#i might explain that more in the story or in the ask blog

[deerspherestudios]

Hi there! I just wanted to let you know that I love your games! Mushroom Oasis especially has an especially place in my heart. Mychael is such an interesting character and one of my favorite types of yanderes—not violent towards his object of affection but still manipulative and willing to cross lines even if he feels guilty about it. Thank you so much for the work you have done; it’s obvious this game is a labor of love and I am looking forward to see how the story progresses.

In the meantime, I have to ask, do you think there might be a future option where the player can cook for Mychael? Totally okay if that is a little too specific. Cooking is just a love of mine and I love to cook for people I love and I feel that is something that Mychael would appreciate.

Also—and forgive me if you have answered this already—but I was curious to see where Mychael’s affection lands on the scale you created by the end of day 3. Or would there be more than one answer since it seems actions taken on this day might start to split between the platonic and romantic routes.

Thank you again for your time and for creating this wonderful game. Your art is so lovely and you have a real knack for fun character design.

HELLO!! Thank you so much for the kind words!! For me personally I've never been a fan of "if I can't have you no one can <3" type yanderes so knowing that it's a shared sentiment means a lot!!

I actually have something of an idea where MC does something nice for Mychael for a change in Day 4!

It was closer to buying a gift and the players can choose what they'd get for him but adding a cooking/baking option (or a more diverse set of gifts rather than just shopping for it) seems like a good idea! As usual the script is still cooking so we'll see!

As for the charts, they're answered here and explained here!

Also,,, idk if you'll ever read the addition below but I'm holding back on gushing rn because uh, this is for you personally but it's basically an appreciation post for being one of my fave authors <3!!!:

AAAA A A 11 !! ??

I'm gonna try and articulate myself in the best way I can but I have been a FAN of your writing since??? Gosh, 2015??? I was following your blog back when the pfp was a torchic (and a treecko i think??) and the header was Swiggity swiff Gotta Yiff ?? Idk if you're comfortable with people knowing of your writing but let me know if I should edit anything here!!!

I LOVED your writing so much it was silly and witty but you can do drama and heart and spicy just as well it was a major inspiration!!! I genuinely though it was a little goof when I saw you were following my blog the other day and THEN YOU SEND ME AN ASK??? IM, , , THROUGH THE ROOF, I would mention my fav fics of yours by name but I'd be outing myself but the scope is huge <3

I've been thinking of how to respond to this all DAY and decided to just be honest but but just know I love what you do <3 Admittedly idk if you still write these days but either way I hope you're doing well!!!! <3

[nikoisme]

Hello Niko! I'm actually really interested in Slavic mythology, but uhh I can't find any good places to study it from (it isn't as popular as Greek or Egyptian or something something myth so that's sad)

May I ask where you research/where you read about it?

Ahh, if you're looking to get into it, having a lack of sources is going to be a running theme, unfortunately. A lot of it has been lost due to christianization, and even the little we have on it varies significantly from region to region. Also, some of them are even reconstructed based off assumptions, so they might not even be the original myth. But, a lot of it has survived through customs, holidays and rituals! So that can be a neat little source.

I actually don't have any good sources as I'm very much still learning about it haha. I'm not very knowledgeable, honestly. I believe there are chronicles and epic poems you can look into (though I haven't looked through most just yet).

Now, personally (since I am slavic), I was told most of the stories growing up or was at least vaguely familiar with them, so I do draw some inspiration from that! As for books or such, I don't know much?? For introduction purposes I mostly used our textbooks that often talked about pre-christian slavic beliefs, albeit briefly and not in greater detail. Usually i look for as many sources online and try to get as much variety as possible. But I think it should be fairy easy to find books or something like that that just explain everything on a simpler level.

I also look for blogs that talk about slavic mythology or make art for it! It's especially cool when they are from different places, it gives me a wider perspective to work with.

Also, something you should keep in mind when you first start researching is that, unlike in Greek, Norse or Egyptian mythology for example, you will not find a fully developed and determined pantheon of gods with their sets of myths. Basically take that assumption and throw it out of the window for this LOL. While it's often speculated who was the supreme god, what the pantheon would be like etc, chances are that different gods were worshipped across different regions, and some have different functions in different places. So often you are looking at either assumed domains of a god, or several that vary greatly. So nothing is 100% sure.

But! What we lack in gods we have in folklore and fairytales! There is SO much stuff regarding those. Honestly those are a goldmine and you will definitely have more luck there.

To summarize: I mostly use my own experiences and stories I grew up with, holidays and customs, various sources I can find online or somewhere else and stories of other people :) If anyone has some other sources, feel free to drop them haha

[caelum-in-the-avatarverse]

Fandom can do a little gatekeeping. As a treat.

So I finally decided to archive-lock my fics on AO3 last night. I’ve been considering it since the AI scrape last year, but the tipping point was this whole lore.fm debacle, coupled with some thoughts I’ve been thinking regarding Fandom These Days in general and Fandom As A Community in particular. So I wanna explain why I waited so long, why I locked my stuff up now, and why I’ve come to the conclusion that I’m a-okay with making it harder for people to see my stories.

Lurkers really are great, tho

I’m a chronic lurker, and have been since I started hanging out on the internet as a teen in the 00s. These days it’s just cuz I don’t feel a need to socialize very often, but back then it was because I was shy and knew I was socially awkward. Even if I made an account, I’d spend months lurking on message boards or forums or Livejournals, watching other people interact and getting a feel for that particular community’s culture and etiquette before I finally started interacting myself. And y’know, that approach saved me a lot of embarrassment. Over the course of my lurking on any site, there was always some other person who’d clearly joined up five minutes after learning the place existed, barged in without a care for their behavior, and committed so many social faux pas that all the other users were immediately annoyed with them at best. I learned a lot observing those incidents. Lurk More is Rule 33 of the internet for very good reason.

Lurking isn’t bad or weird or creepy. It’s perfectly normal. I love lurking. It’s hard for me to not lurk - socializing takes a lot of energy out of me, even via text. (Heck it took 12 hours for me to write this post, I wish I was kidding--) Occasionally I’ll manage longer bouts of interaction - a few weeks posting here, almost a year chatting in a discord there - but I’m always gonna end up going radio silent for months at some point. I used to feel bad about it, but I’ve long since made peace with the fact that it’s just the way my brain works. I’m a chronic lurker, and in the long term nothing is going to change that.

The thing with being a chronic lurker is that you have to accept that you are not actually seen as part of the community you are lurking in. That’s not to say that lurkers are unimportant - lurkers actually are important, and they make up a large proportion of any online community - but it’s simple cause and effect. You may think of it as “your community”, but if you’ve never said a word, how is the community supposed to know you exist? If I lurked on someone’s LJ, and then that person suddenly friendslocked their blog, I knew that I had two choices: Either accept that I would never be able to read their posts again, or reach out to them and ask if I could be added to their friends list with the full understanding that I was a rando they might not decide to trust. I usually went with the first option, because my invisibility as a lurker was more important to me than talking to strangers on the internet.

Lurking is like sitting on a park bench, quietly people-watching and eavesdropping on the conversations other people are having around you. You’re in the park, but you’re not actively participating in anything happening there. You can see and hear things that you become very interested in! But if you don’t introduce yourself and become part of the conversation, you won’t be able to keep listening to it when those people walk away. When fandom migrated away from Livejournal, people moved to new platforms alongside their friends, but lurkers were often left behind. No one knew they existed, so they weren’t told where everyone else was going. To be seen as part of a fandom community, you need to submit to the mortifying ordeal of being known, etc. etc.

There’s nothing wrong with lurking. There can actually be benefits to lurking, both for the lurkers and the communities they lurk in. It’s just another way to be in a fandom. But if that is how you exist in fandom--and remember, I say this as someone who often does exist that way in fandom--you need to remember that you’re on the outside looking in, and the curtains can always close.

I’ve always been super sympathetic to lurkers, because I am one. I know there’s a lot of people like me who just don’t socialize often. I know there’s plenty of reasons why someone might not make an account on the internet - maybe they’re nervous, maybe they’re young and their parents don’t allow them to, maybe they’re in a bad situation where someone is monitoring their activity, maybe they can only access the internet from public computer terminals. Heck, I’ve never even logged into AO3 on my phone--if I’m away from my computer I just read what’s publicly available. 

I know I have people lurking on my fics. I know my fics probably mean a lot to someone I don’t even know exists. I know this because there are plenty of fics I love whose writers don’t know I exist.

I love my commenters personally; I love my lurkers as an abstract concept. I know they’re there and I wish them well, and if they ever de-lurk I love them all the more.

So up until last year I never considered archive-locking my fic, because I get it. The AI scraping was upsetting, but I still hesitated because I was thinking of lurkers and guests and remembering what it felt like to be 15 and wondering if it’d be worth letting a stranger on the internet know I existed and asking to be added to their friends list just so I could reread a funny post they made once.

But the internet has changed a lot since the 00s, and fandom has changed with it. I’ve read some things and been doing some thinking about fandom-as-community over the last few years, and reading through the lore.fm drama made me decide that it’s time for me to set some boundaries.

I still love my lurkers, and I feel bad about leaving any guest commenters behind, especially if they’re in a situation where they can’t make an account for some reason. But from here on out, even my lurkers are going to have to do the bare minimum to read my fics--make an AO3 account.

Should we gatekeep fandom?

I’ve seen a few people ask this question, usually rhetorically, sometimes as a joke, always with a bit of seriousness. And I think…yeah, maybe we should. Except wait, no, not like that--

A decade ago, when people talked about fandom gatekeeping and why it was bad to do, it intersected with a lot of other things, mainly feminism and classism. The prevalent image of fandom gatekeeping was, like, a man learning that a woman likes Star Wars and haughtily demanding, “Oh, yeah? Well if you’re REALLY a fan, name ten EU novels” to belittle and dismiss her, expecting that a “real fan” would have the money and time to be familiar with the EU, and ignoring the fact that male movie-only fans were still considered fans. The thing being gatekept was the very definition of “being a fan” and people’s right to describe themselves as one.

That’s not what I mean when I say maybe fandom should gatekeep more. Anyone can call themselves a fan if they like something, that’s fine. But when it comes to the ability to enjoy the fanworks produced by the fandom community…that might be something worth gatekeeping.

See, back in the 00s, it was perfectly common for people to just…not go on the internet. Surfing the web was a thing, but it was just, like, a fun pastime. Not everyone did it. It wasn’t until the rise of social media that going online became a thing everyone and their grandmother did every day. Back then, going on the internet was just…a hobby.

So one of the first gates online fandom ever had was the simple fact that the entire world wasn’t here yet.

The entire world is here now. That gate has been demolished.

And it’s a lot easier to find us now. Even scattered across platforms, fandom is so centralized these days. It isn’t a network of dedicated webshrines and forums that you can only find via webrings anymore, it’s right there on all the big social media sites. AO3 didn’t set out to be the main fanfic website, but that’s definitely what it’s become. It’s easy for people to find us--and that includes people who don’t care about the community, and just want “content.”

Transformative fandom doesn’t like it when people see our fanworks as “content”. “Content” is a pretty broad term, but when fandom uses it we’re usually referring to creative works that are churned out by content creators to be consumed by an audience as quickly as possible as often as possible so that the content creator can generate revenue. This not-so-new normal has caused a massive shift in how people who are new to fandom view fanworks--instead of seeing fic or art as something a fellow fan made and shared with you, they see fanworks as products to be consumed.

Transformative fandom has, in general, always been a gift economy. We put time and effort into creating fanworks that we share with our fellow fans for free. We do this so we don’t get sued, but fandom as a whole actually gets a lot out of the gift economy. Offer your community a story, and in return you can get comments, build friendships, or inspire other people to write things that you might want to read. Readers are given the gift of free stories to read and enjoy, and while lurking is fine, they have the choice to engage with the writer and other readers by leaving comments or making reclists to help build the community.

And look, don’t get me wrong. People have never engaged with fanfic as much as fan writers wish they would. There has always been “no one comments anymore” wank. There have always been people who only comment to say “MORE!” or otherwise demand or guilt trip writers into posting the next chapter. But fandom has always agreed that those commenters are rude and annoying, and as those commenters navigate fandom they have the chance to learn proper community etiquette.

However, now it seems that a lot of the people who are consuming fanworks aren’t actually in the community. 

I won’t say “they aren’t real fans” because that’s silly; there’s lots of ways to be a fan. But there seem to be a lot of fans now who have no interest in fandom as a community, or in adhering to community etiquette, or in respecting the gift economy. They consume our fics, but they don’t appreciate fan labor. They want our “content”, but they don’t respect our control over our creations.

And even worse--they see us as a resource. We share our work for free, as a gift, but all they see is an open-source content farm waiting to be tapped into. We shared it for free, so clearly they can do whatever they want with it. Why should we care if they feed our work into AI training datasets, or copy/paste our unfinished stories into ChatGPT to get an ending, or charge people for an unnecessary third-party AO3 app, or sell fanbindings on etsy for a profit without the author’s permission, or turn our stories into poor imitations of podfics to be posted on other platforms without giving us credit or asking our consent, while also using it to lure in people they can datascrape for their Forbes 30 Under 30 company? 

And sure, people have been doing shady things with other people’s fanworks since forever. Art theft and reposting has always been a big problem. Fanfic is harder to flat-out repost, but I’ve heard of unauthorized fic translations getting posted without crediting the original author. Once in…I think the 2010s? I read a post by a woman who had gone to some sort of local bookselling event, only to find that the man selling “his” novel had actually self-published her fanfic. (Wish I could find that one again, I don’t even remember where I read it.)

But aside from that third example, the thing is…as awful as fanart/writing theft is, back in the day, the main thing a thief would gain from it was clout. Clout that should rightfully go to the creators who gifted their work in the first place, yeah, but still. Just clout. People will do a lot of hurtful things for clout, but fandom clout means nothing outside of fandom. Fandom clout is not enough to incentivize the sort of wide-scale pillaging we’re seeing from community outsiders today.

Money, on the other hand… Well, fandom’s just a giant, untapped content farm, isn’t it? Think of how much revenue all that content could generate.

Lurkers are a normal and even beneficial part of any online community. Maybe one day they’ll de-lurk and easily slide into place beside their fellow fans because they already know the etiquette. Maybe they’re active in another community, and they can spread information from the community they lurk in to the community they’re active in. At the very least, they silently observe, and even if they’re not active community members, they understand the community.

Fans who see fanworks as “content” don’t belong in the same category as lurkers. They’re tourists. 

While reading through the initial Reddit thread on the lore.fm situation, I found this comment:

[ID: Reddit User Cabbitowo says: ... So in anime fandoms we have a word called tourist and essentially it means a fan of a few anime and doesn't care about anime tropes and actively criticizes them. This is kind of how fandoms on tiktok feel. They're touring fanfics and fanart and actively criticizes tropes that have been in the fandom since the 60s. They want to be in a fandom but they don't want to engage in fandom 

OP totallymandy responds: Just entered back into Reddit after a long day to see this most recent reply. And as a fellow anime fan this making me laugh so much since it’s true! But it sorta hurts too when the reality sets in. Modern fandom is so entitled and bratty and you’d think it’s the minors only but that’s not even true, my age-mates and older seem to be like that. They want to eat their cake and complain all whilst bringing nothing to the potluck… :/ END ID]

-

“Tourist” is an apt name for this sort of fan. They don’t want to be part of our community, and they don’t have to be in order to come into our spaces and consume our work. Even if they don’t steal our work themselves, they feel so entitled to it that they’re fine with ignoring our wishes and letting other people take it to make AI “podfics” for them to listen to (there are a lot of comments on lore.fm’s shutdown announcement video from people telling them to just ignore the writers and do it anyway). They’ll use AI to generate an ending to an unfinished fic because they don’t care about seeing “the ending this writer would have given to the story they were telling”, they just want “an ending”. For these tourist fans, the ends justify the means, and their end goal is content for them to consume, with no care for the community that created it for them in the first place.

I don’t think this is confined to a specific age group. This isn’t “13-year-olds on Wattpad” or “Zoomers on TikTok” or whatever pointless generation war we’re in now. This is coming from people who are new to fandom, whose main experience with creative works on the internet is this new content culture and who don’t understand fandom as a community. That description can be true of someone from any age group.

It’s so easy to find fandom these days. It is, in fact, too easy. Newcomers face no hurdles or challenges that would encourage them to lurk and observe a bit before engaging, and it’s easy for people who would otherwise move on and leave us alone to start making trouble. From tourist fans to content entrepreneurs to random people who just want to gawk, it’s so easy for people who don’t care about the fandom community to reap all of its fruits. 

So when I say maybe fandom should start gatekeeping a bit, I’m referring to the fact that we barely even have a gate anymore. Everyone is on the internet now; the entire world can find us, and they don’t need to bother learning community etiquette when they do. Before, we were protected by the fact that fandom was considered weird and most people didn’t look at it twice. Now, fandom is pretty mainstream. People who never would’ve bothered with it before are now comfortable strolling in like they own the place. They have no regard for the fandom community, they don’t understand it, and they don’t want to. They want to treat it just like the rest of the content they consume online.

And then they’re surprised when those of us who understand fandom culture get upset. Fanworks have existed far longer than the algorithmic internet’s content. Fanworks existed long before the internet. We’ve lived like this for ages and we like it.

So if someone can’t be bothered to respect fandom as a community, I don’t see why I should give them easy access to my fics.

Think of it like a garden gate

When I interact with commenters on my fic, I have this sense of hospitality.

