accept that it is her genuine reality right now, and just work around that belief. No need to start a fight and make it stressful.

Another thing is, and this is MUCH more controversial in the west but I'll go ahead and say it. Another thing is, if the daughter's voices are friendly or kind, to support her engaging with them (if she so chooses). This way if/when her voices become mean she can choose to "disengage" with them as a conscious change. In practical terms, this means if his daughter is ever having conversations with her voices that seem to be in good spirits, to treat that more like she is talking on the phone with someone you don't know, than to treat it as a scary hallucination.

Then, if the voices ever get mean, she can "give them the silent treatment" to help establish a sense of control over them and help her feel like she doesn't have to listen to them.

In a way, it can be good to conceptualize her voices as "influential strangers" and just encourage her to listen to good influences and ignore bad ones.

Finally, depending on where the daughter lives and her support needs, it might be good to get her registered with the healthcare service in your area sooner than later. In the US, a young person with schizophrenia automatically qualifies for medicaid and can also qualify for disability. Both will need to be applied for, and the application process is a byzantine mess.

Especially regarding disability, it is best to hire a lawyer to make your application (they will be paid out of your benefits not your pocket).

As such, if your coworker's daughter is unlikely to be able to live entirely on her own, including job, hygiene, travel, etc it's a good idea to get there registrations started ASAP. That way if the coworker ever becomes sick or when he eventually dies, etc the daughter can be supported.

If the daughter has low support needs and is likely to be able to live on her own (which can and does happen sometimes!! Even with schizophrenia), one of the biggest challenges she's going to face in the long term is going to the doctor.

Not only are doctors deeply, deeply scary to the mentally ill in the west (for good reason!), which makes doctors a prime target for delusions of fear and abuse. But also delusional thinking can interfere with a person's ability to identify their own body sensations.

EG, it is very common for schizophrenics to "be really angry and not know why" and it turns out it's because they have a UTI but couldn't feel it due to delusions. In fact, it's so common that one of the first things we do at work when a client is very upset like that, is ask them if they have been peeing more often (the answer is usually 'yes').

A huge part of the reason people with schizophrenia die young is the inability to tell when they are sick, followed by feeling unsafe going to the doctor.

Ultimately, the biggest thing to remember is that no matter how stressed or scared you are as a carer, the person with the illness is just as of more stressed. They aren't fighting you, they're fighting terror. Remembering that can make the intense demands of caring for someone with higher support needs less draining.

The second biggest thing is to remember to take time for yourself, because if you burn out as a carer, then you've left your kid without support for potentially months or years, and that's pretty bad compared to having them go to a fun adult program like a summer camp every day for a month while you recover.

Finally: there are more programs for schizophrenia support than you think. Even in my rural bumfuck town of 3000, we have two (2) different programs, including a year round day program that operates 5 days a week and takes walk ins.

Your coworker does not have to take care of his daughter alone. Support exists.

[josephtrohman]

sorry if this is silly to ask but where did the joe bisexual talk come from?

not trying to start speculation or some shit i am just confused 😭 ik pete is the one sort of semi unconfirmed bi one but now i recently notice joe also being called bi…is it a bit? or part of a bit but also at the same time are people realizing joe has said stuff that may indicate hes queer or smth… SORRY this is stupid to ask i am just dumb

NOT SILLY TO ASK AT ALL lol it’s largely like. lighthearted based on fruity things he has said and done and i’ve compiled some things that people point out under the cut (this isn’t like meant to be real trutherism for joe being bisexual obviously it’s up to whatever the fuck he says and also not that it actually matters anyways since he’s been with one person for the last 20 years lol)

this post in particular is one i think about a lot because it’s a neat little compilation of a lot of his fruity moments lol. NEVER BEATING THE ALLEGATIONS I FEAR

having sex with multiple wo(men)

dude crushes…

looking for another moustache to kiss his moustache…in the same interview that he says being gay is fantastic? inch resting…

kissing men…(first pic iykyk)

also talking VERY enthusiastically about kissing patrick in particular lol

lewd gestures with a bottle (my gifs from here wink wonk self promo)

and then also people have dreamt about joe coming out as bi so yknow. maybe prophetic dreams, i made this in reply to one of them for funsies

lastly, since i can’t put too many clips here, my fobtwt friend richie has a great thread on joe fruity moments here.

this isn’t absolutely everything but it’s all the examples that come to mind lol

like i said this is not meant to be trutherism bc obviously it’s up to joe to determine what he is lol but i think much of his conduct points to being a kinsey 1.5 or 2 at least 😭 i always think about that post someone made (i dont rmr who rn…) that said that fob should bring back m&gs so they can hand out pamphlets on bisexuality to the guys. anyways no one be mad at me for this it’s all kind of lh and jokes and innocent etc 😇

[keepingsecretstokeepyoutk]

So Long London - Full Lyric Analysis

My Gaylor/Kaylor interpretation at a glance: Taylor uses the bearding narrative of her breakup with Joe as an allegory to talk about her reluctant decision to “break up” with her fans/kill off her public persona in the process of coming out. 