The comment section is my front porch. The fic is my garden. I created my garden because I really wanted to, and I’m proud of it, and I’m happy to share it with other people. 

Lots of people enjoy looking at my garden. Many walk through without saying anything. Some stop to leave kudos. Some recommend my garden to their friends. And some people take the time to stop by my front porch and let me know what a beautiful garden it is and how much they’ve enjoyed it. 

Any fic writer can tell you that getting comments is an incredible feeling. I always try to answer all my comments. I don’t always manage it, but my fics’ comment sections are the one place that I manage to consistently socialize in fandom. When I respond to a comment, it feels like I’m pouring out a glass of lemonade to share with this lovely commenter on my front porch, a thank you for their thank you. We take a moment to admire my garden together, and then I see them out. The next time they drop by, I recognize them and am happy to pour another glass of lemonade.

My garden has always been open and easy to access. No fences, no walls. You just have to know where to find it. Fandom in general was once protected by its own obscurity, an out-of-the-way town that showed up on maps but was usually ignored.

But now there’s a highway that makes it easy to get to, and we have all these out-of-towner tourists coming in to gawk and steal our lawn ornaments and wonder if they can use the place to make themselves some money.

I don’t care to have those types trampling over my garden and eating all my vegetables and digging up my flowers to repot and sell, so I’ve put up a wall. It has a gate that visitors can get through if they just take the time to open it.

Admittedly, it’s a small obstacle. But when I share my fics, I share them as a gift with my fellow fans, the ones who understand that fandom is a community, even if they’re lurkers. As for tourist fans and entrepreneurs who see fic as content, who have no qualms ignoring the writer’s wishes, who refuse to respect or understand the fandom community…well, they’re not the people I mean to share my fic with, so I have no issues locking them out. If they want access to my stories, they’ll have to do the bare minimum to become a community member and join the AO3 invite queue.

And y’know, I’ve said a lot about fandom and community here, and I just want to say, I hope it’s not intimidating. When I was younger, talk about The Fandom Community made me feel insecure, and I didn’t think I’d ever manage to be active enough in fandom spaces to be counted as A Member Of The Community. But you don’t have to be a social butterfly to participate in fandom. I’ll always and forever be a chronic lurker, I reblog more than I post, I rarely manage to comment on fic, and I go radio silent for months at a time--but I write and post fanfiction. That’s my contribution.

Do you write, draw, vid, gif, or otherwise create? Congrats, you're a community member.

Do you leave comments? Congrats, you're a community member.

Do you curate reclists? Congrats, you're a community member.

Do you maintain a fandom blog or fuckyeah blog? Congrats, you're a community member.

Do you provide a space for other fans to convene in? Congrats, you're a community member.

Do you regularly send asks (off anon so people know who you are)? Congrats, you're a community member.

Do you have fandom friends who you interact with? Congrats, you're a community member.

There’s lots of ways to be a fan. Just make sure to respect and appreciate your fellow fans and the work they put in for you to enjoy and the gift economy fandom culture that keeps this community going.

[aromantic-pantyanarchy]

It's me. I'm the cis, heterosexual, aromantic man. I will never marry, I will never be married, I will grow into middle age and elder age and I will die unmarried. I will be forced to support a household of myself on only my wages alone for the rest of my life. I will be asked about women and marriage and children by my family for the rest of my life (or men, the progressive ones might say). I may not ever come out to them. I feel like I burned my coming out on something stupid. I don't want to explain it. I don't want to run them through the definitions and intricacies. I don't want the acceptance without understanding, placating me with ceased questions and poor explanations to other, drunk adults.

I like my hair to be long, I spent a year with it dyed a golden blonde with dark roots because I like the trashy party girl aesthetic. I want to dye it again with pink tips. I like painting my nails, black and blue are my favorite colors. I like wearing chokers. I also like wearing baggy jeans and ratty hoodies. I like having stubble. I like having chest hair. I like having a square jaw and broad shoulders. I wish I had a flatter stomach and a thinner profile frame. I don't know what this makes me, perhaps this is something no more GNC than Machine Gun Kelly. I think about this a lot, how queer my appearance truly is. I should think about it less. I have thought long and hard about if I could be trans or if I could be non-binary or if I could be genderqueer and the conclusion I ultimately came to is that I most enjoy being a man open to whatever self-expression I want.

I don't date, but I've thought about it. I would like to meet people, and I would like to have sex with them. But I don't want to hurt them. I fear if I explain what I am beforehand it'll scare them away. I fear if I explain after they'll feel manipulated or abused. I don't know how many people in the dating scene want what I want. I fear my own lack of experience will make me a bad lay, an embarrassing story to tell to confidants in hindsight. I fear my own virginity, a boundary to those I wish to be like. All of these fears are baseless, as I've not been able to even begin a single relationship in my life. Despite this I still heavily identify with terms like "slut" and "manwhore" and "thot" because my interests lay so deeply within casual sex, sex without great intimacy or emotion. This may be some form of stolen valor. I hope the true sluts are not too mad at me.

I made this blog several years ago because a mutual of mine reblogged memes making fun of aro and ace people, making fun of the concept of aphobia, and in addition well known aphobes. I didn't feel comfortable talking about aro stuff on my main blog, for as little as I talk about it. Living through the ace discourse of the 2016 era has largely caused me to cringe in embarrassment any time I am forced to discuss my orientation with people who aren't aro or ace themselves. I no longer follow this person. I unfollowed many people I was mutuals with from that time, most of them because they posted too often about how much they hated men and I didn't want to see that, some because our interests simply drifted too far apart, only one for explicit aphobia reasons. (Also one because they became a "both sides are bad, any vote is wasted" libertarian, but that's unrelated.)

I guess at this point I don't care deeply about what strangers on the internet think of me. If a trusted friend told me that they don't think I'm truly queer that may hurt. But I am going to continue to use the word for myself. I take up no resources. I go to events that are open to me. If an event was not open to me, I think I'd not want to go anyways. I am not a hypothetical, I am not a strawman, I am a person with lived experiences both within and exterior to the queer community. If you hate me, I will permit you to continue to do so. But ultimately, I am who I am, I cannot change these facts, and I would not choose to do so even if I could.

[roseykat]

TITLE: Play Bite

PAIRING: Hyunjin x Jisung x female reader

SUMMARY: You, Hyunjin, and Jisung have a really fun time playing a dirty truth or dare game after the plans for everyone to go out failed. Part 1 to the 'Play' series.

WARNING: minors DNI with this post or my blog. I create NSWF SKZ related content and I know I won’t be able to regulate/monitor every single potential interaction with those posts so please do not engage with my work or page whatsoever.

Part 1 - Play Bite Part 2 - Play Fight Part 3 - Play Right

TAGS: Hyunjin, Jisung, and reader have all consumed alcohol but are not fully drunk, smut, kissing, hickies, making out, dirty texts, dirty talk, erotic truth or dares, use of pet names such as 'bub', 'baby' and 'pretty', swearing, food play (nothing heavy), solo orgasm, female masturbation, suggestive material, very vague mentions of choking (not emphasised), slight traces of top!Jisung.

MASTERLIST

A/N: Think of this as a prelude to this hard thought I posted a while ago. If you haven't read it, it will give you some context into what will come in the future for this type of concept. Also just to preface but not give away too many spoilers, nobody is cheating in this story.

-

“Remove one piece of clothing, socks do not count,” Jisung reads aloud from the card in his hand. 

It’s the third task into the deck of dirty truth or dare at Hyunjin's apartment. After the entire group’s plan to go out for the night fell through when it started pelting down, it was in all three of your guys’ best interests to not waste the night. So, although he invited the rest of the group over for drinks, only you and Jisung decided to go around. 

An hour later into the night and already just past the point of tipsy, the three of you progressed to playing games. A set of dirty truth or dare cards was the first thing that caught Jisung’s keen eye as he analysed the plethora of games that Hyunjin had on a shelf in his living room. 

“You’re not even wearing socks, so you have no choice,” Hyunjin chuckles, almost evilly.

Jisung dons his best thinking face, eyes narrowing as he tries to come up with which item of clothing he wants to take off. He grabs the hem of his shirt and pulls the entire fabric up and over his head before placing it beside him, careful not to knock over his drink. 

Your eyes glue to his gorgeous bare top half for a few seconds too long before averting them to the floor like you weren’t supposed to look at him. It’s not like you’ve never seen him topless before in all of his honey toned glory. Almost always will Jisung proudly walk around half naked unprovoked when you’re around him. 

“Your turn bub,” he continued.

You clear your throat then lean over to pick a card up from the middle, then read it out loud, “oh…”

“What’s it say?” Jisung peeks his head over to see what’s written down before his jaw unhinges. “Let the person to your left select an area of your body for them to give you a hickey. Wow.”

Hyunjin, to your left, stares back at you in shock and horror. His cheeks were ballooned and full of liquid after taking a large swig of his drink before setting it down. The more silent seconds that tick by, the more flips his stomach keeps doing. But, he had to expect the unexpected with this game.

You and Jisung were ready to play by the rules and Hyunjin wasn’t going to exempt himself from it just because of the card you pulled. 

He swallows the mouthful of alcohol, “alright. Are you okay with me doing this?”

You nod even though you can feel your heart picking up its pace, “I am.”

He takes your answer and runs with it then ponders on the best place to plant a hickey on your body. It doesn’t take him long to think of a number of unspoken places where he would and even though he’s tipsy enough to disclose those areas, he decides to keep that to himself. 

“Okay, can you lie down for me then?” He asks. 

“Lie down?”

“Mm, otherwise it might be awkward to reach,” he explains vaguely. 

You start jumping to conclusions at the instant you hear his request, yet your mind is so hazy that your body just ends up listening to what Hyunjin has asked of you instead. You end up lying back on the floor, your head next to Jisung’s thigh who looks down at you while Hyunjin moves. 

His long body straddles yours but not fully putting his weight down on you. With his hand, he pulls back some of your hair so he can reach the area he wants before gently tilting your chin up and to the side towards Jisung. 

Hyunjin then sinks his face down just to the side of your throat and sucks. For a second, your body squirms at the slight achy pang that he brings to the surface of your skin. Still, with the way that your body is buzzing, it undoubtedly feels amazing. He remains there for a few seconds and uses his tongue to swipe over the surface he just marked.  

Jisung watches with his mouth ajar. He takes in the contorted look of concentration on your face, the way your eyelids flutter closed. 

It’s not long after until Hyunjin peels himself off of you then takes your hand to help you sit back up again. In hindsight, you wonder if it was all but necessary to lie down for him in order to give you a hickey. But Hyunjin’s thinking was that to reach your throat, you had to be on the ground. 

“That might’ve been-“ his face contorts with worry just looking at the fresh, deep and reddish mark. “A bit much, sorry.”

“It’s fine,” you respond, trying to act cool under the pressure. “It felt nice anyway. Okay, Hyunnie’s turn.” 

He draws another card, reading it in his mind before his eyes dart to Jisung, “make out…with the person beside you for one minute.”

“W-Which side?” You ask. 

“My left which is-“

“Me,” Jisung responds, pointing at his chest. “Alright then.”

Hyunjin stares blankly at his friend, unsure if he's joking or not, “wait, you’re…you’re serious?”

Jisung shifts his body closer to Hyunjin, his face nearing him, “that’s the game right?”

“Y-Yeah,” he replies sheepishly. “Yeah, okay then.”

“I can set a timer,” you announce.

He’s never done this before - kissed a friend, made out with a friend. For one, Hyunjin knows Jisung has done so multiple times, having been an impartial witness to it. Whether it was while Jisung was drunk, sober, high, it happened. Even with the same gender. 

“Alright,” you say, pulling out your phone as you go to the clock app to set a timer for one minute and place it on the ground. “3, 2, 1, go.”

You’re not sure who it was first that leaned in for the kiss after being so warped by the fact that they were even doing this. It was like Hyunjin offered his mouth and Jisung went for the kill. Both of them started off slowly by the time ten seconds hit. Twenty seconds in and Hyunjin’s hand comes up to the side of his friends’ face when the kiss deepens even further. 

You watch the glide of their tongues move so languidly with one another, doing unspeakable things in between your legs. Similar to Jisung’s reaction when Hyunjin gave you a hickey, your mouth was on the floor. There’s no way in hell could you ignore how hot it was to see them make out. 

After forty seconds, the pace had picked up a notch as they continued to move in sync with one another. Jisung’s hand had made it onto Hyunjin’s lap with some unintentional plan of slowly hiking up his thigh. In his mind, the more touch, the better. He already felt floaty because of the alcohol. Now Jisung touching him, kissing him, was an enhancement. 

At the mark of one minute, your phone rudely blares its alarm. Hyunjin pulls away with red lips, Jisung’s as equally as glossy as the other. They stall for a second, almost as if they briefly thought about going back at it again…

“Minho was right,” Jisung breaks the silence willingly. “You are a pretty good kisser.”

“What?” Hyunjin exclaims, his eyes almost popping out of his head. 

“What?” He whines. “He and I were trying to figure out who in the group would be the best kisser. Minho reckons you are.”

“You say that as if you’ve kissed everyone in the group to try and find that out,” You realise. 

“Well I just kissed him, so it’s everyone except for you now. Which there’s still time for since it’s my turn now,” he responds in a slightly hopeful tone and picks up his next card. “Huh, maybe not - what’s the most amount of times you’ve had sex in one day?” 

“Is that the first truth question?” Hyunjin points out, trying to subtly keep himself calm after what just went down with Jisung. 

“I think so,” you reply. “We’re nowhere near halfway through the deck.” 

“Three and a half,” Jisung answers. 

“And a half?” You and Hyunjin parrot in unison, the confusion very present in both of your tones.

“Halfway through the act, got caught, had to wrap it up and leave,” Jisung explains very succinctly. “It would’ve been four if it weren’t for fucking Seungmin. Doesn’t matter, it’s not like I’m holding a grudge or anything.”

“Sure,” you trail off, trying your best not to laugh at his misfortune while you go to pick up a card. “Uh, lend your phone to the person on your right and let them send a dirty text to someone in your contacts.”

Jisung claps excitedly, “hand it over baby!” 

You roll your eyes, reluctantly passing him your device, “anyone except my family otherwise I probably won’t live to see another day.” 

He takes your phone earnestly with a cheeky and devious expression before delving righteously into your contacts list, “don’t worry, I wouldn’t do anything like that.”

Jisung’s thumb scrolls excitedly trying to find the right person to send the right message to. He pauses over a couple of names and then finds one he thinks will give the most entertaining response. He creates a new message and types in what he wants to say.  

From You: I’m horny. Come over and fuck me.

The silence was palpable as the fate of your dignity rests in your friends’ hands. Once the message is sent, Jisung keeps your phone on standby while you all wait for the response. The sheer riskiness of the dare calls for you to pick up your drink and finish the rest off, knowing that you’re going to need it. 

“What did you write?” You ask him anyway, setting your empty glass aside. 

He looks smugly at the screen again and repeats what he created, “I’m horny, come over and fuck me.”

Your eyes widen in horror, “t-that’s not…who did you send that to!?”

“That’s a bit straightforward isn’t it?” Hyunjin laughs. 

“Doesn’t matter now, your turn, go,” Jisung nods to you.

“Fine,” you groan, snatching up a card. “How many times a day do you get off? Once, maybe twice. Done. Next, you go.” 

Hyunjin blinks in surprise at the information you so rapidly provided and leans into the circle to grab his card, “alright. Choose one person to sit in between your legs for the remainder of the game.” 

“I think considering that he and I just made out, it’s your turn to do something now,” Jisung smoothly contends his point before you could even get a word out. 

“Fair enough,” you respond coolly.

The move is practically childsplay in comparison to what they’ve done so far. Nonetheless, it quickly proved itself to be rather effective on your body. 

Hyunjin tries not to grin and spreads his legs for you to slot perfectly in between them. You’ve been this close to him before - in a hug at least. But never has Hyunjin been as acutely intimate with you as of right now. As he’s pressed up behind you, it’s hopeless to try not to be so affected by such subtlety. The warmth from his body glows like a heater onto your back and the steadiness of his breathing is comforting. 

“Sungie’s turn,” he says from behind you. 

Another card is taken from the deck and Jisung reads once more, “feed someone a food item with your mouth. Okay, but what kind of food?” 

“There’s that bowl of grapes just there on the coffee table,” Hyunjin points over to it. 

Jisung spins around on the floor and sees the assortment of snacks that they had laid out on the table earlier on. He turns back with the entire silver bowl in his lap, popping a couple of them in his mouth and eating away to his heart's content before proceeding with the dare. 

“You’re breathing heavy,” Hyunjin whispers teasingly in your ear while Jisung isn’t looking. 

“S-Shut up,” you utter back to him, trying not to act so utterly embarrassed by the truth he’s managed to highlight. 

Jisung pops in two more grapes and goes to sit beside you before talking with his mouth full, “bo’ o’ ya.”

“Huh?” Hyunjin retorts, trying to decipher what his friend is saying. 

You ponder for a second, “I think he said both of us?” 

Your guess comes up as correct because without a proper verbal answer from Jisung, his actions spoke louder. He leans towards your face first - closer than it has ever been since you’ve known him. The purple grape sits between his teeth as he goes to pass it to you by his mouth. It was awkward to manoeuvre at first, but the pair of you discovered that using your lips is key. By that point, Jisung manages to exchange the fruit as you crush down on the grape that explodes with such a sweet flavour. 

Then, he moves a bit behind you to reach Hyunjin. Both of them struggle to pass the grape without fully touching each other's lips once more. Then again, that was the point of the card that Jisung pulled. 

“Yummy?” he asks, sliding back to his original spot with the bowl. 

“Mm,” Hyunjin hums while he chews. “Sweet.” 

Half of the stuff that you’ve done so far with them makes you realise that you’re not that nervous to do these kinds of things. It could’ve been the alcohol, that definitely helps. But also because they’re two of your best friends and wherever they are, you feel safe in their proximity. 

“My turn,” you say as Jisung picks the top card off of the deck and slides it to you across the floor. “Oh - same as Sungie’s, remove a piece of clothing, socks do not count. Isn’t this just a forfeit card since it’s already been picked up?”

“No, not necessarily?” Hyunjin answers. “Plus, what if you forfeit that one and pick another one but it’s worse?”

He had a good point. It was a very mellow dare in comparison to the others you’ve all completed. With that in mind, your hands find their way down to your shorts, contemplating whether to take them off or not. Considering Jisung already has his top off, you went for the opposite in a sudden spur of confidence that was short lived when you saw the look on your friend's face. 

Jisung’s eyes couldn’t leave where your hands moved as you freed your legs from the fabric, allowing you to remain in your underwear. However, it becomes very apparent to you that taking your pants off wasn’t such a good idea when you know that you’re wet. Whether they knew it, particularly Jisung who had a full view of you, was too late. 

Behind you, Hyunjin was trying to keep himself calm as you moved around a bit, “w-who’s turn is it now?” 

Jumping onto a different topic gave time for Jisung to blink away from your body. He feels guilty for even staring at you like that in the first place. Then again, it’s not like you weren’t doing the same ever since he took his shirt off. 

“Yours actually,” you answer and without any spatial awareness whatsoever, you lean forward just a bit to pick up a card for Hyunjin that your ass slightly pushes back into his crotch in the process. 

After the fact of the matter, you realise what you’ve done. But it wasn’t intentional. You just wanted to pick up a card for him so that he didn’t have to move from behind you. As you come back to sit between his legs properly, you feel his forehead rest against the back of your head - a silent sign to prove he definitely recognised what you did to him.

Although he didn’t say anything because what was there to say to that? In hindsight, it might’ve been better forJisung to just read it out for Hyunjin. 

“H-Here,” you offer the card to him, playing it off. 

He lifts his head back up from yours and takes the item, “what is your dirtiest fantasy and why?” 

Right now if Hyunjin was able to answer honestly, he would say ‘fucking you while his best friend watches.’ But even for a filthy game that they’re playing, he thought it would be inappropriate to say. On top of that, it’s not actually his dirtiest fantasy. He could do way worse but just doesn’t know what at this point in time in his sex life. There was still time for him to explore…

“I haven’t really got one at the moment,” says Hyunjin. “I suppose just real…rough sex.” 

Jisung immediately becomes intrigued, oblivious to the fact that Hyunjin had it in him to admit such a scandalous piece of information, “what does that mean to you though?”

He becomes even more flustered under the heat of his friends’ question, it doesn’t help that he’s nearly fully hard behind you either, “it means things like…choking or hair pulling-”

“What…you like to do those things or those things being done to yo-

“Both, I like both. Anyway, that’s not the question,” Hyunjin interrupts impatiently. “Just move on.” 

It’s difficult for you not to laugh at him, yet as you go to pick up a card - more carefully this time for Hyunjin’s sake - your smile fades quicker than you could blink. Not one doubt crossed your mind about how obscene this game could get. Yet this card refuted all of that. 

“I…get…get yourself off in front of someone,” you mumble in a very quiet voice.

“Get what?” Jisung tries to reiterate. 

Hyunjin’s brows knit in concentration as he reads the card from over your shoulder, “she has to get herself in front of someone.”

An ‘o’ forms in Jisung’s mouth before he responds to that statement, “that’s a…an interesting card.” 

The three of you fall deathly silent to the weight that the dare has you under. Your mind wants you to do it, to satiate that instinctual appetite to pleasure yourself ever since the game heated up. To do so in front of your friends doesn’t appear to be a bad idea which technically it isn’t from the way they already have you unintentionally wet. That in itself said a lot.

Therefore, you spread your legs and bend your knees. 

An expression of realisation washes over Jisung, coming to grips with what’s about to unfold. As for Hyunjin, he can only sit and remain in place as a support for you to lean against when your hand slips down the front of your underwear as you begin to rub. A sigh of warm relief then pushes past your lips. The pads of your fingers collect your damp essence to use as you circle over your clit. 

Already, a hefty volume of pressure is escalating in the pit of your tummy, tingling and spreading throughout your lower half. All from being turned on by the game. The person in front of you and behind you feel the exact same way except the one behind you was already there a long time ago. Their cocks fill out against the inside of their thighs and Hyunjin is positive that you can feel him through his pants. 

“Y/N,” Jisung says. “Does that make you feel good?”

“Jisung,” Hyunjin warns him sharply, not wanting his friend to fuel the fire that’s burning. 

“Mm, y-yes,” you stutter, breath catching at the base of your throat the more you try and push yourself towards an edge. 

It could be better though. It could be the pair of them groping and teasing your body at their will. You know that they both know how to use their mouths with the way that they made out earlier on. Not to mention from the grapevine, you’ve heard about Jisung too; how he knows how to eat pussy. Then you have Hyunjin, who just exposed his fantasy of liking having rough sex. The possibilities with his ideas would be endless and fun. 

With the pair of them, you don’t think you would ever run out of orgasms. Just thinking about it makes your fingers speed up, becoming increasingly more wetter. Your muscles jerk every now and then when you inch closer to the tail end of your orgasm, which causes you to unintentionally move against Hyunjin’s crotch once more. 

“Y/N,” Hyunjin breathes out against you. 

“Don’t touch her,” Jisung snaps. “This is her dare.”

“I-I’m not fucking touching her,” he presses back madly, then mutters just to himself as he hides behind you. “Can’t help it Jisung.”

“K-Keep watching…” you plead. “So…close.” 

Hyunjin’s nails are digging deep into the carpet beneath him and his restraint not to touch you teeters dangerously on the last millimetre of a cliff. He’s throbbing, achingly hard. For you. Jisung can see his friends' knuckles turning white but he understands. He too remains hard in his sweats, which was obvious to you. Even just the slight outline that you can see indicates to you that he’s big.

Your mind starts wondering what that sort of length would do to your body, how would it feel to have inside of you? As you ask yourself those questions, you try to imagine that sensation when you start fingering yourself. 

You whimper pathetically, curling over that sweet spongy spot, “yes, feels so good. Makes me wanna cum…” 

“Yeah? Gonna cum in front of us?” Jisung eggs you on. “Gonna make yourself cum just for us?

Your dozy eyes lock with him just for a few seconds before you nod against Hyunjin’s body, “j-just for you both.” 

“F-Fuck,” Hyunjin squeezes his eyes tight shut, gritting his teeth so much that his jaw aches. 

As that familiar euphoric bliss catches up to you, a silent scream paints over your face while your eyelids clamp shut and your eyebrows are furrowed together, focusing on the pleasure. For a moment, you’ve forgotten that Hyunjin is behind you as you can’t help but shiver helplessly against his body from the waves of your orgasm. Quiet yet very audible moans ring throughout Hyunjin’s apartment, making themselves known as you gradually come down with heavy gasps. 

“Holy shit,” Jisung murmurs in awe, he can see that you’ve soaked through your underwear. 

The large wet and sticky patch makes him want to lurch forward, tear the piece of clothing from your body and taste you for himself. To have his face buried in between your legs would be the Atlantis of his own fantasy right now, to have you use his mouth and tongue until you’re cumming all over again. 

In the moments of quiet when the still air is filled with nothing but your staggered breathing and depleted whimpers as you try to collect yourself, your phone buzzes on Jisung’s thigh - the reply to the dirty text he sent from earlier on.

He looks down at the glowing bright screen and his jaw drops to the floor once more. His mind sobers quickly.

From Chan to You: Again? Still horny from this morning? Alright then, I can come over and give you what you need x

There was no way.

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[legendaryvermin]

So my home ttrpg group is between longform games right now, and I have been planning to bring a bunch of games to them this weekend as options for what we might play next. However, I have been trying to figure out how to talk about the games in a way that doesn't rely as much on me explaining the vibes to them.

I know that people have a bunch of qualitative categories for how they explain games, but I find the idea of saying things like Dark Fantasy OSR, or Lesbian Goofball PBTA less helpful when talking about how games actually play, especially when two games in the same category are like, wildly different in the way they use their frameworks.

So I invented a 6 axis, 1 to 5 star rating scale for TTRPGs that you are free to borrow when talking to groups, or whatever.

TTRPG 5 Star Rating Matrix

Width

What is the scope of this game? Is it narrowly about one thing or does it encompass many types of play? (Credit to friend of the blog @ostermad-blog for this one, they came up with it from my draft)

Weight

How much cognitive load does the player need to bear? Do rules often need to be referenced verbatim? Can those rules fit on a handout?

Wargame

Is the player expected to apply tactical acumen? Is movement tracked tightly or loosely? Does a bad build punish a player?

Writers Room

How much are players expected to make narrative choices and drive the story without the rules scaffolding them? Does this game fall apart without excellent improvisational storytellers?

(Prep)Work

Does this game require a lot of pre-planning by the facilitator? Are there intricate systems to attend to outside of table play? Can I put in the same amount of time as other players and still have everyone leave happy? 

Whimsy

Expected tone of the game. Does this game have difficult thematic elements baked in? Is the core subject or role in the game high or low risk?

Here are some games I know well and how I calibrated them:

I have breakdowns of what each star rating means below the cut if you're curious. Happy Gaming!

Width

⭐ - As written, the game has basically one mode of play, or one thematic core that it meditates on. May have phases, but textural difference is minimal.

⭐⭐ - As written, there are at least two modes of play, but the scope of that play is highly thematically focused or highly dependent on using the game’s own lore. Might have only one kind of character (e.g. Mech Pilot) that it supports. Has limited tools outside of the primary mode of play.

⭐⭐⭐ - Has a variety of modes of play, but may be rigid in their execution. Might encompass multiple kinds of characters (e.g. Doctor, Lawyer, fighter) or character options. The narratives that this game tells within its setting are narrowed, a three word description tells you what kind of stories it can tell with consistency.

⭐⭐⭐⭐ - Loose framework, but with some kind of thematic grounding. Describing the framework in 3 words doesn’t tell you the kind of stories that the game tells (e.g. Dark Fantasy, Star Wars Romp). 

⭐⭐⭐⭐⭐- As written, this game is designed in such a way that it doesn’t put specific limits on what sorts of stories that it is meant to tell. It might ask players to define abilities or stats for themselves. The Facilitator is going to pitch a thematic grounding on top of the rules set.

One Star Examples: For the Queen, Dialect, Honey Heist Five Star Examples: Fate Core, Savage Worlds, GURPS

Weight

⭐ - It is reasonable for a player to be able to recite the rules from memory. The game may be prompt based, or driven by a flow of rules that are read aloud as played.

⭐⭐ - Players can hold most of the most important information about the game in their heads, with a page or less of rules reference needed to play smoothly. This reference could all fit neatly on the character sheet if one is present.

⭐⭐⭐ - Everything a player needs to know about the game is visible on less than 3 sheets of reference. Players are more or less expected to know exactly how their own abilities work in precise detail, and are unlikely to make a mistake in executing them.

⭐⭐⭐⭐ - Players make extensive use of multiple reference sheets to keep rules moving smoothly. No external tools are needed, but players memorizing the details of all of their abilities is taxing. 

⭐⭐⭐⭐⭐- Players and facilitators will prefer to make extensive use of external tools or reference to keep play moving smoothly. Expecting a player to have the exact details of their abilities memorized is not reasonable.

One Star Examples: For the Queen, Stewpot, Mobile Frame Zero: Firebrands Five Star Examples: Dungeons and Dragons 3-5e, Lancer, Edge of the Empire

Wargame

⭐ - As written, this game does not treat combat as mechanically different from any other aspect of play, or does not include narrative violence at all.

⭐⭐ - While players may engage in combat, it is minimally different from regular play. There may be tools or abilities for players to use to conduct a fight, but the texture of those fights is thematic, not mechanical. Narrative and consequence drive the action, not hit points.

⭐⭐⭐ - As written, combat has its own set of rules. This game may have some elements of buildcrafting, but either it is difficult to build something that doesn’t work, or the player may meaningfully invest in other modes of play and still find a commensurate level of satisfaction. If combat occurs, spacing is kept in mind, but is tracked in relative terms (range bands) or highly simplified (zone based combat).

⭐⭐⭐⭐ - This game has buildcrafting that is somewhat mandatory if players wish to survive a fight, but there is still a meaningful choice in choosing a non-combat role. It may use a grid or a spacing system to help players visualize the combat. Fights are driven by mechanics, not by narrative.

⭐⭐⭐⭐⭐- To enjoy this game, players must spend time buildcrafting. If a player’s build is suboptimal, there may be significant parts of the intended experience that will either feel tedious, or that the player will not have meaningful access to. This game is played on a grid.

One Star Examples: Wanderhome, Dialect, Belonging Outside Belonging Five Star Examples: Lancer, Dungeons and Dragons 3-5e, Valor

Writers Room

⭐ - Players in this game are not expected to provide much in the way of narrative substance. Story is something that is driven by external input or tools, and players are there to imagine and react. The player need not separate the self from the character they play in any meaningful way.

⭐⭐ - The mechanics of this game drive most of the narrative, or else the narrative is set for the players by an external source or player. Players are encouraged to play optimally rather than dramatically, but do have room for expressing the identity of their character within the game’s mechanical frameworks.

⭐⭐⭐ - While the game does provide strong scaffolding to tell a story, the players present are expected to drive the story within those frameworks. The game’s systems create and resolve conflict on their own, but works best when the players are willing to choose the dramatically interesting option even if it mechanically non-optimal.

⭐⭐⭐⭐ - The game provides some mechanical tools that create and resolve drama, but there is a significant expectation that the players are buying into and driving the game’s thematic concepts. Players are the ones deciding what the scenes should be and when to end them, but mechanics still help determine outcomes.

⭐⭐⭐⭐⭐- The players are expected to drive the narrative at all times. Tools for deciding what scenes to do and when to end them are limited, optional, or vague. There is no meaningful scaffolding that creates conflict or resolution, it is incumbent on those present to manifest those things.

One Star Examples: Alice is Missing, Ribbon Drive, For the Queen Five Star Examples: Wanderhome, Systemless RP

(Prep)Work

⭐ - Facilitators are not expected to do work outside the time at the table. All rules can be read while the game is played. No memorization is needed.

⭐⭐ - This game expects the facilitator to have read the rules in advance, but the rules are so few that they can be run from a single reference sheet. At times, the facilitator must think about and potentially advance and adjust the narrative of the game behind the scenes. Prep is qualitative; answering questions about where the narrative is going to go, who will be there etc. The game can be run smoothly predominantly as improv.

⭐⭐⭐ - This game expects the facilitator to not only know the rules, but to imagine scenarios where the group must play. However, the scope of the scenario design is limited and qualitative. It takes a bit of pondering and perhaps a sketch and a few words of notes. Alternatively, the facilitator must design simple foes or track a simple background system. The work is trivial, and can be done with a bit of time before session.

⭐⭐⭐⭐ - The facilitator of this game is expected to have run systems between games, or created usable maps or scenarios. Generally, games at this level have some reduced wargaming component. The facilitator might need to engage in enemy design, but the work is limited or imminently reusable. The work is non-trivial, and failing to do it will somewhat impact the quality of play.

⭐⭐⭐⭐⭐- The facilitator of this game puts in significant time between sessions engaging in game design activities. They are expected to plan narratives, write NPCs, draw maps, run significant background systems, and design enemies and combat encounters. The work is significant outside of play, and failing to do it beforehand will result in a worse table experience.

One Star Examples: For the Queen, Alley-Oop, Lasers and Feelings Five Star Examples: Lancer, D&D 3-5e, Stars Without Number, Edge of the Empire

Whimsy

⭐ - This game’s thematic core is considered dark, taboo, or difficult, and separating the game’s mechanical features from this subject matter is next to impossible. Games with horror elements almost certainly fit within this category. These games encourage extensive pre-play safety talks.

⭐⭐ - This game is designed to look at dark subject matter, but doesn’t expect the player to spend all of their time there. Players explore difficult topics, but may get to choose what topics to explore, or when to explore them. Games with political messaging/commentary tend to fit this category. These games encourage pre-play safety talks.

⭐⭐⭐ - This game may have dark aesthetics, but doesn’t enforce them mechanically. Alternatively, there are mechanics that address difficult topics in broad strokes, but players are given leeway in the rules with how any difficult topics are approached. These games may encourage safety talks. 

⭐⭐⭐⭐ - This game may have the option to explore dark topics, but none of the mechanics are tied to such topics. This game may have violence in its aesthetics, but players may choose to adjust the aesthetics at the table to suit their comfort. These games tend not to talk about safety in their text.

⭐⭐⭐⭐⭐- This game is designed to focus on thematic material that is considered to be relatively safe. The game is unlikely to tread into violence or trauma without effort.

One Star Examples: Trophy Dark, Dungeon Bitches, Vampire the Masquerade Five Star Examples: Honey Heist, Princess World, Beach Episode

The system here isn't about what's good or bad, to be clear. I think there are good and bad games at every level of these categories, but when I think about what my game group is good at and comfy with, I don't think we go in for things at like the 5 end of the Writers Room scale. It's too much work, and most of them aren't pro improvisers.