The Joe bearding narrative was likely created for this very purpose - an "ex" who didn't allow her to "bejeweled" (be her whole self), who she tried to make it work with, tried to change herself for, before realizing she couldn't keep sacrificing her wellbeing, mental and otherwise. Read through this lens, this song is devastating, so prepare yourselves emotionally, maybe have tissues on hand.

I interpret a number of the "break up" songs on this album (almost all of them) as being about her reaching the end of her rope with being in the closet and trying to slowly change her fan's attitude towards her queerness. So many of these songs imply that she has hit her breaking point, and the metaphor of a failing romantic relationship is the perfect vehicle to express this shift.

I believe this precedent exists in her work, and for this particular chapter, was established with "You're losing me".

This is also one of a few songs on the album that conceptualize her fame (as obtained with her public, hetero persona) as a place. In this song, that place is represented by London (hence, "so long, London"). In Florida!!! she may be running away to Florida from this place, (after she comes out and needs to escape the backlash). In "I hate it here", she dreams of escaping this place, and imagines two other locales within the lore of her songs - "secret gardens", a probable parallel to Betty's garden and the "garden gates" in Cruel Summer, as well as the "lunar valleys" referencing the galactic landscape established in Down Bad.

Lets get into it!

Verse 1

“Saw in my mind fairy lights in the mist/kept calm and carried the weight of the rift/pulled him in tighter each time he was drifting away/my spine split from carrying us up the hill/wet through my clothes, wary bones caught the chill/stopped trying to make him laugh/stopped trying to drill the safe”

In this first verse, Taylor introduces the idea of her fans being like a partner who isn’t present in the relationship, and more importantly, a partner that is ultimately rejecting her true self. 

“Fairy lights in the mist” - Taylor has used daylight/light images to represent the end of her closeting/her coming out for at least 5 years. Here she sees small pinpricks of light amongst darkness and the classic metaphor for hiding/confusion, etc - mist. She is saying that in the past she had hope, she saw a possible path forward to coming out while also keeping all of her fans.

“Kept calm and carried the weight of rift/pulled him in tighter each time he was drifting away” - Taylor reflects on her years of hoping that she could slowly introduce her fans the idea that she is not straight, then come out with minimal rupture in her relationship with her fans. She tried to keep the faith and looked past a lot of bad behavior on the part of some of her fans, convinced that she could make them see her and that their love for her would extend past their need for her being the persona they have grown attached to.

“Stopped trying to make him laugh/stopped trying to drill the safe” - ultimately, she gave up, having been rejected too many times - ignored when she clearly signaled her gayness and the masses of her fans just refused to acknowledge it. Beyond refusing to acknowledge it, they bullied those that did see it, demonstrating to her how reviling they found the idea that she might be queer. “Drill the safe” is a metaphor for trying to force something that will never happen, she is realizing she needs to let go of something that isn’t for her.

Chorus

“How much sad did you think I had/did you think I had in me/oh the tragedy/so long London/ you’ll find someone” 

Taylor now must ask her fans, how long did you expect me to sacrifice my own happiness while you continue to ignore my pleas for you to see me? 

“You’ll find someone” = you’ll find another idol/para social relationship to obsess over, identify with, etc. This is a reference to Dear Reader, when she sang “you should find another guiding light.” In that song, Taylor warned fans that she is not who they think she is ("you wouldn't take my word for it if you knew who was talking"), that the idea they have of her life is constructed, and strongly lamented her life choices, essentially telling fans they shouldn't look to her for life advice, because she is lonely and miserable. Here, the reference not only underscores the idea that they don't know her, but also that she is making the choice for them to "find someone" else, because she is choosing to come out of hiding, and in so doing, is also choosing to leave behind the misery that made her write Dear Reader in the first place.

Verse 2

“Didn’t opt in to be your odd man out/I founded the club she’s heard great things about/ I left all I knew/you left me in the house by the heath/I stopped cpr after all it’s no use/the spirit was gone, we would never come to/ and I’m pissed off you let me give you all that youth for free.”

I made a post about the "Heath" reference that you can read here. Please note the reblog of it that I added an addendum to about the Heath being a park in London. Heath was a doctor that practiced conversion therapy, meaning that her fans "left her at home" with someone trying to change her. By ignoring her signaling, they told her they didn't want the real her, which kept her in the closet, and I fear kept her more vulnerable to those who may have tried to manipulate her into trying to change herself, or deny her true self even behind closed doors.