Similarly, if we play another game that is a 4 or 5 on the PrepWork category, I don't have time to run it these days. So this helps me make practical choices about our next game.

[intotheelliwoods]

Do you have a post explaining the names of all these Leos? I’m a little confused!!

It took me until this ask to realize theres about 6 Leos floating around this blog- which might be comfusing- oops-

Here is my main 3 sons! I drew these on a whim. Though to know more about them, their story, and their names I would recommend just reading my whole comic <-

Ofc theres also the fusion nonsense I have been doing lately, which you can learn more about through the tag #freshavocado

Then if you have seen these two floating around my blog, they are not mine! They belong to @dianagj-art! One is Poptarts bestie, and I just enjoy drawing them <3 If you want to know more about them do check out her lovely blog! Or check out their tag #the besties

[arrthurpendragon]

OC Creator Mini Bingo!

I want to try to put some positive energy back into the OC Community, so I'm going to be hosting an OC Creator Mini Bingo event for the month of September!

THIS IS OPEN TO ALL OC CREATORS! FANFICTION AND ORIGINAL STORY! OLD AND NEW OC CREATORS! POSTED STORIES AND PLOT BUNNY OCS! 

Kudos if you reblog this and tag some friends you think might be interested! :)

GOOGLE FORM SIGN UP (I’m not collecting emails)

GOOGLE DOC OF PARTICIPANTS (Please give me at least a day to update from the Google Form to the Google Doc)

Keep reading to find out more about the event!

What is OC Creator BINGO?

Well, it’s a chance to get to know other OC creators and spread some positivity!

You will interact with everyone on your BINGO card! It's a "mini" bingo because the cards are going to be 3x3. This means 8 creators will be chosen for you to interact with and you will get one of your choice!

BINGO Card template

… you know your schedules better than I do. And if you finish your card early, you are allowed to ask for another!

Since everyone is allowed to participate in this event - if there are creators you do NOT want on your card (for reasons you don’t have to explain) please put them on the Google Form. That information stays between me and you.

The following are some ways to fill in a spot for your creators:

Send 5 asks to a creator about their OCs (and reblog the answers)

Start a private conversation with someone new

Create a moodboard / aesthetic for a creator

Leave 3 reviews on a fic of a creator’s OC

Send 5 positivity asks to a creator

Reblog 5 of a creator’s OC posts

Create a manip for a creator’s OC

Create a poster / story cover for a creator’s OC

Create a video for a creator’s OC

Create a drabble for a creator’s OC

Create a gifset for a creator’s OC

Draw an OC for a creator

Do a liveblog for a creator’s OC

Create a SIM of a creator’s OC

Make a playlist for a creator’s OC

Make a blog recommendation post on your tumblr

YOU DO NOT HAVE TO DO ALL OF THEM! You can pick and choose what works best for you. If you wanted to just reblog posts for all the creators on your list (because that’s an option) then go for it. Choose what you are most comfortable doing for each creator.

Those who sign up by August 31st, will have their cards ready by September 1st.

But you will still be able to sign up during most of the month of September!

[howtofightwrite]

Was reading through your torture tag and noticed a lot of stuff that was being said seemed to contradict things that were said on the scripttorture blog... do you have any suggestions on how to clear things up? Im not sure which things to trust

And you're asking us, because they've posted once in the last two years?

I'll admit, I have a fairly low opinion of them, and that's not directly their fault. For years, one of their fans, would regularly send some pretty incendiary asks our way. In fact, some of the less hostile ones were answered, and may be the posts you were looking at. Understandably, the ones simply accusing us of being torture apologists, demanding we redirect all our asks to their blog, or insisted that we should sit down and shut up, did not make the cut. With that in mind, please understand, I'm not going to go digging through their blog to refresh my memory, so some of this might be slightly skewed by the aforementioned deranged fan.

Look for the blog that does not constantly contradict or misrepresent their authoritative sources. Which is to say, if you actually pay attention to Shane O'Mara's work, it's basically what we've been saying all along.

If you're unfamiliar, O'Mara is a Neurologist who was (last I time I checked) working at Trinity College Dublin. He published a, frankly fascinating piece, called, Why Torture Doesn't Work, in which, he set about trying to answer why torture is an ineffective tool for intelligence gathering. O'Mara also had the misfortune of being the only expert who said anything close to the perspective Scripttorture wanted on torture.

An open secret about torture is that it is completely worthless for getting accurate information. This has been widely understood for centuries, if not millennia. O'Mara's question was, “why?”

It turns out, that the neurochemical trauma associated with torture, seriously interferes with your ability to accurately access information. For example: If you're being tortured, you can't tell your torturer where you planted the ticking bomb, because your brain literally can't access those memories.

Torture is evil. Yeah. No shit.

And, this is where ScriptTorture stops. “Torture is bad,” and Jack Bauer is an incredibly unrealistic fantasy, end of story.

Except, this is not the end of this.

Now, generally speaking, I don't blame anyone who wants to get off the ride here. Torture is an unpleasant subject, and wanting to stop at, “oh, it's evil,” is entirely reasonable... unless you want to write on the subject, or if you do political analysis and need to understand why people break out the torture implements.

More than that, this is where my academic background in political science actually comes into play. I'm not saying this as an Eagle Scout who had a couple overly enthusiastic hand to hand instructors when I was a kid. This is (part of) what I studied in college, and I have kept an eye on it since then.

If torture didn't work, you wouldn't see state-sponsored torture pop up repeatedly throughout history. It would not be one of the favorite tools of dictators and despots. However, because it does, and it is, simply saying, “it doesn't work,” isn't instructive or meaningful because it's clearly untrue. Someone is finding value in this, so it becomes important to understand what they are doing, and why they are doing it.

When you torture someone, the information they provide is basically madlibs of whatever leaked through their brain. They want the pain and stress to stop, and they'll say anything they can to make that happen. That often takes the form of what they think their torturer wants to hear. O'Mara's research does explain why they don't simply cough up the truth.

So, why do it?

Torture is a very labor intensive process. You (as an individual) can't, realistically, torture multiple victims at a time, and it is a very drawn out process. Some elements can be automated, your torturer doesn't need to be present at every moment, but they're going to spend hours, if not days, working on one victim. Worse, this is actually a technical profession. It's not like you can just pull in anyone off the street and get the results you want. (Though, technically, this doesn't seem to be as true, however, amateurs do have a shocking capacity to screw up torture. So, the point remains valid.)

The value of torture has almost nothing to do with the victim. It's about the message it sends to everyone else.

Torture is about mass coercion of the population. When you are the state (meaning, the government), and you torture someone, you are telling your citizens that you are willing to do the same to them, if they oppose you.

State-sponsored torture is specifically a tool to suppress political engagement. It is, quite literally, state-sponsored, domestic terrorism.

This even holds true in cases where the state employs torture to extract confessions from criminal suspects. The message sent into the general population is that dissent of any kind will not be tolerated, and that the state has the willingness and power to turn these tools on you if you draw their ire.

I get that this is outside of ScriptTorture's area of expertise, and in fairness, I probably would not have studied this with any intensity, if I hadn't taken multiple classes on revolutionary theory.

Torture from private organizations (which is to say, organized crime, and religious institutions, though cults and some other groups might fit this description as well), follows roughly similar patterns. These tend to do the same things, discouraging dissent, and establishing the organization as having power over the population (or community.) (The technical term would be to “establish capacity.” Which is to say, the organization's capacity to enforce its will. The same term applies to states, though in those cases, the state's capacity is often overestimated by its population. It's only when it starts to falter, for example through military defeats or serious civil unrest, that they really need the capacity boosting part of this equation.)

Zealotry or stupidity can create situations where you have a torturer (or, more likely, someone in a position of power ordering the torture) who believes that it is effectively compelling the truth from the victim. This (or amateurs) can easily lead into a distinct problem, which is that all of this has diminishing returns. Torture one person, and you send a loud, clear message. Torture ten, and all you've added to it is that you're willing to keep going. However, as you start stacking up the victims, you do start sending a new message to your enemies, that being, you're going to get to them sooner or later so it's in their best interest to respond now, mobilize and retaliate proactively, before you get to them. This means that a state which leans heavily on torture can easily instigate the civil unrest that exposes their limited capacity leading to a political death spiral. Alternately, if the state does have the capacity to put down the resulting unrest, it further reinforces their position (which does happen with depressing frequency in the real world.)

You're also going to create new enemies in the friends, family, and loved ones, of the people you tortured. This means that any organization that relies on extensive use of torture will, eventually, start tying a noose around its own neck. (Granted, there are a lot of social dynamics that I'm skimming over here, so it's not exactly as simple as “if the state tortures lots of people, it will result in increasing unrest.”)

If you want a partial citation for the above, you can (ironically) find it in a podcast interview with Shane O'Mara, when he explained why torture has been employed repeatedly through history. (Specifically I think it was episode 15 of Your Welcome, by Michael Malice. Though, I'm not 100% sure off hand.) Though that doesn't cover some of the more in depth elements I just discussed. Some of this is coming from a textbook on revolutionary theory I can't locate (it disappeared in a move a few years back.) Though that was more interested in the general structure of a state destabilizing into internecine conflict. Ironically, my preferred citation on torture, Fear up Harsh by Tony Lagouranis is mostly uninformative in this case, because his experiences were on the ground, rather than from a structural understanding of what his job was really doing. However, he does illustrate my comment about amateurs making even more of a mess, both through personal experiences with a few, and also through the eventual trajectory of the invasion and occupation of Iraq.

But of course, torture is evil... again, no shit. Was that really a question? And, I'm apparently a torture apologist for having a structural understanding of why evil people do evil things. Cool. Evil people don't do evil things because they're evil, they do them because they gain some tangible benefit from those acts, and they do not care about the consequences to anyone else. If you ask someone, “why do people do this?” and their answer is, “it's simple; they're evil,” that person is lying. They may be lying to themselves, but they are lying to you.

Why do people use torture? It's a lot more complicated, and unpleasant, than you'd expect at a simple overview.

-Starke

This blog is supported through Patreon. Patrons get access to new posts three days early, and direct access to us through Discord. If you’re already a Patron, thank you. If you’d like to support us, please consider becoming a Patron.

[wardenparker]

Bones Full of Words, ch 6

Javier Peña x plus size reader Co-written with @absurdthirst

“He pleaded so much that he lost his voice. His bones began to fill with words.” ― Gabriel García Márquez, One Hundred Years of Solitude

Javier Peña had no way of knowing for certain the American journalist he sometimes sees sniffing around the embassy for her stories is also getting information about the narcos from the same girls that he is. After Helena is brutalized by sicarios, it is that same journalist who comes to take her away and look after her -- giving Javi reason to pause and reconsider his opinion of the woman he had previously not considered as anything more than eye candy.

He has no idea that once she has walked fully into his life, he will be battling with himself over whether or not he should stop her from walking out it of again.

Rating: M for Mature but this blog is always 18+ Word Count: 10.5k Warnings: *Blanket warnings for this series: sex work, time period appropriate sexism, cursing, alcohol, food/eating, talk of weight or size, fatphobia (sometimes internalized and sometimes not), canon typical violence* Fatphobia, internalized fatphobia, self-esteem issues. Flirting and talk of sex. We are starting to pine! Summary: Spending more time around Javi is as awkward as it is anything else, but spending some time with the girls has you approaching the situation a little differently after weeks of uncertainty. Notes: Introducing Elisa! Inner conflict, forced proximity, and a little soul searching are the name of the game.

Ch 1 ~ Ch 2 ~ Ch 3 ~ Ch 4 ~ Ch 5

Days tick by until it becomes weeks, and every apartment you look at is deemed either unsafe or unfit or otherwise unacceptable. The rent is too high or it doesn’t come furnished, or they don’t allow dogs. Señora Perrín had told you Chi-Chi couldn’t come to her son’s house because she generally hated men, and had said you should either keep her or bring her to a shelter.

It broke your heart that she could just give the precious guard dog up so easily and you’d been next to tears cuddling Chi-Chi on the living room floor when Javier came home from a stakeout. There was no discussion about it. Javier had just given the dog a half smile and said it was a damn good thing she liked him, because she was already settled.

On this particular morning you’re up before Javier which is incredible in and of itself. Sitting at the table with the local paper circling newspaper ads for apartments you haven’t already seen feels futile, but you have to keep trying.

Javi rolls his shoulders as he shuffles into the kitchen. He had been needing to start the coffee pot, but you’re already there, the pot full except for the cup at your elbow. “Morning.” He grunts, walking by the table and snatching up your already lit cigarette for a quick drag. You smoke the same ones he does and he’s never been shy about sharing a cigarette. “Fuck.” He groans, feeling the nicotine flooding his system. “Ran out last night.” He explains. You’re looking in the paper again and he almost asks why when it’s obvious you are settled here, but he doesn’t. You might want your own space and he doesn’t feel like it’s his place to press. You might share marks and have managed to be somewhat friendly to each other, but it hasn’t gone beyond that.

“Morning.” The ritual is usually the opposite, but he seems to adjust alright today. And today, like every other, you drag your eyes away from the sliver of tanned skin that shows at his waistline when he reaches up for a mug or to scratch the back of his neck like he does when he’s tired. “You wanna take the rest of my pack to work? I can pick more up from that corner store that stocks American while I’m apartment hunting.”

“I’ll stop on the way.” He shakes his head, pouring himself a cup of coffee and taking that first blessed sip, “Fuuuuuuuck.” He groans again in appreciation. “I don’t know how, but your coffee is always so good.”

“I refuse to give up my secret.” The pinch of cinnamon you add to the coffee grounds whenever you make a pot has turned out to be his unexpected favorite. It warms you deep in your chest with something you can’t name, but you always smile at the compliment. “There’s leftovers in the fridge if you want breakfast.” He rarely sticks around long enough in the mornings to eat anything freshly cooked, but at least he’s eating something.

“I don’t have time.” He admits. “Fucking overslept as it is.” He’s been pulling a lot of late nights, but he’s still been insisting on going in on time. Pablo getting fucking elected to office has lit a fire under his ass to prove the bastard is dirty.

It would be domestic — mothering, even — to suggest he take something with him so you swallow it off of the tip of your tongue. “Take my cigarettes, then,” you insist, putting the pack in his hand. Instead you offer something far less invasive. “Don’t waste the time stopping. I got my column in yesterday so I’m free as a bird to get more today.”

“Thanks.” He shoots you a grateful smile and nods as he takes another sip of the coffee before he checks his watch. “Shit.” He gulps down another mouthful and dumps the cup in the sink. “I’ll take care of that when I get home.” He’s noticed you’ve cleaned up when he’s too busy and he doesn’t want you to think you need to do that. “I’ve gotta go.”

“See you later.” Maybe tonight. Maybe not. Sometimes he runs into the apartment for something and then goes out again and you don’t see him until the next day. He doesn’t ever stop working, night and day.

He grabs his keys. “See you.” He manages before the phone in his pocket starts ringing. “Shit. Peña. Yeah, yeah I’m on my way.” He grunts as he closes the door and jogs down the hall towards the front of the building.

"Well girl..." Your eyes slide to the dog as she watches Javier leave, whining mournfully in her well-claimed spot on the living room rug. "Looks like it's just you and me again today. You wanna stretch out on my lap while I call landlords?"

******

The morning goes surprisingly well and there’s even time to meet Connie and one of her work friends for lunch at Steve’s insistence. “We could be working.” Javi grumbles as he lights up the last cigarette from the pack you had given him.

“It wouldn’t kill you to socialize once in a while,” Steve reminds him, nudging him toward whatever little place Connie and her friend had deemed appropriate for lunch.

“I socialize.” Javi snorts, even though he’s not once been to see the girls since you’ve unexpectedly moved in. It’s been limited to his hand in the shower every fucking night.

“When?” Steve grins, infinitely amused. “When you’re grumbling at paperwork in the office? When you’re sleeping? Are you even going to that brothel anymore? You don’t even leave the office at lunch like you used to.” He used to go to see the working girls on lunch break or after work. He knows it — they pretty much all unofficially know it. But not lately. He just doesn’t know what’s changed.

“Why are you so goddamn interested in where I stick my dick?” Javi cuts his eyes over at his partner before he yanks the door open and walks into the little restaurant. It’s annoying that Steve has clocked his habits and even more annoying that he’s noticed the change. He hasn’t told Steve about you. Neither you being his soulmate or living with him temporarily.

“Because you’re fuckin cranky when you don’t get any,” Steve mutters at his back, letting Peña bust past him into the place while he trails behind and snickers.

He rolls his eyes and pulls a chair out at a table. “You’re entirely too fucking cheerful.” He grumbles, wishing he had just told Steve he was working through lunch. He’s exhausted and honestly needs a day off.

“Just needed a little sunshine in my day,” the other man announces, beaming when he sees his own soulmate and wife walk through the door.

“Sunshine.” He huffs, crushing out a cigarette but immediately perking up when a very attractive brunette comes in behind Connie. Obviously an extra and Javi decides that a little flirting is exactly what he needs.

"Hey!" Connie Murphy comes breezing in with a smile on her face and a kiss for her husband. "Sorry I'm late, honey."

"Hey." Steve accepts the gesture of affection readily, taking both of her cheeks in his hands and pressing his lips to hers with a happy hum.

"Javier." When Connie stands up again at the table, she gestures to the brunette who came in in back of her. "This is my friend Elisa." To her friend, she explains: "Javier works with Steve."