"I stopped cpr after all its no use/the spirit was gone we would never come to" - again Taylor is using the of a failed romantic relationship to express her lost hope in salvaging the corners of her kingdom that ultimately won't accept her when she comes out. This is also an example of the frequent gothic/death related imagery Taylor uses on this album, a theme consistent with the idea that something is ending, that she is killing off her public persona.

"and I'm pissed off that you let me give you all that youth for free" Taylor has spent so many years choosing her fans and her current carrer path over the full expression of her life and happiness. Again, she had hope that the people who have given her endless validation and effusive praise for years would accept her for who she is. She is realizing that the love between her and at least some of her fans was conditional, and given what we know of how much her fans have meant to her over the course of her career, this was likely a devastating wake up call that took years for her to accept - undoubtedly a huge factor in her seemingly delaying her coming out so many times.

"So long London/Stitches undone/two graves, one gun/I’ll find someone”

Taylor has said her fans are her longest relationship; the imagery in this song reflects the idea that this is a break up with someone she has tried with over and over again. So she undoes the “stitches” that link her to them. This line references her song Glitch on Midnights, “fasten myself to you with a stitch” symbolizing being bonded with a romantic partner (which represent a portion of her fans in this song).

"Two graves one gun" is likely a reference to burying her public persona self, and the second grave could represent her fans (a parallel to the "cheating husband" in "Florida!!!"?) or it could be a shrouded suicidal thought - the second grave being her private persona - both selves being killed off. This lyric is one of my favorites in this song but I don't have a strong conviction on who the second grave is, I'm very open to others' thoughts...

Bridge

“And you say I abandoned the ship/but I was going down with it/my white knuckle dying grip/holding tight to your quiet resentment/and my friends said it isn't right to be scared/every day of a love affair/every breath feels like rarest air/ when you're not sure if he wants to be there/So how much sad did you think I had, did you think I had in me/How much tragedy/Just how low did you think I'd go/Before I'd self implode/before I had to go be free"

"And you say I abandoned the ship...white knuckle dying grip" Taylor emphasizes her wish for things to be different with this lyric, clinging to her ship as it sinks. We all saw her try to right the ship, she's finally choosing to let go and swim to safety (a nautical parrallel to the manuscript's "my trip to your shores"?).

“My friends said it isn’t right to be scared everyday of a love affair…if you’re not sure he wants to be there”

Similar to when someone is in a bad romantic relationship, i imagine her friends expressed their concern that her relationship with her fans is unhealthy. Although many of her friends are high achievers themselves, Taylor’s success is in another league (monster on the hill) and they would likely have expressed their hope that she can slow down and accept a slightly less monumental career in the interest of her mental health. 

“How much sad did you think I had/did you think I had in me/Just how low did you think I’d go?” “before I self implode/before I have yo go be free”

Taylor imagines arguing with her fans in the throes of the break up, and in this passage it becomes clear that she is convinced they know the truth but are refusing to acknowledge it. That they allowed her to keep faking her straight persona for their sake. That she was a woman pushed to her limits by a partner (fans) who knew they were running her ragged, a partner that didn’t in fact love her, but loved what she could do for them.

 So she asks them, how long did you think I could keep doing this before it broke me? How long did you think I would go along with this, be willing to sacrifice for you? how much would she fake/take the money to keep up the straight persona?

“You swore that you loved me but where were the clues?/I died on the altar waiting for the proof/ you sacrificed us to the gods of your bluest days”

The para social relationship is again a perfect match for the metaphor of a partner that uses you but doesn’t meet you in relationship as a full person. The praise puts you on an altar, but their actions don’t reflect the effusive words. “Bluest days” is a red herring to match the bearding narrative/fan rumor that Joe’s mental health affected their relationship, but also could be interpreted as the fans overlooking her truth in the interest of relying on the idea that their favorite pop star has the same boy problems that they do, their "bluest days" were the days they were torn up over a relationship or an unrequited love and needed her break up anthems, and they wouldn't have the same effect if they knew (and weren't in denial) that the songs are about women (or now about them, ironically).

Last Verse/Outro

“I’m just getting color back into my face/im just mad as hell cause I loved this place/for so long London/had a good run/moment of war son/but I’m not the one”

The first line here parallels the language in “you’re losing me”, which uses the metaphor of a relationship literally dying (“i can’t find a pulse”, etc). In this song she is leaving the relationship to save herself, and in leaving she is recovering her health, hence getting the color back in her face after being pale when sick and near death.

“This place” or London, is a stand in for the world, the Swiftverse that she created for and with her fans. It had been her life’s work, her source of pride, self worth, her legacy, but now she must leave, because it was built in large part around a self she created to make herself palatable to the fans she amassed. She can’t be that person anymore, and maybe in some ways “this place” doesn’t even really feel like hers. This parallels Florida!!!, "your home's really a town you're just a guest in/so you work your life away/just to pay for a timeshare down in Destin". She is just a guest in the musical world of the brand of Taylor Swift that she spent her whole life building ("the story isn't mine anymore")

To close, she repeats the main lines of the chorus,

“So long London/Stitches undone/two graves, one gun/you’ll find someone” 

This repetition drives home the finality of this decision - her exit, her killing her public persona, her detaching herself from those that don't see and support her, and her reassuring herself that those people will find someone else to worship, and someone else to see themselves in, and her realization and relief that they aren't her responsibility anymore.

[ragingadhd]

Will and Alyss are trans here’s my essay

We talk a lot about how funny it is that Flanagan unintentionally wrote the gayest love story between Halt and Crowley in TEY, but holy shit we don’t talk enough about how he also managed to accidentally write the two most trans characters ever.

Alyss and Will being trans is a semi-popular headcanon that’s been in the fandom for ages now, but I haven’t seen many people really dive into why this headcanon is so prevalent. I think that partially has to do with the fact that, like any lgbtq+ identity, it’s pretty difficult to clock someone as trans without relying on trans stereotypes. Really, any character in the RA series could be trans if you chose to believe it since being trans doesn’t look any certain way. That being said, I do think there are some pretty clear qualities and experiences that Will and Alyss have that feel very close to my own experience with being transgender.

Physical appearance is usually the first thing people point out/notice when talking about this headcanon. Will is short, more so than one might expect from a cis man. Alyss is taller than most men and also has a deep voice. I have mixed feelings about people pointing to this as the only reason they think they’re trans. I mean, it makes enough sense for it to be the only reason since one part of being trans is the fact that one’s body doesn’t match their gender identity. What I don’t like about that being the only reason is that there’s so much more to the trans identity and experience than “body don’t match :(“

But that’s the cool thing about Will and Alyss, their physical appearance effects their perception of themselves the same way it does for a trans person (or a cis person really, but it feels much more prevalent in trans people). In the first book, Will is clearly uncomfortable with his height; almost any time it’s brought up, he replies with “I haven’t had my growth spurt yet”, almost defensively. Then, as Will becomes more comfortable with who he is, you can see it bother him less and less. I love this bc it’s exactly what happened with my dysphoria as I transitioned. The more I got to know myself and discover myself, the less my dysphoria bothered me.

As for Alyss, she is so clearly so confident with her appearance. She never tries to hide her height or voice. Although we don’t get to see her journey with those qualities, the way she’s so confident feels like something the earned. It’s something she maybe used to feel insecure about, then decided she gets to decide what femininity means to her. Her height and voice contribute to her elegance and femininity rather than contradict them.

Another thing about Will is his name and how it relates to his identity. I know Flanagan didn’t intend for any of this to be some trans allegory, but goddamn can I relate my trans experience to it. Will grew up without a last name, and you can see how deeply that effects him. It wasn’t just that he was “Will no-name”, he was missing a part of his identity. Hell, he said verbatim “at least you know who you are” to a fucking owl because he felt so confused and unheard (which btw is the most edgy teen thing he ever did).

Though you can see this missing part of his identity bother him less as he gained a support system, it’s still clear that he felt like something was missing. If he didn’t feel like something was missing, he wouldn’t have been so incredibly happy when he became “Will Treaty”. And when he got his last name, you can tell he’s proud, not because he finally has an identity, but because he finally has a name to match the identity he’s spent so long discovering and cultivating. He no longer expresses any sadness or grief that he doesn’t have his father’s last name, because he doesn’t need it to know who he is. He’s Will Treaty, and he’s perfectly happy with being exactly that. This is the most trans-coded naming experience holy shit.

Anyway that’s all I have to say about this (for now at least). Go give your local trans friend a kiss.

[amysgiantbees]

Dead Boy Spoilers

Things I'd like to see in Dead Boy Detectives Season 2

Tragic Mick and Monty form an Animals with Complicated Feelings About Being Human at Some Point support group. Maybe the Cat King is there too.

Monty takes on Tragic Mick's "curse" and get's to be human again and Mick get's to be a walrus or at least get's to not be human anymore and is a crow. Monty could even take over his store!

Monty and the Cat King dealing with loneliness together. The Cat King has all the loneliness of being an immortal that Edwin's making him unpack (in particular he hangs out with cats all day like fuck they have even shorter life spans than people god he must have lost a lot of loved ones) and Monty deals with loosing his owner/master/mother/weird aunt figure who's probably been his whole world for better and worse up until he got turned human.