Javi gets out of his chair and shakes her hand, enjoying how soft and warm it is. She's got a nice set of tits, and he's not feeling guilty about looking after he had that conversation with you. "Nice to meet you." He greets her and pulls out her chair for her as they both sit down.

"Are you another...janitor at the embassy? Like Steve?" Elisa asks, smirking slightly because that seems to be such a lame excuse.

"No, actually I'm CIA." Javi lies with a straight face. He glances at Steve. "But that's classified, so don't tell anybody."

The Murphys exchange expressions of raised eyebrows with each other and then with Javi, as if to tell him to cool it with the sarcasm. Somebody can and will overhear him and take him seriously.

Javi continues on. “I’m here to hunt communists and prevent the Marxist invasion from Cuba.” He’s lit another cigarette and holds it in his hand. “The janitor thing, that was you?” He asks Steve, who hums unhappily as Javi continues to talk. “No, that’s just a cover.” He tells her, taking a drag from his cigarette.

Elisa laughs, slightly unsure but willing to bet he's nearly telling the truth and that he's doing it in spite of the Murphys. She likes Connie, but the American woman is a little too earnest for her own good. "Thank you for being so honest," she says to Javier instead, and picks up on the overt honesty played like a lie tempo at the table. "Just so you know," she adds playfully. "I'm a communist guerrilla."

Javi laughs, along with Connie, and Steve gives a halfhearted smile. “Perfect.” Javi tells her with a wink.

"Yeah," Steve huffs, looking between the other two at the table before bringing his eyes back to his wife and nearly shrugging. It's obvious Elisa and Javi are on some kind of wavelength that he and Connie are not. "Perfect." He says the word but huffs it doubtfully.

Javi smirks at his partner, picking up on his mood but he doesn’t pay it any attention. “Tell me, how did you just start working at the clinic?” Javier asks Elise, as he looks over the menu. Catching sight of a meal that he thinks you would like since you like those falafel things and hating that he’s thinking about you right now.

"Everyone needs a job, don't they?" Elisa poses, acting like the answer doesn't quite matter when it truly doesn't. Not really anyway. Her work as a nurse is not the work she will be known for.

“That’s right.” Javi blows a ring of smoke up into the air and grins a Connie. He likes Murphy’s wife and it’s obvious that she’s the one that is the more outgoing of the two of them.

“So,” Connie poses, trying to brighten the mood at the table. “Lunch?”

“That sounds good.” Javi glances at the menu again and smirks at his partner. “Need some help?” He asks, knowing Steve’s reading comprehension of Spanish is worse than his speaking abilities.

“Shut up, Peña.” Steve mutters, grateful when Connie leans in to help him instead. His grasp of Spanish is growing, but at a snail’s pace.

Javi snickers quietly, feeling a little better after giving him some shit back after having to listen to Steve bring up soulmates every chance he gets. Thank god he hadn’t told him who his soulmate is, or that you are staying with him right now.

Connie ends up ordering for Steve despite his semi-valiant attempts at pronouncing the menu items, and the amusement at the table lifts the mood considerably. It’s not often any of them get to laugh anymore, and even a moment of it seems to relax everyone considerably.

“It’s good that you can meet us for lunch.” Javi tells them as they finish their sodas and wait for refills.

"I've got to see my soulmate sometimes," Connie teases lightly, leaning into Steve's side. "Dinners aren't a sure thing, so lunch seemed like the best time."

“And that means I get to eat.” Steve huffs, cutting his eyes back at Javi. His partner has a habit of living off coffee and cigarettes.

"Do you not eat?" Elisa asks Javier, curious that he seems to be getting the ire of his friends.

“Too busy working.” Javi shrugs one shoulder. “We grab something if there’s time.”

"Food is one of life's few pleasures." she returns, although she can think of quite a few other pleasures this man might be fun to indulge in with. "Pleasures are few and far between."

Javi takes another drag off his cigarette and grins at Elisa. “You’re right.” He admits.

"So why deny yourself?" She asks, nodding toward the direction their server is approaching from.

“Why indeed?” Javi thinks about you for a moment, before he pushes that out of his mind. You don’t want to do anything about your status so he shouldn’t worry about it.

"Yeah." Steve looks between the two of them with absolute incredulousness. "Why?" He really feels like he should be a reason but Javi won't say a goddamn word about his soulmate so he can't say too much.

Javi rolls his eyes and leans back as the server sets the meal down in front of you. “Hurry up.” He tells his partner. “We have to go meet Carillo after this.”

"Right." Steve snorts, ready to dig into his lunch right away. "No rest for the wicked."

“Never is.” Javi snorts and wishes he had a beer, or a glass of whiskey. When he left the apartment, you had still been asleep. He wonders what you are up to.

"Are you particularly wicked?" Elisa asks, partially for herself and partially because it amuses her to scandalize Connie with that type of question.

“Some might think so.” He admits, thinking about the question from an outsider’s point of view. “I’m flawed, but at the base of my life, I want to do good.”

That seems to surprise the other Americans at the table, but the Murphys choose not to tease – instead settling into their meal and deciding that a small amount of talk amongst themselves is more polite. Javier and Elisa seem to have slipped into a private conversation at the drop of a hat.

"Is that what you're doing?" She asks, picking up her fork and tilting her head toward the man beside her. Elisa didn't come here to flirt, but the man she has been introduced to is interesting and it won't be the worst thing in the world to chat him up for a half hour or more. "Doing good?"

“Some days it doesn’t seem that way.” Javi admits, eating his own food without really paying attention to it. “Not like health care.” More of what he does is unhealth care.

"Health care is...different than people expect it to be." Elisa tells him honestly. Not to mention that that is not the focus of her life. It was once, but not now. "Sometimes you wonder if you have done any good at all."

“I feel the same way.” He agrees, wondering if it’s that way everywhere, with any job. Maybe his pop was right and growing things was the answer all along.

"Maybe that's part of being human?" She wonders aloud, unconsciously echoing his thoughts.

“Who knew you could get philosophical over lunch?” Javi snorts, although he had actually excelled in philosophy in college.

She smiles, admittedly charmed, and she will have to confess later that Connie was right to warn her about her husband's partner. "I would have looked forward to this lunch even more if I had known."

He smirks slightly and glances over at the server as they refill his drink. Nodding his thanks before he looks back at her. “Well, now you can look forward to the next one.”

“I definitely will.” Elisa agrees, and the smile on her lips promises that she hopes to be looking forward to much more than that.

******

When a familiar car pulls up down the block, Freckles is the one that recognizes it. “Holy shit.” She huffs, turning towards the room where Helena and Vanessa are lounging. Helena hasn’t been taking clients, but she had been here to pack. Gathering all the things that she wanted and giving away the things she didn’t. “She’s here.”

“Who?” Helena asks, her attention to focused on carefully braiding Vanessa’s wet hair to achieve some natural waves after it dries. A new style she wanted to try.

She says your name, lifting a brow as she looks at the other two women. “I wonder if she’s just here for a follow up interview for an article.”

“Can’t be for us…” Helena’s head pops up immediately. She knows that you are their friend, but it would be a simple enough thing to see them outside of a professional setting if you just wanted to spend time with friends. “Can it?”

“I don’t know.” Vanessa frowns slightly. “She wasn’t happy with us knowing about her and Javier. She didn’t say it, but she wasn’t.”

“You think she came because she’s mad at us?” Freckles asks, frowning at the thought.

“I don’t know, but I don’t think she will yell at us, if that’s what you’re thinking.” The other woman shrugs. “Maybe she’s tired of Javi.” She snorts. “She does like eating pussy.”

“You think they’re fucking already?” Helena asks, frowning doubtfully. “They seemed…at odds with each other.”

“I didn’t mean they were fucking.” She corrects. “Just tired of him. Isn’t she staying with him since her apartment was raided?”

“Yeah.” Helena nods, shifting up from the couch to peak through the window. You’re just out of sight so you must be on your way in. “With the sweetest dog.”

“Javier has a dog in his apartment?” Freckles finds that hilarious and throws her head back laughing. “How domestic.”

“You know the guard dog?” Helena and Vanessa laugh along with her. They have, at various points now, all been to your apartment. “The sweet girl who sits at the top of the stairs? She is with them now.”

“But doesn’t she hate men?” Her eyes widen for a moment before she giggles again. “I can’t see Javi sneaking around his own apartment.”

“I can’t imagine he’s hiding from both of them.” Freckles shrugs. “Maybe that’s why she’s here. Like you said.”

"We will see." Helena knows that even if you are upset, you wouldn't take it out on them. You weren't that way, more of a defender than an abuser.

The knock on the door comes a moment later, but the door doesn’t open immediately. Unlike other clients, you have always been respectful of their privacy.

Freckles wanders over to the door and opens it, smiling brightly when she sees you and pulls you in for a hug. "It is good to see you!"

You came here with a purpose. You did. But seeing the three of them together — stunning women who know you far too well — seems to spook you out of your resolve. “H—hi,” you murmur instead, kissing her cheek and giving her a gentle squeeze back. Not too tight. Not too close.

"Come in." She offers immediately, stepping back and opening the door wider. "Unless you are here to just see one of us?" She asks curiously, wondering if it is simply the business of pleasure that brings you here.

“I wasn't sure who would be here.” It feels like more of a confession than you meant it to, but there’s nothing you can do about that now.

“Okay.” Freckles glances over at the other two. “We can leave if you want to talk to Helena?” She offers.

"No–no, I..." You deflate a little, realizing that you're far less sure of this plan than you thought you were while driving here. "I'm sorry...I shouldn't have come."

Vanessa frowns and shakes her head even though Helena is still working on it. “Don’t be silly.” She chides. “You are always welcomed here.”

"I don't want to intrude." Also, you somehow forgot about the full-length mirror in the corner of the room, which has your own reflection staring back at you in ways you would rather avoid.

“Why would you be intruding?” For a moment, Freckles wants to ask if you were checking to see if Javier is here, or has been here, but she doesn’t. You do seem upset, but not at them.

"I don't know." And that is all the more confusing, which brings you from flustered and embarrassed to emotional all at once. A single chin wobble feels like six with the hyperaware state you're in right now and you look around at three pairs of beautiful eyes that only make you feel all the more ridiculous. "I'm sorry, I...I'm not feeling well, I guess." You turn to go, ready to haul ass and hide yourself in Chi-Chi's fur and try to blot out the world, but Helena has gotten up to block the way in a flash.

“Stay.” She urges you, reaching out and taking your shoulders in her hands to physically turn you back towards the room. “Please.”

"I haven't...been myself lately," you admit, looking around at the three of them again.

“Because of what we told you?” Helena frowns, feeling guilty as she guides you over to the bed.

"Not...directly?" She has you sit down, and the other two girls come to sit on the bed with you, gathered around you as if you were all simply here to gossip instead of you having found yourself in the middle of an existential crisis. "It's a long story."

“If you don’t want to talk…” Vanessa senses that you are pent up and she puts her hand on your thigh. “We can always find other ways to entertain ourselves until you do want to talk.”

“I’m not going to make you do that anymore.” The realization, swift and certain, makes you swallow the lump you hadn’t sensed forming in your throat. Coming here may have been a very bad idea, actually… “I—I mean…I thought that’s what I wanted. And why I came. But I don’t think so anymore.”

Helena reaches out and touches your cheek gently. “Javier?” She asks softly, aware that you might be feeling guilty. “He hasn’t come to see us either. If that’s what you want to know.”

"It doesn't have anything to do with Javier." As soon as it's out of your mouth – defensive and swift – you flinch and shake your head. "It doesn't have to do with him being...what he is to me, I mean."

“Oh.” The girls exchange looks but don’t say anything. There’s obviously something wrong, but they won’t push you if you don’t want to talk. They just wait.

It all comes pouring out in the face of their solid sympathy. The fights you and Javier had in the beginning, everything Alex said. The way every passing week that you live with Javier has you convinced that the universe must have been wrong. That you have stopped being able to even glance past a mirror on any sort of daily basis for fear of what you will find staring back at you. "I thought I was just lonely," you admit, under the gaze of three sets of worried eyes. "I thought I just needed to find some company to feel better again. But I walked through your door and just felt like I would be demeaning any of you by asking you to take me to bed."

Helena frowns and Vanessa and Freckles shake their heads in disagreement. “Do you think that we just fuck you because you pay us?” Freckles asks, folding her arms over her chest. “Because we don’t. We enjoy our time with you. In and out of bed.”

"I'm not thinking straight right now." The wording is unfortunate, but at least it's honest. "I don't really trust my own perspective. So while I know, deeply, because you're my friends, that you've never lied to me about enjoying yourself. I just can't..." Searching for the words has you huffing and shaking your head all over again. "I can't believe it or understand it."

“Because of what that bitch said about you?” Vanessa looks mad enough to spit nails. The fight that had been instigated to defend your honor hadn’t made you feel better and the words that you had learned were said about you had cut deep.

"This is...let's call it a lifelong problem." Sitting back against the pillows on the bed, you just drop your face into your hands and sigh. "I'm sorry to have dumped all of this on the three of you. Really."

“After what you have done for us?” Helena rolls her eyes and grabs a pack of cigarettes to offer you one. “You’re crazy.”

"Probably." You admit, letting out a half-laugh and accepting a cigarette.

“He was wrong.” Freckles tells you. “There is nothing wrong with you.” She promises. “You are soft and gorgeous. Warm and sensuous.”

"It's hard to see any kind of truth through my own doubt." Inhaling fire and exhaling smoke is such a seemingly small ritual, but it centers you in a way that you need right now. Like maybe if you had had just sat down and had a cigarette or two or three, you might not have had to bare your soul to these three kind women. To your friends – you have to remember that point. These are your friends. "I don't know if there is any truth. Looks and attraction and all of that...it's all subjective anyway."

“It is subjective.” That all the women can agree on. “My first love, he was ugly by any standards.” Freckles snorts. “But I fucked his brains out every chance I got.”

“You loved him,” you point out, shrugging your shoulders helplessly. “That makes all the difference.”

“And you don’t love Javier.” She murmurs, bewildered by the idea that you might not even be attracted to your soulmate. She reaches over and takes your hand. “Not all soulmates are sexual.” She reminds you. “Javi would never force you.”

“I barely know Javier.” It feels like an entirely lame defense, but it’s true. And besides which you’re not even sure why you feel the need to defend yourself at all. But you do.

“I thought you were staying at his apartment?” Vanessa looks surprised by the fact you haven’t gotten close to him.

“I am.” It’s been nearly impossible to find a place that will let you keep Chi-Chi that you can afford and is reasonably safe, and you have just ended up there indefinitely. “But it isn’t as though we sit around the kitchen cooking meals together and having some sort of domestic fantasy.”

“So you avoid each other?” Helena frowns, not liking that at all. Javier needs a connection with someone, he is dangerously close to burnout and making mistakes and the physicality has been removed, so the emotional was definitely needed. Unless he had found comfort somewhere else.

“Not actively. I mean I sit in the living room reading at night and sometimes he’s home. We both just work constantly.” Shrugging just feels even more pathetic now but you’re not sure what else to do. “We just…don’t talk a lot when the two of us are there.”

"You are both so alike it's almost scary." Vanessa sighs softly and shakes her head.

“Stubborn and frustrating?” You guess, huffing out a half-laugh.

"YES!" All three women laugh when they answer at the same time.

The suddenness of it startles a chuckle out of you, until all four of you are laughing in a heap on the bed together. “This is what I needed,” you sigh, breathing through another laugh as Freckles hugs you to her side. “To see my friends.”

“Why don’t you fuck Javi?” She suggests playfully. “He will have you feeling good.”

“I walked in here so insecure I couldn’t even kiss any of you.” You remind them gently. “I don’t know that I’m in a place to be fucking anyone.”

"What has made you so insecure?" Helena demands, hating that you would feel that way. "Explain it to me."

You all but huff at her, feeling your shoulders round all over again. “Is being called a whale not enough?”

She frowns, reaching out and lifting your chin. "You – the woman who fought to come to Colombia, who was angry that your bosses would not let you go undercover in a brothel – let a tiny dicked man who never made you cum think badly about yourself?" She asks furiously, although her tone is softly censuring. "When your soulmate was so enraged on your behalf that he started a fight for your honor?"

The other girls murmur their agreement, but you feel all the more sheepish at having it put like that. “You make it sound very romantic.”

“It kind of is romantic.” She grins. “Especially knowing that Javier looks very sexy when he’s angry.”

"If you like him when he's angry, you'd probably be amused as hell at how we fight." It's been a week or so since the last time you argued, but the fights are fewer and farther between now, as well as shorter. Last time it had been as stupid and domestic as you getting annoyed about the schedule you worked out for feeding the dog.

“What could you possibly fight about when you barely talk?” Vanessa asks.

"Stupid things."

"You fight because you don't talk." Helena points out. And knowing you both as well as she does, she has it right on the money.

“Why don’t you do something together?” Freckles suggests. “Watch a movie?”

It's such a small, simple thing. A movie. Not a date, not a spectacle. Just a stupid, normal little movie on tv while you sit on the couch. It's...oddly appealing, actually. But you're still unsure. "Does he ever sit still long enough for something like that?"

“I’m sure you could convince him to.” Helena smirks, although she’s convinced Javier is only still when he’s asleep, or on a stakeout.

"You're all so very certain that I could get him to do anything I wanted." It's frustrating in a completely different way. Because you simply can't see how or why they believe it.

“Javi wants a connection with someone.” Vanessa hums. “Even if he won’t admit it. Even if he fights it.”