Whoever Monty is hanging out with I want to see him far too earnestly doing their star charts.

Boys and Crystal solving just fun random MOTW cases

The Night Nurse and Jenny tearing their hair out trying to keep the teens in check.

Night Nurse in particular having an aneurism every time the boys refuse to fill out a form, brake a rule, or run off without her.

Although alternatively Edwin getting VERY into the forms and learning how Hell and the afterlife works, and instead pestering her about it.

Jenny focusing more on Crystal - and Niko when she comes back.

Jenny learning she can care a bit more. The Night Nurse learning to relax and care a little less.

Jenny getting a good date. Loving her ship with Death but also I like the idea of them meeting a Cat Queen and her little comment about everyone in town being spinsters with cats comes round to instead be this ancient being who is a cat.

Crystal researching her ancestors and finding out more about them.

Crystal dealing with the demon in her brain hopefully before he does something irreparable to her tree.

Maybe they end up interrogating David about the "something worse" Edwin was sold to.

Crystal learning about her powers!

Crystal trying to repair some of her old friendships. Make amends to a couple of people.

Niko reforming the dandelion sprites and learning to lead/work with them. Helping them all find a way to feed without murdering people.

Nico dealing with needing attention to eat and live despite her coping mechanism when she's sad or scared specifically being avoiding people and hiding from others.

Niko figuring out her dandelion god powers. Doing god like things like blessing people who love, care for, and harvest dandelions. Granting wishes when dandelions are blown!

Niko marriage counseling Kingham & Litty (the dandelion sprites).

Either Crystal and Charles giving being together another shot now that David has been "dealt" with for the time being or Charles figuring out that maybe he's attracted to Edwin too. Or both!

I love that since Edwin is "living" through the modern day he can explore his sexuality finally. In a similar vein a lot of people also see him as autistic, and autism awareness has certainly come a long way from the Edwardian period and now could be a good time for his character to explore this too. Charles in turn could help him by talking about their shared neurodivergent experience as I firmly believe he has ADHD.

Charles opening up more about his parents.

Learning Edwin's family backstory

Cat King having Desire as a sort of absentee parental figure so literally the whole gang can have parental issues. Night Nurse I assume does not have parents so get's to be the mentally stable one in this regard and (try to) help everyone through it.

Niko checking in on her mum. Seeing how she's coping.

Edwin and Crystal bonding over doing magic and getting closer as friends. He maybe even initiates a hug!

Edwin getting to initiate a kiss with someone

Scooby Do episode! (I vote Charles is Daphney, Edwin is Velma, Niko is Shaggy and Cyrstal is Fred, maybe the Cat King or Monty is Scoob).

Despair shows up again.

Maybe now that the boys don't need to run from death they reverse it and actively try to seek her out and talk to her.

Crystal seeing her little ghost friend Emma from the first episode again.

Edwin reading Niko's yaoi. It could even be really funny and bittersweet where when they still think she's dead he's reading it and getting emotional and saying to himself "she really did love love" or "I wish I could read this with her" or something emotional like that and then he flicks to the next page and it's something explicit and he suddenly shuts the book and is like "Enough of that for now" XD

Either Edwin and the Cat King get together. Or become friends. Or Thomas makes friends or something with some other kind of immortal so he's not so lonely. I'm leaning towards them being friends because he would have no issues being the friend that explains what hand jobs and molly is to Edwin. Also since he presents himself in a very ambiguously gendered way I feel like he could get him to talk about why he likes disguising himself as a woman so much. Whether than be introducing him to concepts like gender queerness or drag. It's just honestly both Charles and Edwin are pretty repressed and I think now that the Cat King has started to grow he could continue to really push them in a less intense, healthier way.

Monty and Edwin staying friends. Monty and Charles actually getting to properly vibe.

Jenny figuring out now that the shop is dead if butchering is truly what she wants. Since she did it because she inherited the shop she can really explore her wants without any feeling of obligation to her dad. I love that she's a butcher but I just think it'd be interesting to explore her passion for it without so much baggage.

[hakugin0]

So that new Levi card, woah boy(positive). I get how setting is slightly dubious but unfortunately my brain stopped at the ‘childish jealousy’ part and yeah childish was the perfect word he actually is throwing a bratty tantrum about MC talking about their time with Minhyeok WHILE THEY'RE NOT EVEN NEXT TO HIM. Levi, babey, you're not beating the Tsundere allegations.

Also the part about the sins was very interesting ‘cause it kinda puts in perspective why he feels like there's no King he's close to. Or at least that's my read on that part, all their sins have some positive parts while his is the only fully negative one so of course he couldn't feel close to them. (Personally I do think that part is his viewpoint on their sins and it would be interesting to see the other Kings’ too, Satan in particular since I feel like his sin and depressive mood swings do go hand in hand)

Now for the read more aka wiiiild speculations because he didn't come home in the reduced ten pull aka see you in 3 months bae when I have 500 pulls and you still refuse to show up(looking at you bath Satan), fair bit of character analysis and slight canon divergence(???) plus personal MC involvement.