"Something else I guess we have in common, then." They know you too well for you to pretend otherwise. They know your tendency to run. To hide. To push away emotional connections. Even Alex had been kept at arm's length, but had managed to crack away at that deep desire for affection enough to hurt you with it. The bastard.

“We told you that you are the exact same.” Freckles rolls her eyes and leans in to press her lips to yours playfully with a smack.

"Apparently so." The gesture is received with gratitude, even if your heart feels a little heavier as you start to really believe what your friends have been telling you. "I'm not sure there is anything to do about it, though."

“Why?” Helena asks, wondering what could be so monumental to keep soulmates from being together.

"We sort of talked about it. The first night I stayed with him. When my building was raided." And the number of times you have gone back over it in your head since then is positively shameful. "He pretty much said he's not interested in being together. So it's all...moot. I guess."

“This was after your argument over me?” Helena asks, tsking when you nod. “The first strike.” She whispers to the other girls and they groan and nod in agreement.

"What do you mean 'strike'?" You ask, frowning.

“He rejected you before you could reject him.” She sighs. “Stupid bastard.”

"Alright, well..." Somehow that hurts far worse than you could have predicted, and you lean back in the pillows with a frown, crossing your arms over your chest. "It's still a rejection."

Vanessa huffs and throws up her hands. “Both of you, stubborn!” She hisses. “You would have done the same and you know it. You are two sides to the same mirror.”

"So what am I supposed to do about it, then?" You hiss back, feeling stung and stuck and just a tad insulted to boot. "Beg him to reconsider? Seduce him? Plead with my soulmate to give me another chance? Fuck that."

“One of you will have to bend.” Helena sighs. “It will just be a matter of who.”

"Now you see why I'm so frustrated." So frustrated that you could not see the light for all the dark around you. But your friends have helped that more than you expected.

“I am surprised Javi let you live with him.” Freckles admits. “He has never lived with anyone.”

"He feels guilty." At least that's what you assumed. It probably doesn't do any good to assume, but that is what you've done. "Because it was his team that raided my building."

“And he could have found you a place to live inside of an hour.” Vanessa snorts.

"I've been looking for weeks," you remind her, sheepish and embarrassed that it has taken you so long.

“Javier has been here for years.” She reminds you. “How do you think he got such an amazing apartment?”

"I can't figure out if you're implying that he's letting me look fruitlessly or that he's actively sabotaging my attempts to find somewhere else to live." Either one is deeply confusing and has complicated connotations, and you're not entirely sure what to do about it.

“That’s something you will have to ask him about.” All three women shrug and give you unsure looks.

“Full, meaningful conversation, huh?” You sigh, knowing they’re right. “That’s probably the respectful thing to do.”

“You do what you need to do.” Freckles tells you. “Only you and Javier can determine what happens. Not anyone else.”

“I’d much rather have it just all work itself out for us,” you admit, though the complaint is half-hearted. Having something handed to you means it’s never quite as satisfactory or as lasting.

Helena snorts and leans against you playfully. “You can do that.” She admits. “It will be an interesting journey.”

******

You’re still trying to figure out what the hell kind of journey could possibly be ahead of you when Javier comes home that night. It’s earlier than usual but still not what any normal person would call early. Thankfully you’re both night owls, so you’re in the process of making some dinner when the door opens. Having managed to track down an Italian market in an immigrant community in Bogotá during your first weeks there, you continue to make the pilgrimage whenever you need to stock up on ingredients.

Tonight you wanted comfort food — chunks of beef slowly stewed with onions, garlic, mushrooms, and carrots in tomatoes and red wine. The whole thing will be ladled over creamy, cheesy polenta and you can’t wait. These recipes your father taught you still mean everything to you as a grown woman.

He smells the food from the hallway. Different than the normal scents of cooking from other apartments and yet it is just as mouthwatering. He comes into the door and groans quietly. “I’m back.” He calls out politely.

“You’re home early.” It’s just an observation, but it feels so incredibly domestic in your current setting. “I got a little nostalgic and made a ton of food. Do you like Italian?”

“Love it.” Javi admits. “We had this little place in Laredo that did the little tea candles on the table. Best damn lasagna I’ve ever had.”

“Lasagna is one of my ultimate comfort meals.” And it sticks somewhere in your head that you’ll have to make it for him sometime. Cooking is soothing for you, after all. And an excellent way to say thank you for letting me live in your apartment and refusing to take my rent money every time I offer. “This is my dad’s version of Italian beef stew with polenta.”

He makes an impressed face and nods. “Sounds good. Do I have time for a shower?” He asks, feeling sticky and wanting to wash away the filth of the day.

"Yeah, absolutely." It's suddenly become a whole to-do, this comfort dinner of yours, but you nod. Somehow it's so much easier to see how handsome he is tonight. Like talking with the girls today had softened some of the sharp edges you had imagined before. "We could...turn on a movie while we eat? If you want to?"

He looks over at you in surprise, but your back is to him, stirring the pot at the stove furiously. Either the stew is temperamental or you are avoiding looking at him. “That sounds good.” He admits. “Cabinet under the tv has some tapes.” He tells you. “A few movies my pop sent me.”

"Okay." Stirring the polenta is just a way to distract yourself so he doesn't catch you staring at him, but that's alright. It needs to be stirred anyway. "I'll pick something out and set it up."

“Okay, uh, I’ll just jump in the shower then.” He mumbles, feeling slightly out of sorts now that you’ve agreed to this. It feels intimate, domestic, like an evening at home between soulmates would be.

"Okay." Repeating the word feels awkward, but you try to dismiss the feeling as nerves or tension. Everything is totally fine. It's just a meal. You've eaten together plenty of times before.

Heading back to his room, his movements are completely in autopilot. Unclipping his badge and gun from his hip, setting them down in his dresser and emptying his pockets. Memories of his parents sitting on the old flowered sofa in their living room watching a movie or tv show when he was younger springs to mind. Peeking around the corner from the kitchen and listening to his mother giggle quietly and seeing them kiss before he scurried back to his room.

By the time he comes back out again, you have dinner set up in bowls, two glasses of wine poured from what was left in the bottle, and his well-loved copy of Raiders of the Lost Ark in the VCR. "Bad day?" You ask, trying to be as casual and normal as possible when you catch the moody expression on his face. You probably haven't hit it at all, but you're trying.

“Every day I don’t catch that bastard is a bad day.” Javi snorts and shakes his head. “It’s frustrating. Feeling like we are just spinning our wheels again.”

"I refuse to believe you got nothing done today." He's too clever and too dedicated for that, but you won't belabor the point. "Anyway, it's late and there's not much you can do for the rest of tonight. But dinner is hot and there's booze."

That sounds fucking amazing and Javi groans in appreciation. “You didn’t have to do all this.” He reminds you, gesturing to the meal set out on the coffee table.

"I thought it would be nice." Technically speaking, you didn't make this meal for him. It is a comfort for you with the added side benefit of there being plenty to share with him. But there is something in his voice that stops you from saying so.

Javi sits down and then second guesses himself. “Do you want to sit here?” He asks, getting back up.

"Sit wherever you want." He's nervous and you're trying not to let it put you on edge too. This was just a spur of the moment idea that seemed like a nice way to spend the night. "It is your couch."

He snorts and shrugs. “I don’t care where I sit, but you might have claimed a certain corner as your own.” He jokes.

"Normally that's just whatever corner Chi-Chi has left for me when she sprawls out over the entire couch." You joke. He had let her up on his furniture on day two of having the two of you in his place and she never looked back.

“I feel like she would take up all the space if you gave her half a chance. Even a king-sized bed.” He rolls his eyes and looks over at the dog that is currently sprawled over the floor.

"Oh, believe me." With your bowls and wine sitting on the coffee table, you come closer and sit down in the corner of the couch that he isn't occupying. "Half the time when I crawl into bed at night, she's sprawled out over the entire mattress. So I have no trouble imagining she would take up a king if she can dominate my full size."

Javi frowns. “Then we should get you a bigger bed.” He hadn’t really thought much about the size of the bed in the guest room. It was just there for someone to sleep if needed and until Helena and you, it had never been used.

"You don't..." You had been reaching for your wine glass when he said it and you almost knock it over by accident. "You don't have to do that. I mean...it's your apartment. I'm just staying here through the seemingly interminable search for an apartment. I really can't figure out why it's so damn hard to find a place this time around."

Javi hums and doesn’t comment on that. Instead, he reaches for his own wine glass. “You’ll find one eventually.” He finally says.

"Eventually." The girls' words float through your mind again, and you glance at him out of the corner of your eye as you pick up your glass more securely. "You know...you've been here longer than me. I'm surprised you don't know anyone looking for a tenant."

His eyes slide he to you and then back to the tv where the beginning of the movie is finally starting after the commercials. “I’ve been keeping an ear out for something that would be good for you.” He tells you vaguely.

"Yeah?" Deciding to play the cards you have, you take a sip of your wine and then set the glass down to pick up your bowl. Dinner smells amazing and it's finally going to be cool enough to eat without burning yourself. "The girls seem to think you wouldn't have had any trouble. And that you might not mind having me around."

Javi nearly drops his spoon, hissing a curse and bobbles it for a second before catching it. “Yeah?” He turns to purse his lips at you grumpily. “The girls don’t know everything, do they?”

"Hey," you shrug, playing it off like you aren't fishing for information but giving something up instead. "I thought it was kind of nice that they thought that. Like we might actually be getting used to each other."

He relaxed slightly and turns back to towards the tv and his stew. “You don’t annoy me as much as you first did.” He snorts. “And you cook.”

"So it's purely functional." It's just light teasing, because you're not really questioning him or calling him out. It's just...nice to hear the good humor in his voice. "Maybe...you would let me pay rent in groceries and cooking? Instead of cash?"

“You don’t have to pay rent.” He huffs out, rolling his eyes as you bring up the idea yet again. “I would have to rent this place even if you didn’t sleep in that room.” He points out again. “And the electricity and water are included. It costs me nothing.”

Your hand, spoon and all, stop halfway to your mouth. "You...don't pay rent? Like at all?"

That wasn’t what he said, but he shrugs. “Technically? No.” He admits. “DEA pays for it. And it’s under the set amount they give us. So I make money every month.”

"Well shit..." The fact that you misunderstood him at first doesn't change the meaning of the thing. His housing stipend more than covers the cost of the space you have both been living in. You almost sputter around the fact, but end up biting your lip and shrugging exaggeratedly. "Fine. I'll just cook because I like to and because we both need to eat." Looking over at him though, your head tilts unconsciously. "But...maybe it would be okay if I stop looking for a different place?"

Even though he’s honestly relieved that you are voicing that, Javi jolts one shoulder up in the air casually, as if it doesn’t matter to him. “Up to you.” He grunts as he spoons up a first bite of the stew and polenta. “If you’re comfortable here.”

“Chi-Chi is.” You nod toward the enormous sprawl of an animal nearby. She’s found a corner of rug and isn’t giving it up for anything. “I guess that settles it.” As if the dog’s comfort and happiness were the only factor, you simply start eating, turning your attention to the screen with a smile curling your lips.

It’s probably the first thing that you’ve not argued with him about and he grunts, wondering if it’s because you feel safer here, or if the fact that he had spread word that the American woman looking for an apartment was important to the DEA had scared people off. He doesn’t regret it at all. Eventually someone would know about your connection to him, and he didn’t want that used and you to be harmed.

It’s several minutes later when you laugh to yourself during the movie that you realize how simultaneously comfortable and tense you are here these days. And that the tension isn’t the walking on eggshells kind of tension you’ve had with other people in the past. But something almost eager. Like it’s on the verge of actually being pleasurable. But that might just be the soulmate bond talking. Either way, you go on eating and smiling to yourself, wondering if he feels it too or if you’re just too convinced by what the girls had to say today.

Hearing you snort in amusement; Javi looks over at you to find you grinning. “Have a think for this guy?” He asks with a smirk, nodding towards the tv. Most of the office girls in the typing pool swoon over Harrison Ford.

“Who doesn’t?” You counter, unashamed to admit to it. “Just like every other woman my age, right? Every guy I know is in love with Michelle Pfeiffer. It’s the same deal.”

He chuckles and shrugs. “She’s alright.” He answers. “I don’t really fantasize about women who wouldn’t even know my name.” He admits. “I like the ones I’ve got a chance with.”

“Fantasizing is an integral part of my day to day,” you tell him, glancing away from the screen to see if he’s looking at you. You can’t tell if you’re hoping for it or not, but you’re curious.

He watches you turn your head and look into his eyes. His curiosity getting the best of him. “And what do you fantasize about?” His voice is suddenly raspier, dropping into a lower, more intimate pitch.

“I—” You hadn’t meant it like that. In fact you’d barely thought about what you were saying when you said it. But now that he’s asked? The coil in your guts tightens and you swallow thickly. “Lots of things.” The truth sparks from you like wildfire. “W—waking up wrapped in someone…those little touches that are electric with someone new…the whole, uh…the whole…work surprise thing…”

“Work surprise?” He frowns slightly. “Like fucking in the broom closet?” He asks, trying to understand you a bit better even if this is more than he ever thought he would know. You aren’t interested in him, but he’s curious.

“Not what I was thinking.” You laugh, though, trying not to pay attention to the way your skin tingles in response to the idea of him dragging you into a closet for anything remotely sexual. “I was thinking more like…the romance of a surprise. My mom used to make excuses to go surprise my dad at work every single week. Just because she knew how hard he worked, and she wanted there to always be something to look forward to on the hardest days.”

“Your mom would go to your dad’s work to fuck him?” He remembers that your dad was a chef and he chuckles. “I heard some kinky shit happens in a kitchen.”

“I mean…” The realization is striking, that that probably is exactly what was happening, and you sputter for a few seconds out of sheer surprise. “She always told us she was just going to spend his breaks with him, but…probably.”

He laughs quietly, watching the realization rush over your face. “It’s always weird to think about your parents fucking.” He reaches over and pats your thigh. “It’s okay.”

“She just always made it sound very romantic,” you admit, dissolving into laughter.

“Fucking can be romantic.” He chuckles. “And romance can be a passionate quickie.” He snorts, “My parents probably used the hay loft more than I did.”

“See, stripping down in a hayloft to roll around on a blanket does sound romantic.” Or maybe you just have a little bit of a cowboy kink. Who knows? “A restaurant stock room? Not so much.”

He smirks as he shrugs. “Depends on what gets you going.” He argues playfully. “Maybe mayonnaise did it for them.”

“Gross.” But you’re still laughing, the movie forgotten in the background and your dinner sitting in your lap. “I can readily say mayonnaise does not get me going.”

He chuckles as he spoons up another bite of the meal. He almost tells you that he will note that, but you might not want him to do that. “Oh I love this part.” He snorts as he catches sight of the movie again.

Indy’s exploits suddenly seem less interesting to you, but you watch the movie and continue to eat with an undeniable warmth building in your chest.

The problem is that Javi wants to keep talking to you, but he also doesn’t want you to think that all he wants to talk to you about is sex. It’s frankly surprising to a man who enjoys sex and women as much as he does, but sex with you seems to be about as obtainable as climbing Mt. Everest.

“I always wanted to be Marion Ravenwood when I was a teenager…” It comes out as just a little murmur, but it’s true. Marion had been one of your favorite role models. “Her or Lois Lane.”

“She was always way too good for Indy.” Javi points at the screen with his spoon as he reaches for his wine with the other hand. “But I’m sure Lois speaks to you more because of that journalism connection.”

“She’s the one I went with in the end, I guess.” The comment that Marion is too good for Indy makes you glance over at him again and consider. He has that whole dashing-and-daring thing that Indy does —would he think a Marion was too good for him too?

“You’ve got a little bit of Marion in there too.” Javi tells you as he sits back with his wine and takes another sip. It’s pretty damn good with the meal. “Digging for a story down here is kind of like digging for the fucking Arc.” He huffs, halfway grinning.

“I’ve got Marion from plenty of things.” You shrug your shoulders. “Stubborn, persistent, cocky at the wrong times and wildly insecure at others. Plus the drinking.”

“Insecure?” He frowns. “Why? You’re a ball buster. You shouldn’t have an insecure bone in your body.”

“Seriously?” You almost slip and call him Javi, even though you’ve never called him anything but Javier in the whole time you’ve known him. The girls all call him Javi and it feels so intimate. “It’s a total front.”

"It's a good one." He admits. "When you want to exude confidence, you do." He hums to himself as he picks up his bowl again. "You'd make a hell of an actress if it's a front."

“I grew up with older brothers,” you remind him. “You learn to at least pretend to have a spine, or you end up trampled. In my case, I was then stupid enough to go into journalism. So it’s just more men everywhere, and these ones all want me to fail miserably.” Shrugging again, you put down your empty bowl and reach for your wine glass. “Maybe some of it stuck, I don’t know.”

"I don't fucking understand that." Javi shakes his head. "Yeah, there are certain jobs I don't like seeing a woman in. Ones where they are in danger, but that's my own bullshit and I would never want someone to fail."

“Then you were raised with a hell of a lot more respect than any of my colleagues.” There’s nothing really to do about it but keep your head down and keep fighting, so you just wave one hand as if it doesn’t matter. “Which is a comfort, by the way.”

"You don't watch a woman run a ranch, which is fucking hard work, while her husband is in the hospital and not realize that there isn't a whole hell of a lot women can't do." Javi might be old fashioned in some sense, but he had also been raised by a tough woman.