GONNA PREFACE THIS BY WAVING NY ‘LEVI SIMP’ FLAG UP HIGH, IF THE CARD STORY WAS OFF PUTTING TO YOU OR YOU DISLIKE HIS CHARACTER IN GENERAL THEN MORE POWER TO YOU BUT PLEASE DO NOT INTERACT WITH THIS POST! IT AIN'T MEANT FOR YOU HOMIE (it's meant for me first and then anyone else who wants to witness my 3am insanity)

Aight? Aight! Here we go gamers

Gonna start this off by saying that when they dropped the first teaser for the card my expectations for the story were jelly Levi wants to replace minhyeok and thus enters MC's memories except surprise surprise it was actually some corn set in a high school (don't pretend those aren't a thing, we're all adults here, and with MC’s track record in that game it would not be surprising) in part because the story had to get spicy at some point.

Personal belief is that what we see in the prologue of Levi is the closest thing to a ‘normal’ him aka a version of him that got to experience a normal childhood and not have all the trauma of… ya know… HIS WHOLE PAST. The way he expected an attack when MC initially trips breaks me in a very particular way, he has never known peace, he expects everything to be some sort of attempt on his or his people’s life. The one time he wasn't as uptight ended up with him heavily injured (Bloodshed card).

There is also him ascertaining that they had different starting points. Now this could refer to a lot of things but to me one thing that does is put a definite line between them. To me it sounds like he's reasoning with himself that because of their very different lives they would be incompatible (combined with that thing about his sin being the only negative one it shows he always separates himself from people he would otherwise form bonds with)

Now he's still not nice, far from it, but he can be accommodating and look out for MC when he is not thinking 24/7 about possibly being attacked. Whether he reasons that it would endear himself more to them or out of pure instinct he looked out for MC, those were not Minhyeok’s actions he mimicked but his own.

So yeah, average Levi is horrendously bad at emotions and frankly probably the one who understands his own emotions towards a potential romantic partner(since tbh that is what MC is) the least. (This is a whole other can of brainworms about how aside from Solomon he probably has not been attached to anyone in that way until MC based on something he says in his H-Scene, but that can of worms shall be opened later) please get some therapists in Hell, clearly everyone would benefit from it.

There is also something impossibly endearing to me about seeing Levi in a high school setting even for a bit because that's not something he ever experienced and I wish his time exploring that part of MC and Minhyeok's past was a bit longer. I want to believe MC gets to ask him later in the story how he felt about it.

---

If you were only here for the character analysis then thanks for reading, have a lovely day/night/evening, we are going into wild speculation territory and some personal things regarding my MC Jin in that particular scenario.

tl;dr: After Jin's parents were killed she pretty much secluded herself in their home doing most of her studying through online courses and only showing up physically at school for a couple of days.

I choose to believe she was aware of stuff from the start but in that way you're aware you're in a dream while you sleep, she can tell things are a bit off but not fully what is wrong. She knows the person with her is not Minhyeok, she also knows who Leviathan is, but there's a certain disconnect when trying to piece it all together, but the further the dream goes the more she ‘realises’ and ‘awakens to the truth' if you will.

She cannot help but pity Levi’s situation even if she knows if she ever said that she'd probably get insta-hanged, so a part of her cannot help but wonder if he wanted to experience some normalcy for once. (She's not the brightest tool in the shed so the fact that he wants to replace Minhyeok would not pass by her singular braincell) (I love her I swear, being mean is my love language)

So I imagine after the whole dream thing is over and she next visits Hades she doesn't raise any questions about that event. She seems annoyingly unbothered and not curious at all. If anything this just makes Leviathan more angry because she can't be that unbothered after everything and pretend nothing happened, he should've been the only thing on her mind and yet she still sometimes mentions that detestable human. Oh how he should hang her for it. And then one day she has a conspicuously familiar candy in her mouth. “Was the experience at least a bit pleasant?” She's soft spoken anyway but she sounds almost apologetic. Why yes the experience was quite pleasant if Levi had to be honest but he'd never praise her openly… and then it hits him. She's not asking about that, she's asking about how he felt in a normal human high school.

When she gets no answer she stammers and starts speaking again, trying to fill the void. “I didn't exactly… go there often…” The pauses are plentiful and her shoulders droop almost in shame. “... so I imagine whatever you saw was rather lacklustre… aside from… my pathetic display-”

“It wasn't bad.”

A short sentence and it was enough to make the human girl perk up instantly. From anyone else that would be considered nigh an insult, but with Levi's temperament that was the highest praise she could hope for. By the time Jin was next to his desk after he'd beckoned her with a wave of his hand her visage had brightened significantly. ‘Stealing’ the lollipop from between her lips was ‘child’s play’ after that, the girl clearly took stunned to speak and becoming redder by the second.

“Yes, not bad at all.”

[asha-mage]

Assorted Thoughts From Forcing My Friends to Watch all of WoT as a birthday gift, Season 2 Edition-

When taken as a whole unit, the show actually completely conveys what's happening with Lan's bond from the jump, it's just that several characters are incorrect or working with incorrect information- as was often the case in the books. Lan thinks he's just been blocked out, but in reality Moiraine has released his bond entirely (as she floated she might do to Alanna back in season 1) and you can see the moment he realizes this in episode 2, when saddling the horses- he realizes that he didn't sense the Fade and what that means, and then Moiriane realizes he has realized.

The show in general is a lot more subtle, and a lot more willing to delve into the idea that often characters are just...wrong, or uninformed, or lying, without holding the audience's hand to explain that fact then I think people give it credit for- which is very in line with Jordan's ethos. For example, Ishamael's telling of Perrin 'the more wolf you become the more you are mine' is a blatant manipulation attempt to scare him into being afraid of his Wolfbrother powers and Perrin, who is going through hell, just buys it- and that makes sense he's already wrestling his own anger issues and fear. He doesn't question why Ishamael would tell him this, or what the effect would be (i.e not trusting the wolves, and thus maybe making himself more vulnerable to the Shadow) he just accepts it because it plays into his existing fears and biases about himself.

Anvare also raises this point really well when she gives her 'ask yourself- is it true?' speech to Moiraine. Moiraine is operating at that point under a lot of assumptions that aren't true- not just that Lanfear is going to hurt or capture Rand, but also that she really was stilled, that she can't trust Lan with her fears and doubts, that her presence is a threat to Barthanes and Anvare (when really Barthanes's presence is a threat to her)- and this moment, is meant to cast doubt not just on that, but on a lot of the assumptions the audience has likely been making too, which characters their taking at face value and which characters their thinking off through the lens of their own biases.

Continuing the trend of Moiraine displaying many of the bad coping mechanisms that will later dog Rand/Rand will internalize from her- @ofthebrownajah pointed out recently Rand's consistent issues with food and eating, which made it stick out to me how frequently in the show Moiraine has a similar problem. People repeatedly try to reach out to Moiraine via food/encouraging her to take care of herself, and she repeatedly rejects them. Lan's attempt to get her to come down for dinner, then to bring dinner to her in her rooms, Barthanes's sandwich, tea with Anvare- Moiraine has her walls raised so high she rejects this basic form of self-care and attempt to reach out hand in hand. This is especially notably because their is a repeated emphasis on food this season. Every major character gets at least one scene eating or drinking this season (Egwene and Elayne doing bootleg, Rand grabbing flatbread on his way to work, Mat with Liandrin's honey cakes, Nynaeve preparing dinner in the arches world, Lan sharing dinner with Alanna's family at her farm) but even Moiraine's eventual forced tea with Anvare goes deliberately unshown.

On rewatch I think that, while I really really love the moment where Renna and Seta are left to the mercy of their own culture by Nynaeve and Egwene in the books, the moment of Egwene killing Renna just makes the most narrative sense for the show- and I think will be a change that they are going to walk out through it's consequences.

The point of that sequence in the book is that Nynaeve understands that Egwene's bloodlust and anger are valid- but that the fact of killing will not help her in the long run. "It's okay to hate them. They deserve it. It's not okay to let them make you like them." I suspect, especially given how thoughtful the show has been about violence and death (and how clearly hollow the experience of actually killing Renna is for Egwene) that the show will take the plank of 'she deserved to die- but killing her did not undo everything you went through or heal you'. Which, again makes sense both Egwene's oncoming Aiel arc, and the fact that the books do spend a lot of time focusing on Egwene working through the trauma of her captivity.

The arches are another thing I've come around on after initial trepidation about their changes. I think each manages to still cut at the heart of Nynaeve's character arc and her struggles. The last one was my biggest concern, the shift from Nynaeve deliberately rejecting a perfect life with Lan for the sake of going back for the other Emond's Fielders to Nynaeve going back after realizing that such a life lived with Lan, as much as it might give her joy for a time, would still be hollow in the end. She can't turn her back on the struggles of the world and her friends without consequence- she can't just go back to life in the Two Rivers. She has to keep fighting for what she loves.