“Cheers to your mother, then.” You raise your glass to that without hesitation. “She sounds like she was a bad ass.”

"She was." He chuckles and lifts his drink in a toast to her. "Just like I'm sure your father was a hell of a man."

“Wherever they are, I’m sure they’re watching us and laughing together.” Tapping your glass against his, the clink rings out, and you share that drink to your parents with pride.

He shakes his head, knowing that his mama is laughing for certain. “She always warned me I would find someone who wouldn’t put up with me just because I was charming.”

“She wanted somebody who saw you for you.” That’s an admirable thing for a parent. For anyone to want for their loved one. “My Dad always said I’d find someone who wouldn’t put up with me talking shit about myself.” He actually said that your soulmate would be that person, but you won’t put that on Javier.

“You shouldn’t talk shit about yourself.” Javi agrees with that. “You have the power in any situation romantically.”

"Absolutely not." The very idea of it earns him a snort from you, and you practically drain your glass to keep from laughing out loud. "That is so far from the truth."

“Why do you think that’s not true?” He asks, curious to hear this answer.

"Because," you reason, finding that last sip of wine and putting your glass back down on the coffee table. "If I had any kind of upper hand, I wouldn't have spent most of my romantic life, I wouldn't have had to settle for weasels that I basically had to beg for attention."

“You have a pussy.” Javi reminds you. “And a nice set of tits and ass.” He rolls his eyes. “If you put your mind to it, you could have all those weasels begging you for attention.”

"That's...not really how it works for girls like me." At least, not in your experience. Or the experience of most other women your size that you've known throughout your life. It makes you lips turn down in a frown and you shift slightly in your place on the couch.

“I shouldn’t have said anything.” Javi frowns when he sees you pull in on yourself and turns back to his bowl. “I’m sorry.”

"No." Breathing out, you shake your head again and wipe your hands on your jeans. "No, my shitty self-esteem is not your responsibility. Sorry. Please don't let it ruin tonight."

“It’s not ruining the night.” Javi promises you. “I just didn’t want to make you feel bad.”

"You aren't." You assure him quickly. "I just...I guess I wish it was true. That it was just that easy."

“Just don’t let anyone give you shit.” He tells you. “You are a good girl.”

"Careful." Before you can stop yourself, the joking ball buster comes out of you all over again. "I might like being praised a little more than other girls."

He stares at you a moment before he snorts and shakes his head. “That’s the kind of attitude you should have.”

"Shameless vampy flirt?" You ask, with one eyebrow raised.

“Vampy?” He lifts a brow of his own in challenge.

Competitive. Your teachers and your brothers and your parents and everyone else in your childhood had always called you competitive. Not in the athletic sort of way. But in the way where you could never back down from a challenge. Almost instantly you're tossing the collar of your sweatshirt off your shoulder and batting your eyelashes, shaping your lips into a pout. "Is that what does it for you? Vampy?"

His cock twitches violently and if you weren’t who you are, he would be on you in a second. Taking you up on the invitation in that look. But you aren’t looking for him to jump you. “Maybe.” He manages, trying to not let it seem like it’s taking everything he had in him to act normal.

Something changes. Something in his eyes flashes. He tenses. Something in the moment reacts so assuredly that your heart speeds up and you unconsciously lick your lips, tongue darting out to wet them like some sort of silent and unintentional test to see if he's watching you as carefully and with as devoted focus as you're watching him. If you – when did you get to this place and why didn't you notice before? – actually want to kiss him as badly as you think you do in this moment.

Javi practically dumps the bowl onto the coffee table as he stands up. You licking your lips bothering him so much he has to move. “Gotta pee.” He explains. “Keep watching the movie.”

"I—uh—" He seems to panic and it deflates you instantly, to the point where all you can do is sputter and shrink back in your seat, shoving your stupid sweater back up on your stupid shoulder. "Right. Okay."

Javi does have to pee, but it takes a moment to get the half chub he has going on to go down. “She’s fucking teasing you.” He reminds himself. “Don’t fucking touch her. Just don’t.”

He was just fucking tease you. You reprimand yourself over and over, trying to get yourself under control before he comes back. Before you give yourself away. Before you have to admit to anyone but yourself that you actually had been hoping that he would take you up on the offer. Calm the fuck down!

After a few minutes, Javi slowly walks back down the hall. “Want a beer?” He asks, hovering between the kitchen and the living room. “Water?”

"Water is fine." More alcohol is probably a bad idea. You don't want to get tipsy and do something that will make things awkward again. "Thank you."

“Welcome.” He gets two glasses of water, figuring he better lay off the booze himself. He’s changed the mood and he doesn’t know how to go back to that somewhat easy vibe but he knows more alcohol won’t help.

With a little less than half the movie left, he brings back two glasses of water and you thank him for your again as he settles back down on the couch. Chi-Chi had barely stirred while he was gone but now she shifts, getting up from her corner of rug to move over four feet and flop down in front of the sofa as if she means to tell you that neither of you is allowed to get up again.

Javi snorts to himself and tries to watch the movie again, spreading his arm across the back of the couch towards you. Legs splayed a little to be comfortable and he takes a sip of his water, “Want a cigarette?”

"Sure. Thanks." You've gotten into the habit of sharing packs while you're in the apartment together so this, at least, is relatively normal. Or at least as normal as the two of you are bound to get.

Sharing a cigarette is normal. He reaches for the pack and puts one in his mouth and flicks the lighter. Taking a drag off the smoke before handing it to you.

It's such a little motion, and so practical, but after that moment of flirtation where you could have sworn you saw attraction in his eyes, it feels so intimate to smoke from a cigarette that was just held by his lips. Like if you try hard enough you could taste him instead.

Shit. You really have to stop thinking like this...

Javi leans back and sighs softly. “Needed that.” He admits. “Need to fucking quit, but I’m already cutting back on other things.”

“I keep thinking I should quit,” you admit, but take another drag when he passes it back to you. “But I never do.”

“Stress.” Javi snorts. “Addiction. Habit. Who knows?” He looks at it seriously and then takes another drag. “Smoking a cigarette is more satisfying than chewing some fucking gum.”

“I honestly don’t even like gum that much.” It’s stupid, that little insignificant piece of trivia about yourself, but you feel like you’ve made some tiny bit of headway tonight. At the very least, if you’re going to be roommates for a while, sharing things seems easier than expecting him to read your mind.

“It’s okay.” He doesn’t mind it, but the burn of the nicotine in his chest is what he really wants. “But it doesn’t beat this.” He hands the cigarette back to you, noticing the filter is stained with the last bits of wine from one of your lips, resembling lipstick.

You both silently realize it about the same time, and the smile tugging at your lips grows ever so slightly in silent response. Acts of connection, no matter how small, are making you happy tonight.

“Got another carton in the car.” Javi tells you. “I’ll bring them in before I leave in the morning.”

“Thank you. It’s so much easier than high-tailing it across the city to that American market near my old place.” You’re learning his neighborhood— your neighborhood— little by little. It will be good to put it more of an effort now. Since you’re officially staying put.

“Yeah.” Javi frowns slightly. “Be careful if you go back over on that side of town.” He tells you. “Escobar wasn’t happy about his sicarios.”

“Shit…” You wipe one hand down your face and sigh. “Inez found a new place in that same neighborhood. I’ll have to tell her to watch out.”

“Yeah.” He knows you still talk to the bartender from the club you lived under. She was also your neighbor. “Let her know.”

“Thanks, Javi.” It slips this time, just a nickname. Just a small act of intimacy. But it slips without you even realizing it.

He hears the softness of his nickname on your tongue. Making him want to reach out. To pull you closer to him, but he doesn’t. You two are in this awkward, yet comforting place and he doesn’t want to rock the boat. “You’re welcome.”

______

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[ask-whitepearl-and-steven]

Um, hi! Regarding that other anonymous asker wondering about the comic's enjoyability, I actually WAS one of the people who voted "I've never watched the show but I do read the comic" in that poll; all my prior knowledge about Steven Universe was from passive osmosis. I don't know anyone personally who likes it either, my baseline is limited to, like, the premise and 'hey I think that one's a major character?' every now and then (this was most recently Lapis Lazuli. Peridot I'm prettttty sure is canon, but I didn't recognise her right off. Betting that Sea Glass isn't. No clue about Jasper).

So if it's of any help, from my experience I do think that your comic is fairly accessible to folks outwith the Steven Universe fandom! I read long-form fanfiction for media I know nothing about on a regular basis, and it does a good job of explaining the core concepts required for the plot to hold water; it makes it much harder to spot foreshadowing that I feel may have been more obvious to experienced readers (e.g. I didn't get anywhere near working out Earl's issue because I didn't know that A. White Diamond could do mind control, or B. what societal role Pearl-class gems (is that the term?) hold relative to the Diamonds), but the actual narrative itself holds up well so long as you're willing to put the thought in. Actively following your blog helps a bit too, I've gotten extra context clues from the FAQ and asks you've answered.

My one warning would be that reading a long-form story for a fandom you don't know is a very different experience. The best way I could describe it is akin to reading Arthurian stories or folkloric retellings without studying the source material: while the main narrative is comprehensible, you become distinctly aware that certain parts are name-checking their original culture in a way that the author expects to be apparent but isn't, not to you. I spend a lot of time faintly baffled when I'm not cross-referencing between multiple fics for commonalities to reverse-engineer (also do that regularly, would recommend), which is fine! It's fun! Might not be for everyone, though.

I just want you to know I love this ask, and I was enraptured reading this. It's a very cool insight! Especially as someone with the exact opposite reading philosophy, this is extremely valuable.

It's neat to also get a confirmation about the fact that a lot of over-the-top stuff that was meant to echo the original show might not get pinged by those who aren't familiar with the original. Though to be fair, people didn't quite pick up on what was happening with Earl even when they knew what White Diamond's powers were.

I also find it hilarious to realize that Jasper might not be a recognizable original-show character to most outsiders. DEMOTED!

[blindbeta]

I've noticed that you are interested in stories with multiple blind characters and often propose adding more blind characters to a story as a solution. I really struggle with this because it's not as simple as that -- stories don't have infinite narrative space. The idea that every story has a large cast is influenced by the prevalence of long serialized media in fandom: webcomics, TV shows, etc. But many writers (myself included) write a lot of novellas and short stories which often only have a few characters -- maybe even only 1 or 2! Even novels don't usually have huge expansive casts -- maybe 5 main characters with some additional side characters.

Considering this, I don't understand how it's realistic for every story (or even, say, 50% of stories) to have multiple blind characters (without it feeling forced). This is compounded by the fact that most blogs that talk about other forms of representation say the same! So if I write a 2-character short story and the protagonist is a blind Latino man, does the second character also have to be a blind Latino man? It just doesn't make sense! This is just a general problem I've noticed in discussions around representation -- there's an assumption that every cast will have 10+ characters and narrative space to develop those characters, even though that's not realistic for most narrative forms.

Do you have any thoughts on this?

Writing Multiple Blind Characters in Short Stories

Hi Anon! Surprise. I write short stories as well. I have experience with this. I have never felt like my blind characters were forced or unrealistic, even with having several of them in the same story. I’ll try to explain what might help you.

First, the idea that multiple blind characters is forced or unrealistic comes from ableism. Think about why you feel there is a limit on disabled characters. If you can create stories, I would hope you are creative enough to consider the possibility that multiple blind characters could exist in the same place and time. Challenging this barrier opens up more possibilities, allowing you to explore different types of blindness, different reactions to it, different upbringings, and multiple ways of living, adapting, and navigating being blind.

Second, blind characters need access to their own community. This is where they learn how to be blind. This where they get support. This is where they might find understanding and belonging. You can find more information about community here in an excellent reblog. Also, here.

As you mentioned, I often suggest adding more blind characters when writers insist upon using stereotyped portrayals. Having multiple characters with different experiences helps to make your story more realistic and nuanced, contrary to what people might implicitly believe. Having more than one blind character is something I highly recommend because it helps with not having all your representation rest on the shoulders of one character.

For example, if you are worried a main character who has cloudy eyes might reinforce the idea that all blind people have cloudy eyes, having another blind character with a different experience may help. If one of your blind characters is naive and innocent, you might have another blind character who is brash, displays a lack of trust in others, and has a lot of shocking stories. Maybe they’re in a rock band together. They met while playing blind football (aka soccer) on a middle school team. They bonded over their pet cats and sour patch kids.

Or something.

Another important thing to remember when writing is that you have control over the story. Too many writers come to me feeling stuck because they feel they cannot change their story while also wanting to incorporate my suggestions. This makes it challenging to address implicit bias or stereotypes, much less guide writers in going in different directions.

Additionally, I feel uncomfortable with the complaints about other blogs in this ask. I feel like this isn’t really about me, nor is it something I can comment on. I will say that it sounds as if a bunch of blogs dedicated to helping people write marginalized characters are mentioning some of the same things. They are probably doing so for a reason.

However, while it helps, writing multiple blind characters won’t improve every story, which I explained in my review of the book Blind. I was not impressed with this book. I did not feel that the four blind characters were very good, nor did having them help with offsetting the portrayal of blindness as a miserable experience.

Conversely, one of my favorite blind characters is Toph Beifong from Avatar: The Last Airbender. Despite being the only blind character in the show, the writers did a good job with her. Would I have liked her to meet more of her community as she travels with the Gang? Absolutely. Even though I like her, she still never had access to her community after being isolated by her parents for so long.

So, no, you don’t need to have multiple blind characters if the suggestion bothers you this much. I even provided good examples of what to do, what not to do, and times where my typical advice was not as helpful for the resulting story.

However, please consider where these feelings stem from. Consider the origins of the idea that having multiple blind characters is unrealistic. Using the example you provided in your question, I wonder, would you say the same if both your characters were white and abled? Is there any way you can challenge the fear of seeming unrealistic? What about being considered unrealistic bothers you so much?

You don’t necessarily need to have characters in the story for them to exist. Even background characters can help. I will try to give some ideas for this:

Does your blind character have family they can talk about or remember? Are any of their family members blind?

Do they have any friends? Just because the friends aren’t in the story doesn’t mean they don’t exist at all.

Does the blind character have any formative memories or flashbacks?

Does the character who isn’t blind know any blind folks?

Your characters should have lives outside of the story. They should have memories and experiences that made them who they are. This is where you can have other blind characters. Perhaps this is how your blind character can have a community.

However, I would still like to see more blind characters interacting with each other. This is what I want as a blind person. If you don’t want to go that direction, that’s fine.

I hope this helps.

[dr-spectre]

Splatoon 2 Callie Explained - (In my interpretation)

So in this blog post I wanna go over what is going on with Callie in Splatoon 2 because there's a lot of misinformation being spread around due to how unclear the events of Splatoon 2 were. I'm going to provide my own thoughts into how the Hypnoshades actually affect Callie and clear up what hypnosis actually does to a person, because a lot of people think that Callie was kidnapped and then mind controlled but its actually a lot more complicated than that. I've done a ton of painstaking research into this so if you would like some sources to what I'm saying then I'll be happy to provide it in the comments below when asked!

Okay so first off we need to establish one thing right off the bat, no, Callie was not kidnapped in the sense that she was snatched up by DJ Octavio and then brainwashed while she was kicking and screaming trying to stop him. The idea that Callie was snatched up randomly is simply not to true due to the fact that the OFFICAL Splatoon 2 relationship chart states that Callie was willing to hear out DJ Octavio and go with him. Why? Because if you look at Sunken Scroll 21 and 22 in Splatoon 2, it gives insight into Callie's declining mental health as she struggles to put on a happy face as she walks through a huge crowd of people, as well as the fact that she drew a squid with a sad face on it in Sunken Scroll 22 which is a very clear giveaway that she isn't doing well. Also keep in mind Marie was busy with her own solo thing too and Callie even states in the relationship chart that she's busy and lonely. It also explains why Callie doesn't experience any sort of trauma, turmoil or resentment after Splatoon 2 because well, she wasn't kidnapped and the shades were not forcibly put on her. (Also in Squid Sister Stories chapter 7 there's an artwork piece of Callie walking towards DJ Octavio's star mark so there's that too....)

Now I want to get into how hypnosis actually affects a person and what being hypnotized is actually like. Being hypnotized is described as having "heightened attention, increased focus and heightened suggestibility." You do not get put to sleep and become a puppet as popular media shows it to be, but instead you are hyper aware of what is going on around you. It's also said to be highly relaxing and can help with patients who struggle with anxiety and other mental issues, which might explain why Callie kept putting the shades back on, she enjoys wearing them to some degree as it helps her deal with the pain of being a celebrity, kind of like an addiction but unfortunately Splatoon 2 doesn't explore it at all and Marie (CALLIE'S OWN GOD DAMN COUSIN BTW!) jokes about it..... ugh...... at least she overcomes that addiction OFF SCREEN unfortunately....

Now that part about "suggestibility" is important to consider because contrary to popular belief, you don't lose awareness and memories while you are hypnotized and the person who is in charge of hypnotizing you, CANNOT force you to do anything that's against your wishes and you do NOT lose control of your behavior. Meaning that on some level Callie actually wanted to side with the Octarians because her life beforehand was shitty. The shades do not control Callie but instead put her in a hypnotic state that relaxes her and increases her attention and suggestibility.

For example, if DJ Octavio were to tell Callie to kill Marie instead of Agent 4, she would probably have a ton of hesitation about it and probably not follow his orders. Callie doesn't want to kill Marie, but she doesn't care or know about Agent 4 and that's why she had no problems with following DJ Octavio's suggestions. She also didn't try to attack Marie during the final boss when she was flying around and she just wants Marie to leave her alone because guess what, she's suffering from mental health issues!!!!!! And her relationship with Marie got worse and worse overtime as shown with the Squid Sister Stories.