I think the choice itself also works when put in the context of the steady removal of Nynaeve's charges one by one. She thinks Rand is dead (and is probably blaming herself for his death as pops up in her interaction with Tam), Mat ran off, and Perrin is safe with the Shinearans. Her main charge left is Egwene- and hering that she's not helping Egwene but hurting her, overshadowing her- removes the final reason she really had for being at the White Tower, staying on the adventure. If the people she left home to save don't need her- then why is she there?

I continue to really think people are over hyping how bad the show supposedly makes Siuan look- my friends despite being largely uninitiated in the book series immediately groked that Siuan and Moiraine where just doing what they felt was right, in a complicated situation. They both are trying to save the world, and they love each other- but the world is more important.

Moiraine also brings a lot of the trouble on herself by not telling Siuan she was stilled and damaging the trust between them- leaving that detail out is the first crack in Siuan's ability to trust Moiraine still be honest with her, her partner in all this, and then her seeming to have either lied or regained that power, right at the moment she's allied with Lanfear, is the final blow any hope they where still standing together.

Despite stopping frequently to talk at even minor moments, we ran through almost the entire finale without pausing and then collectively all just sat there speechless. Man is the battle of Falme and everything around it so good.

Quote one of my friends re: Moghiden "Oh she's a little freak."

Also shout out to Lanfear for making one of my MLM friends doubt his sexuality with her 'short hair pirate t shirt look'.

That entire scene in the dream world bedroom cased a collective meltdown and one of my other friends to say 'oh I see why you where insane about this'

The effects continue to be killer throughout the season and god I can't wait to see season 3.

[fuckyeahisawthat]

So I'm still super obsessed with your take that Paul's visions are an "inversion" of reality and there's one that my brain is vibrating about in particular. In part 1 there's that one shot of him and Chani (and a couple others I think but it's not clear who they are) on a ship about to land (on Caladan?), with Paul in front and Chani standing behind him.

Now maybe I'm reading too much into this or taking it too literally, but for the most part the visions that are the most obviously "inverted" were the ones concerning the two of them, so I'm wondering what your take on that particular vision might be? Could it be she's actually in front with him behind her? Which seems like an unimportant detail but there could be some deeper layer there perhaps?? idk my brain is buzzing about it and I wanna know if you have Thoughts

Heyyyy. To be fair I'm not the first person to notice the thing about Paul and Chani's positions switching in his visions; I think I first saw that on Twitter. But ooh yes let's talk about that vision.

I'm assuming you mean this series of shots, from the visions Paul has in the tent after the attack on Arrakeen:

I don't think them switching places is going to be a one-to-one thing that happens every time Paul sees them together in a vision. But there is a lot of interesting stuff to talk about here. Chani wearing black--the color of power and empire--dressed to match Paul, standing at his right hand with no Irulan in sight. Chani gazing haughtily down at Paul's followers in a way it is hard to imagine the real Chani doing. Chani seeming entirely okay with this situation.

This makes me think that this is either a possible future where she has come to accept what Paul is doing, or a future where she is pretending to accept what he is doing for reasons of her own. But, as with all Paul's visions, we don't know if this is the future. (For one, the flags are different than the ones we see at the end of Part Two; they're the traditional Atreides green, white and black instead of the red and tan Desert Power Edition.) We don't know what else Paul sees once he drinks the Water of Life, but this could certainly be a possibility for "She'll come to understand, I've seen it."

While I was watching back through this series of visions I noticed another interesting thing. In Part One, there are multiple shots where we are following Chani walking through the desert, wearing a long white dress with her hair blowing in the wind. But in Part Two, Jessica is the figure in white that Paul is following. (I also think there is at least one shot where the person in white is so backlit/out of focus that we can't tell who it is.) We also have these parallel scenes of Paul in a tent in distress over a vision: Paul seeing the vision of following Chani while Jessica is there trying to comfort him, and later in Part Two, Paul describing the nightmare/vision of following Jessica to Chani as she tries to comfort him.

The metaphor here I think is a bit more obvious--Chani and Jessica represent two opposite paths Paul could take, either embracing the prophecy or rejecting it. But it's interesting to see them connected or superimposed on each other through the visions this way. In the vision in Part One, Jessica even speaks through (or over) Chani; we see Chani say "Paul" in the same urgent way Jessica is saying it in real life.

What does all this mean? Once again, we don't know! Chani is a phantasm at this point in Part One; Paul has not actually met her in real life so it's not clear if the Chani in his visions represents an actual possible future for the real Chani, or if she operates as more of a symbol or a projection of things in his own head. I think the intent is to keep us guessing by having the visions function in different ways--some are the future, some are a version of the future but twisted, and some are metaphors or warnings, and we often don't know in advance which is which. But I'll be super curious to see if some version of this scene comes back in Dune Messiah.