If you were hypnotized and then the person responsible of your hypnotism handed you a weapon and told you to kill your best friend, you wouldn't do it because it's against your wishes (unless you secretly wanna kill your best friend for some reason....)

With all of this information laid out, it actually does make Splatoon 2's admittedly mid story a bit more interesting, it shows that Callie does have these dark traits and flaws about her, and the Hypnoshades bring out the worst in her. The angry, power hungry and harsh side to her, that was even built up from Splatoon 1. If you look at the dialogue from the Naughty vs. Nice, Early Bird vs. Night Owl and Callie vs. Marie Splatfests, you can see that Callie actually got upset at Marie multiple times due to her attitude.

It really does make Tidal Rush more emotional and powerful as a song if you really think about it. It's a clashing of two cousins whose relationship has been broken apart and Marie is desperately trying to reach out to Callie and fix what she has done. Maybe Marie blames herself for why Callie ran away and that's why she sounds like she's on the brink of tears in the song.... And it makes Spicey Calamari Inkantation more triumphant as a song too.

It does make me a bit angry that Nintendo doesn't wanna dive into these topics as well as Callie. She is flawed and has dark traits about her but, she doesn't try to change or grow from them in any significant or well written way, its like they forgot about it in Splatoon 3 which.... sucks man. I'm hoping we get a Side Order type deal with the Squid Sisters for Splatoon 4 and we dive deeper into the psyches of these girls, because what we have is really interesting but it lacks explanation and nuance and everyone keeps boiling it down to "welp Callie got kidnapped and mind controlled!" Which... its more complex than that... With Agent 3 and Marina it's for sure mind control and i would like to talk about them in a future blog but, with Callie? It's different and there's a lot of layers a lot of people tend to ignore because Splatoon 2's story is just... meh.

[abstractnaturaldisaster]

is it over now? (was it over then?)

part six

part seven: i slept all alone

Steve had been getting into the rhythm of a new set and being without Robin for the first couple of weeks of production. He wasn't as deer in the headlights as he had expected but he did feel somewhat distant from the rest of the cast who all had connections dating back years. Steve took his time getting to know everyone and by the end of the second week he felt less like a pity invite to going out in the small Italian town and more like one of the group. He still respectfully declined the invite so he wouldn't miss out on his approximately one hour of social media time he allowed himself to keep to the general spirit of the director's rules.

Steve didn't mind being generally unplugged but he did really like to keep up with what his kids were doing and he felt like he was at least a little obligated to see how Robin and Nancy were getting on without him present for cover. The kids kept their whatsapp group chat to a relatively manageable level during the week leaving a few tidbits here and there for Steve to catch up on and after Steve felt mostly caught up he'd provide a short little update of what his week was like. Usually no one got back to him super quickly as it was mid-day in the states and most of the kids were at work or busy and Robin and Nancy were usually a bit tied up in each other if they didn't have any other obligations. Steve didn't mind though because next week like clockwork he'd have several follow up questions and encouraging notes about his update before the group chat chatter turned to whatever else had happened.

Once Steve had caught up with whatsapp he started scrolling through instagram and noticed he had a few tagged posts. Some were just the usual gossip sites taking random paparazzi photos to add to a weekly roundup of where famous people were summering or similar nonsense but he saw a photo of Robin and Nancy he most certainly was not expecting to see come up on his feed.

buckley guess the cat's out of the bag. srry i'm not cool and romantic like my new partner (!!!) but it's pretty great not to have anxiety attacks that i didn't actually turn on close-friends or worry that some waiter read into nance and i's behavior too much. thnx steve-o for keeping this under wraps for way longer than you had to and for being the best scene partner / rumored lover a girl could ask for. hurry back from italy so you can third wheel us in public, dingus.

Steve double checked the time in the US and called up Robin. She had some explaining to do.

part eight

***super short update because i am sick but i wanted to keep the story moving! just wanted to show a quick glimpse of Steve seeing Robin's post. depending on how the story is going the next part might be Steve and Robin's phone call or back to Eddie trying to get his shit together***

@lololol-1234 @swimmingbirdrunningrock @zombiethingy @grtwdsmwhr @dreamercec @anne-bennett-cosplayer @strawberryyyenthusiast @mensch-anthropos-human @kal-ology @ttyrussss @kristmkris @starman-jpg @wonderland-girl143-blog @child-of-cthulhu @legalmenace87 @adealwithher @practicallybegging @lunaraquaenby @stripey82 @lexyvey @goodolefashionedloverboi @mothmamhasyourlocation @mugloversonly @sherrylyn0628 @steddieinthesun @wonderland-girl143-blog

(if you wanna be tagged in future parts feel free to comment! happy to add people)

[theresattrpgforthat]

It would be awesome if you could recommend some solo ttrpgs! I've been getting into them a lot lately and want to know more of what's out there. Especially journalling ones, as I enjoy creative writing. So far I've looked into (and will probably buy soon) Firelights, Apawthecaria, and Fox Curio's Floating Bookshop.

Also, I love this blog a ton. Already there have been some awesome games I've learned about from you, including the one you're currently working on. Excited to give it a try sometime! Keep being amazing 💜.

Theme: Solo Journalling Games

Thank you so much for your kind words! I'm certainly excited to run Protect the Child for folks, play-testing it so far has been really fun!

As for your ask, solo games and journalling go hand in hand. These next few games are just a sampling of what I've added recently to my Solo Games folder on Itch.

Cats Know Things, by Mushroom Witch Games.

CATS KNOW THINGS is a light-hearted game meant to tell a humorous story of intrigue, all while pretending to be a very nosy cat. 

But you are no ordinary cat.

You are a very special feline who, through some magic you cannot explain, can communicate with your human, an individual who wishes to make their mark in society by any means necessary. The two of you decide to start a society page, (a very fancy type of tabloid newspaper dedicated to a particular location) revealing the glitz, glamour, and inner turmoil of the town’s most notable individuals. 

Use a d6 and a d10 to generate numbers, and sneak into places to listen into secret or private conversations. Then bring this news to your human companion, so that they may relay this gossip in the local society page. You need to find 6-8 scintillating stories before the week is up, so that your human has enough to print.

If you want a game full of scandal and cute furry little rumour-mongers, this might be the game for you!

Lingering, by Meghan Cross.

The last thing you remember, you were dying.

Now, breath fills your lungs once more and your eyes open, slowly shifting side to side as you attempt to regain your bearings. You are alive. But you are…changed. Your human form is gone, and in its place is one that is different, foreign, animal…

In Lingering, you play as a person who has died, only to find yourself alive again in an animal form, unable to move on to your eternal rest until you settle business left unsettled from your life. 

Throughout the course of a game, you will make several attempts to communicate with a chosen human, hoping to convey a message to them so they can assist you and help you move on once and for all. 

This game uses a deck of cards and some guiding adjectives to determine how your attempts at communication will go. Over eight rounds, you’ll flip cards while guessing as to whether each card will be higher or lower than the previous one, and a successful guess means a successful interaction. The details of those attempts are what you’ll be journalling, and Lingering provides a number of questions that you might try to answer with each attempt.

This game takes place over eight rounds, so it’s excellent if you want a short, contained game. It also has a two-player option if you want to try this game out with a loved one.

Dragon Dowser, by HatchlingDM.

Dragon Dowser is a solo journaling RPG using the Carta SRD by Peach Garden Games. You play a mysterious character known as a 'Dowser'. Your aim is to locate abandoned dragon eggs and return them to your Sanctuary. If you succeed before expending your resources, the hatchling you rescue will be reared to change the kingdom forever! 

This is a lovingly crafted game that uses card suits to represent four different kinds of ways your character will be tested, as they interact with different cultures, explore new landscapes, and dea with various conflicts, both human and nature-made.

You’ll travel across a grid of cards that provide you with journaling prompts as you travel. You’ll expend resources to overcome obstacles, looking for a dragon egg, represented by an Ace! Once you return this egg to a sanctuary, you’ll journal about your experience of raising the hatchling. Based on the games you’ve mentioned so far, I think Dragon Dowser is right up your alley.

EDEN, by blasez-faire.

You are Judaiah Clark, the Head Botanical Researcher at the Southern Sector of Eden. You are here for exactly 10 days, and were a last minute choice after the sudden disappearance of ■■■■■■ ■■■■■, the last person to hold this position. You are not here for work. Investigate.

EDEN is a single-page game that takes place over the course of 10 in-game days, with two questions that you will have to answer in your journal for every day. You are expected to write up a report with detailed notes, so much of the extrapolation taken from each pair of questions is going to come from your own imagination. To help with this you might want to come up with names for other characters, draw a map of the Southern Sector, or go into detail about the plants that this research station grows.

One thing is for sure - this is going to be a horror story. If you like games that give you a lot of room to stretch your creative wings, and you also like writing terrible endings for your characters, you might like this game.

Black Mountain Numbers Station, by Simon de Vet.

You wake one morning to the sound of a voice on the radio reading a series of numbers. On impulse, you jot them down. These numbers will become your life.

Black Mountain Numbers Station is a one-page, solo-journaling game about a mysterious broadcast, and about finding patterns in randomness. Using a unique dice mechanic to prompt you to describe your journey, you will tell a short story of obsession, frustration, and discovery.

This game is uses a 6x6 grid with boxes that you’ll need to fill when you roll a pair of dice. You’ll trigger evens when you roll doubles or find a certain pattern on the grid as you fill it, and in both of these cases, you’ll write special journal entries. The game ends when you fill your Frustration track, which symbolizes listening for too long without learning anything new. What exactly you learn, however, is up to you.

Bound, by K Ramstack.

Bound is a single player setting agnostic game about the connection between two people as they travel to a destination through the destruction of the world on a journey they will most likely not complete.

You will create two characters, their relationship to one another, the destruction that haunts them, and the motive for them to move forward.

During the game, you will be asked to write scenes in first person, switching perspectives between characters, and using their personality traits and subjective conceptualizations of each other to answer prompts.

Bound has a single and two-player version, and uses two decks of playing cards, one for each character. Each card will relate to a prompt on the prompt table, but only the highest ranked prompt will be answered. Each prompt will ask a question about the relationship, and how it changes.

If you want a deeply emotional game with a beautiful layout and lovely art, this is the game for you.

The Narrator Paradox, by psychound.

The Narrator Paradox is a one page solo-narrating game where you try to tell a story … if your protagonist will let you. In it, you determine the five acts of your story based on an oracle, then make rolls for your plot beats to see if you can wrangle your protagonist into the prescribed narrative. If you can't, they defy you and take the story into their own hands. Wrestle the story into shape against a rebellious hero, or lose them forever and have to finish the story without them in it. 

Using the Major Arcana of a tarot deck, two six-sided dice and a coin, The Narrator Paradox has a number of different ways that you’ll try to keep your story on track. However, with so much randomness, your protagonist is sure to have a mind of their own. This feels very much in tune with how many writers talk about their characters as if those characters have their own desires, so if you’ve ever related to that you might enjoy this game.

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My Solo Games tag! I use this tag for every recommendation post specifically for solo games.

[nerdieforpedro]

He told me his name

The Mandalorian/ Din Djarin x plus size female reader

My entire blog is 18+ MDNI

Word Count: approx. 1.3k

Summary: It's not clear if you enter The Mandalorian's orbit or you enter his, but slowly the two of you are growing closer.

Warnings: vague mentions of mechanic work, HANDS (It's my thing about Din okay?!), fluff, some violence, blood, injuries and first aid

Notes: I've wanted to write another Din fic for a while and didn't have any sparks. Then I read @ramblers-lets-get-ramblin 's Din fic (Sorgan girls Are Easy) she put out yesterday which is excellent. I had my spark. ⚡️ Though the fic I wrote isn't similar to hers at all. Not even in the same category. 🤣 My fic is very moody. I might write a follow-up one shot to this.

Dividers are by the wonderful @saradika-graphics

Main Masterlist / Din Djarin Masterlist /Our Journey Across the Star Ocean

Lingering near your workstation had you curious, but you chalked it up to just being curious about how you worked. You’re aware that your organization, separation and tinkering can be slower than other mechanics but it also means you don’t need to double check your work as often.

The Mandalorian was intimidating and never rude or even commanding. In fact he was polite and let Peli speak to him pretty casually. You only said hello and goodbye.

That’s why it struck you with surprise when Peli asked during one evening card game with the droids if you’d consider riding with the “walking tin can” as she put it. You blinked and asked why you, shouldn’t he be asking her to come with him. She told you that she had a business to run and she’s not gallivanting around with a trigger happy bounty hunter who has to keep track of an adorable but absurdly strong baby. 

“You need some excitement anyway. You’ll just waste away here without any good memories or fun stories to tell. It will just be a life of regrets of paths not taken.”

Her words rang in your head as the small green child sat in your lap. The Mandalorian was at the controls, silently charting their course. Was this a good decision?

He allowed you to come with him when he got his tracking fobs and when he turned in his bounties. The first touch was between your shoulder blade to your back, guiding you and the child through the market back to the Razor Crest.

The second was when his gloved hands touched yours while trying to improve your aim using a blaster. His voice was more gentle than his normal flat one. Closer to what he used with Grogu but still not as much warmth. It was enough to have you believe him to be kind.

The third happened after he brought a bounty back to the ship and he saw Grogu patting your cheeks as you spoke to him. Explaining about what different bolts did, it looked like you were organizing your tools again. His gloved hand was placed on your shoulder which had you peer up at his t-visor. He gave you a nod and went to inventory his weapons. Maybe it wasn’t just kindness. Maybe he believes you to be useful, a smile creeps along your face.

Such small gestures continued until you took Grogu out for a walk. 

It was a fairly green planet and Din said it was safe, you didn’t wander far from the ship as it was still in view. The first crawling plant you saw and shot it through and through with your blaster. The second, nipped your leg but you were able to knock it off and shot it twice. On the way back to the ship you were clear, but one jumped the gangway and a tentacle sliced across your back before you were able to turn and shoot it. You limped back into the Razor Crest and were able to clean and dress your leg but not your back. Grogu wouldn’t stop screaming and you kept moving him away from you to not get blood on the poor child.

The bounty hunter saw you, quickly put his bounty on carbonate and grabbed the bacta spray. He spoke to his son and was able to calm him slightly as he ripped your shirt and bra to try and access the wound on your back but the blood and secretions in your wound from the tentacle made it increasingly difficult as you bled. 

“I apologize for this. I’ll need to cut off the rest of the back of your shirt to clean and apply the spray and…” He paused. The Mandalorian you know never paused, he was always measured in his speech, even with Grogu. “It may be easier for me to do if I remove my gloves. They’ve become too slick with your blood. Is that alright?” You found it puzzling that he was asking permission considering it’s one of the main tenets of his religion. You didn’t care either way as long as the bleeding and pain stopped. 

“It’s fine Mando. Do what you need to do. Grogu’s okay right? I didn’t get any blood on him, I think.”

You closed your eyes and heard the Mandalorian give a few curses as he removed his gloves, warm calloused fingers were dabbing your back and applying pressure. After holding it a few minutes, you felt the cool spray of the bacta and some patches being applied with more pressure. There seemed to be less pain and your back didn’t feel like a dripping pool so you counted your lucky stars and thanked the Maker that the bounty hunter had come back earlier than later. You felt something soft spread over your body and you were lifted off the floor of the ship and brought to your cot. How did he lift you so easily? Did beskar help with that? You didn’t think so, but you know next to nothing about the stuff. It was there that you drifted off to sleep.

When you awoke later, Grogu had tucked himself on your pillow with a small green hand on your cheek. It made you feel happy to see the little green one next to you, but you felt something in your hand. It was what had been on your back. Mando had one of his gloves off and was holding your hand with his bare one. His other hand was touching Grogu’s back but his glove was on. You turned away for a moment to let a tear fall. He cares about you, you’re more than useful, maybe.

Grogu remained asleep but Mando awoke, squeezing your hand in his. “You’re awake? Has the pain subsided? I should check-” You turned back to shush him and carefully sat up, the blanket falling off your partially and he released your hand to pull it around you. The back of your shirt was open and had fallen forward some when you got up, but not expose anything thankfully.  “You should keep warm. We’re on our way back to turn in the bounty. I-I am sorry.”

“There’s no reason to be sorry. They came out of nowhere. I was able to not get killed because of the blaster shots you had me practice and Grogu’s safe so-” Since you’re not holding Mando’s hand any longer, you grasp the blanket, to have something in your hand.

“You were not safe. You were hurt badly. Do…I would not blame you if you wanted to leave.” His register is low, not threatening, but there’s sadness in it. He was sitting at your bedside mere moments ago. You wished to hop back in time and keep still so you wouldn't wake him. Just to have stayed in that moment a bit longer…

“I refuse to go. I will not. You’ll have to toss me off. I’ve seen so many things and places and I want to see that much more. You’re stuck with me Mando.” The blanket drops as you release it and you grab his bare hand with both of yours. “I’m not going to but. I just don’t want to go.” Speaking as you lock your eyes on his t-visor, a deep hum is heard from the hunter, but you remain firm.

“I am called Din. Please do so while it’s just the three of us.” His thumb ran across your palm and tickled your skin making you chuckle. “You will remain and hopefully I will hear more of your laugh.” Your smile only grows with his answer. “Please rest for now. Our journey isn’t over.”

Part Two

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